Other graphic or visual art forms Books

Book SynopsisFrom the author of the New York Times bestseller The Pact, Love, In English and the Dirty Angels Trilogy. If you devoured the Fifty Shades trilogy and the Crossfire series, you''ll love The Artists Trilogy - a dark, explosive ride about a sexy, dangerous love triangle.The Artists Trilogy - Book OneEllie Watt is used to starting over. The daughter of a grifting team, Ellie spent her childhood being used as a pawn in her parents'' latest scam. Now she''s much older, wiser and ready to give her con artist life a rest. But returning to the dry desert town of Palm Valley, California means one more temptation than she bargained for - Camden McQueen. Once known as the high school weirdo, Camden is bigger and badder than the boy he used to be and a talented tattoo artist with his own thriving business. Ellie''s counting on Camden still being in love with her but what she''s not counting on is how easily unrequited love can turn intoTrade ReviewA hot and sexy, action-packed romance in a category all its own. The chemistry between Ellie and Camden sizzles and sparks on the page ... Sins & Needles is unforgettable and will leave you begging Halle for more * Romantic Times *I'm officially addicted to Karina Halle's writing, but I don't plan on seeking a cure for this obsession anytime soon -- Chelsea M. CameronI knew from the moment I began chapter one that Karina and I are kindred spirits -- CJ Roberts

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Book SynopsisLearn to create unique, contemporary works of art with traditional carving tools and printmaking techniques. Step-by-step projects and creative lino prints make it fun and easy. Aspiring artists, illustrators, art students, and art hobbyists will discover how to use basic carving tools and techniques to design and create custom lino prints for distinctive works of art. Practical instruction combined with approachable step-by-step projects and inspirational imagery guide readers on an engaging, easy-to-follow exploration of block printing. Following an introduction to essential materials, such as printmaking inks, linoleum blocks, carving tools, and papers, Block Print for Beginners demonstrates how to get from uncarved block to finished print, including transferring a drawing, carving the block, working with inks, and achieving the best print results. Once comfortable with the basics, aspiring printmakers can move on to explore a series of step-by-step tutorials for creating a variety of lino prints with blocks they can use over and over again. From basic block prints to more advanced techniques, such as printing in repeated patterns and creating stationery, wrapping paper, wallpaper, and more, Block Print for Beginners provides a fresh, contemporary, and enjoyable approach to learning this time-treasured art form. The Inspired Artist series invites art hobbyists and casual art enthusiasts to have fun learning basic art concepts, relaxing into the creative process to make art in a playful, contemporary style. Also from the series, find even more artistic inspiration with: Draw Every Little Thing, Paint Every Little Thing, and Watercolor Painting at Home.Trade Review"I walked away from the book not only feeling inspired but also supported that I could actually whip up some unique stamps of my own that I could use again and again in my work." * JenniferPerkins.com *Table of ContentsIntroduction How to Use This Book Finding Inspiration Tools & Materials Fundamental TechniquesBasic Block PrintsOne-color Block Print Two-color Block Print Multicolor Interlocking Block Print Traditional Carving Block Print Hand-colored Block Print Mosaic-effect Block Print Rainbow Roll Block Print Puzzle-cut Block Print Multiplate Block Print Reduction Block PrintTechniques Using Block & StampPrinting Abstract Forms Printing in Repeated Patterns Printing with Colorful Stamp Ink Printing Collage PiecesCreative Ideas for Carved BlocksBookplate Thank-you Card Wrapping Paper Tea Towel Wallpaper Glossary Printmaking Resources Acknowledgments About the Author

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Book SynopsisThis jewel-like book evokes unmistakable Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is an opportunity to explore Italy, from Apennines to Veneto, through the eyes of a very particular artist.

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Book SynopsisAn in-depth handbook to defending a vulnerable and vital form of art.

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Book SynopsisObject Logos contains a carefully curated selection of logos, trademarks and symbols from around the world formed of objects such as scissors, musical instruments, sports kit, tools, keys and stationery.

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Book Synopsis'F****** genius!' Stanley Tucci Some years ago, Ingrid Swenson began collecting found shopping lists from the same North London Waitrose. Enlightening and funny, fascinating, and poetic, these private notes to self-detailing someone's weekly shop-rocket and antibacterial wipes, treacle and prawns, fags and milk - invite us to speculate on and imagine the private universes of their authors. They are, in effect, domestic haikus, scribbled on the back of letters and bills. Having formed the basis of an exhibition at the Art Workers' Guild in 2017, Shopping Lists documents a consuming fascination - of both Swenson's and her subjects' - providing an amusing, insightful and occasionally profound insight into the lives of ordinary Londoners.Trade ReviewF*****g genius * Stanley Tucci *A rare glimpse into entire, private worlds [...] It's unputdownable. I found it much more interesting than some of the novels on the current Booker shortlist. Shopping Lists provides a reminder of a world that was [...] Extraordinary. * The Spectator *Shopping Lists is a poignant record of a dying form. * The Sunday Times *Captures everything from the endearing [...] to the smart. * Mail on Sunday *This is a goldmine of information, offering a humbling and humane insight into everyday life. * Buzz Magazine *

