Media, entertainment, information Books

Book SynopsisSchrader on Schrader is an essential set of dialogues with one of the most genuinely fascinating and uncompromising writer-directors in American film.Raised as a Calvinist and hence forbidden to partake of ''worldly pleasures'' such as movies, Paul Schrader nevertheless defied his upbringing to become first a leading film critic, then a star pupil among the US ''movie brat'' generation of the 1970s: writing the coruscating screenplays for Martin Scorsese''s Taxi Driver and Raging Bull and directing such provocative pictures as Blue Collar, Hardcore and American Gigolo. Maturity has never sated his appetite for attacking ''difficult'' material, from adapting Kazantzakis'' The Last Temptation for Scorsese, to filming the singular lives of Mishima and Patty Hearst.Schrader on Schrader is a tour through this formidable body of work, including some of Schrader''s finest critical essays.

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Book SynopsisThis cutting-edge textbook examines contemporary media business models in the context of Artificial Intelligence (AI) and digital transformation. AI has dramatically impacted media production and distribution, from recommendation engines to synthetic humans, from video-to-text tools to natural language models. AI is really the change agent of the media industry, answered a natural language generation model when AI was asked' about the subject of this book. It will open incredible opportunities. This book seeks to explore them.The media is examined through four sections. Principles' maps business models and the key tools of AI. Platforms' covers distribution channels in Games, Streamers, Social Networks, Broadcast and Digital Publishing. Producers' covers the engines of content-making, including Scripted, Entertainment, Factual, Content Marketing, Creators and Music. Finally, Pioneers' covers emerging sectors of Podcasting, Esports, the Metaverse and other AI-driven develTable of ContentsAcknowledgements. About the Author. Section A: Principles – 1. Introduction, 2. Media Management and Artificial Intelligence, 3. Media Business Models, 4. Overview of AI; Section B: Platforms – 5. Games, 6. Social Networks, 7. Streamers, 8. Broadcasters, 9. Digital Publishers; Section C: Producers – 10. Scripted, 11. Entertainment, 12. Factual, 13. Marketing Content, 14. Creators, 15. Music; Section D: Pioneers - 16. Podcasters, 17. Esports, 18. The Metaverse, 19. Future of the Media Business. Index.

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Book SynopsisFreedom of Information: A Practical Guide for UK Journalists is written to inform, instruct and inspire journalists on the investigative possibilities offered by the Freedom of Information Act. Covering exactly what the Act is, how to make FOI requests and how to use the Act to hold officials to account, Matt Burgess utilises expert opinions, relevant examples and best practice from journalists and investigators working with the Freedom of Information Act at all levels.The book is brimming with illuminating and relevant examples of the Freedom of Information Act being used by journalists, alongside a range of helpful features, including: end-of-chapter lists of tips and learning points; sections addressing the different areas of FOI requests; text boxes on key thoughts and cases; interviews with leading contemporary journalists and figures working with FOI requests.Supported by the online FOI Directory (wTrade ReviewExcellent concept... The topics look right, and the order of presentation makes sense... I am curious why the author doesn’t seem to list journalists associated with the Guardian or the Independent, both of which have made considerable use of FOI. – Jane Kirtley, Silha Professor of Media Ethics and Law at the School of Journalism and Mass Communication, University of Minnesota, USAThe outline looks fully inclusive and suitable for the identified target audience. It might be important to sales, and placement of the book, that the title somehow reflect that it is U.K. specific. – Shannon Martin, School of Journalism, Indiana University, USAFOI is a useful tool for journalists and one increasingly accepted and acknowledged. A guide would be useful and attractive to a wide audience... Throughout I would ensure that there are plenty of case studies and quotes-I would recommend using in- text boxes to give small vignettes and cases throughout the book. Each chapter should end with tips...I would use the interviews to inform the vignettes/cases throughout.– Benjamin Worthy, Department of Politics, Birkbeck College, London, UKI would suggest including Heather Brooke as one of the interviewees for the book, even if she’s written a competing book. Brooke is one of the most effective users of FOI in the UK. – Johan Lidberg, Senior Lecturer in Journalism, School of Journalism, Australian and Indigenous Studies, Monash University, Melbourne, AustraliaThere is good detail on the possible competition from other books. I know all of these and I regard this proposal - if it succeeds - in being potentially better for journalists. – Dr Eamonn O’Neill, Director, MSc in Investigative Journalism, Strathclyde University, UKTable of Contents1. The Act 2. FOI in the media’s view 3. Accessing other information 4. The FOI exemptions 5. How to write a successful FOI request 6. How to utilise FOI 7. Case studies 8. Know your rights 9. Appeals 10. Journalistic considerations 11. FOI Around the World 12. The rise of open data Appendix: Request templates

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Book SynopsisHearing a blast, journalist Anjan Sundaram headed uphill towards the sound. Grenade explosions are not entirely unusual in the city of Kigali; dissidents throw them in public areas to try and destabilise the government and, since moving to Rwanda, he had observed an increasing number of them. What was unusual about this one, however, was that when Sundaram arrived, it was as though nothing had happened. Traffic circulated as normal, there was no debris on the streets and the policeman on duty denied any event whatsoever. This was evidence of a clean-up, a cloaking of the discontent in Rwanda and a desire to silence the media in a country most of whose citizens were without internet. This was the first of many ominous events. Bad News is the extraordinary account of the battle for free speech in modern-day Rwanda. Following not only those journalists who stayed, despite fearing torture or even death from a ruthless government, but also those reporting from exile, it is the Trade ReviewRequired reading … A superb exposé of a dictatorship as he observes how the tentacles of totalitarianism squeeze the life from a society. Bad News is an important book that should shatter any lingering faith people might hold in Kagame’s hideous regime … This is a desolate work, taut prose describing the stifling atmosphere of a nation trapped in fear * Guardian *Superb, timely ... It is nothing less than the best book written about Rwanda by an outsider, a massively important contribution to understanding what is one of Africa's most important, inscrutable, regimes -- Richard Poplak * All In Africa *Powerful and shocking * Sunday Times *Few people have suffered the hideous fate of Rwandans in the modern era. It is shocking, painful beyond words, to see the darkness settling again in a dystopia that is crushing free expression and individual lives. This searing, evocative account provides insights about the human condition that reach far beyond the tragic story of Rwanda -- Noam ChomskyHere is a commanding new writer who comes to us with the honesty, the intensity, and the discerning curiosity of the young Naipaul -- Pico IyerA sensitive writer. He feels deeply and expresses himself richly ... a powerful evocation of the foreign correspondent’s experience * The Times *Anjan Sundaram’s prose is so luscious … that the words come alive and practically dance on the page -- Barbara Demick, author of the Samuel Johnson Prize-winner 'Nothing to Envy'In this thoughtful and evocative book, Anjan Sundaram takes us into the lives of those living under a dictatorship. He chronicles the sacrifices of the brave journalists who try to speak the truth about their own country, the damage those truths inflict on those who bear witness, and the horrors of silence for those who cannot speak. His clipped and lucid prose offers an illuminating look into a place too often ignored by the rest of the world -- Graeme Smith, author of 'The Dogs Are Eating Them Now'Anjan Sundaram is a keen observer and a fine writer. In Bad News, he has rendered a chilling chronicle of the creeping totalitarianism taking hold in Rwanda that is as disturbing as it is unforgettable -- Jon Lee AndersonOne of the finest works of reportage in living memory * The Australian *Sundaram immediately captures the paranoia one feels in a country where citizens are both censored and self-censoring … Delicate and evocative prose … Subtle reminders of the country’s violent past echo throughout the book … This book is a timely one * Irish Times *A chilling and valuable account of conditions inside Rwanda * Sunday Herald *Stark and at times desolate, Sundaram has written a harrowing account of life in “a mirage of a country” where the all-seeing presence of President Kagame has managed not only to destroy free institutions and free speech, but ultimately free thought as well * Irish Examiner *

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Book SynopsisA poignant and very personal childhood memoir of growing up in Cumbria during the Second World War and into the 1950s, from columnist Hunter Davies Despite the struggle to make ends meet during the tough years of warfare in the 1940s and rationing persisting until the early 1950s, life could still be sweet. Especially if you were a young boy, playing football with your pals, saving up to go to the movies at the weekend, and being captivated by the latest escapade of Dick Barton on the radio. Chocolate might be scarce, and bananas would be a pipe dream, but you could still have fun. In an excellent social memoir from one of the UK's premier columnists over the past five decades, Hunter Davies captures this period beautifully. His memoir of growing up in post-war North of England from 1945 onwards, amid the immense damage wrought by the Second World War, and the drearinessTrade Review‘He recalls his childhood growing up in Scotland and Cumbria in the Forties and Fifties, capturing gritty working-class life with humour and charm and painting a vivid picture of that period of social history’ * Press Association *‘A cheery memoir of the Forties and Fifties… In among the rationing and the bombsites, this is really a love story between Hunter and his wife of 56 years, Margaret Forster, who died earlier this year… What sets this book apart, though, is its avoidance of cliché and its determination to reveal everything that might be revealed’ * Daily Mail *'Ken Loach might have turned all this into a powerful social film, but the avuncular Davies sprinkles in so many cheery anecdotes that the book bounces along enjoyably' * Sunday Times *‘Eighty-year-old Davies takes a delightfully irreverent approach to his account of his youth and his days as a rookie journalist. Food was rationed, clothes were utilitarian and life could be rough, but there was fun to be had from friendships, films, skiffle and girls’ * Sunday Express *‘Davies is a wonderful companion, leading readers down memory lane with great chumminess that will really resonate with those of a certain age. This book deserves a place on the shelf beside Alan Johnson’s This Boy as both are vivid memoirs of post-war Britain and testaments to the strength of women; in Johnson’s case his mother and sister, in Davies’s his mother and wife. Margaret Forster died this year. Her drive and intellect blaze fiercely in this book. A fitting tribute’ * Express *

