Music Books
Associated Board of the Royal Schools of Music Music Theory Practice Papers 2024 ABRSM Grade 2
Book SynopsisABRSM's official Music Theory Practice Papers 2024 are essential resources for candidates preparing for our online Music Theory exams.
£7.43
Bloomsbury Publishing PLC The Artist in Time: A Generation of Great British
Book SynopsisAn inspiring and intimate look at the work of a generation of British artists across all disciplines. The Artist in Time brings together twenty creatives from across the UK, with photographs and interviews that disclose their daily working habits and motivations. All born before 1950, this is a collective portrait of a generation who have shaped our artistic landscape. They provide a range of different answers to the question ‘what makes an artist?’, and a set of insights into what makes up a creative life. Giving you access to the studio and working spaces of a diverse group of painters, poets, choreographers, filmmakers, illustrators, musicians, photographers, sculptors, writers and creators, The Artist in Time is a handbook for creativity and inspiration, made up of artists from all backgrounds who have all in their own way shaped, and continue to shape, the creative landscape of the United Kingdom.Trade ReviewSensitively edited, Chris Fite-Wassilak's interviews have been formed into standalone monologues that, together with Ollie Harrop's intimate photographs, feel direct and personal, as though we are visiting these artists in their homes or studios. * Times Literary Supplement *... the glossy, magazine-like publication gives a platform to older painters, poets, illustrators ... there are nuggets of wisdom scattered throughout ... One of the book’s great strengths is Harrop’s sensitive and insightful photographs * Studio International *Table of ContentsIntroduction 1. Rhythms of Working Maggie Nicols Anne Tallentire Bob Fulcher David Hurn Wendy Cope 2. Grow Into Your Vision Frank Bowling Shirley Collins Jane May Ken Loach Roma Tomelty Margaret Busby 3. Formative Moments Michael Foreman Bud Edmonson John Fox and Sue Gill Elly Taylor Rasheed Araeen 4. Forget Style Ralph Steadman Bisakha Sarkar Marian Sandham Alastair Maclennan Afterword The Baring Foundation
£13.59
The Self-Publishing Partnership Ltd SMPLE MNDS
Book SynopsisAfter over half a decade of living under an undiagnosed behavioural dementia, problems with the use of P's hands leads to a diagnosis of Motor Neuron Disease and then, some months later, a diagnosis of established Frontotemporal Dementia.A series of failures by the NHS and Social Services leaves his children and wife alone to care for P to the best of their abilities, having already lived under the shadow of his undiagnosed dementia for years.The book shows love can resurface in the strangest, most difficult of circumstances and reappear stronger and deeper than life before P's terminal diagnoses.Each chapter of the book flows with a backdrop of music relevant at each stage of P's horrendous demise.
£10.79
Omnibus Press Young Punks
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£21.25
Damaged Goods Books From Heaven to Heaven New Order Live
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£36.71
Universal Music Publishing Editio Musica Budapest Bella Phantasm
Book SynopsisThe composition was written in 2013 at a commission of flutist Rebeka Kruchio. Mate Bella, as in many of his other works, examines here the possibilities of the transition between noises made by musical instruments and musical sounds. At the climax of the piece, the flutist blows the syllables of the name RE-BE-KA into the instrument.
£13.49
Abrams Music Is History
Book SynopsisTrade Review“Music Is History is an entertaining, informative and far-reaching work, meticulously excavating American culture and history with the eye of a seasoned cratedigger.” * The Washington Post *“This inspired volume continues Questlove’s thoughtful and thought-provoking work and is an enduring analysis of the effects of music on personal, political, and cultural histories.” * Library Journal STARRED Review *“Questlove’s in-depth, witty, creative, personal, and authoritative musical history will keep people reading, listening, questioning, and musing for many years to come." * Booklist *“A palimpsestic, personal, and resonant journey with a living musical encyclopedia.” * Kirkus *“This stimulating work is sure to attract deep thinkers and music theorists everywhere.” * Publishers Weekly *
£12.59
Orion Publishing Co Two Riders Were Approaching The Life Death of
Book SynopsisJimmy was a down-at-heel guitarist in New York, relying on his latest lovers to support him while he tried to emulate his hero Bob Dylan. A black guy playing white rock music, he wanted to be all things to all people.But when Jimmy arrived in England and became Jimi, the cream of swinging London fell under his spell. It wasn''t that Jimi could play with his teeth, play with his guitar behind his back. It was that he could really play.Journeying through the purple haze of idealism and paranoia of the sixties, Jimi Hendrix was the man who made Eric Clapton consider quitting, to whom Bob Dylan deferred on his own song ''All Along the Watchtower'', who forced Miles Davis to reconsider his buttoned-down ways - and whose ''Star Spangled Banner'' defined Woodstock. And when his star, which had burned so brightly, was extinguished far too young, his legend lived on in the music - and the intrigue surrounding his death. Eschewing the tradit
£10.44
Fantoons Where Is Ozzy
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£18.38
Profile Books Ltd Christmas Carols: From Village Green to Church