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Book SynopsisTribal Streetwear is lifestyle streetwear brand that seeks to represent a variety of southern California sub-cultures that includes graffiti, street art, skateboarding, surfing, tattoos, hip hop, breakdancing, punk, lowriders, and custom culture. Based in San Diego, California, Tribal has strong Chicano roots in its aesthetic and spans the globe with retail stores on several continents. The text presents a series of articles,essays, and personal reflections thatexplore the various dimensions of TribalStreetwear, and howthe impactof their designs continues to balance theprecarious act of being relevant andresponsible with their resources. The book is divided into four sections. Section 1 features essays that set a context for the text. This includes a history of Tribal and where it fits within the history of streetwear, a personal narrative of the founding of Tribal, and lastly an essay on the uniqueness of southern California aesthetics and the fascination with this southern Cali

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Book SynopsisA guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider’s view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, DESA, Shirt King Phade, RIME, MadC, Saber, AURA, and others. Told through essays, hundreds of images, and interviews with the artists – both the underground outlaws and the writers who went mainstream – The Wide World of Graffiti will become the standard-bearer of the art form’s history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form.Trade Review‘In Ket’s capable hands, these stories are not only preserved but also eloquently conveyed.’ – Brooklyn Street Art ‘The Wide World of Graffiti chronicles the origins of the graffiti movement, tracing its evolution, and celebrating the artists who have shaped this art movement while educating readers about its history and significance.’ – Art Burst Miami ‘Taggers will love this beautifully crafted celebration of graffiti. . . It is the best kind of history book; the kind told by the people who were there, who created the art form, lived by it and are now witnessing a belated appreciation of it’ – Homes & Interiors Scotland ‘Ket delivers a knockout in this all-encompassing survey of graffiti culture.’ – Publishers Weekly ‘Through detailed essays, in-depth interviews, and stunning photographs, Ket’s account makes palpable the vibrant, dynamic culture of an underappreciated art form. This impresses.’ – Publishers Weekly

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Book SynopsisFifty Years of New York Graffiti Art and Beyond is the first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades. 'If you wanted one artist to speak for a whole genre, Lee is your man. If you want a book that treats graffiti as fine art and illustrates it sumptuously, this is it.' - The Artist 'An inspired outlaw with a meticulous design process and precision painting skills, his voice responded to the social and civil unrest of the era and found expression in painting graffiti, an ancient art form that he and many of his peers had to defend in the larger art world.' - Juxtapoz 'What we have here are essentially moments in time, a stop-frame history of fifty years of graffiti, if you like. If you want just one book on the subject, this would be it.' - Art Book Review When 14-year-old Lee embarked on his first spray paint mural in 1974, he carried marker drawings into the New York City subway train yards t

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Book SynopsisCamille’s art is visceral, immediate and instinctive. Her bold colours, playful shapes and geometric patterns create a powerful visual energy, lifting moods, stirring hearts and raising smiles in all who pass by. Known for her ambitious, largescale and explosively colourful interventions in public spaces, Camille Walala uses the manmade landscape as a platform for disseminating positivity. This timely monograph presents her work and philosophy in all its colourful glory. This book is available in eight different cover designs; books are shipped to customers at random.

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Book SynopsisEric Carle’s life and work are explored in this comprehensive and updated portrait that includes: A brand-new and refreshed cover More than sixty full-colour illustrations from his books Full-colour art pieces showcasing his art style beyond his book work (New to this edition!) A moving autobiographical account of his life (updated for this edition) An insightful speech by Eric Carle originally given at the Children’s Literature Center in the Library of Congress A photographic essay on how he creates his collages A full-colour illustrated bibliography of all of his books Anecdotal reflections by Ann Beneduce, his longtime friend and editor of The Very Hungry Caterpillar Essays on the power of his art by his German publisher, Dr. Viktor Christen, and Takeshi Matsumoto, curator at the Chihiro Iwasaki Museum in Tokyo. New for this edition, essays by Nicholas B. Clark, chief curator and founding director of The Eric Carle Museum of Picture Book Art, and Alexandra Kennedy, executive director of The Carle.

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Book SynopsisAn exploration of colourful collages influenced by autism and the natural world by award-winning environmental artist James Owen Thomas.James creates bold, engaging collages and montages from old lottery scratchcards and other used materials. His autism has an influence throughout his creative process, from gathering materials to sorting them by colour, visual theme and texture before hole-punching, tearing or cutting them up for collaging it even affects the subjects he depicts. These are primarily peaceful, calming woodland settings and animals, but also branch out into architecture, portraiture and the surreal. This beautifully illustrated examination of his work shows how his art and love for nature have helped him cope with autism from an early age, going on to explain the inspiration behind many of his pieces and the various techniques he uses. An emotive biographical section describes the many challenges of his autism and how he has worked through them and with them to become a successful artist and environmental campaigner. James' heart-warming success story and beautiful art will chime with anybody seeking to understand more about autism, and also serves as inspiration for budding collage artists and environmentalists.

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Book SynopsisA fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion.''Rare, lovely glimmers of everyday life in the Middle Ages.'' -- The Sunday Times''A fascinating and enjoyable read'' -- ***** Reader review''Superb'' -- ***** Reader review''Riveting'' -- ***** Reader review''Compelling, moving and fascinating'' -- ***** Reader review*****************************************************************************************************Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed.Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayTrade ReviewRare, lovely glimmers of everyday life in the Middle Ages. -- Dan Jones * The Sunday Times *While rigorous in its scholarship – packed full of information and insights which have come from research pursued over many years and collected by a dedicated team of surveyors – it is eminently readable. -- William Anderson, University of Melbourne * Peregrenations Journal *

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Book SynopsisTrade Review"Going All City is an amazing read that is impossible to put down. A cutting-edge geographical exploration of under-examined Los Angeles landscapes, this poignant, insightful book is unique within graffiti scholarship and expansive in our understanding of the city. Depicting the pain of a childhood spent in poverty, the ambiguity of race, and the subjective experience of policing and gangs, this is the remarkable story of just one of thousands of young people who have found power in the clandestine practice of graffiti."--Susan Phillips, author of Wallbangin' Gangs and Graffiti in L.A.