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Book SynopsisZero Dark Thirty meets 127 Hours - a riveting war journal from photographer Paul Conroy, who accompanied Marie Colvin (called by her peers &ldquothe greatest war correspondent of her generation”) during her ill-fated final assignment in Syria.Marie Colvinwas an internationally recognized American foreign war correspondent who was killed in a rocket attack in 2012 while reporting on the suffering of civilians inside Syria. She was renowned for her iconic flair and her fearlessness: wearing the pearls that were a gift from Yasser Arafat and her black eye-patch, she reported from places so dangerous no other hard-core correspondent would dare to go. Paul Conroy, who had forged a close bond with Colvin as they put their lives on the line time and time again to report from the world's conflict zones, was with her when she died. Under the Wire is Paul's gripping, visceral, and moving account of their friendship and the final year he spent alongside her. When Marie and Paul were smuggled into Syria by rebel forces, they found themselves trapped in one of the most hellish neighbourhoods on earth. Fierce barrages of heavy artillery fire rained down on the buildings surrounding them, killing and maiming hundreds of civilians. Marie was killed by a rocket which also blew hole in Paul's thigh big enough to put his hand through. Bleeding profusely, short of food and water, and in excruciating pain, Paul then endured five days of intense bombardment before being evacuated in a daring escape in which he rode a motorbike through a tunnel, crawled through enemy terrain, and finally scaled a 12-foot-high wall. Astonishingly vivid, heart-stoppingly dramatic and shot through with dark humour, in Under the Wire Paul Conroy shows what it means to a be a war reporter in the 21st century. His is a story of two brave people drawn together by a shared compulsion to bear witness.Trade ReviewBookviews "Anyone who has spent any time in a war zone, in combat, or just wondering what it is like will thoroughly enjoy this book. One might say they shared a foxhole or two together and the story he tells is gripping and a great tribute to his friend, a great journalist." Sunday Times "A fine and gripping account of how the brave, rackety band of war reporters and photographers bring the human consequences of war to our breakfast tables." The Times, UK "Paul Conroy's touching memoir...is a tribute to the metier of reporting conflict...It's a touching, if heartbreaking story." Humphrey Hawksley, BBC "A masterpiece, possibly the finest account of war of this generation." Books Examiner "This is an eye-opening account of what journalists go through to tell the world about the atrocities going on in war-torn countries like Syria." Another Opinion David Remnick, The New Yorker "Colvin devoted her life--and gave her life--for the proposition that the truth of history demands witnesses. Her death, like that of so many others, is yet another reminder, as if any more were needed, that experience in the field is no shelter from disaster." Tom Fletcher, British ambassador to Lebanon "Paul's experience is a chilling testimony to what families in Homs are experiencing. We need renewed focus on humanitarian support and to put an end to violence." Booklist "In this tense, hour-by-hour account, he takes readers back to Syria and the events that led to their being behind the battle lines... Colvin was a significant voice in international journalism and will be sorely missed, and Conroy's account is unforgettable." Vanity Fair "In Under the Wire, Conroy relives their odyssey and its harrowing final hours." Publisher's Weekly "Conroy's visceral account is provides readers with a greater appreciation for the work of war correspondents and insight into the sacrifices they make."

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Book SynopsisThe third edition of International Communication examines the profound changes that have taken place, and are continuing to take place at an astonishing speed, in international media and communication. Building on the success of previous editions, this book maps out the expansion of media and telecommunications corporations within the macro-economic context of liberalisation, deregulation and privitisation. It then goes on to explore the impact of such growth on audiences in different cultural contexts and from regional, national and international perspectives. Each chapter contains engaging case studies which exemplify the main concepts and arguments.Trade ReviewDaya Thussu's International Communication is an excellent introduction to global media or international communication. It has excellent historical analysis, somewhat focused on the British Empire and its colonies, but quite comprehensive. It covers all the major issues well and is quite comprehensive. while also being very readable. It uses key case studies well and should intrigue both students new to the subject, as well as more advanced readers. * Joseph Straubhaar, Amon G. Carter, Sr. Centennial Professor of Communication, University of Texas at Austin, USA *In this time of major transformations, contentions and challenges, understanding and conducting international communication is more critical than ever. Thussu's third edition presents the reader with an extraordinarily prescient and penetrating perspective on international communication and its complex contexts. With its vibrant case studies, it is must reading for policymakers and practitioners as well as students. * Nanette S. Levinson, Faculty Director, Internet Governance Lab, School of International Service, American University, USA *This book is an outstanding combination of historical analysis, factual data and coverage of current trends in global media. The research contributes to deeper understanding of media in many regions and countries across the world, which makes Daya Thussu's book a valuable input into global research of media and communications. * Elena Vartanova, Professor, Dean, Faculty of Journalism, Lomonosov Moscow State University, Russia *Table of ContentsIntroduction to the Third Edition Chapter 1: The Historical Context of International Communication Communication and Empire The Growth of the Telegraph The Era of News Agencies Case Study: The Rise of Reuters The Advent of Popular Media Radio and International Communication The Cold War – From Communist Propaganda to Capitalist Persuasion Case Study: Covert Communication – RFE and RL International Communication and Development Case Study: Satellite Instructional Television Experiment The Demand for a New World Information and Communication Order Chapter 2: Approaches to Theorizing International Communication ‘Free Flow of Information’ Modernization Theory Dependency Theory Structural Imperialism Hegemony Critical Theory The Public Sphere Cultural Studies Perspectives on International Communication Theories of the information society Discourses of Globalization A Critical International Communication Theory? International Communication in International Politics Internationalizing International Communication Theory Chapter 3: Creating a Global Communication Infrastructure The Privatization of Telecommunications Free Trade in Communication Products and Services Liberalization of the Telecom Sector Privatizing Space – the Final Frontier Case Study: Intelsat The Global Satellite Industry Regional Satellite Services The Globalization of Telecoms Infrastructure for Internet Who Controls the Internet Infrastructure? Regulating an unregulated global Communication market The ‘T-treaty Trinity’ and Further Digital Deregulation? Implications of a Liberalized Global Communication Regime Chapter 4: The Global Media Market Convergence Global Media Conglomerates Case Study: Murdoch: A Global Media Mogul Televising Sport Globally Global News and Information Networks Case Study: CNN – The ‘World’s News Leader’ Setting the Global News Agenda Chapter 5: The Global and the Local in Media Cultures The Globalization of American Consumer Culture Global Trade in Media Products Public service to Private Profit – European Broadcasting Case Study: Children’s Television – Catching Them Young Hollywood Hegemony Concerns for cultural Diversity Global English Regionalizing and Localizing Media Cultures Global Music Case Study: MTV Adaptation, Hybridity or Hegemony? Cultural Relativism and Revivalism Culture as ‘Soft Power’ Chapter 6: Contraflow in Global Media The Globalization of China’s Media Contraflow in Global Entertainment The Other Hollywood – The Indian Film Industry Case Study: Zee TV – The Globalization of Indian Entertainment Globalization of Geo-linguistic Television The Transnationalization of Telenovelas Case Study: The Dramatic Rise of Turkish TV Dramas Case Study: Hallyu – the Korean Wave Case Study: Nigerian cinema Goes Global – Nollywood Contraflow in Global TV News Case Study: Al Jazeera – The ‘Island’ that Became a Global News Phenomenon The ‘RT Effect’ Contra or Complementary Flows? Cultures of Diaspora and ‘Migratory’ Media Chapter 7: International Communication in the Digital Age Digital Capitalism and a ‘Free Flow of Commerce’ Case Study: The ‘Googlization’ of Global Communication The Facebook Effect Communicating ‘Cyber-Capitalism with Chinese Characteristics’ Internet and Political Communication Case Study: The Globalization of ‘Fake News’ How the Web Has Affected Journalism International Communication as Infotainment and Edutainment Case Study: Infotainment 2.0 Global Edutainment Governance and Regulation in the Digital Age Global Communication: covert Spying and Overt Surveillance Communication for Development The ‘Chindia’ Effect Internationalizing International Communication Studies International Communication: Continuity and Change Glossary Appendix I: A Chronology of International Communication Appendix II: Useful Websites Appendix III: Discussion Questions References Index

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Book SynopsisFrom the author of the Sunday Times Number One Bestseller Fire and Fury: Inside the Trump White HouseRupert Murdoch is one of the greatest deal-makers alive. His companies possess extraordinary political and cultural power. Whether it is the Sun and the rise of Thatcher, BSkyB and the transformation of football, or Fox News and the war on terror, we have been living in the age of Murdoch since the late seventies. But who is he? What drives him? With unprecedented access to Murdoch and his inner circle, Michael Wolff chronicles the astonishing growth of the mogul’s giant media kingdom. Drawing upon hundreds of hours of interviews he offers us a portrait of a Machiavellian titan; overbearing, but loving, father; love-struck husband; and a cynical and brilliant newsman. The resulting book is unrivalled in its intimacy and candour and tells a tale of business that is both the story of a man’s life, and the story of our times.Trade ReviewUp close and personal * Independent *Wolff provides rich insights into the workings of News Corp, his relations with wives and children, his handling of rivals and enemies. He explains all vividly and lucidly, and doesn’t pull his punches * Guardian *Full of interesting titbits and insights * Irish Times *A deeply satisfying experience…full of the kind of detailed ticktock that makes business seem brutally exciting * New York Times *Gripping…fascinating * Los Angeles Times *

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Book Synopsis"How to Do Great Work Without Being an Asshole, a new book by designer Paul Woods, is a practical, illustrated guide that does exactly what the title suggests: It shows you how to be both creative and act like a grown–up at work." – Fast CompanyIt''s long been an accepted, almost celebrated, fact of the creative industries that long hours, chaotic workflows and egotistical colleagues are just the price you pay to produce great work. In fact, this toxic culture is the enemy of creativity, and with greater accountability and transparency in the industry – and more choice for young talent – than ever before, this unsustainable way of doing business is a ticking time bomb.This is a straight–talking, fun read for all creatives: Director or junior, at an agency or client–side, working in design, advertising, publishing, fashion or film.Packed with anecdotes, self–analysis flowcharts (are YOU the asshole?!), humorous graphics, and helpful exercises and action plans for better working practices.Simple strategies can easily be implemented to create a happier, more productive team and – importantly – BETTER WORK!Read this guide to develop the ultimate creative process and bring your productivity and teamwork to a new level.How to Do Great Work Without Being an Asshole addresses hot topics like: • Building a better office culture • Dealing with egos • Meeting etiquette • Best practices for pitching and scoping • Making the most of creative briefings • How to give constructive, clear feedback • Giving better presentations • How to approach workloads and long hours • Guidelines for good client relationships • Hiring and being hired • Firing and being fired • And much more!

