Music: styles and genres Books

Book Synopsis? The deliciously simple conceit ? pop facts from every day of the year ? lets Lewis roam wide and free, to fascinating effect.? Daily Mail, 2023? s best history booksWith entries for every day of the year, ranging from mini-essays to pithy and engaging sentences, Don? t Stop the Music is a novel musical companion ? a way of charting your year through the major events and tiny incidents in the lives and careers of pop stars and recording artists.Whether it be when pop became newsworthy; when future stars attended notable gigs; when that K-Pop act issued their first single; or when Elvis Presley found himself on TV singing ? Hound Dog? to a basset hound, there are surprising and enlightening events from the history of popular music for every single day of the year. And esteemed music writer Justin Lewis has compiled them all for you, informatively and divertingly.

Read more less

Book Synopsis'Hugely entertaining history' - MojoBetween the late '60s and early '80s, design house Hipgnosis created some of the most iconic and ubiquitous album artwork of all time. Their original lifespan coincided with the golden age of the 12-inch LP, beginning just as the Beatles' Sgt Pepper made the record sleeve the ultimate blank canvas and ending just as new technology looked set to usurp vinyl.Having originally been approached to design an album cover for their friends Pink Floyd, students Aubrey 'Po' Powell and Storm Thorgerson would go on to define the visual identity of rock and roll for the next fifteen years, swiftly gaining international prominence for their famed The Dark Side of the Moon artwork. This paved the way for other major musicians to set foot in the surreal photo-design world of Storm and Po, resulting in seminal Hipgnosis creations for the likes of Led Zeppelin, Paul McCartney, Genesis, Black Sabbath, ELO and Yes.In this authorised account, with access to previously unpublished material and exclusive contributions from David Gilmour, Jimmy Page, Peter Gabriel, Roger Waters, Robert Plant and even Aubrey Powell himself, Mark Blake goes behind the scenes of the Hipgnosis partnership to reveal the pioneering ambition and grand vision that led to their success, as well as the clashing egos and artistic differences that undermined it. The Hipgnosis story also offers hitherto-untold insight into some of music's most legendary bands, as viewed through the prism of the people who shaped their imagery and cultural legacy.With the work of Hipgnosis continuing to be referenced, reproduced and revered worldwide, Us and Them serves as a celebration, a cautionary tale and a compelling human drama, exploring the vital intersection between art and music.

Read more less

Book SynopsisThis stimulating guide will help students and their teachers to achieve stylish performances of music of the Baroque period. Individual chapters from leading experts focus on historical background, notation and interpretation, and sources and editions, presenting the latest thinking on performance in a clear, helpful and practical way. There are also dedicated chapters of specialist advice for keyboard, string and wind players, and singers, plus a recommended playlist of illustrative, authoritative recordings. Fully illustrated throughout with many music examples, facsimiles and pictures, this is a valuable resource for students of the Baroque period which will also add to the knowledge and understanding of amateur and professional musicians.Trade ReviewA wonderful compilation, these fascinating and stimulating guides will whet the appetite and add to the knowledge and understanding of musicians at all levels, indeed, all music-lovers. * Stringendo *A stimulating, readable book, ideal for serious students, and also for teachers who wish to refresh their knowledge and keep up to date with the latest interpretative ideas. * PAN *Thoroughly approachable publications... they deserve to be not only read but acted upon. * Early Music Review *

Read more less

Book SynopsisAmidst the chaos that was the Sex Pistols, it’s often forgotten just what a powerful band they were, and what great records they made. The Sex Pistols were no ordinary group. Their story might be short, and not without its casualties, but their legacy is undoubted; one listen to their ferocious, raw rock and roll will soon tell you that. No British band since the Beatles has done as much to shape the nation. Musically, the Pistols’ impact was enormous and continues to resonate; they didn’t just kick down doors; they trashed the music industry’s house. For a band who (really) only released one album and four incandescent singles – “Anarchy in the U.K.,” “God Save the Queen,” “Pretty Vacant” and “Holidays in the Sun” – they gave birth to a sea of imitators and inspired a DIY aesthetic still alive today. Not bad for a band that ‘couldn’t play.’ Despite claims from New York, the Sex Pistols were the true originators of punk; no one else had their attitude, balls, or honesty – as inspired by anger and poverty, as art and poetry. There was the Sex Pistols and there was the rest. The Sex Pistols ARE punk; the rest are ‘punk rock.’Trade Review'Excellent, eminently readable...superb.' * God is in the TV Zine *'Chronicled in detail... a solid snapshot of the iconoclastic quartet and an equally explosive era of rock and roll.' -- Vintage Guitar Magazine

