Music recording and reproduction Books
Headline Publishing Group Les Paul - 70 Years: The definitive history of
Book SynopsisThe complete story of the Gibson Les Paul.Produced in collaboration with Gibson, this is the ultimate history of rock's greatest guitar – with unprecedented access to behind-the-scenes stories and unseen photography.- The greatest Les Paul models - Stunning photography, including never-before-seen images - Detailed technical information - Iconic Les Paul players, songs, albums and concerts - Other treasures from the Gibson vaultsCelebrating 70 years of a music icon, this is an ode to a magical guitar and the music made with it.
£24.00
West Ten Publishing Ltd Like Trying to Catch Lightning in a Bottle: 40
Book SynopsisIn 1980 a young musician and engineer, recently graduated from Cambridge with a degree in architecture, decided to start a music studio. That person was Philip Bagenal and the studio he started was Eastcote Studios. Situated north of Ladbroke Grove, Eastcote would go on to become one of the most important and influential of London music studios. It is where Massive Attack recorded their seminal first album, Blue Lines, where Neneh Cherry recorded as well as Tricky and Seal in the 1980s and early 90s, and where Mute Records recorded many of their artists, including Depeche Mode. Then in the late 90s it became a central part of the brit pop scene with Placebo, Elastica and Suede and more recently where a new generation of musicians, from Adele to the Arctic Monkeys, the Kaiser Chiefs to Mumford & Sons, created some of their greatest albums. But this book tells the story of so much more: of why it became so successful, about the bands you may never have heard of, the sessions that collapsed into chaos and the triumphs on the other side. And about the anti-authoritarian sound magician that was Philip Bagenal.Table of ContentsForeword, Charlie Seaward • Introduction • Beginnings • Walter’s Workshops • 1980 Where is It? Well It’s Not in Eastcote • 1981 The Dudes on Kensal Road • 1982 It Was the Last Film I Ever Saw • 1983 Over My Dead Body • 1984 Who Wants to Buy Half a House in Oxford • 1985 You Know What, This Guy is Going to Buy the Studio • 1986 There’s a New Sheriff in Town • 1987 We Did to Warhol What He Did to Bananas • 1988 Like Trying to Catch Lightning in a Bottle • 1989 The Sort of a Place You Call in on Your Way to Fame • 1990 Drummy? He Was Always There • 1991 Trip Hop and Synth Riffs • 1992 Don’t Go Shoplifting at Virgin Records • 1993 Mind the Buzzcocks and How to Find Big Good Angel • 1994 It’s a Giant Blender • 1995 The Future is Medium • 1996 Sitar and Magic Stones. To Make the Sound More Magic • 1997 Everybody Needs a Bosom for a Pillow • 1998 Learning from the Maestro • 1999 Blow Them Away. Fly Them to the Moon • 2000 A Big Crane and the River of Fire • 2001 Have You Invented a Genre Lately? • 2002 The Cook and the Raconteur • 2003 From Havana, Con Calor • 2004 What’s This? What Is Happening Here! • 2005 Things to Do When the Boss Is Asleep on the Sofa • 2006 He F***ing Built Himself a Studio He Doesn’t Fit in • 2007 Can You Send This Back to Them Please? • 2008 Did You See Flash? • 2009 People the Music Industry’s Romance is Built on • 2010 3 Million Synthesisers Deep • 2011 Facts, Fun and Fusion • 2012 A Decapitated Award. And Three Bananas • 2013 I Really Don’t Like That Guitar Solo • 2014 A Bit of Gravitas and No Bullshit • 2015 The Neighbourhood Isn’t Exactly the Champs-Élysées • 2016 If You Take Someone’s Heart Out. They Die • 2017 We’re About to Blow Up the Best Studio of All Time • 2018 A Very Specials Year • 2019 Experimentation and Mistakes • 2020 Weird and the Birth of Zooming • Neatly Folded and Ironed • Picture Credits • Acknowledgements
£28.00
Phaidon Press Ltd Revolution: The History of Turntable Design
