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Book SynopsisHe Pitopito Korero no te Perehi Maori Readings from the Maori Language Press is a reader of various articles and content from 19th-century Maori newspapers. The editors, Jenifer Curnow, Jane McRae and Ngapare Hopa, released a successful book of essays on Maori-language newspapers, Rere Atu, Taku Manu! (AUP), in 2002, and this new companion volume is sure to be popular with the same audience. For easy use and comparison, the Maori and English texts have been placed alongside one another, illustrating a fascinating range of tone, style and subject. The book contains an introduction followed by six sections divided thematically: From the Editors, Letters,Articles, News, Obituaries and Advertisements. Curnow, McRae and Hopa have chosen from the wealth of material available a representative, insightful selection of Maori-language texts that are incomparably useful as a reflection of New Zealand history and Maori attitudes as well as a wonderful resource for students of Maori language and culture.

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Book SynopsisThe Epica Awards were created in 1987. Having originally focused on the Europe, Middle East and Africa region exclusively, the awards became global in 2012. Epica's aim is to reward outstanding creativity in communication disciplines and to help communication agencies, film production companies, media consultancies, photographers and design studios to develop their reputations beyond their national borders.Trade ReviewThe value of publications like this is enormous. The Epica Book helps us remember what was great and why it was great. -- Josef Miguel Sokoloff, President of the Lowe Global Creative Council Chief Creative Officer, UK.[Sets] standards for new thinking, for intelligent problem solving and for refreshing insights... Enjoy! -- Amir Kassaei, Chief Creative Officer, DDB Group, GermanyThis is the closest you'll get to a 'how to' book on creative advertising. -- John Pallant, Regional Creative Director, Saatchi & Saatchi, METable of ContentsIntroduction Foreword 2017 Winners The Jury Awards Ceremony Annual Report Food & Drink Consumer Services Household Products and Services Public Interest Health and Beauty Automotive Media and Entertainment Business to Business and Corporate Radio Direct Marketing Media Usage Branded Content PR and Promotions Craft and Imagery Design Interactive Integrated

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Book SynopsisSmashing It celebrates the exceptional works and words of 31 leading working-class artists in Britain. Featuring writing, lyrics and images by Wiley, Maxine Peake, Malorie Blackman, Riz Ahmed and many more, it also includes reflections from artists on how class has impacted their working lives. Come behind the scenes to find out how they overcame obstacles - from the financial to the philosophical - to forge careers in the arts and get inspiration to launch your own project. Smashing It empowers those who will be a part of tomorrow's bigger picture. Contributors: Riz Ahmed, Sabeena Akhtar, Travis Alabanza, Anthony Anaxagorou, Raymond Antrobus, Malorie Blackman, Michaela Coel, Emma Dennis-Edwards, Maureen Duffy, Jenni Fagan, Marvell Fayose, Salena Godden, Hassan Hajjaj, Omar Hamdi, Kerry Hudson, Rabiah Hussain, Fran Lock, David Loumgair, Lisa Luxx, Paul McVeigh, Bridget Minamore, Courttia Newland, Aakash Odedra, Maxine Peake, Rebecca Strickson, Chimene Suleyman, Joelle Taylor, Monsay Whitney, Wiley, Madani YounisTrade Review`An inspiring book full of fight, fire and light. Absolutely necessary for anyone interested in the arts to devour these pages to learn, create, laugh and, obviously, smash it.' Kate Tempest `Empowering ... the bible for the next generation of artists from marginalised backgrounds.' Nikesh Shukla `Incredible; warmth and wit radiate through these pages. It offers urgent inspiration for those from working class backgrounds and a revealing read for those who aren't. A must-read.' Yomi AdegokeTable of ContentsIntroduction by Sabrina Mahfouz Ten Crack Commandments, Madani Younis Little Rass & Coming in from the Cold, Raymond Antrobus Resolutions for the Common, Black, Queer, Young Kid (and anyone else who may need it) Travis Alabanza Strength Thy Name is a Working-Class Woman, Maxine Peake That's How It Was (an extract), Maureen Duffy Diversity vs. Representation, Riz Ahmed My Rockstars, Hassan Hajjaj Spun: Making a Debut Hit Play, Rabiah Hussain Stories Not Stats, Kerry Hudson gutter girls, Joelle Taylor Playing the Part, Michaela Coel Am I Working-Class or Am I Just Black?, Emma Dennis-Edwards Cohort, Fran Lock In the Boot of a Car, Chimene Suleyman Pluripotent, Jenni Fagan London Underground, Courttia Newland Lyrics to Light the Way, Wiley Family Question Time, Omar Hamdi Dear British Theatre, David Loumgair Box Clever, Monsay Whitney Money Money Money, Bridget Minamore A Tailor's Son, Marvell Fayose All Eyes on Me, Paul McVeigh Entry Points, Sabeena Akhtar Jeremy Corbyn At the Doctor's Surgery and Separation Has Its Own Economy, Anthony Anaxagorou Q&A with Novelist, Malorie Blackman You Wretched Men, Rebecca Strickson Broken Biscuits, Salena Godden I Move, I Tell, Aakash Odedra The Economy of Sisterhood, Lisa Luxx Smashing the Class Ceiling, Joelle Taylor Applying for Arts Funding: A Guide, Sabrina Mahfouz

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Book SynopsisA detailed account of labor corruption in the 1930s and the zealous journalist who railed against itTrade ReviewWinner of Labor History's Prize for the best book on labor history, 2010. "An engaging and illuminating work on a crucial episode in the development of the image of organized labor in the U.S."--EH.Net"Through creative use of FBI and court records, Witwer carefully peels open the intricate layers of several high profile labor scandals that Westbrook Pegler exposed in the World War II era, exploring how organized crime came to control two important unions. Well conceived and judiciously argued."--Elizabeth Fones-Wolf, author of Waves of Opposition: Labor and the Struggle for Democratic Radio"David Witwer is a remarkably energetic and insightful historian, and his study of Westbrook Pegler and the role he played in the construction of a New Deal era discourse of corruption and racketeering within the house of labor is an extremely provocative and path-breaking book."--Nelson Lichtenstein, author of State of the Union: A Century of American LaborTable of ContentsAcknowledgments vi Introduction: "Peglerized" 1 1. The Columnist: A Crusading Jouranlist 15 2. The Outfit: Organized Crime and Labor Racketeering 37 3. Browne, Bioff, and Scalise: The Dynamics of Union Corruption 59 4. The Hollywood Case: Racketeering in the 1930s from a Business Perspective 83 5. Union Members and Corruption: Exploitation and Disillusionment 103 6. Union Members and Corruption: The Potential for Reform 119 7. The Newsmen: "Molders of Public Opinion" 147 8. The Scandal's Political Impact: Pegler and Antiunionism 175 9. "Labor Must Clean House": The Challenge of Responding to Pegler 205 Conclusion: Opportunities Lost and Opportunities Taken 233 Notes 255 Index 319

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Book SynopsisA Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.Trade Review"A timely and compelling “biography” of the Espionage Act, vividly told through the harrowing stories of whistleblowers, government employees, policy consultants and journalists, from prominent socialist Eugene Debs to whistleblower Edward Snowden. " --Los Angeles Review of Books"Engelman and Shenkman’s compelling history should inform deliberations about the roles of secrecy and publicity in our digital world for some time to come." --American Journalism"An impressive piece of both legal and journalistic history." --Reporters Committee for Freedom of the Press"Carey Shenkman and Ralph Engelman's study of the history, law, and implications of these recent abuses of the Espionage Act is needed urgently, if we are to remain truly a democratic republic."--Daniel Ellsberg"This book could not be more timely. . . . This comprehensive look at its history is an enlightening read for students of journalism history, and, in fact, anyone who wants to understand what is at stake for journalists." --National Journal of Communication“A wonderful, detailed history of developments around the Espionage Act and the attempt by government to control expression within a democratic society. Of interest to anyone who is interested in government’s attempt to control information.”--David S. Allen, author of Democracy, Inc.: The Press Law in the Corporate Rationalization of the Public Sphere

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Book SynopsisAuthor photo courtesy of the Carlson School of ManagementTrade Review"Digital Renaissance should be consulted by any regulator or legislator being solicited by a forlorn media mogul looking to protect a traditional business from disruptive market forces."---Jonathan A. Knee, New York Times DealBook"The title of his compelling new book—Digital Renaissance—betrays his optimistic thesis, which he backs up with some creative data-sleuthing. . . . Waldfogel’s book offers reassurance to those who fear that the new regime of ones and zeros is undermining cultural production. But his assessment will be far less comforting to denizens of the traditional cultural-industrial complex, not to mention the cultural pessimists bewailing its decline. . . . The big winners in this renaissance, aside from Amazon, Apple, Netflix, and similar platforms, appear to be the outsiders who couldn’t get past the gatekeepers of old, and consumers of culture, who get much more for less."---Daniel Akst, Strategy+Business"The internet . . . has given consumers around the world access to an unimaginable trove of music, movies, television shows and books, all at the touch of a button. But it sometimes seems as if the deluge is watering down popular culture. . . . Joel Waldfogel begs to disagree. In Digital Renaissance, he argues that we not only have more reading, viewing and listening material than ever before, but it’s better. And he’s got data to back that up. Boy does he have data."---Amanda Gomez, Reuters

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Book SynopsisSince 2000, there has been an ideologically driven experiment carried out in the UK to change the postal service provided by Royal Mail, to one beholden to the mantra of competition, profit and privatisation. This is the story of those in the frontline of change.

