Description

Book Synopsis
for SATB and soprano soloFresh and unsentimental, this setting is as beautiful as the familiar anthem by Stainer of this much-loved text, and a worthy alternative.

Trade Review
One of the most versatile choral composers around today, and one, moreover, who thoroughly understands the human voice, Bob Chilcott has presented the choral repertoire with an unusual setting of one of the loveliest passages from the New Testament, John 3:16 . . . A very welcome addition to the Passiontide and Easter repertoire, it is within the capabilities of any good parish church choir. Warmly recommended. * Herbert Howell, Australian Music Teacher March 2002 *
This is a very simple, homophonic setting, essentially a four-part first section repeated with an added solo-soprano counter melody. In spite of the apparent simplicity, this is an expressive setting with some interesting harmonic colouring and ever-extending melodic range. The added soprano line adds some uplifting touches. As part of worship it could provide a moment of intense spirituality if performed with appropriate style, feeling and conviction. * Music Teacher Nov 2000 *

God so loved the world Vocal score

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    By Bob Chilcott

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      View other formats and editions of God so loved the world Vocal score by Bob Chilcott

      Publisher: Oxford University Press
      Publication Date: Publication Date: 12/9/1999 12:00:00 AM
      ISBN13: 9780193432765, 978-0193432765
      ISBN10: 0193432765
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      Entertainment Music

      Description

      Book Synopsis
      for SATB and soprano soloFresh and unsentimental, this setting is as beautiful as the familiar anthem by Stainer of this much-loved text, and a worthy alternative.

      Trade Review
      One of the most versatile choral composers around today, and one, moreover, who thoroughly understands the human voice, Bob Chilcott has presented the choral repertoire with an unusual setting of one of the loveliest passages from the New Testament, John 3:16 . . . A very welcome addition to the Passiontide and Easter repertoire, it is within the capabilities of any good parish church choir. Warmly recommended. * Herbert Howell, Australian Music Teacher March 2002 *
      This is a very simple, homophonic setting, essentially a four-part first section repeated with an added solo-soprano counter melody. In spite of the apparent simplicity, this is an expressive setting with some interesting harmonic colouring and ever-extending melodic range. The added soprano line adds some uplifting touches. As part of worship it could provide a moment of intense spirituality if performed with appropriate style, feeling and conviction. * Music Teacher Nov 2000 *

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