Opera Books
Taylor & Francis Ltd Jonathan Harvey Song Offerings and White as Jasmine Landmarks in Music Since 1950
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£137.75
Taylor & Francis An Introduction to the Dramatic Works of Giacomo Meyerbeer Operas Ballets Cantatas Plays
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£137.75
Taylor & Francis Ltd TwentiethCentury British Authors and the Rise of Opera in Britain
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£137.75
Taylor & Francis Ltd Robert Saxton Caritas Landmarks in Music Since 1950
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£128.25
Taylor & Francis Ltd Modernism and the Cult of Mountains
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£137.75
Taylor & Francis Ltd Opera Indigene Representing First Nations and Indigenous Cultures Ashgate Interdisciplinary Studies in Opera
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£137.75
Taylor & Francis Between Opera and Cinema Critical and Cultural Musicology
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£142.50
Taylor & Francis Ltd Giacomo Meyerbeer and Music Drama in NineteenthCentury Paris Variorum Collected Studies
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£166.25
Taylor & Francis Ltd The Song of the Soul Understanding Poppea 5 Royal Musical Association Monographs
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£128.25
Taylor & Francis Ltd The Impresarios Ten Commandments Continental Recruitment for Italian Opera in London 176364 Royal Musical Association Monographs
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£82.64
Taylor & Francis Ltd Children Childhood and Musical Theater
Book SynopsisBringing together scholars from musicology, literature, childhood studies, and theater, this volume examines the ways in which children''s musicals tap into adult nostalgia for childhood while appealing to the needs and consumer potential of the child. The contributors take up a wide range of musicals, including works inspired by the books of children''s authors such as Roald Dahl, P.L. Travers, and Francis Hodgson Burnett; created by Rodgers and Hammerstein, Lionel Bart, and other leading lights of musical theater; or conceived for a cast made up entirely of children. The collection examines musicals that propagate or complicate normative attitudes regarding what childhood is or should be. It also considers the child performer in movie musicals as well as in professional and amateur stage musicals. This far-ranging collection highlights the special place that musical theater occupies in the imaginations and lives of children as well as adults. The collection comes at a time of incrTable of Contents1. Children, Childhood, and Musical Theater: an IntroductionJames Leve and Donelle Ruwe 2. Beginning with Do Re Mi: Childhood and The Sound of Music Ryan Bunch 3. Walt Disney, Dr. Benjamin Spock, and the Gospel of Ideal Childrearing: Creating Superlative Nuclear Families in Mary Poppins, Chitty Chitty Bang Bang, and Bedknobs and Broomsticks William A. Everett 4. Saving Mr. [Blank]: Rescuing the Father through Song in Children’s and Family Musicals Raymond Knapp 5. Dickensian Discourses: Giving a (Singing) Voice to the Child-Hero in Oliver! and Copperfield Marc Napolitano 6. Ghetto Chic: Utopianism and the Authentic Child in The Me Nobody Knows (1970) Donelle Ruwe 7. Little Girls, Big Voices: Annie James Leve8. Urchins, Unite: Newsies as an Antidote to Annie Marah Gubar 9. Agency, Power, and the Inner Child: The "Revolting Children" of Matilda the Musical Helen Freshwater 10. Children’s Musicals for Educational and Community Settings Lauren Acton 11. Broadway Junior Stacy Wolf Bibliography of Scholarly Sources
£39.99
Taylor & Francis Ltd Music Books and Theatre in EighteenthCentury
Book SynopsisThis book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the yoTable of ContentsIntroduction 1. The 4th Earl of Gainsborough 2. Evidence from the Archives 3. Gainsborough’s Legacy Appendix I: Subscriptions and Dedications Appendix II: Documents on Music, Books and Theatre
£49.99
Taylor & Francis Victorian Vocalists