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Book SynopsisThis study examines the waves of graffiti that occur before, during, and after a conflictimportant tools of political resistance that make protest visible and material. Graffiti makes for messy politics. In film and television, it is often used to create a sense of danger or lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. But it is also a resistive tool of protest, making visible the disparate voices and interests that come together to make a movement. In Conflict Graffiti, John Lennon dives into the many permutations of graffiti in conflict zonesranging from the protest graffiti of the Black Lives Matter movement in Ferguson and the Tahrir Square demonstrations in Egypt, to the tourist-attraction murals on the Israeli Separation Wall and the street art that has rebranded Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but as the conflict subsides a newTrade Review“Conflict Graffiti strengthens our understanding of the role graffiti plays in place making and in social lives embroiled in conflict. Lennon shows that walls, and the writing on them, are formative elements of our world—they create and supersede conflict, and they represent not only human suffering but creativity and resilience. This book provides a fascinating glimpse into unknown places, movements, genres, and histories of graffiti.” * Susan A. Phillips, Pitzer College *“Deeply researched and beautifully written, Conflict Graffiti reveals the ways in which street graffiti both detonates and documents global battles over public space, politics, property, and cultural belonging. Indecipherable to some, invitational to others, such graffiti provides a potent resistance to established authorities by hiding in the light of its own illicit visibility. Yet these same authorities in turn use their own forms of graffiti and street art to signal not resistance, but pacification and privilege. Attuned to such complexity, Conflict Graffiti brilliantly theorizes graffiti and its place in contemporary global dynamics.” * Jeff Ferrell, Texas Christian University *“From Ferguson to Palestine, this elegantly crafted and vividly detailed text takes graffiti, an under-theorized form of political action and expression, and locates it firmly in the arsenal of resistance to oppression. Closely articulated to forms of state violence and the specificity of time and place, graffiti is a ‘tool of dissent’—speaking back and speaking to—in its demands for radical change. While never losing sight of the creative and political impulse, Lennon does not mince words in his critique of the commodification and appropriation of street art.” * Julie Peteet, University of Louisville *“Conflict Graffiti is a thoughtful, comprehensive and engaging analysis of graffiti and the people who participate in this activity in the context of contemporary political conflicts throughout the world. It should be of interest to scholars, practitioners, and students for years to come.” * Jeffrey Ian Ross, University of Baltimore *"As [Lennon] shows in this accessible and expertly researched monograph, graffiti has the power to educate those who take the time to read the writing on the walls. In addition to the romantic view of graffiti as artistic expression, graffiti is a window on to what the everyday inhabitants of a particular place have to say, what they think, what they desire and what they rally against, free from the pressures of profit-motivated actors and government censors... [A] much-needed lesson for a whole new audience." * Times Higher Education *Table of ContentsPreface an introduction to conflict graffiti 1. walls, streets, and public spaces 2. the messy politics of conflict graffiti: desire, graffiti, and assembling a revolution 3. erasing people and land: banksy, the separation wall, and international graffiti tourists 4. framing hurricane katrina: graffiti and the “new” new orleans 5. “for more than profit”: graffiti, street art, and the gentrification of detroit conclusion Acknowledgments Notes Index

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Book SynopsisExpanded third edition celebrating the extraordinary three-dimensional anamorphic chalk paintings of the fêted British street artist.

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Book SynopsisTraces the history of graffiti in New York City against the backdrop of the struggle that developed between the city and the writers.Trade ReviewAustin argues that the graffiti epidemic was really a smokescreen for poor civic management, and that graffiti itself was the inevitable result of a whole outpouring of structural social factors. New York Times Book Review Although solidly academic, this book is enlivened by its fascinating topic. Booklist A meticulous history. Booklist Austin's precise, witty, and genial style perfectly meshes with his rigorous research and analysis... This exemplary study makes important contributions to understanding contemporary art, urban sociology, and the culture wars. Publishers Weekly (starred review) Lets the graf writers talk back to the haters, while offering a nuanced reassessment of New York City's graffiti scene. Village Voice Austin does full justice simultaneously to New York as a symbolic, although never more than partially representable, city; to changes in the city's economy which create nationally unusual shifts in the relative distribution of wealth and in the ethnic make-up of poverty...ranges widely and with rich detail, yet always anchored in the central narrative focus. Urban StudiesTable of ContentsPrologue 1. A Tale of Two Cities 2. Taking the Trains: The Formation and Structure of "Writing Culture" in the Early 1970s 3. Writing "Graffiti" in the Public Sphere: The Construction of Writing as an Urban Problem 4. Repainting the Trains: The New York School of the 1970s 5. The State of the Subways: The Transit Crisis, the Aesthetics of Fear, and the Second "War on Graffiti" 6. Writing Histories 7. Retaking the Trains 8. The Walls and the World: Writing Culture, 1982-1990 Conclusion: A Spot on the Wall Appendix: Sources from Writers Notes Selected Bibliography Acknowledgments Index

