Music Books
Hachette Livre - BNF Théorie de la Musique. Nouvelle Édition
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£12.40
Hachette Livre - BNF 1600 Exercices Gradués de Lecture Musicale,
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£13.00
Shelter Press A New Guinea Journey
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£17.10
Contingent Sounds BorderListeningEscuchaLiminal Volume 2
Book SynopsisEdited by: Alejandra Luciana Cardenas. Contributions by: Alexandre Herbetta, Ana Ruiz Valencia, D'Andrade, Daniela Avellar, Fabián Ávila Elizalde, Paulo Antonio Kalankó, Reiko Yamada, Rui Chaves, Nora Castrejón, Teresa Díaz de Cossio, Vered Engelhard. This book was published within the framework of the third edition of the festival Radical Sounds Latin America.
£12.35
Springer Nature Switzerland AG Digital Revolution Tamed: The Case of the Recording Industry
Book SynopsisThis book explores why widespread predictions of the radical transformation in the recording industry did not materialise. Although the growing revenue generated from streaming signals the recovery of the digital music business, it is important to ask to what extent is the current development a response to digital innovation. Hyojung Sun finds the answer in the detailed innovation process that has taken place since Napster. She reassesses the way digital music technologies were encultured in complex music valorisation processes and demonstrates how the industry has become reintermediated rather than disintermediated. This book offers a new understanding of digital disruption in the recording industry. It captures the complexity of the innovation processes that brought about technological development, which arose as a result of interaction across the circuit of the recording business – production, distribution, valorisation, and consumption. By offering a more sophisticated account than the prevailing dichotomy, the book exposes deterministic myths surrounding the radical transformation of the industry.Trade Review“This volume is essential reading for anyone wondering how the current state of music access happened.” (Ed Komara, ARSC, Association for Recorded Sound Collections Journal, Vol. 52 (1), 2021)Table of ContentsList of Figures.- List of Tables.- List of Abbreviations.- Chapter 1 Introduction.- Chapter 2 Towards a More Sophisticated Account.- Chapter 3 The History of Technological Development in the Recording Industry.- Chapter 4 Evolution of Digital Music Services.- Chapter 5 Case Study - Spotify.- Chapter 6 Digital Music Distribution Networks.- Chapter 7 Case Study - INgrooves.- Chapter 8 Digital Revolution Tamed in the Recording Industry.- Bibliography.
£49.99
Springer Nature Switzerland AG Sequential Decision-Making in Musical Intelligence
a huge range and FREE tracked UK delivery on ALL orders.
£80.99
Springer Nature Switzerland AG Rooms for the Learned Musician: A 20-Year Retrospective on the Acoustics of Music Education Facilities
Book SynopsisThis beautifully illustrated volume takes the reader on a wide-ranging tour through music education facilities designed during the past 20 years, with a particular emphasis on the acoustical and architectural design of the locations. The book opens with a series of essays from key design team members, including an acoustical consultant, architect, audio/video systems consultant, and theatre consultant. The main body of the work consists of a rich array of contributions from acoustical consulting firms and music education facility designers from across the world on their recent innovative works in the area of music education facility acoustics. Each entry includes high-resolution photos and renderings, scientific data, and evocative descriptions of the music education facilities. Filled with beautiful photography and fascinating modern design, this book is a must-read for anyone interested in music education architecture, acoustical design, or musical performance. “This new publication on design of music education facilities is highly welcomed. Not only does it present many acoustically interesting projects, it also gives an up-to-date introduction to the scientific knowledge and design practice in this field. The book also helps the reader to understand why it is so important to ensure good acoustic conditions in music education facilities: to nourish students at all levels to achieve their goals as musicians.” - Anders Chr. Gade, Ph.D., senior consultant at Gade & Mortensen Akustik and author of Acoustics in Halls for Speech and Music (chapter in Springer Handbook of Acoustics) “This book ensures the reader will see the full vocabulary of elemental solutions to broad challenges. The expected concert halls, rehearsal spaces, and practice rooms are joined by newer, essential components: recording studios, control rooms, vocal booths, beat labs, and more. This media-rich publication enables detailed study while motivating big picture, interdisciplinary thinking. This new book curates and beautifully structures a deep store of outstanding architectural achievements that are sure to kindle the creation of future successful music education facilities.” - Alex U. Case, Associate Professor of Sound Recording Technology at the University of Massachusetts Lowell and author of Sound FX – Unlocking the Creative Potential of Recording Studio Effects “This book is a wonderful collection of music education facilities. The narratives and images provide a wealth of information for the casual reader, student in acoustics, architect, owner/educator, and acoustician. Primary schools through universities are not often studied and reviewed. Finding a thorough collection of these space types is rare. This book is recommended for anyone who is studying, designing, or enjoys reading about music education facilities.” - Jason Duty, P.E., Vice President at Charles M. Salter Associates, Inc.Table of ContentsEditors' Preface.- Collection of Essays from Key Design Team Members.- Architect.- Owner.- Music Director.- Audio Designer.- Music Education Facilities.- Music Education Facilities List.- Map.- Timeline.- Music Education Facilities.- Appendices.- A: Acoustic Design of Music Education Facilities: An Overview.- B: Glossary.- C: Music Education Facilities Indexed by Location.- D: Music Education Facilities Indexed by Acoustical Consulting Firm.- E: Notes on Currency, Units, and Scale.- F: References.