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Book Synopsis'Making Media' uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, media work, media management, and media industries. Specific topics highlighted:the history of media industries and production studies; production studies as a field and a research method; changing business models, economics, and management; global concentration and convergence of media industries and professions; the rise and role of startups and entrepreneurship; freelancing in the digital age; the role of creativity and innovation; the emotional quality of media work; diversity and inequality in the media industries. Open Uva CourseThe University of Amsterdam has a open course around the book. The course offers a review of the key readings and debates in media production studies.Trade Review"In a media world that — by its nature — revolves around fast-paced change, this book supplies perspectives to those seeking breadth and depth of occupational opportunities. Simultaneously, it also shows the volatility and complexity of an industry in constant flux." Martin J. Riedl, University of Texas at Austin, in International Journal on Media Management, 2019 "An excellent collection with stellar cast of expert contributors. Three things make this a stand-out: its accessibility, its comprehensiveness, and the fact that it is bang up to date. It will be going straight on my reading list for media and creative industries students." Rosalind Gill, co-author of Gender and Creative Labour (2015) and co-editor of Theorizing Cultural Work (2013), Professor of Cultural and Social Analysis at City University of London, UK "The media industry is changing profoundly, and scholarship needs to evolve in step. This book provides reflective and comprehensive analysis of how social, economic and above all technological forces are transforming the media industry, what this means for the professionals working in it. An invaluable injection of critical analysis in an era where the pace of change is leaving many familiar concepts and constructs outdated." Lucy Küng, author of Going Digital (2017) and Strategic Management in the Media (2016), Google Digital News Senior Research Fellow, Reuters Institute, Oxford University and Professor of Media Innovation at the University of Oslo "This deftly edited collection provides a comprehensive look at how production, practices, and professions in the media have changed under the sway of the powerful information and communication technology sector. The lively and engaging essays will appeal to folks working in the biz as well as to students thinking about a career in the media. This is an exemplary collection of new and original work on the state of the media industries, what it takes to become a media maker, and what it takes out of you." Richard Maxwell, editor of The Routledge Companion to Labor and Media (2015), Professor and Chair of Media Studies at Queens College, City University of New York "The explosion of production studies in the last decade are finally wrangled into a coherent course of study. Making Media enables students to see media industries from a variety of scales, allowing both comparative analysis and roads for in-depth case study research. Looking for a career in the media industries cannot escape critical reflection if students have this well-organized collection at hand." Vicki Mayer, author of Below the Line (2011) and Almost Hollywood, Nearly New Orleans (2017), Louise Riggio and Carnegie Professor of Social Innovation and Entrepreneurship at Tulane University "The media environment is complex and ever-changing, giving rise to new forms and industries, and reconfiguring older ones. It is more important than ever for scholars and students of media to keep pace with how, where and by whom media gets made; and how what counts as both 'media' and 'production' are changing. Richly populated with insights from a high quality, international group of established experts and rising stars, this book is an excellent field guide to contemporary and emerging media production studies." Jean Burgess, co-author of YouTube: Online Video and Participatory Culture (2018), Professor of Digital Media Studies and Director of the Digital Media Research Centre at the Queensland University of Technology in Brisbane, AustraliaTable of ContentsIntroduction 1. Making Media: Production, Practices, and Professions Mark Deuze and Mirjam Prenger Production Research 2. Media Industries: A Decade in Review Jennifer Holt and Alisa Perren 3. Media Production Research and the Challenge of Normativity David Lee and Anna Zoellner 4. Access and Mistrust in Media Industries Research Patrick Vonderau 5. Cultural and Creative Industries and the Political Economy of Communication Bernard Miège 6. The Platformization of Making Media David Nieborg and Thomas Poell Economics and management 7. The Disappearing Product and the New Intermediaries Chris Bilton 8. Value Production in Media Industries and Everyday Life Göran Bolin 9. Transformation and Innovation of Media Business Models Mikko Villi and Robert Picard 10. Shifts in Consumer Engagement and Media Business Models Sylvia Chan-Olmsted and Rang Wang 11. Media Industries' Management Characteristics and Challenges in a Converging Digital World Paolo Faustino and Eli Noam Policy 12. Global Media Industries and Media Policy Terry Flew and Nicolas Suzor 13. Media Concentration in the Age of the Internet and Mobile Phones Dwayne Winseck Practices Innovation 14. Making (Sense of) Media Innovations Arne H. Krumsvik, Stefania Milan, Niamh Ní Bhroin and Tanja Storsul 15. Startup Ecosystems Between Affordance Networks, Symbolic Form, and Cultural Practice Stefan Werning Work conditions 16. Precarity in Media Work Penny O'Donnell and Lawrie Zion 17. Making It in a Freelance World Nicole S. Cohen 18. Diversity and Opportunity in the Media Industries Doris R. Eikhof and Stevie L. Marsden 19. Labour and the Next Internet Vincent Mosco Affective labour 20. Affective Labour and Media Work Eugenia Siapera 21. Affective Qualities of Creative Labour Zelmarie Cantillon and Sarah Baker 22. A Business of One or Nurturing the Craft: Who are You? Ilana Gershon and Mark Deuze Professions Music 23. Music in Times of Streaming: Transformation and Debate Sofia Johansson 24. Popular Music, Streaming, and Promotional Media: Enduring and Emerging Industrial Logics Leslie M. Meier Television 25. Show Me the Money: How Revenue Strategies Change the Creative Possibilities of Internet-Distributed Television Amanda D. Lotz 26. Flexibility, Innovation, and Precarity in the Television Industry Paul Dwyer Social media 27. Creator Management in the Social Media Entertainment Industry David Craig 28. #Dreamjob: The Promises and Perils of a Creative Career in Social Media Brooke Erin Duffy Public relations and advertising 29. Redefining Advertising in a Changing Media Landscape Sara Rosengren 30. Perceptions and Realities of the Integration of Advertising and Public Relations Dustin Supa Digital games 31. Game Production Logics at Work: Convergence and Divergence Aphra Kerr 32. Reflections on the Shifts and Swerves of the Global Games Industry Casey O'Donnell Journalism 33. 'It Never Stops': The Implicit Norm of Working Long Hours in Entrepreneurial Journalism Amanda Brouwers and Tamara Witschge 34. Transmedia Production: Key Steps in Creating a Storyworld Ana Serrano Tellería Conclusion 35. Making Media: Observations and Futures Henry Jenkins, Elizabeth Saad Corr?a, Anthony Fung, and Tanja Bosch

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Book SynopsisA revealing and gripping investigation into how social media platforms police what we post online—and the large societal impact of these decisionsTrade Review“[An] attentive analysis” – Corinna Canali, Tecnoscienza“Gillespie’s book is an important work in the documentation and analysis of content moderation and it will contribute significantly to shaping the landscape of future research in this domain” — Joseph Seering, ConvergenceFinalist for the 2019 PROSE awards, Media and Cultural Studies category"In this lively and entertaining book, Tarleton Gillespie shows us how social media regulate our speech in many different ways, some overt and some hidden. He explains why content moderation is not a peripheral function of social media, but central to their very existence."—Jack Balkin, Yale Law School“Online platforms are defining our technological landscape, shaping our lives online and off. Custodians of the Internet is the exquisitely-drawn map that shows us how they do it.”—Jonathan Zittrain, author of The Future of the Internet and How to Stop It“In this timely and important book, Gillespie deftly reveals the factors that shape social media platforms, and thus our world. Clear-eyed and incisive, a must-read for anyone interested in the influence of platforms, the forces that structure this influence, and crucially how to move forward.”—Zeynep Tufekci, contributing opinion writer for The New York Times and author of Twitter and Tear Gas"Truly stellar. Gillespie’s analysis deftly contextualizes moderation policies on social media platforms, and illuminates how the platforms' underlying values are baked into these policies. The result is essential reading."—Whitney M. Phillips, author of This Is Why We Can't Have Nice Things: Mapping the Relationship Between Online Trolling and Mainstream Culture“No one knows how digital platforms are shaping our lives better than Tarleton Gillespie. This book is an essential guide to the social and technical processes that animate our new media – and to the principles by which we might put them to more democratic ends.”—Fred Turner, author of The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties

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Book SynopsisPress photography is not just a career - it's a way of life - and photojournalists have a ringside seat on contemporary history. This book explains how to capitalise on that ringside seat. Written by an expert in the field, the core skills of the working photographer are detailed, with reference to areas of speciality in news, fashion, royalty, advertising, sport and war photography, and social history issues. Allied essential skills such as caption-writing, keywording and archiving images are also covered. This comprehensive book includes invaluable information on the latest developments in picture transmission, the role of the picture desk in the modern newspaper or news agency, the legal aspects of photojournalism and the rights and moral responsibility of the photographer. Finally, a guide to established career paths into photojournalism offers useful sources for further investigation.

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Book SynopsisCreative Content Kit is a four-step process for creating content strategy, inspired by 'The System of Publishing' theory (Bhaskar, 2013). Each stage contains a set of cards with methods, content types, platforms and tools.The deck of 65 cards is made for content professionals and non-specialist to ideate, test and solve content problems. It provides a helpful visual structure to ease communication in planning alone, with your team and clients.The first stage, Model, consists of cards with methods and tools that help you define the reason why your content needs to exist. You will start with the cards about Audience and progress to work with the cards about Product, Brand or Business.The second stage presents Content types that you can choose to include in your editorial approach. With the information you gather from the previous stage, you will think about what types of content you need to address your audience, aligned with your product/service, brand or business. There are no rules to pick one type or the other, but as you go through the cards, you will know which is a priority for you.Platforms are the channels and frames that will represent and distribute your content. They represent how and where your audience will experience it: videos on Facebook, photos on Instagram, short texts on Twitter, etc. At this stage, you will check your editorial ideas and goals to define which platform best suits it.Finally, you want to ensure your strategy will Reach your audience, to make sure content is not lost or ignored. You can then make use of practical tools, tips and tactics regarding exposure to capture their attention.HOW TOThe cards have numbers, a title, a subtitle - guiding you to make your choices - and body text that will indicate what you can start doing with call-to-action bullet points.Start by thinking about your content problem, the number of people involved, and overall investment. The four steps will serve as a guide, and you will organise and choose the cards according to your needs.There is no limit for the use of cards although it will have an impact on the time you will spend at each stage.

