Narrative theme: environmental issues / the natural world

Book SynopsisFire. Flood. Ice. Three natural disasters. Akira, Owen, and Natalie are all swept up in the global effects of climate change, each struggling to survive their individual disasters. But the three kids are more deeply connected than they could ever imagine, in ways that can change the world.

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Book Synopsis**Don't miss Granny McCreedy's brand-new adventure in Call of the Penguins - available now!**A Richard & Judy Book Club and BBC Radio 2 Book Club pick.A truly feel-good book club read - a #1 bestseller in ebook and audio!'This year's Eleanor Oliphant . . . Funny, bittersweet and wholly original.' Daily ExpressVeronica McCreedy is about to have the journey of a lifetime . . .Veronica McCreedy lives in a mansion by the sea. She loves a nice cup of Darjeeling tea whilst watching a good wildlife documentary. And she's never seen without her ruby-red lipstick.Although these days Veronica is rarely seen by anyone because, at 85, her days are spent mostly at home, alone.She can be found either collecting litter from the beach ('people who litter the countryside should be shot'), trying to locate her glasses ('someone must have moved them') or shouting instructions to her assistant, Eileen ('Eileen, door!').Veronica doesn't have family or friends nearby. Not that she knows about, anyway . . . And she has no idea where she's going to leave her considerable wealth when she dies.But today . . . today Veronica is going to make a decision that will change all of this.'I love this gorgeous book. Unflinching, stubborn, funny and moving, Veronica is an unlikely heroine who will sneak in and capture your heart.' Trisha AshleyReaders are falling in love with Away with the Penguins:'Without a doubt the most delightful, joyous and uplifting book I've read so far this year . . . be prepared to fall in love.' *****'A gloriously quirky and life affirming story of hope.' *****'Oh how I loved this absolute gem of a book. Both heartbreaking and heartwarming.' *****Trade ReviewThis year's Eleanor Oliphant . . . Funny, bittersweet and wholly original. * Daily Express *A glorious, life-affirming story. I read it in a day. I’m going to buy it for so many people this year! * Clare Mackintosh *I love this gorgeous book. Unflinching, stubborn, funny and moving, Veronica is an unlikely heroine who will sneak in and capture your heart. * Trisha Ashley *A warm and witty journey of self-discovery. Prior proves that it’s never too late to become the person you were meant to be. * Wendy Wax, bestselling author of MY EX-BEST FRIEND'S WEDDING *A warm-hearted and life-affirming tale about ageing, human kindness, old-fashioned values and protecting our planet. * Culturefly *

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Book SynopsisA once-in-a-generation series, Ali Smith''s Seasonal Quartet is a tour-de-force about love, time, art, politics, and how we live now. Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer''s leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there''s ice, there''ll be fire. In Ali Smith''s Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to her sensational Autumn, Smith casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter. It''s the season that teaches us survival. Here comes Winter.Discover all four instalments: Autumn, Winter, Spring and Summer. Ali Smith''s new novel, Companion piece, is available to pre-order now.*****''Dazzling . . . Even in the bleak midwinter, Smith is evergreen'' Daily Telegraph ''Graceful, mischievous, joyful . . . Infused with some much-needed humour, happiness and hope'' Independent ''A novel of great ferocity, tenderness and generosity of spirit . . . Luminously beautiful'' ObserverTrade ReviewCleverly constructed and elegantly written. It's both an engaging human story and a place for wider topical observations. Bring on Spring * Evening Standard *If Ali Smith's four quartets in, and about, time do not endure to rank among the most original, consoling and inspiring of the artistic responses to 'this mad and bitter mess' of the present, then we will have plunged into an even bleaker mid-winter than people often fear * Financial Times *Smith is a specialist by now in using a quizzical, feather-light prose style to interrogate the heaviest of material...throughout Winter, grief and pain are transfigured, sometimes lastingly, by luminous moments of humour, insight and connection... Even in the bleak midwinter, Smith is evergreen * Telegraph *A novel of great ferocity, tenderness and generosity of spirit that you feel Dickens would have recognised...Smith is engaged in an extended process of mythologizing the present states of Britain... Luminously beautiful * Observer *A sparkler...tune in to Spring and Summer to see if art can save the day * Spectator *Graceful... That trademark mischievous wit and wordplay, a joyful reminder of the most basic, elemental delights of reading ... Infused with some much-needed humour, happiness and hope * Independent *A capacious, generous shapeshifter of a novel taking in Greenham Common and Barbara Hepworth, Shakespeare and global migration, it juxtaposes art with nature and protest with apathy, finding surprising alliances in a family riven by feuds. It's a book with Christmas at its heart, in all its familiarity and estrangement: about time, and out of time, like the festival itself * The Guardian *Dazzling second instalment of Ali Smith's seasonal quartet * The Daily Telegraph *A book I can't wait to read for Christmas * The Observer *Relish this instalment * The Times *I would like to be given Winter for Christmas * The Observer *And now looking forward to [Ali Smith's] Winter * Gordon Brown *And the book I'd most like to find in my Christmas stocking is Ali Smith's Winter * The Observer *Finally, under the tree this year I'm hoping to find Ali Smith's Winter * The Observer *It's a brisk, frosty walk under skies that could open at any moment revealing anything but snow * The Observer *A book I'd like to be given for Christmas: Winter by Ali Smith * The Observer *It takes you on a journey through time - Christmases past and present in a Dickensian way, but brings you bang up to the present - how can we live our lives and keep our memories and how do we find the truth? It is uplifting and miraculous with plenty of surprises along the way. It is vintage Smith * Jackie Kay *"Winter" is an insubordinate folk tale, with echoes of the fiction of Iris Murdoch and Angela Carter... There are few writers on the world stage who are producing fiction this offbeat and alluring... [Ali Smith] intends to send a chill up your shanks and she succeeds, jubilantly... Her dialogue is a series of pine cones flung at rosy cheeks * The New York Times *Smith is routinely brilliant, knowing, masterful... The light inside this great novelist's gorgeous snow globe is utterly original, and it definitely illuminates * New York Times Book Review *The only preparation required to savor the Scottish writer Ali Smith's virtuosic "Winter" is to pay attention to the world we've recently been living in...What Smith has achieved in her cycle so far is exactly what we need artists to do in disorienting times: make sense of events, console us, show us how we got here, help us believe that we will find our way through...Smith gives us a potent, necessary source of sustenance that speaks directly to our age...Yet we, like her characters, are past the winter solstice now - the darkest part of the coldest season done. From here on out, we're headed toward the light...It doesn't feel that way, I know. But in the midst of "Winter," each page touched with human grace, you might just begin to believe * Boston Globe *Winter is a stunning meditation on a complex, emotional moment in history * TIME *Ali Smith is flat-out brilliant, and she's on fire these days...You can trust Smith to snow us once again with her uncanny ability to combine brainy playfulness with depth, topicality with timelessness, and complexity with accessibility while delivering an impassioned defence of human decency and art * NPR *The stunningly original Smith again breaks every conceivable narrative rule; reflecting her longstanding affinity for Modernism, what she gives us instead is a stylistically innovative cultural bricolage that celebrates the ecstasy of artistic influence. It demands and richly rewards close attention. [Autumn and Winter] each add to Smith's growing collection of glittering literary paving stones, along a path that's hopefully leading toward the Nobel she deserves. In the interim, we can (re)read "Winter" - and eagerly await the coming of "Spring" * Minneapolis Journal Sentinel *One of the rarest creatures in the world: a really fearless novelist...her prose is melodic, associative, wise, sometimes maddening...'she shares with Mantel and Ishiguro a sense of human caution, a need to understand, a wariness of the high-handedly authorial. All write with the humility of adulthood * Chicago Tribune *The second in Smith's quartet of seasonal novels displays her mastery at weaving allusive magic into the tragicomedies of British people and politics...a bleak, beautiful tale greater than the sum of its references * Vulture *An engaging novel due to the ecstatic energy of Smith's writing, which is always present on the page * Publishers Weekly *A sprightly, digressive, intriguing fandango on life and time * Kirkus Reviews *These individuals converge to confront each other in the big shabby house, like characters in a Chekhov play. At first, hellish implosion looms. Slowly, erratically, connection creeps in. Lux quietly mediates. Ire softens. Sophia at last eats something. Art resees Nature..."Winter" gives the patient reader a colorful, witty - yes, warming - divertissement * San Francisco Chronicle *With Iris and Lux as catalysts, scenes from Christmas past unfold, and our narrow views of Sophia and Art widen and deepen, filled with the secrets and substance of their histories, even as the characters themselves seem to expand. As in Sophia's case, for Art this enlargement is announced by a hallucination - "not a real thing," as Lux tells Iris, whose response speaks for the book's own expansive spirit: "Where would we be without our ability to see beyond what it is we're supposed to be seeing?" * The Minneapolis Star Tribune *

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Book Synopsis'An extraordinary novel... as beautiful and as wrenching as anything I've ever read' Emily St. John MandelA dark past. An impossible journey. The will to survive.Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.As animal populations plummet, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny's life begin to unspool.Haunted by love and violence, Franny must confront what she is really running towards - and from.From the west coast of Ireland to Australia and remote Greenland, this is an ode to the wild places and creatures now threatened, and an epic, moving story of the possibility of hope against all odds.______________READERS LOVE MIGRATIONS:'Wrenchingly beautiful''Visceral, heart-breaking''Simply phenomenal''Raw and gripping''Riveting''Here's your next favourite''A story...about love, passion, wandering'*Previously published as The Last Migration*Trade ReviewCompulsive stuff, driven at a cracking pace by the power of the elements and the fierce will of its single-minded narrator * Stephanie Cross, Daily Mail *The Last Migration is as beautiful and as wrenching as anything I've ever read. This is an extraordinary novel by a wildly talented writer * Emily St. John Mandel, author of Station Eleven *There's a brooding lushness to this novel's prose that belies its stark premise... this keening lament of an adventure is compelling * Hephzibah Anderson, Observer *An adventure of a wilder sort * Vogue, US *A fascinating hybrid of nature writing and dystopian fiction... gripping... by merging cli-fi and nature writing, the novel powerfully demonstrates the spiritual and emotional costs of environmental destruction * Economist *

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Book Synopsis'And so, with great care, he planted his hundred acorns'While hiking through the wild lavender in a wind-swept, desolate valley in Provence, a man comes across a solitary shepherd called Elzéard Bouffier. Staying with him, he watches Elzéard sorting and then planting hundreds of acorns as he walks through the wilderness.Ten years later, after surviving the First World War, he visits the shepherd again. A young forest is slowly spreading over the valley - Elzéard has continued his work. Year after year the narrator returns to see the miracle being created: a verdant, green landscape that is testament to one man's creative instinct. miracle he is gradually creating: a verdant, green landscape that is a testament to one man's creative instinct.'I love the humanity of this story and how one man's efforts can change the future for so many' Michael Morpurgo, IndependentVINTAGE EARTH is a series of books that reveals our ever-changing relationship with the environment. These are stories old and young, set in worlds real or imagined, that allow us to explore our connection to the natural world. Transformative, wild, surprising and essential, these novels take on the most urgent story of our times.Trade Review • "One of the greatest writers of our generation." --Andre Mairaux • "Giono: he's a god. I rank him with Chateaubriand and Proust." --Jean d'Ormesson • "In Giono's work what every sensitive, full-blooded individual ought to be able to recognise at once is 'the song of the world." --Henry Miller

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Book Synopsis''I loved this novel''s brain and heart''DAVID MITCHELL, AUTHOR OF CLOUD ATLAS''A first-rate speculative thriller, by turns fascinating, brutal, powerful, and redemptive''JEFF VANDERMEER, AUTHOR OF ANNIHILATIONThere are creatures in the water of Con Dao. To the locals, they''re monsters. To the corporate owners of the island, an opportunity. To the team of three sent to study them, a revelation. Their minds are unlike ours. Their bodies are malleable, transformable, shifting. They can communicate. And they want us to leave. When pioneering marine biologist Dr. Ha Nguyen is offered the chance to travel to the remote Con Dao Archipelago to investigate a highly intelligent, dangerous octopus species, she doesn''t pause long enough to look at the fine print. DIANIMA - a transnational tech corporation best known for its grouTrade ReviewI loved this novel's brain and heart, its hidden traps, sheer propulsion, ingenious world-building and the purity of its commitment to luminous ideas. * David Mitchell, author of CLOUD ATLAS *The Mountain in the Sea is a first-rate speculative thriller, by turns fascinating, brutal, powerful, and redemptive. The book poses profound questions about artificial and nonhuman intelligence, and its answers are tantalizing and provocative. * Jeff VanderMeer, author of ANNIHILATION *Full disclosure: in all my years as a science journalist, I could never quite get my head around the so-called hard problem of consciousness. I could recite the theories, but it wasn't until I read Ray Nayler's The Mountain in the Sea that I truly understood it in my bones. This book has many layers. It has the clothes of a futuristic eco-punk or cyberpunk thriller, the guts of a philosophy seminar and the soul of a religious tract. -- Sally Adee * NEW SCIENTIST *A novel of ideas... [a] cerebral but not self-satisfied book that also features welcome episodes of comic relief and tightly choreographed action... It is successful entertainment as well as a warning.' -- Steven Poole * GUARDIAN, Book of the Day *Ray Nayler has taken on the challenge of a near future that's less certain than ever, and made it gleam - not only with computer terminals and sentry drones (we love those, sure) but also polished coral and cephalopod eyes. From these pages, I got the sense of William Gibson, and Paolo Bacigalupi - and Donna Haraway, and Octavia Butler. This is a planetary science fiction, and a profound new kind of adventure, featuring ? among so many other wonders ? the best villain I've read in years. In the end, the enormity and possibility of this novel's vision shook tears loose. What a ride; what a feeling; what a future. * Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore *A wildly original, gorgeously written, unputdownable gem of a novel. Nayler is one of the most exciting new voices i've read in years. * Blake Crouch, author of DARK MATTER *With a thriller heart and a sci-fi head, The Mountain in the Sea delivers a spooky smart read. Artificial intelligence, nascent animal sentience, murderous flying drones: like the best of Gibson or Atwood, it brings all of the plot without forgetting the bigger questions of consciousness, ecocide, and scientific progress. Truly a one-of-a-kind story. * Kawai Strong Washburn, author of SHARKS IN THE TIME OF SAVIORS *I came to The Mountain in the Sea for the cephalopds (I love cephalopods) but I stayed for the fascinating meditation on consciousness and personhood. I loved this book. * Ann Leckie *Nayler's debut is in equal parts page-turning near-future thriller and a profound exploration of language, communication and otherness... exhilarating and kaleidoscopic. -- Jay Owens * NEW HUMANIST *The Mountain in the Sea is intelligent, ambitious and thought-provoking. . . For its thoughtful depth, its dealing with big ideas such as the manner and matter of intelligence and communication and its education about the oceans, it is very, very good. -- Mark Yon * SFF WORLD *An action thriller with profound consequences. Groundbreaking stuff. -- Doug Johnstone * THE BIG ISSUE *A high tide of ideas and emotion. A compelling vision of other minds sharing our world - a vision you will long to be true * Stephen Baxter *[A] brilliantly clever and compelling thriller. * PRESS ASSOCIATION syndicated to regional press *Readers of Peter Godfrey-Smith's Other Minds and Eduardo Kohn's How Forests Think will delight in an Anthropocene adventure that brings their ideas so vividly to life. -- Richard Lea * TIMES LITERARY SUPPLEMENT *Both a profound meditation on the way human actions are affecting the world we live in... but also a breathless thriller and a perfect example of world building, this is a breakthrough novel which I expect to have a major impact over years to come. -- Maxim Jakubowski * CRIME TIME *This is a tour de force in showing how well fiction can explore society's challenges and problems. It also is a delight that, while asking difficult questions, the author offers some hope for humankind, and redemptive joy in the struggles involved in facing our environmental battles. -- Graeme Gourlay * DIVE MAGAZINE *A hugely accomplished debut. -- Natalie Xenos * CULTUREFLY *Nayler's masterful debut combines fascinating science and well-wrought characters to deliver a deep dive into the nature of intelligent life . . . As entertaining as it is intellectually rigorous, this taut exploration of human - and inhuman - consciousness is a knockout * Publishers Weekly, starred review *Less a science fiction adventure than a meditation on conscioussness and self-awareness, the limitations of human language, and the reasons for those limitation, the novel teaches as it engages * Kirkus Reviews *This compelling debut is impossible to put down, a delightful embroidery of the rush of scientific discovery and the pain of isolation, asking hard questions about what society is and what it means to truly understand another creature * Booklist, starred review *Exceedingly ambitious . . . [This] is a novel that is alert, intelligent, open * New York Times *