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Book SynopsisCultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics.Trade Review'As is to be expected of this leading writer on the economics of the arts, this book is yet another valuable contribution. It covers areas not previously well trodden and covers a subject of vital importance for the flourishing of the arts. Well written, as pieces by Throsby always are, it will add to the enjoyment as well as knowledge and understanding of its readers.' William J. Baumol, Harold Price Professor of Entrepreneurship, New York University'David Throsby has again met the challenge of making cultural economics accessible to non-specialists while maintaining the interest of more specialised readers. His summaries of the various theories and their application to cultural policy could not be bettered and demonstrate his thorough understanding of both. I can recommend the book to everyone concerned with cultural economics and with cultural policy.' Ruth Towse, Professor of Economics of Creative Industries, Bournemouth University and Professor Emerita, Erasmus University Rotterdam'Drawing on the best traditions of classical political economy, Throsby shows how the processes of cultural policy-making can be illuminated by the application of economic theory. In its insistence on a distinction between economic and cultural value, the book offers little support to those who see culture as just another branch of economic activity. What Throsby gives us is a rigorously worked out framework for economic analysis, but one that remains receptive to other intellectual influences. Written with great lucidity, using language that non-economists will understand, this is essential reading for anyone engaged in the study or making of cultural policies.' Oliver Bennett, Professor of Cultural Policy Studies, University of Warwick, and Editor, International Journal of Cultural Policy'David Throsby promises to provide a comprehensive synopsis of all economic contributions to the analysis of cultural policy while extending the discussion beyond the usual questions, inviting non-economists and specialists alike to join the conversation … [He] identifies important aspects of cultural policy and argues that it can be enriched rather than debased by economic logic. He persuasively argues this by elaborating on various theories and their application to broader areas of cultural interest.' Lyudmila Petrova, Journal of Cultural EconomicsTable of ContentsList of abbreviations; Preface; Acknowledgements; 1. Introduction; 2. The scope of cultural policy; 3. The policy process; 4. Arts policy; 5. Cultural industries; 6. Cultural heritage; 7. Culture in urban and regional development; 8. Tourism; 9. Culture in the international economy; 10. Cultural diversity; 11. Arts education; 12. Culture in economic development; 13. Intellectual property; 14. Cultural statistics; 15. Conclusions; References; Index.

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book SynopsisPacked with customizable editing tools--this practical, up-to-date reference includes the latest on writing and editing onlineThe McGraw-Hill Desk Reference for Editors, Writers, and Proofreaders is an indispensable resource for writers, editors, proofreaders, and virtually everyone responsible for crafting clear, polished writing. Ideal for professionals and novices alike, it guides you through the entire proofreading and editing process and features a CD-ROM with more than 25 interactive tools and checklists.This all-in-one package offers style sheet templates, a list of editorâs symbols, comprehensive editing and proofreading checklists, and guides to commonly misspelled and confused words. It also presents advice on electronically editing and proofreading for the Web.

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Book SynopsisNEW YORK TIMES BESTSELLER • “The finest book on France in recent years.”—Alain de Botton, The New York Times Book Review In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of Paris. In the grand tradition of Stein, Hemingway, Baldwin, and Liebling, Gopnik set out to enjoy the storied existence of an American in Paris—walks down the paths of the Tuileries, philosophical discussions in cafés, and afternoon jaunts to the Musée d’Orsay.  But as readers of Gopnik’s beloved and award-winning “Paris Journal” in The New Yorker know, there was also the matter of raising a child and carrying on with la vie quotidienne—the daily, slightly less fabled life. As Gopnik discovers in this tender account, the dual processes of navigating a foreign city and becoming a parent are not comp

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Book SynopsisAs a young girl in a working-class neighborhood of Sydney, Australia, Geraldine Brooks longed to discover the places where history happens and culture comes from, so she enlisted pen pals who offered her a window on adolescence in the Middle East, Europe, and America. Twenty years later Brooks, an award-winning foreign correspondent, embarked on a human treasure hunt to find her pen friends. She found men and women whose lives had been shaped by war and hatred, by fame and notoriety, and by the ravages of mental illness. Intimate, moving, and often humorous, Foreign Correspondence speaks to the unquiet heart of every girl who has ever yearned to become a woman of the world.

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Book SynopsisChina's entry into the World Trade Organization in 2001 ignited a race to capture new global media audiences. This book examines this compelling dynamic, where the distinctions between Hollywood's dream factory and the PRC's Chinese dream of global influence become increasingly blurred.Trade Review"Timely and informative." * H-Diplo *"Hollywood Made in China is a timely contribution to film studies, media studies, and communication studies... impressive, far-reaching." * China Review *"Hollywood Made in China is an elegant account of Hollywood’s evolving engagements in China’s commercial film environment... an accessible, intriguing study of an unlikely liaison." * Modern Chinese Literature and Culture *"Like High Concept, scholar and industry consultant Justin Wyatt’s landmark 1994 book about Hollywood’s pivot towards packaged promotion - and merchandising-ready properties, Aynne Kokas’s Hollywood Made in China will be the seminal guidebook to understanding media in the era of the world’s pivot to China." - Karen Fang, University of Houston * China Review International *"A concise and lucid analysis." * China Quarterly *"...an informative book with updated real-world cases and textual analysis on Sino-US film co-production. For those less familiar with the topic, this book serves as a great introduction and resource." * Global Media and Communication *“Kokas’ work provides an insightful analysis of Sino-US co-ventures, and exemplifies an important approach to global media industries in general. . . .this is a groundbreaking book with an analysis that helps us understand how the Chinese government’s policy-making and Hollywood’s economic ambitions in the Chinese market complicate Sino-US media collaborations and construct ‘multilayered systems that unite the American and Chinese economies’.” * Asian Journal of Communication *Table of ContentsList of Illustrations Preface Acknowledgments List of Abbreviations Introduction 1. Policy and Superheroes: China and Hollywood in Sino-US Relations 2. Hollywood's China: Mickey Mouse, Kung Fu Panda, and the Rise of Sino-US Brandscapes 3. Soft Power Plays: How Chinese Film Policy Influences Hollywood 4. Whispers in the Gallery: How Industry Forums Build Sino-US Media Collaboration 5. Compradors: How Above-the-Line Workers Brand Sino-US Film Production 6. Farm Labor, Film Labor: How Below-the-Line Workers Shape Sino-US Film Production Conclusion Appendix 1: Examples of Sino-US Film Collaboration by Type Appendix 2: Chinese Character Glossary Notes Filmography Bibliography Index

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Book SynopsisHow mainstream business news failed its readers and what it means for the future of the profession.Trade ReviewThe Watchdog That Didn't Bark, given its in-depth analysis across the landscape, steeped in history, and Starkman's keen understanding of the business of journalism, can stand as a potentially enduring case study of what went wrong and why. -- Alec Klein, director of the Medill Justice Project and award-winning investigative reporter formerly with the Washington Post Starkman is literally a reporter's reporter. As such, he gets to the bottom of the story of how the U.S. business press could miss the most important economic implosion of the past eighty years until it was too late, and he does so with prose that is intelligent, engaging, and erudite. I recommend The Watchdog without reservation. -- Eric Alterman, Brooklyn College, and media columnist, The Nation Here is the missing piece in the financial-crisis mystery: how did our vaunted business-journalism sector manage to miss the problem with mortgage-backed investments? The answer, as Dean Starkman shows us in this amazing autopsy, is that the business outweighs the journalism and that it is getting worse, not better, as we go forward. -- Thomas Frank, author of Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right Journalism was complicit in the predation and corruption that brought down world financial markets and wrecked the lives of millions. Obsessed with shallow scoops, giddy from the laughing gas of access, financial journalists abjectly failed to connect dots, and left abusive, reckless, and criminal corporations free to drag the global economy into the abyss. Dean Starkman is the author we have been waiting for to tell this story. He not only puts forward a keen, subtle, and fair account of the journalistic default, he names names. -- Todd Gitlin, author of Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives With American journalism at sea, here comes a navigator who really knows its mission, the riptides it is facing, and the ports it must reach. Starkman tells it all with the heart, clarity, and dry wit that redeem business journalism even while showing how it lost its anchor and compass. -- Jim Sleeper, former editor and columnist at Newsday and the New York Daily News Journalists did not miss the subprime lending that spun into the devastating financial collapse of 2008. Excellent reporting was available, from the Financial Times to the Los Angeles Times to a small alternative publication, Southern Exposure. Yet Dean Starkman shows that even reporters who were on top of things buried the lead: the story was not new financial instruments, risky investments, or high-pressured Wall Street. The story was corruption. There were old-fashioned, greedy villains. Old-fashioned moralizing was called for. It would have had the advantage of being both true and fascinating. So how did so many fine journalists miss the big story? Read Starkman's powerful and disturbing analysis of how business journalism came to write for an audience of investors, not citizens. You may not share his every judgment, but this account has the advantage of being both true and fascinating. -- Michael Schudson, Columbia Journalism School, author of The Power of News As fair and balanced as a solar-plexus punch can be. Kirkus Reviews Starkman provides keen analysis of how the media failed in its mission at a crucial time for the U.S. economy. Booklist Compelling... Starkman offers an excellent and clear theoretical explanation for some of the problems with watchdog journalism generally. International Journal of Communication Detailed and fully satisfying... Criminal Law and Criminal Justice Books The Watchdog That Didn't Bark adds greatly to our understanding of business journalism and the country's most recent financial meltdown. Starkman writes that it is intended for lay readers, but journalism students and historians will find much value here as well. H-NetTable of ContentsAcknowledgments Introduction: Access and Accountability 1. Ida Tarbell, Muckraking, and the Rise of Accountability Reporting 2. Access and Messenger Boys: The Roots of Business News and the Birth of the Wall Street Journal 3. Kilgore's Revolution at the Wall Street Journal: Rise of the Great Story 4. Muckraking Goes Mainstream: Democratizing Financial and Technical Knowledge 5. CNBCization: Insiders, Access, and the Return of the Messenger Boy 6. Subprime Rises in the 1990s: Journalism and Regulation Fight Back 7. Muckraking the Banks, 2000-2003: A Last Gasp for Journalism and Regulation 8. Three Journalism Outsiders Unearth the Looming Mortgage Crisis 9. The Watchdog That Didn't Bark: The Disappearance of Accountability Reporting and the Mortgage Frenzy, 2004-2006 10. Digitism, Corporatism, and the Future of Journalism: As the Hamster Wheel Turns Notes Bibliography Index