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Book SynopsisTraces the history of graffiti in New York City against the backdrop of the struggle that developed between the city and the writers.Trade ReviewAustin argues that the graffiti epidemic was really a smokescreen for poor civic management, and that graffiti itself was the inevitable result of a whole outpouring of structural social factors. New York Times Book Review Although solidly academic, this book is enlivened by its fascinating topic. Booklist A meticulous history. Booklist Austin's precise, witty, and genial style perfectly meshes with his rigorous research and analysis... This exemplary study makes important contributions to understanding contemporary art, urban sociology, and the culture wars. Publishers Weekly (starred review) Lets the graf writers talk back to the haters, while offering a nuanced reassessment of New York City's graffiti scene. Village Voice Austin does full justice simultaneously to New York as a symbolic, although never more than partially representable, city; to changes in the city's economy which create nationally unusual shifts in the relative distribution of wealth and in the ethnic make-up of poverty...ranges widely and with rich detail, yet always anchored in the central narrative focus. Urban StudiesTable of ContentsPrologue 1. A Tale of Two Cities 2. Taking the Trains: The Formation and Structure of "Writing Culture" in the Early 1970s 3. Writing "Graffiti" in the Public Sphere: The Construction of Writing as an Urban Problem 4. Repainting the Trains: The New York School of the 1970s 5. The State of the Subways: The Transit Crisis, the Aesthetics of Fear, and the Second "War on Graffiti" 6. Writing Histories 7. Retaking the Trains 8. The Walls and the World: Writing Culture, 1982-1990 Conclusion: A Spot on the Wall Appendix: Sources from Writers Notes Selected Bibliography Acknowledgments Index

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Book SynopsisTrade ReviewA landmark in scholarship. . . . Highly recommended. * Choice *Table of ContentsAcknowledgmentsCollage of Time Harvard Lampoon Parody, William S. Burroughs, facsimile, 1965Introduction: Cutting Up the Century / Alex Wermer-Colan and Joan HawkinsBiographical Timeline Metamorphosis1. Cutting Up the Century / Oliver HarrisThe Reality StudioSECTION I: ICON/VIRALDeposition of the Ugly Spirit, William S. Burroughs, typescript, Villa Muniria, Summer 19612. Burroughs and Biography: An Interview with Barry Miles / Oliver HarrisCutting Up the Critics, typescripts, 1962–643. The Nova Convention: Celebrating the Burroughs of Downtown New York / Kristen GalvinNova Convention Poster, Sylvere Lotringer, facsimile, 19784. The Disembodied Fry: William S. Burroughs and Vocal Performance / Landon PalmerCut-up with Limericks, William S. Burroughs, typescript, 19715. William S. Burroughs' Spirit of Collaboration / Allen HibbardSECTION II: SPACE/TIME6. Burroughs and the Biosphere, 1974–1997 / Kathelin GrayThe Permissive Society, William S. Burroughs, typescript, 19717. Beat Regionalism: Burroughs in Mexico, Burroughs in Women's Studies / Aaron NyergesCollage of Newsclippings, William S. Burroughs, facsimile, 19708. Interference Zones: William Burroughs in the Interstices of Globalization / Timothy S. MurphyOn China9. Cut-Up City: William S. Burroughs' "St. Louis Return" / Eric SandweissSECTION III: WORD/IMAGEOn Addiction10. William S. Burroughs' Imperial Decadence: Subversive Literature in the Cynical Age of the American Century / Alex Wermer-ColanOpium Collage, William S. Burroughs, typescript, Dream Rat Calendar, Monday Bellevue 4, 197011. Naked Lunch and the Art of Incompleteness: The Use of Genre in Burroughs' Book and Cronenberg's Film / Joshua VasquezThe Fall of Art12. Queer Outlaws Losing: The Betrayal of the Outlaw Underground in The Place of Dead Roads / Kurt HemmerThinking in Colors13. Rimbaud and Genet, Burroughs' Favorite Mirrors / Véronique LaneSECTION IV: CUT/FOLDOn the Cut-Up14. Cross the Wounded Galaxies: A Conversation about the Cut-Up Trilogy / Davis Schneiderman and Oliver HarrisThe Photo Collage: Watergate15. "Word FallingPhoto Falling": William S. Burroughs and the Word as Written Image / Blake StricklinCutting Up Scientology16. Mutable Forms: The Proto-Ecology of William Burroughs' Early Cut-Ups / Chad WeidnerSECTION V: BODY/SPIRITThe Wild Boys, A Pornographic Screenplay17. William S. Burroughs, Transcendence Porn, and The Ticket That Exploded / Katharine StreipDream Note on Indictment for Murdering Joan, William S. Burroughs18. Gender Trouble: A Critical Roundtable on Burroughs and Gender / Ann Douglas, Anne Waldman, and Regina WeinreichCutting Up Last Words19. The Burroughs Effect / Anne WaldmanRoot Face, William S. Burroughs, facsimile, 1987Index

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Book SynopsisAn exploration of minimal writing—texts generally shorter than a sentence—as complex, powerful literary and visual works.In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art.Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. “absence of clutter,” for example, the

