Music recording and reproduction Books
Springer International Publishing AG Record, Mix and Master: A Beginner’s Guide to
Book SynopsisThis textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering.Table of ContentsSection One: Record.- 1. An Introduction to How Sound Works.- 2. Speakers.- 3. Digital Audio Workstation (DAW).- 4. Digital.- 5. Hardware.- 6. Gain Staging.- 7. Microphones.- 8. Phase.- 9. Room Acoustics.- 10. Recording Tips.- Section Two: Mix.- 11. Equalisers (Eq).- 12. Dynamics.- 13. Effects.- 14. Subgroups.- 15. Monitoring in Mono.- 16. Mid-Side Processing.- 17. Transients.- 18. Panning.- 19. Plosives.- 20. Zero Crossing and Crossfades.- 21. Mixing Tips.- Section Three: Master.- 22. What is Mastering.- 23. Prepare Your Track for Mastering.- 24. Mastering Tools.- 25. Dither.- 26. Metering.- 27. Mastering Your Song – Things to Consider.
£26.99
Taylor & Francis Ltd Sound Assistance
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£47.49
Taylor & Francis Ltd Introduction to Digital Audio
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£51.29
Taylor & Francis Ltd Audio Engineers Reference Book
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£147.25
Taylor & Francis Ltd Sound Studio Audio techniques for Radio Television Film and Recording
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£73.14
Taylor & Francis Ltd The Audio Wiring Guide How to wire the most popular audio and video connectors
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£43.99
Taylor & Francis Ltd The Mobile DJ Handbook
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£25.99
Taylor & Francis Ltd Indie Rock 101
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£28.99
Taylor & Francis Ltd Live Audio The Art of Mixing a Show
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£37.99
Taylor & Francis Ltd Music Documentaries for Radio
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£128.25
Taylor & Francis Ltd Music Documentaries for Radio
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£35.99
Taylor & Francis Ltd Indian Classical Music and the Gramophone 19001930
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£128.25
Taylor & Francis Ltd Sound Inventions
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£45.59
Taylor & Francis Ltd Reimagining Samplebased Hip Hop
Book SynopsisReimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond.Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production.With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to adTrade Review"This book needed to be written. We’re lucky the job was done by such a creative soul, expert engineer, and insightful scholar. The gift we’re left with is a penetrating exposition of the poetic fabric of contemporary music recording practice and culture."Albin Zak, Professor of Music Emeritus, University at Albany"Reimagining Sample-based Hip Hop is a tour de force and the best example I have seen of theory and practice coming together in hip-hop studies to date. Not only does this book provide a useful template for practice-as-research based methods, but it is rich in theorizing sampling, remix and beatmaking cultures. Exarchos has combined a number of worlds in ways that we were all waiting for someone to do expertly."Justin A. Williams, Associate Professor of Music, University of Bristol"Reimagining Sample-based Hip Hop provides deep insight into the rich tapestry of underlying layers that embody sample-based Hip-Hop. Michail Exarchos meticulously and clearly poses alternative practices to Hip-Hop production and to beat-making, using originally constructed source material rather than previously released phonographic content. The reader will benefit from the strong coverage of authenticity and mechanical borrowing as applied to a great breadth of music and production approaches that define the style’s unique sonic signature of material ‘play’ with phonographic objects. This is a must read for anyone interested in the workings of or creation of Hip-Hop."William Moylan, Professor of Music and Sound Recording Technology, University of Massachusetts LowellTable of Contents0. Sample-based Hip Hop as metamodern phonographic practice (An autoethnography of oscillating between—and beyond—analogue nostalgia and digital futurism) Part 1: (Inter-stylistic) Composition, and Tools 1. Sonic necessity, mother of compositional invention (Making Blues for sample-based Hip Hop) 2. Boom-bap aesthetics and the machine Part 2: (Reverse) Engineering 3. Sonic pasts in Hip Hop’s future Part 3: (The magic of sample-based) Production 4. Phonographic ghosts and meta-illusions in contemporary beat-making Part 4: Mixing (records within records) 5. Manufacturing phonographic ‘otherness’ for sample-based Hip Hop Part 5: (Exponential) Re/Mastering 6. ‘Past’ masters, present beats