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Book SynopsisA narrative history of the development of air conditioning from its beginnings to its current state, with an emphasis on its reception by members of the public.Trade Review"Fascinating ... examines the technology and its penetration into American life." -First Things "Cool: How Air Conditioning Changed Everything provides history readers and social science students alike with a review of how air conditioning evolved and changed life in America, and is recommended not just for college collections but for any seeking a pairing of history and lively social insights." -Midwest Book Review "Charming ... Much fun ... short, sharp micro-history." -New Scientist "... A lively and endlessly informative tale about how air conditioning happened scientifically and what it has done for and to us." -The Common Reader "A look at our love affair with air-conditioning ... breezily anecdotal." -The New York Times "COOL tells the surprisingly suspenseful story of the development and gradual adoption of air conditioning in the United States. The puckish Basile is more than up to the task, and his copious research pays off: Not only is COOL an informative read, each chapter is strewn with more anecdotes than there are sprinkles on an ice cream cone. Some are hilarious; others, jaw-dropping. Best of all, each chapter leaves you wanting more." -American Scientist "Some surprising things you probably don't know about air conditioning." -Los Angeles Times "Snarky ... entertaining." -Weekly Standard "The all-encompassing guidebook to the history of air conditioning, chronicling the numerous gimmicks, failed attempts, con jobs, and eventual successes ... a surprisingly interesting journey." -San Francisco Book Review "A joy ... I wish you coolth!" -KCRW-FMTable of ContentsIntroduction 1. Ice, Air, and Crowd Poison 2. The Wondrous Comfort of Ammonia 3. For Paper, Not People 4. Coolth: Everybody's Doing It 5. Big Ideas. Bold Concepts. Bad Timing. 6. From Home Front to Each Home 7. The Unnecessary, Unhealthy Luxury (that No One would Give Up)

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Book SynopsisThis compilation of original essays by an international cast of economists, regulators and industry practitioners analyzes some of the major issues now facing postal and delivery services throughout the world as competition from information and communication technologies (ICT) has increased. Competition has become increasingly important in the postal sector for some time in the form of alternative entrants providing mail delivery. However, the competition from ICT in the form of email and instant messaging, the Internet, Facebook and other forms of social networking and portable wireless devices such as the iPad and Kindle may be even more significant. Mail volumes are falling and the economies of scale that have made possible daily deliveries to every address are being eroded. This book assesses volume these declines resulting from this so-called `eSubstituion' and looks at the ways the postal sector can adapt to the rapid changes resulting from ICT. The impact of electronic invoicing on transactions mail, and the impact on bulk mail of electronic forms of advertising are examined. Strategies, including pricing and access policies, are discussed in the context of the increasing impact of ICT. A rethinking of the role of mail in an electronic age is taking place and this book provides the cutting-edge of this rethinking and the attempts of POs to reinvent themselves while continuing to meet the public's expectation of continuing ubiquitous daily deliveries of traditional mail products. Undergraduate and postgraduate students and researchers in regulation, competition law, innovation and public sector economics along with institutional libraries and industry professionals will find this volume informative and useful.Table of ContentsContents: Preface 1. Competitive Strategies under FMO and Intermodal Competition Michael A. Crew and Paul R. Kleindorfer 2. Invoicing in 16 European Countries Kari Elkelä 3. Does the Level of Price Elasticity Change with the Progression of Substitution? Heikki Nikali 4. Understanding the Impact of E-Substitution on Letter Mail Volumes: A Multi-Country Panel Study Meloria Meschi, Matthew Cherry, Carla Pace and Milena Petrova 5. The Future of the Portuguese Postal Sector and the Role of CTT Alberto Pimenta and António Manuel Amaral 6. Optimal Pricing for Mail and Welfare Implications in a Communications Market Philippe De Donder, Helmuth Cremer, Paul Dudley and Frank Rodriguez 7. UK Letter Mail Demand: A Content-based Time-series Analysis Using Overlapping Market Survey Statistical Techniques Catherine Cazals, Jean-Pierre Florens, Leticia Veruete-McKay, Frank Rodriguez and Soterios Soteri 8. Postal Markets and Electronic Substitution: Implications for Regulatory Practices and Institutions in Europe Martin Maegli, Christian Jaag, Martin Koller and Urs Trinkner 9. How Many Outlets if the USP Does Not Face Any USO? A Cross-country Comparison Claire Borsenberger, Denis Joram and Bernard Roy 10. Costing the Universal Service: Evaluating the Demand Response Isabelle Carslake, George Houpis and Christian Strobel 11. State Funding and Cost Sharing of the USO Under the 2008 EU Postal Services Directive Richard Eccles 12. Econometric Models and the Evolution of the French Post Office Network François Boldron, Frédérique Fève, Jean-Pierre Florens, Clémence Panet-Amaro and Christophe Valognes 13. Evaluating the Demand Effects of Reductions in the Frequency of Delivery Service Edward S. Pearsall and Charles L. Trozzo 14. The UK Service Obligation: What Do the Public Think and How Do They Value It? Rob Sheldon and Alison Lawrence 15. Assessing Anti-Competitive Behavior in a Postal Market Mary Davies 16. Price Discrimination in the Postal Sector and Competition Law Damien Geradin 17. Price Discrimination and Price Differentiation Within Direct Mail Felipe Flórez Duncan, Dawn Longman, Leonardo Mautino and Paul Dudley 18. The Economics of Postal Payment Channels and EU Postal VAT Tim Walsh 19. Impact of VAT Exemptions in the Postal Sector on Competition and Welfare Helmut Dietl, Christian Jaag, Markus Lang, Martin Lutzenberger and Urs Trinkner 20. Competition and Regulation in the Italian Postal Market Vincenzo Visco Comandini and Francesca Mazzarella 21. Strategic Responses to Recession: A Comparison of the United States Postal Service to Leading Companies Norma Nieto, Keith Strange and William Takis 22. The United States Postal Service Business Model: Lessons from the American Railroad Industry? David M. Levy and Matthew D. Field 23. Financial Inclusion and Postal Banking: Is the Survival of Posts Also There? José Ansón and Joёlle Toledano 24. The Dual Trend Towards Operational Efficiencies and Social Regulation in European Postal Services Dominique Bailly and Margaux Meidinger 25. Sustainable Growth and the Postal Sector: Universal Service versus Environmental Protection François Boldron, Claire Borsenberger, Helmuth Cremer, Philippe De Donder, Denis Joram and Bernard Roy 26. Offering Sensor Network Services Using the Postal Delivery Vehicle Fleet Michael J. Ravnitzky

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Book SynopsisSince making his journalistic debut breaking into Piers Morgan’s office, BBC foreign correspondent Nick Bryant has rattled Donald Rumsfeld, had tea with President Karzai, and lunched with the Tamil Tigers. Now casting a sideways glance at his own profession, Bryant divulges the day-to-day realities of life in ‘Correspondentland’ – its glamour, its quirks, and its sometimes unsavoury practices. Whether in Washington DC, offering a window onto American politics as no insider can, reporting from a slum in India, or revealing why the BBC delayed the news of Princess Diana’s death, Bryant’s perspective is inimitable and always insightful. Part memoir, part travelogue, part exposé, this is an unmissable and unique view into the world of modern reporting, and an intimate portrait of the countries Bryant has come to know.Trade ReviewBryant is a genuine rarity: a Brit who understands America. * Washington Post *Outstanding. * Sydney Morning Herald *Refreshing ... Correspondentland strikes the right balance of observation and insight, skilfully leavened with a helping of humour and a pinch of self-deprecation. * The Australian *

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Book SynopsisWhen social media has put mass communication in the hands of anyone with a smartphone - from US Presidents to any crook, liar or foreign enemy - Derek Taylor asks: What hope is there for the rest of us who just want to know what's really going on?Trade ReviewA revealing and sometimes alarming review of the age-old efforts by governments to muzzle the media. -- PETER SNOW