Read more less

Book SynopsisIt began with The Beatles’ ‘Helter Skelter’. It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock and numerous other genres along the way. Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.Trade Review‘As a compendium of leap-off points, Electric Wizards is a mind-riot . . . Heavy music has deserved its own tome but the only thing heavy about his book is its weight – its tone and style are illuminatingly light and wonderfully convivial throughout. Someone get Electric Wizards on the national music curriculum now.’ — Neil Kulkarni, The Wire; ‘An enthrallingly funny read, and one that's hard to put down despite its girth.’ — Record Collector; ‘Electric Wizards is a superbly written book about what JR Moores calls "heavy music". Not heavy metal, heavy music, which he persuasively and wittily argues includes musical artists as diverse as, for instance, Black Sabbath, Babes in Toyland, Funkadelic and all kinds of bands and singers in between . . . Fed up with the bland musical fare offered up by radio and "music tv" this is the book for you, and once you hear doors slamming and the neighbours banging on your walls you pretty much know you’re in the presence of heavy music - just make sure JR Moores is there to guide you.’ — The Crack; ‘A depth-charge exploration to the bloodied heart of heavy. Essential, energetic writing – JR Moores is the netherworld guide we always needed.’ — Harry Sword, author of Monolithic Undertow: In Search of Sonic Oblivion; ‘Simultaneously hilarious, provocative and sensitive; wildly entertaining while always getting to the heart of the matter . . . Just take my goddamned bitcoin already.’ — John Doran, The Quietus; ‘The landscape of heavy music is vast, its existence is ever evolving. There is no better person to explore its dynamic terrain than JR Moores.’ — Matt Baty, Pigs Pigs Pigs Pigs Pigs Pigs; ‘JR Moores covers a rich landscape of sounds . . . What’s more, he achieves a rare feat in rock criticism of saying something fresh and interesting about The Beatles.’ — Dan Franklin, author of HEAVY: How Metal Changes the Way We See the World; ‘This book will open a wormhole in your brain.’ — Joe Thompson, Hey ColossusTable of ContentsPreface Introduction 1 The Prehistory 2 Sabbath Phase I: Black Sabbath 3 Acid Rock and Beyond 4 Funk 5 The 1970s Experimental European Underground 6 Punk Rock: The Non-Heavy Genre that was Vital for Heaviness 7 Industrial Rock 8 Noise Rock 9 Sabbath Phase II: Melvins’ Gluey Porch Treatments 10 The Global Impact of Napalm Death’s Scum 11 The Late 1980s and Early 1990s Pre-Grunge Underground 12 TAD: The Heaviest and Least Celebrated Grunge Band 13 Steve Albini: Heavy-duty Engineer 14 Sabbath Phase III: Earth, Sleep, Electric Wizard and Other Assorted Stoners 15 The Nadir: The Late 1990s and Early 2000s 16 The 2000s Noise Scene 17 Post-rock and Post-metal 18 Sabbath Phase IV: Pigs Pigs Pigs Pigs Pigs Pigs Pigs and the Modern Heavy Underground 19 Never Say Die References Further Reading Select Discography Acknowledgements Photo Acknowledgements Index

Read more less

Book Synopsis For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.Trade Review “Gregor and Irvine have assembled a collection that ably reflects new directions in research on music and its ties to notions of Germanness that have emerged over the past twenty-odd years. Especially welcome is the collective attention to notions of musical practice and experience as well as the authors’ catholic approach to music’s very definition. Well-written, informative, and frequently suggestive of themes that warrant further attention, the essays are sure to attract a broad, multidisciplinary readership.” • Journal of Modern History “This collection achieves the aims as formulated in the introduction. Especially the articles on affective practices as well the inherent tensions between the regional and the national are very convincing.” • Francia “[This volume] is a terrific contribution to scholarship examining the relationship between music and German national identity in the twentieth century…[It] offers a strong blueprint for those wishing to conduct research on music’s complicated role in German history. The authors convincingly demonstrate the topic’s elasticity, flexibility and breadth while also covering new ground. The book will also be an accessible and thoroughly enjoyable read for historians wishing to acquaint themselves with the field and assign new material in their courses.” • German History “A wonderful anthology that connects the European classical tradition with popular music in fascinating ways. It is a pleasure to read.” • Ulrich Adelt, University of WyomingTable of Contents List of Figures and Tables Acknowledgments Introduction Neil Gregor and Thomas Irvine PART I: SPACES AND MOMENTS OF AFFECT Chapter 1. “The German in the Concert Hall”: Concertgoing and National Belonging in the Early Twentieth Century Hansjakob Ziemer Chapter 2. “Music Made in Hamburg”: How One City’s Music Scene Helped Make Rock and Roll the Lingua Franca of Youth Julia Sneeringer Chapter 3. “With Every Inconceivable Finesse, Excess, and Good Music”: Sex, Affect, and Techno at Snax Club in Berlin Luis-Manuel Garcia PART II: THE LOCAL, THE REGIONAL, THE NATIONAL Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras Neil Gregor Chapter 5. Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38 123 Dana Smith Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater Emily Richmond Pollock PART III: GLOBALIZING MUSICAL GERMANNESS Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan Brooke McCorkle Chapter 8. Hubert Parry, Germany, and the “North” Thomas Irvine PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria’s 950th “Birthday” and the 50th Anniversary of Bruckner’s Death Lap-Kwan Kam Chapter 10. Hearing the Nazi Past in the German Democratic Republic: Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer’s Aide –Mémoire (1983) Martha Sprigge Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika Sean Nye Index