Book SynopsisAs featured in Wallpaper*, The Wall Street Journal, Monocle, and New York Magazine’s, The Strategist The design, history, and cultural impact of turntables and vinyl technology: the twin powerhouses of the 'vinyl revival' phenomenon Interest in turntables and records is enjoying a renaissance as analog natives and new converts find their enduring style and extraordinary sound inimitable. Revolution, a follow-up to Phaidon's beloved Hi-Fi: The History of High-End Audio Design, explores the design and cultural impact of the turntable, the component at the center of the 'vinyl revival'. An essential book for audiophiles, collectors, and design fans, Revolution showcases the fascinating history of turntables and vinyl technology from the 1950s to today's cutting-edge designs. Written by Schwartz, author of Hi-Fi: The History of High-End Audio Design, who is an audio design expert and passionate about analog music, this book includes 300 illustrations from the world of turntables, from affordable to high-end, and everything in between. An essential addition to the bookshelf for analog natives and those new to the vinyl revival as well as music and design lovers.Trade Review 'An entertaining insight into the many ways that designers have shaped the simple record player over the decades... Excellent.' – Wallpaper*‘If you love vinyl, you’ll want to give hi-fi enthusiast Gideon Schwartz’s new book a spin.’ – Wall Street Journal‘Essential for both seasoned collectors and anyone new to the vinyl-revival movement.’ – New York Magazine, The Strategist 'A lavishly photographed survey of the ever-evolving turntable.' – Fast Company‘The turntable is once again in the spotlight.’ – HYPEBEAST 'A magnificent title.' – Ecoustics 'A celebration of the designs that brought music to life.' – Acquire 'Audiophiles will find curiosities to salivate over.' – WIRED 'Stunning devices [are] on display in this sumptuous book featuring inventive brands.' – Globe and Mail 'This coffee table book is loaded with stunning visuals and impressive details about the making of eye-catching record players.' – Cool Material 'A perfect marriage of sound and vision.' – Departures 'Captures the staying power of turntables.' – The Creative Factor 'A history rich with numerous luminaries of industrial design.' – Design Milk‘[A] favorite to spruce up someone's space and pique their intellectual curiosity.’ – Valet Mag 'Explores the cultural impact of a musical format that's still going strong.' – The Dieline 'Vinyl's resurgence shows no signs of slowing down and… audio design expert Gideon Schwartz…examines the impact of these machines from both a design and cultural standpoint.' – Uncrate 'Hundreds of images of turntables, their stories, and the rise, fall, and rebirth of the medium.' – The Awesomer 'Schwartz tracks the record player from its earliest days as a blueprint… through its current high-end/high-tech iterations… with no shortage of detail.' – Psychobabble
£59.96
Sanctuary Publishing Ltd Basic Rhythm Programming The Basic Series
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£7.91
Omnibus Press The Rise and Fall of EMI Records
Book SynopsisElectric and Music Industries Ltd (EMI) first saw the light of day in the UK in 1931. In a visionary move for the gramophone age, it manufactured both hardware (recording and playback equipment) and software (the records and tapes its machines would play). For over half a century, EMI dominated both sectors, it's music division eventually becoming the most successful in the world with a roster that at various times included "The Beatles", Maria Callas, Frank Sinatra, Cliff Richard, Pink Floyd, "The Beach Boys", "Queen", Robbie Williams, "The Spice Girls", Kate Bush and Kylie Minogue. Then in the 1990s, things started to go wrong.This title explores and investigates EMI's extraordinary decline from the greatness over two decades of rejected takeovers, unsuccessful mergers, executive changes, profit warnings, artist and staff cuts, press criticism and never-ending speculation. It includes interviews with many key players including former EMI Group/EMI Music executives Sir Colin Southgate, Jim Fifield, Eric Nicoli, Tony Wadsworth, David Munns, Rupert Perry, Ray Cooper and Jon Webster. He has also interviewed many managers, music journalists, financial analysists and rival record company executives. The result is the definitive account of a major international company's travails. It is also an eye-opening expose of the speed at which the music industry has changed.