Book SynopsisVictorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt GÃnzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.Table of ContentsADINI AGNESI ALBERTINI AMADEI AMBRE BAUERMEISTER BELLETTI BELOCCA BERRY GREENING BETTS BIRCH BRIGNOLI BRUCE BYRON CAMPOBELLO, E CANDIDUS CARADORI CARADORI ALLAN CASTLE CHIOMI CIAMPI CONDELL CSILLAG DE BEGNIS DELCY DI MURSKA DORUS GRAS DURAND, M ESCOTT FARQUHARSON FAVANTI FEDOR FIORENTINI FRAZER FRIEDLÄNDER GAVEAUX GORDOSA GOULD GREENFIELD GUILMETTE HALL HARRIS HIRLEMANN HÖLZEL HORTON-REED JONES, MRS C KENNETH LANCIA LAURENCE LIEBHART LOCKEY LYALL MASCALL MAYBRICK MENGIS MESSENT MIRAN MONBELLI NAU NIKITA NOUVER OSGOOD PACKARD PALMIERI PARRY PATON PAUL PEARCE, E PENCO PHILLIPS PICCOLOMINI PISCHEK POOLE, MISS PYNE ROBINSON ROUSBEY RUBINI RUDERSDORFF SAPIO SAROLTA SCOVEL SESSI SHAW, MRS SHIRREFF SINICO STAUDIGL SUSINI SUTTON THALBERG THOMAS, LEWIS TONNELLIER TORRIANI TREMAINE TURNER URIO VANERI VINNING VITELLI WHITWORTH YORKE
£209.00
Taylor & Francis Ltd Musicality in Theatre
Book SynopsisAs the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of musicality' in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres.Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. HTrade Review‘This is the first book to chart the history of the musicalization of theatre comprehensively in relation to writers, directors, scenographers, and performers, and it does so with great clarity and authority. … this book will secure a lasting place not only as a stimulating counter-history of twentieth-century theatre, but also as provocation to rethink the ontology of theatre itself, and the meaning of musicality.’Music and Letters‘Musicality in Theatre will serve as an important source for future studies in musical-theatrical intermediality…’Contemporary Theatre ReviewTable of ContentsContents: Introduction: premises and promises; Appia - musicality and the ‘inner essence’; Meyerhold - theatre ‘organized according to the music’s laws; Artaud - the musicality of sound, voice and noise; Writing with your ears - the musicality of playwriting; Theatre and jazz; The eclectic musicality of now; Conclusion: paradoxes of musicality; Bibliography; Index.
£47.49
Taylor & Francis Ltd Modernism and the Cult of Mountains Music Opera Cinema
Book SynopsisAdopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This new ''cult of mountains'' reacted to the symptoms and alienating forces associated with modern culture, defining and reinforcing models of subjectivity based on renewed wholeness and an aggressive attitude to physical and mental health. The arts were critical to this project, none more so than music, which occupied a similar space in Austro-German culture: autonomous, pure, sublime. In Modernism and the Cult of Mountains opera serves as a nexus, shedding light on the circulation of contesting ideas about politics, nature, technology and aesthetics. Morris investigates operatic representations of the high mountains in German modernism, showing how the liminal quality of the landscape forms the backdrop for opera''s reflexive engagement with the identity and limits of its constituent media, not least music. This opeTrade Review'Christopher Morris takes the cult of mountains as an unusual and fascinating point of view from which to consider anew some of the creative tensions at the core of German modernism, including such hotly debated themes as the place of the aesthetic in modernist thought and the role of music in early-twentieth-century German culture. This original and exciting book will interest not only musicologists, but also film scholars, cultural historians, and anyone interested in the relationship between art, culture and society.' Emanuele Senici, University of Rome La Sapienza, Italy 'With Modernism and the cult of mountains, Christopher Morris provides a most interesting contribution both to the lively field of opera studies and to the investigation of German modernism.' Die TheaterforschungTable of ContentsIntroduction; Chapter 1 Across the Abyss: Tiefland on Stage; Chapter 2 Nature and Nostalgia: The Last Tone Poem; Chapter 3 Thoroughly Modern Mountains; Chapter 4 The Voice of the Glacier; Chapter 5 A Last Refuge: Tiefland on Screen; Chapter 6 Conclusion and Afterword;