Read more less

Book SynopsisNot many artists can boast a career like Nick Cave, which has gone from strength to strength since the debut album from his band The Bad Seeds in 1984. Most musicians in their 60s are relegated to the periphery as the quality of their output becomes tired and predictable and they fail to match the success of their earlier offerings - Nick Cave is an exception to this. His 2019 album Ghosteen may arguably be his best, still sounding as potent as those Old Testament, drug-fuelled 80s albums or the mid-90s streak of classics that the band are most renowned for. Cave's eclectic career has been fruitful, not only as a musician but as a literary mastermind whose lyrics have been analysed and theorised on countless occasions, as he consistently and compellingly mulls over themes of religion, love, redemption, loss and death. This book delves into the music and lyrics of every track in The Bad Seeds' current back-catalogue, starting with their post-punk beginnings on From Her To Eternity right the way through to the ambient synth-driven soundscapes of Ghosteen. Hidden gems from the band's two B-sides compilations, as well as their thrilling live albums, are also be included in this appraisal of a band that are still very much alive and kicking.

Read more less

Book SynopsisA fascinating look at the world of sound engineering during a time of huge technological change. Of interest to all music fans, but the author worked with bands as diverse as Yes, Thin Lizzy, Tina Turner, Elton John and Def Leppard. Producers that the author worked with include Trevor Horn, Tony Visconti and Frank Zappa.

Read more less

Book SynopsisIn 2024, Deep Purple celebrated the fortieth anniversary of their reunion by releasing their 23rd album, =1. Some band members thought the 1984 reunion would fizzle out after one album, but it flourished despite internecine strife, illness and the loss of two founders.

Read more less

Book SynopsisIn the mid-1960s, two notable bands emerged from the rarified cloisters of Charterhouse Public School in rural Surrey: The Anon, with guitarists Anthony Phillips and Mike Rutherford and The Garden Wall, a unit driven by the duo of Peter Gabriel and Tony Banks. Following the 1966 end-of-term school concert, these two bands merged, leading to the first lineup of Genesis. Phillips remained with Genesis until July 1970, when stage fright and ill health forced him to quit. He embarked on a long course of musical self-improvement that would eventually lead to an impressive technique on both guitar and keyboards, leading to a flourishing solo career, commencing with his first solo album The Geese & The Ghost in 1977. In this book, Alan Draper looks at Anthony Phillips? solo output, from his 1977 debut album through to his most successful long-form work, Slow Dance, in 1990. Also included are the two Archive Collection albums, released after this date, as they contain previously unreleased material from the pre-1990 period. In the 21st century, Phillips? albums have become widely available via rereleased and beautifully packaged box sets, providing the perfect opportunity to explore his impressive body of work once again.

Read more less

Book SynopsisThe Stooges' music has influenced countless other bands, artists and genres, and this book examines the band's enduring musical legacy by taking a fully comprehensive look at all the group's officially recorded output in detail.

Read more less

Book SynopsisOn Stage: Phish - The Baker''s Dozen provides an in-depth exploration of Phish?s monumental 13-night residency at Madison Square Garden in 2017. Phish, a celebrated jam band with a dedicated following, performed 237 unique songs without any repeats across these shows, each night themed around a donut flavour (such as ?Strawberry? or ?Jam-Filled?). The book reflects on the atmosphere, fan community, and musical experimentation that marked the event. By acknowledging the cultural and experiential impact of Phish''s concerts?and emphasizing the communal and improvisational nature of their music?the book discusses Phish''s commitment to their audience and the spontaneity of their live shows. Each chapter covers specific nights and songs, detailing the setlists, the fan experience, and how these performances exemplified Phish''s blend of planned setlists and improvisation. This positions The Baker?s Dozen as a culmination of the band?s ethos and creative evolution. By contextualizing Phish''s influences, such as the Grateful Dead, David Bowie and the Talking Heads, this book provides insight into how these inspirations are reflected in Phish''s performances and captures the spontaneity of their music, their loyal fan base, and the transformative nature of live performance.