£36.99
Taylor & Francis Ltd Reimagining Samplebased Hip Hop
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£128.25
Taylor & Francis Ltd Finding Your Career in the Modern Audio Industry
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£128.25
Taylor & Francis Analyzing Recorded Music
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£45.99
Taylor & Francis Analyzing Recorded Music
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£125.00
Taylor & Francis The MIDI Manual
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£130.00
Taylor & Francis Ltd Designing Interactions for Music and Sound
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£45.99
Taylor & Francis Ltd Designing Interactions for Music and Sound
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£128.25
Taylor & Francis Ltd Leadership in Music Technology Education
Book SynopsisLeadership in Music Technology Education examines the pedagogical, sociocultural, and philosophical issues that affect curriculum, research, and decision-making in music technology in higher education. This book considers a range of cutting-edge topics, including the impact of the COVID-19 pandemic, professional development concepts, partnerships between higher education and the creative and cultural industries, and the effects technology has on sustainability. Drawing on Leadership theories, including Transformational, Situational, Servant, and Social Change Model Theory, the book puts forward a new model, Creative Industry Leadership, which considers the sociocultural aspects of Music Technology Education, and interrogates biased ideologies that limit opportunities for a broad range of learners and practitioners in education and beyond. Additionally, Leadership in Music Technology Education examines educators' informal leadership capacities during the COVID-Trade Review'Leadership in Music Technology Education provides an ambitious and dazzlingly wide-ranging exploration of opportunities and challenges in a complex, fast-changing interdisciplinary field. In this remarkable book, Walzer discusses and exemplifies transformational leadership aimed at intriguing and inspiring anyone working at the liminal intersections of music, technology and education.'Gareth Dylan Smith, Assistant Professor of Music, Boston University, USA'Leadership in Music Technology Education is a key text for educators. Dan offers a captivating critical reflection on Music Technology through Leadership theory, allowing the reader to consider the present and future of the field. Central to the volume, and an essential contribution, is how Leadership can be a gateway towards greater engagement with equality, diversity and inclusion.'Professor Mariana López, Professor in Sound Production and Post Production, University of York, UKTable of ContentsIntroduction: A Challenging Period in Education Part 1: Philosophy 1. What is Leadership? 2. Where is Music Technology Education? 3. Perspectives on Technology 4. Gendered Aspects of Music Technology Education 5. Praxis in Music Technology Education Part 2: Pedagogy 6. Inspiring Critical Thinking and Aesthetics 7. Inclusive and Reflective Creativity Part 3: Praxis 8. Leadership Theory into Practice Epilogue
£35.99
Taylor & Francis Ltd Leadership in Music Technology Education
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£128.25
Taylor & Francis Marketing Recorded Music
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£135.00
Taylor & Francis Musical Listening in the Age of Technological Reproduction
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£39.99
Taylor & Francis The Creative Electronic Music Producer
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£137.75
Taylor & Francis Scoring the Score The Role of the Orchestrator in the Contemporary Film Industry
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£128.25
Taylor & Francis Scoring the Score
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£43.99
Taylor & Francis Ltd An Introduction to Music Technology
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£142.50