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Book SynopsisThe essential retrospective of the work of acclaimed visual artist and singer-songwriter Terry Allen, with essays, including one previously unpublished, by leading cultural critic Dave Hickey and more than 200 superb illustrations.Table of Contents Introduction (2009) by Dave Hickey JUAREZ (1970-present) Born in a Trailer: Borne Forth upon the Perfect Ship (1992) by Dave Hickey RING (1976-1980) RING: "A story which swallows its own tale" (1981) by Marcia Tucker YOUTH IN ASIA (1982-1992) Terry Allen's YOUTH IN ASIA: An Interview by Dave Hickey (1991) Terry Allen's Big Witness: A Less Perfect Union (1989) by Dave Hickey Installations (1976-present) A Few People Dead (1983) by Dave Hickey Public Works and Bronzes Sculpture and Works on Paper Music (1968-present) This Ain't No Top '40s Song: The Music of Terry Allen (2009) by Michael Ventura Discography Select Music Performances and Recordings Plates Biography Select Exhibitions, Installations, and Collections Select Theater and Radio Performances and Scripts Select Catalogues and Books

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Book SynopsisBioart, art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice. This book offers a theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Trade Review"In this concise, clearly written work, Mitchell explores bioengineered life as an artistic medium creating flows between the sciences and the humanities. Recommended." * Choice *Table of ContentsAcknowledgments Introduction: Living Art 1. Defining Bioart: Representation and Vitality 2. The Three Eras of Vitalist Bioart 3. Bioart and the Folding of Social Space 4. Affect, Framing, and Mediacy 5. The Strange Vitality of Media 6. Bioart and the "Newness" of Media Notes Works Cited Index

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Book SynopsisUnified by layers of words, figures, and symbolic imagery, underlines Dill's desire to render transcendental experience into form

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Book SynopsisSurveys Layman's work in the context of dreams of utopia in suburbia, secession from the city, nostalgia for paradiseTrade Review"This book, an intense combination of images and text, is a rare encounter: rich and strange." -- Mike Dillon * City Living *

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Book SynopsisIn 1957-58, after he moved to New York's Lower East Side, Claes Oldenburg (b 1929) began making collages he has described as mostly done in an uncontrolled and intuitive dream mode. This title features Cleas Oldenburg's eighteen collages that were first shown in their entirety at the Menil Collection in 2012.

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Book SynopsisThe first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon

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Book SynopsisThis book is an exploratory adventure to defamiliarize calligraphy, especially Persian Nastaliq calligraphic letterforms, and to look beyond the tradition that has always considered calligraphy as pursuant to and subordinate to linguistic practices.Calligraphy can be considered a visual communicative system with different means of meaning-making or as a medium through which meaning is made and expression is conveyed via a complex grammar. This study looks at calligraphy as a systematic means in the field of visual communication, rather than as a one-dimensional and ad hoc means of providing visual beauty and aesthetic enjoyment. Revolving around different insights of multimodal social semiotics, the volume relies on the findings of a corpus study of Persian Nastaliq calligraphy. The research emphasizes the way in which letterforms, regardless of conventions in language, are applied as graphically meaningful forms that convey individual distinct meanings.This volume on PeTable of Contents1. Introduction 2. Corpus Analysis 3. Graphetic Analysis 4. Toward Semiotics of Nastaliq Calligraphy 5. Holliday's Triple Metafunctions: As Requisite of Any Semiotic Mode – In Nastaliq Calligraphy 6. Toward A Distinct Feature Analysis 7. Conclusion

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Book SynopsisWhat is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. ItTrade ReviewWinner of the 2015 Penny Pether Prize for Scholarship in Law, Literature and the Humanities‘My favourite criminologist in the world’- Banksy‘Street art is an elusive, complex subject, subject to misinformation and much prejudice. Alison Young offers readers a brilliant rigorous analysis, giving a comprehensive account of street art as a global phenomenon, and the tensions it frequently engenders in the control of public and private space, and the licit and illicit behaviour of artists who choose to stay away from the over-managed space of the museum or gallery.’- Sandy Nairne, Director, National Portrait Gallery, London‘From graffiti to "guerrilla knitting", political "pieces" to place-making "paste-ups", the various homologies and diverse characteristics of contemporary street art can seem bewildering, even to the most hard-bitten of urbanites. This sharp, stylish book provides a reliable and theoretically informed route map that, not only demystifies the genre, but also poses some important questions about street art’s democratic and political potential. Alison Young proves to be a most thoughtful and engaging tour guide as she takes us on a fascinating excursion across the contours of the international urban art scene and deep into the subterranean and ever-evolving world of today’s street artists. Whatever your feelings about graffiti, tagging, and other forms of urban mark-making, this book, just like the very best examples of street art, will challenge your preconceptions and make you think more deeply about the affects and effects of the twenty-first century’s most controversial art form.’- Keith Hayward, Professor of Criminology, University of Kent, UK‘Alison Young's Street Art, Public City is an indispensable sociology of street art, guiding the reader through the streets of many of the world's major cities. Brilliantly intertwining the disciplines of aesthetics, urbanism and legal theory, it paints a rich and compelling picture of the contemporary urban landscape, subtly bringing into focus a vital dimension of public culture.’- Professor Jill Bennett, University of New South Wales, Australia'One of the most notable achievements of Street Art, Public City is the lucidity that comes from having been written by someone with a background in law. As easily narrative and descriptive as the book sometimes becomes (and there are a lot of street art stories in it), it never loses a sharpness of argument and a powerful sense of direction.' - Sabina Andron, Bartlett School of Architecture, UCL‘My favourite criminologist in the world’- Banksy‘Street art is an elusive, complex subject, subject to misinformation and much prejudice. Alison Young offers readers a brilliant rigorous analysis, giving a comprehensive account of street art as a global phenomenon, and the tensions it frequently engenders in the control of public and private space, and the licit and illicit behaviour of artists who choose to stay away from the over-managed space of the museum or gallery.’- Sandy Nairne, Director, National Portrait Gallery, London‘From graffiti to "guerrilla knitting", political "pieces" to place-making "paste-ups", the various homologies and diverse characteristics of contemporary street art can seem bewildering, even to the most hard-bitten of urbanites. This sharp, stylish book provides a reliable and theoretically informed route map that, not only demystifies the genre, but also poses some important questions about street art’s democratic and political potential. Alison Young proves to be a most thoughtful and engaging tour guide as she takes us on a fascinating excursion across the contours of the international urban art scene and deep into the subterranean and ever-evolving world of today’s street artists. Whatever your feelings about graffiti, tagging, and other forms of urban mark-making, this book, just like the very best examples of street art, will challenge your preconceptions and make you think more deeply about the affects and effects of the twenty-first century’s most controversial art form.’ - Keith Hayward, Professor of Criminology, University of Kent, UK‘Alison Young's Street Art, Public City is an indispensable sociology of street art, guiding the reader through the streets of many of the world's major cities. Brilliantly intertwining the disciplines of aesthetics, urbanism and legal theory, it paints a rich and compelling picture of the contemporary urban landscape, subtly bringing into focus a vital dimension of public culture.’- Professor Jill Bennett, University of New South Wales, AustraliaTable of ContentsChapter 1 The Situational Artwork; encounter watching JR, Chapter 2 The Cities in the City; encounter criminal damage?, Chapter 3 Cityscapes; encounter losing the image, Chapter 4 Criminalising the Image; encounter things on walls, Chapter 5 Street Art and Spatial Politics; encounter Banksy under glass, Chapter 6 Transformations: Urban Imagination in the Public City, Bibliography, Index