£45.99
Taylor & Francis Ltd Recomposing the Past Representations of Early
Book SynopsisRecomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, TavernerTable of ContentsIntroduction: Understanding the Present through the Past; the Past through the Present James Cook, Alexander Kolassa, and Adam Whittaker Part 1: Authenticity, Appropriateness, and Recomposing the Past Chapter 1: Representing Renaissance Rome: Beyond Anachronism in Showtimes The Borgias (2011) James Cook Chapter 2: Baroque à la Hitchcock: The Music of Dangerous Liaisons (1988) Mervyn Cooke Chapter 3: ‘Frame not my Lute’: The Musical Tudor Court on the Big Screen Daniela Fountain Chapter 4: It Ain’t Over ‘til King Arthur Sings: English Dramatick Opera on the Modern Stage Katherina Lindekens Part 2: Music, Space, and Place: Geography as History Chapter 5: Musical Divisions of the Sacred and Secular in 'The Hunchback of Notre Dame' Adam Whittaker Chapter 6: Celtic Music and Hollywood Cinema: Representation, Stereotype, and Affect Simon Nugent Chapter 7: David Munrow’s ‘Turkish Nightclub Piece’ Edward Breen Chapter 8: Little Harmonic Labyrinths: Baroque Musical Style on the Nintendo Entertainment System William Gibbons Part 3: Presentness and the Past: Dialogues between Old and New Chapter 9: Presentness and the Past in Contemporary British Opera Alexander Kolassa Chapter 10: Angels in the Archive: Animating the Past in 'Written on Skin' Maria Ryan Chapter 11: Werner Herzog and the Filmic Dark Arts: Myth, Truth, Music, and the Life of Carlo Gesualdo (1566–1613) Philip Weller Chapter 12: Medievalism, Music, and Agency in The Wicker Man (1973) Lisa Colton Chapter 13: Music in Fantasy Pasts: Neomedievalism and 'Game of Thrones' James Cook, Alexander Kolassa, and Adam Whittaker
£137.75
Taylor & Francis Ltd Performing Salome Revealing Stories
Book SynopsisWith its first public live performance in Paris on 11 February 1896, Oscar Wilde''s Salomé took on female embodied form that signalled the start of ''her'' phenomenal journey through the history of the arts in the twentieth century. This volume explores Salome''s appropriation and reincarnation across the arts - not just Wilde''s heroine, nor Richard Strauss''s - but Salome as a cultural icon in fin-de-siècle society, whose appeal for ever new interpretations of the biblical story still endures today. Using Salome as a common starting point, each chapter suggests new ways in which performing bodies reveal alternative stories, narratives and perspectives and offer a range and breadth of source material and theoretical approaches. The first chapter draws on the field of comparative literature to investigate the inter-artistic interpretations of Salome in a period that straddles the end of the nineteenth century and the beginning of the Modernist era. This chapter sets the tone for theTrade Review'This book has the potential for a wide readership including academics and students as well as those interested in opera and ballet settings of plays. It offers a sociocultural and historic rereading of a seminal literary, musical, operatic, balletic, cinematic work that has changed the direction of the theater and theatrical works for film. It is successful in revealing how "corporeal performing bodies reveal alternative stories, narratives, perspectives".'NotesTable of ContentsContents: Introduction: performing Salome, revealing stories, Clair Rowden; Decadent senses: the dissemination of Oscar Wilde’s Salomé across the arts, Polina Dimova; Visions of Salome, visions of Wilde: critical readings of Oscar Wilde’s Salome in early 20th-century Vienna, Sandra Mayer; Whose/who’s Salome? Natalia Trouhanowa, a dancing diva, Clair Rowden; Salome’s slow dance with the Lord Chamberlain, London 1909-10, Anne Sivuoja-Kauppala; Seven veils, seven rooms, four walls and countless contexts, Hedda Høgåsen-Hallesby; The dirt on Salome, Caryl Clark; Outrageous Salome: grace and fury in Carmelo Bene’s Salomè and Ken Russell’s Salome’s Last Dance, Tristan Grünberg; Bibliography; Index.