£999.99
Springer Nature Switzerland AG Handbook of Artificial Intelligence for Music:
Book SynopsisThis book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.Table of ContentsPart I: Understanding Musical IntelligenceCognitive Neuroscience of Music Stefan Koelsh The Musical Brain Aniruddh Patel The Neuroscience of Musical Improvisation Psyche Loui Part II: Machine Perception and Analysis Machine Listening of Music Juan Pablo Bello Convolutional Neural Networks for Audio Spectrogram Representation Lonce Wyse Robot Musicianship Gil Weinberg Robot Understanding of Conductor Gestures Atsuo Takahishi Human-Robot Emotional Musical Interaction Massimiliano Zecca Machine Recognition of Musical Emotion Yi-Hsuan Yang and Homer H. Chen Optical Recognition of Music Notation Ana Bebelo Music Transcription: from Audio to Music Notation Emmanouil Benetos Machine Learning System for Harmonic Analysis of Music Tijl De Bie Machine Learning of Jazz Jon Gillick Artificial Intelligence Data Mining for Music Tao Li Machine Learning of Body Movement in Instrumental Music Performance Federico Visi Machine Learning of Orchestral Conductor’s Baton Movements Donald G. Dansereau Machine Recognition of Music Emotion Yi-Hsuan Yang and Homer H. Chen Part III: Machine Composing and Performance Flow Machines Francois Pachet Machine Improvisation Shlomo Dubnov Artificial Agents for Collaborative Free Improvisation Adam Linson Symbolic Computational Creativity David Cope Tracing the Compositional Process Hanns Holger Rutz Composing with Intelligent Interactive Musical Agents Marcelo Gimenes Creating Music Autonomously with Evolutionary Algorithms Francisco J. Vico Constraint-Solving System for Generating Music Scores Orjan Sandred Constraint Modeling of Music Theories Torsten Anders Machine Learning Algorithm for Musical Composition Rebecca Fierbink An Artificial Intelligence Approach to Concatenative Sound Synthesis Noris Modh Norowi Sound Synthesis with Deep Neural Networks Jesse Engel On Computer-Aided Orchestration Marcelo Caetano Gesture Data in Musical Composition Marlon Schumacher and Marcelo Wanderley Surveying Systems for Expressive Musical Performance by Computer Alexis Kirke Computer-Assisted Analysis of Musical Interpretation Gerhard Widmer Gesture Recognition in Interactive Music Performance Dan Overholt Designing Constraints for Composition and Performance with Computers Thor Magnusson Part IV: Emerging Developments in Musical AI Machine Learning for Brain-Computer Music Interfacing Eduardo R. Miranda and Satvik Venkatesh Biological Neural Networks Synthesiser Guy Ben-Ary Sound and Music Biocomputing Eduardo R. Miranda and Edward Braund Musical Machine Learning with Biomemristors Eduardo R. Miranda and Edward Braund The Dawn of Quantum Computer Music Eduardo R. Miranda
£237.49
Springer International Publishing AG Sonic Interactions in Virtual Environments
Book SynopsisThis open access book tackles the design of 3D spatial interactions in an audio-centered and audio-first perspective, providing the fundamental notions related to the creation and evaluation of immersive sonic experiences. The key elements that enhance the sensation of place in a virtual environment (VE) are:Immersive audio: the computational aspects of the acoustical-space properties of Virutal Reality (VR) technologies Sonic interaction: the human-computer interplay through auditory feedback in VEVR systems: naturally support multimodal integration, impacting different application domainsSonic Interactions in Virtual Environments will feature state-of-the-art research on real-time auralization, sonic interaction design in VR, quality of the experience in multimodal scenarios, and applications. Contributors and editors include interdisciplinary experts from the fields of computer science, engineering, acoustics, psychology, design, humanities, and beyond. Their mission is to shape an emerging new field of study at the intersection of sonic interaction design and immersive media, embracing an archipelago of existing research spread in different audio communities and to increase among the VR communities, researchers, and practitioners, the awareness of the importance of sonic elements when designing immersive environments. Table of ContentsPart I Introduction: Sonic Interactions in Virtual Environments: the Egocentric Audio Perspective of the Digital Twin.- Part II Interactive and Immersive Audio: Procedural Modeling of Interactive Sound Sources in Virtual Reality.- Interactive and Immersive Auralization.- System-to-User and User-to-System Adaptations in Binaural Audio.- Audio Quality Assessment for Virtual Reality.- Part III Sonic Interactions: Spatial Design Considerations for Interactive Audio in Virtual Reality.- Embodied and Sonic Interactions in Virtual Environments: Tactics and Examplars.- Supporting Sonic Interaction in Creative, Shared Virtual Environments.- Spatial Audio Mixing in Virtual Reality.- Part IV Sonic Experiences: Audio in Multisensory Interactions: from Experiments to Experiences.- Immersion in Audiovisual Experiences.- Augmenting Sonic Experiences through Haptic Feedback.- From the Lab to the Stage: Practical Considerations on Designing Performances with Immersive Virtual Musical Instruments.- Index.
