Music: styles and genres Books

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Book SynopsisThe digital broadcasting of performances to cinemas, or 'livecasting', burst onto the world scene in 2006. This book explores the reasons for its rise, examines the aesthetics of filming theatre and opera performances, and explores who the audiences are and what they want.Trade Review'A welcome addition to what the author correctly argues is a small body of existing work. This one has the distinct advantage of offering the reader both an excellent empirical perspective and a keen sense of the critical issues underpinning development.' - Stuart Hanson, De Montfort University, UK 'Barker's analysis deftly explores the difference between a staged presentation and the manner in which this is translated into a live video feed, as well as the cultural influences that such "livecasting" has on audiences. The book is short but insightful, part of the new Palgrave Pivot series of brief books that tackle key topics with brevity and style, published in hardcover at a reasonable price and also available as a digital download. Live to Your Local Cinema demonstrates how live video broadcasting has democratized culture for the masses, making hitherto elite, often unaffordable spectacles available to all.' - W. W. Dixon, University of Nebraska Lincoln, Choice (August 2013) 'Live to Your Local Cinema provides an excellent overview of the history of live broadcast and is also a valuable resource for cinema exhibitors wishing to develop their relationship and engagement with this quite different audience for the growing number and range of Alternative Content on offer. Since reading Live to Your Local Cinema we've put in place a number of changes that I know that those who chose, for whatever reason, to experience their 'high culture' on screen in the cinema will appreciate. It seems that the livecast is here to stay and as the first book to make Alternative Content its main focus, we look forward to Martin's questions in the final chapter being answered and the debate around 'liveness' continuing.' - Jaki McDougall, CEO, Glasgow Film: GFT and Glasgow Film FestivalTable of ContentsThe Success-Story With No Name The Aesthetics of Livecasting A Portrait of Livecasts' Audiences The Many Meanings of 'Liveness' Livecasts' Audiences Talk about 'Liveness' The Cultural Status of Livecasts The Next Research Tasks? Bibliography

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Book SynopsisLike many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical. The French film musical is remarkable for its breadth and variety since the 1930s; although it flirts with the Hollywood musical in the 1930s and again in the 1950s, it has very distinctive forms rooted in the traditions of French chanson. Defining it broadly as films attracting audiences principally because of musical performances, often by well-known singers, Phil Powrie and Marie Cadalanu show how the genre absorbs two very different traditions with the advent of sound: European operetta and French chanson inflected by American jazz (1930-1950). As the genre matures, operetta develops into big-budget spectaculars with popular tenors, and revue films also showcase major singers in this period (1940-1960). Both sub-genres collapse with the advent of rock n roll, leading Trade ReviewPhil Powrie and Marie Cadalanu’s book categorically disproves the cliché about French cinema having no musical tradition, with the one exception of Jacques Demy. In this ground-breaking volume, the authors reveal the extraordinary wealth and diversity of the musical tradition in French cinema since the coming of sound. Encompassing popular and auteur film, they demonstrate that, if there is not one ‘musical genre’ in France, there are myriad ways in which French film interacts with a wide range of cultural traditions, from cabaret, music-hall, chanson réaliste, operetta and opera to jazz bands and pop music, in an unbroken line from René Clair to François Ozon and Christophe Honoré, via Josephine Baker, Charles Trenet, Edith Piaf and Johnny Hallyday. * Ginette Vincendeau, Professor in Film Studies, King’s College London, UK *Powrie and Cadalanu excavate the vibrant and varied tradition of the French film musical from the early sound musicals of René Clair to the recent nostalgia-inflected revival of the form. The authors illuminate the genre’s iconic performers, Edith Piaf and Josephine Baker, but weave fresh figures into the story, notably fou chantant Charles Trenet, crooners Tino Rossi, Luis Mariano, and Georges Guétary, and big band powerhouse Ray Ventura and his Orchestra. Especially welcome is the information on the French film musical’s production contexts from the 1930s through the 1950s, when the genre embraced jazz, big band, and operetta. The authors rightly identify the musicals of Jacques Demy as a turning point from popular to auteur-inflected work and provide welcome attention to the musicals of Godard, Varda, Akerman, and Resnais. Wisely avoiding the argument that the French film musical died with the birth of yéyé and youth culture, the authors instead reveal the never-ending transformation of the genre, emphasizing its nostalgia for community and its productive recycling of earlier forms of entertainment. * Kelley Conway, Communication Arts Partners Professor, University of Wisconsin-Madison, USA *Table of Contents1. Introduction 2. Multi-language Versions 3. The French Operetta 4. Pills and Tabet and the Marseille Operetta 5. Fréhel and Édith Piaf 6. Josephine Baker and Charles Trenet 7. The Classical Music Film 8. The Big Band Film 9. The Musical Sketch Film 10. Tino Rossi 11. George Guétary and Luis Mariano 12. D’où viens-tu Johnny? and the Transition to the Modern Musical 13. Jacques Demy and the New Wave 14. The Opera Film and the Modern Classical Music Film 15. The Modern Musical 16. Nostalgia 17. Conclusion Filmography References Index

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Book SynopsisQueen Ida. Danny Poullard. Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in ""Cajun Country."" In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.