£18.95
Sanctuary Publishing Ltd Basic Microphones
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£9.45
Sanctuary Publishing Ltd Home Recording Made Easy Professional Recordings
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£16.96
Rebeats Press The Leedy Way
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£31.50
Foruli Limited Electronic Music and Musique Concrete
£17.68
Rhinegold Publishing Ltd Music Technology From Scratch
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£19.94
Travis and Emery Music Bookshop Dear Mr. Rosenthal ... Dear Mr. Gaisberg ... An Account of the Making of Moriz Rosenthal's HMV Recordings, Compiled from the Correspondence of the Pianist and His Record Producer, Fred Gaisberg
£15.70
Wooden Books Acoustics: The Art of Sound
Book SynopsisWhat is the difference between an echo and a reverberation? How do you calculate the best note to whistle in a toilet?Where do you best place microphones for that perfect recording? In this fascinating little book, musician Steve Marshall explores the subject of acoustics. From decibels to dolphins, stereo to surround, this book will appeal to singers, musicians, architects, biologists, and anyone who ever wanted to know more about the wonderful world of sound.Trade ReviewWooden Books are: "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.
£6.95
Outline Press Ltd Becoming Elektra: The True Story of Jac Holzman's
Book SynopsisBecoming Elektra tells the incredible true story of the pioneering Elektra Records label and its far-sighted founder, Jac Holzman, who built a small folk imprint into a home for some of the most groundbreaking, important, and enduring music of the rock era. Placing the Elektra label in a broader context, the book presents a gripping narrative of musical and cultural history that reads like an inventory of all that is exciting and innovative about the 60s and 70s: The Doors, Love s Forever Changes, Tim Buckley s Goodbye and Hello, The Stooges, The MC5 s Kick Out The Jams, Queen and Queen II, The Incredible String Band, Carly Simon s No Secrets, and many, many more. First published in 2010, Becoming Elektra was praised as 'eye-opening (Q) and a 'dazzling narrative (The Sun), and for 'perfectly encapsulating the enigmatic, unpredictable spirit of the label (Record Collector). This fully revised and expanded edition includes a brand new foreword by John Densmore of The Doors and draws on extensive new interviews with a wide range of Elektra alumni, including Tom Paley, Judy Henske, Johnny Echols, Jean Ritchie, and Bernie Krause, as well as further conversations with Holzman himself. It also adds two new chapters: a look at Elektra in Britain in the 60s and a reappraisal of the label s 70s output.
£13.46
Outline Press Ltd Turn It Up!: My Time Making Hit Records In The
Book SynopsisGrowing up in the Boston suburbs, Tom Werman was deeply affected by pop music from a young age. He long dreamed of a career in music -- first as Elvis, then as the next George Harrison -- but it almost turned out very differently. Dutifully following the path his parents had laid out for him, he obtained an MBA from an Ivy League university and took a plum job in an industry he came to despise. Then, in 1970, a chance letter sent to CBS Records boss Clive Davis led to a new opportunity . . . and a place in rock and roll history. As an A&R man at Epic Records, Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Motley Crue (Shout At The Devil), Twisted Sister (Stay Hungry), Lita Ford (Dangerous Curves), Jeff Beck (Live With Jan Hammer), Poison (Open Up And Say ... Ahh!), and many more. All in all, his record-making resume includes twenty-three gold- or platinum-selling albums and cumulative sales of more than fifty-two million copies. After bearing witness to several sea changes in the music industry, Werman retired from producing in 2001 and reinvented himself as an award-winning innkeeper in the Berkshire Hills of Massachusetts. And that might have been that, until an off-the-cuff rebuttal to a disparaging critique of his role in making the Motley Crue album Girls, Girls, Girls on a music website led to a fortnightly column and now this book -- an honest and engaging insider account on how some of the best-loved albums of the 1970s and 80s came to be. A must for anyone interested in the glory days of rock and metal, Turn It Up! offers valuable insights into the recording process, the recording studio, the role of the producer, and the production values that are essential to the creation of a hit record.