Taylor & Francis Ltd An Introduction to Music Technology
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£65.54
Taylor & Francis The SOS Guide to Live Sound Optimising Your Bands
Book SynopsisIf youâve ever handled live sound, you know the recipe for creating quality live sound requires many steps. Your list of ingredients, shall we say, requires an understanding of sound and how it behaves, the know-how to effectively use a sound system), and the knowledge to choose and use your gear well. Add a dash of miking ability, stir in a pinch of thinking on your feet for when your system starts to hum or the vocals start to feed back, and mix.In practice, there really is no recipe for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with The SOS Guide to Live Sound. With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, anTable of ContentsPrefaceChapter 1 — Drivers and LoudspeakersChapter 2 — Practical PA SystemsChapter 3 — Live-sound Monitoring OptionsChapter 4 — Audio MixersChapter 5 — MicrophonesChapter 6 — DI BoxesChapter 7 — Other PA ComponentsChapter 8 — Equalisers And EffectsChapter 9 — Managing The BacklineChapter 10 — Radio Microphones And Guitar SystemsChapter 11 — Microphone Choice And PlacementChapter 12 — The Role Of The Mix EngineerChapter 13 — The Technical StuffGlossary
£39.99
Taylor & Francis Ltd Mixing with Impact
Book SynopsisIn Mixing with Impact: Learning to Make Musical Choices, Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you're a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same.The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audience's attention? Why doesn't your mix sound as good as someone else's? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? What's the difference between one compressor and another?Following a clear structure, this book covers these and many other questions, bringing you closer and closer to answering the most important question of all: how do you tell a story with sound?Trade Review"Every now and then an indispensable book comes along that can profoundly influence you in the development of your audio skills – this might be one of them." David Baer, Sound Bytes"The usual topics of effects, compression, and EQ are covered but in more realistic, hands-on detail than most vague mixing guides usually are fluffed up with. Special attention is given early on to the importance of phase, space, and time and how all these interrelate. One of the best features of this book is that Wessel doesn’t generally hand out specific names of hardware or plug-ins to use but instead educates the user about actual techniques, what type of gear will achieve the desired goals, and why it works. These are the fundamental building blocks of quality mixing; not some whiz-bang plug-in template that claims to always deliver "perfect vocals" or some such lie. Other topics include the practical realities of maintaining objectivity, working with others, and even serving the clients’ needs as opposed to your own ego. Mixing with Impact is a perfect handbook for the mix engineer, and I find myself thumbing through it and nodding my head at all the truth within its pages." Larry Crane, Tape Op Magazine/Jackpot! Recording Studio"All in all, then, Mixing With Impact's 350 pages are packed with useful ideas, up-to-date, well-marshalled information, and great conceptual explanations backed up with lots of useful diagrams. It should help anyone with an open mind, be they seasoned pros or aspiring engineers taking their first tentative steps into the world of mixing, to reflect on and improve their own way of working." Matt Houghton, Sound on Sound Table of ContentsColophonPreface Travel guide for this bookChapter 1: The world of mixing1.1 Who is the mixer?1.2 Why is mixing necessary?1.3 What is the challenge?1.4 On rulesChapter 2: Listening2.1 Perception2.2 Your ear is a compressor2.3 Your ear is an equalizer2.4 Tuning in2.5 A fixed reference2.6 Taking professional care of your earsChapter 3: Laying the foundation 3.1 Before you start3.2 Foundation3.3 Balance3.4 Panning3.5 Mute is your friendChapter 4: The frequency spectrum4.1 Association is key4.2 Masking4.3 The goal of EQ4.4 EQ compassChapter 5: Dynamics5.1 Dynamics versus time5.2 Technical and musical dynamics5.3 Using compressors5.4 Reducing masking with compression5.5 Dynamics and loudnessChapter 6: Space6.1 Hearing space and distance6.2 Simulating space and distance6.3 