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Book SynopsisDeep within New York’s compelling, sprawling history lives an odd, ornery Manhattan native named Diedrich Knickerbocker. This book invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city’s exceptional sense of self, or what we now call a New York “attitude.” Trade Review"A briskly engaging book." -- Christopher Benfey * New York Review of Books *"This is cultural history at its best." * The Journal of American Culture *"Elizabeth L. Bradley sorts, catalogues and deciphers the shifting Knickerbocker currents in a metropolis constantly reinventing itself. She does the sturdy Dutchman proud in a scholarly and polished rendition." * The Star-Ledger *"An engaging account of the city through the fictional Knickerbocker, who was a steady presence 'over two centuries of wrenching urban transformation, from the post-colonial to the postmodern.' ... Bradley is a perceptive and lively writer and does a superb job of tracing the many strands of the Knickerbocker myth. She provides the historical context necessary to illustrate the ways the Knickerbocker brand was invoked and provides deft analysis of the cultural meanings it accrued." * Bookforum *"Diedrich Knickerbocker...gets a history and identity worthy of New York's swagger in this exploration by Bradley of how Knickerbocker shaped the city's identity. Literary historians and proud New Yorkers alike will delight in the character who brought pomp and legend to the city first nicknamed Gotham by Washington Irving 200 years ago." * Publishers Weekly *"Brims with information about the burgeoning use of Knickerbocker as a literary device in novels, newspaper articles, and advertisements as a touchstone of popular culture. Entertaining enough for the general reader—including those planning a trip to one of the world's most visited cities—and amply annotated for the scholar, this is highly recommended." * Library Journal *"These days the word 'knickerbocker' represents 'little more than a comical handle, a Dutch-inflected sound—or a heartbreaking season at Madison Square Garden,' observes Elizabeth Bradley in Knickerbocker: The Myth Behind New York. Her slender, charming volume aims to change that. Bradley delves into the 200-year history of the term, which originated in Washington Irving's 1809 History of New York and given that New Yorkers are famously preoccupied with their own exceptionalism, they would do well to learn more about one of the city's original boosters." * Barnes & Noble Review *"Knickerbocker is a very valuable work, particularly as one of the few contemporary histories to explore how fictional texts and reading practices can have material effects on a particular place. Bradley's analysis of Knickerbocker's significance will be of great interest to literary scholars and historians of the American nineteenth century, and her counternarrative of New York's development will reward the professional and general reader alike." * Clio *"Knickerbocker is a storied name steeped in tradition—one that I am proud to have been a part of. Bradley's Knickerbocker: The Myth Behind New York offers a unique examination of how a name familiarized by Washington Irving two hundred years ago grew to become a cultural symbol of New York." -- Former U.S. Senator Bill Bradley"Those who puzzle at the incessant branding and rebranding of New York City would do well to read this fascinating, sophisticated, and witty social history of a myth. Bradley knows her facts and shrewdly and convincingly interprets them. A delightful contribution to urban studies." -- Phillip Lopate * author of Waterfront: A Journey Around Manhattan *"Is New York different from other cities, or does it just have different myths? Focusing on a tale first spun by Washington Irving two centuries ago, Knickerbocker answers this question with grace and skill. It is a delight to read." -- Kenneth T. Jackson * editor-in-chief, The Encyclopedia of New York *"A briskly engaging book." -- Christopher Benfey * New York Review of Books *"This is cultural history at its best." * The Journal of American Culture *"Elizabeth L. Bradley sorts, catalogues and deciphers the shifting Knickerbocker currents in a metropolis constantly reinventing itself. She does the sturdy Dutchman proud in a scholarly and polished rendition." * The Star-Ledger *"An engaging account of the city through the fictional Knickerbocker, who was a steady presence 'over two centuries of wrenching urban transformation, from the post-colonial to the postmodern.' ... Bradley is a perceptive and lively writer and does a superb job of tracing the many strands of the Knickerbocker myth. She provides the historical context necessary to illustrate the ways the Knickerbocker brand was invoked and provides deft analysis of the cultural meanings it accrued." * Bookforum *"Diedrich Knickerbocker...gets a history and identity worthy of New York's swagger in this exploration by Bradley of how Knickerbocker shaped the city's identity. Literary historians and proud New Yorkers alike will delight in the character who brought pomp and legend to the city first nicknamed Gotham by Washington Irving 200 years ago." * Publishers Weekly *"Brims with information about the burgeoning use of Knickerbocker as a literary device in novels, newspaper articles, and advertisements as a touchstone of popular culture. Entertaining enough for the general reader—including those planning a trip to one of the world's most visited cities—and amply annotated for the scholar, this is highly recommended." * Library Journal *"These days the word 'knickerbocker' represents 'little more than a comical handle, a Dutch-inflected sound—or a heartbreaking season at Madison Square Garden,' observes Elizabeth Bradley in Knickerbocker: The Myth Behind New York. Her slender, charming volume aims to change that. Bradley delves into the 200-year history of the term, which originated in Washington Irving's 1809 History of New York and given that New Yorkers are famously preoccupied with their own exceptionalism, they would do well to learn more about one of the city's original boosters." * Barnes & Noble Review *"Knickerbocker is a very valuable work, particularly as one of the few contemporary histories to explore how fictional texts and reading practices can have material effects on a particular place. Bradley's analysis of Knickerbocker's significance will be of great interest to literary scholars and historians of the American nineteenth century, and her counternarrative of New York's development will reward the professional and general reader alike." * Clio *"Knickerbocker is a storied name steeped in tradition—one that I am proud to have been a part of. Bradley's Knickerbocker: The Myth Behind New York offers a unique examination of how a name familiarized by Washington Irving two hundred years ago grew to become a cultural symbol of New York." -- Former U.S. Senator Bill Bradley"Those who puzzle at the incessant branding and rebranding of New York City would do well to read this fascinating, sophisticated, and witty social history of a myth. Bradley knows her facts and shrewdly and convincingly interprets them. A delightful contribution to urban studies." -- Phillip Lopate * author of Waterfront: A Journey Around Manhattan *"Is New York different from other cities, or does it just have different myths? Focusing on a tale first spun by Washington Irving two centuries ago, Knickerbocker answers this question with grace and skill. It is a delight to read." -- Kenneth T. Jackson * editor-in-chief, The Encyclopedia of New York *Table of ContentsAcknowledgments Abbreviations Introduction The Picture of Knickerbocker Inheriting Knickerbocker Fashioning a Knickerbocracy Knickerbocker in a New Century Conclusion Notes Index

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Book SynopsisIn a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published. Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.Trade ReviewSusan Hawthorne’s ideas are brilliant. Independent publishing feeds the cultural identity of our society as well as providing a source of income and satisfaction for writers, editors, and designers. This book must be read and distributed far and wide so that everyone understands the challenges but supports the joy! —Lisa Hanrahan, Convenor, Independent Publishers Committee, Australian Publishers AssociationTable of ContentsIntroduction; Bibliodiversity: What is it? Who invented the term? Biodiversity analogy. Counter to globalisation. Feminist publishing. Multiversity of culture & language. Add: Copyright ?; One size fits all: How oppression is used to create homogenised subordinated groups. Racism. Misogyny. Language oppression. Marketing; The soil: The personal is political; Multiversity: What is it? The politics of knowledge. Appropriation; Production: Creation & production boundaries. Ecological boost; Feminism: Theoretical marginalisation. Impact of womens poverty; Pornography: Homogenisation of women as a class. Who profits? Text in chapter says: Who benefits? Institutionalised hatred; Free trade & free speech: Choice. Who are the defenders of free speech?; Fair trade & fair speech: What is fair speech? How is it different from free speech? Power & equality of outcomes instead of equality of opportunities. Pornography. The Forest Council? paper agreement; Recolonisation: eBooks, digital publishing & the recolonisation of old colonial territories. Pricing compared to farmers selling in supermarkets below cost; Digital bibliodiversity: Networks. Publishing concentration. Fresh Booki.sh; Organic publishing: The ecology of publishing. Making culture sustainable. Languages. Countering one size fits all, globalisation & clear-felled culture; Principles of bibliodiversity: Patterns & processes. Networks. Nested systems. Cycles. Flows. Development. Dynamic balance; Bibliodiversity in the twenty-first century.

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Book SynopsisChina's economic rise and influence has been one of the most significant developments in the global economy of recent times. A driving force behind this expansion has been the private entrepreneurs and companies of China, some of which have literally redefined the economic and business landscape, both inside and outside of China. Dong Mingzhu is one such entrepreneur. Gree Electric is one of the powerhouses of the air-conditioning industry, and owes its success to the entrepreneurial and management tenacity of Dong. As a young widow, aged 36, she travelled south and began work at Gree as an ordinary salesperson. Four years later, in 1994, she became head of sales. By 1996, she was deputy president, and by 2001, president of Gree. During this time, Dong challenged and transformed industry norms through her innovations in sales, service and employee policies. This is the story of one of China's most inspiring and innovative business leaders.

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Book SynopsisIn a globalized world full of noise, brands are constantly launching messages through different channels. For the last two decades, brands, marketers, and creatives have faced the difficult task of reaching those individuals who do not want to watch or listen to what they are trying to tell them. By producing fewer ads or making them louder or more striking, more brands and communications professionals are not going to get those people to pay more attention to their messages; they will only want to avoid advertising in all media. Examining the Future of Advertising and Brands in the New Entertainment Landscape provides a theoretical, reflective, and empirical perspective on branded content and branded entertainment in relation to audience engagement. It reviews different cases about branded content to address the dramatic change that brands and conventional advertising are facing short term. Covering topics such as branded content measurement tools, digital entertainment culture, and government storytelling, this premier reference source is an excellent resource for marketers, advertising agencies, brand managers, business leaders and managers, communications professionals, government officials, non-profit organizations, students and educators of higher education, academic libraries, researchers, and academicians.

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Book SynopsisCreated by the team of Brit Marling and Zal Batmanglij, and starring Marling in the role of Prairie Johnston, the Netflix Originals series The OA (2016–19) is a generically ambiguous, and ambitious, vehicle for exploring a variety of themes, chief among them identity, belief and the nature and construction of reality. Prairie claims that she has learned the secret of inter-dimensional travel after a near-death experience and subsequent imprisonment at the hands of a deranged scientist obsessed with that phenomenon – but is she a potentially unreliable narrator, a sincere one or, finally, a metafictional character playing a version of herself in a fictional drama?This Constellation discusses The OA’s thematic concerns in the context of the creators’ earlier collaborations and in terms of influences on it, such as the work of David Lynch, particularly the TV series Twin Peaks (1990–2017) and the films Mulholland Drive (2001) and Inland Empire (2006), and comparable texts such as the Netflix Originals series Sense8 (2015–18) and Maniac (2018); the writings of Jorge Luis Borges and Philip K Dick. The discussion will be supported by sources from the fields of media and social theory, including the work of Jean Baudrillard, Steven Shaviro, Jodi Dean, Mark Fisher and Shoshana Zuboff. Negative criticisms of The OA will also be addressed, such as accusations of superficiality, which will be considered alongside the themes of deception, manipulation and artificiality identifiable in The OA specifically, and in Marling and Batmanglij’s wider oeuvre.