£14.41
Jacaranda Books Art Music Ltd A Quick Ting On: Afrobeats
Book SynopsisAfrobeats is a fast-growing genre, one that has carved out a distinct and powerful Black identity rooted within the African continent.The first book of its kind, A Quick Ting On: Afrobeats chronicles the social and cultural development of the eponymous music genre, tracing its rich history from the African continent all the way to the musical centre of the Western world.This exciting new book takes a unique look at the music of the African diaspora and their children, delving into how Afrobeats and its sub-genres have provided new articulations of Black identity and pride. It remembers the Afrobeats pioneers and memorable cultural moments, as well as investigating the impact of African migration, travel and modernisation on the genre.A Quick Ting On: Afrobeats provides an insightful look at how Afrobeats became the explosive music genre it is today.Table of Contents 1: My Personal Relationships with Afrobeats 2: Fela and Afrobeat–The Man And The Music 3: Hiplife–Fusion and Cutlure 4: Wxmen in Afrobeats 5: The Skanking Era–UK Funky House 6: Is It Really Everyday Dance? 7: The Sonic Creators: Music Producers 8: Afrobeats (Yes, With An S) 9: Diasporic sounds, Afro-suffixes and everything in between 10: Homecoming And The Future
£9.49
University of Wales Press Rock Legends at Rockfield
Book SynopsisGet your backstage pass to the world-famous Rockfield Recording Studios in Monmouth, Wales. Featuring frank and funny interviews with the artists who recorded there and studio staff, Rock Legends at Rockfield reveals the fascinating stories behind some of the world’s best-known and loved rock albums and records, including Oasis’s What’s the Story (Morning Glory), a number of Queen songs including Killer Queen and Bohemian Rhapsody, and Motörhead’s first recordings. This new edition will be fully revised and updated with new chapters on the artists who have recorded at Rockfield since 2007, including new interviews with bands such as Thunder, The Dirty Youth, Gun and YES; the Studios’ recent appearances in film and television such as the Oscar-winning Bohemian Rhapsody film and the Rockfield: the Studio on the Farm documentary; and a section on Rockfield’s neighbouring rehearsal studio, Monnow Valley, which later became a recording studio in its own right and has hosted bands such as Black Sabbath. A must-read for anyone interested in rock music and music history.
£15.29
Whitefox Publishing Ltd His Master’s Voice
Book SynopsisHis Master’s Voice is the inspiring true story of Brian McLaughlin’s 38-year career rising through the ranks at iconic record store HMV, and the personal journey that saw him become one of the most successful business leaders in the UK. With no topic off the table, Brian intimately details his turbulent childhood and the journey that took him from a shop floor assistant with a passion for music, to the MD of a brand that redefined the high street and revolutionised the way millions experienced music. During his time as MD, HMV became the most profitable and most successful music retailer in the world, with over one million customers visiting an HMV store each week during its peak. The chain of stores defined multiple decades of music exploration, rewrote the rulebook for retail and changed the record industry forever, turning the once humble record store into a cultural phenomenon. Throughout His Master’s Voice, Brian speaks openly and honestly about his life, career and success – providing a refreshing tell-all account of how he built up a business in the face of adversity, the role luck has played in his life, and the work that went into the brand’s unforgettable ascent to the top. There are tales of loss and broken family ties, industry-changing moments, boardroom showdowns, big brand rivalries, and battles against all odds, with the books’ pages packed full of incomparable life lessons and insider secrets that are being shared for the very first time.Trade Review'A natural leader and a huge inspiration' -- Eric Nicoli, former EMI Group Chairman
£18.99
Schaffner Press Never Say No to a Rock Star
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£16.19
University of Cincinnati Press Working Together for Change – Collaborative
Book SynopsisStrategies for engaging key stakeholders—evaluators, researchers, and designers—to discuss frameworks for promoting collaborative change. Collaborative Change Research, Evaluation, and Design (CCRED) is a framework and collection of participatory practices that engage people and the systems around them to drive community outcomes. This framework emerged out of the recognition that deep participation (or engagement) is frequently missing in collaborative impact approaches. When collaborative change is implemented effectively, community members are viewed as valuable owners and experts instead of being seen as disinterested or unqualified partners. CCRED is a social action process with dual goals of collective empowerment and the deepening of social knowledge. Executed successfully, CCRED has the potential to increase the rigor, reach, and relevance of research, evaluation, and design translated to meaningful action. Written in an easily accessible, narrative style, Working Together for Change, the fourth volume in the Interdisciplinary Community Engaged Research for Health series edited by Farrah Jacquez and Lela Svedin brings together evaluators, researchers, and designers to describe collaborative change by describing their own work in the space.