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Book SynopsisThe classic Dune trilogy, one of the most influential SF series ever written, recently having been adapted into a blockbuster Oscar-nominated film, in a lavish gift hardback for collectors everywhere.Trade ReviewI know nothing comparable to it except The Lord of the Rings -- Arthur C ClarkeIt is possible that Dune is even more relevant now than when it was first published * NEW YORKER *An astonishing science fiction phenomenon * WASHINGTON POST *One of the monuments of modern science fiction * CHICAGO TRIBUNE *Powerful, convincing, and most ingenious -- Robert A. HeinleinA novel of extraordinary complexity ... the work of a speculative intellect with few rivals in modern sf * THE ENCYCLOPEDIA OF SCIENCE FICTION *A tight mesmerising fabric, interwoven with a potent element of mysticism ... intensely realised -- Brian W Aldiss

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Book SynopsisTrade ReviewShe is back with a heavyweight state-of-the-nation story that has been ten years in the making * Daily Mail *Roy's second novel proves as remarkable as her first * Financial Times *The Ministry of Utmost Happiness confirms Roy's status as a writer of delicate human dramas that also touch on some of the largest questions of the day. It is the novel as intimate epic. Expect to see it on every prize shortlist this year * The Times *Heartfelt, poetic, intimate, laced with ironic humour...The intensity of Roy's writing - the sheer amount she cares about these people - compels you to concentrate...This is the novel one hoped Arundhati Roy would write about India * Daily Telegraph *Teems with human drama, contains a vivid cast of characters and offers an evocative, searing portrait of modern India * Tatler *A beautiful and grotesque portrait of modern India and the world beyond. Take your time over it, just as the author did * Good Housekeeping *Fantastic. The novel is unflinchingly critical of power, and yet she empowers her underdog characters to persevere, leaving readers with a few droplets of much-needed hope. It's heartening when writers live up to the hyperbole that surrounds them * Hirsh Sawhney *A kaleidoscopic story about the struggle for Kashmir's independence * Washington Post *A sprawling, kaleidoscopic fable about love and resistance in modern India * The Guardian *The follow-up we've been longing for - a poetic, densely populated contemporary novel in the tradition of Dickens and Tolstoy. From its beginning, one is swept up in the story... With her exquisite and dynamic storytelling, Roy balances scenes of suffering and corruption with humour and transcendence * Vogue *Compelling, musical, cinematic... [A] genuine poignancy and depth of emotion. Her gift is for the personal: for poetic description [and an] ability to map the complicated arithmetic of love and belonging . . . The Ministry of Utmost Happiness manages to extract hope from tragedies * The New York Times *A passionate political masterpiece * Times Literary Supplement *

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Book SynopsisA wild and gripping novel about one woman's quest to reintroduce wolves to the Scottish Highlands at any cost.Inti Flynn arrives in the Scottish Highlands with fourteen grey wolves, a traumatised sister and fierce tenacity.As a biologist, she knows the animals are the best hope for rewilding the ruined landscape and she cares little for local opposition. As a sister, she hopes the remote project will offer her twin, Aggie, a chance to heal after the horrific events that drove them both out of Alaska.But violence dogs their footsteps and one night Inti stumbles over the body of a farmer. Unable to accept that her wolves could be responsible, she makes a reckless decision to protect them. But if the wolves didn't make the kill, then who did? And can she trust the man she is beginning to love when he becomes the main suspect?Propulsive and unforgettable, Once There Were Wolves is the spellbinding story of a woman desperate to save her family, the wild animals, and the natural world she loves, at any cost. 'Blazing...Visceral...As McConaghy shows in this stunning book, the limits of language lead us to the limits of empathy.' Los Angeles Times'Bold...A heartfelt and earnest novel' New York Times Book ReviewTrade ReviewBlazing...Visceral...As McConaghy shows in this stunning book, the limits of language lead us to the limits of empathy -- Lorraine Berry * Los Angeles Times *So damn good. A page-turner that makes you think and has a huge emotional impact -- Jeff VanderMeer, New York Times bestselling author of Annihilation (via Twitter)Bold...A heartfelt and earnest novel * The New York Times Book Review *One of those very rare, special novels that changes you as you read ... It's beautifully written and smart and impressively, importantly atmospheric. And it's also funny and warm and perfectly crafted with some of the best characters I have ever read ... I loved loved loved this book -- Laurie Frankel, New York Times bestselling author of This Is How It Always IsThis heart-pounding novel digs into the complex relationships between humans and the creatures with which we share the natural world * Newsweek *Suspenseful and poignant...humans and animals alike can break our hearts * Scientific American *Far more than an old wolves' tale. Instead, it illustrates what it's like to be an outsider from both a human and animal perspective and the level of healing and acceptance it takes from within to be accepted and to accept yourself * Electric Literature *Urges us to take a lesson from the wolves, and learn to lean on one another * BookRiot *Lyrical, captivating, thought-provoking and thrilling, this immersive read will capture your attention from the first page * Good Morning America *The Australian author made waves with last summer's Migrations, a meditation on climate change and loneliness, and returns with a new story set in the Scottish Highlands, where two twin sisters join a team attempting to reintroduce a pack of wolves to their natural surroundings * Entertainment Weekly *Unflinching in its view of the harm humans inflict on the environment and on each other and insisting on the interconnectedness of the two Once There Were Wolves delivers a powerful call for hope in the face of catastrophe * Shelf Awareness *Vividly realized... Gorgeously rendered...A story full of subtle surprises...This is a stunner * Publishers Weekly *Poetic...A lovely, gripping tale about a world that could be our own * Kirkus *Once There Were Wolves is one of those very rare, special novels that changes you as you read, which you do as slowly as you can because you want to savor it, except the pages keep turning furiously because the story is so thrilling and so powerful. It's beautifully written and smart and impressively, importantly atmospheric. And it's also funny and warm and perfectly crafted with some of the best characters I have ever read. I will be enthusiastically recommending this novel to everyone forever. Charlotte McConaghy has cemented herself as a sure-thing, must-read writer for me. I loved loved loved this book -- Laurie Frankel, New York Times bestselling author of This Is How It Always Is[A] propulsive novel. * Guardian *

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Book SynopsisThe Big Short meets Succession in this blisteringly smart, darkly funny thriller about mining, money, and moral compromise. When Peter Mount, CEO of a small British mining company, places his bets on a rare-earths bonanza in Oregon, he sets off a chain of events that spans continents - and threatens to unravel his life. But while shareholders chase profit and bankers sharpen their knives, a disillusioned New Yorker and a restless Native American activist begin to fight back. Keith Carter's debut novel is a gripping exposé of corporate greed, environmental peril, and the fragile moral compasses of those at the top. Unflinching, insightful, and wickedly entertaining, The Umbrella Men will change the way you look at the suits behind the scandals - and the cost of digging too deep.

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Book SynopsisBlackmail, sexual harassment, murder . . . and a missing dog: eccentric, eco-obsessed LA private eye Charlie Waldo is on the case in this quirky, fast-paced mystery. Paying a harsh self-imposed penance for a terrible misstep on a case, former LAPD superstar detective Charlie Waldo lives a life of punishing minimalism deep within the woods, making a near religion of his commitment to owning no more than One Hundred Things.At least, he?s trying to. His PI girlfriend Lorena keeps drawing him back to civilization ? even though every time he compromises on his principles, something goes wrong.And unfortunately for Waldo, all roads lead straight back to LA. When old adversary Don Q strongarms him into investigating the seemingly mundane death of a vagrant, Lorena agrees he can work under her PI license on one condition: he help with a high-maintenance celebrity client, wildly popular courtroom TV star Judge Ida Mudge, whose new mega-deal makes her a perfect target for blackmail. Reopening the coldest of cases, a decades-old fraternity death, Waldo begins to wonder if the judge is, in fact, a murderer ? and if he?ll stay alive long enough to find out.Pay or Play is the third in the Charlie Waldo series, following Last Looks and Below the Line. Last Looks was turned into a major motion picture, starring Charlie Hunnam as the offbeat private investigator.

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Book Synopsis'Beard sank into a gloom of inattention, not because the planet was in peril - that moronic word again - but because someone was telling him it was with such enthusiasm'Michael Beard is a Nobel prize-winning physicist whose best work is behind him. He now spends his days speaking for enormous fees and half-heartedly heading a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time, she's having the affair.When Beard's professional and personal worlds collide in a freak accident, an opportunity arises for Beard to simultaneously save his marriage and the world from environmental disaster.'Savagely funny... Enormously entertaining' Sunday Times'A satirical masterpiece...it will come to be regarded as a classic' Daily Telegraph'A stunningly accomplished work, possibly his best yet' Financial TimesVINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.Trade ReviewSavagely funny... Enormously entertaining * Sunday Times *A satirical masterpiece...it will come to be regarded as a classic * Daily Telegraph *A stunningly accomplished work, possibly his best yet * Financial Times *McEwan has succeeded in producing a novel that is both profoundly serious and hilariously funny * Mail on Sunday *Vivacious and sprawling, a beautifully and compellingly written novel * The Times *