£22.99
Springer International Publishing AG Neurocognitive Music Therapy: Intersecting Music,
Book SynopsisFor thousands of years, music has acted as a powerful medium for evoking emotions, facilitating communication, and nurturing overall well-being. With the advent of new sophisticated neuroimaging technology, human responses to music and music therapy are being viewed through a new lens. As a consequence, new knowledge is being obtained about how music can produce significant improvements in cognitive, social, overt and agitated behaviours. The aim of this book is to provide an overview of neurocognitive music therapy, its impact and implications in the practice of evidence-based music interventions. The book seeks to provide researchers, psychologists, music therapists, musicians and physicians interested in the therapeutic applications of music, with a source of information about current techniques and novel music interventions. It is structured into several chapters, each of them presenting peer-reviewed research and evidence-based procedures carried out in a specific clinical context. Topics covered in the book include: Musical engagement for individuals with motor disabilities Enhancing emotional processing in autism through music Stroke rehabilitation via musical interventions Musical neurofeedback for emotional disorders Emotional modulation with music therapy in palliative care AI-driven personalisation in music interventions The book highlights the profound capacity of music-based interventions to facilitate cognitive and emotional processing, enhance communication, and promote motor rehabilitation. At the same time, the book demonstrates how modern technologies offer new opportunities to evaluate, validate, and potentiate music-based interventions, allowing new and innovative possibilities and more personalised interventions. This book aims to contribute to the growing body of knowledge in this field and inspire further research and innovation in the practice of music therapy.Table of ContentsChapter 1 Introduction Chapter 2 Accessible Digital Music Instruments for Motor Disability Chapter 3 Music as a Tool for Improving Emotion Identification in Autistic Children Chapter 4 Music and Stroke Rehabilitation Chapter 5 Musical Neurofeedback for emotional disorders Chapter 6 Emotions and Music in Palliative Care Chapter 7 Personalising Music Interventions
£85.49
Birkhauser Verlag AG Listening: Music - Movement - Mind
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£32.30
Mdpi AG Music and Spirituality
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£42.45
Springer Verlag GmbH Dynamics of the Singing Voice
Book SynopsisDuring the past decades, "Dynamics of the singing voice" has successfully been established as a reference text for teachers of singing, singers, choral conductors and organists, speech and voice therapists, laryngologists and other health professionals, psychologists and those in linguistics. It discusses the physiological, psychological, musical and emotional aspects of the voice, particularly as they relate to singing but also to speaking. The book provides a greater understanding of how the voice works and the many factors involved in singing as well as an objective discussion of singing without reference to specific techniques. In this fifth edition, the author has now updated and rearranged the content. Furthermore she has added a new chapter on vocal pedagogic aspects in order to meet the requirements of the art of singing of the 21st century. Thus this new book provides the reader with the established concepts in combination with the latest knowledge about modern approaches to the singing voice.Table of ContentsForeword Preface and Acknowledgements 1 Core Singing: New approaches to singing for the 21st Century Key issues in singing today The approach to teaching and learning The language of the mind Developing talent Learning to trust the voice Awareness and responsibility 2 The Human Energy Field and Singing Defining