£29.45
BenBella Books To Feel the Music: A Songwriter's Mission to Save
Book SynopsisNeil Young, who removed his music from Spotify to protest COVID-19 vaccine misinformation, previously took on the music industry so that fans could hear his music—all music—the way it was meant to be heard.Today, most of the music we hear is com-pressed to a fraction of its original sound, while analog masterpieces are turning to dust in record company vaults. As these record-ings disappear, music fans aren't just losing acollection of notes. We're losing spaciousness, breadth of the sound field, and the ability to hear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off into silence. The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn't have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks. Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo. To Feel the Music is the true story of his quest to bring high-quality audio back to music lovers—the most important undertaking of his career. It's an unprecedented look inside the successes and setbacks of creating the Pono player, the fights and negotiations with record companies to preserve master-pieces for the future, and Neil's unrelenting determination to make musical art available to everyone. It's a story that shows how much more there is to music than meets the ear. Neil's efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website's history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he'd imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge. An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interested in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.Trade Review"An intriguing account of Young's determination to provide world-class audio to consumers . . . In print as in song, Young's passion will not be quenched."—USA Today "Part manifesto and part how-not-to manual . . . Just as when he's taken up various ecological mantles over the years, Young is fighting large and historical forces."—WIRED "The success of To Feel the Music is in the passion Young brings to his mission to save audio. His reasons are just. His dedication bleeds from the page. And you get the feeling, despite any setbacks, he will not stop until we're all listening to music again the way it was supposed to be heard."—Under the Radar "To Feel the Music is a fascinating tale about countless intersections: of artistry and technology, of creativity and commerce, of entrepreneurs and organizers, of the individual and the team. It's heartbreaking on some fronts and inspiring in many others. I will never listen to music in quite the same way after reading this book, nor ever again take for granted the ingenuity behind the high-tech devices amid which we live." —James Fallows, national correspondent, The Atlantic "One of the greatest musicians of all time, Neil Young knows the effort artists put into their work so that their audiences can feel the music. In a very easy-to-understand way, Neil explains how, unlike for photographs or television, each generation of digital technology has further degraded sound quality. Neil and collaborator Phil Baker lay out concrete solutions to restore music fidelity without sacrificing listener convenience in this fascinating read brimming with passion." —Dan Hesse, retired CEO, Sprint "This book provides backstage access to a fascinating story about the intersection of art, technology, and business. Young and Baker's passion for their respective crafts is tangible on every page." —Harry McCracken, technology editor, Fast Company "Neil Young is not only a rock star in the music industry. He has emerged as a rock star in championing and challenging the tech industry to deliver the kind of sound quality that he and other musicians want their audiences to experience as they do when they record their music . . . The book is a call to action for the tech industry to strive to deliver the best audio quality possible, so that those who listen to Neil Young's songs and music, as well as those from other artists, experience exactly what the artists hear when they create their music." —Tim Bajarin, president, Creative Strategies, Inc. "The alchemy of product development is rarely shared like this, from a music legend (and it turns out, an enlightened CEO) and a tech veteran, with refreshing candor about the highs and lows of bringing together people, materials, and energy to deliver sound as intended, straight to the soul." —Louis Kim, vice president, Hewlett-PackardTable of ContentsContents A Message from Neil xi Introduction 1 CHAPTER 1: The Most Important Thing I’ve Ever Done 7 CHAPTER 2: A Look at Audio Quality 15 CHAPTER 3: How I Discovered We Were Losing the Music 29 CHAPTER 4: Neil Was Not Alone 47 CHAPTER 5: The Birth of Pono 51 CHAPTER 6: Meeting Neil 61 CHAPTER 7: Getting Started 69 CHAPTER 8: Beginning Development 73 CHAPTER 9: Pono Is for and by the Artists 79 CHAPTER 10: Inventing Pono 87 CHAPTER 11: Leadership at Pono 99 CHAPTER 12: A New Direction 111 CHAPTER 13: Our Kickstarter Adventure 117 CHAPTER 14: The Drive from Kickstarter to Production 137 CHAPTER 15: Going to China 141 CHAPTER 16: Building the Pono Music Store 153 CHAPTER 17: More Management Turmoil 161