Book SynopsisEveryone loves a Christmas carol - in the end, even Scrooge. They have the power to summon up a special kind of midwinter mood, like the aroma of mince pies and mulled wine and the twinkle of lights on a tree. It's a kind of magic. But how did they get that magic? In Christmas Carols Andrew Gant tells the story of some twenty carols, each accompanied by lyrics and music, unravelling a captivating - and often surprising - tale of great musicians and thinkers, saints and pagans, shepherd boys, choirboys, monks and drunks. We delve into the history of such favourites as 'Good King Wenceslas', 'Away in a Manger' and 'The Twelve Days of Christmas', discovering along the way how 'Hark, the Herald angels sing' came to replace 'Hark, how all the welkin ring' and how Ralph Vaughan Williams bolted the tune of an English folk song about a dead ox to a poem by a nineteenth-century American pilgrim to make 'O little town of Bethlehem'. Christmas Carols brims with anecdote, expert knowledge and Christmas spirit. It is a fittingly joyous account of one of our best-loved musical traditions.Trade ReviewAndrew Gant provides us with a fluent but flinty digest of the modern scholarship concerning 22 of our favourite seasonal songs. -- Kathryn Hughes * The Guardian *Gant's detective-story accounts of 22 Christmas melodies is a delight -- Christopher Hart * Sunday Times *Scholarly but conversational in in tone and rich in picturesque detail. -- Kirsty McClusky * The Tablet *
£10.44
Weldon Owen, Incorporated Rocky Mountain Highway
Book SynopsisA powerful personal journey with multi-platinum country star John Denver, featuring intimate stories and never-before-seen photographs. This memoir from Lowell Norman, a close friend and videographer of the late star, offers a rare and fascinating look inside Denver’s successful but turbulent life.The award-winning country star, John Denver was once described as a complicated man who wrote simple songs. In Rocky Mountain Highway, close friend and videographer, Lowell Norman reveals rare stories and never-before-seen photos of a John Denver that is at turns familiar and shockingly unexpected. He recounts the emotional live performances and the challenges of shooting such a big star. He describes in harrowing detail the frightening experience of being harassed by gun wielding soldiers with Denver on his tours of Africa for The Hunger Project. He tells the riveting story of dangling from a helicopter with a video camera while the intrepid singer tried to swim with hum
£18.00
Little, Brown Book Group Berkmanns Pop Miscellany
Book SynopsisMarcus Berkmann was for many years the pop critic of the Spectator, waiting like most freelances to get fired. He''s also the author of the bestselling Berkmann''s Cricket Miscellany, concentrating on the ridiculous true stories and the weird characters of that most eccentric of sports. Here he combines the two, in a wildly entertaining ride through the galloping absurdities of pop, from Elvis Presley''s real hair colour, through Janet Jackson''s more intimate piercings, to Courtney Love''s hatred of cheese. Why does Bono always wear sunglasses? Did Ozzy Osbourne really urinate on the Alamo? What actually happened at Keith Moon''s 21st birthday party at the Holiday Inn in Flint, Michigan? There''s sex, there''s drugs, there''s violence, there''s even a little rock ''n'' roll from time to time. But mainly there are vital questions, now finally answered. Which notable guitarist has unfeasibly tiny hands? Which Britpop star was forced to wear lederhosen as a child? Who said,
£10.44
Penguin Publishing Group Led Zeppelin
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£16.99
Faber & Faber Why Solange Matters
Book SynopsisA ROUGH TRADE, THE TIMES, CLASH BOOK OF THE YEARThe dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name. ''Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.''THURSTON MOORE''The author''s prose sparkles . . . This is a book about what freedom could look like for Black women.''CALEB AZUMAH NELSON, OBSERVER''Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.''IAN PENMAN, LONDON REVIEW OF BOOKS''A love letter to quirkly black creatives . . . [Phillips''] vibrant writing reminds us how Solange lit the flame of creativity within many Black women.'' gal-demGrowing up in the shadow of her superstar sister, Beyoncé, and deTrade Review'Every once in a while, a musician comes along who so beautifully, so poignantly speaks that Black women remember that we are more than our vulnerability. In Why Solange Matters, Stephanie Phillips gracefully positions Solange amongst that elite cohort. From Houston to London and many places in between, Phillips presses our ear to the street in order to reveal how Solange broke the mold and released us all.' - Shana Redmond, author of EVERYTHING MAN: THE FORM AND FUNCTION OF PAUL ROBESON
£9.49
Faber & Faber The Tastemaker
Book SynopsisThe Tastemaker charts the singular life of a man who has been at the beating heart of music's most iconic moments for over sixty years and features stories of his time working with everyone from the Beatles to the Ronettes and Elton John to the Rolling Stones. ''This is a brilliant book by a brilliant man. A magician with perfect taste. Thank God I met him. He is gold dust!''ELTON JOHNLeaving school at the age of sixteen to start his career in the music industry at Decca Records, Tony King would soon find himself becoming a close friend and confidante to some of the world's biggest artists a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as an influential figure in London and New York's gay scenes. Despite his heady life in showbusiness, however, he would soon learn that a glittering career couldn't shield him
£999.99
Scholastic Taylor Swift All Access
Book SynopsisSo you think you're a Swiftie? Find out everything you've ever wantedto know about the mega pop star in this biography! It's a crashcourse in all things Taylor Swift.