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Book Synopsis23 Innovations in Digital Communication describes, criticizes and evaluates 23 digital innovations that are used in media and communication. Innovations that are not hypes, but that were implemented to reach permanent changes in media and communication. The innovations are supported by testimonials of professionals in the field and the scientific foundation of their mechanism of action. The impact and professional, scientific and social challenges coming with these innovations are discussed. Reading this book will render deep insights into how innovative digital media can be used to influence buying behavior and decision-making. This book answers questions such as “How do I create a strong brand story?”, “What are the effects of serious gaming?”, “How can we use VR in our communication?”, “How do consumers process emotional stories?” and “Is persuasion profiling unethical?”. The answers to these questions are not only based on the authors knowledge and research, but each innovation is also discussed by top experts on that specific innovation.

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Book SynopsisChina's economic rise and influence has been one of the most significant developments in the global economy of recent times. A driving force behind this expansion has been the private entrepreneurs and companies of China, some of which have literally redefined the economic and business landscape, both inside and outside of China. With a $15,000 loan from his father, the former high school dropout and factory worker Wang Wei started up his courier delivery service, SF Express, in 1993. This book is a classic rags-to-riches story of a young entrepreneur who grew SF Express into a logistics empire with revenues of $7 billion and 400,000 employees by 2015. The phenomenal rise of Wang and his company was further propelled by a $30 billion public listing in Shanghai in 2018. By any standards, this is one of the most remarkable entrepreneurial stories of recent times.

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Book SynopsisAt the age of 28, Piers Morgan was made editor of the "News of the World", the UK's biggest-selling Sunday newspaper. The decade that followed witnessed horrific events like Dunblane, September 11, and the war in Iraq - alongside entertaining sport and celebrity gossip. This book is based on the diaries, which Morgan kept during this period.Trade ReviewA right, rollicking good read -- Andrew Neil * Evening Standard *A riveting read with splendid anecdotes on almost every page * The Times *This is a book of historical importance -- Peter Oborne * The Spectator *A compelling read on any level, whether you want to consider the relationship between politics and the press, royal behaviour, the red-top world - or just want a good laugh * Independent *Funny and fabulously indiscreet, this is a book that holds up a mirror to the spinning and posturing of our celebrity age ... scurrilously entertaining * Observer *