£17.09
Wooden Books Acoustics: The Art of Sound
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£8.50
Otago University Press The World's Din: Listening to records, radio and
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£20.69
Librarie Philosophique J. Vrin Musique, Disque Et Radio En Pays Francophones:
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£27.55
Springer International Publishing AG Record, Mix and Master: A Beginner’s Guide to
Book SynopsisThis textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering.Table of ContentsSection One: Record.- 1. An Introduction to How Sound Works.- 2. Speakers.- 3. Digital Audio Workstation (DAW).- 4. Digital.- 5. Hardware.- 6. Gain Staging.- 7. Microphones.- 8. Phase.- 9. Room Acoustics.- 10. Recording Tips.- Section Two: Mix.- 11. Equalisers (Eq).- 12. Dynamics.- 13. Effects.- 14. Subgroups.- 15. Monitoring in Mono.- 16. Mid-Side Processing.- 17. Transients.- 18. Panning.- 19. Plosives.- 20. Zero Crossing and Crossfades.- 21. Mixing Tips.- Section Three: Master.- 22. What is Mastering.- 23. Prepare Your Track for Mastering.- 24. Mastering Tools.- 25. Dither.- 26. Metering.- 27. Mastering Your Song – Things to Consider.
£49.40
Prestel Mirror Sound: The People and Processes Behind
Book SynopsisEverywhere you look, musicians are creating, recording, and selling their music without the help of big-name studios, producers, or labels. This book offers tangible—and visually stunning—proof that self-recording is a path to artistic freedom. Each chapter takes on a specific aspect of self-recording through original interviews with musicians and all new photography, revealing the joys and complications of recording music on one’s own terms. You’ll learn how some of your favorite musicians charted their path to self-recording and how they use emerging technologies to make exceptional music. The book features intimate shots of artists recording in living rooms, backyards, and garages—such as Eleanor Friedberger, Mac DeMarco, Vagabon, Tune-Yards, Yuka Honda, and more. The first book devoted entirely to the practice of self-recording, Mirror Sound charts a way forward for any musician who aspires to make their own music and those who just love to listen.Trade Review"Next to images of musicians in their natural habitats, you’ll find universal advice and new approaches to making art that might spark ideas for your own creative process—even if you’re not musically inclined. It’s an encouraging companion you’ll want to keep handy for the long winter ahead.” - HERE"In a time when we're all being advised to stay at home, Mirror Sound offers an uplifting view of just how creatively satisfying one's home can be.” - DP Review"This lush coffee table book is filled with insights from the likes of Sharon Van Etten, Suzanne Ciani, the late Emitt Rhodes, Mac DeMarco, Tune-Yards and nearly 25 others. While there’s plenty of gear-packed studio shots to pore over, the book takes more of a philosophical bent as it explores why people self-record and the give-and-take of the process.” - Pro Sound Network
£23.99
Ma Non Troppo Cómo Formar Una Banda de Rock Y Conseguir Que
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£15.62
Ma Non Troppo Home Studio: Cómo Grabar Tu Propia Música Y
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£22.42
Independently Published Electronic Production Basics: A Production Manual
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£19.48
Independently Published Audio Mastering Secrets: The Pros Don't Want You
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£22.78
Bloomsbury Publishing USA How Music Changed YouTube
Book SynopsisGuillaume Heuguet is a Professor of Contemporary Art and Art History at ESACM (Clermont-Ferrand), France, and the Editor-in-Chief of Audimat, a French journal of music criticism. He holds a PhD in media studies from the School of Higher Studies in Communication (CELSA), Sorbonne University, France, and has edited for Paris' Philharmonic Penser les musiques populaires, the first French reader on popular music studies.
£17.99
Independently Published Heartbeat of the King: Unveiling the Legend and
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£17.09