£8.50
John Wiley & Sons Keyboard For Dummies 2nd Edition
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£19.54
Little, Brown Book Group The Doors Unhinged
Book SynopsisIn The Doors Unhinged, New York Times bestselling author and legendary Doors drummer John Densmore offers a powerful exploration of the ''greed gene'' - that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships and the well-being of society. This is the gripping account of the legal battle to control The Doors''s artistic destiny. In it, Densmore looks at the conflict between his bandmates and him as they fought over the right to use The Doors''s name, revealing the ways in which this struggle mirrored and reflected a much larger societal issue: that no amount of money seems to be enough for even the wealthiest people.The Doors continue to attract new generations of fans, with more than one hundred million albums sold worldwide and counting, and nearly twenty million followers on the band''s social media accounts. As such, Densmore occupies a rarefied space in popular cultur
£11.69
Orion Publishing Co Oh yes oh yes
Book SynopsisFrom warm up DJ at the birth of Acid House to global main stage headline artist today, Carl Cox continues to inspire and influence audiences and artists. Carl has been everything from a recording artist and producer to label owner, radio DJ and broadcaster. He is still all these things and much more with his star shining brighter than ever. Oh yes, oh yes! tells the story, in his own words, of the man known as ''The Three Deck Wizard'' on the rave scene before evolving into ''The People''s Choice'' and the King of Ibiza; a DJ and artist who remains at the very top of his game and continues to innovate and thrill music-lovers on the world''s biggest stages.Starting off as a shelf-stacker, grass cutter and scaffolder in the south London suburbs, Carl''s phenomenal talents as a DJ grew out of a love of music nurtured in his parents'' front room. In Oh yes, oh yes! he takes us to the heart of the party, from the UK rave scene to Burning Man and from Ibiza to Melbou
£9.99
Hal Leonard Europe Limited Edexcel A Level Music Revision Guide
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£13.29
Associated Board of the Royal Schools of Music Violin Star Theory: An activity book for young
Book SynopsisViolin Star Theory is an activity book for young players in the early stages of learning the violin. Packed full of engaging exercises and games, it can be used alongside any beginner violin tutor to help develop a student's understanding of musical notation. The imaginative activities link to practical music-making, building aural awareness and boosting the confidence of young musicians. Key features: * Written and practical theory activities, covering the note values, rests, pitches, time signatures and other symbols most commonly found in beginner violin tutors * Short, specially written pieces which can be sung, clapped or played * Quizzes, puzzles and a Violin Star Theory board game * Colourful illustrations and fun stickers * Complements the Violin Star beginner repertoire book.
£11.30
Associated Board of the Royal Schools of Music Flute Exam Pieces from 2026 ABRSM Grade 6
Book SynopsisThis book contains nine pieces in a range of styles, from Lists A, B and C of the syllabus
£19.47
Associated Board of the Royal Schools of Music Flute Exam Pieces from 2026 ABRSM Grade 7
Book SynopsisThis book contains nine pieces in a range of styles, from Lists A, B and C of the syllabus
£20.42
Octopus Publishing Group Symphonies for the Soul: Classical music to cure
Book Synopsis***'Wise and playful...'BBC Music MagazineWith a foreword by James NaughtieWithin the pages of this book lie musical prescriptions that offer comfort, solace and strength in the face of dark times.Whether you suffer from loneliness or laziness, from bereavement or betrayal, a heartbreak or a mere hangover, here you'll find the perfect piece of classical music to heal the heart, soothe the soul and cure the maladies of the modern world.Musician and writer Oliver Condy takes the role of musical physician, using his years of experience to prescribe remedies for all manner of ailments in the form of classical music.A beautifully-packaged gift book with more than 100 recommendations, Symphonies for the Soul is filled with fascinating stories behind the pieces and composers selected, and how in their own unique ways they can nourish the spirit in times of need.
£14.25
Profile Books Ltd Live At the Brixton Academy: A riotous life in
Book SynopsisIn 1982, aged twenty-three, Simon Parkes paid £1 for a virtually derelict building in Brixton. Over the next fifteen years he turned it into Britain's most iconic music venue. And now he's telling his story: full of fond - and wild - reminiscences of the famous musicians who played at the venue, including Robert Plant and Jimmy Page, Lou Reed, The Ramones, New Order, the Beastie Boys and The Smiths. This is about one man's burning desire for success against the odds, his passion for live music and the excitement of those wilderness years, a far cry from the corporate world that controls the scene today. From rock-star debauchery and mixing it up with Brixton gangsters to putting on the first legal raves in the UK and countless backroom business deals, this is the story of how to succeed in business with no experience and fulfil your teenage fantasies.Trade ReviewIf Simon Parkes' autobiography - full of raucous tales and geezer speak - is ever made into a film, it will be fun trying to find an actor who can do him justice. * The Independent *The king of gigs * Sunday Times *Brixton was always the one. It was so authentic as a venue, it's when things became 'real'. A proper old Victorian beer hall of a place with a century's sweat and ale steeped into the woodwork and plaster, and the faded glamour of that mighty proscenium arch. The first time I stood on that stage was in the Libertines supporting Morrissey. All my life I'd wanted to be an actor playing to an adoring theatre crowd, and here I was in front of a sea of stony faces with beer cans bouncing off my head. -- Carl BaratBrixton Academy has always been a special venue to me. From the age of 15 I saw countless shows there, from Blur to Foo Fighters. London is a city of countless music venues but in my eyes playing Brixton was the true sign of a successful band. I've been fortunate enough to play there a number of times now, firstly as part of the NME Awards tour but subsequently as the headline act - and the feeling of prestige never gets old -- Russell Lissack, Bloc PartyFor me, the Brixton Academy has something of a mythical status. As a young teenage boy in south east London I'd always see the listings in the NME or Melody Maker, listings for bands that I desperately wanted to see, but at the time was too young. I remember a school friend claiming that he "knew a back way in" and perhaps we should chance it for the Food Records Christmas Party - playing host to Jesus Jones, and at the time a lesser known Blur. That prospect of this 'back way in' stayed with me until a few years later, when at the height of their powers, the Lemonheads' Evan Dando treated those of us who'd hung around the side alley to an impromptu acoustic set of covers and requests as he straddled the dressing room windowsill. The thing that I always remembered was that it felt like outside inside. If they'd have painted stars on the ceiling I would have believed it was so. Those turrets and balconies... It seemed vast. Playing there with Hot Chip, our front of house engineer pointed out the 'sweet spot' where you could clap your hands and hear a never ending echo as the sound bounced from floor to ceiling to floor and back, proving there was indeed a roof, but to me it sounded like a flock of birds. From the stage, the width of the audience is what first surprised me, twice as wide as it is deep, and on a full house you can still see every face. -- Rob Smoughton, Grosvenor/Hot Chip
£10.44
Birlinn General Glasgows Greatest Hits
Book SynopsisDive in to Glasgow's vibrant musical heritage with this guide to the people, places and events which have shaped the city's world-renowned music scene.With decades of experience between them, Fiona Shepherd, Alison Stroak and Jonathan Trew, the founders of Glasgow Music City Tours, are your guides on this compelling voyage of discovery.