How reverb works6.4 Using reverb6.5 How delay works6.6. Using delayChapter 7: Time and phase7.1 Interaction7.2 Combining microphones hierarchically7.3 Combining microphones non-hierarchically7.4 Phase manipulationChapter 8: Identity8.1 Innovation, imitation and inspiration8.2 Shaping identityChapter 9: Effects9.1 Distortion - simulating intensity9.1.1 How it works9.1.2 Distortion in a mix9.2 Re-amping - providing context9.2.1 How it works9.2.2 Re-amping in a mix9.3 Modulation - putting things in motion9.3.1 How it works9.3.2 Modulation in a mix9.4 Pitch manipulation - creating what wasn't there9.4.1 How it works9.4.2 Pitch shifting in a mix9.5 Triggering - cause and effect9.5.1 How it works9.5.2 Triggering in a mix9.6 Spectral editing - unreal reality9.6.1 How it works9.6.2 Spectral processing in a mixChapter 10: Automation10.1 Faders for each function10.2 Parallel constructions10.3 Change and conquer10.4 ExpressivityChapter 11: Advanced techniques11.1 The floor: keeping low frequencies in check11.2 The ceiling: creating clear mixes11.3 Securing the house: dynamic interventions11.4 The exterior walls: stereo processing11.5 Beyond the exterior walls: 3D panningChapter 12: Bus Compression12.1 Influence12.2 Choices and settings12.3 Multibus setups: painting on a colored canvasChapter 13: Templates13.1 Time is money13.2 Building templates13.3 Integrating equipment in the 21st centuryChapter 14: Preparing for mastering14.1 Communication14.2 What is a good mix?14.3 Mixbus processing14.4 Stems14.5 Consequences of loudness normalizationChapter 15: Mindset15.1 Doubt is fatal for a mix15.2 Imposed limitations - working in a context15.3 A guide for your mix15.4 Ways to stay freshChapter 16: The outside world16.1 Speaking the same language16.2 Reference tracks16.3 Feedback on the source material16.4 Feedback on the mix: revisions16.5 Working at a distance16.6 ConclusionChapter 17: Tools17.1 Basic acoustics17.1.1 Space17.1.2 Optimization17.2 Monitoring17.3 Subwoofers17.3.1 Why use a subwoofer?17.3.2 Choosing a subwoofer17.3.3 Installing and adjusting17.4 Headphones17.5 How EQ works and its side-effects17.6 How compressors work and their side-effectsIndex
£49.99
Taylor & Francis Ltd Loudspeakers
Book SynopsisLoudspeakers: For Music Recording and Reproduction, Second Edition is a comprehensive guide, offering the tools and understanding needed to cut out the guesswork from loudspeaker choice and set-up. Philip Newell and Keith Holland, with the assistance of Sergio Castro and Julius Newell, combine their years of experience in the design, application, and use of loudspeakers to cover a range of topics from drivers, cabinets, and crossovers, to amplifiers, cables, and surround sound. Whether using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post-production facility, home, or musician's studio, or if you simply aspire to improve your music-production system this book will help you make the right decisions.This new edition provides significant updates on the topics of digital control, calibration, and cinema loudspeaker systems.Trade Review"If electro-acoustics happens to be a subject you wish you understood more, or if before a speaker purchase you'd like to be better informed, there is, as far as I'm aware, absolutely no better place to start." - Phil Ward, Sound on Sound"This new edition finds the book continuing in its place [...] as one of the essential reference books on loudspeakers." - Mark Gander, Journal of the Audio Engineering SocietyTable of ContentsIntroduction 1. What Is a Loudspeaker?2. Diversity of Design 3. Loudspeaker Cabinets 4. Horns5. Crossovers 6. Amplifiers and Loudspeaker Cables - A General Review7. Loudspeaker Behaviour in Rooms 8. Form Follows Function 9. Subjective and Objective Assessment 10. The Mix, the Music and the Monitors - The Instability of Perception 11. Low Frequency and Transient-Response Dilemmas 12. The Challenges of Surround Sound 13. Loudspeakers for Cinema Soundtrack Mixing14. What to Measure: And Why - The Influence of Advanced Measurement and Psychoacoustic Concepts on Loudspeaker DesignGlossary of TermsIndex
£128.25
Taylor & Francis Ltd Loudspeakers