Read more less

Book SynopsisThe neglected psychedelic classics ?Happenings Ten Years Time Ago? and ?Mister, You?re A Better Man Than I?carried their legacy over into the punk era. Their cult albums, Five Live Yardbirds, Roger The Engineer and Little Games, remain highly esteemed and collectable decades later, while their sequence in Michelangelo Antonioni?s Blow-Up movie catches the sixties at its most swingingly iconic. Classic rock seldom came as classic as it does with The Yardbirds, and now considered stars of heritage Rock, this book exhaustively traces the full Yardbirds story track-by-track from first to last, then picks up the narrative as former members become Led Zeppelin, Renaissance, Box of Frogs and the later Yardbirds reunion.

Read more less

Book Synopsis

Read more less

Book SynopsisMention the words' heavy metal' and chances are one of the first names you'll get back is Iron Maiden.From 'Prowler' to 'Empire Of The Clouds', through each and every line-up change, this is every Number recorded by The Beast the ultimate recording history of Iron Maiden.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisA Change is Gonna Come chronicles more than forty years of black music: from the hopeful, angry refrains of the Freedom movement to the slick pop of Motown; from Woodstock and the 'Summer of Love' to Vietnam and the race riots; from disco inferno to the Million Man March. This is an insightful and riveting study which looks at the place black music occupies in social history, its battle for the desegregation of popular music and its contribution to social change outside the recording studio

Read more less

Book SynopsisBlack British Music and the people who made it, from Tudor times to the mid '60s.This is a story of empire, colonialism and then the new energies released by the movements for freedom and independence of the post second-world-war years; of the movements of peoples across borders; of the flow of music around the triangle that takes in Africa, the Caribbean, the USA and Great Britain; of temporary but highly influential visitors like Paul Robeson; and of the settlement of ex-colonial peoples who brought their music to Britain, and changed its forms and concerns in the new context. It is the story of institutions like the military that provided spaces for black musicians, but it is also the story of individuals like John Blanke, the black trumpeter in the court of Henry VIII, Ignatius Sancho the composer and friend of Laurence Sterne in the 18th century, early nineteenth century street performers such as Joseph Johnson and Billy Waters, child prodigies such as George Bridgewater and composers such as Samuel Coleridge-Taylor in the later 19th whose music is still played today. Above all, it is the story of those individuals who changed the face of British music in the post-war period, who collectively fertilized British jazz, popular music and street theatre in ways that continue to evolve in the present. This is the story of the Windrush generation who brought calypso and steelband to Britain’s streets, Caribbean jazz musicians such as Joe Harriot and Shake Keane, or escapees from apartheid South Africa, such as Chris McGregor and Dudu Pukwana who brought modernity and the sounds of Soweto to British jazz, and a later generation who gave ska and reggae distinctive British accents. Based on extensive research and many first-hand interviews, one of the great virtues of Kevin Le Gendre’s book is lack of London-centricity, its recognition that much important development took place in cities such as Manchester, Leeds and Bristol. As a noted reviewer of black music for the BBC, the Independent, Echoes and other journals, Le Gendre brings together both a sense of historical purpose and the ability to actually describe music in vivid and meaningful ways.

Read more less

Book SynopsisOver 30 landmark interviews, accounts, and memoirs of The Beatles and their entourage, recording how they inadvertently became counter-culture's figureheads and changed society.The pieces include Paul Johnson's 'The Menace of Beatlism', Maureen Cleave's 'Beatles Bigger than Christ' feature, the News of the World feature suggesting The Beatles were spent forces - just before they unleashed Sergeant Pepper on the world - interviews with their entourage and main loves; plus latter-day contributions from the likes of Paul Gambacinni, Dave Marsh, Greil Marcus.Also included is a chronological tracing of each Beatles album and single, and analysis of all Beatles movie releases and television appearances.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis(The Little Black Songbook). A pocket-sized collection of Tom Waits songs, in chord songbook format, with complete lyrics and guitar chords diagrams. 84 songs include: Alice * Chocolate Jesus * Downtown Train * Hold On * I Wish I Was in New Orleans * Jersey Girl * Long Way Home * Martha * The Piano Has Been Drinking (Not Me) * Soldier's Things * Warm Beer and Cold Women * and more.