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Book SynopsisIndustry. Culture. Technology. It's time they came together.Trade ReviewStudents connect well with the theme of convergence...well-written, interesting, thought-provoking." -Judi Puritz Cook, The College of New JerseyThis text is a good introduction to the media industry; covers the basics; easy read "-Gary Guffey, North Carolina A&T State UniversityThis textbook ticks all the boxes that you'd expect from an introduction reader to mass media - history, contemporary issues, a human perspective - in an engaging way... A great text for instructors and students alike." -Simon Lavis, The Ohio State UniversityThis is the best introductorytextbook available with respect to staying in the moment of the change taking place within the media industry and, as a result, within our media culture. * Thom Gencarelli, Manhattan College *This is an excellent textbook for anyone teaching a course on converging media. It provides compelling story about the challenges we face in understanding a rapidly changing media landscape. * Steven Keeler, Cayuga Community College *Table of ContentsCONTENTS Preface About the Authors Part 1 The Changing Media Landscape Chapter 1 Mass Communication and Its Digital Transformation 1.1 Telephony: Case Study in Convergence 1.2 Three Types of Convergence Technological Convergence Economic Convergence Cultural Convergence 1.3 Implications of Convergence Media Organization Media Type Media Content Media Use Media Distribution Media Audience Media Profession Attitudes and Values 1.4 Mass Communication in the Digital Age Interpersonal Communication Mass Communication Mass Communication and Convergence 1.5 Functions of Mass Communication Surveillance Correlation Cultural Transmission Entertainment 1.6 Television: The Future of Convergence Looking Back and Moving Forward FURTHER READING Features MEDIA PIONEERS: Oprah Winfrey INTERNATIONAL PERSPECTIVES: Translating is Not Child's Play CONVERGENCE CULTURE: The Reflective Black Mirror ETHICS IN MEDIA: Do You Pay More if You Own a Mac? Chapter 2 Media Literacy in the Digital Age 2.1 Education and Media 2.2 What Is Media Literacy? 2.3 What Makes Mediated Communication Different? Semiotics Framing 2.4 Early Concerns of Media Effects 2.5 Media Grammar Print Media Radio and Recorded Music Film and Television Digital-Media Grammar 2.6 Implications of Commercial Media Commercial-Media Debate Concentration of Media Ownership 2.7 Media Bias 2.8 Developing Critical Media-Literacy Skills Media Careers Looking Back and Moving Forward FURTHER READING Features MEDIA PIONEERS: Marshall McLuhan INTERNATIONAL PERSPECTIVES: Mobile Telephony in the Developing World ETHICAL DEBATES: When Media Report Rape Allegations CONVERGENCE CULTURE: Evaluating Online Information Chapter 3 Media Theory and Research 3.1 Role of Theory and Research Mass Society, Mass Communication 3.2 Theories of Communication Transmission Models Critical Theory and Cultural Studies 3.3 Media-Effects Research Propaganda and the Magic Bullet Payne Fund Radio's Wider Impact Television and Violence Limited Effects Cultivation Analysis Spiral of Silence Third-Person Effect Criticisms of Media-Effects Research 3.4 Understanding the Audience Audiences Creating Meaning Uses and Gratifications Encoding/Decoding Reception Analysis Framing 3.5 Cultural Studies Ideology and the Culture Industry Criticisms of Cultural Studies 3.6 Sociohistorical Frameworks Information Society Political Economy Media Ecology Agenda Setting 3.7 New Directions in Media Research 3.8 Media Research: What Type of Science Is It? Quantitative Research Qualitative Research Qualitative and Quantitative Research Working Together Media Careers Looking Back and Moving Forward FURTHER READING Features CONVERGENCE CULTURE: Do FPS Games Cause Violence? MEDIA PIONEERS: Nonny de la Peña INTERNATIONAL PERSPECTIVES: "A Habit of Being Right on the Things" ETHICS IN MEDIA: Instagram and Body Image Part 2 Mass-Communication Formats Chapter 4 Print Media: BOOKS, NEWSPAPERS, AND MAGAZINES 4.1 Functions of Print Media Transmission of Culture Diffusion of Ideas and Knowledge Entertainment 4.2 Distinctive Functions of Books 4.3 History of Books to Today Monastic Scribes Johannes Gutenberg Beginnings of Mass Communication and Mass Literacy Cheaper and Smaller Books Dime Novels Mass-Market Paperbacks Print-on-Demand Ebooks 4.4 Current Book-Industry Issues 4.5 Sales and Readership of Books 4.6 Outlook for Books 4.7 Distinctive Functions of Newspapers Local Newspapers National Newspapers 4.8 History of Newspapers to Today The Commercial Press and the Partisan Press Colonial Readership and Finances The Golden Age of Newspapers 4.9 Current Newspaper-Industry Issues Newspaper Chains Benefits of Chains Problems with Chains Leading Newspaper Chains Declining Number of Newspapers 4.10 Sales and Readership of Newspapers Circulation and Readership Advertising 4.11 Outlook for Newspapers 4.12 Distinctive Functions of Magazines 4.13 History of Magazines to Today 4.14 Current Magazine-Industry Issues 4.15 Sales and Readership of Magazines 4.16 Outlook for Magazines Media Careers Looking Back and Moving Forward FURTHER READING Features INTERNATIONAL PERSPECTIVES: Have Ebooks Finally Gone Over the Great Wall in China? CONVERGENCE CULTURE: When the Funnies Get Serious MEDIA PIONEERS: Ruben Salazar Chapter 5 Audio Media: MUSIC RECORDINGS, RADIO 5.1 The Recording Industry 5.2 Distinctive Functions of the Recording Industry 5.3 History of Recorded Music From Tin Pan Alley to Hollywood Roots of Rock and Roll Redefining Rock 5.4 The Recording Industry Today 5.5 Recording-Industry Business Model Creation Promotion Distribution Pricing Structure 5.6 Outlook for the Recording Industry Digital Rights Management and Illegal File Sharing New Business Models Emerging 5.7 What Is Broadcasting? 5.8 Radio 5.9 Distinctive Functions of Radio 5.10 History of Radio Wireless Telegraphy Exploring Radio's Early Potential Voice Transmission Radio Before, During, and After WWI Widespread Public Adoption of Radio FM Radio, Edwin Howard Armstrong, and David Sarnoff Creating a Viable Business Model for Radio The Rise of Radio Networks Consolidation in Radio Station Ownership 5.11 The Radio Industry Today 5.12 Radio Station Programming 5.13 Outlook for the Radio Industry Podcasting Satellite Radio Media Careers Looking Back and Moving Forward FURTHER READING Features MEDIA PIONEERS: Lil Nas X ETHICAL DEBATES: Mashed-Up and Mixed-Up Musical Ethics CONVERGENCE CULTURE: NPR and PRI: America's Public Radio Networks INTERNATIONAL PERSPECTIVES: Trusting in the Power of the Airwaves Chapter 6 Visual Media: PHOTOGRAPHY, MOVIES, AND TELEVISION 6.1 Photography History of Photography Photographic Industry Today 6.2 Movies 6.3 History of the Movie Industry Silent Era: New Medium, New Technologies, New Storytelling Méliès,Griffith and Weber Murnau, Flaherty, and Eisenstein Sound and Color Hollywood Movie Moguls Warner Brothers Walt Disney Samuel Goldwyn Marcus Loew Louis B. Mayer Hollywood Star System The Director as Auteur Technological Influences on Movie Genres Other Entertainment Sources for Movies DVDs And Streaming 6.4 Movie Industry Today 6.5 Marketing and Distribution for Movies 6.6 Movie-Industry Business Model 6.7 Outlook for the Movie Industry 6.8 Television 6.9 History of Television Seeing the Light: The First Television Systems Modern Television Takes Shape Programming and Genre Influences Pushing the Programming Envelope Cable Comes of Age Filling the Days Filling the Nights Sports Reality Shows Digital Television: Preparing the Way for Convergence The Rise of Flat-Panel Displays 6.10 Television Distribution Broadcast TV Cable TV Satellite TV 6.11 Television Industry Today Cable System Structure Satellite Versus Cable Versus IPTV 6.12 Television-Industry Business Model 6.13 Outlook for the Television Industry Media Careers Looking Back and Moving Forward FURTHER READING Features INTERNATIONAL PERSPECTIVES: Breaking the Silence Around Molestation DIGITAL DEBATES: The Photojournalist's Dilemma: Immersion in Conflict MEDIA PIONEERS: Kathleen Kennedy CONVERGENCE CULTURE: Home Theater-Really, This Time Chapter 7 Interactive Media: THE INTERNET, VIDEO GAMES, AND VIRTUAL REALITY 7.1 Interactivity Defined 7.2 Interactive Media Versus Mass Media 7.3 Historical Development of User Interfaces Television Interfaces Intuitive Interfaces Keyboards Computer Mouse Touchscreens Natural Input Methods Graphical User Interfaces 7.4 Historical Development of the Internet and the World Wide Web Internet Protocol World Wide Web Graphical Web Browsers Search Engines Broadband Distribution Dynamics 7.5 Video Games 7.6 Historical Development of Video Games 7.7 Types of Video Games 7.8 Video-Game Industry 7.9 Trends in Video Games 7.10 Gamification 7.11 Virtual Reality 7.12 Ethics of Interactive Media Media Careers Looking Back and Moving Forward FURTHER READING Features INTERNATIONAL PERSPECTIVES: Can the Internet Save Endangered Languages? MEDIA PIONEERS: Hironobu Sakaguchi CONVERGENCE CULTURE: What Do Video Games Do to You? ETHICS IN MEDIA: Epic Games Epic Fines Part 3 Media Perspectives Chapter 8 The Impact of Social Media 8.1 Defining Social Media Dialogic Communication Social Production 8.2 What Is "Social" About Social Media? Choice Conversation Curation Creation Collaboration 8.3 Types of Social Media Email Discussion Boards and Web Forums Chat Rooms Blogs and Microblogs Wikis Social-Networking Sites 8.4 Producers and Produsers Reputation, Ratings, and Trust Privacy Transparency 8.5 Social Media: The Good, the Bad, and the Ugly Are Social Media Making Us Less Social? Are Social Media Making Us Dumber? Media Careers Looking Back and Moving Forward FURTHER READING Features INTERNATIONAL PERSPECTIVES: Behind the Great Firewall MEDIA PIONEERS: Jack Dorsey CONVERGENCE CULTURE: Are We Really Separated by Six Degrees? ETHICS IN MEDIA: Cybershaming and Cyberbullying: New Twists on Old Problems Chapter 9 Journalism: From Information to Participation 9.1 What Is News? 9.2 The Historical Development of Journalism News Values and the Associated Press Pulitzer and Hearst: The Circulation Wars, Sensationalism, and Standards Joseph Pulitzer William Randolph Hearst The Rise of Electronic Journalism Murrow and News in TV's Golden Age Changes in Television News 9.3 Foundations of Journalism The Hutchins Commission and a Free and Responsible Press Separation of Editorial and Business Operations Fairness and Balance in News Coverage Framing the News Expert Sources 9.4 From Event to Public Eye: How News Is Created Gathering the News Producing the News Distributing the News 9.5 Types of Journalism Alternative Journalism Public Journalism Citizen Journalism Constructive Journalism An International Perspective 9.6 Journalism in the Digital World Nontraditional Sources Online User Habits Personalization Contextualization Convergence 9.7 The Business of Journalism Salaries Diversity in the Newsroom Media Careers Looking Back and Moving Forward FURTHER READING Features MEDIA PIONEERS: Mary Ann Shadd Cary and Ida B. Wells INTERNATIONAL PERSPECTIVES: The Panama Papers CONVERGENCE CULTURE: Digital News Organizations Come into Their Own ETHICS IN MEDIA: What is "Fake News," Exactly? Chapter 10 Public Relations: Building Relationships Through Strategic Communications 10.1 Strategic Communications Persuasive Communications Elaboration Likelihood Model (ELM) The Role of Media in Persuasion 10.2 Public Relations The Historical Development of Public Relations Trends in the Development of Public Relations PR and Media Relations Pseudo-Events Distributing News to the Media in the Digital Age Finding Sources Online PR Firms and the PR Industry 10.3 Changing Trends in PR Media Careers Looking Back and Moving Forward FURTHER READING Features INTERNATIONAL PERSPECTIVES: PR Gets a Red Card at the World Cup MEDIA PIONEERS: Doris E. Fleischman CONVERGENCE CULTURE: Hard Landing for the Airline Industry ETHICS IN MEDIA: Fooling Most of the People Most of the Time . . . Digitally Chapter 11 Advertising: THE POWER OF PERSUASION 11.1 Advertising The Historical Development of Advertising Advertising Agencies Commercial Television Internet The Rise of Branding Selling Products, Selling Ideas Advertising Channels Print Media Electronic Media Outdoor Direct Mail Advertising in a Digital World Cookies Email Marketing Banner Ads Pop-Ups and Video Classifieds and Auction Sites Search-Engine Ads Mobile Advertising In-Game Advertising Behavioral Advertising Viral Marketing Native Advertising The Advertising Business Advertising Agencies 11.2 Changing Trends in Advertising Media Careers Looking Back and Moving Forward FURTHER READING Features MEDIA PIONEERS: Madame C.J. Walker ETHICS IN MEDIA: No Cure for Bad CONVERGENCE CULTURE: Content Marketing: Blurring the Line Between Journalism and Advertising? INTERNATIONAL PERSPECTIVES: Does Marketing Affect What Drugs We Take? Chapter 12 Media Ethics 12.1 Ethics, Morals, and Laws 12.2 Major Systems of Ethical Reasoning Character, or Virtue Ethics The Golden Rule The Golden Mean Virtue Ethics in Action Duties The Categorical Imperative Discourse Ethics Duties-Based Ethics in Action Consequences Utilitarianism Social Justice Consequence-Based Ethics in Action Relationships, or Dialogical Ethics Ethics of Care Moral Relativism 12.3 Issues in Ethical Decision Making 12.4 Role of Commercialism in Media Ethics Media Types Influencing Content 12.5 Ethics in Journalism Privacy Rights Versus the Public's Right to Know Going Undercover Victimizing the Victims Misrepresentation and Plagiarism Society of Professional Journalists Code of Ethics 12.6 Ethical Issues in Advertising Deceptive Advertising Puffery Conflicts of Interest in Advertising Advertising Codes of Ethics 12.7 Ethics in Public Relations Conflicts of Interest in PR Public Relations Codes of Ethics 12.8 Ethics in Entertainment Stereotypes in Entertainment Sex and Violence Media Careers Looking Back and Moving Forward FURTHER READING Features INTERNATIONAL PERSPECTIVES: Global Action: Uniting Women Worldwide Through Social Networks ETHICAL DEBATES: Dialogical Ethics in Action CONVERGENCE CULTURE: Forbidden Fruit MEDIA PIONEERS: Naomi Klein Part 4 Media and Society Chapter 13 Communication Law and Regulation in the Digital Age 13.1 The Legal Framework 13.2 The Foundations of Freedom of Expression National Security Clear and Present Danger Prior Restraint Libel New York Times Co. v. Sullivan (1964) Protecting Journalists Against Libel Shield Laws Censorship The Censorship of Comics The Hays Code Indecent Content Obscenity Criticism, Ridicule, or Humor 13.3 Regulating Electronic Media Early Days and the Radio Act of 1912 (1911-1926) Increasing Regulation and the Federal Radio Commission (1927-1933) The Communications Act and Spectrum Scarcity (1934-1995) The Telecommunications Act and the Internet (1996-Present) International Electronic Media Regulation 13.4 The Federal Communications Commission (FCC) Universal Service The FCC, License Renewal, and Regulatory Power Spectrum Auction 13.5 Regulating Commercial and Political Speech Commercial Speech Tobacco, Alcohol, and Marijuana Advertising Unclear Regulatory Boundaries Political Speech Equal-Time Rule Fairness Doctrine 13.6 Children's Programming Protections The Children's Television Act Violent and Sexual Programming: The V-Chip 13.7 Intellectual Property Rights Fair Use 13.8 Privacy 13.9 Legal Issues in the Digital World Digital Rights Management Privacy Content Rights and Responsibilities Media Careers Looking Back and Moving Forward FURTHER READING Features MEDIA PIONEERS: Andrew Chung, Lawrence Hurley, Andrea Januta, Jaimi Dowdell and Jackie Botts CONVERGENCE CULTURE: The Great Network Neutrality Debate INTERNATIONAL PERSPECTIVES: The Rise and Fall of Russian Media ETHICAL DEBATES: Does the Punishment Fit the Crime? Chapter 14 Mass Communication and Politics in the Digital Age 14.1 Journalism and Political Coverage Politicians Using the News Sound Bites and Horse Races The Changing Tone of Television Political Coverage Opinion Polls 14.2 Political Advertising Impact of Negative Advertising Effectiveness of Negative Advertising 14.3 Politics and Entertainment Political Campaigns and Entertainment Political Debates 14.4 Social Media and Political Campaigns Changes With Social Media Changing Rules for Politicians 14.5 Social Media and Civic Engagement Databases and Government Transparency Smart Mobs 14.6 Political Polarization and Media Habits Media Careers Looking Back and Moving Forward FURTHER READING Features ETHICAL DEBATES: Can Imagery Lead to Action? CONVERGENCE CULTURE: Super PACS and Media INTERNATIONAL PERSPECTIVES: Crowdsourcing Election Monitoring MEDIA PIONEERS: Bill Adair Chapter 15 Global Media in the Digital Age 15.1 Four Theories of International Mass Communication Authoritarian Theory Libertarian Theory Social Responsibility Theory Soviet Theory 15.2 The Public, the Public Sphere, and Public Opinion 15.3 Political and Socioeconomic Issues with Global Media Media in Developing Countries Searching for Truth: Self-Censorship in China The Digital Divide 15.4 Global Media, Local Values New Worlds-Or Cultural Imperialism? Convergence and Its Discontents Globalization of Media Production Global Media Flow Protecting Local Voices Some Developing Nations A Neighbo(u)ring Nation Promoting Global Voices Cybersecurity and Media Media Careers Looking Back and Moving Forward FURTHER READING Features ETHICAL DEBATES: Humor and Ethics: The Role of Satire and Religion CONVERGENCE CULTURE: Breaking News on a Global Scale MEDIA PIONEERS: Steve Chen, Chad Hurley, and Jawed Karim Glossary G-1 Notes N-1 Credits C-1 Index I-1