Book SynopsisLoudspeakers: For Music Recording and Reproduction, Second Edition is a comprehensive guide, offering the tools and understanding needed to cut out the guesswork from loudspeaker choice and set-up. Philip Newell and Keith Holland, with the assistance of Sergio Castro and Julius Newell, combine their years of experience in the design, application, and use of loudspeakers to cover a range of topics from drivers, cabinets, and crossovers, to amplifiers, cables, and surround sound. Whether using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post-production facility, home, or musician's studio, or if you simply aspire to improve your music-production system this book will help you make the right decisions.This new edition provides significant updates on the topics of digital control, calibration, and cinema loudspeaker systems.Trade Review"If electro-acoustics happens to be a subject you wish you understood more, or if before a speaker purchase you'd like to be better informed, there is, as far as I'm aware, absolutely no better place to start." - Phil Ward, Sound on Sound"This new edition finds the book continuing in its place [...] as one of the essential reference books on loudspeakers." - Mark Gander, Journal of the Audio Engineering SocietyTable of ContentsIntroduction 1. What Is a Loudspeaker?2. Diversity of Design 3. Loudspeaker Cabinets 4. Horns5. Crossovers 6. Amplifiers and Loudspeaker Cables - A General Review7. Loudspeaker Behaviour in Rooms 8. Form Follows Function 9. Subjective and Objective Assessment 10. The Mix, the Music and the Monitors - The Instability of Perception 11. Low Frequency and Transient-Response Dilemmas 12. The Challenges of Surround Sound 13. Loudspeakers for Cinema Soundtrack Mixing14. What to Measure: And Why - The Influence of Advanced Measurement and Psychoacoustic Concepts on Loudspeaker DesignGlossary of TermsIndex
£68.39
Taylor & Francis Ltd Acoustic and MIDI Orchestration for the
Book SynopsisAcoustic and MIDI Orchestration for the Contemporary Composer, Second Edition provides effective explanations and illustrations to teach you how to integrate traditional approaches to orchestration with the use of the modern sequencing techniques and tools available to today's composer. By covering both approaches, Pejrolo and DeRosa offer a comprehensive and multifaceted learning experience that will develop your orchestration and sequencing skills and enhance your final productions.A leading manual on its subject, the second edition allows experienced composers and producers to be exposed to sequencing techniques applied to traditional writing and arranging styles. The book continues to provide a comprehensive and solid learning experience and has been fully revised to include the latest tools and techniques. The new edition has been updated to include: A new chapter on cover writing and sequencing for vocal ensembles Coverage oTable of ContentsTable of Contents Foreword Chapter 1 - Basic Concepts for the MIDI Composer, Arranger and Orchestrator Chapter 2 – Writing and Sequencing for Rhythm Section Chapter 3 – Writing and Sequencing for the String Orchestra Chapter 4 – Writing and Sequencing for the Woodwind Section Chapter 5 – Writing and sequencing for the Brass Section Chapter 6 – Writing and sequencing for Vocal Ensembles Chapter 7 – Writing and sequencing for Vocal Ensembles and Other Final Considerations Appendix A – Music Scores and examples
£49.39
Taylor & Francis Ltd Audio Production and Critical Listening
Book SynopsisAudio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process.The interactive web browser-based ear training software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really hear your recordings.This all-new edition has been updated to include: Audio and psychoaTable of ContentsList of Illustrations Introduction Chapter 1: Listening Chapter 2: Tonal Balance and Equalization Chapter 3: Spatial Attributes and Reverberation Chapter 4: Dynamic Range Control Chapter 5: Distortion and Noise Chapter 6: Amplitude Envelope and Audio Edit Points Chapter 7: Analysis of Sound Bibliography Index
£61.74
Cambridge University Press Music Technology Cambridge Introductions to Music
Book SynopsisEmphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.Table of ContentsPreface; 1. Representing and storing sound; 2. A studio overview; 3. Synthesiser, samplers and drum machines; 4. Live music technology (the FAQs); 5. Select, remix, mashup; 6. The producer; 7. Music, sound and visual media; 8. The studio as experimental lab; 9. Controllers: new creative possibilities in performance; 10. Hacking electronics for music; Further avenues for exploration; Glossary; Bibliography; Filmography; Discography.