the human energy field Components of the energy field Invisible aspects of the energy field Mental aspects Emotions Psychological influences Psychic aspects Spiritual aspects Physical aspects Singers as masters of their own energy field Responsibility for learning Responsibility for thoughts and language Mindful attention to each practice and lesson Treat colleagues, peers and teachers with respect Be centered and aware 3 Vocal Pedagogy in the 21st Century Working with the whole Student Right-Left Brain Balance in teaching and Learning Co-responsibility in learning and the establishment of trust Use of language that enriches teaching and learning Self-development as the core of teaching and learning The responsibility of the teacher Continue to be a lifelong student Learn to coach the mental aspects of performance Create a positive studio atmosphere Be grateful for each student who arrives at your door Be professional about the business of singing The responsibility of the student Objectivity Extra-curricula development complementary to singin Elimination of mind chatter and excessive self-criticism Meaningful practice and rehearsal Find ways to monitor progress Have the courage to take performance risks Be grateful for your talent The future of vocal pedagogy 4. What Every Singer Needs To Know: Co-ordination, Spontaneity and Artistry Co-ordination Spontaneity Artistry a) Love of Singing b) Dedication to the Work of Singing c) Indivuality d) Emotional Involvement e) Personality and Magnetism f) Performance That Transcends the Ordinary On Becoming a Dynamic Singer 5. The Role and Function of the Voice: An Overview Psychological factors of communication Physiological factors Acoustic factors Perception 6 Posture and breathing in singing Posture Respiration Inspiration a) The diaphragm b) The intercostal muscles c) Other muscles of inspiration Expiration a) The abdominal muscles b) Other muscles of expiration Subglottic pressure Summary: breathing for singing 7 Phonation The anatomy of the vibratory mechanism The function of the vocal folds in singing The attack Neurological factors of phonation Physiological factors of phonation Pitch Range Vibrato Registers Subglottic pressure and vocal intensity Summary 8 Resonation and vocal quality The anatomy and physiology of the pharynx The constrictors The longitudinal muscles The soft palate A summary of the acoustics of the vocal tract Vowel formation Vocal quality Factors which affect vocal quality Focus and in
£66.49
de Gruyter Residenzstadt und Metropole
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£114.30
VDM Verlag Music Serialism
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£38.64
AV Akademikerverlag NOISE MUSIC Avantgarde der Popmusik
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£24.62
AV Akademikerverlag Richard Strauss Violin Sonata Es-Dur Op.18
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£28.31
Springer Fachmedien Wiesbaden Popular Music Studies Today: Proceedings of the International Association for the Study of Popular Music 2017
a huge range and FREE tracked UK delivery on ALL orders.
£999.99
Hansebooks Musica mechanica organoedi: Gründlicher
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£24.22
LAP Lambert Academic Publishing The development of academic library collections
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£53.62
LAP Lambert Academic Publishing Gender Issues in Tourism Industry
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£44.07
advance music Jazz Arranging Composing
Book SynopsisMany different possibilities for harmonizing the same melody are illustrated and analysed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer.Techniques of melody harmonisation, linear writing and counterpoint for 2, 3, 4 and 5 horns.A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the audio download.An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensembleA useful discography is included at the end of each chapter.
£999.99
advance music Intervallic Ear Training for Musicians Book 2
Book SynopsisSteve Prosser's Intervallic Ear Training for Musicians is the product of 35 years studying and teaching interval awareness in music. The text provides a step-by-step method for assimilation of, as well as graded exercises for, each interval. Each Chapter concludes with Mastery Exercises and Etudes. After adequate study of the text, the student will be able to hear, recognize, read and write music through the use of musical intervals. This skill is particularly helpful in dealing with music that is extremely chromatic, tonally ambiguous or rapidly modulating.