£11.78
Omnibus Press The Little Black Songbook: Leonard Cohen
Book Synopsis(The Little Black Songbook). This is a pocket-sized collection of over 70 Leonard Cohen hits, with complete lyrics, guitar chord symbols, and chord diagrams. Perfect for fitting into gig bags! Songs include: Ain't No Cure for Love * Bird on the Wire (Bird on a Wire) * Closing Time * Death of a Ladies' Man * First We Take Manhattan * Hallelujah * Lady Midnight * Lover Lover Lover * So Long Marianne * Winter Lady * and many more.
£14.24
Omnibus Press Bowie Odyssey 71
Book SynopsisBritain, 1971. Strange land of hot pants, moral outrage, anarchist bombs and sexual revolution. As Marc Bolan is hailed as the nation's teenage saviour, the forgotten hope called David Bowie searches for the spark to relight his fire. He finds it in London's gay clubland and the stoned fields of Glastonbury, the speedy streets of New York City and his new rock'n'roll allies Lou Reed and Iggy Pop. The ignition for songs about life on Mars and cosmic messiahs, starry alter-egos and bold fashions fit for the ultimate Seventies superstar... In the sequel to Bowie Odyssey 70, Simon Goddard continues his groundbreaking immersive narrative of the world around Bowie, through the second year of the decade he changed pop forever.Trade Review'Simon Goddard's evocation of David Bowie circa '71 is imagined as brilliantly as its predecessor, which was the best book written about its subject until this one. The narrative is immense... Stupendous' Classic Rock, 9/10 'Continues the excellent year-by-year series that places David Bowie's ground-breaking Seventies music in its social and historical context, told with a novelist's attention to detail' Choice 'Rock history in an ice blue Freddie Burretti suit, Simon Goddard's project to write a book about each year of David Bowie's '70s continues in suitably gorgeous style... as lusciously all-enveloping as its subject demands' Mojo, 4* 'My god it's brilliant. A delicious romp' Mike Scott, The Waterboys
£14.24
Omnibus Press Dream Machines
Book SynopsisAn expansive and illuminating account of the development of electronic music in the UK, told with passionate enthusiasm by Matthew Collin, the critically-acclaimed author of Altered State and Rave On.
£21.25
Wymer Publishing The Aviator
Book SynopsisCovering his work with Dixie Dregs, Kansas and nearly three decades with Deep Purple, Steve Morse's music has touched on European classical traditions, as well as blues, jazz, country and rock n' roll genres that are unashamedly American. Virtuoso and aviator. This is the story of the life and music of Steve Morse.
£17.09
Watkins Media Limited Bass Instinct
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£10.44
Spenwood Books Billy Bragg A Peoples History
£28.00
Soul Jazz Records Freedom Rhythm and Sound Chapter Two
£31.99
Potter/Ten Speed/Harmony/Rodale Stompbox: 100 Pedals of the World's Greatest
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£31.50
Volonte & Co. The Einaudi Collection
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£999.99
Edition Peters Notes The Musical Notebook Das musikalische
Book SynopsisThe beautifully produced Notes: The Musical Notebook from Edition Peters is the perfect companion for all music lovers. This quality hardback A5 notebook contains 160 pages of 140gsm ivory cream paper. Featuring 130 pages of 5mm dot grid for bullet journalling and 30 pages of 10-stave manuscript paper for musical ideas. It also includes a circle of fifths page and Italian tempos reference guide. Finished with gold foil and a handy page-finder ribbon, this musthave notebook is both the perfect indulgence and ideal gift.Notes: Das Musikalische Notizbuch von Edition Peters ist der perfekte Begleiter für alle, die Musik lieben. Das hochwertige Notizbuch präsentiert sich in edlem Look, im Format DIN A5 mit festem Einband und elfenbeinfarbenem 140g-Papier. Enthalten sind 160 durchnummerierte Seiten, davon 130 gepunktete Blanko-Seiten (5 mm Raster) für Notizen und 30 Seiten Notenschreibpapier für musikalische Ideen, mit je 10 Systemen pro Seite. Zur musikalischen Orientierung sind außerdem der Quintenzirkel sowie eine Übersicht der italienischen Tempoangaben beigefügt. Veredelt mit Goldfolie und einem praktischen Lesebändchen ist dieses Notizbuch immer wieder inspirierend das perfekte Geschenk.
£999.99
Little, Brown & Company Do You Feel Like I Do
Book Synopsis From his early rise to fame to battles with his health, this revelatory memoir by legendary guitarist Peter Frampton celebrates the life of a rock icon.Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020.Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder—along with Steve Marriott—of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect.Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road.Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again—saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist.