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Book SynopsisThe DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices.Trade ReviewWhat is enjoyable about the Attias, Gavanas, and Rietveld collection is that it not only draws on perspectives from academics associated with musicology but also includes specialists in social anthropology, cultural studies, communication studies, and media practice. Not only are the local scenes discussed diverse, but the academic perspectives and disciplines represented include multiple views … for this reason, it should be on the radar of scholar’s associated with popular music, and certainly those interested in EDM. Selections from this book would also be well-suited for introductory courses in popular music or music technology. -- Eva J. Egolf * Women and Music *DJ Culture in the Mix offers not only a much broader picture than the standard monolithic account, but a refreshingly different type of picture - a cubist approach, with a dozen viewpoints thrown unpredictably together . . . A timely representation of just how broad the subject is - and should be -- Adam Harper * The Wire *A merit of the book consists of its insights into particular scenes, which is in itself a characterising trait of DJ cultures. Valuable field research, historical research and interviews with scene operators and participants spot light on various contexts...Overall, this makes for a kaleidoscopic look at DJ culture. -- Carlo Nardi, Rhodes University * Dancecult.net *There are good books on dance clubs and dance music, but this is the first volume on the figure of the dance music DJ and it is most welcome. DJ Culture in the Mix is well-organized, up-to-date and genuinely international, and brings together many of the leading figures in dance music studies. Highly recommended. * Will Straw, Ph.D Director, McGill Institute for the Study of Canada and Professor, Department of Art History and Communications Studies, McGill University, Canada *Like a good DJ set, DJ Culture in the Mix is an invigorating, well-conceived collection that leaves us both satisfied and eager for more. Many thanks to this excellent group of scholars for a multifaceted exploration of the rich, but little understood world of the electronic dance music DJ. * Mark Katz, author of Groove Music: The Art and Culture of the Hip-Hop DJ *Exploring everything from the fractious taste politics of New York gay clubland during the post-disco Eighties to the cult of speed in 21st Century drum ‘n’ bass, DJ Culture In the Mix is a collection of probing, insightful essays that will provide stimulation and enlightenment for dance music scholars and dance music fans alike. * Simon Reynolds, author of Energy Flash: A Journey Through Rave Music and Dance Culture *DJ Culture in the Mix fills a long overdue void in DJ and electronic dance music literature. Interdisciplinary in focus and approach, the essays within raise thoughtful questions and offer a range of critical insights into the complexities of DJ cultures and practices around the world. * Rebekah Farrugia, Oakland University, US *One of the strongest points of this collection is the attention it pays to issues of gender in relation to DJs, their careers, and their representations in EDM scenes. … Gavanas and Reitsamer refuse to content themselves with merely observing that the DJ profession is male-dominated, instead striving to understand how this has come to be, how it persists, and what efforts are being made to change it. … DJ Culture in the Mix is an original, valuable, and much-needed contribution to the scholarship of DJS and their activities in the EDM scene. -- Luis-Manuel Garcia * The World of Music (New Series) *Table of ContentsAcknowledgements Chapter 1: Introduction Hillegonda C. Rietveld Chapter 2: Subjectivity in the Groove: Phonography, Digitality, and Fidelity Bernardo Alexander Attias Chapter 3: DJ Technologies, Social Networks, and Gendered Trajectories in European DJ Cultures Anna Gavanas and Rosa Reitsamer Chapter 4: ‘Journey to the Light’? Immersion, Spectacle, and Mediation Hillegonda C. Rietveld Chapter 5: The DJ as Electronic De-Territorializer Mirko M. Hall and Naida Zukic Chapter 6: ‘It’s Not the Mix, It’s the Selection’: Music Programming in Contemporary DJ Culture Kai Fikentscher Chapter 7: Electronic Dance Music and Technological Change: Lessons from Actor-Network Theory - Jonathan Yu Chapter 8: DJ Culture and the Commercial Club Scene in Sydney Ed Montano Chapter 9: DJs and the Aesthetic of Acceleration in Drum ‘n’ Bass Chris Christodoulou Chapter 10: The Forging of a White Gay Aesthetic at the Saint, 1980-84 Tim Lawrence Chapter 11: DJs as Cultural Mediators: the Mixing Work of São Paulo’s Peripheral DJs Ivan Paolo de Paris Fontanari Chapter 12: War on the Dance Floor: Synthscenen’s Military Power Games Johanna Paulsson Chapter 13: DJ-Driven Literature: A Linguistic Remix Simon A. Morrison Contributors Index

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Book SynopsisWhen a mix of ideas and influences with no common theme or spirit, apart from one of desperation, becomes one of the most well-known bands of the 90s ...Mike Edwards is the singer, guitarist, and primary songwriter for the British alternative-rock band, Jesus Jones. Among having multiple chart-topping hits, releasing several albums throughout the last 3 decades, and being awarded Best New Band at the MTV Music Awards in 1991, Jesus Jones are widely known for their #1 international hit, 'Right Here, Right Now.' Jesus Jones continues to tour and record, now with a renewed vigor after being able to control their own destiny, freed from the grips of major labels. Mike’s debut novel, Death Threats from an Eight-Year-Old, chronicles how fast a band that is number one everywhere in the world can plummet from the good graces of the press, labels, radio, MTV, and even so-called diehard fans. A true introspective about the cutthroat music business told through the eyes and words of a man who experienced fronting one of the most well-known bands of their time, to finding his band label-less and shunned in a blink of an eye.

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Book SynopsisA track by track analysis of every song recorded on officially released albums by Cohen, from his 1968 Songs Of Leonard Cohen to his most recent studio and live sets from the 21st Century Features include...An up to date chronology of all the important events in Leonard Cohen's career. An album by album, track by track analysis...Special section on compilation albums...Photographs and CD cover art.

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