Description

Book Synopsis
This book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.
Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.

Table of Contents
Part I: Understanding Musical Intelligence

Cognitive Neuroscience of Music
Stefan Koelsh

The Musical Brain
Aniruddh Patel

The Neuroscience of Musical Improvisation
Psyche Loui

Part II: Machine Perception and Analysis

Machine Listening of Music
Juan Pablo Bello

Convolutional Neural Networks for Audio Spectrogram Representation
Lonce Wyse

Robot Musicianship
Gil Weinberg

Robot Understanding of Conductor Gestures
Atsuo Takahishi

Human-Robot Emotional Musical Interaction
Massimiliano Zecca

Machine Recognition of Musical Emotion
Yi-Hsuan Yang and Homer H. Chen

Optical Recognition of Music Notation
Ana Bebelo

Music Transcription: from Audio to Music Notation
Emmanouil Benetos

Machine Learning System for Harmonic Analysis of Music
Tijl De Bie

Machine Learning of Jazz
Jon Gillick

Artificial Intelligence Data Mining for Music
Tao Li

Machine Learning of Body Movement in Instrumental Music Performance
Federico Visi

Machine Learning of Orchestral Conductor’s Baton Movements
Donald G. Dansereau

Machine Recognition of Music Emotion
Yi-Hsuan Yang and Homer H. Chen

Part III: Machine Composing and Performance

Flow Machines
Francois Pachet

Machine Improvisation
Shlomo Dubnov

Artificial Agents for Collaborative Free Improvisation
Adam Linson

Symbolic Computational Creativity
David Cope

Tracing the Compositional Process
Hanns Holger Rutz

Composing with Intelligent Interactive Musical Agents
Marcelo Gimenes

Creating Music Autonomously with Evolutionary Algorithms
Francisco J. Vico

Constraint-Solving System for Generating Music Scores
Orjan Sandred

Constraint Modeling of Music Theories
Torsten Anders

Machine Learning Algorithm for Musical Composition
Rebecca Fierbink

An Artificial Intelligence Approach to Concatenative Sound Synthesis
Noris Modh Norowi

Sound Synthesis with Deep Neural Networks
Jesse Engel

On Computer-Aided Orchestration
Marcelo Caetano

Gesture Data in Musical Composition
Marlon Schumacher and Marcelo Wanderley

Surveying Systems for Expressive Musical Performance by Computer
Alexis Kirke

Computer-Assisted Analysis of Musical Interpretation
Gerhard Widmer

Gesture Recognition in Interactive Music Performance
Dan Overholt

Designing Constraints for Composition and Performance with Computers
Thor Magnusson

Part IV: Emerging Developments in Musical AI

Machine Learning for Brain-Computer Music Interfacing
Eduardo R. Miranda and Satvik Venkatesh

Biological Neural Networks Synthesiser
Guy Ben-Ary

Sound and Music Biocomputing
Eduardo R. Miranda and Edward Braund

Musical Machine Learning with Biomemristors
Eduardo R. Miranda and Edward Braund

The Dawn of Quantum Computer Music
Eduardo R. Miranda

Handbook of Artificial Intelligence for Music:

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RRP £249.99 – you save £12.50 (5%)

Order before 4pm today for delivery by Thu 18 Dec 2025.

A Paperback / softback by Eduardo Reck Miranda

15 in stock


    View other formats and editions of Handbook of Artificial Intelligence for Music: by Eduardo Reck Miranda

    Publisher: Springer Nature Switzerland AG
    Publication Date: 03/07/2022
    ISBN13: 9783030721183, 978-3030721183
    ISBN10: 3030721183

    Description

    Book Synopsis
    This book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.
    Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.

    Table of Contents
    Part I: Understanding Musical Intelligence

    Cognitive Neuroscience of Music
    Stefan Koelsh

    The Musical Brain
    Aniruddh Patel

    The Neuroscience of Musical Improvisation
    Psyche Loui

    Part II: Machine Perception and Analysis

    Machine Listening of Music
    Juan Pablo Bello

    Convolutional Neural Networks for Audio Spectrogram Representation
    Lonce Wyse

    Robot Musicianship
    Gil Weinberg

    Robot Understanding of Conductor Gestures
    Atsuo Takahishi

    Human-Robot Emotional Musical Interaction
    Massimiliano Zecca

    Machine Recognition of Musical Emotion
    Yi-Hsuan Yang and Homer H. Chen

    Optical Recognition of Music Notation
    Ana Bebelo

    Music Transcription: from Audio to Music Notation
    Emmanouil Benetos

    Machine Learning System for Harmonic Analysis of Music
    Tijl De Bie

    Machine Learning of Jazz
    Jon Gillick

    Artificial Intelligence Data Mining for Music
    Tao Li

    Machine Learning of Body Movement in Instrumental Music Performance
    Federico Visi

    Machine Learning of Orchestral Conductor’s Baton Movements
    Donald G. Dansereau

    Machine Recognition of Music Emotion
    Yi-Hsuan Yang and Homer H. Chen

    Part III: Machine Composing and Performance

    Flow Machines
    Francois Pachet

    Machine Improvisation
    Shlomo Dubnov

    Artificial Agents for Collaborative Free Improvisation
    Adam Linson

    Symbolic Computational Creativity
    David Cope

    Tracing the Compositional Process
    Hanns Holger Rutz

    Composing with Intelligent Interactive Musical Agents
    Marcelo Gimenes

    Creating Music Autonomously with Evolutionary Algorithms
    Francisco J. Vico

    Constraint-Solving System for Generating Music Scores
    Orjan Sandred

    Constraint Modeling of Music Theories
    Torsten Anders

    Machine Learning Algorithm for Musical Composition
    Rebecca Fierbink

    An Artificial Intelligence Approach to Concatenative Sound Synthesis
    Noris Modh Norowi

    Sound Synthesis with Deep Neural Networks
    Jesse Engel

    On Computer-Aided Orchestration
    Marcelo Caetano

    Gesture Data in Musical Composition
    Marlon Schumacher and Marcelo Wanderley

    Surveying Systems for Expressive Musical Performance by Computer
    Alexis Kirke

    Computer-Assisted Analysis of Musical Interpretation
    Gerhard Widmer

    Gesture Recognition in Interactive Music Performance
    Dan Overholt

    Designing Constraints for Composition and Performance with Computers
    Thor Magnusson

    Part IV: Emerging Developments in Musical AI

    Machine Learning for Brain-Computer Music Interfacing
    Eduardo R. Miranda and Satvik Venkatesh

    Biological Neural Networks Synthesiser
    Guy Ben-Ary

    Sound and Music Biocomputing
    Eduardo R. Miranda and Edward Braund

    Musical Machine Learning with Biomemristors
    Eduardo R. Miranda and Edward Braund

    The Dawn of Quantum Computer Music
    Eduardo R. Miranda

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