£27.89
Sturm & Drang LIVE IN CONCERT
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£80.10
Severus Gustav Mahlers Sinfonien
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£26.59
Next Chapter Strike The Right Chord: A DIY Guide to Global
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£10.73
Volonte & Co. Piano: The New Composers
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£14.99
Alpha Edition The song of Roland
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£10.93
HarperCollins Publishers India The Extraordinary Life of Max Bulandi
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£15.19
Motilal Banarsidass, Mind & Music: Demystifying thumri Maestros
Book SynopsisIndian classical music has two foundational elements, raga and tala. The raga forms a melody structure while the tala measures the time cycle. But the uniting feature of both the systems of music is the Raga System. Indian music has one of the most advanced and scientific systems of categorization of the melodic entities known as ragas and an equally sophisticated sense of rhythmic patterns or talas.
£34.19
Springer Verlag, Singapore Sound at the Edge of Perception: The Aural
Book SynopsisThis book is about the tiny sounds of the world, and listening to them, the minute signals that are clues to who and where we are. A very small sound, given the context of its history, becomes hugely significant, and even an imagined sound in a picture becomes almost a voice. By speaking a name, we give a person back to the world, and a breath, a sigh, a laugh or a cry need no language. A phoneme is the start of all stories, and were we able to tune ourselves to the subtleties of the natural world, we might share the super-sensitivity of members of the bird and animal kingdom to sense the message in the apparent silence. Mind hears sound when it perceives an image; the book will appeal to sonic and radio practitioners, students of sound, those working in the visual arts, and creative writers.Trade Review“Sound at the Edge of Perception explores the ‘interrelationships between hearing and listening, looking and seeing,’ with the hope that ‘by awakening the faculty of seeing, we may enhance our ability to listen—and vice versa.’” (Ben Monks, Dymock Poets and Friends, Issue 18, 2019)Table of Contents1 Introduction: The Bell of Józef Czechowicz ¬– The Importance of Minute Sound Moments.- 2 The Notes of Human Music.- 3 Making the Moment Singable.- 4 Signals from Near and Far Shores – Voices from the Natural World.- 5 Speak My Name – the Ownership of Syllables.- 6 First and Last Sounds – Messages Beyond Language.
£999.99
Edition Peters 15 Ballads and Songs Vol.2
Book SynopsisThis collection of 15 ballads and songs was written by the German Classical composer, Carl Loewe, and arranged for high voice by Hans Joachim Moser.Diese Sammlung von 15 Balladen und Liedern wurde von dem deutschen Komponisten der Klassik Carl Loewe geschrieben und von Hans Joachim Moser für hohe Stimme bearbeitet.
£27.86
Edition Peters 15 Ballads and Songs Vol.1
Book SynopsisThis collection of 15 ballads and songs was written by the German Classical composer, Carl Loewe, and arranged for low voice by Hans Joachim Moser.Diese Sammlung von 15 Balladen und Liedern wurde von dem deutschen Komponisten der Klassik Carl Loewe geschrieben und von Hans Joachim Moser für tiefe Stimme bearbeitet.
£27.86
Edition Peters Suite Overture BWV 1067
Book SynopsisJ.S. Bach''s Suite (Overture) No. 2 in B minor BWV 1067 for flute and piano. Edited by Erich List and Johannes Weyrauch.J.S. Bachs Suite (Ouvertüre) Nr. 2 in h-Moll BWV 1067 für Flöte und Klavier. Herausgegeben von Erich List und Johannes Weyrauch.
£11.35
Edition Peters Flute Concerto in G Major QV5174
Book SynopsisQuantz''s Flute Concerto in G major for flute, strings and basso continuo is presented here with piano accompaniment. Edited by Klaus Burmeister with cadenzas by Mirjam Nastasi.Quantz'' Konzert in G-Dur für Flöte, Streicher und Basso Continuo wird hier mit Klavierbegleitung präsentiert. Herausgegeben von Klaus Burmeister und von Mirjam Nastasi mit Kadenzen versehen.
£15.15
Edition Peters Syrinx
Book SynopsisDebussy''s Syrinx for solo flute was written as incidental music to accompany the scene in Mourey''s drama ''Psyché'' that portrayed the death of Pan. It is considered one of the pivotal works in the development of flute music in the 20th century.Debussys Syrinx für Flöte solo wurde als Bühnenmusik zu einer Szene in Moureys Drama Psyché geschrieben, in der der Tod Pans dargestellt wird. Es gilt als eines der Schlüsselwerke für die Entwicklung der Flötenmusik im 20. Jahrhundert.