Read more less

Book SynopsisThis volume contains valuable practice material for candidates preparing for the Grades 6-8 ABRSM Singing exams. Contains specimen tests for the new sight-singing requirements from 2009, representative of the technical level expected in the exam.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisThe Highland bagpipe has long been a central strand of Scottish identity, but what happened to the Highland bagpipe in the two centuries following Culloden? How was its music transmitted and received? This study presents contemporary evidence and uses a range of methods to recreate the changing world of the pipers as they influenced and were influenced by the transformation in Scottish society. This book is intended for pipers exploring the achievements and musical concerns of their predecessors; for the general reader interested in a music whose history is akin to that of Scotland's poetry and song; and for all students of the process of tradition.Combining newspaper and manuscript evidence from the pipers themselves with a wide range of historical sources, the author harnesses the insights of the practical player to those of the historian and provides a fresh account of the players and their musical traditions, which have previously been the subject of much myth-making. This is the first history of the musical culture of the worldwide piping community.

Read more less

Book SynopsisBefore #MeToo, before Riot Grrl, there was Lydia Lunch. A central figure in the No Wave scene of the seventies as founder of the seminal Teenage Jesus and The Jerks Lunch has pursued a four decade long career turning the substance of her life into unapologetic, stark, and beautiful art. From the eighties onward, Lunch became a lone voice publicly calling out the patriarchal aggressions and day-to-day violence enacted by the powerful and never gave a good goddamn whether you wanted to hear it or not. Refusing to be silenced, she took to stages the world over, fearlessly speaking the truth, whether of her own life with its legacy of parental abuse, of her wild times owning the streets of New York City, or of the world she saw around her. Seeing no boundaries between creative mediums, Lydia has enacted her vision through music, spoken word, film, theatre, and more. Released as an accompaniment to Beth B s new documentary The War Is Never Over, this book is the first comprehensive overview of Lunch s creative campaign of resistance, a celebration of pleasure as the ultimate act of rebellion. Across these pages, Lunch and her numerous collaborators including Thurston Moore, Jim Sclavunos, Kid Congo Powers, Bob Bert, Richard Kern, Nick Zedd, and Vivienne Dick recount life at the frontline of the musical extremes of the seventies and eighties underground, the wild times, the disciplined productivity, life lived as a defender of the voiceless, and an unapologetic force of righteous fury.

Read more less

Book SynopsisMorgan Howell paints classic 7" singles and takes into account every crease, every tear, every imperfection-producing a one-off, truly unique artwork, almost identical to the owner's original copy, but blown up, supersize, to 70 by 70 cm, and three-dimensional, with the spindle in the centre, as if the record is ready to play. This completely original approach has resulted in Howell attracting a cult following amongst art collectors and musicians alike-with paintings commissioned by the likes of Neil Diamond, Jude Law, Edgar Wright, and The Stone Roses' Ian Brown, and major music labels selecting the artist's work for display in their headquarters, indeed, Howell's painting of David Bowie's The Jean Genie is displayed at the Sony Music Building in London, and Yesterday by The Beatles has been shown at the Capitol Building in L.A. Morgan Howell at 45 RPM, published by Black Dog Press, beautifully documents 95 of Howell's creations, from 'Tutti Frutti' by Little Richard to 'Heart of Glass' by Blondie, to 'Gimme Shelter' by The Rolling Stones, to 'Waterloo Sunset' by The Kinks. The artworks are shown in full, alongside evocative commentaries from fans of Howell's work, including The Smiths' Johnny Marr, Spandau Ballet's Gary Kemp, comedian Al Murray, journalist Tony Parsons, actress Kay Mellor, Happy Mondays' Shaun Ryder, producer William Orbit and composer Andrew Lloyd Webber. The book features Forewords by Sir Peter Blake and Andrew Marr, plus an in-depth interview with Morgan Howell, exploring his process as an artist and why, for him, music and art are intrinsically linked. With a format perfectly designed to fit on record shelves, this book is a must for vinyl junkies, music heads and art lovers everywhere.Trade ReviewVinyl is returning to my life in a big way, in the form of Morgan Howell and Supersize Art. Ziggy Stardust, by David Bowie, is the one I bought. The one that will soon be staring down at me from my study wall. Vinyl. It's back. In a big way. Dylan Jones, The Independent; Rarely has the MOJO office been so galvanised than when Morgan Howell popped in to show us his Supersized Singles. The 3D quality is uncanny, just like an original single has been blown up with some science fiction enlargement machine and plonked on your wall. MOJO Magazine

