Music: styles and genres Books

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  • Taylor & Francis Social Partner Dance Body Sound and Space

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  • Taylor & Francis Artistic Dynamos An Ethnography on Music in Central African Kingdoms

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  • Taylor & Francis Becoming an Irish Traditional Musician Learning and Embodying Musical Culture SOAS Studies in Music

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  • Taylor & Francis Ltd The Routledge Companion to Ethics and Research in Ethnomusicology

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  • Taylor & Francis Ltd Knowledge Building in Early Modern English Music Routledge Studies in Renaissance and Early Modern Worlds of Knowledge

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  • Taylor & Francis Ltd Church Music Through the Lens of Performance

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  • Taylor & Francis Ltd Routledge Handbook of Art Science and Technology Studies

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  • Taylor & Francis The Routledge Companion to Ethics and Research in

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    Book SynopsisThe Routledge Companion to Ethics and Research in Ethnomusicology is an in-depth survey of the moral challenges and imperatives of conducting research on people making music. It focuses on fundamental and compelling ethical questions that have challenged and shaped both the history of this discipline and its current practices. In 26 representative cases from across a broad spectrum of geographical, societal, and musical environments, authors collectively reflect on the impacts of ethnomusicological research, exploring the ways our work may instantiate privilege or risk bringing harm, as well as the means that are available to provide recognition, benefit, and reciprocation to the musicians and others who contribute to our studies. In a world where differing ethical values are often in conflict, and where music itself is meanwhile a powerful tool in projecting moral claims, we aim to uncover the conditions and consequences of the ethical choices we face as ethnomusicologists,

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  • Taylor & Francis The Sociality of Indigenous Dance in Alaska

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  • Taylor & Francis Studies in Maltese Popular Music

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  • Taylor & Francis Ltd Studies in Maltese Popular Music

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  • Taylor & Francis The Musical Heritage of AlAndalus

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    Book SynopsisThe Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution music has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medTrade ReviewWINNER: PREMIO DEL REY BOOK PRIZE 2022(American Historical Association)"At once technical and accessible, Dwight F. Reynolds’s The Musical Heritage of Al-Andalus was the unanimous selection out of a strong field of entries for the 2022 Premio del Rey. Reynolds judiciously teases out the elusive history of music from the time of the Islamic conquest of Iberia through the Morisco era, touching on matters as diverse as instrumentation, theory, lyric, and performance among the traditions of Christians, Muslims, and Jews in Iberia and the Mediterranean world."WINNER: EARLY MUSIC BOOK PRIZE 2022(American Musicological Society)“. . . The twelve chapters of The Musical Heritage of al-Andalus track the pernicious politics of “influence”; interreligious and intercultural negotiations beyond the traditional, narrow tripartition of Muslims, Christians, and Jews; gender roles and sexual identities; the development of “revolutionary” Arabic and Hebrew lyric genres in Iberia; and the complex intertwining of social status, ethnicity, enslavement, and music professionalization (alongside much more). . . Reynolds makes accessible a rich body of work that may be unfamiliar to the wider readership that the book invites, and offers compelling new arguments for specialized readers. This magisterial monograph promises to invigorate new generations of scholars and scholarship on the music of al-Andalus.”"Although the author specifies that he chose not to title his book as a history of the music of al-Andalus, the wealth of details and historical information drawn from numerous sources is remarkable and concerns the period from the Islamic conquest and the creation of the Umayyad Caliphate of the eighth century to the definitive expulsion of the moriscos of the early seventeenth century."-Paolo Scarnecchia, Radiotelevisione svizzera"In conclusion, the volume, presented online by the author through a dialogue with Debra Blumenthal available on the Youtube channel of the UCSB Interdisciplinary Humanities Center, represents an updated picture of the state of studies on the music of al-Andalus and offers a detailed historical view of its flowering, thanks also to the presence of texts from primary sources that have been translated for the first time." - Paolo Scarnecchia, gdmTable of ContentsSection One: Music in Iberia and the Mashriq up to 711 Chapter 1 – Music in Iberia to 711 Chapter 2 – Arab music to 711 Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 Chapter 3 – From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 Chapter 4 – ‘Abd al-Raḥmān II and Ziryāb, 822–852Chapter 5 – The final years of the Caliphate, 858–1031 Section Three: Music in the Medieval Mediterranean Chapter 6 – Instrumentarium Chapter 7 – Music Theory and Performance Practices Section Four: The Musical Revolution in al-Andalus Chapter 8 – From Ṣawt to Muwashshaḥ Chapter 9 – Hebrew Muwashshaḥāt Section Five: Post-Umayyad Iberia (11th–17th c.) Chapter 10 – The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) Chapter 11 – The Age of Minstrels (13th –15th c.) Chapter 12 – Music of the Moriscos (16th–17th c.)