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Book SynopsisNOW A MAJOR GLOBAL NETFLIX ADAPTATION STARRING JULIA ROBERTS, KEVIN BACON, ETHAN HAWKE AND MAHERSHALA ALI *A THE TIMES #1 BESTSELLER* *THE NEW YORK TIMES BESTSELLER* *A BARACK OBAMA SUMMER READING PICK 2021* 'Easily the best thing I have read all year' KILEY REID, AUTHOR OF SUCH A FUN AGE 'Intense, incisive, I loved this and have still not quite shaken off the unease' DAVID NICHOLLS 'I was hooked from the opening pages' CLARE MACKINTOSH 'Simply breathtaking . . . An extraordinary book, at once smart, gripping and hallucinatory’ OBSERVER _______ A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong Amanda and Clay head to a remote corner of Long Island expecting a holiday: a quiet reprieve from life in New York City, quality time with their teenage son and daughter and a taste of the good life in the luxurious home they've rented for the week. But with a late-night knock on the door, the spell is broken. Ruth and G. H., an older couple who claim to own the home, have arrived there in a panic. These strangers say that a sudden power outage has swept the city, and - with nowhere else to turn - they have come to the country in search of shelter. But with the TV and internet down, and no phone service, the facts are unknowable. Should Amanda and Clay trust this couple - and vice versa? What has happened back in New York? Is the holiday home, isolated from civilisation, a truly safe place for their families? And are they safe from one another? _______ FINALIST FOR THE NATIONAL BOOK AWARD 2020 FINALIST FOR THE ORWELL PRIZE 2021 A DAILY TELEGRAPH, GUARDIAN, OBSERVER, IRISH TIMES AND TIME BOOK OF THE YEAR Everyone is talking about LEAVE THE WORLD BEHIND 'You will probably need to read it in as close to one sitting as possible’ Sunday Times 'A page-turner taking in themes of isolation, race and class’ Guardian ‘A book that could have been tailor-made for our times’ The Times ‘A literary page-turner that will keep you awake even after it ends’ Mail on Sunday 'An exceptional examination of race and class and what the world looks like when it's ending' Roxane Gay 'A thrilling book - one that will speak to readers who have felt the terror of isolation in these recent months and one that will simultaneously, as great books do, lift them out of it' Vogue 'Explores complex ideas about privilege and fate with miraculous wit and grace' Jenny Offill ‘For the reader, the invisible terror outside in Leave the World Behind echoes the sense of disquiet today in a world convulsed by the pandemic’ Financial Times 'Alam's achievement is to see that his genre's traditional arc, which relies on the idea of aftermath, no longer makes sense. Today, disaster novels call for something different' New Yorker 'Read it with the lights on' Jenna Bush Hager, October Book Club pickTrade ReviewStupendously good . . . Simply breathtaking, full of moments of exquisite recognition, as terrifying and prescient as Cormac McCarthy’s The Road . . . Leave the World Behind is an extraordinary book, at once smart, gripping and hallucinatory . . . When future generations (if that term doesn’t sound over-optimistic at the moment) want to know what it was like to live through the nightmare of 2020, this is the novel they’ll reach for * Observer *Would be resonant and terrifying even in a more normal year . . . In his dazzling prose, his fascination with catastrophe and his apparent ability to portend the future, Alam is a worthy descendant of Don DeLillo . . . You will probably need to read it in as close to one sitting as possible * Sunday Times *A sensation . . . A tense, atmospheric, splendidly written attempt to grapple with impending doom … Even in its infancy, Leave the World Behind was well poised to become the book of an era . . . A striking, unsettling novel * Independent *Without any exaggeration, I can honestly say that I devoured Leave the World Behind, in one greedy, uneasy gulp. It’s a taut page-turner – one that starts out as a smart, knowing, contemporary comedy of manners, but quickly spirals into an apocalyptic nightmare so terrifyingly realistic that it sent shivers down my spine * Daily Telegraph *For the reader, the invisible terror outside in Leave the World Behind echoes the sense of disquiet today in a world convulsed by the pandemic. There are intense parallels between the unreality of life in the Long Island bolt-hole described in the book and lockdown . . . The novel excels in its dissection of modern liberal America and forces the reader to confront the limits of their own heroism in the face of disaster * Financial Times *A book that could have been tailor-made for our times, with its tale of racial tensions and an unnatural disaster . . . It’s a close-up narrative, and its strength lies in the emotional pull . . . There’s something for everyone: that is, to terrify everyone, from parents to nature lovers to hypochondriacs * The Times *A page-turner, taking in themes of isolation, race and class . . . As the author of a book about people trapped inside a house by a huge event, desperate for information, Alam is a curious prophet . . . Alam has an almost anthropological eye for the absurdities of the upper-middle class, for the blindness of white people . . . Leave the World Behind was influenced by Jordan Peele’s film Get Out, apparent in Alam’s acuity on whiteness. But the closest literary comparison could be Shirley Jackson, whose cold, detached voice can be heard in Alam’s narrator when we are shown glimpses of what is happening in the wider world * Guardian *Rumaan Alam creates an atmosphere of dread so convincing and prescient that it stays with the reader long after reading . . . Explores issues of race, class and identity in the face of overwhelming disaster * Irish Times *Alam has built an apocalyptic thriller around a single concept: what would you do if the world was crumbling around you? . . . This novel is catching hold of its readers, and it’s easy to see why . . . A bracing read. The story is crafted with a deft lightness of touch and, at a mere 240 pages, it’s brisk and unfaltering. But it’s the eeriness of the burgeoning apocalypse, and the paralytic inability of the protagonists to help themselves, that will stay with you the longest * Irish Independent *An exacting and dread-inducing story of suspicion, prejudice and hysteria . . . It feels so entwined with the DNA of 2020, capturing the hallucinatory quality which time takes on when stuck inside not knowing what the future holds * Esquire *Once you read this topical and gripping novel, it’s all you’ll want to talk about * Stylist *Rumaan Alam’s elegant novel presents a scenario familiar to many readers of contemporary fiction in 2020: a mass power meltdown . . . Alam controls the tension by almost imperceptible degrees . . . A wonderful novel about the figurative walls we build to keep the world outside * Metro *If the first half can turn a mirror on you, the second half will shatter it . . . Undeniably haunting * New York Times *Poised to be one of the biggest titles of the fall . . . A comedy of manners wrapped inside a tense disaster plot * New York Magazine *A slippery and duplicitous marvel of a novel . . . Leave the World Behind is atmospheric and prescient: its rhythms of comedy alternating with shock and despair mimic so much of the rhythms of life right now . . . A signature novel for this blasted year * NPR *Rarely have I encountered a book so cuttingly prescient about the current emotional atmosphere . . . Alam’s deployment of creepy, inexplicable detail is masterful . . . This is a thrilling book - one that will speak to readers who have felt the terror of isolation in these recent, torturous months and one that will simultaneously, as great books do, lift them out of it * Vogue *Alam has written a genuine literary thriller, one that is also a disturbing window into our precarious age * Independent *The fall's biggest novel * Entertainment Weekly *Enthralling . . . Alam keeps close to his characters, who, like insects in acrylic, remain trapped in a state of suspended unease. This, he suggests, is the modern disaster – the precarity of American life, which leaves us unsure, always, if things can get worse . . . Alam’s achievement is to see that his genre’s traditional arc, which relies on the idea of aftermath, no longer makes sense. Today, disaster novels call for something different, a recognition that we won’t find a new normal * New Yorker *Like Stephen King’s 1980 novella The Mist, Leave the World Behind expertly illustrates the horror of the unknown, the almost painful humanity we feel when facing down the end and, of course, human nature under duress. During an era of plague, racism, hatred, and division, this tale of a vacation gone awry is terrifyingly prescient * Rolling Stone *One of the eeriest, most disturbing stories I've read in some time . . . The contours of everything might be recognisable, but what's contained within is wholly deranged * Refinery 29 *Riveting and claustrophobic, Leave the World Behind invites us to sit with our discomfort and reflect on our own rushed judgments, delivering a dazzling and dark examination of family, race, class and what matters most when the impossible becomes possible * Esquire *Leave the World Behind is that rarest of things: a beautifully written, emotionally resonant page-turner. Alam explores complex ideas about privilege and fate with miraculous wit and grace * Jenny Offill, author of Weather *Perfectly paced, clever and haunting . . . This is one of those stories that inspires a hungry turn of pages, preceded by that desperate and lovely need to come up for air. So easily the best thing I've read all year * Kiley Reid, author of Such a Fun Age *This is an exceptional examination of race and class and what the world looks like when it’s ending – not at all different from the world we are in now * Roxane Gay, author of Hunger *Rumaan Alam's Leave the World Behind is a canny Trojan horse of a novel, and also a Pandora's Box. Like the family at its center, we're seduced utterly by the bounty and insularity of its world, only to find ourselves, inch by inch, approaching a larger darkness lurking just beyond. With a potent Shirley Jackson energy, it is both eerily timeless and sharply prescient at once, and lingers long after its final page * Megan Abbott, author of Give Me Your Hand *Leave the World Behind is so many things--funny, sharp, insightful about modernity and race and parenthood and home--but at its core it's a story of our shared apocalypse; a steady look at humanity in the moment it tumbles from a great height. I have not been this profoundly unnerved by a science fiction novel since Ishiguro's Never Let Me Go. * Carmen Maria Machado, author of Her Body and Other Parties *Here in your hands, wrapped in the delicious cloth of suspense, Rumaan Alam begs us to ask the most important questions. How do we let the other in? Where do we draw the borders of home? A prescient book, built for these strange times, sure to entrance and electrify * Samantha Hunt, author of The Dark Dark *Suspenseful and provocative, Rumaan Alam's third novel is keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped--and unexpected new ones are forged--in moments of crisis * Laura Lippman, author of Lady in the Lake *

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Book SynopsisImpetuous, rich, and something of a snob, Olivia buys a hill farm and dedicates herself to nature recovery. A tragic accident has left her a widow at 29. No one can compare to the young husband she adored; so, defiantly, she vows never to remarry. Instead she will devote herself to building up the farm as a beacon of restorative agriculture. Her resolve is challenged when she is introduced to television environmentalist and man-with-a-mission Andrew, a hero she has long admired but never before met in real life. Fate, in the shape of land-use politics, brings him to work on her farm, along with his troubled teenage son. A passionate affair develops and runs its course over a moorland summer, under the worried gaze of family and friends on both sides. But Andrew’s mission is global, Olivia’s vision local; what can their happy ending look like?Trade Review“An intriguing story weaving together natural history, academic battles, and the green revolution. The landscape of Yorkshire is described with verve and delight. A doomed romance binds the tale together, as the competing claims of love and scientific research vie for supremacy.” Richard Fortey, author of The Hidden Landscape, Life: An Unauthorized Biography, and Dry Store Room no 1 – The Secret Life of the Natural History Museum; “The rich characters and intriguing plot of Native Soil make it a compelling romance. But it also uses that genre to explore some of the most urgent political and cultural concerns in contemporary life. Questions about the damage caused by conventional agriculture and how to transform it into a sustainable activity are amongst the most vital if the planet is to survive. Native Soil places these questions at the heart of a powerful narrative.” Ian Gregson, author of Not Tonight Neil, How We Met, and Call Centre Love Song; “Though it focuses on the relationships between the main characters, the novel also looks at the complex of relationships between politicians, academics, farmers that become involved in any attempt to get an agricultural research project going. Details on topics such as business planning for the farm, looking after sheep or GM technology are included without slowing the story down. The reader is prompted to think about priorities, as one character says: “So, we pay for a moon shot but can’t afford to catalogue the living things on the planet.” The engrossing story is peopled with convincing characters – it’s an indication of how well Olivia’s character is drawn that I actually fretted over whether she was moving too quickly in the relationship, convinced that she would be disappointed. You will of course need to read the novel to find out whether my concerns were correct!” Crafty Green Poet

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Book SynopsisSHORTLISTED FOR THE DYLAN THOMAS PRIZE 2023'Arnott has an eye and an ear for description that can elevate otherwise quiet moments to something genuinely transcendent... A luminously told, whole-life story of a young boy discovering how to be his own man.' GuardianNed West dreams of sailing across the river on a boat of his very own. To Ned, a boat means freedom - the fresh open water, squid-rich reefs, fires on private beaches - a far cry from life on Limberlost, the family farm, where his father worries and grieves for Ned's older brothers. They're away fighting in a ruthless and distant war, becoming men on the battlefield, while Ned - too young to enlist - roams the land in search of rabbits to shoot, selling their pelts to fund his secret boat ambitions. But as the seasons pass and Ned grows up, real life gets in the way. Ned falls for Callie, the tough, capable sister of his best friend, and together they learn the lessons of love, loss, and hardship. When a storm decimates the Limberlost crop and shakes the orchard's future, Ned must decide what to protect: his childhood dreams, or the people and the land that surround him... At turns tender and vicious, Limberlost is a tale of the masculinities we inherit, the limits of ownership and understanding, and the teeming, vibrant wonders of growing up. Told in spellbinding, folkloric spirit, this is an unforgettable love letter to the richness of the natural world from a writer of rare talent.Trade ReviewBursts with language... an ode to the fierce and the feral * Sunday Times *Arnott has an eye and an ear for description that can elevate otherwise quiet moments to something genuinely transcendent... A luminously told, whole-life story of a young boy discovering how to be his own man. * Guardian *Carries echoes of Ernest Hemingway... a beautiful, pared-back exploration of masculinity, and the sustaining nature of dreams. * Big Issue *Wonderfully vivid * Daily Mail *Limberlost is as close to flawless as any book I have read in years. The poise and precision of Arnott's writing lends restraint to the fury at Limberlost's heart. * Jessie Greengrass, author of THE HIGH HOUSE *Spectacular and stunning. In a novel steeped in the natural landscapes of Tasmania, Arnott captures a very relatable youthful male anxiety that exists between fathers and sons. Very subtle and deeply moving. * Nick Bradley, author of THE CAT AND THE CITY *It is an unforgettable story, humble, transporting, and filled with grace and bravery. It's one of the strongest things I've read for a very long time. * Cynan Jones, author of COVE and THE DIG *Robbie Arnott is the sort of young writer we all hoped would emerge in Australia, a Conrad-like storyteller whose tales always tremble on the edge of the mythic and legendary. And as well as being a splendid narrator of tales, he has a quality too easily overlooked now. He writes beautifully! * Thomas Keneally, author of THE DICKENS BOY *Ned-with his shame and pride-blazes his way into your heart. A tender, soaring novel from one of Australia's finest writers. * Sisonke Msimang, author of The Resurrection of Winnie Mandela *An immersive experience, a story that is deeply embedded in the language of its environment... Scaled right down to a single, humble life, Limberlost is lit up by the energy of that life's relationships. It serves as a reminder of the complicated position humans occupy, tangled as we are in the webs of interdependence, of pain and responsibility and care, that bind us to a world much greater than ourselves. * Australian Book Review *In Limberlost magic lies in lyrical language and the powerfully real characters brought to life through it...This is a novel about the deepest of emotions, about love, the fear of loss, and about joy. * Age *Robbie Arnott is a tremendously talented and unique voice in Australian literature, and his third novel, Limberlost, exceeded all my expectations. It is a gorgeously written coming-of-age novel...a touching and profound depiction of connection, grief and familial love. * Readings Monthly *This book is something special: tender, sad, exceptionally well-written [and] unexpectedly moving. * Ashleigh Wilson *Sad and satisfying * The Times on The Rain Heron *Timeless and poignant * Guardian on The Rain Heron *Shocking... Beautiful... Satisfying * Scotsman on The Rain Heron *

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Book SynopsisA brilliantly conceived and audacious novel from one of our most consistently intelligent and beguiling writers' William BoydSurefooted and emotionally generous A serious achievement' GuardianMasterful' TelegraphA revelation' SpectatorThe new novel from the Booker shortlisted author of The Northern ClemencyAn order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence.There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.Written in four parts, To BatterseaTrade Review‘A brilliantly conceived and audacious novel from one of our most consistently intelligent and beguiling writers’ William Boyd, author of The Romantic ‘Surefooted and emotionally generous … A serious achievement … Less a book about the pandemic and more a book about the stories we tell ourselves about the pandemic; billions of stories, fragile, partial, and essential, each one a small but vital act of reclamation and remembrance’ Guardian ‘Interesting and innovative … A different kind of state-of-the-nation novel; an exercise in imagination and empathy born out of a moment of collective crisis’ Daily Telegraph ‘A revelation: a comedy of suburban manners slowed to the point of nightmare’ Spectator ‘Challenges everything we might have taught ourselves to expect from fiction… Wise, ingenious and passionate’ TLS ‘Bears [Hensher’s] hallmark brilliance … Magnificently succeeds in excavating the sedimentary layers of a neighbourhood in lockdown’ Financial Times ‘Eloquently distils the way in which enforced social distancing made us see the world around us through fresh eyes … an impressive addition to the canon of lockdown fiction’ Mail on Sunday ‘Playful, philosophical, sensual, violent and funny … But above all, it’s defiant: an account of confinement that refuses to be confined’ Literary Review ‘A master novelist and prose stylist … Shifts from sublimely evoked reality to terrifyingly, clearly imagined dystopia’ Country Life ‘Masterly in marrying observations of the minutiae of the lives of ‘ordinary’ people with huge, soaring themes’ AnOther Magazine ‘An imaginative tour de force. The first great lockdown novel, and perhaps the only one we'll need’ Mick Herron, author of Bad Actors ‘Utterly engrossing’ Lissa Evans, author of V for Victory