£13.49
HarperCollins Publishers Inc The McCartney Legacy
Book SynopsisIn this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician.Trade Review"Volume 1 of The McCartney Legacy by Allan Kozinn and Adrian Sinclair, arrives like a well-planned encore a year after the publication of The Lyrics: 1956 to the Present by Paul McCartney. Influenced by the methods of Mark Lewisohn, the exacting Beatles historian currently at work on the second volume of a trilogy about the group (the first was 900 pages, and that was an abridgment)... in a way The McCartney Legacy out-Lewisohns Lewisohn, taking almost 700 pages to cover only five years." — The New York Times Book Review “This is the comprehensive, painstaking, dazzling and definitive chronicle of rock’s strangest story: how Paul McCartney refused to go quietly after the Beatles, and how he kept his genius moving forward into another day. An amazing, inspiring trip.” — Rob Sheffield, author of Dreaming the Beatles “No maybe – I’m plain amazed at this real reveal of Paul McCartney with his decades of artful creativity. Through these pages is the accurate biography of a universal explorer.” — Mark Lewisohn, world renowned Beatles expert "Allan Kozinn and Adrian Sinclair's The McCartney Legacy: Volume 1, 1969-73 is a triumph... their masterful study of the artist's spectacular rise from the ashes of the Beatles, Kozinn and Sinclair bring McCartney's comeback story vividly to life." — Salon "Anybody in the future who wants to know anything about the subject will find the information here. Allan Kozinn and Adrian Sinclair, a former New York Times music critic and a documentary maker respectively, have entirely succeeded in the task they set themselves — to find out and inform the reader of everything there is to know about the life of Paul McCartney between 1969 and 1973." — The Times (UK) "If the devil is in the detail the The McCartney Legacy is positively satanic." — The Mail on Sunday Book Review "Setting the story between The Beatles’ demise and 1973 offers Kozinn and Sinclair a compelling redemptive narrative arc... Choosing to tell their story without foreknowledge, the authors allow it to unfold as if it’s happening in real time and without looking ahead to the outcome of any particular actions. It’s an often breathless and riveting read." — Reader's Digest "One thing that really sets this book apart is Kozinn and Sinclair’s unprecedented amount of detail on every single Paul McCartney solo recording session: dates, places, songs worked on, remembrances from those in the room, and lots of equipment detail." — Houston Press Book Review "A gold mine for avid fans." — Kirkus Reviews
£22.50
Outline Press Ltd Gliders Over Hollywood
Book SynopsisA dynamic insider s account of the golden age of rock, featuring adventures with some of music s most colourful characters, including The Rolling Stones, Bruce Springsteen, Pink Floyd, and Bob Dylan.
£18.71
Abrams Reverberation
Book SynopsisIn Reverberation, Keith Blanchard explores how music is a universal human experience that’s been with us since the dawn of time. You’ve listened to music all your life . . . but have you ever wondered why?Foreword by multi–Grammy Award–winner Peter Gabriel It turns out music isn’t just about entertainment—it’s a deeply embedded, subtly powerful means of communication. Songs resonate with your brain wave patterns and drive changes in your brain: creating your moods, consolidating your memories, strengthening your habits (the good ones and the bad ones alike) . . . even making you fall in or out of love. Your music is molding you, at a subconscious level, all day long. And now, for the first time ever, you can take charge. From executive editor Peter Gabriel and the minds behind It’s All in Your Head (the ultimate user’s guide for your brain), Reverberation unlock
£16.99
Taylor & Francis Ltd Modern Recording Techniques
Book SynopsisModern Recording Techniques is the bestselling, authoritative guide to sound and music recording. Whether youâre just starting out or are looking to improve your skills, this book provides an in-depth guide to the art and technologies of music production and is a must-have reference for all audio bookshelves. Using its familiar and accessible writing style, this new edition has been fully updated, presenting the latest production technologies and including detailed coverage of digital audio workstations (DAWs), networked audio, musical instrument digital interface (MIDI), signal processing and much more. Modern Recording Techniques is supported by a host of video tutorials, which provide additional listening and visual examples, making this text essential reading for students, instructors and professionals.This updated tenth edition includes: Newly expanded Art and Technology chapters, providing more tips, tricks and insights for getting the best out of your recording, mixing, monitoring and mastering An expanded MIDI chapter to include MIDI 2.0 More in-depth coverage of digital audio and the digital audio workstation Greater coverage of immersive audio, including Dolby Atmos Production Table of Contents1. Introduction 2. Sound and Hearing 3. Studio Acoustics and Design 4. Microphones: Design and Application 5. The Analog Tape Recorder 6. Digital Audio Technology 7. The Digital Audio Workstation 8. Groove Tools and Techniques 9. MIDI and Electronic Music Technology 10. The iOS in Music Production 11. Multimedia and the Web 12. Synchronization 13. Amplifiers 14. Power- and Ground-Related Issues 15. Signal Processing 16. The Art and Technology of Monitoring 17. The Art and Technology of Recording 18. The Art and Technology of Mixing 19. The Art and Technology of Mastering 20. Immersive Audio 21. Media Distribution and Manufacturing 22. It's all about the Journey
£39.89
Simon & Schuster The Birth of Loud