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Book SynopsisEvents have come to play an ever-growing role in marketing; by connecting products and services with experiences and vice versa, producers can create important added value. Events as a Strategic Marketing Tool, 2nd edition describes how events can be used as a strategic tool in marketing practices. Fully updated and with new case studies throughout, this second edition reviews the way organizations use events to connect with their visitors. It covers the development of the experience economy, the steps from strategy to concept, event design and touchpoints. It also considers the areas of marketing within which experiences play a role, such as branding, relationship marketing and city marketing. Concluding with a chapter on effect measurement and evaluation, and including a wealth of internationally relevant examples, the book gives a thorough insight into the way events can help reach strategic marketing goals. With coverage of a wide range of marketing areas, the book also includes content on cutting-edge topics such as neuromarketing, providing students with a comprehensive introduction to using events as part of the marketing mix. Contains numerous international examples that showcase the variety of ways that events can be used A wealth of images illustrate the theory, helping students to visualize concepts and improve understanding. This new edition provides an engaging resource for both students and professionals interested in leisure, tourism and events.Table of ContentsPART I: PLAN 1: Introduction: Using Events as a Strategic Marketing Tool 2: Trends and Developments: Consumers’ Pursuit of Happiness 3: Event Marketing 4: Events and Customer Relationship Marketing 5: Events and Marketing Communication 6: Events and Branding 7: Events and City Marketing: The Role of Events in Cities PART II: DO 8: The Translation of Strategy into Concept 9: Touchpoints Appendices to Chapter 9: Touchpoint Models for Trade Fairs and Corporate Events Appendix 1: Touchpoint Model for Trade Fairs Appendix 2: Touchpoint Model for Corporate Events PART III: CHECK 10: Effect Measurement and Evaluation Appendices to Chapter 10: Effect Measurement and Evaluation Appendix 1: The ROI Model of Jack Phillips Appendix 2: Economic Impact Study – World

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Book SynopsisThe Best Story Wins provides fresh perspectives on the principles of Pixar-style storytelling, adapted by one of the studio’s top creatives to meet the needs of entrepreneurs, marketers, and business-minded storytellers of all stripes. Pixar movies have transfixed viewers around the world and stirred a hunger in creative and corporate realms to adopt new and more impactful ways of telling stories. Former Pixar and The Simpsons Animator and Story Artist Matthew Luhn translates his two and half decades of storytelling techniques and concepts to the CEOs, advertisers, marketers, and creatives in the business world and beyond. A combination of Luhn’s personal stories and storytelling insights, The Best Story Wins retells the “Hero’s Journey” story building methods through the lens of the Pixar films to help business minds embrace the power of storytelling for themselves!

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Book Synopsis"...a timely and entertaining account of how class rivalries as well as political conflicts have shaped and sometimes warped the news industry."—Michael Lind, author of The New Class War: Saving Democracy from the Managerial EliteSomething is wrong with American journalism. Long before “fake news” became the calling card of the Right, Americans had lost faith in their news media. But lately, the feeling that something is off has become impossible to ignore. That’s because the majority of our mainstream news is no longer just liberal; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including “antiracism,” intersectionality, open borders, and critical race theory. How did this come to be?It all has to do with who our news media is written by—and who it is written for. In Bad News: How Woke Media Is Undermining Democracy, Batya Ungar-Sargon reveals how American journalism underwent a status revolution over the twentieth century—from a blue-collar trade to an elite profession. As a result, journalists shifted their focus away from the working class and toward the concerns of their affluent, highly educated peers. With the rise of the Internet and the implosion of local news, America’s elite news media became nationalized and its journalists affluent and ideological. And where once business concerns provided a countervailing force to push back against journalists’ worst tendencies, the pressures of the digital media landscape now align corporate incentives with newsroom crusades.The truth is, the moral panic around race, encouraged by today’s elite newsrooms, does little more than consolidate the power of liberal elites and protect their economic interests. And in abandoning the working class by creating a culture war around identity, our national media is undermining American democracy. Bad News explains how this happened, why it happened, and the dangers posed by this development if it continues unchecked.Trade Review"Batya Ungar-Sargon has demonstrated that the press has fundamentally misdiagnosed the sources of tension in American political life, which are based more on class than race. As the industry has become more aristocratic, it has shed its egalitarian mission statement, devoting itself instead to reinforcing the assumptions of its educated, affluent readership. As a result, the news media is increasingly disconnected from the nation it pretends to serve and is ceding working-class politics to the American right. Ungar-Sargon’s insightful book is an impassioned plea not for objectivity in reporting but for a partiality that benefits the greatest number, even at the expense of a few egos in American newsrooms." —Noah Rothman, associate editor at Commentary magazine, MSNBC/NBC News contributor, and author of Unjust: Social Justice and the Unmaking of America“Bad News is a book that every single journalist and aspiring journalist in the country needs to read. The fact that modern journalism has transformed itself to an upper class profession is blindingly obvious to outsiders, but not well understood within the profession itself. The belief that it's up to journalists to lead public opinion in particular directions and lead them away from 
inconvenient facts is nothing less than a disaster for democracy. It undermines trust and credibility and destroys the likelihood of our citizens having 'shared facts.' Modern news media needs to earn the trust of the public back, and the first step is taking the hard 
medicine in this important book.”—Greg Lukianoff, CEO of The Foundation for Individual Rights in Education and co-author, Unlearning Liberty, co-author, Coddling of the American Mind “Journalism, at its best, provides a necessary check against powerful interests. But what happens when journalists themselves become part of a powerful, elite class, disconnected from the interests of the working class of the country? Batya Ungar-Sargon’s timely book paints a disillusioning picture of the state of 21st century journalism, where dispassionate reporting too often takes a back seat to narrative-driven progressive activism. It offers a clarion call for the most important kind of diversity within newsrooms – an ideological diversity that’s increasingly absent from our country’s leading institutions. If you care about the future of journalism, Bad News is both a wake-up call to the growing threat and a guidebook for how to build back better.”—Josh Kraushaar, politics editor, National Journal“If you really want to understand the contradictions and complexities of the present moral panic, Batya Ungar-Sargon is an extraordinarily incisive guide to the country we share and the journalism that attempts not just to capture but also to shape it. This is a must-read for anyone concerned about the fragmented state of American media and the perpetual culture (read: class) wars that so powerfully undermine it.” —Thomas Chatterton Williams, contributing writer, New York Times magazine, and columnist, Harper’s“In the growing chorus of voices speaking up against ideological conformity in the media and the zombie activism that goes along with it, Batya Ungar-Sargon’s call for sanity and intellectual integrity is full-throated and essential. In Bad News, she peels back the layers of a media apparatus that has incentivized the distortion of reality and pitted our brains against our emotions. In so doing, she offers concrete explanations for a cultural crisis that, for most people, is constantly felt on a visceral level but nearly impossible to understand. Readers will come away with a better understanding. From there, they might feel better, too.” —Meghan Daum, author of The Problem with Everything: My Journey Through the New Culture Wars “This book is like a flash of lightning, giving sudden illumination to one of the main causes of our current cultural dysfunction. This book is essential reading for anyone who wants to understand how we got here, or how we get out.” —Jonathan Haidt, NYU-Stern School of Business, co-author, Coddling of the American Mind ”This lively, provocative, and eye-opening book shows that the cultural symbols of class constitute a forceful engine in American life, even as the prevailing pundit machine tries to remove it from view." —Nancy Isenberg, author of bestselling White Trash: The 400-Year Untold History of Class in America“In Bad News, Batya Ungar-Sargon provides a timely and entertaining account of how class rivalries as well as political conflicts have shaped and sometimes warped the news industry, from the age of yellow journalism to today’s woke media.” —Michael Lind, author of The New Class War: Saving Democracy from the Managerial Elite

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Book SynopsisDocumentary film can encompass anything from Robert Flaherty''s pioneering ethnography Nanook of the North to Michael Moore''s anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov''s artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet''s heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary''s core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of 100 great documentaries that anyone with a serious interest in the genre should see. Drawing on the author''s four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewAlways clear and concise... a welcome addition to the Very Short Introductions series. * The Observer *

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Book SynopsisNorth Korea is like no other tyranny on earth. It is Orwell's 1984 made reality.The regime controls the flow of information to its citizens, pouring relentless propaganda through omnipresent loud speakers. Free speech is an illusion: one word out of line and the gulag awaits. State spies are everywhere, ready to punish disloyalty and the slightest sign of discontent.You must bow to Kim Il Sung, the Eternal Leader and to his son, Generalissimo Kim Jong Il. Worship the dead and then hail the living, the Supreme Leader Kim Jong Un.North Koreans are told their home is the greatest nation on earth. Big Brother is always watching.Posing as a university professor, award-winning BBC journalist John Sweeney travelled undercover to gain unprecedented access to the world's most secret state. Drawing on his own experiences and his extensive interviews with defectors and other key witnesses, North Korea Undercover pulls back the Trade ReviewSweeney's book is a spark in the dark of North Korea. * The Times *The recent UN report on North Korea under-lined the importance of Sweeney's book. There is much to learn from North Korea Undercover. * Literary Review *Harrowing... creepy and poignant; and, in turn, tragic and obscene. North Korea Undercover asserts that the West should be more concerned about labour camps than nuclear weapons. -- Tom Farrell * Sunday Business Post *Explosive and entertaining... Sweeney provides a remarkably vivid look at this hidden country. An investigative must-read. * Booklist *A tremendous piece of reporting. This book is one that we should all read and absorb. * Army Rumour Service *

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Book SynopsisThis book explores the increasing altruistic impulse of the design community to address some of the world's most difficult problems including social, political, environmental, and global health causes at the local, national, and global scale. Each chapter strategically combines theory and practice to examine how to identify causes and locate accurate data, truth and integrity in information design, the information design/data visualization process, understanding audiences, crafting meaningful narratives, and measuring the impact of a design. A variety of international case studies and interviews with practitioners illustrate the challenges and impact of designing for social agendas. These range from traditional media outlets like The New York Times and The Guardian, popular science organizations like National Geographic and Scientific America, to health institutes like The World Health Organization and The Center for Disease Control. This book allows the noTable of ContentsChapter 1 - The Roots of Data-Driven Design Information Design vs Data Visualization Historical Overview Case Study: Harry Stevens, Washington Post Evolution of Form Case Study: Jason Treat, National Geographic, World Plastics Methods and Tools Chapter 2 - Social Good and Empathy Social Good History of Social Design Empathy Case Study: Juanita Londono, Impact Over Form History of Empathy Case Study: Jan Willem Tulp (Tulp Interactive), World Water Atlas Applied Empathy and Humanization Methods Chapter 3 - Collaboration and the Process of Data-Driven Design The Evolution of Design Processes and Data Exploration Case Study: Bryan Christie Design, National Geographic, Katie’s New Face Case Study: Dino Citraro, Periscopic, Pacific Salmon Explorer Collaborative Opportunity Starts Early Case Study: Sophia Aliferi and Courtney Marchese, Fifth Wave Chapter 4 - Truth and Integrity in Data Presentation Data Literacy Best Practices of Honest Data Carbon Footprint, David McCandless Rhetoric and Persuasion Avoiding Misleading Data Case Study: WHO, Violence Info Maps Case Study: Pablo Robles, South China Morning Post Methods - Finding and Cleaning Data Chapter 5 - Crafting a Meaningful Narrative Exploratory to Explanatory Data Functions and Goals of Storytelling with Data Case Study: Martin Krzywinski, The Many Paths of COVID-19 Spread Case Study: Pentagram, Covid-19 Press Briefing Graphics Persuasion and Memorability Narrative Structure and Plot Case Study: Dawn Kai, Reuters, Life in the Camps Case Study: Werner Helmich, GOV | DNA Storyboarding Chapter 6 - Visual Cues Introduction Perception and Gestalt Marks, Type, Color, and Other Graphic Details Case Study: Shin-Yun Chiang, Houston Flooding and Poverty Case Study: Sarthak Kathuria, Georgia Peach W.E.B. Du Bois and Black America The Influence of Isotype Case Study: Institute for Disease Modeling, Malaria Lifecycle Methods and Tools - Making Better Icon Systems Chapter 7 - Measuring Impact, with Laura Willis, PhD Case Study: Nadieh Bremer, The Guardian Goals and Reach Research Methods Evaluation Design Evaluation Materials Common Mistakes and Key Considerations Case Study: Giorgia Lupi, Bruises Conclusion Image Credits Index