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Book SynopsisThe gripping story of what it's like to be the daughter of a woman who changed the world - perfect for fans of The Power and VoxA BBC RADIO 2 BOOK CLUB PICK AND KINDLE NO. 1 BESTSELLER 'Engrossing and original. The Silence Project will get people talking' Bernardine Evaristo Mother. Martyr. Murderer. On Emilia Morris's thirteenth birthday, her mother Rachel moves into a tent at the bottom of their garden. From that day on, she never says another word.Inspired by Rachel's example, other women join her and together they build the Community. Eight years later, Rachel and thousands of her followers shock the world as they silence themselves forever.In the aftermath of what comes to be known as the Event, the Community's global influence quickly grows. As a result, the whole world has an opinion about Rachel - whether they see her as a callous monster or a heroic martyr - but Emilia has never voiced hers publicly. Until now. Readers can't stop shouting about The Silence Project: 'A true masterpiece' ***** 'One hell of a book!' ***** 'Had me hooked' ***** 'Red-hot' ***** 'I don't think I've ever read a book as quickly' ***** 'Gave me the shivers' *****Trade ReviewAn utterly compelling page-turner, you'll keep thinking about this novel long after you've put it down. * Glamour *A page-turner * Scotland on Sunday *Carole Hailey has conjured a gripping tale of transformation; its protagonist's clear-eyed, arresting voice is impossible to ignore. This striking debut grounds itself in a world we recognize in order to invite us to imagine both darkness - and hope. The Silence Project marks the arrival of a sophisticated and compelling new voice. -- Erica WagnerTotally unique, gripping, compelling and immersive -- Nell Hudson, author of Just For Today'Multilayered and philosophical ... grippingly compulsive ... reminiscent of writers such as Margaret Atwood, Naomi Alderman and Miriam Toews ... inventive and original * Nation Cymru *A slow burn that leads up to an incendiary conclusion. It holds a mirror up to our cultural compulsion to have a take on every tragedy that passes our screens, and the way that movements can spiral out of control. But it's also a deep dive into the divide between a mother and a daughter, and the struggle to understand who your parents are outside their identity as your parents. * Readers Digest *Compulsive reading ... so timely in its considerations of the ownership of narrative and truth -- Jane Fraser, author of AdventA big novel, a story for our age that asks the central question: how to save an endangered world when there can no longer be heroes? Love and power burn through The Silence Project. A terrifying and beautiful coming of age story. What an achievement! -- Isabelle Dupuy author of Living the DreamReaders who enjoyed The Power or The Handmaid's Tale will be absorbed by the novel's exploration of dystopian themese -- The School LibrarianA gripping, intelligent, multi-layered triumph -- Andy Charman, author of Crow CourtA ferociously smart page turner, exploring how idealism curdles into fanaticism, silence into violence. Brilliantly original and inventive. -- Alan Bilton, author of The Known and Unknown SeaArresting ... pins down the zeigeist as if with a rivet gun and is so good on the subject of cults that it might well become the focus one. Bravo. -- Jon GowerCaptivating ... a nimble and fascinating page-turner * Buzz *A remarkable novel ... illustrates the evil that lies in the heart of men's (and women's) hearts when they decide their way is the only way * Meath Chronicle *

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Book SynopsisIn a small Aboriginal town dominated by a haze cloud, which heralds both ecological disaster and a gathering of the ancestors, Cause Man Steel is chasing a mad vision: a national donkey transport scheme that will guarantee his people’s independence forever. He finds, however, as he bundles feral donkeys into his Ford Falcon and dumps them en masse in the cemetery, that not all of Praiseworthy agrees. Outrage ferments at his desecration of traditional land, while Cause’s wife Dance seeks refuge with butterflies and dreams of moving their family to China. Bad feelings reach fever pitch when citizens catch wind of the suicide of Aboriginal Sovereignty, Cause’s eldest son. All are distraught – all, that is, except eight-year-old Tommyhawk Steel, who, with his brother gone, gleefully pursues his dream of becoming white and powerful. Told with the richness of language and scale of imagery for which Alexis Wright has become renowned, Praiseworthy is a marvel of explosive sentences, a shock to allegory, an outraged cry against oppression, and a biting satire for the end of days.y for which Alexis Wright has become renowned.Trade Review'The great Moana Jackson declared the doctrine of discovery a legal fiction. In Praiseworthy, farce, satire, tragedy, the colloquial, myth, pun, repetition, elegy, and the epic expose the absurdity of the doctrine and the everyday lies, habits and horrors keeping it in place. Praiseworthy is simply astonishing.' Judges of the 2023 Queensland Award for Literary Fiction ---- 'I'm awed by the range, experiment and political intelligence of Alexis Wright's work. She is vital on the subject of land and people.' Robert Macfarlane, New York Times Book Review ---- 'Monumental. Praiseworthy blew me away. If you think you know what assimilation is, you should read Praiseworthy and think again.' Tony Hughes-d'Aeth, Australian Book Review ---- ‘Linguistically commodious, panoramically plotted, Praiseworthy’s 700-plus-page scale would have given Henry James a heart attack: it is a baggy monster, and more monstrous than most. Its vision is dark, humour tar-black, narration irrepressible, language roiling and rococo. All life, as in Balzac, is here … Wright gives us the living and the dead, material and non-material, Country and people; all the masters dreamed of, and all they neglected to; the entire human (and non-human) comedy … Long after the lesser concerns of contemporary fiction have ceased to matter, the work of Alexis Wright will remain.’ Declan Fry, The Guardian ---- 'The rich interrelations of ancestral spirits, larger-than-life characters, and Country all derive from the Aboriginal traditions of storytelling. But there are also signs of literary influence from every compass point on the map, including, most notably, the surrealism and magic realism of writers such as Jorge Luis Borges and Gabriel Garcia Marquez.' Jack Cameron Stanton, The Age ---- 'Praiseworthy is Alexis Wright's most formidable act of imaginative synthesis yet . . . A hero's journey for an age of global warming, a devastating story of young love caught between two laws, and an extended elegy and ode to Aboriginal law and sovereignty.' Jane Gleeson-White, The Conversation

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Book SynopsisThe classic Dune trilogy, one of the most influential SF series ever written'I know nothing comparable to it except The Lord of the Rings' Arthur C ClarkeTrade ReviewI know nothing comparable to it except The Lord of the Rings -- Arthur C ClarkeIt is possible that Dune is even more relevant now than when it was first published * NEW YORKER *An astonishing science fiction phenomenon * WASHINGTON POST *One of the monuments of modern science fiction * CHICAGO TRIBUNE *Powerful, convincing, and most ingenious -- Robert A. HeinleinA novel of extraordinary complexity ... the work of a speculative intellect with few rivals in modern sf * THE ENCYCLOPEDIA OF SCIENCE FICTION *A tight mesmerising fabric, interwoven with a potent element of mysticism ... intensely realised -- Brian W Aldiss

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Book Synopsis'Striking...brilliantly done' The TimesAn ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving-and astonishing-best. Anna's aged mother is dying - if her three children would just allow it. Forced by their pity to stay alive, she increasingly escapes through her hospital window into visions of horror and delight.When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope, love and orange-bellied parrots.'One of our greatest living novelists' Washington PostTrade ReviewPyrotechnic brilliance * Daily Mail *Ambitious, powerful... There is much to enjoy and admire in this novel... Flanagan writes with a startling brilliance * Scotsman *A fiercely well-observed account of the psychological twists and turns, the stress points and the double-binds, of familial love * Daily Telegraph *Richard Flanagan is one of the greatest writers at work in the world today - I admire him and his writing immensely. The Living Sea of Waking Dreams is a haunting, urgent and important book about our broken and confusing age -- James RebanksStriking... brilliantly done... Flanagan is wise enough to place his wider concerns, and the accompanying magic realism within the sturdy framework of a conventional family narrative * The Times *

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Book SynopsisFrom the bestselling, Booker-shortlisted chronicler of Italy, a classic novel about a man's emotional reckoning in a changed world far from homeFrank's reclusive existence in a leafy part of London is shattered when he is summoned to Milan for the funeral of an old friend. Preoccupied by this sudden intrusion of his past, he flies, oblivious, into the epicentre of a crisis he has barely registered on the news.It is spring, his luxury hotel offers every imaginable comfort; perhaps he will be able to weather the situation and return home unscathed? What Frank doesn't know is that he's about to make a discovery that will change his heart and his mind.Hotel Milano is a universal story from a unique moment in recent history: a book about the kindness of strangers, and about a complicated man who, faced with the possibility of saving a life, must also take stock of his own.Trade ReviewHotel Milano is one of Tim Parks' most engaging and satisfying books * Scotsman, *Summer Reads of 2023* *Tim Parks, a long-time resident in Italy, is an accomplished writer of both fiction and non-fiction, and this deft and affecting short novel combines his skills * New Statesman *A compelling mix of emotional introspection and pressing drama * Mail on Sunday *Excellent and quietly devastating... While recent pandemic novels such as Sarah Hall's Burntcoat and Sarah Moss's The Fell gave us the claustrophobia and forced intimacy of the pandemic, Hotel Milano comes closest to evoking what it was really like to watch the world be redrawn in real time * Guardian *Parks writes with an appealing wry elegance, and his quirky, erudite narrator finally finds solace not so much in the grand themes of European culture as in a shredded balloon stuck in a tree or the yellow beak of a blackbird * Spectator *

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Book SynopsisA satirical fable, a political allegory and an ecological warning from the author of The Three-Body Problem. On an otherwise ordinary day in the late Cretaceous, the seeds of Earth's first and greatest civilization were sown in the grisly aftermath of a Tyrannosaurus' lunch. From humble tooth-picking origins, ants and dinosaurs – two species so unalike and yet so complementary – forged an alliance that culminated in an antimatter-powered Age of Wonder. But such magnificent industry came at a price – a price paid first by Earth's biosphere, and then by all those dependent on it. And yet the dinosaurs refused to heed all warning of impending ecological collapse, leaving the ants facing a single dilemma: destroy their allies... or perish alongside them? 'Made my brain itch with its creativity and klaxon alarm... Deceptively simple and brilliantly clever, I simply adored it' LoveReading 'Liu's sense of fun is contagious' LocusTrade ReviewSo, so readable, Of Ants and Dinosaurs with the lightest and brightest of touches, made my brain itch with its creativity and klaxon alarm... Deceptively simple and brilliantly clever, I simply adored it' * LoveReading4Kids *So begins a fluctuating symbiotic relationship that Liu develops through knowingly disarming narrative leaps * South China Morning Post *An allegorical tale of the civilisation that flourished on the Earth in the late cretaceous period... Written in a fun and informal style... Enjoyable for adults who are looking for a light-hearted and fast-paced read... [Cixin Liu paints] a wonderful picture of this advanced civilisation that conquered the world in the unimaginable past... We can all see where it's heading, after all, there are no dinosaurs here today driving round in building-sized cars. The ending will not come as a surprise, but it's surprisingly poignant to see the results of the ants and dinosaurs' continual disagreements come to a head' * SF Crowsnest *The narrative picks up towards the end, propelling us into the atomic age and passages of visionary goofiness * The Times *[A] rather light and playful piece... Liu's sense of fun is contagious... For younger readers, thought, it might well offer some useful insights into that era and what caused their grandparents to lose so much sleep back in the 1950s' * Locus *A comprehensive vision of civilization and its development paths. When reading this story (or maybe more accurately: a fairy tale), one has an overwhelming impression that you are reading about the current situation in the world * Paradoks *

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Book SynopsisWinner of the 2022 OCM Bocas Prize for Fiction.Shortlisted for the Society of Authors' McKitterick Prize 2022.Finalist of the 2022 Firecracker Award in Fiction.Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.Trade ReviewCeleste Mohammed forces you to travel with her characters. You see their lives and their world as they do, on foot. You walk in her characters' shoes. Mohammed is a skillful storyteller, so the journey educates and exhilarates you, Mohammed invents a clear, crackling town/district, Pleasantview, a bustling, hustling side of Trinidad, where few of us have ever been, or will ever go. Pleasantview forces us to look at how we behave when uncontained, when unconstrained, when our lack of morality unmoors us. * A.J. Verdelle, author of The Good Negress *These stories are full of unexpected twists and connections and infused with humor. They herald the arrival of an intriguing new voice. * Ingrid Persaud *Pungent and searing, this is a refreshing portrait of island life told in stories that are crafted with candor and movement. Bursting with wisdom and humanity, it's hard to believe that this book is Mohammed's debut. * Candice Iloh *The residents of the fictional Trinidadian town of Pleasantview are divided by mistrust and racial and ethnic tension, but they are forever bound to each other by their shared histories and secrets. From Omar who is forced to confront his boss's corruption, to Miss Ivy in her employer's hand-me-down fur coat outside the police station, Mohammed's characters demand to be acknowledged. In this beautifully written debut, Mohammed gives voice to the silenced and the overlooked. Pleasantview sizzles with originality and heart and introduces a fearless new writer. * Hester Kaplan, author of Unravished *Pleasantview offers the reader a sharp and fearless view of the dark underbelly of life in Trinidad, filled with unforgettable characters that we meet in do-or-die situations. Marked by male violence, political underhandedness, and economic desperation, Pleasantview also demonstrates Mohammed's remarkable range as a writer as she moves seamlessly from callousness to tenderness, humor to sorrow, lyricism to minimalism in a work that lingers in the reader's mind long after the final page. This is a thrilling debut. * Laurie Foos, author of Ex Utero and The Blue Girl *As James Joyce did for Dublin, Celeste Mohammed holds up a polished mirror to the inhabitants of the fictitious Trinidadian town of Pleasantview and dares the reader to take an unflinching look at a multi-ethnic society that is vibrant and joyous but riddled with corruption and the exploitation of women, the young, and the vulnerable. Mohammed's writing is smart, funny, and enlivened by everyday Trinidadian vernacular, creating rich and lively portraits of a range of Trini characters. A formidable debut, Pleasantview's razor-sharp observations of misogyny and the abuse of power are leavened by humor and a pitch-perfect ear for the language of human foibles. * Tony Eprile, author of The Persistence of Memory *In one of Chekhov's stories, a character says that every happy man should have someone who taps at his door with a little hammer, reminding him that there are unhappy people in the world. Reading Celeste Mohammed's novel-in-stories makes me think of that magical little tap-except that the door opens not to a vision of unhappiness, but to a world crammed with life that you never knew existed. * Claire Adam, author of The Golden Child *The residents of Pleasantview come to vivid light in this extraordinary debut from Celeste Mohammed. Each slice of life in this Trinidadian village cuts clean to the bone, revealing how people are both complicated and complicit in the way we break each other's hearts and bodies. From the riveting opening to the aching end, Mohammed's gift for giving voice to each character is glorious. * Tracey Baptiste *

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Book SynopsisBeneath the sea, over millennia, sentient beings await our final mistakes: soon they will make their move. Manfred, an amateur seaweed collector, is convinced that algae are taking over the human race. Haunted by his past, Manfred falls in love with Nora, who has her own ideas about seaweeds and her own troubled history. From a Cornish fishing village to the Spanish coast, up to the blinding glacial landscape of the Arctic, human society falls under the microscope in Rob Magnuson Smith’s genre-bending existential drama Seaweed Rising.Trade Review‘Wonderfully strange. At once a moving love story and an ecological reverie of Ballardian intensity.’‘Funny and grim and like nothing you have read before. Effortlessly original.’'Truly weird and wonderful, sad and eerie.'