Read more less

Book SynopsisIn Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium.Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.Trade Review"It's exciting to be quoted so close to the beginning of a book with so much energy and passion in it..." — Samuel R. Delany, author of Dhalgren"An intellectual hornet's nest, buzzing with ideas. The canon of hip-hop crit welcomes a bold new entry, calculated to blow the doors off the usual moribund academic fare. Theory finds its own uses for things." — Mark Dery“Hip-hop has been around for well over forty years now, and in many ways, it has been absorbed into mainstream culture. Roy Christopher argues, however, that its radical practices still contain untapped possibilities. Dead Precedents shows how this cultural movement opens new hope for the future by changing our understanding of the past.” — Steven Shaviro, author of Discognition"Written with the passion of a zine-publishing fan and the acuity of an academic..." — Dan Hancox, Guardian

Read more less

Book SynopsisROCK CRITIC CONFIDENTIAL is the profusely illustrated anthology of rock 'n' roll writing and photography by veteran CREEM Magazine editor Jeffrey Morgan, who is also the authorized biographer of both Alice Cooper and Iggy Pop & The Stooges. This full colour hard cover coffee table size book draws from an extraordinary wealth of Jeffrey Morgan's innovative CREEM Magazine pieces. Discovered in 1974 by influential journalist Lester Bangs, Morgan ended up being CREEM's longest-serving rock critic. Morgan's writing appeared in every single issue of America's Only Rock 'n' Roll Magazine from October 1975 to November 1988, for a grand total of 158 consecutive monthly issues lasting more than thirteen years, plus another seven years writing for the magazine's original website, resulting in a CREEM rock writing reign of over twenty years. ROCK CRITIC CONFIDENTIAL'S centerpiece is Jeffrey Morgan's extensive and definitive interviews, many of which have never been published before in their complete uncensored form. Morgan is well known for taking command of an interview and getting his subjects to open up in a way that they never would for anyone else, as evidenced by his close encounters with heavyweight sparring partners, further enhanced by the added inclusion of dozens of rare, never before seen rock photographs taken by Morgan during the '70s and '80s, including previously unpublished portraits of The Who, Bob Dylan, Elton John, The Rolling Stones, David Bowie, Jeff Beck, Freddie Mercury, KISS, Miles Davis, Paul McCartney, and many others-all captured in their youthful prime. ROCK CRITIC CONFIDENTIAL regenerates the genre by being the first book by a rock critic published in a copiously illuminated paradigm-defining hardcover coffee table edition that sets new nonpareil standards of excellence against which all other rock writing books will forever be gauged. That's not hyperbole, that's a fact because it ain't bragging if you can back it up. Compromising Photos. Third Degree Interrogations. If there's a safe space for rock stars... This isn't it. "Jeffrey, you're a smartass-watch it!" - Iggy Pop, embittered Godfather of Punk "Lies! Lies! Lies!" - Alice Cooper, embittered living legend "Tell Jeffrey from me if he comes to see me personally some time, I'll return the compliment." - Pete Townshend, embittered founding guitarist of The Who "I cordially invite Jeffrey to join us at our Tae Kwan-Do class any day of the week just to say hello to all the guys up here." - Bob Ezrin, embittered record producer of Pink Floyd, Peter Gabriel, Lou Reed, KISS "One of the finest music writers on Earth." - RocksBackpages.com, embittered online library of rock 'n' roll

Read more less

Book SynopsisMany myths, masquerading as facts, were flourishing, when Anthony Meredith’s first Arnold biography came out, almost twenty years ago. Accordingly, he misrepresented several key issues, just as previous biographers had done. He also fudged others, for Arnold was still alive, and so, too, was his forceful carer. The many Arnold myths lived on. Three years ago, however, Malcolm Arnold’s daughter, Katherine, encouraged the biographer to write a new book with the true story of her father’s last thirty years. She had much new evidence to support it - material that confirmed her suspicions that when her father, in mid-life, came under the total control of two different carers, his vulnerability had been terribly exploited. Arnold’s last thirty years could only properly be understood if seen in the context of his earlier life, so a full biography beckoned. Nor could the years after the composer’s death be omitted, for things occurred in this period that shed much light on previous dramas. The Inside Story, then, sweeps away the many myths that have surrounded the intriguing figure of Malcolm Arnold. It offers arresting new facts about his life, fresh insights into his music and much food for thought about the care of the mentally ill and its legal aspects. This important addition to the literature of British music is an engrossing saga, told with compassion and candour.