£137.75
Cambridge University Press Mozart on the Stage Composers on the Stage
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£24.99
Cambridge University Press Opera Buffa in Mozarts Vienna Cambridge Studies in Opera
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£31.90
Cambridge University Press Johann Strauss and Vienna Operetta and the Politics of Popular Culture Cambridge Studies in Opera
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£22.99
Cambridge University Press German Opera From the Beginnings to Wagner Cambridge Studies in Opera
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£31.90
Cambridge University Press Opera and Drama in 18C London The Kings Theatre Garrick and the Business of Performance Cambridge Studies in Opera
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£25.64
Cambridge University Press Opera and the Enlightenment
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£29.44
Cambridge University Press Wagner and Russia Cambridge Studies in Russian Literature
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£41.79
Cambridge University Press Opera in Portugal in the Eighteenth Century
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£37.99
Cambridge University Press Essays on Handel and Italian Opera
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£37.99
Cambridge University Press The Puccini Problem Opera Nationalism and Modernity Cambridge Studies in Opera
Book SynopsisA detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late nineteenth- and early twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions that were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century ItalyTrade ReviewReview of the hardback: 'As accessible as Puccini's music itself … a book that can engage both scholars and the opera-going public.' Musical TimesReview of the hardback: 'Extensively researched and intelligently argued … a fine addition to the Puccini bibliography.' Opera Magazine'It's a rare occasion when a scholar taps into the mother lode, but Alexandra Wilson has done just that with The Puccini Problem: Opera, Nationalism, and Modernity. And she has done it exceptionally well. … The book is packed with interesting and important information, observations that moved me to take out a pencil and underline nearly every sentence.' Music & Letters'There is no better time … for a historical reflection on what Alexandra Wilson describes in her excellent new book as The Puccini Problem … Wilson's book on the cultural context of Puccini's music and the response to it presents a very welcome contribution to the field.' The Opera Quarterly'A very enjoyable read … Wilson's The Puccini Problem is a rich investigation of how a major cultural figure's impact cannot be divorced from a complex and dynamic understanding of his time. As such, it is a compelling book not only for musicologists and music critics, but for anyone interested in the history and culture of modern Italy in its European context.' Cambridge Opera JournalTable of ContentsIntroduction; 1. Inventing an Italian composer; 2. La bohème: organicism, progress and the press; 3. Tosca: truth and lies; 4. A frame without a canvas: Madama Butterfly and the superficial; 5. Torrefranca vs. Puccini; 6. The Italian composer as internationalist; 7. A suitable ending?; Epilogue; Appendix I. Selected newspapers and journals; Appendix 2. personalia.
£37.99
Cambridge University Press Wagner Rehearsing the Ring An EyeWitness Account of the Stage Rehearsals of the First Bayreuth Festival
Book SynopsisThis book presents Wagner's view of how the Ring should be performed. He requested Heinrich Porges, a member of his circle, to 'follow all my rehearsals very closely and note down everything I say, even the smallest details, about the interpretation and performance, so that a tradition goes down in writing'. In the opinion of the eminent Wagner scholar, Curt von Westernhagen, Porges conscientious record shows 'amazing insight and perception' since what distinguishes it is his 'ability to always locate the endless detail of Wagner's instructions in an overall intellectual context'. The book is therefore required reading not only for conductors, producers, instrumentalists and singers but also for musicologists and critics. In addition it is a fascinating read for anyone who knows and loves the Ring since it takes the form of a blow-by-blow commentary on the stage action as it unfolds. The writing has vitality and flow and one is caught up in the spirit of the thing as Wagner felt it. ItTable of ContentsTranslator's Preface; Introduction; Das Rheingold; Die Walkure; Siefried; Gotterdammerung.