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Book SynopsisHenry Hoke is the author of the memoir Sticker, The Book of Endless Sleepovers, the story collection Genevieves, and the novel The Groundhog Forever. His work has appeared in Electric Literature, Triangle House, The Offing, and the Catapult anthology Tiny Crimes. He holds an MFA from the California Institute of the Arts, where he taught for five years, and presently teaches at the University of Virginia Young Writers Workshop.Trade ReviewOpen Throat is a blinding spotlight beam of a book that I was completely unable and unwilling to put down. I am not convinced Henry Hoke isn’t a mountain lion. -- Catherine Lacey, author of PewAn instant classic . . . The writing is so sinuous, so wry and muscular, yet with a padding, pawing playfulness, that you’re ready to go anywhere Hoke wants to take you . . . It’s funny, it’s heartbreaking and nail-bitingly propulsive, with an exquisite Hitchcockian climax. -- Rahul Raina * The Guardian *The lion king of Los Angeles . . . Hoke’s choice of narrator results in some fang-sharp incisiveness andflashes of brilliant humour * The Observer *A beguiling and memorable work * The Irish Times *Witty, emotional and gripping, Open Throat is a short but savage thrill ride * The Independent *[A] slim jewel of a novel . . . Though many readers will label Open Throat unconventional, this act of ravishing and outlandish imagination should be the norm, not the exception. At its best, fiction can make the familiar strange in order to bring readers and our world into scintillating focus. Open Throat is what fiction should be. * The New York Times Book Review *A propulsive, one-sitting read, if also a somber one . . . Without spoiling the story, it’s perhaps enough to say that the climax of Open Throat is a very L.A. one, with spotlights and drama. But it’s also a universal one. * Los Angeles Times *My definition of an unputdownable book is one that is funny, full of longing, and a bit fantastical. If a novel is all three, I'm sold. Open Throat by Henry Hoke is, for me, a Rosetta Stone of unputdownability: an allegorical tale of a queer mountain lion fighting for survival (and love) in the hills of Los Angeles. -- Melissa Broder * The Guardian *Your off-beat beach read? Open Throat is Bret Easton Ellis meets mountain lion in the Hollywood Hills . . . it already has people talking * The Sunday Times Style *I defy you to hear the premise of this sophomore novel from the always-interesting Henry Hoke and not immediately smash that preorder button . . . a playful, poignant, tragicomic delight * Lit Hub *A mountain cougar’s glimpses of LA (‘ellay’). Loved this tale of loneliness, longing and gore in the Hills. -- James Cahill, author of Tiepolo BlueI didn't know I would feel such attachment to a mountain lion when I started reading, but in Henry Hoke's talented hands, they become an instantly memorable and endearing protagonist. * Buzzfeed *This is one of the most unique books of the summer . . . a miniature masterpiece * iNews *Open Throat is a strange and beguiling prose/poem/novella about a curious, queer and raveous mountain lion stalking the Hollywood hills . . . Uniquely and bizarrely seductive * Attitude *This lyrical story of loneliness and kinship in Los Angeles is, by turns, delightful and melancholy—and inventive throughout. * Vanity Fair *Henry Hoke’s narrator is the most credible animal witness to human behavior since Robert Bresson’s Balthazar. Original, fun and completely awakening, Open Throat is a devastating portrait of LA today. -- Chris Kraus, author of I Love DickIt's not often you come across a book with such an incredibly unique premise that you can't help but read it, if only for pure curiosity. And it's even less common for these books to be wholly and entirely gratifying, entertaining, and enjoyable beyond expectation. Reader, Open Throat by Henry Hoke is all of these things. * NB Magazine *Open Throat strikes the perfect balance of humor and trauma, creating an encapsulating read that interrogates the complexities of gender identity and a world marked by climate change. -- Michael Welch, Chicago Review of BooksOpen Throat feels like a comic book and a really good one; it feels the inside of animals, specifically one animal, a mountain lion, and with them we desire blood and I can’t tell you how it ends but I love knowing a mountain lion so much. The beauty and tragedy of all of nature is in this character. Open Throat is a fierce writing act. Henry Hoke makes it true. -- Eileen Myles, author of For NowDaring and moving . . . Give this sinewy prose poem a chance and you'll fall under the spell of a forlorn voice trapped in the hellscape of modern America -- Ron Charles * The Washington Post *Strange, unique, and mesmerizing. -- Gabino Iglesias, Boston GlobeIn this fantastical, deeply moving, and original adventure--also an unforgettable reckoning with contemporary Los Angeles--Henry Hoke introduces an animal whose life is more than just survival: they are full of longing, regret, memory, sadness, and astute observation. -- Brontez Purnell, author of 100 BoyfriendsOpen Throat is an instant cult classic and a bloody masterpiece. Rhythmically brilliant, heart-wounding, and scathingly funny, I’m in love with a mountain lion and in awe of this book. -- Melissa Broder, author of The PiscesThe premise alone makes Henry Hoke's startling achievement worth the purchase . . . Philosophical and heartfelt, Open Throat is the ultimate immersion into the mind of an unlikely protagonist. -- Lauren Puckett-Pope * ELLE *If like many people you are sick of human protagonists that are often nihilistic, self-destructive, fundamentally lonely people, then perhaps you would prefer Open Throat, which is narrated by a similarly lonely mountain lion who lives in the Hollywood Hills. -- i-D, 'fiction to be excited for in 2023' My favorite book of this century so far! I keep putting off writing this blurb because every time I pick up Open Throat I re-read it and fall back in love with this gay-ass big cat and then I have to spend the whole rest of the day thinking about mountain lions and humans and sex and bodies and death and climate change and bad dads and NY v LA and what is even possible in this world. Henry Hoke is a magician. -- Andrea Lawlor, author of Paul Takes the Form of a Mortal GirlWholly original, inventive, and surprising on every level. It affirms the capaciousness of the novel as a form. I wish more books took the kinds of chances Open Throat does. -- Diane Cook, author of the Booker Prize finalist novel The New WildernessBrave; moving; excitingly bold. -- Charlotte Mendelson, author of The ExhibitionistOpen Throat is a fable for our times that cements Henry Hoke as an essential voice in experimental and deliciously queer fiction. * Electric Literature *A tight, funny book with an alarmingly unique tone * The Brooklyn Rail *Distinctive. Endearing. Poetic. Funny. In Open Throat, Henry Hoke has given voice to something both familiar and strange, that speaks to the conscious and unconscious mind at the same time, deftly revealing the world. -- Octavia Bright, author of This Ragged GraceCompulsively readable -- Megan Milks, 4ColumnsRead something crazy this summer. * The Philadelphia Inquirer *I defy you to hear the premise of this sophomore novel from the always-interesting Henry Hoke and not immediately smash that preorder button . . . a playful, poignant, tragicomic delight. * Lit Hub *Inspired by a real lion who famously lived in Hollywood, this hilarious and touching tale is blazingly original and really rather brilliant. * The Bookseller, Editor's Choice *Unique and bizarrely seductive * Attitude *. . . replete with wisdom and an unnervingly astute understanding * NB *Playful [and] provocative . . . By turns funny and melancholy, this is a thrilling portrait of alienation. * Publisher's Weekly *Compassionate, fierce, and bittersweet, this is an unforgettable love letter to the wild. * Kirkus *Highly imaginative . . . a fascinating take on the human world and his place in it. Open Throat is a treat for both animal lovers and anyone who appreciates innovative fiction. * Booklist *

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Book SynopsisFor fans of Julia Armfield's Our Wives Under the Sea ‘Absolutely stunning . . . Full of longing, mystery, fear and hope. I loved this book to pieces!’ – Frances Cha, author of If I Had Your Face Ro is stuck. She’s just entered her thirties, she’s estranged from her mother, and her boyfriend has just left her to join a mission to Mars.Her days are spent dragging herself to her menial job at an aquarium, and her nights are spent drinking sharktinis (mountain dew and copious amounts of gin, plus a hint of jalapeno). With her best friend pulling away to focus on her upcoming wedding, Ro’s only companion is Dolores, a giant Pacific octopus who also happens to be Ro’s last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.When Dolores is sold to a wealthy investor intent on moving her to a private aquarium, Ro finds herself on theTrade ReviewAbsolutely stunning ... Full of longing, mystery, fear and hope. I loved this book to pieces! -- Frances Cha, author of If I Had Your Face Chung’s writing is masterful, and Sea Change is glorious -- Bryan Washington, author of Memorial and LotThere are no limits to what Chung can do. Her prose is so immersively beautiful that at times I felt swept away in a wave, admiring from underwater, her scintillating refractions of light. -- Weike Wang, author of ChemistrySea Change tugged at my heart and refused to let go. With tenderness and perceptiveness, Chung deftly navigates family, loss, friendship and the intricacies of love, especially for ourselves -- Elaine Hsieh Chou, author of DisorientationA wild blessing of a debut. Gina Chung’s curiosity, precision and grace have created a world both strange and recognizable, the kind of place you can find a version of yourself you did not know existed, and call her home. -- Mira Jacob, author of Good Talk With her debut, Chung has proven she is a true original, the rare kind of writer who can be simultaneously witty and deeply sensitive, confident and devastatingly vulnerable. -- Jean Kyoung Frazier, author of Pizza Girl

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Book Synopsis*''Probably the best novel I''ll read this year. It''s about work and love and characters who ring true. By the time I was 50 pages in I couldn''t put it down. Can''t stop thinking about it'' Stephen King*For generations, Rich Gundersen''s family has made a living felling giant redwoods on California''s rugged coast. It''s treacherous work, and though his son, Chub, wants nothing more than to step into his father''s boots, Rich longs for a bigger future for him. Colleen just wants a brother or sister for Chub, but she''s losing hope. There is so much that she and Rich don''t talk about these days - including her suspicions that there is something very wrong at the heart of the forest on which their community is built. When Rich is offered the opportunity to buy a plot of timber which borders Damnation Grove, he leaps at the chance - without telling Colleen. Soon the Gundersens find themselves on opposite sides of a battle that threatens to rip theiTrade Review[An] ambitious, assured debut... a devastating page-turner with a love story at its centre * LitHub *A strong work of climate fiction... rooted in age-old man-versus-nature storytelling. An impressively well-turned story about how environmental damage creeps into our bodies, psyches, and economies * Kirkus (starred review) *Beautiful, timeless and breathtaking * Nickolas Butler *

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'A powerful and truthful story about hope and how to find it' The Times 'A gem of a book' Emily MaitlisEmma's husband Chris is fretting about starvation and societal collapse. He's turned off the heating and is stockpiling off-label medicines and tins of baked beans.Chris, certain that society will soon spiral to its doom, finds Emma's optimism exasperating. Emma finds Chris's obsession with disaster relentless. She's beginning to wonder whether relationships, like mortgages, should be conducted in five-year increments. But when Chris's mother turns up for a visit, the cracks begin to show. Will Emma and Chris be able to find their way back to each other?