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Book SynopsisFrom 1987 to 1995, Bristol, England’s Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country—sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolically “destroyed” it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians—some of them not yet born when Sarah shut down—claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah’s eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.Trade ReviewFascinating ... [A] detailed history of the cult Bristol-based indie ... [White] puts forward a strong case for its worth. * MOJO *White's book offers a series of discrete essays, each one covering a different theme or particular band … [Its] intriguing chapters explore the non-musical idiosyncrasies that made Sarah unique. * The Wire *Michael White expertly puts Sarah into context with a whirlwind tour of early indie-pop … This interesting read [is] very welcome. * Record Collector *A beautiful document in itself [and a 'Top Read of 2015']. * 3AM Magazine *Combining a zine-like zeal for its subjects with a thorough examination of the cultural context that made them special, the interconnected narratives of Popkiss form an IRL internet for people who believe a record is something to hold, cherish and scratch rather than click into the cloud. This is an essential archive of a pivotal moment in UK pop history that was in danger of fading from our collective pre-web memory. * Stuart Berman, Pitchfork Contributor and author of This Book Is Broken: A Broken Social Scene Story and Too Much Trouble: A Very Oral History of Danko Jones *More than the labels that inspired its existence, Sarah Records came to define the indie-pop aesthetic. A great record label needs a great biography, and it's hard to think of anyone who could tell the Sarah story as empathetically as Michael White. Popkiss is a triumph. * Pete Paphides *It’s hard to think of another record company that provoked such strong emotions as Sarah: the label, and the music it released, inspired either undying devotion or implacable loathing. Michael White’s book shines a brilliant light on a strange and unique moment in indie history, illuminating a fascinating, lost world of pop, politics, passion and postal orders. * Alexis Petridis, Head Rock and Pop Critic, The Guardian, UK *White's history is a much-needed document, fleshing out details and explanation for a label and ‘scene’ that has meant so much to so many yet not received the literary attention it deserves … Popkiss is immensely readable and incredibly successful in uncovering the secrets of a record label that was timeless in its output, limited in its lifespan, and for the most part known to only a select few record-philes during its duration. If you were in the know, Popkiss will help you discover Sarah anew. If you weren't, you will find endless rabbit holes down which to venture. Either way, you'll come away pleased. -- Frank Valish * Under the Radar *Table of ContentsAcknowledgements Introduction Chapter One: Songs of Innocence and Inexperience: The Roots of Sarah Chapter Two: “Let’s Just Communicate!”: The 1980s Fanzine Underground Chapter Three: “How Much Do One Thousand Flexidiscs Weigh?”: When Matt Met Clare Chapter Four: “Come to My World”: The Sea Urchins and the Beginning of Sarah Chapter Five: “A Constant Source of Bemusement and Wonder”: The Orchids Chapter Six: “Another Fucking Harvey Band”: The Ubiquitous Harvey Williams Chapter Seven: “Sarah Records Unequivocally Supports a Fully Integrated Light-Rail Rapid-Transit System for the Greater Bristol Area”: Expressions of Civic Pride Chapter Eight: “A Diary of Sorts”: The Field Mice, Northern Picture Library, and the Quicksilver Bobby Wratten Chapter Nine: “I Sometimes Feel So Lost”: Brighter Chapter Ten: Safe Harbour: The Wake and The Hit Parade Chapter Eleven: “I Am Telling You Because You Are Far Away”: Internationalism and Sarah’s Written Communiqués Chapter Twelve: “Atta Girl”: Heavenly, Riot Grrrl and Feminism Chapter Thirteen: Sadness is Unisex”: Blueboy and “the Best Album” Sarah Released Chapter Fourteen: An Economy of Ambition: Sarah’s Short-Term Visitors Chapter Fifteen: “We Had an Outsider’s Perspective”: Sarah’s Foreign Visitors Chapter Sixteen: “A Day for Destroying Things…”: The End of Sarah Chapter Seventeen: The Afterlife of Sarah The Sarah Discography Index

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Book SynopsisWritten by an academic and researcher with over twenty years'' experience in teaching and convening Media Studies courses, Media Studies: A Complete Introduction is designed to give you everything you need to succeed, all in one place. It covers the key areas that students are expected to be confident in, outlining the basics in clear jargon-free English, and then providing added-value features like case studies, and even lists of questions you might be asked in your seminar or exam.The book uses a structure that mirrors the way Media Studies is taught on many university courses. Chapters include essential coverage of the history, organization and production of the media industries, and regulation of the media. The analysis of media texts is covered in detail, as are the issues of identity and gender, the idea of globalization and the shifting face of social media in its many contexts.

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Book SynopsisBringing together leading scholars, this international collection examines different dimensions of ageing and ageism in a range of media and how older adults use and interact with the media.Table of Contents1 Introduction: Ageing in/and the Media - Virpi Ylänne Part I: Framing and Constructing Ageing in Media Reporting 2 ‘Apocalyptic Demography’ Versus the ‘Reckless Generation’: Framing the Third and Fourth Ages in the Media - Paul Higgs and Chris Gilleard 3 Older Adults and the Pandemic in UK News Media - Virpi Ylänne 4 Present Time Witches: Media and the Intersecting Discourses of Age, Gender, and Mental Health in Ghana - Monika Wilińska and Doris Boateng 5 Portrayals of Older People With Dementia in Taiwanese Newspapers - Chin-Hui Chen and Yan-Hua Huang 6 Older LGBTQ+ Persons in Canadian Newspapers - Laura Hurd and Raveena Mahal Part II: Imagined Ageing in Promotional and Fictional Contexts 7 Ageism and the Promotion of Agelessness in Brazilian Advertising - Gisela Castro 8 Visual Ageism on Public Organisations’ Websites - Eugène Loos, Loredana Ivan, Maria Sourbati, Wenqian Xu, Christa Lykke Christensen and Virpi Ylänne 9 Imag(in)ing Ageing Futures in Comics and Graphic Novels - Nicole Dalmer and Lucia Cedeira Serantes Part III: Older Adults’ Interaction With the Media and Media Technologies 10 Advertising Old Men: Swedish Old Men Reflect on ‘Seeing Themselves’ - Karin Lövgren, Linn Sandberg and Jeff Hearn 11 Older Women and Women’s Magazines: Audience, Agency, and Life Course - Dana Sawchuk 12 The Double Logic of Care: Age, Gender, and Media Technologies in Austria - Barbara Ratzenböck 13 Conclusion - Virpi Ylänne

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Book SynopsisThe study of media industries has become a thriving subfield of media studies. It already comprises a diverse intellectual history, a range of fascinating questions and topics, and many theoretical and methodological frameworks.Media Industry Studies provides the roadmap to this vibrant area of study. Blending a comprehensive overview of foundational literature with an examination of the varied scales and sites media industry studies have considered, the book explores connections among research questions, topics, and methodologies. It includes examples from many media industries – film, television, journalism, music, games – and incorporates emerging scholarship considering the industrial contexts of social and internet-distributed media.Offering an account of the intellectual traditions and approaches that have defined the subfield to date, Media Industry Studies is an indispensable resource for upper-level undergraduates, postgraduates, and scholars.Trade Review“Three excellent scholars have provided a concise but remarkably comprehensive survey of a burgeoning field of study. It will be an indispensable introduction for newcomers, and a key reference point for analysts.”David Hesmondhalgh, University of Leeds “For anyone approaching the critical study of media industries, this useful and highly accessible source is packed with valuable insights. The book builds excellent foundations on which to understand the multiple dynamics involved with making media into an ‘industry’ and the roles that media industries play in shaping cultural life.”Paul McDonald, King’s College London“A highly resourceful account of a burgeoning area of research in media studies. … The thoughtfully laid out heuristic models serve as springboards for researchers to take a leap into their respective areas of interests.”Media Practice and Education"A very welcome contribution to a burgeoning area of discussion and debate."Media International Australia‘'Media industry studies present a concise but comprehensive introduction to the different research questions and methods underpinning media industries research. The book provides invaluable insights for readers, researchers and students who want to gain foundational knowledge about the development of media industry studies. (...) This broad overview of approaches to media industry studies offers readers excellent references and additional resources to explore historical and more contemporary studies about media industries.''Anna M. Ozimek, Information, Communication & Society Journal Table of ContentsAcknowledgments Introduction 1 The Origins of Media Industry Studies 2 Individuals and Roles 3 “Production” Cultures 4 Organizations 5 Industries and Practices 6 The Macro View Conclusion: Future Directions for Media Industry Studies Bibliography Index