Book Synopsis''A hot-rod joy ride through mid-20th-century American history'' (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar''s amplified sound''Leo Fender and Les Paul''and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.In the years after World War II, music was evolving from big-band jazz into rock ''n'' roll''and these louder styles demanded revolutionary instruments. When Leo Fender''s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an ''axe'' that would make Fender''s Esquire look cheap and convinced Les Paul''whose endorsement Leo Fender had sought''to put his name on it. Thus was born the guitar world''s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s''including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton''adopted one maker''s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In ''an excellent dual portrait'' (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering ''spot-on human characterizations, and erotic paeans to the bodies of guitars'' (The Atlantic). ''the story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new'' (The Washington Post).Trade ReviewNew York Times Book Review Editors' Choice “In The Birth of Loud, Ian S. Port has sorted out the facts of the electric guitar’s much-mythologized genesis and cultural conquest. He turns them into a hot-rod joy ride through mid-20th-century American history. With appropriately flashy prose, he dismantles some misconceptions and credits some nearly forgotten but key figures. He also summons, exuberantly and perceptively, the look, sound, and sometimes smell of pivotal scenes and songs. The Birth of Loud rightfully celebrates an earlier time, when wood, steel, copper wire, microphones and loudspeakers could redefine reality. Tracing material choices that echoed through generations, the book captures the quirks of human inventiveness and the power of sound.” —Jon Pareles, New York Times Book Review“Fascinating . . . one of Port’s true strengths [is] his ability to marry an agreeably anecdotal writing style to a musician’s ear. The way a Telecaster snaps and sizzles, the way a Les Paul purrs with liquid, violin-like tones; he just gets it. . . The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new.” —Washington Post“[An] excellent dual portrait . . . In the second half of the book, Mr. Port, a veteran music journalist, touches on the work of every major guitar player of rock’s golden age, from Muddy Waters to Buddy Holly—whose appearance on “The Ed Sullivan Show” electrified (the pun is unavoidable) Eric Clapton and Paul McCartney and John Lennon—and continuing through Jimi Hendrix, Jimmy Page and, of course, Bob Dylan, whose notorious switch from acoustic to electric at the 1965 Newport Folk Festival scandalized his fans. Not everyone played a Fender or a Les Paul—the Beatles were Rickenbacker fans, and Gretsch guitars had a significant market share—but, as Mr. Port says, the wildfire popularity of those two guitars fueled a world-changing demand for electric guitars of every type.” —Wall Street Journal“Rich in description . . . full of imagist sound-summonings, spot-on human characterizations, and erotic paeans to the bodies of guitars . . . Port can write lovingly, such as when he describes an early, solid-wood model that belonged to the country twanger Merle Travis. . . And he can write with technical lyricism . . . He even made me like Eric Clapton for a minute. And from the fumbled genesis of the electric guitar to its expressive climax, he draws us a beautiful, educational arc.” —The Atlantic“Ian S. Port’s The Birth of Loud reframes the standard history of rock ’n’ roll around the dual creators of the modern electric guitar. . . . Instead of a parade of frontmen and songwriters dueling it out in the charts, Port presents a ground-up account of an at-times begrudging friendship between two Angelenos who created the sound of what we instinctively understand as ‘rock.’ . . . Port’s research is thorough and his prose is lucid. If the evanescence of the internet and the machine-like qualities of synthpop make you want to put words to that vague cultural hunger for something more tactile, more connected to physical reality, this is your book. . . . The Birth of Loud is a compelling addition to the misremembered history of the time.” —SF Weekly“[Tells] the story of the development of the electric guitar through the lives of its two most famous names….Port deftly toggles between their parallel paths, as if swiveling from one effects pedal to another.” —James Sullivan, San Francisco Chronicle“Ian S. Port knows a thing or two about guitar heroes. . . . [With] lyrical, evocative prose, The Birth of Loud includes vivid scenes of Muddy Waters inventing Chicago blues, the Rolling Stones' sex-drenched appearance on The T.A.M.I. Show, Buddy Holly's TV debut with Ed Sullivan, Bob Dylan going electric at Newport and more. Along the way, Fender and Paul hone their inventions to perfection, vie for endorsements from the hottest players, and engage in that age-old driver of American innovation: cutthroat competition.” —KQED “Arts”“A rip-roaring journey through the early days of rock 'n' roll, told through the lives of the men whose innovative guitars helped usher it into existence . . . A lively, difficult-to-put-down portrait of an important era of American art that enhances readers' appreciation for the music it depicts.” —Kirkus Reviews (Starred Review)“A page-turning look at two central players [Leo Fender and Les Paul] in the sonic evolution of popular music. Port explores their trials and tribulations with an expert hand. This is a long-overdue cultural biography of music innovation. VERDICT: Thoroughly entertaining and deeply informative, this love letter to American creativity and rock and roll belongs in every library and should be read by all rock fans.” —Library Journal (Starred Review)“This smartly written and genuinely exciting book walks us through the bitter rivalry between Fender and Gibson and, since there is no way to tell this story without telling the story of rock ’n’ roll itself, also provides a jaunty if necessarily abbreviated history of rock. For music buffs, this one is special." —Booklist“[The] definitive history of the electric guitar and its two foundational personalities [Leo Fender and Les Paul]. Theirs is a fascinating and compelling story, especially in the hands of a writer as committed to lively narrative . . . Port can spin out evocative, succinct rock ’n’ roll writing with the best of them.” —The New York Journal of Books“Lushly descriptive and detailed…[the book] is richly illustrative in bringing these rock giants and the tools of their trade to life in a squall of beautiful feedback.” —Publishers Weekly“More than an essential, colorful, and gripping history of the electric guitar, The Birth of Loud introduces Ian Port, the best new non-fiction writer of the past twenty years.” —Daniel J. Levitin, author of This Is Your Brain on Music“Ian Port’s found a way to tell the story of the birth of rock ‘n’ roll—for some of us, among the postwar American stories, those that help define who we feel ourselves to be—in beautifully-evoked dual portraits of the men who made the instruments. In doing so, he re-situates this story in its context so neatly it is as if it had never been told before at all.” —Jonathan Lethem, author of Motherless Brooklyn and The Fortress of Solitude"Ian Port has created a perfect blend of popular history, social commentary, and enough guitar details to satisfy the most rabid six-string geek. This is a fascinating book." —Jonathan Kellerman, bestselling novelist and author of With Strings Attached: The Art and Beauty of Vintage Guitars"Guitar players are partly born, partly made, and every one has a story. So, too, are guitars, including the electric guitars