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Book SynopsisShortlisted for the Arthur C. Clarke Award, the British Science Fiction Association award for best novel, and the Kitschies Red TentacleMarine biologist Hana Ishikawa is racing against time to save the coral of the Great Barrier Reef, but struggles to fight for a future in a world where so much has already been lost.Seventeen-year-old Judith Holliman escapes the monotony of Sydney Town during the nineteenth century, when her naval captain father lets her accompany him on a voyage, unaware of the wonders and dangers she will soon encounter.Telma Velasco is hunting for a miracle in a world ravaged by global heating: a leafy seadragon, long believed extinct, has been sighted. But as Telma investigates, she finds hope in unexpected places.Past, present and future collide in this powerful elegy to a disappearing world - and vision of a more hopeful future.Trade ReviewA rich and brilliant novel about the connectedness of humanity in itself and with its world: beautifully written and compellingly drawn, layering history, present day and the future with brilliancy and power. It's a novel about the climate crisis, but it's a naturalist's novel too, with some wonderfully, vividly observed writing about sealife from coral to sharks and seahorses. Just marvellous * Adam Roberts, author of The Thing Itself *A beautifully crafted love letter to our endangered coral reefs. E.J. Swift confirms her reputation for writing elegant, heartfelt and compelling eco-fiction * Anne Charnock, Arthur C. Clarke award-winning author of Dreams Before the Start and Bridge 108 *Beautifully realised, vivid versions of past, present and future combine in The Coral Bones to powerful effect. It gave me much to think about. I won't forget it * Aliya Whiteley, author of Skyward Inn and The Loosening Skin *E.J. Swift pulls no punches in this beautiful and terrifying yet boldly hopeful novel. The wonder of the Great Barrier Reef is laid out for us via a vivid multi-dimensional tour through the lenses of past, present and future' * Vicki Jarrett, author of Always North *A thoughtful, immersive, very human story that speaks to current fears and hopes for our world * Guardian *E.J. Swift's The Coral Bones is a piercing and acute novel which cannot leave you indifferent. It rages like a stormy ocean, but it also offers you a serene picture of the world's beauty - something not to be lost * British Fantasy Society *

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Book SynopsisDiscover Ali Smith''s dazzling, once-in-a-generation series, the Seasonal Quartet, a tour-de-force quartet of novels about love, time, art, politics, and how we live right nowAll four instalments of the quartet are available to buy and read in paperback and ebook now: Autumn, Winter, Spring and Summer A Book of the Year according to: the Daily Telegraph, the Observer, the Evening Standard, The Times.''Dazzling'' Daily TelegraphWinter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer''s leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there''s ice, there''ll be fire. In Ali Smith''s Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed SeasonalTrade ReviewCleverly constructed and elegantly written. It's both an engaging human story and a place for wider topical observations. Bring on Spring * Evening Standard *If Ali Smith's four quartets in, and about, time do not endure to rank among the most original, consoling and inspiring of the artistic responses to 'this mad and bitter mess' of the present, then we will have plunged into an even bleaker mid-winter than people often fear * Financial Times *Smith is a specialist by now in using a quizzical, feather-light prose style to interrogate the heaviest of material...throughout Winter, grief and pain are transfigured, sometimes lastingly, by luminous moments of humour, insight and connection... Even in the bleak midwinter, Smith is evergreen * Telegraph *A novel of great ferocity, tenderness and generosity of spirit that you feel Dickens would have recognised...Smith is engaged in an extended process of mythologizing the present states of Britain... Luminously beautiful * Observer *A sparkler...tune in to Spring and Summer to see if art can save the day * Spectator *Graceful... That trademark mischievous wit and wordplay, a joyful reminder of the most basic, elemental delights of reading ... Infused with some much-needed humour, happiness and hope * Independent *A capacious, generous shapeshifter of a novel taking in Greenham Common and Barbara Hepworth, Shakespeare and global migration, it juxtaposes art with nature and protest with apathy, finding surprising alliances in a family riven by feuds. It's a book with Christmas at its heart, in all its familiarity and estrangement: about time, and out of time, like the festival itself * The Guardian *Dazzling second instalment of Ali Smith's seasonal quartet * The Daily Telegraph *A book I can't wait to read for Christmas * The Observer *Relish this instalment * The Times *I would like to be given Winter for Christmas * The Observer *And now looking forward to [Ali Smith's] Winter * Gordon Brown *And the book I'd most like to find in my Christmas stocking is Ali Smith's Winter * The Observer *Finally, under the tree this year I'm hoping to find Ali Smith's Winter * The Observer *It's a brisk, frosty walk under skies that could open at any moment revealing anything but snow * The Observer *A book I'd like to be given for Christmas: Winter by Ali Smith * The Observer *It takes you on a journey through time - Christmases past and present in a Dickensian way, but brings you bang up to the present - how can we live our lives and keep our memories and how do we find the truth? It is uplifting and miraculous with plenty of surprises along the way. It is vintage Smith * Jackie Kay *"Winter" is an insubordinate folk tale, with echoes of the fiction of Iris Murdoch and Angela Carter... There are few writers on the world stage who are producing fiction this offbeat and alluring... [Ali Smith] intends to send a chill up your shanks and she succeeds, jubilantly... Her dialogue is a series of pine cones flung at rosy cheeks * The New York Times *Smith is routinely brilliant, knowing, masterful... The light inside this great novelist's gorgeous snow globe is utterly original, and it definitely illuminates * New York Times Book Review *The only preparation required to savor the Scottish writer Ali Smith's virtuosic "Winter" is to pay attention to the world we've recently been living in...What Smith has achieved in her cycle so far is exactly what we need artists to do in disorienting times: make sense of events, console us, show us how we got here, help us believe that we will find our way through...Smith gives us a potent, necessary source of sustenance that speaks directly to our age...Yet we, like her characters, are past the winter solstice now - the darkest part of the coldest season done. From here on out, we're headed toward the light...It doesn't feel that way, I know. But in the midst of "Winter," each page touched with human grace, you might just begin to believe * Boston Globe *Winter is a stunning meditation on a complex, emotional moment in history * TIME *Ali Smith is flat-out brilliant, and she's on fire these days...You can trust Smith to snow us once again with her uncanny ability to combine brainy playfulness with depth, topicality with timelessness, and complexity with accessibility while delivering an impassioned defence of human decency and art * NPR *The stunningly original Smith again breaks every conceivable narrative rule; reflecting her longstanding affinity for Modernism, what she gives us instead is a stylistically innovative cultural bricolage that celebrates the ecstasy of artistic influence. It demands and richly rewards close attention. [Autumn and Winter] each add to Smith's growing collection of glittering literary paving stones, along a path that's hopefully leading toward the Nobel she deserves. In the interim, we can (re)read "Winter" - and eagerly await the coming of "Spring" * Minneapolis Journal Sentinel *One of the rarest creatures in the world: a really fearless novelist...her prose is melodic, associative, wise, sometimes maddening...'she shares with Mantel and Ishiguro a sense of human caution, a need to understand, a wariness of the high-handedly authorial. All write with the humility of adulthood * Chicago Tribune *The second in Smith's quartet of seasonal novels displays her mastery at weaving allusive magic into the tragicomedies of British people and politics...a bleak, beautiful tale greater than the sum of its references * Vulture *An engaging novel due to the ecstatic energy of Smith's writing, which is always present on the page * Publishers Weekly *A sprightly, digressive, intriguing fandango on life and time * Kirkus Reviews *These individuals converge to confront each other in the big shabby house, like characters in a Chekhov play. At first, hellish implosion looms. Slowly, erratically, connection creeps in. Lux quietly mediates. Ire softens. Sophia at last eats something. Art resees Nature..."Winter" gives the patient reader a colorful, witty - yes, warming - divertissement * San Francisco Chronicle *With Iris and Lux as catalysts, scenes from Christmas past unfold, and our narrow views of Sophia and Art widen and deepen, filled with the secrets and substance of their histories, even as the characters themselves seem to expand. As in Sophia's case, for Art this enlargement is announced by a hallucination - "not a real thing," as Lux tells Iris, whose response speaks for the book's own expansive spirit: "Where would we be without our ability to see beyond what it is we're supposed to be seeing?" * The Minneapolis Star Tribune *

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Book SynopsisOne of the English language’s best-loved living poets, in Nature Carol Ann Duffy presents us with her favourites among her poems on the natural world. Drawing on work written over four decades and arranged chronologically, Duffy also adds to her selection one wholly new poem.

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Book Synopsis'Riveting' Guardian'Electrifying' Colson WhiteheadWhen the world collapses, where will you run? After rolling blackouts and epic storms engulf America, the neighbourhood of First Street, Charlottesville comes under attack by violent white supremacists. A small group of families, friends and strangers flee for their lives, taking refuge in Monticello, Thomas Jefferson's historic plantation home in the hills above the town.Over nineteen heart-stopping days the group, led by Da'Naisha Love - a young Black descendant of Jefferson and Sally Hemings - find ways to survive as the world burns beneath them. But with the terror below coming closer, they must decide how far they're willing to go to protect what's theirs . . .'Absolutely unforgettable' Roxane Gay'Stunning' Mail on SundayTrade ReviewRiveting storytelling. This incandescent work speaks not just to the moment, but to history * Publishers Weekly (starred review) *A badass debut by any measure - nimble, knowing, and electrifying * Colson Whitehead, twice-Pulitzer Prize winning author of THE UNDERGROUND RAILROAD and THE NICKEL BOYS *An electric new literary voice * Esquire *Absolutely unforgettable. Johnson's prose soars to remarkable heights * Roxane Gay, New York Times bestselling author of HUNGER and AYITI *Unputdownable... Extraordinarily powerful... One of the finest books of 2021 and a future classic * The Bookseller, Book of the Month *

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Book SynopsisA NEW STATESMAN BOOK OF THE YEAR 2023 'Stylish, beautiful and strange' Jessie Greengrass As featured on BBC Open Book: 'poses questions about whether we can love AI and whether AI could love us ... I couldn't help but develop a soft spot for Mother' -- Johny Pitts Lena has always lived in the jungle with Mother. There they look after a holiday home in surroundings that burst with colour and crawl with danger. Lena's only other friend is Isabella, who once visited regularly with her wealthy parents and security drone, Anton. But Isabella and her family haven't been seen in years. Mother is not like other mothers. She gets angry when Lena draws her with a face. When Lena challenges her to portray herself, she paints a tiny yellow dot surrounded by swirling black. She is a bastion of light, she says, against an army of darkness. Outside, rebels are fighting to take over the country. Mother is determined nothing will change inside the security fence, nothing to threaten her bond with Lena, or endanger the family. But there are secrets that need to emerge. How did Lena end up here? And what has happened to the family who no longer visit? What has Mother been planning, and what is gathering around them to change their lives forever?Trade ReviewInsightful and very alive ... Pachico's alternative universe is a world of its own here, animated beyond what is possible in most fiction now * Guardian *An affecting AI mystery * i weekend *A bewildering and compelling novel that explores the tensions between town and country, danger and safety, rich and poor, and above all the human and the non-human... like Lord of the Flies fed through an episode of Black Mirror * Literary Review *Skilfully plotted * Telegraph *'Dazling and horrifying - this is Louise Bourgeois' Maman in a novel for the age of AI. Spectacular punchy prose and big thinking on the emotions of machines. We need writers like Pachico to help us think into the future -- Anna Metcalfe, author of ChrysalisCompelling, atmospheric and sultry -- Olivia Sudjic, author of Asylum RoadThe robots are here, and they're touchy and insecure. At least, that's so in Julianne Pachico's brilliant AI mystery, Jungle House. With its remote setting, survival theme, and exploration of the possibilities and limitations of technology, it's a harmonious counterpoint to Naomi Alderman's apocalypse thriller, The Future -- Madeleine Feeny * the Bookseller, Editor's Pick *Jungle House is excellent at suspense, constantly weaving terror through beguiling descriptions of the tropical landscape, and delivering well-earned plot twists throughout ... A fresh, darkly witty reminder that technology and nature still have some kinks to work out * Strong Words Magazine *One of the most talked-about releases this month and it's easy to see why ... a highly imaginative concept novel for our AI age * The Gloss, Irish Times *Jungle House is extraordinary, a charming and ominous and utterly riveting story that reads partly like a fable, and partly like a premonition of our future -- Phil Klay, author of RedeploymentStylish, beautiful and strange, Jungle House looks with clear eyes at the complicated nature of embodiment, at our relationships both to ourselves and to others, and the delicate balance of love -- Jessie Greengrass, author of The High HouseAs enchanting as a fairy tale, and equally sinister, Jungle House takes us to the primordial forest and a future where AI manages the every need of a wealthy elite. Pachico's captivating novel is both a provocative conjuring of a future that's almost upon us, and a moving exploration of the mother-daughter bond -- Victoria Gosling, author of Bliss and BlunderConstantly seems to pose questions about whether we can love AI and whether AI could love us ... I couldn't help but develop a soft spot for Mother -- Johny Pitts, author of AfropeanJulianne Pachico's smart plotting means you're never quite certain what's going to happen next but you're left rooting for Mother and Lena, 2023's unlikeliest literary duo. Intriguing and beautifully written, Jungle House is totally recommended * the Crack *Tense, poignant and atmospheric * the Bookseller, Editor's Pick *Intense and insightful ... a superb imagining on a topical subject matter - one which will leave you questioning developments about the impact of artificial intelligence, and its future * Buzz Magazine *This AI mystery is one to watch ... Gripping * Sunday Post *Well written with strong characters ... if The Jungle Book was about an abandoned baby girl who was looked after by two robots and an all-seeing, all-hearing and all-knowing "Mother", instead of a lovable black bear and a grumpy panther * Birmingham Mail *Thought-provoking and hauntingly atmospheric, Pachico's second novel is a gripping account of unravelling domestic dystopia and a timely reflection on what it means to be human in a world increasingly run by machines * Mail on Sunday *There's an element of Hal 9000 transported to terra firma in Pachico's latest ... a smart novel that mines fearmongering about the dangers of AI for bleak satire * Irish Times *Praise for Julianne Pachico * : *A millennial's view of the complexities of Colombia, full of existential angst and funny details ... Go to Pachico's Colombia * The New York Times *Superb * Kelly Link, author of Get in Trouble *Pachico is a gripping writer * The Times *Thrilling ... remarkably inventive * Atlantic *Pachico lays bare the trauma of life in post-peace Columbia * Ingrid Persaud, author of Love after Love *

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There are no easy choices when the dark clouds gatherDI Shona Oliver’s past and present collide when James McGowan, her ex-classmate – now a famous actor – comes to the area to make a Robert Burns biopic. Shona is tasked with keeping him safe during filming on an isolated island in the Solway Firth, and her job is made much harder when a dead man wearing James’s coat is found on the beach in suspicious circumstances. It seems someone wanted James out of the picture.Meanwhile, Shona has her hands full at home too; her husband is on trial for a crime he claims he did not commit, but if he speaks out he risks his wife and their teenage daughter coming to harm. Can Shona keep her head above the waves and protect those around her?A compulsive, atmospheric crime thriller set in Scotland, perfect for fans of Val McDermid, Ann Cleeves and Neil Lancaster.Praise for The Gathering Storm ‘A page turner. The atmospheric setting draws the reader in to the extent that I felt that I was a spectator, chilled by the rain’ ⭐⭐⭐⭐⭐ Reader review‘An interesting plot. Characters are well written and likeable with a strong female detective’ ⭐⭐⭐⭐⭐ Reader review‘An excellent addition to the DI Shona Oliver series. The setting is described perfectly and I really like the characterisation. There is plenty of action and it’s full of atmosphere… I highly recommend’ ⭐⭐⭐⭐⭐ Reader review‘Wow what a book, I could not put it down. Would definitely recommend to others’ ⭐⭐⭐⭐⭐ Reader review‘This was a brilliant story that kept me captivated. I was hooked from start to finish’ ⭐⭐⭐⭐⭐ Reader review‘This series gets even better with each story. Whilst there is a lot going on the threads are clear, well-defined and well contextualised… compelling reading’ ⭐⭐⭐⭐⭐ Reader review‘I loved this book! I only just started reading Lynne McEwan’s books and can never put them down’ ⭐⭐⭐⭐⭐ Reader review

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Book SynopsisWINNER OF THE PRIX LANDERNEAU DES LECTEURS 2018 Described as 'eerie and sensual' by The Guardian, Wild Dog tells the story of a young couple who discover dark secrets in the remote French countryside. 'Reads like a modern fairy tale' New York Journal of Books Franck and Lise, a French couple in the film industry, rent a cottage in the quiet hills of the French Lot to get away from the stresses of modern life. In this remote corner of the world, there is no phone signal. A mysterious dog emerges, looking for a new master. Ghosts of a dark past run wild in these hills, where a German lion tamer took refuge in the First World War … Franck and Lise are confronted with nature at its most brutal. And they are about to discover that man and beast have more in common than they think. A literary sensation in France, Wild Dog is a dark, menacing tale of isolation, human nature and the infinite savagery of the wild.