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Book SynopsisCale Waddacor is a South African artist, musician, photographer and documentarian. Skateboarding through his home city, Johannesburg, he developed a passion for urban art and graffiti. He began photographing street artworks to document the country's rising street art scene and launched the website Graffiti South Africa in 2011, which was made into a book of the same name in 2014.Table of ContentsIntroduction • Eastern Africa • Central Africa • Northern Africa • West Africa • Southern Africa • The World & Beyond

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Book SynopsisWith current political and cultural climates across the globe growing more uncertain, a new generation of artists, designers, and communicators are using stencil art on the walls of towns and cities to voice thought-provoking messages and ideas. Exploring the medium?s applications within grassroots activism and the contemporary craft scene, Tristan Manco returns to the streets and brings this thriving art form to life.Exploring both process and results, this book delves into stencil art?s essential elements?place, space, technique, and subjects?before taking to the streets to see how, where, and why stencil graffiti is exhibited. Having accumulated an extensive network of street art contacts through more than two decades of immersion in the scene, Manco has scoured the globe for today?s most interesting stencil artists?those who operate outside the mainstream market of ?urban art? and beneath the radar of everyone but the truly aware.The Stencil Graffiti HandbookTable of Contents1. Basics • 2. Advanced Techniques • 3. Activism • 4. Themes • 5. Streets • 6. Studios 7. Resources

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Book SynopsisA guide to graffiti and street art. It explains the terms and language of graffiti and street art from tags and throwies to culture jamming and subvertising as well as their multiple influences and sub-genres. It traces the origins and evolution of graffiti and street art, and explores the motivations and practices of the leading exponents.Table of Contents1. From Graffiti to Post-Graffiti • 2. Graffiti’s Genealogy • 3. Street Art and the City • 4. Site and Space • 5. Urban Visual Culture

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Book SynopsisPop ArtThe newest installment in the Art Essentials series explores this phenomenon, which had its roots in post-war British and American consumerism before spreading and capturing the imagination of young artists. After establishing the origins of the form, the book delves into subjects like the role of stardom and glamor in pop art and how pop art vocabulary grew to include political figures and even war imagery.As written by Flavia Frigeri, an authority on the subject, this book is an essential guide for anyone fascinated by the pop art movement.

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Book SynopsisStreet Art is a phenomenon and subcultural movement that reaches from the darkest urban backstreets to the most glamorous international art fairs. Simon Armstrong examines how it evolved from its origins in the 1970s New York graffiti scene to embrace many new materials, styles and techniques along the way, tracing how this marginal art form graduated into art galleries and the art market, while also heavily influencing design, fashion, advertising and visual culture. Despite having earned a place in the canon of 20th-century art history, Street Art's qualifications are often disputed both by the art establishment and practitioners themselves, all concerned with notions of authenticity. Examining Street Art's controversial history in detail, this book provides a full-colour worldwide journey, taking in all of the movement's significant artists and artworks, styles, materials and methods, and showcasing the works that have come to define it more than any other. It also examines its close relationship to Pop Art and Digital Art, and explores possible futures for Street Art.