that changed the world more than half a century ago. This is their story, and the story of their makers, well-told." —Gary Marcus, author of Guitar Zero“Long before Les Paul and Leo Fender were brand names who revolutionized music and changed culture, they were two guys—obsessively tinkering to recreate sounds in their heads. In The Birth of Loud Ian S. Port vividly captures the compulsion and competition that drove these fascinating oddballs to rock the world.” —Alan Light, former editor-in-chief of Vibe and Spin and author of The Holy or the Broken: Leonard Cohen, Jeff Buckley and the Unlikely Ascent of “Hallelujah” “It’s hard for me to think of an invention more crucial to my interior life than the electric guitar, so in a way The Birth of Loud, Ian Port’s moving, riveting account of the instrument’s development and rise to ubiquity, feels like a sacred text—the story of how I came to be. It’s also a rich and fascinating tale of obsession, ingenuity, and American abandon. Thank heavens for Les Paul, thank heavens for Leo Fender, and thank heavens for Ian Port.” —Amanda Petrusich, author Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records“The Birth of Loud is more than history, journalism or criticism—it’s a killer rock ’n’ roll story, complete with money, egos, star power and, yes, electric guitars.” —Steve Knopper, author of MJ: The Genius of Michael Jackson and Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age“The Birth of Loud channels trickles of intriguing new information into a confluence of big ideas about the history of the electric guitar. This book is essential reading for guitar history maniacs!” —Deke Dickerson, guitar historian, bandleader, and author of The Strat in the Attic
£11.69
HarperCollins Publishers Wagnerism
Book Synopsis'An absolutely masterly work' Stephen FryAlex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politicsan aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of writers, artists, and thinkers, including Charles Baudelaire, Virginia Woolf, Isadora Duncan, Vasily Kandinsky, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious anti-Semitism. His name is now almost synonymous with artistic evil.Wagnerism restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner's many-sided legacy. The narrative ranges across artistic disciplines, from architecture to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W. E. B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways,Wagnerism tells a tragic tale. An artist who might have rivalled Shakespeare in universal reach is implicated in an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of intellectual passion, urging us toward a more honest idea of how art acts in the world.Trade Review‘Ross does a good and very full job in tracing the obsession of different times and places, and the intellectual flavour each wave took … excellent, and extraordinarily thorough’ Philip Hensher, Spectator ‘An absolutely masterly work … A miraculous synthesis. Ross’s writing is an art that conceals art, propelling the reader on and on’ Stephen Fry “Wagnerism is as magnificently realized as it is monumentally ambitious, a cultural history of the modern world that Richard ‘Wagner and his protean art helped mightily to create … Ross is the ideal guide: lucid, astoundingly erudite, scrupulous, generous, profound, objective and engaged, and enormously entertaining’ Tony Kushner, playwright of Angels in America ‘With rhetorical flourishes and an eye for detail Ross extols the art made by Wagnerians who were able to meet “the Meister” on their own terms’ The Times ‘Wagnerism is a hugely exhilarating read, and a virtuoso feat of scholarship and supple writing: Ross is such a companionable guide, connecting ideas so casually and unspooling stories so fluidly that you can almost lose sight of the ferocious erudition that undergirds every page. I can’t think of a better or more profound work about the long, complicated shadow of cultural influence’ Patrick Radden Keefe, author of Say Nothing ‘Goes far beyond the man himself, using its subject to springboard into a breathlessly entertaining and dizzyingly diverse survey of art, politics and culture over the past century and a half. Ultimately, it’s a book about how humans are inspired by art, and like all of Alex Ross’s writing, it bottles that strange lightning and inspires us in turn’ Rian Johnson, director of The Last Jedi and Knives Out ‘Love him or hate him, Wagner has been unavoidable … By presenting an honest assessment of the problem, Wagnerism supplies, if not answers, then at least the right questions.’ Economist
£16.14
John Murray Press Rockonomics
Book Synopsis'Cheerful and illuminating, full of delicious anecdotes and valuable nuggets. It does what Krueger did best - brings economics to life, and life to economics' The TimesTrade ReviewA key voice on a vast array of economic issues for more than two decades * Barack Obama *Does what Krueger did best - brings economics to life, and life to economics * The Times *The music business keeps re-inventing itself (from records, to tape, to CDs to streaming) and Alan Krueger covers all the bases. As one former LSE student once sang: 'its only rock and roll but I like it, like it, yes I do.' That applies to this book too * Richard Thaler, author of 'Nudge' *An eye-opening and entertaining read * The Economist *An absolutely brilliant mind. The definition of left and right brain balance * Quincy Jones *An intriguing read for those who want to understand how their favourite bands are - or aren't, as the case may be - staying afloat in the streaming era * Mojo *The author's sparkling intelligence and lively prose make for a thought-provoking and enjoyable read ... [a] vivid, human portrait provided of the broader music ecosystem * New York Times *Rockonomics is entertaining, educational and enlightening. Alan Krueger gives us a backstage tour of the music industry - and in doing so, he creates a brilliant metaphor for our entire economy. Highly recommended * Harlan Coben *Krueger's book does a fine job describing the financial underpinnings of the music trade and pulling together the many still-shifting strands which will determine its future * Reuters *[A] highly readable book...It is Krueger's meticulous attention to detail that makes his work so compelling -- John Meagher * Irish Independent Review *
£11.69
HarperCollins Publishers Inc Make Me Famous
Book Synopsis
£15.19
Bloomsbury Publishing PLC From This Broken Hill I Sing to You