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Book SynopsisSwinging from South Africa to England: one woman’s hunt for her birth mother in an all-too-believable near future in which an antibiotic crisis has decimated the population. A prescient, thrilling debut. ‘Combines the excitement of a medical thriller à la Michael Crichton with sensitive characterisation and social insight in a timely debut novel all the more remarkable for being conceived and written before the current pandemic’ Guardian ‘STUNNING and terrifying … The Waiting Rooms wrenches your heart in every way possible, but written with such humanity and emotion’ Miranda Dickinson ‘Chillingly close to reality, this gripping thriller brims with authenticity … a captivating, accomplished and timely debut from an author to watch’ Adam Hamdy ________________ Decades of spiralling drug resistance have unleashed a global antibiotic crisis. Ordinary infections are untreatable, and a scratch from a pet can kill. A sacrifice is required to keep the majority safe: no one over seventy is allowed new antibiotics. The elderly are sent to hospitals nicknamed ‘The Waiting Rooms’ … hospitals where no one ever gets well. Twenty years after the crisis takes hold, Kate begins a search for her birth mother, armed only with her name and her age. As Kate unearths disturbing facts about her mother’s past, she puts her family in danger and risks losing everything. Because Kate is not the only secret that her mother is hiding. Someone else is looking for her, too. Sweeping from an all-too-real modern Britain to a pre-crisis South Africa, The Waiting Rooms is epic in scope, richly populated with unforgettable characters, and a tense, haunting vision of a future that is only a few mutations away. ________________ ‘Engrossing and eye-opening, with heart-stopping plot twists … a stunning medical thriller set in a terrifying possible future’ Foreword Reviews ‘A touching, gut-wrenching story of family mystery and tragedy … a thriller that punches on two fronts – heart AND mind’ The Sun ‘Gripping and disturbing … the medical research is convincing, the scenarios plausible, and the story is emotionally engaging. This is an incredible debut!’ Gill Paul ‘If the themes are dark and topical, the writing is exquisite. Breath held, I got to the finale with my heart in my mouth. Eve Smith weaves a complex and clever tale, merging countries and timelines; the result is a superb and satisfying novel’ Louise Beech ‘Margaret Atwood is one of my all-time writing heroes and The Handmaid's Tale is probably the best book I’ve ever read. Eve Smith and The Waiting Rooms really do challenge that long-held crown…’ Random Things through My Letterbox ‘Thoroughly engaging … an eye-opening read’ Crime Fiction Lover ‘A novel of our times’ Trip Fiction ‘Haunting, honest and horrifying in its reality … An epic and thrilling read’ Book Literati ‘Stunning dystopian debut. A prescient and alarming tale that seems just a whisper from reality’ Suzy Apsley ‘The Waiting Rooms will certainly distract us from the real world for a few hours and this is the immeasurable value of fiction. It gives hope that, as in Eve Smith’s fictitious world, the possibility of a happy ending still exists’ Die Burger ‘The Waiting Rooms is a seriously impressive debut, a novel that is intuitive and chilling, one that will resonate with all in this current climate’ Swirl & Thread

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Book SynopsisWinner of the 2022 OCM Bocas Prize for Fiction.Shortlisted for the Society of Authors' McKitterick Prize 2022.Finalist of the 2022 Firecracker Award in Fiction.Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.Trade ReviewCeleste Mohammed forces you to travel with her characters. You see their lives and their world as they do, on foot. You walk in her characters' shoes. Mohammed is a skillful storyteller, so the journey educates and exhilarates you, Mohammed invents a clear, crackling town/district, Pleasantview, a bustling, hustling side of Trinidad, where few of us have ever been, or will ever go. Pleasantview forces us to look at how we behave when uncontained, when unconstrained, when our lack of morality unmoors us. * A.J. Verdelle, author of The Good Negress *These stories are full of unexpected twists and connections and infused with humor. They herald the arrival of an intriguing new voice. * Ingrid Persaud *Pungent and searing, this is a refreshing portrait of island life told in stories that are crafted with candor and movement. Bursting with wisdom and humanity, it's hard to believe that this book is Mohammed's debut. * Candice Iloh *The residents of the fictional Trinidadian town of Pleasantview are divided by mistrust and racial and ethnic tension, but they are forever bound to each other by their shared histories and secrets. From Omar who is forced to confront his boss's corruption, to Miss Ivy in her employer's hand-me-down fur coat outside the police station, Mohammed's characters demand to be acknowledged. In this beautifully written debut, Mohammed gives voice to the silenced and the overlooked. Pleasantview sizzles with originality and heart and introduces a fearless new writer. * Hester Kaplan, author of Unravished *Pleasantview offers the reader a sharp and fearless view of the dark underbelly of life in Trinidad, filled with unforgettable characters that we meet in do-or-die situations. Marked by male violence, political underhandedness, and economic desperation, Pleasantview also demonstrates Mohammed's remarkable range as a writer as she moves seamlessly from callousness to tenderness, humor to sorrow, lyricism to minimalism in a work that lingers in the reader's mind long after the final page. This is a thrilling debut. * Laurie Foos, author of Ex Utero and The Blue Girl *As James Joyce did for Dublin, Celeste Mohammed holds up a polished mirror to the inhabitants of the fictitious Trinidadian town of Pleasantview and dares the reader to take an unflinching look at a multi-ethnic society that is vibrant and joyous but riddled with corruption and the exploitation of women, the young, and the vulnerable. Mohammed's writing is smart, funny, and enlivened by everyday Trinidadian vernacular, creating rich and lively portraits of a range of Trini characters. A formidable debut, Pleasantview's razor-sharp observations of misogyny and the abuse of power are leavened by humor and a pitch-perfect ear for the language of human foibles. * Tony Eprile, author of The Persistence of Memory *In one of Chekhov's stories, a character says that every happy man should have someone who taps at his door with a little hammer, reminding him that there are unhappy people in the world. Reading Celeste Mohammed's novel-in-stories makes me think of that magical little tap-except that the door opens not to a vision of unhappiness, but to a world crammed with life that you never knew existed. * Claire Adam, author of The Golden Child *The residents of Pleasantview come to vivid light in this extraordinary debut from Celeste Mohammed. Each slice of life in this Trinidadian village cuts clean to the bone, revealing how people are both complicated and complicit in the way we break each other's hearts and bodies. From the riveting opening to the aching end, Mohammed's gift for giving voice to each character is glorious. * Tracey Baptiste *

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Book SynopsisA gorgeous new centennial edition of Ernest Hemingway’s landmark short story of returning veteran Nick Adams’s solo fishing trip in Michigan’s rugged Upper Peninsula, illustrated with specially commissioned artwork by master engraver Chris Wormell and featuring a revelatory foreword by John N.Trade Review"The finest story of the outdoors in American literature." — Sports Illustrated "'Big Two-Hearted River' may be the finest piece of fiction ever written about the experience of the veteran." — The Guardian "Matchlessly eloquent in its evocation of the pleasures of the senses and of the feeling of place. ... In 'Big Two-Hearted River,' there are moments that are not just constructed like a Cézanne painting; they look like a Cézanne painting." — Adam Gopnick, The New Yorker "Some of the best English prose of the twentieth century." — Larry McMurtry, The New York Review of Books "In Hemingway, fishing was always and infinitely metaphorical; Nick Adams plumbs the depths of his soul as he dangles a line." — Jay Parini, New York Times Book Review “A masterpiece, one of those rare instances when a superb writer reaches a level reserved only for those extraordinary talents with a nose for what is fundamental but not entirely clear and rational in human existence.” — Claremont Review of Books “Ernest Hemingway’s ‘Big Two-Hearted River’ retains its hold on me, some 40 years after my first reading. It is a story that can be recited and revealed—like currents in a beloved stream—as fresh as each spring day.” — James F. Vesely, Seattle Times

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Book SynopsisNOW A MAJOR NEW TV SERIES: CAROL DRINKWATER''S SECRET PROVENCELife and love, olive groves and bee hives in Provence - further adventures in the bestselling Olive Farm series from the author of THE FORGOTTEN SUMMER''Drinkwater is a rare writer who tackles other people brilliantly...Vibrant, intoxicating and heart-warming'' SUNDAY EXPRESS''She writes so well you can almost smell the sun-baked countryside'' BELLAAfter sixteen months of travelling round the Mediterranean in search of the ancient secrets of the olive tree, Carol returns to her beloved olive farm in the south of France, to her husband Michel and his burgeoning family. However, the homecoming celebrations are overshadowed by disturbing discoveries.The plight of the honey bee has become an international crisis and Carol is faced with unsettling news about the hives on her own olive farm.While the multinational companies are pushing for ''bigger, betTrade ReviewA spellbinding memoir * CHOICE *A passionate book about confronting difficult environmental issues * GOOD BOOK GUIDE *Drinkwater is a rare writer who tackles other people brilliantly...Vibrant, intoxicating and heart-warming * SUNDAY EXPRESS *One cannot resist Drinkwater's courage and joie de vivre, nor the enormous appetite and enthusiasm for her subject -- Wendy Holden * DAILY MAIL *The new leader of the pack * THE TIMES *She writes so well you can almost smell the sun-baked countryside * BELLA *Beautifully written with a great sense of humour, it captures perfectly the dreamy atmosphere of the South of France and its people * WOMAN & HOME *I love Carol Drinkwater's Olive Farm series about her life in Provence. I read them on the beach, thinking how wonderful a summer in France would be -- Jane Brown * GOOD HOUSEKEEPING *I found this the most absorbing of Carol Drinkwater's reports from her Provence Olive Farm, a sink or swim account of attempting to free the farm and its inhabitants from the dangerous chemicals needed to bring an Olive crop to fruition. -- Sue Baker * LOVEREADING.CO.UK *A passionate book about confronting difficult environmental issues. * GOOD BOOK GUIDE *

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'An apocalyptic novel for our times' – Guardian'Horrifyingly resonant' – ObserverSuperbowl Sunday, 2022. A couple wait in their Manhattan apartment for their final dinner guests to arrive. The game is about it start. The missing guests' flight from Paris should have landed by now.Suddenly, screens go blank. Phones are dead. Is this the end of civilization? All anybody can do is wait.From one of America’s greatest writers, The Silence is a timely and compelling novel about what happens when an unpredictable crisis strikes.'The Silence is Don DeLillo distilled . . . a straight shot of the good stuff' – Spectator

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Book SynopsisTHE SUNDAY TIMES BESTSELLER'Everyone should read this book' MATT HAIG'One of the most inspiring books I have ever read' YUVAL NOAH HARARI'Inspirational, compassionate and clear. The time to read this is NOW' MARK RUFFALO'Figueres and Rivett-Carnac dare to tell us how our response can create a better, fairer world' NAOMI KLEIN*****Discover why there's hope for the planet and how we can each make a difference in the climate crisis, starting today. Humanity is not doomed, and we can and will survive. The future is ours to create: it will be shaped by who we choose to be in the coming years. The coming decade is a turning point - it is time to turn from indifference or despair and towards a stubborn, determined optimism. The Future We Choose is a passionate call to arms from former UN Executive Secretary for Climate Change, Christiana Figueres, and Tom Rivett-Carnac, senior political strategist for the Paris Agreement.Practical, optimistic and empowering, The Future We Choose shows us steps we can all take to renew our planet and create a better world beyond the climate crisis: today, tomorrow, this year and in the coming decade. The time to act is now. This book will change the way you see the world, and your place in it. Trade ReviewWe are at a critical moment for the survival of humans and the rest of life on Earth. In The Future We Choose, Figueres and Rivett-Carnac explain what we can do to safeguard our world. This book presents what we must do to protect our shared future - your own, and that of everyone on this planet * Leonardo DiCaprio *A call to arms for the battle of our time. * Arnold Schwarzenegger *There could not be a more important book. * Richard Branson *Full of heart, strength and solutions... I will carry it with me everywhere. * Ellie Goulding *Compelling and persuasive. Everyone can make a difference when it comes to climate change, but far too often most of us end up feeling that the things we do are not going to be enough to solve the problem: it just seems so overwhelming. After you've read this book it will be very difficult to ever feel like that again! * Stella McCartney *This book is what the moment demands: a handbook for climate action and optimism. Read it and act. * Ed Miliband *This book could not be more timely or important. * David Miliband, CEO, IRC & Former Foreign Secretary *I urge everyone to read it and heed its message. * Ban Ki-moon *The Paris Agreement was a landmark for humanity. In this timely and important book, two of the principle creators of that agreement show us why and how we can now realise its' promise. I hope it is widely read and acted on * Jane Goodall, PhD, DBE, Founder of the Jane Goodall Institute and UN Messenger of Peace *I strongly recommend this enlightening book! The next few years are the most important in humanity's fight to solve the climate crisis. In The Future We Choose, Christiana and Tom show us what's to come, how to face it, and what can be done to make the right choice to save our planet for future generations. * Al Gore *Inspirational, compassionate and clear. The time to read this is NOW -- Mark RuffaloPlease read it! -- Gisele BündchenEveryone should read this book -- Matt HaigFigueres and Rivett-Carnac dare to tell us how our response can create a better, fairer world. -- Naomi KleinOne of the most inspiring books I have ever read -- Yuval Noah HarariEnough of wake up calls - this book is what to do when you have woken up. -- William HaguePractical and inspiring -- Lord Nicholas SternUrges us all forward and helps us know we can make a difference -- Jennifer Morgan, Executive Director, Greenpeace InternationalProtecting the environment is logical as much as ecological -- Bertrand Piccard, Pilot, Solar ImpulseRead this book. -- Michael Mann, Climate ScientistA powerful warning and helpful guidebook for us all -- Chris Anderson, Head of TEDChristiana and Tom give us hope! * Jesper Brodin, CEO, IKEA Group *An inspiring call to arms, a must read. -- Lisa Jackson, Administrator of the US Environmental Protection Agency, 2009–2013We can lead the way towards a healthier and more sustainable future. This is the first book that explains how. -- Anne Hidalgo, Mayor of ParisAn important book. Readable, inspiring, with a road map to hope. -- Tim Smit, The Eden ProjectA fine volume! -- Bill McKibbenA powerful, compassionate call to arms. * Julian Hector, Head of the BBC Natural History Unit *This could be the most important wake up call of our time. -- Professor Klaus Schwab, CEO, World Economic ForumEncourage everyone to read and react. -- Oliver Bäte, CEO, AllianzA further valuable contribution to the debate -- Ben van Beurden, CEO, Shell