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  • Taylor & Francis Legacies of Ewan MacColl

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  • Taylor & Francis The Music Treatises of Thomas Ravenscroft

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  • Taylor & Francis Ltd Scoring the Hollywood Actor in the 1950s

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  • Taylor & Francis Ltd Experiencing Music and Visual Cultures

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  • Taylor & Francis Ltd Popular Polish Electronic Music 19702020

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  • Taylor & Francis Ltd Music Theory in Late Medieval Avignon Magister Johannes Pipardi Royal Musical Association Monographs

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  • Taylor & Francis Ltd Music Theory in Late Medieval Avignon

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  • Taylor & Francis Ltd Studying Congregational Music

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  • Taylor & Francis Ltd Scholarly Research in Music

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  • Taylor & Francis Ltd Scholarly Research in Music

    15 in stock

    Book SynopsisScholarly Research in Music: Shared and Disciplinary-Specific Practices, Second Edition offers a comprehensive and detailed guide to engaging in research in all disciplines of music. This second edition continues to provide the foundational principles of research for all musicians, including performers, theorists, composers, conductors, music educators, and musicologists. It strengthens the core pedagogical framework of the first edition by offering updated guidance on available technologies, methodologies, and materials.Driven by the rapidly shifting research paradigms within music, sixteen contributors expand the already broad scope of the book, with new chapters on research in today's library, neurophenomenology in music, and self-efficacy in music performance, as well as new sections in chapters on philosophy, historical research, social science research, and statistics. Introducing research as a friendly and accessible process, the book engages students in brainTrade Review"This expanded and revised second edition continues to open windows to music research and scholarship, providing a comprehensive overview of research models and methods and a pathway to evolving new insights on music as behavior, idea, and value. None of the competing books offer the breadth of methodological perspective offered here."—Patricia Shehan Campbell, Donald E. Petersen Professor of Music, University of Washington"A welcome diversion from the many research methods texts that focus largely on resources, this friendly and exploratory approach provides a strong foundation for a wide variety of students. Both pragmatic and aspirational, it informs without condescending or oversimplifying. The attention the author pays to the needs of students makes me wish I could study with her."—Susannah Cleveland, Head of Music Library, University of North TexasTable of ContentsForeword (Janet L. Sturman) / Preface (Sang-Hie Lee) / PART I: COMMON BASES IN MUSIC RESEARCH / 1. An Overview (Sang-Hie Lee) / 2. Research Proposal (Sang-Hie Lee) / 3. Successful Research in Today’s Library (Stephanie A. Jacobs) / PART II: QUALITATIVE RESEARCH IN MUSIC / 4. Philosophy I (Sang-Hie Lee) / 5. Philosophy II (Sang-Hie Lee, Lindsey Jones, and Michael S. Zelenak) / 6. Music Theory Research (Juan Chattah) / 7. Historical Research in Music (Sang-Hie Lee and John O. Robison) / 8. Naturalistic Inquiry/Qualitative Studies (Sang-Hie Lee) / 9. Research Methods in Ethnomusicology (Music Ethnography) (Janet L. Sturman) / 10. Neurophenomenology: Mapping Structures of the Mind (Frank M. Diaz) / PART III: QUANTITATIVE RESEARCH IN MUSIC / 11. Experimental Study (Sang-Hie Lee) / 12. Social Science Research (Sang-Hie Lee and Eunsook Kim) / 13. Descriptive Statistics (Sang-Hie Lee and Eunsook Kim) / 14. Inferential Statistics (Sang-Hie Lee and Eunsook Kim) / PART IV: PERFORMANCE SCIENCE / 15. Within-Subject Research Designs with Musicians (Thomas M. Welsh and Steven J. Chatfield) / 16. Measuring the Performer and Performance (Dustin Hardwick, Matthew Lazinski, Stephanie L. Carey, and Sang-Hie Lee) / 17. Self-Efficacy in Music Performance (Michael S. Zelenak) / 18. Measuring the Audience (George Waddell and Aaron Williamon) / PART V: CONCLUSION / 19. Conclusion (Sang-Hie Lee)

    15 in stock

    £39.99

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