£22.99
Cambridge University Press America on Record
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£33.24
Cambridge University Press America on Record A History of Recorded Sound
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£72.90
Cambridge University Press Recorded Music Performance Culture and Technology
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£99.75
Cambridge University Press The Crossings
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£17.00
Cambridge University Press Rhythm and Heritage in Modern Flamenco Guitar
Book SynopsisDiscourses about rhythmic skill and feel have often been associated with forms of non-Western, and especially African and Afro-diasporic identity and heritage. How can we rethink rhythmic skill for the contemporary world where concepts of heritage and belonging are attaining new meanings across cultural and geographical borders? This Element addresses this question through the case study of modern flamenco guitar, an instrumental practice that has achieved daunting levels of rhythmic sophistication and has been flourishing across the globe for decades, even before flamenco was inscribed into UNESCO''s list of Intangible Cultural Heritage in 2010. Drawing on examples from local guitar traditions in Jerez de la Frontera and Morón de la Frontera and from an online guitar contest launched during the Covid-19 pandemic, this Element explores how rhythm can shape new ways of understanding and performing heritage in the global and digital age.
£17.00
Cambridge University Press The Crossings
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£47.49
Cambridge University Press Singing Zarzuela 18961958
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Cambridge University Press Rhythm and Heritage in Modern Flamenco Guitar
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£47.49
University of Illinois Press The Beautiful Music All Around Us
Book SynopsisTrade ReviewJudith McCulloh Public Sector Award, Society for Ethnomusicology, 2016. ASCAP Deems Taylor Award, 2013. Award for Excellence for Best Research in Folk, Ethnic, or World Music, Association for Recorded Sound Collections (ARSC), 2013. "Extraordinary. . . . A masterpiece of humane scholarship.”--The Wall Street Journal“These stories and the recordings — capturing the voices of everyday people, not pop stars — simply crackle.”-Los Angeles Times"Offers an understanding not only of a musical thread vital to American culture, but of America itself."--Publishers Weekly "Astonishing. . . . These stories are compelling, moving and revelatory."--Chicago Tribune "As compelling as a good detective story, this investigation of field recordings of a bygone era will be embraced by music fans. This book reminds readers that they don't need pop icons to experience passionate music."--Library Journal"A unique, personal, thoroughly documented book, a labor of love. . . . valuable for those with an interest in folklore, popular music, southern cultures, and race relations. . . . Highly recommended."--Choice"A thorough and creative exploration of the histories of recordings made for the Library of Congress in the 1930s and the artists who made them. Stephen Wade has gathered a prodigious quantity of new information and left no stone unturned. Of interest and use to anyone interested in American music."--Norm Cohen, author of Long Steel Rail: The Railroad in American Folksong"Superbly illustrated and with a hundred pages of notes and bibliography, The Beautiful Music All Around Us is at once an essential reference work and a thoroughly enjoyable book."--Times Literary Supplement "In revisiting the human transactions at the heart of these recordings, Wade essentially grants the songs a new life for a new age. Among the book's many virtues are its lively and imaginative narrative interpolations, its vivid song descriptions, its fascinating investigative work, its many colorful personalities and absorbing life-histories, and its often astonishingly trenchant accumulation of detail. A magisterial, monumental book of tremendous sympathy, scope, and imaginativeness."--Robert Cantwell, author of If Beale Street Could Talk: Music, Community, Culture "Wonderfully evocative of a lost America."--Shepherd Express "Combines the persistence of an investigative reporter with the loving hand of a storyteller who keeps peeling away the layers of the lives of his subjects. . . . Remarkable."--The Christian Science Monitor
£15.19
Music Sales Ltd The Musicians Guide to Recording Vocals
Book Synopsis
£13.95
Hal Leonard Corporation 101 RECORDING TIPS
Book SynopsisThis volume contains tips, suggestions, advice and other useful information garnered through a lifetime of home and professional studio recording adventures.
£12.68