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Book SynopsisThe heroes of John Pilger''s narrative are the many ordinary people he has witnessed coping with their lives in difficult and often brutal conditions: dissidents in the Soviet Union; victims of conflicts in Vietnam, Cambodia, Africa, India, the Middle East and Central America. They also include the Irish labouring generation of his great-great-grandfather, transported in irons to Australia for uttering ''unlawful oaths''. It is a vivid, engrossing and sometimes blackly amusing personal story covering the periods for which his journalism is renowned. John Pilger has witnessed many of the major world upheavals of the past thirty years, as well as the daily realities of injustices normally hidden from society''s view. His reporting of these events has always been distinguished by his tenaciously researched facts - especially facts that governments and powerful interests would prefer to keep secret - and by his unerring and always compassionate pursuit of the truth.Trade ReviewJohn Pilger is the antidote to easy, comfortable thinking, to smugness, to ignorance. He is necessary * Daily Telegraph *Pilger has a gift for finding the image, the instant, that reveals all. He is a photographer using words instead of a camera -- Salman RushdiePilger is the closest we have to the great correspondents of the 1930s. The truth in his hands is a weapon, to be picked up and used in the struggle against injustice * Guardian *

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Book SynopsisThere''s a war on against the BBC. It is under threat as never before. And if we lose it, we won''t get it back.The BBC is our most important cultural institution, our best-value entertainment provider, and the global face of Britain. It''s our most trusted news source in a world of divisive disinformation. But it is facing relentless attacks by powerful commercial and political enemies, including deep funding cuts - much deeper than most people realise - with imminent further cuts threatened. This book busts the myths about the BBC and shows us how we can save it, before it''s too late.Trade ReviewThis book's value lies in its steady accumulation of myth-busting data ... its urgent conclusion establishes just how much Britain stands to lose if the BBC as we know it falls. -- Dorian Lynskey * Guardian *A "must" for anyone interested in the future of what many regard as Britain's most important cultural institution and our greatest source of "soft power" on the world stage -- The Sunday Times * John Arlidge *After reaching the end of the book's more than 500 pages one is left with two overwhelming impressions. The first is how important the BBC is to the healthy life of the nation and the second, how its very long-term survival is now in doubt after the sustained political and financial attacks it's suffered these past few decades ... Written with wit and panache ... like taking a stroll through the social and political history of Britain from Thatcher onwards -- Ivor Gaber * The New European *A a thorough and perceptive analysis of some of the big challenges facing the BBC, and the malevolent and dishonest forces raging against it -- Patrick Howse * Byline Times *Scrupulously researched... exposes the myths behind the onslaught. The idea of a "silent majority" exasperated by the BBC's liberal values is at odds with trust ratings that put it above every other news provider -- Ian Burrell * Independent *The value of this book is to remind us that arguments against the BBC are often dishonest or partial, often strongly motivated by vested interests - and often hope for its destruction while affecting to hope for its reform. It may make you, as it did me, think that in this accursed year there's something to be said for keeping a-hold of nurse in fear of finding something worse. -- Sam Leith * UnHerd *A frighteningly informative torrent of history, politics, global economics and warm sympathy -- Libby Purves * The Times *Hair-raising -- Polly Toynbee * The Guardian *

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Book SynopsisPractices of Looking, Third Edition, bridges visual, communication, media, and cultural studies to investigate how images and the activity of looking carry meaning within and between different arenas in everyday life. The third edition has been updated to represent the contemporary visual cultural landscape and includes topics like the increasingly rapid global circulation of media, the rise of design and DIY cultures, digital media art and activism, and challenges to photojournalism and news media. Challenging yet accessible, Practices of Looking, Third Edition, is ideal for courses across a range of disciplines.Trade ReviewThe greatest strength of Practices of Looking is its thorough treatment of the conceptual and material landscape of postmodern visual culture, and this definitely distinguishes it from similar textbooks I've seen. * Kent N. Lowery, Texas Tech University *Practices of Looking, Third Edition, is a great and valuable textbook for teaching a broad range of critical and theoretical approaches in modern and contemporary visual practices. * Whitney Huber, Columbia College Chicago *Practices of Looking's ambitions are unparalleled and it's clear that the writers are deeply engaged with the social, psychological and economic consequences of the ways in which images influence how we see ourselves and the world around us. * Jawad Ali, Art Institute of California, Hollywood *The greatest strength of Practices of Looking, Third Edition, is its relentless drive to instill critical awareness in students. This book contributes greatly to promoting the type of visual literacy that is needed in society both now and in the foreseeable future. * William H. Lawson, California State University, East Bay *This is that rarest of textbooks * clear enough for undergraduates and challenging enough to use with graduate students. It is simply the best introduction to the most important issues in thinking about the visual from an interdisciplinary perspective.Michael Coventry, Georgetown University *Table of ContentsAcknowledgementsIntroduction1. Images, Power, and Politics Representation Vision and Visuality The Myth of Photographic Truth Myth, Connotation, and the Meaning of Images Semiotics and Signs Images and Ideology Image Icons2. Viewers Make Meaning Producers' Intended Meanings Aesthetics and Taste Value, Collecting, and Institutional Critique Reading Images as Ideological Subjects Viewing Strategies Appropriation and Re-Appropriation3. Modernity: Spectatorship, the Gaze, and Power Modernity Modernism The Concept of the Modern Subject Spectatorship and the Gaze Power and the Surveillance Gaze The Other Gender and the Gaze Gaming and the Gaze4. Realism and Perspective: From Renaissance Painting to Digital Media Perspective Perspective and the Body The Camera Obscura Challenges to Perspective Perspective in Digital Media5. Visual Technologies, Reproduction, and the Copy Visualization and Technology Visual Technologies The Reproduced Image and the Copy Walter Benjamin and Mechanical Reproduction The Politics of Reproducibility Ownership and Copyright Reproduction and the Digital Image 3D Reproduction and Simulation6. Media in Everyday Life The Media, Singular and Plural Everyday Life Mass Culture and Mass Media Critiques of Mass Culture Media Infrastructures Media as Nation and Public Sphere Democracy and Citizen Journalism Global Media Events7. Brand Culture: The Images and Spaces of Consumption The Rise of Brands as Image, Symbol, and Icon The Spaces of Modern Consumerism Brands in Consumer Society Social Awareness and the Selling of Humanitarianism Social Media, Consumer Data, and the Changing Spaces of Consumption DIY Culture and the Share Economy, and New Entrepreneurism8. Postmodernism: Irony, Parody, and Pastiche Postmodernity/Postmodernism Simulation and the Politics of Postmodernity Reflexivity and Distanced Knowing Jaded Knowing and Irony Remix and Parody Pastiche Postmodern Space, Architecture, and Design9. Scientific Looking, Looking at Science Opening Up the Body to the Empirical Medical Gaze Medicine as Spectacle: The Anatomical and Surgical Theater Evidence, Classification, and Identification Bodily Interiors and Biomedical Personhood The Genetic and Digital Body Visualizing Pharmaceuticals and Science Activism10. The Global Flow of Visual Culture The History of Global Image Reproduction Concepts of Globalization The World Image Global Television The Global Flow of Film Social Movements, Indigenous Media, and Visual Activism The Global Museum and Contests of Culture Refugees and Borders Glossary Credits Index

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Book SynopsisThis is the second major revision of a book universally acclaimed as the definitive history of the documentary film. The final section has been completely rewritten and expanded to take into account the major films and trends of the past nine years. Particular attention has been paid to the growth of documentary film-making in the Soviet Union since Glasnost and the corresponding expansion in the United States, including Ken Burns''s The Civil War, which broke all audience records for Public Television in 1990.Trade Review"This is the best historical overview of that major genre termed 'Documentary' or 'Non-fiction." --Edward S. Small, Phd., University of Kansas "Nothing compares, still." --Amy Villarejo, Cornell University "A reasonably priced introduction to a major area of film making which is all too often left in the shadow of drama. It is both thorough and readable." --Fred Caffney, South Kent College "First rate history--well written, with a coherent and constant focus on the power of the documentary film." --Tom Mullin, Eastern Washington University "The best in its field. I have used the first edition for almost twenty years to great effect. Barnouw is a masterful text writer." --Robert J. Allen, Seton Hall University "This is the basic book for anybody who wants to be a documentary filmmaker. Very good!" --Aleksander Mandis, New York University "A concise, accurate and indispensable book for any lover of documentary film. An indispensable reference and a worthy text for any course on the subject." --Lynne Jackson, St. Francis College "The best general history of documentary available. Concise, yet wide ranging and erudite. A valuable classroom text." --Michael Griffin, University of Minnesota Praise for Previous Editions: "A helpful antidote to the spirit....It presents sign posts to where documentary could be and where it may emerge. Barnouw's style has a clarity and precision that make his books delights to read." --Film Quarterly "The whole panorama has been richly researched and compactly organized into easy prose by Barnouw, writing at the peak of his competence." --Variety "Erik Barnouw puts film history in the mainstream of human history as few others have done before. He reminds us of the powers of film to instruct, exhilarate, excite and deceive, and shows how these powers have been used in our time." --Daniel J. Boorstin "Provides students with a foundation of knowledge from which they can learn, explore, and create." --Ronald A. Hoodak, Elmira College "Indispensable text. I have used Barnouw's book since 1975, and I'm grateful for each updated edition." --Bill Huie, Texas A&M University, Corpus Cristi "Well-written and wonderfully researched. Clear and concise!....I'm very excited using it." --Robert J. de Maria, Washington and Lee University "Superior text. [I've] used it for years and will continue to do so." --Professor E. Scott Bryce, St. Cloud State University "I will almost certainly use it when I next teach the class."--Professor Edward S. Small, University of Kansas "Very good overview."--Mike Duvall, Saugamon State University "This knowledgeable chronicle and advocacy of the documentary is marked with the poetry of Barnouw's own appreciation of the medium." --William Judson, University of PittsburghTable of Contents1.: Glimpse of Wonders Prophet 2.: Images at Work Explorer Reporter Painter 3.: Sound and Fury Advocate Bugler Prosecutor 4.: Clouded Lens Poet Chronicler Promoter 5.: Sharp Focus Observer Catalyst Guerilla 6.: Movement

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Book SynopsisHow advertising works is not a question that has a simple answer. Advertising is a diverse entity and different campaigns work (or fail to work) in a plethora of different ways. Most advertising persuades people to buy things, but how? And who does it aim to persuade? And how are these decisions made? In this Very Short Introduction Winston Fletcher, an expert with extensive knowledge of advertising from the inside, aims to answer these questions, and in doing so, dispels some of the myths and misunderstandings surrounding the industry.The book contains a short history of advertising and an explanation of how the industry works, and how each of the parties (the advertisers , the media and the agencies) are involved. It considers the extensive spectrum of advertisers and their individual needs. It also looks at the financial side of advertising and asks how advertisers know if they have been successful, or whether the money they have spent has in fact been wasted.Fletcher concludes with a discussion about the controversial and unacceptable areas of advertising such as advertising products to children and advertising products such as cigarettes and alcohol. He also discusses the benefits of advertising and what the future may hold for the industry.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Table of Contents1. What does advertising do? ; 2. The structure of the advertising industry ; 3. Advertisers: the paymasters ; 4. The media: blowing the trumpet ; 5. The agencies: (i) creating the ads ; 6. The agencies: (ii) spending the clients' money ; 7. Research, research, research ; 8. The good, the bad and the ugly ; 9. The benefits of advertising