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Book SynopsisA novel like none other' AMITAV GHOSHA masterpiece' AVNI DOSHIWise, funny, touching' ROBERT MACFARLANEWinner, Sushila Devi 2023Winner, Atta Galatta 2023 for Best FictionWinner, AutHer Award 2023 for FictionFinalist, Tata Live Award for Fiction 2023Longlisted, 2023 JCB Prize for LiteratureShortlisted, Valley of Words Awards 2023 for English FictionABest Book of 2022 in The New YorkerFour lives, uniquely linked, in a story that journeys across continents and centuriesFor Shai, lost and drifting, a visit to her hometown in India's Northeast offers the possibility of new ways of living.For Evelyn, a Cambridge student, scientific inspiration guides her to the forests of the lower Himalayas and a world she has only read about.For Johann, a German writer, travelling through Italy inspires him to develop ground-breaking ideas that will cement his place in history.And for a young Swede, an unwavering curiosity for Earth's natural wonders takes him on an expedition that will forever alter the waTrade Review‘Wise, funny, touching, wide-ranging, deep-delving; whip-smart dialogue and graceful, paced sentences, thousands upon thousands of them. Written by a novelist with the eye of a poet, and a poet with the narrative powers of a novelist, this is a book that needed to be written, that tells true things, and is entirely its own being’ Robert Macfarlane, author of Underland ‘A novel like none other: Janice Pariat brings vividly to life a conception of plants as beings endowed with a powerful inner vitality’ Amitav Ghosh, author of The Glass Palace ‘Pariat traverses the inherent dignity of life in all its forms and the conflict between doing and being that is alive in all of us. Timely and timeless – a masterpiece and an absolute thrill to read’ Avni Doshi, Booker-shortlisted author of Burnt Dugar ‘A novel of great charm, curiosity and adventure – a passionate call for shaking up the certainties of science and history so as to heed the intuitions and instincts that perhaps only fiction can give voice to’ Anjum Hasan, author of A Day in the Life ‘Everything the Light Touches weaves the timelessness of nature and the urgency of human emotions into an elegiac tale that is evocative, intelligent and deeply thought-provoking. A seminal work by a novelist and a poet at the height of her powers’ Pranay Lal, author of Indica: A Deep Natural History of the Indian Subcontinent ‘As the reader journeys through this atmospheric and accomplished novel, they discover that the natural world around us is loud enough for those willing to listen, and Pariat has found the language for it’ The Guardian ‘A multi-generational epic’ Cosmopolitan ‘Pariat’s sonorous lyricism is beautiful’ The Daily Mail ‘A marvel of a novel – poignant and poetic’ Woman & Home ‘Lyrical and immersive’ Woman’s Weekly ‘Impressive’ Katherine Mezzacappa

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Book SynopsisThroughout Presence, encounter and contact are the major elements of consequence, action, implication, and resounding significance. Encounter and contact between timeframes, cultures, ecologies, persons, intuitions, ways of living, and worlding. At these junctures are the moments of possibility - of violence and/or of budding community.Trade ReviewHere is a completely unique, genre-defying, anti-apocalypse story. It is sprawling in scope, pushing the limits of language and narrative to imagine futures beyond our wildest dreams. Iijima is both a poet and a theorist of our frightening yet fascinating contemporary condition—and she does justice to our capacity to change and discover new ways of being in the world." - Elvia Wilk, author of Death by Landscape: Essays

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Book SynopsisSHORTLISTED FOR THE WALTER SCOTT PRIZE 'Brilliant, fresh and compulsively readable' ANN PATCHETT 'A blazing mystery . . . tremendous' GUARDIAN 'Masterful storytelling' WASHINGTON POST 'Gloriously orchestrated . . . kaleidoscopic'IRISH TIMES 'A thrilling success' WALL STREET JOURNALAn epic tale of unsettlement, history, myth, art and love - and of a small boy lost in the Australian desert from the prize-winning author of The Night Guest and The High Places.In September 1883, in a small town in the South Australian outback, six-year-old Denny Wallace goes missing.As a dust storm sweeps across the landscape, the entire community is caught up in the search. Scouring the desert and mountains, the residents of Fairly - newlyweds, farmers, mothers, artists, Indigenous trackers, cameleers, policemen - confront their relationships with each other and with the ancient land they inhabit. A land haunted by many gods - the sun among them, rising and falling on each day in which Denny could be found, or lost forever.PRAISE FOR FIONA MCFARLANE 'I can't think of another writer working today who I admire more' KEVIN POWERS, AWARD-WINNING AUTHOR OF THE YELLOW BIRDS'An extraordinary writer'MICHELLE DE KRETSER, AWARD-WINNING AUTHOR OF SCARY MONSTERS 'McFarlane has a gift for cutting into a story at precisely the right angle'THE TIMES'An intelligent and distinctive voice . . . a marvel'SYDNEY MORNING HERALD'An exceptionally fine writer'PUBLISHERS WEEKLYTrade ReviewA blazing mystery set in the colonial outback . . . The writing is tremendous . . . This is a beguiling novel, not just of ideas about history and place but of fiercely beautiful translations -- Elizabeth Lowry * Guardian *A sensitive, slow-burn panorama of society in colonial Australia. Moving persuasively between a vast, impressively diverse array of characters, young and old, incoming and indigenous, privileged and deprived, she lets us listen in on their private (often competing) hopes and desires as the community pulls together to hunt for the boy. The result is moving and masterful - rich slices of life made vivid by the old-fashioned nitty-gritty of flesh-and blood character-making -- Anthony Cummins * Daily Mail *Ambitious . . . McFarlane amplifies her theme in ways that are often touching and ingenious . . . its style is at once spare and attentive to detail, and Fiona McFarlane has a sharp eye for historical injustices -- Andrew Motion * Times Literary Supplement *A thrilling success . . . A novel full of mystery and wonder * Wall Street Journal *Gloriously orchestrated . . . kaleidoscopic . . . This book earns its place by the simultaneous seriousness and playfulness of its commitment to all the voices in the contested times and spaces of its setting. McFarlane knows what she's doing, and she does it exceptionally well -- Sarah Moss * Irish Times *This novel is also made hypnotic by its wonderfully atmospheric dreaminess -- Andrew Martin * Mail on Sunday *McFarlane's treatment of the dust storm has a simple Steinbeckian majesty . . . Her prose is full of detail, comparable to Claire Keegan's keen-eyed novellas, Foster and Small Things Like These -- Claire Lowdon * Sunday Times *Ambitious . . . McFarlane's figures emerge in intricate detail, defined by their petty desires, their moral imperfections, and their relationship both to the cataclysm of colonization and to the grandiosity of the landscape and the sun * New Yorker *Masterful storytelling . . . Tension mounts every time tragedy looms or disaster strikes. We read on with queasy dread when the spotlight falls on frightened and exhausted Denny . . . But we also read on captivated by the novel's beautiful prose and polyphonic voices, and marveling at both its epic scope and rare intimacy * Washington Post *In precise, often glorious prose, the novel affords each character, including little Denny, a rich interiority, even as the landscape itself - a terrain layered with significance and myth for aboriginal peoples, while for Europeans "civilization" there appears thin - provokes awe . . . With this remarkable novel, McFarlane establishes her place in the firmament of Australian letters, reworking and expanding the imaginary of its early years -- Claire Messud * Harper's *Fiona McFarlane's last book was scintillating. The Sun Walks Down is even better. It's compelling: old-fashioned in all the best ways, historically sensitive, generous in storytelling and yet modern and sharp -- Sarah Moss, author of SUMMERWATERThe Sun Walks Down is the book I'm always longing to find: brilliant, fresh and compulsively readable. It is marvellous. I loved it from start to finish -- Ann Patchett, author of THE DUTCH HOUSEGorgeous storytelling and superb characters are among the glories of The Sun Walks Down. Fiona McFarlane is an extraordinary writer, one of the best working today. Her magnificent reworking of the lost child story showcases the profound understanding she brings to people, places and the past. I lived in this wise, majestic novel for days and never wanted it to end -- Michelle de Kretser, author of SCARY MONSTERSAn exceptional, multi-layered historical novel with a beautifully styled plot. The power with which Fiona McFarlane evokes the place and time is extraordinary - a gorgeously written book -- Evie Wyld, author of THE BASS ROCKQuite simply, the best novel I've ever read about 19th-century Australia. A tense search for a lost child unfolds with rising dread against a landscape of harsh and radiant beauty, amid lives as tangled as barbed wire -- Geraldine Brooks, author of HORSEThe Sun Walks Down is a revelation. McFarlane places her lens first over the disappearance of a small boy in the Australian Outback and zooms out, weaving the stories of the people involved in the search for him into a tapestry as richly imagined and fully realized as anything I've read in recent memory. Her sentences fit together with the beauty of fine carpentry, and with them she's constructed a novel that calls to my mind no less than Patrick White's The Tree of Man. I can't think of another writer working today who I admire more -- Kevin Powers, author of THE YELLOW BIRDSMesmerising . . . It's a story with the quality of a myth or fable, that somehow manages to seem both restrained and infinite at once. And if that's all sounding a bit hoity-toity, be assured it's an engrossing mystery * Sydney Morning Herald *An extraordinary work of fiction that I have no doubt will become a classic of Australian literature -- Emily Bitto, author of THE STRAYSThis tale of a farming community's search for a missing child offers intimate human drama, ruminations on the intersections of art and life, and a sweeping, still relevant view of race and class in Australia . . . A masterpiece of riveting storytelling * Kirkus *Taut, rich, intelligent and mesmerizing * ABC News *The Sun Walks Down is a brilliant, intimate epic, a book about a family and also about history that is full of heart and heat. Fiona McFarlane's ear for the gurgles and clamor and hidden symphonies of her characters' souls is flawless; the way their lives intertwine is propulsive, heartbreaking. She is, simply, one of the best writers around -- Elizabeth McCracken, author of THE HERO OF THIS BOOKWith a child missing in remote Australia, this may sound like any recent 'outback noir' thriller - but McFarlane's beautifully written second novel has much more in common with Lanny by Max Porter or Reservoir 13 by Jon McGregor: all vibrant, otherworldly stories of a small community in flux, discombobulated by a singular tragedy * Guardian Australia *The Sun Walks Down is that rare kind of novel, where there is something to enjoy and admire on every page. McFarlane's elegant, sharply observed prose beautifully conjures an unforgettable time and place -- Carys Davies, author of THE MISSION HOUSE

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Book Synopsis'I was gripped by it' IAN McEWANThree lives collide, not one of them will emerge unchanged - the exhilarating new novel from the author of the Patrick Melrose series.When Olivia meets a new lover, Francis, just as she is welcoming her dearest friend Lucy back from New York, her life expands dramatically. Her connection to Francis, a committed naturalist living off-grid, is immediate and startling. Eager to involve Lucy in her joy, Olivia introduces the two - but Lucy has news of her own that binds the trio unusually close. Over the months that follow, Lucy's boss Hunter, Olivia's psychoanalyst parents, and a young man named Sebastian are pulled into the friends' orbit, and not one of them will emerge unchanged.'Moving and so funny' Observer, Books of the Year 'Heroic and astonishing' Sunday Times'Clever and compassionate... A novel with heart' Spectator 'Entertaining... Immensely pleasurable' Daily MailTrade ReviewIf, as Henry James said, the first duty of the novelist is to be interesting, he would be happy in St Aubyn's company. Double Blind is emotionally cogent and intellectually fascinating. There are reflections and conversations here which adroitly evoke those important intersections where science and our urgent contemporary concerns meet. I was gripped by it. -- Ian McEwanDouble Blind is a book of big ideas, in which the characters experiment with medicine, psychology, narcotics, religion and meditation to understand themselves and find peace. But as cerebral as the book is, it is also deeply felt, because St Aubyn has been thinking about these issues for decades -- Hadley Freeman * Guardian *This is a novel with heart... Double Blind is both clever and compassionate, confirming St Aubyn as among the brightest lights of contemporary British literature -- Alex Preston * Spectator *Shakespearean in scope and tone, moving from the intimate to the universal within paragraphs and providing tragedy, comedy and human frailty... A less practised author would run the risk of over-saturating all the disparate strands, but St Aubyn offers comment on the natural world, genetics, family dynamics, philosophy, psychiatry and ecology without forgetting the tapestry-like threads of the story itself-and provides a satisfying resolution to boot... Brimful of energy, this novel asks big questions-"How could one ever truly enter into another subjectivity?"-without giving us all the answers... Pacey, caustic and self-aware, it is this neatly choreographed dance of themes and ideas that makes for such absorbing and immediate reading. -- Zoe Apostolides * Prospect *Likeable and rounded characters and a celebration of the best things in life: the wilderness of Knepp and a touching but complex love story... St Aubyn's reinvention as a writer is heroic and astonishing. He has emerged from the "very difficult truth" of this childhood to write brilliantly about that and, now, about a lot more. -- Bryan Appleyard * Sunday Times *

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Book SynopsisSet in the Canadian forest, Feral is a feminist eco-thriller, a passionate love story and an ode to nature's ferocious beauty.Raphaëlle, a forty-year-old forest warden, has been estranged from her family for many years. She lives with her beloved dog, Coyote, in a caravan deep in the Canadian woods. Fiercely independent and cut off from civilisation, she is always armed, protecting herself from bears, coyotes and lynxes who she in turn defends from sadistic, overzealous poachers.Soon after Raphaëlle discovers animal footprints outside her cabin, her dog vanishes and is eventually found severely injured. And then it is not long before Raphaëlle herself becomes the prey of the forest's ultimate predator, which is not animal, but man.Trade Review'A gripping thriller and an ode to nature's preservation' -- Corinne Renou-Nativel, Croix'A breath-taking story' -- Laëtitia Favro, Livres Hebdo

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