Description

Book Synopsis
This book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.
Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.

Table of Contents
Part I: Understanding Musical Intelligence

Cognitive Neuroscience of Music
Stefan Koelsh

The Musical Brain
Aniruddh Patel

The Neuroscience of Musical Improvisation
Psyche Loui

Part II: Machine Perception and Analysis

Machine Listening of Music
Juan Pablo Bello

Convolutional Neural Networks for Audio Spectrogram Representation
Lonce Wyse

Robot Musicianship
Gil Weinberg

Robot Understanding of Conductor Gestures
Atsuo Takahishi

Human-Robot Emotional Musical Interaction
Massimiliano Zecca

Machine Recognition of Musical Emotion
Yi-Hsuan Yang and Homer H. Chen

Optical Recognition of Music Notation
Ana Bebelo

Music Transcription: from Audio to Music Notation
Emmanouil Benetos

Machine Learning System for Harmonic Analysis of Music
Tijl De Bie

Machine Learning of Jazz
Jon Gillick

Artificial Intelligence Data Mining for Music
Tao Li

Machine Learning of Body Movement in Instrumental Music Performance
Federico Visi

Machine Learning of Orchestral Conductor’s Baton Movements
Donald G. Dansereau

Machine Recognition of Music Emotion
Yi-Hsuan Yang and Homer H. Chen

Part III: Machine Composing and Performance

Flow Machines
Francois Pachet

Machine Improvisation
Shlomo Dubnov

Artificial Agents for Collaborative Free Improvisation
Adam Linson

Symbolic Computational Creativity
David Cope

Tracing the Compositional Process
Hanns Holger Rutz

Composing with Intelligent Interactive Musical Agents
Marcelo Gimenes

Creating Music Autonomously with Evolutionary Algorithms
Francisco J. Vico

Constraint-Solving System for Generating Music Scores
Orjan Sandred

Constraint Modeling of Music Theories
Torsten Anders

Machine Learning Algorithm for Musical Composition
Rebecca Fierbink

An Artificial Intelligence Approach to Concatenative Sound Synthesis
Noris Modh Norowi

Sound Synthesis with Deep Neural Networks
Jesse Engel

On Computer-Aided Orchestration
Marcelo Caetano

Gesture Data in Musical Composition
Marlon Schumacher and Marcelo Wanderley

Surveying Systems for Expressive Musical Performance by Computer
Alexis Kirke

Computer-Assisted Analysis of Musical Interpretation
Gerhard Widmer

Gesture Recognition in Interactive Music Performance
Dan Overholt

Designing Constraints for Composition and Performance with Computers
Thor Magnusson

Part IV: Emerging Developments in Musical AI

Machine Learning for Brain-Computer Music Interfacing
Eduardo R. Miranda and Satvik Venkatesh

Biological Neural Networks Synthesiser
Guy Ben-Ary

Sound and Music Biocomputing
Eduardo R. Miranda and Edward Braund

Musical Machine Learning with Biomemristors
Eduardo R. Miranda and Edward Braund

The Dawn of Quantum Computer Music
Eduardo R. Miranda

Handbook of Artificial Intelligence for Music:

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    £237.49

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    RRP £249.99 – you save £12.50 (5%)

    Order before 4pm tomorrow for delivery by Sat 13 Jun 2026.

    A Paperback / softback by Eduardo Reck Miranda

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      View other formats and editions of Handbook of Artificial Intelligence for Music: by Eduardo Reck Miranda

      Publisher: Springer Nature Switzerland AG
      Publication Date: 03/07/2022
      ISBN13: 9783030721183, 978-3030721183
      ISBN10: 3030721183

      Description

      Book Synopsis
      This book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.
      Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.

      Table of Contents
      Part I: Understanding Musical Intelligence

      Cognitive Neuroscience of Music
      Stefan Koelsh

      The Musical Brain
      Aniruddh Patel

      The Neuroscience of Musical Improvisation
      Psyche Loui

      Part II: Machine Perception and Analysis

      Machine Listening of Music
      Juan Pablo Bello

      Convolutional Neural Networks for Audio Spectrogram Representation
      Lonce Wyse

      Robot Musicianship
      Gil Weinberg

      Robot Understanding of Conductor Gestures
      Atsuo Takahishi

      Human-Robot Emotional Musical Interaction
      Massimiliano Zecca

      Machine Recognition of Musical Emotion
      Yi-Hsuan Yang and Homer H. Chen

      Optical Recognition of Music Notation
      Ana Bebelo

      Music Transcription: from Audio to Music Notation
      Emmanouil Benetos

      Machine Learning System for Harmonic Analysis of Music
      Tijl De Bie

      Machine Learning of Jazz
      Jon Gillick

      Artificial Intelligence Data Mining for Music
      Tao Li

      Machine Learning of Body Movement in Instrumental Music Performance
      Federico Visi

      Machine Learning of Orchestral Conductor’s Baton Movements
      Donald G. Dansereau

      Machine Recognition of Music Emotion
      Yi-Hsuan Yang and Homer H. Chen

      Part III: Machine Composing and Performance

      Flow Machines
      Francois Pachet

      Machine Improvisation
      Shlomo Dubnov

      Artificial Agents for Collaborative Free Improvisation
      Adam Linson

      Symbolic Computational Creativity
      David Cope

      Tracing the Compositional Process
      Hanns Holger Rutz

      Composing with Intelligent Interactive Musical Agents
      Marcelo Gimenes

      Creating Music Autonomously with Evolutionary Algorithms
      Francisco J. Vico

      Constraint-Solving System for Generating Music Scores
      Orjan Sandred

      Constraint Modeling of Music Theories
      Torsten Anders

      Machine Learning Algorithm for Musical Composition
      Rebecca Fierbink

      An Artificial Intelligence Approach to Concatenative Sound Synthesis
      Noris Modh Norowi

      Sound Synthesis with Deep Neural Networks
      Jesse Engel

      On Computer-Aided Orchestration
      Marcelo Caetano

      Gesture Data in Musical Composition
      Marlon Schumacher and Marcelo Wanderley

      Surveying Systems for Expressive Musical Performance by Computer
      Alexis Kirke

      Computer-Assisted Analysis of Musical Interpretation
      Gerhard Widmer

      Gesture Recognition in Interactive Music Performance
      Dan Overholt

      Designing Constraints for Composition and Performance with Computers
      Thor Magnusson

      Part IV: Emerging Developments in Musical AI

      Machine Learning for Brain-Computer Music Interfacing
      Eduardo R. Miranda and Satvik Venkatesh

      Biological Neural Networks Synthesiser
      Guy Ben-Ary

      Sound and Music Biocomputing
      Eduardo R. Miranda and Edward Braund

      Musical Machine Learning with Biomemristors
      Eduardo R. Miranda and Edward Braund

      The Dawn of Quantum Computer Music
      Eduardo R. Miranda

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