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Book SynopsisA collective story of the early British games industry. Composed of interviews with 35 people who shaped the modern videogame, including David Braben (Elite), Peter Molyneux (Populous), Rob Hubbard (Commando) and Jeff Minter (Attack of the Mutant Camels), it documents a vibrant period of invention in Britain's cultural history.Table of ContentsPart 1 First Contact 29; Part 2 Money Makers 75; Photo Scrapbook 113; Part 3 Going Pro 129 Part 4 Booming Business 169; Press Clippings 209; Part 5 Game Press 225; Part 6 The Coming of 16-Bit 261; Game Artworks 305; Part 7 Maturing Industry 321; Part 8 End of the Era

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Book SynopsisIn the days before mobile phones, the internet and 24-hour news channels, the easiest way for a British foreign correspondent to find out what was going on in the world was to phone the local office of Reuters news agency and ask: 'Is anything happening?'That's how the award-winning BBC reporter and presenter Robin Lustig started out in journalism, working for Reuters as an agency man. During a distinguished career spanning more than forty years, he watched the world of news change beyond recognition, as he reported on terror attacks, wars and political coups.In this witty and illuminating memoir, Lustig looks back on his life as a newsman, from coming under fire in Pakistan to reporting on the fall of the Berlin Wall; from meeting Nelson Mandela to covering Princess Diana's sudden death.Back in the studio, Lustig lets us in through the BBC's back door for a candid, behind-the-scenes look at some of his triumphs and disasters working for the nation's favourite broadcaster.He writes of his childhood as the son of refugees from Nazi Germany and, drawing on thirty years of reporting about the Middle East, he comes to a startling conclusion about the establishment of the state of Israel. Astute, incisive and frequently hilarious, Is Anything Happening? is both an irresistible personal memoir and an insightful reflection on world events over the past forty-five years.Trade Review"This memoir is everything you would expect from its author: intelligent, shrewd, witty, civilised and great company. He lifts the lid on life within BBC newsrooms and captures the fun of touring the world's trouble spots as an eyewitness to great events and interviewing the lead characters. Along the way, he remindsus why serious journalism still matters." Richard Sambrook, Professor of Journalism, Cardiff University, and former Director, BBC news; "Robin Lustig's memoir is an engaging mix of anecdote, reportage, reflection and the odd bit of gossip - as good a late-night companion as his voice on Radio 4's The World Tonight." Lindsey Hilsum, International Editor, Channel 4 News; "This is a wonderfully evocative and sympathetic memoir. Robin Lustig, a prince of BBC journalism as reporter and presenter for more than twenty years, tells his stories with a range of brilliant and often witty anecdotes, sharp observation and an unstinting generosity of spirit. He has been everywhere and seen much - but there is no cynicism. The humanity of the man shines through." Mark Damazer, Master, St Peter's College, Oxford, and former Controller, BBC Radio 4

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Book SynopsisHow big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back.“[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed.” —The Wall Street Journal“Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires.” —Financial TimesTraditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had ga

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Book Synopsis* Are cultural identities socially constructed?* How are race, nation, sex and gender constructed and represented on television?* What is the impact of globalization on television and cultural identities?This introductory text examines issues of television and cultural identities in the context of globalization. It is a wide-ranging volume, exploring many of the central cultural issues in contemporary cultural studies, such as media, globalization, language, gender, ethnicity, cultural politics and identity - perhaps the topic of cultural studies over the past decade. At the core of the book are two critical arguments - that television is a proliferating resource for the construction of cultural identity, and that cultural identity is not a fixed essential 'thing' but a contingent social construction to which language is central.The book will be essential reading for undergraduate and postgraduate courses on television and cultural identities in the fields of cuTrade Review"As an introduction to cultural studies, with very clear capsule reviews of complex interdisciplinary literatures, it will be a useful supporting text for many cultural geography courses. As a clear introduction to key debates about identity and cultural politics this book is highly successful" - James KnealeTable of ContentsSeries editor's forewordAcknowledgementsIntroductiontelevision, globalization and cultural identitiesDisturbing cultural identitiesGlobal television and global cultureThe construction and representation of race and nationThe construction and representation of sex and genderAudiences, identity and television talkTelevision and the cultural politics of identityTelevision and cultural identitiesa summaryGlossary of key conceptsBibliographyIndex.

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Book SynopsisThe definitive, behind-the-scenes look at why Pokémon's evolution from a single Japanese video game to global powerhouse captured the world's attention, and how the 'gotta catch 'em all' mentality of its fanbase shaped pop culture—and continues to do so today.  More than just a simple journey through the history of Pokémon, Daniel Dockery offers an in-depth look at the franchise’s many branches of impact and influence. With dozens of firsthand interviews, Monster Kids covers its beginnings as a Japanese video game created to recapture one man's love of bug-collecting as a child before diving into the decisions and conditions that would ultimately lead to that game's global domination. With its continued growth as television shows, spin-off video games, blockbuster movies, trading cards, and toys, Pokémon is a unique and special brand that manages to continue to capture the attention and adoration of its eager fanbase 25 years after its initial release. Whether it was new animated shows like Digimon, Cardcaptors, and Yu-Gi-Oh!; the rise of monster-catching video games and trading card games; and more, Pikachu, the king of pop culture in the '90s, opened the doors in America to those hoping to capture some of Pokémon's dedicated fans. In Monster Kids, Dockery combines the personal stories of the people who helped bring Pokémon to the global stage with affection and humor, making this book the ultimate look at the rise of the franchise in Japan and then North America, but also the generation of kids whose passion for 'catching them all' created a unique cultural phenomenon that continues to make a profound impact today.