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Book SynopsisThe essential guide for any art aficionado keen to put their finger on the pulse of tomorrow's art.Trade Review'Exciting … Omar Kholeif looks to the future influence of some of today’s most promising and game-changing artists … an essential manual for the 21st century and beyond' - Hans Ulrich Obrist'A bold and capacious compendium of recent artistic practices' - W. J. T. MitchellTable of ContentsMapping the Contemporary: Introduction by Omar Kholeif • The Cause but not the Symptom: Introduction by Douglas Coupland • Technology: Jeremy Bailey; James Bridle; Ian Cheng; DIS; Constant Dullaart; Guan Xiao; Katja Novitskova; Trevor Paglen; Heather Phillipson; Jacolby; Satterwhite; Hito Steyerl; Ryan Trecartin • Identity: Jonathas de Andrade; Zach Blas; Andrea Crespo; Celia Hempton; Adam Linder; Tala Madani; James Richards; Tejal Shah; Hank Willis Thomas; Amalia Ulman; Lynette Yiadom-Boakye • Place: Nadim Abbas; Assemble; Cao Fei; Cui Jie; Theaster Gates; Camille Henrot; Iman Issa; Samson Kambalu; Lee Kit; Basim Magdy; Taus Makhacheva; Koki Tanaka; Adrián Villar Rojas; Amanda Williams; Zhou Tao • Power: Lawrence Abu Hamdan; Sophia Al-Maria; Yto Barrada; Zachary Cahill; Simon Denny; GCC; Joana Hadjithomas & Khalil Jorge; Jumana Manna; Otobong Nkanga; Christodoulos Panayiotou; The Propeller Group; Imran Qureshi; Michael Rakowitz; Hrair Sarkissian; Kemang Wa Lehulere; Xu Zhen

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Book SynopsisMaking Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of handmade cinema from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.Trade Review"Written with careful precision and breadth. . . chronicling a rich, 100-year history of handmade moviemaking in which artists similarly trespass into other areas of creative practice." * Los Angeles Review of Books *"Gregory Zinman’s excellent new book on movies made (or remade) through the direct, often tactile engagement of artists and their filmstrips, video-feedback loops, and myriad other animated oozes and vibrant viscosities, Making Images Move: Handmade Cinema and the Other Arts is everything one wants in this age of over-scribbling at the margins of cinema. Lucid, smart, but entirely readable, and compellingly illuminated with color illustrations of the wonders it describes." * Cinema Scope Magazine *"Devoid of zeitgeisty romanticizations of the analog, Gregory Zinman's Making Images Move presents a defiant yet clear-eyed alternative history of the origins of cinema. . . . Zinman's prose sparkles in recounting artists' use of chemicals, bodily fluids, and elements like wind and water, which often render celluloid fragile or ephemeral." * Film Comment *"Zinman’s is the book perched on our balconies. It is worth way more than two in the bush. That’s the great thing about books that are also birds. Their singleness multiplies in hands that hold them. Running fingers through their feathered figures to thread additional ones in responds to their song." * Critical Inquiry *"Zinman explores the history of camera-less filmmaking in an exciting intervention that ennobles an underdiscussed mode of film production and challenges our very conception of what constitutes a 'movie.' . . . A groundbreaking immersion into a previously uncelebrated filmmaking practice." * Historical Journal of Film, Radio and Television *"Rather than manifesting a site of contestation between painting, film, sculpture, or photography, Making Images Move espouses the handmade's medium-collaborative impulse through material investigations of light in time. . . . Though Zinman situates the return to craft as a response to mass digitization, the current pandemic transfigures Zinman's politics of handmade joy into something almost elegiac, as even the possibility of direct artistic experience remains untenable." * Millennium Film Journal *Table of ContentsList of Illustrations Acknowledgments Introduction A Shadow History of the Moving Image PART I. HANDMADE FILM 1. Between Canvas and Celluloid Visual Music, Motion Paintings, and Cameraless Photography 2. Abstractions in Time Painting and Scratching on Film 3. By Chemical, by Body, by Mechanism Other Handmade Methods 4. Beyond the Frame Cameraless Questions of Politics and Representation PART II. HANDMADE MOVING IMAGES 5. Light in Motion The Moving Image between the Plastic Arts and Cinema 6. Making Space, Making Time Light Art of the 1950s and 1960s 7. Forms of Radiance The Practice and Significance of the Psychedelic Light Show 8. Video Art Analog Circuit Palettes, Cathode Ray Canvases Conclusion Handmade Moving Images in the Digital Era Notes Index

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Book SynopsisGraffiti ('drawings or writings scratched on a wall or other surface') are to be found incised on the walls and pillars of innumerable cathedrals and churches in Great Britain. Most were done between the twelfth and early fifteenth centuries; many are valuable as examples of medieval art; and some are important for their preservation of particular styles of epigraphy. In this work, Mrs Pritchard has studied the inscriptions and drawings in a large number of churches, mostly within a radius of sixty miles of Cambridge. These graffiti are far from mere scratchings performed by unskilled hands; they are highly imaginative, boldly executed drawings, combining freedom of line with occasional fussiness of detail, and inscriptions whose clarity and precision of lettering equal in execution the contemporary manuscript. Many were subsequently covered by medieval wall paintings; others have been partly defaced by cleaning and restoration of the original stone. Mrs Pritchard illuminates a neglectTable of ContentsIntroduction; Descriptions of individual graffiti; Conclusion; Appendices; Select bibliography; Index.