Read more less

Book SynopsisThe essential guide to pop's unstoppable megastar

Read more less

Book SynopsisThis is the first book to tell the story of the bebop subculture in London’s Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho’s clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the ‘classic’ subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures. Trade Review“Ray Kinsella’s book, which is based on his PhD thesis, sheds light on the dimly lit British bebop scene of the mid-to-late 1940s and early 1950s. It gently disproves misconceptions about beboppers and the milieu they created. … The Bebop Scene in London’s Soho is an authoritative text on a neglected subject in British cultural history. … the book uses it as an entry point to explore wider topics, such as histories of fashion, race, gender … .” (Jacob Bloomfield, H-Soz-Kult, hsozkult.de, July 6, 2023)Table of Contents1. Introduction2. Contextualizing Soho, 1800-19453. Bebop Music and the Soho Clubs4. Men’s and Women’s Sartorial Style in the Clubs: The Bebop Look5. The Police Raids on the Soho Bebop Clubs, 1947-19506. Soho After the Raids7. Is This a Subculture?8. Conclusion

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisFOREWORD BY KEITH RICHARDS''ICONIC... DAZZLING.''-MOJO''SPECTACULAR... YOU TRULY FEEL THE INSANE PACE OF LIFE AS A STONE.''-VARIETY''Gered was at one with the band. More than that, for that special time, he was in the band.''-ANDREW LOOG OLDHAM''He was a hell of a lot of fun. That''s why he was a good photographer.''-MARIANNE FAITHFULLDelve into the unseen archive of iconic photographer Gered Mankowitz as he shares rare and newly discovered images of his time with the Rolling Stones, alongside his most iconic shots.Just a teenager, Mankowitz took some of the best-loved photographs of the Stones in their frantic, formative years. Now for the first time he looks beyond those famous images - unearthing frames that have never been seen before, plus those rarely used.Also featuring Gered''s first-hand stories and a host of expert writers on the band and their music - including The Times''

Read more less

Book SynopsisGina Waggott is a writer, editor, and former BBC professional with a background spanning broadcasting, journalism, and disability advocacy. Her work has been published in The Times, The Sunday Times, The Independent, Reader's Digest, Significance Magazine, and over a hundred different websites for companies such as Microsoft and Amazon UK. A covert stutterer, she is active in several nonprofits serving the global stuttering community and its allies. Visit ginawaggott.com/

Read more less

Book SynopsisIn The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg''s free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. WithTrade Review"The Williamsburg Avant-Garde is the most comprehensive study to date of one of the most important music scenes of the past 30-plus years." -- Dave Mandl * The Wire *"Well-researched. . . . Drawing on these first-hand accounts as well as on his access to the personal archives of some of the artists involved, Bradley provides a lively account of the neighborhood’s vital experimental music movement from its underground beginnings in various squats and abandoned industrial sites to its eventual dissolution in the face of rising rents and gentrification." -- Daniel Barbiero * Point of Departure *"One of the most important strengths of The Williamsburg Avant-Garde is that it elaborates with equal care, regardless of idiom or generation, on the intentions, ideas and aesthetic strategies of the highly diverse range of artists who could find a platform there. . . . What makes Bradley’s archeology at the same time so urgently contemporary is that so many of the artists covered are alive and active right now, even if a good number of them may still be underground." -- Patrick Brennan * Arteidolia *Table of ContentsAcknowledgments ix Introduction. Locating the Williamsburg Avant-Garde 1 Part I. Utopian Spaces for Sound 1. The Emergence of the Williamsburg Scene: Warehouses, Squatter Parties, and Punk Roots, 1988–1994 21 2. Pirate Radio and Jumping the River: The Williamsburg Loft Scene, 1997–2004 55 3. Art Galleries, Clubs, and Bohemian Cafés: The Williamsburg DIY, 2001–2006 100 Part II. Commercial DIY and the Last Underground Venues 4. A Point of Confluence: The Downtown Scene Comes to Zebulon, 2004–2006 145 5. A New Generation Emerges: Zebulon, 2005–2012 189 6. A Fractured Landscape: The Last Avant-Garde Music Spaces of Williamsburg, 2005–2014 228 Afterword. Art, Experiment, and Capital 263 Notes 271 Art Sources for the Williamsburg Avant-Garde 335 Bibliography 343 Index 367