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Book SynopsisIn this engaging and readable book, Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires. He recounts how the studio system rose out of the ashes of Thomas Edison''s trust to create the handful of companies that have dominated global screens and imaginations for more than 100 years. Throughout, he reveals that the elements we take to be a natural part of the Hollywood experience--stars, genre-driven storytelling, blockbuster franchises, etc.--are really the product of cultural, political, and commercial forces. In many ways, Hollywood has remained the same for over a century. It has always been a global industry based in the U.S., and its storytelling has always unfolded across media, adapting plays, book, and comics and spinning off product tie-ins, television series, and social media campaigns. But major events have also continually remade Hollywood. The studios have weathered wars, disruptive new technologies, and competition by adopting a strategy of risk management and assimilation. This book explores the challenges of new technologies, including sound, home video, and computer graphics. And it examines Hollywood''s responses to World War II, independent film movements, and regulations imposed by Washington.Hollywood: A Very Short Introduction is filled with discussions of well-known movies, stars, and directors, encapsulating the past century of research on Hollywood while adding many original insights and stories. It is the perfect introduction for readers who want to better understand the history and functioning of our screen-saturated world.ABOUT THE SERIES:The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade Review"Peter Decherney has literally written the book on Hollywood-everything you ever needed to know about the history of the film industry in eight captivating chapters." --Stacey Snider, Co-Chair, 20th Century Fox "Peter Decherney has proven that brevity truly is the soul of wit. Hollywood: A Very Short Introduction is not only a great (and very quick) read; it's incredibly insightful when it comes to explaining how movies have evolved, both creatively and financially, over the last century. If you love movies you'll love this book." --Dick Wolf, producer of Law & Order "Peter Decherney - setting the scene by pointing out how unnatural, crisis-prone and risky a business Hollywood has always been - weaves a beguiling narrative. He takes the reader from the days of Edison's kinetoscope to digital post-production equipment, always alert to the fact that this now century-old success story which is the American film industry only survived the many changes in technology, business models and audience tastes, because it held fast to a few fundamental principles, such as keeping corporate control, managing risk and extending audience access. Briskly told, integrating the latest scholarship while not losing pace or momentum, Hollywood: A Very Short Introduction captures the essentials without ever sacrificing nuance." --Thomas Elsaesser, University of Amsterdam "Peter Decherney gives us a whirlwind ride from Edison to You Tube in his Hollywood: A Very Short Introduction.R" --Roger and Julie Corman, filmmakersTable of ContentsIntroduction: Five Theses on the History of Hollywood ; 1. Before Hollywood ; 2. The Studio System ; 3. Sound and the Production Code ; 4. Hollywood at War ; 5. The Blacklist and Cold War ; 6. The New Hollywood ; 7. Home Video and Indiewood ; 8. Digital Cinema and the Internet

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Book SynopsisThis book explores the role of photographs in newspapers and online news, analyzing how meanings are made in images and exploring text-image relations, illustrated with authentic news stories from both print and online news outlets.Trade Review“This book is richly illustrated and provides a careful account of the tools available, effectively demonstrating how they can be applied, as well as how Caple has developed them to apply more closely to news images. … this is a worthwhile and timely contribution to the field of news discourse, which Caple has rightly demonstrated as, for all intents and purposes, multimodal.” (Helan A. Sissons, Communication Research and Practice, Vol. 3 (1), 2017)"[Caple's] knowledge base and experience make for some interesting research." - CHOICE "By presenting a systematic analysis of press photographs and providing a set of useful tools for their interpretation, Photojournalism: A Social Semiotic Approach successfully redresses the imbalance between words and images in news discourse studies, and its insightful account of text image relations, in particular, constitutes a timely and valuable contribution to the area of multimodal discourse analysis." - Discourse & CommunicationTable of Contents1. Introducing the Multisemiotic News Story 2. News Values and the Multisemiotic News Story 3. The Multiple Functionality of News Images 4. Composition and Aesthetic Value in Press Photography 5. Text-image Relations in News Discourse Part 1: Image as Nucleus 6. Text-image Relations in News Discourse Part 2: Image as Satellite 7. Text-image Relations in News Discourse Part 3: Sequences of Images 8. Evolving Practices

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Book SynopsisThis volume meditates on the various meanings of legitimation and expands on the notion that language can be used to gain or preserve it by demonstrating the added impact of other modes in specific examples of political and institutional discourse. The book draws on a multilayered framework that builds on and integrates work from both critical discourse analysis and social semiotic traditions, as well as the work of philosophers such as Habermas, Weber, and Rousseau, to show how it might be applied in practice to analyse and understand myriad forms of discourse. The volume focuses on examples from political campaign spots, which highlight various modes, including images, film, oratory, and color, but are also of global relevance and scale, highlighting their unique and complex position at the nexus between legitimation and multimodality. Offering a new analytical framework for understanding legitimation across a range of discursive contexts, this book will be of particular interest Table of ContentsContentsList of figures Formal acknowledgmentsINTRODUCTION1. LEGITIMATION AND MULTIMODALITY IN DISCOURSE: KEY FIGURES AND CONCEPTS Aristotle Bourdieu Foucault Latour Orwell and ChomskyCritical Discourse Analysis ~ Critical Discourse Studies Van Dijk Van Leeuwen2. THEORETICAL FRAMEWORK Introduction Analytical Gap Blending Theoretical Approaches Theoretical Framework Key Notions and Terms 3: LEGITIMATION Introduction Rationality Rationality and Legitimation Dichotomies and Dualisms Irrationality Irrationality and Legitimation Legitimating the Irrational Rationality and Legitimation in Romanticism Rationality and Legitimation in Modernism Mythology and Legitimation Technology and Legitimation 4: LEGITIMATION, MODE, GENRE, AND CONTEXT: THE COMPLEXITY OF THE POLITICAL AD The Transferability of the Arts Dada and Surrealism: Their Politics and Paradoxical Legacy The Russian Avant-Garde, Eisenstein and Soviet cinema Adorno, Eisler, and the De-legitimation of Mass Cultural Products Inverted Modal Salience and MusicIntroduction Genre of Political Ads Legitimation by the Multimodal Affordances of a Speech ‘Yes We Can’ (2008) Multimodal Re-contextualisation in a Supporting Role Legitimation through Genres Background ‘Don’t Vote Alone’ (2008) Legitimation through Multimodally Realised Genre and Register Legitimation and Semiotic Simultaneity Background ‘Don’t Know Much’ (2008) Legitimation through Semiotic Simultaneity Conclusion 5: NATURALLY Introduction Persuasion, Naturalisation, and Bourdieu The Expedience of Uncertainty ‘Daisy’ (1964): Emotional Advertising Unmodern Resonances Children in/as Nature Children and Politicians Children and Innocence ‘Icecream’ (1964): Protecting Childhood ‘Dangerous World’ (2000), ‘Changing World’ (2004), and ‘Ashley’s Story’ (2004): Childhood Threatened Deciphering the Body Child as Savage‘Poverty’ (1964), ‘The Threat’ (1996): Childhood Changed Metaphorical Nature ‘Victory’ (2004) Metaphor and Multimodality ‘Bear’ (1984) ‘Wolves’ (2004) ‘Polar Bears’ (2008) and ‘Wolves (II)’ (2008) Nature as Environment ‘Orbiting’ (1984) ‘National Parks’ (1956) ‘Harbor’ (1988) and ‘Bay’ (1988) ‘Matters’ (2000) Theoretical Framework Applied ‘The Threat’ (1996), Dole ‘Matters’ (2000), Gore Typology 6: SELLING SCOTTISH INDEPENDENCE Introduction ‘Two Futures’ (2013) Legitimation and National Identity Analysis Multimodal Resources Pragma-strategic Level Justificatory Schema Legitimation as a Process Legitimation as a Quality Discourse-Historical Moral Evaluation 7. LEGITIMATION IN OTHER DISCIPLINES AND CONTEXTS Cartography Communication with Hazard Maps in Central America Organization and Management Studies The Law Critical Legal Studies The Heat of Passion Doctrine ‘Adequate Provocation’ and the ‘Reasonable Man’ Fear, Anger, and Agency Incitation Ad: ‘Willie Horton’, Hate as strategyLiterature ‘Measure for Measure’: Legitimation and the Law Literature = Legitimate? Art Art and Value Art and the Body 8. TRUTH AND LEGITIMATION Truth and ExpertiseTruth, Truths, and Lies Free Speech, ‘Safe Spaces’, Algorithms and Echo Chambers POSTSCRIPT

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Book SynopsisJohn Szczepaniak is a journalist and novelist. He's written for Retro Gamer, GamesTM, Official PlayStation Magazine, Game Developer Magazine, Gamasutra, The Escapist, GameFAN MkII, nRevolution, 360 Magazine, Play UK, X360, Go>Play, Next3, The Gamer's Quarter, Retro Survival, NTSC-uk, Tom's Hardware Guide, Insomnia, GameSetWatch, Shenmue Dojo, Pixel Nation plus others. Alex Wiltshire is a journalist, writer and a former editor of Edge magazine. He edited Britsoft: An Oral History, and is author of several books, including the bestselling Minecraft Blockopedia. He is senior narrative editor at Mojang, and writes a column about game design for Rock Paper Shotgun.

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Book SynopsisShows how autocrats structure interaction between citizens and leaders to manage information dilemmas and build regime legitimacy. Uses interviews, original surveys, and text analysis to highlight the tools used by Russian President Vladimir Putin to reinforce his now twenty-year ruleand how these tools may backfire against the regime.