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Book SynopsisThis book offers a new analysis of Surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. Illustrating many of the collages under discussion, it offers close readings of individual collages and proposes a radical reassessment of Surrealism.Trade Review"Here Elza Adamowicz offers an interestingly analyzed study of the various techniques of cutting, assembling, and pasting the parts that go to make up the kinds of collage, visual and verbal, constructed in surrealism, and...in dada before it. She is particularly good at the discussion of the subversive undermining of 'established narratives' and of organic wholes by the 'processes of substitution and displacement,' the theoretical background for it, and the individual exmaples adduced to support her statements." Mary Ann Caws, L'Esprit CreateurTable of ContentsList of illustrations; Acknowledgements; List of abbreviations; 1. Beyond painting; 2. Cutting; 3. Pasting; 4. Cocking a snook; 5. Between Fantômas and Freud; 6. Masking; 7. The future of statues? 8. An impossible mosaic; Notes; Bibliography; Index of surrealist collages; Index.

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Book SynopsisThe magical art of mehndi, or henna painting, has been practiced for centuries in India, Africa, and the Middle East, and now it has finally arrived in the West. Packed with inspirational photographs of traditional and contemporary mehndi, this complete resource offers everything you need to create your own beautiful henna designs, including: • dozens of practice exercises and sample illustrations • a foolproof recipe for mixing the henna paste• step-by-step instructions on how to apply your mehndi design• insider's tips from professional mehndi artists and more!

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Book SynopsisTrade ReviewOne of Art World's Top Ten Art Books to Read during Thanksgiving, 2015 "This carefully reproduced facsimile edition of renowned visual artist Basquiat's eight notebooks provides us a glimpse into the mind of a visionary artist. On nearly every page, readers will ponder over why and how Basquiat chose to string together these specific word marks and often bizarre phrases. The notebooks function as a sort of incubator for Basquiat's artistic process as well as a finished product in their own right ... a vital part of Basquiat's legacy and an invaluable window into his ingenious and whimsical mind."--Publishers Weekly "Seeing and reading the pages in the gallery certainly make one want to spend more time with Basquiat's writing, and Princeton University Press's forthcoming facsimile of the notebooks provides this time for closer study... The book offers the intimate reading experience one expects when engaging with an artist's private musing."--Megan N. Liberty, Hyperallergic "The Notebooks by Jean-Michel Basquiat is one of the most interesting books published in recent memory... A book for all seasons--it is a text and an art object at once, adding a new dimension to our knowledge of Basquiat's thought. It brings us under the surface or behind the scenes, whichever metaphor you prefer, showing the artist at his most protean, and pure, stained with the life that rarely slows down long enough to capture it in words."--Stephan Delbos, BODY "This beautiful book ... Expands our understanding of what this artist created in the too-short time he spent at work."--Colin Rafferty, Key Reporter "The Notebooks gathers passages selected from Basquiat's eight notebooks in one fascinating volume that will reveal many lesser-known talents and quirks of SAMO to his ever-growing number of fans worldwide."--Lorena Munoz-Alonso, Artnet News

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Book SynopsisTrade Review"As an artist, the most precious thing is what’s in the mind. Basquiat’s sentences in this book are so delicate and not wasted. They show his inner world truthfully and precisely, why he was a unique person and a unique artist. I love this book."---Ai Weiwei"[Warsh] makes the contents sound good, too: 'this book provides a glimpse into Basquiat’s incredible mind . . . . May his words and thoughts enliven your thinking today as much as they have inspired me for many decades.'" * Times Literary Supplement *"Basquiat-isms contains Basquiat’s most important quotes, which reveal much about his way of seeing and thinking. A great reference book that provides an intimate and personal glimpse into the ideas of one of the leading artists of our time."---Dieter Buchhart, The Art Newspaper

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Book SynopsisTrade Review"Alongside the legacy of his work, Haring is remembered as a man of great bravery and compassion. . . . [Haring-isms] collects together the artist’s most illuminating quotes and observations."---Emily Dinsdale, Dazed"Haring-isms provides a blend of cultural context, artistic opinions, and autobiographical snippets that allows the reader to become instantly acquainted with the world of Keith Haring. His most famous works are explained in detail with words right from the artist’s mouth. At times, reading the book is like walking in a teeny-tiny museum and reading the captions of the artwork…You too may find the small yellow hard-cover packaging delightful. You can treat it almost like a pocket bible of art advice. It is portable, yet durable, and adorable…Those in the market for artistic wisdom will not be disappointed!"---Margaret Rose Smith, Picture this Post"Haring-isms, part diary, part chronology, is only 4x5 in. but packs an amazing punch about the life of [Keith] Haring."---Jean Bundy, Anchorage Press"[A] new cute yellow book, featuring [Haring’s] radiant baby tag on the cover, brings together short quotes from the artist drawn together from a wide variety of sources…Haring-isms is maybe not a book you read from cover to cover, but it’s a lovely ray of sunshine to drop on your coffee table for constant inspiration. - OutinPerth.com"

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Book SynopsisTrade Review"A sumptuous new art book."---Shawn Ghassemitari, Hypebeast"Fans are now granted the chance to cherish [Arsham’s] work even more. With the release of his aptly named Sketchbook, the artist’s eclectic array of influences takes center stage."---Yoni Yardeni, HiConsumption

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Book SynopsisIn this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times. For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. This fully updated and illustrated story of Banksy’s life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities’ walTable of ContentsIntroduction 1. The Art of Infiltration 2. Once Upon a Time 3. Graffiti Decoded 4. Finding his own Style 5. Anonymously Happy 6. The Artist and Organiser 7. The Outlaw Returns Home 8. Dismal Delights 9. Holiday Snaps 10. Welcome to Team Banksy 11. Psst… Anyone Want to Buy a Wall 12. The Business of Banksy 13. Biting the Hand that Tempts Him 14. Art without a Theory

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