Book SynopsisMarcia Pally is Professor in Multilingual Multicultural Studies at New York University, USA, and held the Mercator Guest Professorship in the Theology Faculty at Humboldt University-Berlin (Germany), where she is now a regular Guest Professor.Trade ReviewMarcia Pally offers here an immensely rich theological interpretation of the work of legendary Canadian poet-musician Leonard Cohen. The key theological theme I see is Cohen's claim that we human beings were made for covenant with God and one another and yet the way we were made – or the way we have turned out – makes it immensely difficult for us to keep the very covenants that we need. So the human condition is tragic, and the tragedy may ultimately be traceable to the very God who alone is our source and our destiny. This book makes me want to marinate in the music and poetry, though not the lifestyle, of Leonard Cohen. It also deepens my immense appreciation for the impressive intellectual range of Marcia Pally. This is a tour de force. -- David P. Gushee, Mercer University, USAMarcia Pally has written an absolutely brilliant and arresting book about the lyrics of Leonard Cohen. Cohen’s lyrics have fascinated me for many years - a descendant of rabbis, he has done the remarkable thing of writing prophecy and social criticism into his lyrics. Marcia Pally’s book analyzes his extraordinary talent. Please read it! -- Erica Jong, award-winning author of Fear of Flying, novelist, and cultural commentator, USADrawing upon the entirety of Cohen’s creative output, including his oft-overlooked novels, Marcia Pally takes Cohen seriously as a religious thinker, “a mystic for the post secular age,” in the words of Aubrey Glazer. Pally swaps out Hank Williams, Bob Dylan, Irving Layton and Federico García Lorca in favor of Rosenzweig, Heschel, Levinas, and Wolfson as she recontextualizes Cohen as a poet engaged in a lifelong wrestling match with the Almighty. The listener—or reader, in this case—comes out the winner. -- Seth Rogovoy, author of Bob Dylan: Prophet Mystic Poet, USAFrom This Broken Hill I Sing to You is must reading for those like myself who are torn between our devotion to Leonard Cohen's work and our dismay at his personal history with women. By painstakingly charting the poet/singer's lifelong struggle to reconcile his covenantal relationships (with God and women) with his real-life behavior, Marcia Pally has forged a deeply compelling new covenant between Cohen and us, his acolytes. To which, I say Hallelujah! -- Letty Cottin Pogrebin, a founding editor of Ms. magazine & author of Deborah, Golda, and Me: Being Female & Jewish in America, USAMarcia Pally’s From This Broken Hill I Sing to You is a superb book, from Moshe Halbertal’s inspired foreword to the piercing last chapter on Leonard Cohen’s last creed. The writing is sophisticated and accessible, fully up to the task of realizing the deep philosophic-anthropological and theological dimensions of Cohen’s work. The subtitle of the book, God, Sex Politics in the Work of Leonard Cohen, is only partly accurate - the book far more. There is a movement of the study of Cohen’s terse verse, and this book summarizes that work well and advances it with a decided focus on Cohen’s struggle with the tortured relationship between the mortal and the eternal. As someone whose relationship with “Old Priest” was rooted in theological discussions (Lurianic Kabbalah), it is such a pleasure to see his depth so beautifully and originally articulated. -- Rabbi Mordecai Finley, spiritual counselor to Leonard Cohen, spiritual leader of Ohr HaTorah congregation, and professor of liturgy, mysticism and Jewish ethics, USAI have always loved Leonard's work, and loved him personally, and knew that HE was the man along with Beatles, whose work would survive musically. Marcia Pally’s masterful book reveals that as a poet, songwriter, philosopher and ultimate mensch, Leonard Cohen, his work and his spirit are here for ALL TIME!! -- David Amram, one of the "Twenty Most Performed Composers of Concert Music in the United States" and collaborator with Leonard Bernstein, Dizzy Gillespie, Dustin Hoffman, Charlie Mingus, Elia Kazan, Odetta, Jack Kerouac, Betty Carter and Tito Puente, USATable of ContentsIntroduction and Biographical Sketch Chapter One: Theodicy: Arguments With God about Evil, Suffering, and God Himself Chapter Two: Covenantal Theology and its Place in Cohen’s Work Chapter Three: From Covenantal Theology to Theodicy: Failing Covenant with God and Persons Chapter Four: Failing Covenant with God and Persons: Doubled Imagery in Cohen’s Work Chapter Five: Those who did not fail covenant: Moses and Jesus—Cohen’s Jewish and Christian Imagery Chapter Six: The Double Bind That Is Not a Bond: Cohen and Women Chapter Seven: Betrayal of God, Betrayal of Persons, Political Betrayals—Cohen’s Trinity Concluding Remarks: You Want It Darker and Thanks for the Dance—Cohen’s Last Creed Bibliography Index
£21.84
Faber & Faber Unapologetic Expression
Book SynopsisA CLASH MUSIC BOOK OF THE YEAR 2024A lively, subversive history of the new UK jazz wave, encapsulating its revolutionary spirit and tracing its foundations to birth of the genre itself.''Not solely a book about jazz, or even a nascent cultural shift; it's a record of a pivotal moment in UK history.''BIG ISSUEBy the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place?Reaching back to the roots of jazz as the unapologetic expression' of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, Andre Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today a sound connected to the very origins of jazz itself.Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss Unapologetic Expression captures the radical spirit of a vital British musical movement.''A breathless run through of an inspiring era in British music, Unapologetic Expression contains deft character sketches and vivid memories, pausing to nail ineffable moments from recording sessions and gigs. Andre Marmot's role as an insider . . . grants the book a degree of intimacy other writers may have lacked.''CLASH
£11.69
Little, Brown Book Group The First 21
Book SynopsisNikki Sixx is one of the most respected, recognizable, and entrepreneurial icons in the music industry. As the founder of Mötley Crüe who is now in his twenty-first year of sobriety, Sixx is incredibly passionate about his craft and wonderfully open about his life in rock and roll, and as a person of the world.Born Franklin Carlton Feranna on December 11, 1958, young Frankie was abandoned by his father and partly raised by his mother, a woman who was ahead of her time in some ways and deeply troubled in others. Frankie ended up living with his grandparents, bouncing from farm to farm and state to state. He was an all-American kid-hunting, fishing, chasing girls, and playing football-but underneath it all, there was a burning desire for more, and that more was music. He eventually took a Greyhound bound for Hollywood.In Los Angeles, Frank lived with his aunt and his uncle-the president of Capitol Records. But there was no short path to the top. He was soon on his own.
£11.69