£999.99
Edition Peters Gershwin Jazz Classics for Piano Solo Vol. 1
Book SynopsisGershwin Jazz Classics for Piano Solo Vol. 1, edited by Roland Bach, contains a selection of 12 of Gershwin''s most popular songs arranged for the intermediate level pianist, along with a number of his original works for piano solo.Gershwin Jazz Classics für Klavier Band 1, herausgegeben von Roland Bach, enthält 12 von Gershwins beliebtesten Liedern als Klavierarrangement sowie eine Reihe von Originalwerken für Klavier. Mittlerer Schwierigkeitsgrad.
£13.25
Universal Music Publishing Editio Musica Budapest Three Songs for Solo Viola
Book SynopsisMate Balogh's (*1990) solo viola piece, Three Songs, completed in 2015, is based on the sound of folk music from three non-European peoples, but it does not evoke original folk melodies. Translating them into the composer's own musical language, the first piece imitates the overtone-based singing of Tibetan Buddhist monks, the second the quarter-tones of Armenian folk melodies, and the third the motif-repetition technique of the Navajo Indians.
£7.62
Edition Peters Septet in E flat Op.20
Book SynopsisSeptet in E flat Op. 20 by Ludwig van Beethoven, for violin, viola, cello, double bass, clarinet, horn and bassoon. Contains set of parts.Septett in Es-Dur op. 20 von Ludwig van Beethoven, für Violine, Viola, Violoncello, Kontrabass, Klarinette, Horn und Fagott. Enthält Stimmensatz.
£26.06
Van de Velde Interlude
Book SynopsisAfter Prelude, Interlude offers 33 pieces for 2, 4 or 6 hands; ballads, marches, humorous or jazzy pieces sit alongside graphic pieces and improvisation suggestions. Always in a flexible progression, the young pianist will express himself with pleasure. This collection always follows the progress of Pianolude 1, but can be used on its own, apart from the method.CONTENTS: La balancoire (4 hands); Un souvenir (4 hands); Le carillon (6 hands); Petite chanson russe; Le petit bonhomme en bois (4 hands); Chacune son tour; Danse du talon; Comme une Polka (4 hands); Mary's Pray (4 hands); Lady Greensleeves (4 hands); Rappelle-toi (4 hands); Jada (4 hands); Danse de l'Ours; Chanson d'hier; Sleep (4 hands); A dos de chameau; La Planete Mars; Nuages de quintes; Mimosa; Accrochez-vous; Pipo le clown; Le pedalo bleu; Barnabe l'obstine; De bon matin; Les carabiniers; On ouvre... on ferme; Coulis de framboises; TriOstinato (6 hands); Lettre a Franz; Valse du petit Poucet; Chromatologie (4 hands); Vi
£17.99
Van de Velde Pieces recreatives Vol 3
Book SynopsisNathalie Bera-Tagrine (pianist), associated with Francine Trachier (violinist) wrote and adapted these melodious pieces to easily pass the difficulties of the violin and its technical aspects.Each piece involves a precise technical difficulty (bow, strings, pizz, legato, nuances, wrist, shift technic...). Learning will be a pleasure with the progression of these four volumes.Nice violin-piano duets for 1st cycle students.CONTENTS: En randonnee; Les Clowns; Sicilienne; La Fete au village; Souvenir d'enfance; Le Printemps; La Valse triste; Melodie russe; Lune et dune; Les Petits Pieds d'Olga; Nadiouchka; Au bord du lac; Vent leger.
£14.24
Independently Published From Sync to Superstar: Filthy Stinking Indie
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£10.91
Austin Macauley Publishers LLC Harmony
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£8.54
Trouser Press Books Time Has Come Today
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£999.99
Mousse Magazine & Publishing Aaron Amar Bhamra Céline Mathieu Fugue
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£26.62
Hal Leonard Corporation The Beatles Complete Scores Transcribed Score
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£80.74
Berklee Press Publications Vocal Workouts for the Contemporary Singer
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£24.64
Hal Leonard Corporation Jumpin' Jim's Ukulele Masters: James Hill
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£20.79