Read more less

Book SynopsisIn 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock’s greatest records. Readers will get unprecedented insight into the story behind an iconic album from one of the world’s most iconic bands through interviews with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and “Black Album” producer Bob Rock. Masciotra takes readers into the recording studio, giving them Metallica’s account of how their most successful and famous record was born and learned to walk into every radio station and stadium stage around the world. Masciotra not only talks to the band about the making of the album, but also the stories that inspired the songs. Readers will not only learn about “The Black Album,” but they will also gain greater knowledge and familiarity with the men who created it. With direct access to the band, Masciotra offers a fascinating and inspiring account of the creation of one of music’s best and best-selling albums.Trade ReviewMetallica engendered so much musical change that it deserves a certain level of intellectual analysis … always interesting summary of an album whose impact is, improbably, still being felt. -- Joel McIver * Record Collector Mag *Did Metallica really abandon their thrash roots or were these rock intentions in them all along? The latest entry of the 33 1/3 series written by David Masciotra answers these questions with finesse, thoughtfulness, and hard facts taken straight from the band's mouth. With new interviews, revelations, and a look at the LP's importance to the band and music in general, the book is tailored made for those who thought they knew everything about the metal giants. * The Examiner *Table of ContentsAcknowledgements Introduction Chapter One: Through The Never Chapter Two: Enter Night Chapter Three: Escape From an Elite Cage Chapter Four: Call of The Wild Chapter Five: Wicked Game Chapter Six: Wherever I May Roam Chapter Seven: The Fangs of Rage

Read more less

Book SynopsisGeechi Suede and Sonny Cheeba are Camp Lo. These two emcees from the Bronx, NY entered the American hip hop scene with an insider slang that bewildered listeners as they radiated the look of a bygone era of black culture. In 1996, they collaborated with producer Ski and a host of other contributors to create Uptown Saturday Night, featuring the seminal single Luchini (a.k.a. This is It). While other 1990s rappers referred to 1970s Blaxploitation culture, Camp Lo were self-described time travelers who weaved the slang and style of a soulful past into state-of-the-art lyrical flows. Uptown Saturday Night is a tapestry of 1970s black popular culture and 1990s New York City hip hop. This volume will detail how the album's fantastic world of Coolie High reflected classic films like Cooley High and the Sidney Poitier film from which the album's title is derived, and promoted vintage slang and fashion. The book features new interviews with Camp Lo, producer Ski, Trugoy tTable of ContentsIntroduction 1. Black Nostaljack 2. Coolie High Gotcha Wide 3. D&D, Ski, and the Recording of Uptown 4. Blahzay, Blahzay, Blahzay 5. Diamond Crooks vs. the American Music Industry Appendix: The Lo Lexicon

Read more less

Book SynopsisFinally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can.Trade ReviewWarner asserts that the musical criticism and musicology "ignore the material and autobiographical details that have been built into a web of deeply personal associations". This is true of a certain classical model of music writing, and [this] book is a deeply enjoyable and lyrical rebuttal to that -- Frances Morgan * The Wire *In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four’s music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it’s not really about the individual albums profiled—it’s about what it’s like to be a fan. It’s about what it’s like to view a particular work as the pinnacle of aesthetic accomplishment—to experience the unique sensation of “This speaks to me!” There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors’ experience of discovering them is; in the case of Can’s 1971 album Tago Mago, Warner describes their “stoner athleticism.” The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner’s volume about the German psychedelic band is rich because he shows how “Tago Mago gave me permission to dream.” Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book. * SLUG Magazine *Scottish novelist Alan Warner (Morvern Callar, The Deadman’s Pedal) has given us a unique and absorbing look at the great Krautrock classic Tago Mago by Can […] Music fans will find themselves nodding in solidarity with his admitted obsession with the record […]Can’s Tago Mago is a masterpiece that still enthralls and informs listeners 40+years past it’s debut, and in a different way, Alan Warner’s look at his relation to the record, and music in general, is much the same. Our most deeply felt connections with art are the pieces that cause us to grow over time with the work, and Warner has given us a near-perfect description of such. -- James Mann * Big Takeover *I really can't recommend Warner's Tago Mago highly enough. I've never read anything by Warner that isn't artful and considered, a mix between the analytical and passionate, but that has never been better demonstrated than in this short book. You may not want to go out and get a copy of Can's album (personally, I prefer Ege Bamyasi), but that's not what he is setting out to do. This is [his] story, one which is both personal and universal, or at least common to the sort of people whose relationships with music, and other art forms, can be as important as their relationships to people - basically, the sort of person who buys the 33? books. * Scots Way Hae! *Table of ContentsPART ONE HALLELUWAH AN ANATOMY OF LISTENING CAN WITHOUT THE MUSIC ‘LIKE CAN’S DRUMMER…’ THE TERRIFYING SEX PISTOLS MR IAN DURY & THE BLOCKHEADS SWEARING A ‘RECORD COLLECTION’ VAN HALEN & BAGPIPES PART TWO A SPANNER IN THE SKY MADE IN A CASTLE WITH BETTER EQUIPMENT TAGO MAGO CAN WORLD NOT A DREAM THE EDITS A SINGLE SONG WHICH NEVER ENDS NOSTALGIA DANGER THE MYSTERY OF LA ISLA DE TAGOMAGO

Read more less