£37.99
Cambridge University Press North German Opera in the Age of Goethe
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£46.54
Cambridge University Press Wagner and Aeschylus The Ring and the Oresteia
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£37.99
Cambridge University Press The Transvestite Achilles
Book SynopsisStatius' unfinished epic, the Achilleid, explores Achilles' mother's attempt to save her son from the Trojan War by dressing him as a girl. This first book-length study of the poem offers a detailed interpretation and explores questions of the poem's reception and of gender in antiquity.Trade Review'… a welcome addition to the ever-increasing number of scholarly works devoted to elucidating the subtle politics and sophisticated poetics of imperial Latin epic … animated throughout … a significant contribution to Latin literary studies in this stimulating volume.' A. M. Keith, Victoria College'[The author's] profound familiarity with classical literature enables him to approach the issue from a wide perspective and pay attention to versatile conventions and details. Through structural and linguistic analysis the author is able to expose Statius' subtle and humoristic treatment of classical literature. … Heslin's profound orientation on the subject enables the reader to consider the Achilleid not only as a successful epic narrative, but also as a reflection of the whole range of classical literature preceding the imperial era - a respectful nod to the great classical authors, and a witty parody of genre-related clichés. … All in all, Heslin's survey is an admirable pursuit to fill the void concerning the study of the Achilleid by classical scholars.' De novis libris iudiciaTable of ContentsIntroduction; 1. Opening nights at the opera 1641–1741; 2. The design of the Achilleid; 3. Womanhood, rhetoric, and performance; 4. Semivir, Semifer, Semideus; 5. Transvestism in myth and ritual; 6. Rape, repetition, and romance; 7. Conclusion.
£42.74
Cambridge University Press Opera in the Novel from Balzac to Proust Cambridge Studies in Opera
Book SynopsisThe turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La ComÃdie humaine to Proust's à la recherche du temps perdu, by way of (among others) Dumas pÃre's Le Comte de Monte-Cristo and Leroux's Le FantÃme de l'OpÃra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.Trade Review'With an obvious and informed enthusiasm for the subject, Newark balances literary and musicological considerations with quite and persuasive authority … casts revealing light on a significant period in the development of opera.' OperaTable of ContentsIntroduction; 1. Balzac, Meyerbeer and science; 2. 'Tout entier?': scenes from grand opéra in Dumas and Balzac; 3. The novel in opera: residues of reading in Flaubert; 4. Knowing what happens next: opera in Verne; 5. 'Vous qui faites l'endormie': the Phantom and the buried voices of the Paris Opéra; 6. Proust and the soirée à l'Opéra chez soi; Envoi; Bibliography.
£78.84
Cambridge University Press The Prima Donna and Opera 18151930 Cambridge Studies in Opera
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£42.74
Cambridge University Press Opera and Society in Italy and France from Monteverdi to Bourdieu Cambridge Studies in Opera
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£37.04
Cambridge University Press Wagner and the Romantic Hero
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£37.99
Cambridge University Press Rossini in Restoration Paris The Sound of Modern Life Cambridge Studies in Opera
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£37.99
Cambridge University Press French Grand Opera and the Historical Imagination
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£37.99
Cambridge University Press German Opera From the Beginnings to Wagner Cambridge Studies in Opera
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£115.90
Cambridge University Press Giuseppe Verdi Otello Cambridge Opera Handbooks
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£19.99
Cambridge University Press Wagner A Biography
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£38.52
Cambridge University Press Alban Berg Lulu Cambridge Opera Handbooks
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£19.99
Cambridge University Press Giacomo Puccini Tosca Cambridge Opera Handbooks
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£19.99
Cambridge University Press W A Mozart Don Giovanni Cambridge Opera Handbooks
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£19.99
Cambridge University Press The Story of Giuseppe Verdi Oberto to Un Ballo in Maschera
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£29.44
Cambridge University Press Leos Janacek Kata Kabanova Cambridge Opera Handbooks
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£34.19
Cambridge University Press Verdi in the Age of Italian Romanticism
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£38.52
Cambridge University Press W A Mozart Die Zauberflote Author Peter Branscombe published on July 1991
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£22.99
Cambridge University Press Richard Strauss Arabella
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£29.44