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Book SynopsisDuring the nineteenth and early twentieth centuries women participated in nearly every aspect of the journalistic process. This work offers a picture of this history by examining the work of these early women journalists and showing how their involvement helped to formulate public opinion in a variety of ways.Trade Review“[C]ompelling . . . . [A] welcome contribution to the fields of both Russian and women’s history. In addition to rescuing a number of intriguing figures from historical anonymity and casting a new light on Russian journalism at a critical juncture, An Improper Profession reminds scholars that women’s history is about more than just adding women into a pre-existing stagnant history. Through sound research and analysis the contributors add credence to the argument that in studying the role of women in the past, historians necessarily and continually redefine traditional fields of study.” - Lynne Hartnett, The Russian Review“[A] welcome addition to Russian gender studies and the history of Russian print culture. The scope of the volume is greater than the title suggests. . . . [A] fresh evaluation . . . . An Improper Profession will undoubtedly encourage further stimulating studies of women and gender in Russian journalism.” - Judith Vowles, Slavic Review"This impressive collection of essays fills an important lacuna in the study of late imperial Russia. . . . Using solid research methodologies, the authors reveal much new important information about the status of Russian women. . . . This collection is very coherent. Each essay flows into the next, following a loosely chronological structure. The choice of topics create a rich tapestry that does much to further our understanding of the complexities of both women and journalism in the period. . . . This volume is highly recommended for students not only of gender and journalism, but of Late Imperial Russian culture and society as well." - Paul du Quenoy, Canadian Slavonic Papers"[A]ccessibly and invitingly written. . . ." - Catriona Kelly, American Historical Review"[A] substantial and absorbing collection of articles. . . . An Improper Profession is a richly conceived and elegantly constructed interdisciplinary volume. . . . The collection will be good reading for several audiences—students in literature, history or area studies courses, specialists in the same fields, and anyone interested in gender studies, women’s studies, the history of journalism, or Russian history and culture." - Sibelan Forrester, Slavic and East European Journal"[A] valuable contribution to our understanding of Russian society. . . . These authors have tremendously extended our knowledge of the diverse and growing forms of women's participation in Russian journalism." - Harley D. Balzer, Journal of Social History“A major contribution to the field of Slavic studies. A work such as this gives scholars a place from which we can begin to rewrite and reconstruct women’s role in Russian politics and culture in prerevolutionary times. This is a prodigious work of scholarship.”— Adele Barker, editor of Consuming Russia: Popular Culture, Sex, and Society since Gorbachev“[A] welcome addition to Russian gender studies and the history of Russian print culture. The scope of the volume is greater than the title suggests. . . . [A] fresh evaluation . . . . An Improper Profession will undoubtedly encourage further stimulating studies of women and gender in Russian journalism.” -- Judith Vowles * Slavic Review *“[C]ompelling . . . . [A] welcome contribution to the fields of both Russian and women’s history. In addition to rescuing a number of intriguing figures from historical anonymity and casting a new light on Russian journalism at a critical juncture, An Improper Profession reminds scholars that women’s history is about more than just adding women into a pre-existing stagnant history. Through sound research and analysis the contributors add credence to the argument that in studying the role of women in the past, historians necessarily and continually redefine traditional fields of study.” -- Lynne Hartnett * Russian Review *"[A] substantial and absorbing collection of articles. . . . An Improper Profession is a richly conceived and elegantly constructed interdisciplinary volume. . . . The collection will be good reading for several audiences—students in literature, history or area studies courses, specialists in the same fields, and anyone interested in gender studies, women’s studies, the history of journalism, or Russian history and culture." -- Sibelan Forrester * Slavic and East European Journal *"[A] valuable contribution to our understanding of Russian society. . . . These authors have tremendously extended our knowledge of the diverse and growing forms of women's participation in Russian journalism." -- Harley D. Balzer * Journal of Social History *"[A]ccessibly and invitingly written. . . ." -- Catriona Kelly * American Historical Review *"This impressive collection of essays fills an important lacuna in the study of late imperial Russia. . . . Using solid research methodologies, the authors reveal much new important information about the status of Russian women. . . . This collection is very coherent. Each essay flows into the next, following a loosely chronological structure. The choice of topics create a rich tapestry that does much to further our understanding of the complexities of both women and journalism in the period. . . . This volume is highly recommended for students not only of gender and journalism, but of Late Imperial Russian culture and society as well." -- Paul du Quenoy * Canadian Slavonic Papers *Table of ContentsContributors List of Abbreviations Note on Dates, Transliteration, and Archival Citations Introduction / Jehanne M Gheith 1. “A Larger Portion of the Public”: Female Readers, Fiction, and the Periodical Press in the Reign of Nicholas I / Miranda Beaven Remnek 2. Redefining the Perceptible: The Journalism(s) of Evgeniia Tur and Avdot’ia Panaeva / Jehanne M Gheith 3. The Development of a Fashion Press in Late Imperial Russia: Moda: Zhurnal dlia svetskikh liudei / Christine Ruane 4. “Provid[ing] Amusement for the Ladies”: The Rise of the Russian Women’s Magazine in the 1880s / Carolyn R. Marks 5. Anna Volkova: From Merchant Wife to Feminist Journalist / Adele Lindenmeyr 6. Meeting the Challenge: Russian Women Reporters and the Balkan Crises of the Late 1870s / Mary F. Zirin 7. Writing for Their Rights. Four Feminist Journalists: Mariia Chekhova, Liubov’ Gurevich, Mariia Pokrovskaia, and Ariadna Tyrkova / Rochelle Goldberg Ruthchild 8. Mariia Pokrovskaia and Zhenskii vestnik: Feminist Separatism in Theory and Practice / Linda Edmondson 9. Journalism as a Means of Empowerment: The Early Career of Ekaterina Kuskova / Barbara T. Norton 10. Sources for the Study of Russian Women Journalists: A Bibliographic Essay / June Pachuta Farris Appendix: Checklist of Women Journalists in Imperial Russia List of Contributors Index

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Book SynopsisCanadian journalist and political insider Dalton Camp left behind a powerful legacy, including books, essays, and newspaper columns on Canadian politics and public policy. To both celebrate his career and continue his passionate efforts to encourage and support the practice of journalism, St. Thomas University has held the annual Dalton Camp Lecture in Journalism since 2002. In cooperation with CBC Radio''s Ideas, the series has become an annual highlight for listeners across the country. Now, for the first time, the Dalton Camp Lectures have been gathered together in one remarkable compilation. Commencing with the foundational address The Best Game in Town by journalist and social activist June Callwood, about her love affair with journalism, and ending with the 2013 lecture The Next Big Thing Has Finally Arrived by New York Times business, media, and culture writer David Carr, the contributors collectively forecast the future of news and the public discussion of ideas in a vastly changing world. Featuring contributions by Callwood and Carr as well as Nahlah Ayed, Sue Gardner, Chantal Hébert, Naomi Klein, Roy MacGregor, Stephanie Nolen, Neil Reynolds, Joe Schlesinger, and Ken Whyte, The Next Big Thing addresses the contemporary practice of journalism like no other book.

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Book SynopsisGroundbreaking study of cross-media ownership allays concerns of content convergence monopolization among newspapers and television.Trade Review[W]hat the authors discovered was rather surprising and intriguing: contrary to popular belief, content-sharing in the Canadian media isn't as widespread as previously thought.... [I]n my view, this important and well-researched study provides a window into a period of time when media convergence was still regarded as a powerful tool-and seems to prove that various concerns may have been overstated. For the most part, TV stations and newspapers owned by the same company don't necessarily think alike, act alike or even report the news alike.... Hence, the identity of each entity, as well as the guiding democratic principles, appears to have remained intact." Michael Taube, Literary Review of Canada, August 2012 [Full review at http://bit.ly/TFtGy8]"The authors report on what is said to be the first in-depth study of top French- and English-Canadian news companies, and illustrates the effects of cross-media ownership on providing news with content sharing." Book News Inc., 2013

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Book SynopsisWhy do Americans have such animosity for people who identify with the opposing political party? Jaime E. Settle argues that in the context of increasing partisan polarization among American political elites, the way we communicate on Facebook uniquely facilitates psychological polarization among the American public. Frenemies introduces the END Framework of social media interaction. END refers to a subset of content that circulates in a social media ecosystem: a personalized, quantified blend of politically informative ''expression'', ''news'', and ''discussion'' seamlessly interwoven into a wider variety of socially informative content. Scrolling through the News Feed triggers a cascade of processes that result in negative attitudes about those who disagree with us politically. The inherent features of Facebook, paired with the norms of how people use the site, heighten awareness of political identity, bias the inferences people make about others'' political views, and foster stereotyTrade Review'Easily the most comprehensive, theory-driven examination of social media and political polarization to date.' Diana Mutz, Samuel A. Stouffer Professor of Political Science and Communication, University of Pennsylvania'Frenemies is compelling social science with an original, provocative claim: our minds see the often non-political bits and pieces that unknown friends of friends reveal about themselves on Facebook and exaggerate them into a phalanx of misguided political opponents. Combine this mechanism with Facebook's scope, and you get a veritable polarization machine that transforms casual chitchat among strangers into bitter if illusionary partisan disagreement.' Markus Prior, Princeton University'Frenemies is a path-breaking and well-researched book. It offers both theoretical and empirical breakthroughs on the political effects of social media. Settle's novel and insightful theoretical framework succeeds where previous scholarship has failed in providing a coherent model for understanding how unique aspects of the social media environment interact with human psychology to influence political attitudes and behavior. She also makes a compelling and strong case that Facebook, of which a majority of Americans use, has contributed to the increase in partisan bitterness and division that we observe today. This book will set the standard in the study of political communication for years to come.' Kevin Arceneaux, Temple University, Pennsylvania'An instant classic … brilliant, [challenges] assumptions that pundits and scholars have about how the process works. The book will set the standard for future media and politics research.' Marc Hetherington, Vanderbilt University, Tennessee'Exhaustively researched, intensely data-driven and featuring an index for ease of reference, Frenemies is a welcome contribution to public and college library Social Issues collections.' Library Bookwatch'Frenemies represents the most comprehensive articulation and treatment of the polarizing impact of social media use available and should be essential reading for scholars who delve into this issue … [it will] appeal primarily to academic audiences.' Robert Faris, Perspectives on Politics'… the first comprehensive and truly novel theory of political communication on social media. The book provides a whole slew of testable hypotheses that should set the agenda for research on this topic for years to come.' Kevin Munger, Public Opinion QuarterlyTable of Contents1. A fundamental change in political communication; 2. Facebook in context: theorizing interaction on twenty-first century social media; 3. The END framework of political interaction on social media; 4. How do END interactions on the news feed psychologically polarize users?; 5. In the eye of the beholder: politically informative news feed content; 6. Political inference from content on the news feed; 7. Biased inference from END interactions; 8. Judging the other side; 9. Erasing the coast of Bohemia in the era of social media; Appendix A; Appendix B.

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Book SynopsisReading Contemporary Serial Television Universes provides a new frameworkâthe metaphor of the narrative ecosystemâfor the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.Table of ContentsAcknowledgementsList of Figures and TablesList of ContributorsEditors’ IntroductionPart I – TheoryChapter 1: New Paths in Transmediality as Vast Narratives: The State of the FieldMatthew FreemanChapter 2: Crossing the Boundaries: Narrative Ecosystems as SemiospheresMarta BoniChapter 3: Evolution in Vampire-Centered TV EcosystemsHéctor J. Pérez and Fernando CanetChapter 4: Audiences and Fan Studies: Technological Communities and Their Influences on Narrative EcosystemsPaul BoothChapter 5: Spin-offs, Crossovers, and World Building "Energies"Derek JohnsonChapter 6: The Evolution of Characters in TV Series: Morphology, Selection and Remarkable Cases in Narrative EcosystemsVeronica Innocenti and Guglielmo PescatorePart II – AnalysisChapter 7: An Italian Ecosystem: GomorraIlaria A. De PascalisChapter 8: Thank God I'm a Country Series. Interacting Environments and Networks in NashvillePaola BrembillaChapter 9: You’re Sherlock Holmes, wear the damn hat! Character Identity in a TransfictionRoberta PearsonChapter 10: The Specificities of the North-European Seriality: Strong Local Voices in a Global Media-WorldHeidi PhilipsenChapter 11: Event TV Drama within Narrative Ecosystems: Extended Seriality and Differing Paratextual Orientations in the 50th Anniversaries of Cult TVMatt HillsChapter 12: The Game of Game of Thrones: Networked Concordances and Fractal DramaturgyAndrew Beveridge and Michael Chemers

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