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Book SynopsisXie and Chao present a collection of research on mobile communication in Asian communities and countries such as Bangladesh, China, India, Japan, and South Korea. With chapters written by scholars from diverse cultural and institutional backgrounds, this book provides both localized and comparative perspectives on mobile communication research. Exploring the way mobile apps are used in daily life in Asian countries, Xie, Chao, and their contributors analyze how mobile apps improve lives, help people build relationships, sustain communities, and change society for the better. They look at areas including the role of mobile apps in public service delivery and access, family communication, cultural norms and identities, organizational communication, and intercultural communication. The investigation of these topics elevates the understanding of the cultural, familial, interpersonal, organizational, and intercultural consequences of mobile communication in a global context. ThrouTable of ContentsTable of ContentsList of illustrationsAcknowledgementsList of contributors Introduction Ming Xie Part I Mobile Communication in the Private Sphere WeChat Gaming, Learning, and Midlife Empty Nest Dongdong Yang, Kenneth Lachlan, Ye Chen Social Media Portrayal of Housewives and Gender Issues in Chinese Society: A Perspective of Digital Feminism Framework Ming Xie and Chin-Chung Chao Facebook-Based Mental Health Discourse in Bangladesh: Self-Disclosure, Social Support, Consultation Simu Dey and Josh Averbeck Part II Mobile Communication in the Organizational Sphere Mobile Communication as Disaster Response Infrastructure for Cross-Sector Coproduction: A Field Study of Mobile Apps in China Flood Seasons Minshuai Ding Livestream E-Commerce: The New Social Norm and Its Impact on Chinese Culture Ping Yang How do Non-Governmental Organizations (NGOs) in India Focusing on Mental Health use Instagram? Roma Subramanian Part III Mobile Communication in the Public Sphere A comparative analysis of mobile-use and laptop-use on Indian Health Promotions on Twitter: An application of LDA topic model Md Enamul Kabir and Louisa Ha Health Information Seeking via WeChat, Social Determinants, and COVID-19 Vaccination Intentions: An Exploratory Study Li Chen, Yafei Zhang, Ge Zhu Mobile Media and Social Movements: From Shahbag to Shaheen Bagh Shudipta Sharma Part IV Mobile Communication in the Networked Society Reclaiming Power on Social Media: A Networking Analysis of #VeryAsian Movement on Twitter Lei Guo and Jeremy Lipschultz Mobilized Cultural Identities: Digital Friendship and Identity Maintenance among Immigrant Japanese Wives Min Wha Han "Respectfully, Pls Ask Someone Else": Pride & Shame in International K-Pop Fandom Samantha James Forward Looking of Mobile Communication in Asian Society Ming Xie

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Book SynopsisA comprehensive and critical introduction to understanding the Korean Wave (Hallyu) as a transnational media phenomenon.This book provides an accessible introduction to the Korean Wavethe rapid growth of local cultural industries and the global popularity of Korean popular culture over the past 30 yearsproviding historical, political, economic, and socio-cultural context to its initial rise and enduring popularity. Jin explores the transnational cultural flows of Hallyu across a variety of products and digital technologiesfrom television dramas, film, and K-pop to online games, and webtoonsand explains the process of cross-media convergence and the socio-political contexts behind the Hallyu phenomenon. He also explores how overseas fans and audiences advance K-pop fandom as social agents in different geo-cultural contexts. The book concludes by discussing if Hallyu can become a sustainable global popular culture beyond a fan-based regional cultural phenomenon. Each chaptTable of Contents1. Introduction Part I. History, Theory, and Context of The Korean Wave 2. The History of the Korean Wave 3. Theoretical Approaches: From Cultural Proximity to Transnational Proximity 4. Cultural Policy in the New Korean Wave 5. Soft Power and Cultural Diplomacy 6. Local Cultural Industries toward the Global Cultural Markets Part II. Transnational Korean Wave 7. The New Wave in K-dramas in the Digital Platform Age 8. K-pop Fandom from Global Perspectives 9. Korean Cinema as Hallyu Cinema 10. Transnational Digital Games and Esports Part III. Problematizing the Korean Wave 11. What is the K in the Korean Wave? 12. Diaspora, Ethnicity, and the Korean Wave 13. BTS and Fan-nationalism 14. Webtoons, Transmedia Storytelling, and Intellectual Property

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Book SynopsisWith growth in access to high-speed broadband and 4G, and increased ownership of smartphones, tablets and internet-connected television sets, the internet has simultaneously begun to compete with and transform television. Online TV argues that these changes create the conditions for an emergent internet era that challenges the language and concepts that we have to talk about television as a medium. In a wide-ranging analysis, Catherine Johnson sets out a series of conceptual frameworks designed to provide a clearer language with which to analyse the changes to television in the internet era and to bring into focus the power dynamics of the online TV industry. From providing definitions of online TV and the online TV industry, to examining the ways in which technology, rights, interfaces and algorithms are used to control and constrain access to audiovisual content, Online TV is a timely intervention into debates about contemporary internet aTrade Review'Online TV offers a comprehensive framework for discerning television's expansion to internet distribution and cogently explores how new capabilities blend with persistent features to evolve our understanding of the medium.'Amanda Lotz, Queensland University of Technology, Australia'When today’s television or media scholar isn’t watching Netflix, BBC iPlayer, and co., we should be trying to work out what they represent, and how they change or develop our traditional structures of thinking about television. Online TV does an amazing job at answering those questions, a spectacular account of where we are and how it all matters. Required reading for us all.'Jonathan Gray, University of Wisconsin–Madison, USA'In Online TV, Catherine Johnson cuts through the hype of digital disruption to provide an immensely valuable set of critical concepts for understanding television industries. Covering everything from interfaces to infrastructure – and highlighting historical continuities as well as changes – this book sets a new agenda for television research.'Ramon Lobato, RMIT University, Australia'Online TV is engaging, provoking and practical, and provides valuable conceptual tools ‘with which to trace the varied, dynamic and volatile ways in which power is enacted as online TV expands and develops around the world’ (165).'Alexa Scarlata review for Journal of Digital Media & Policy'Catherine Johnson’s excellent book undertakes ‘the task of unravelling [the] tangled ball of wool’ (p. 158) that is television in the internet era. It is daring to take on the woolly thinking of everyone from UK politicians taking a pop at the BBC to confused TV professionals, via the current generations of students who display startlingly diverse patterns of media use. Fortunately, Johnson’s careful and logical exposition begins with a series of concepts that are likely to become standard.'John Ellis review for Critical Studies in Television'Online TV offers a comprehensive framework for discerning television's expansion to internet distribution and cogently explores how new capabilities blend with persistent features to evolve our understanding of the medium.'Amanda Lotz, Queensland University of Technology, Australia'When today’s television or media scholar isn’t watching Netflix, the BBC iPlayer, and co., we should be trying to work out what they represent, and how they change or develop our traditional structures of thinking about television. Online TV does an amazing job at answering those questions, a spectacular account of where we are and how it all matters. Required reading for us all.'Jonathan Gray, University of Wisconsin–Madison, USA'In Online TV, Catherine Johnson cuts through the hype of digital disruption to provide an immensely valuable set of critical concepts for understanding television industries. Covering everything from interfaces to infrastructure – and highlighting historical continuities as well as changes – this book sets a new agenda for television research.'Ramon Lobato, RMIT, AustraliaTable of ContentsChapter 1: From broadcast to online TVChapter 2: Defining online TVChapter 3: Online TV industry and technologiesChapter 4: Online TV content production and distributionChapter 5: Online TV interfacesChapter 6: Online TV data and algorithmsConclusion: The volatility of online TV GlossaryIndex

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The Game Production Toolbox focuses on the nuts and bolts of producing interactive content and how you can organize and support the creative, technical, and business efforts that are all part of interactive game development. This book isn't going to tell you how to design a game or what technologies to use. Instead it provides techniques for and insights into managing, from concept to release, all the pieces that must come together in order to get a game into the hands of a player. Readers will learn about each phase of game production: prototyping, defining the requirements, assembling the team, making the game, and releasing to the players. Interviews from professional game developers give a behind-the-scenes look at what it takes to make a game. Key Features A framework for how to get an interactive game from concept to release, including information on financing and pitching to publishers and investors. Techniques for

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Book SynopsisDescribed by a former senior Intelligence official as a long-term thorn in the side of the intelligence establishment', Richard Norton-Taylor reveals the secrets of his forty-year career as a journalist covering the world of spies and their masters in Whitehall.Early in his career, Norton-Taylor successfully campaigned against official secrecy, gaining a reputation inside the Whitehall establishment and the outside world alike for his relentless determination to expose wrongdoing and incompetence. His special targets have always been the security and intelligence agencies and the Ministry of Defence, institutions that often hide behind the cloak of national security to protect themselves from embarrassment and accountability. Encouraged by his trusted contacts in intelligence agencies and Whitehall departments, Norton-Taylor was among the first of the few journalists to consistently attack the planned invasion of Iraq in 2003, and subsequently covered the devastating evidencTrade ReviewAn entertaining and timely book, written by a fine reporter who has made a habit of speaking unwelcome truth to power. * The Observer *Fans of Norton-Taylor’s reporting will enjoy The State of Secrecy, which reprises and updates his admirably determined efforts on these and other topics. Vivid vignettes depict the blunders and quirks of the secret world. He excoriates attempts to suborn friendly journalists with thrills and scoops, and to smear or bully those who write “unhelpful” articles. * Financial Times *A lifetime of experience in why, when and how officials prevaricate or lie has trained [Norton-Taylor] to make proper use of an investigative journalist’s best source: the leak. * London Review of Books *When it comes to matters of defence and security Norton-Taylor is probably Britain’s most perceptive, persistent and best informed commentator … He has succeeded (in exposing the mindset which encourages the fetishisation of official secrecy) brilliantly. * The Irish Times *Readable, well-structured ... [A] well-timed book. * Standpoint Magazine *Lively and revealing. * CHOICE *A hugely welcome contribution from Richard Norton-Taylor … providing a richly informed discussion of the relationship between the British security system and the press. * openDemocracy *In a finely written memoir that every student and observer of British politics and journalism must read, Norton-Taylor rightly identifies secrecy as the British disease which stifles and undermines democracy in this country. It's a classic of telling truth to power from a formidable journalist of real integrity. Uniquely, among British journalists, Norton-Taylor had access to sources at the highest levels of the civil service and the intelligence services but didn't fall for their blandishments and lies. Often faced with deliberate official obstruction and, sometimes, employer indifference, he doggedly pursued stories when the media circus had moved on. In forensic detail and with controlled anger Norton-Taylor revisits the stories, scandals and events which have now drifted back into history but which illustrate the enduring power of secrecy to deny citizens access to truth. * Dr Stephen Dorril, author of MI6: Fifty Years of Special Operations *Table of ContentsIntroduction 1. Heroes and Hacks 2. Poachers and Gamekeepers 3. City of Myths and Contradictions 4. Culture and Language of Secrecy 5. Secrecy Obsessed 6. History is an Official Secret 7. Spies - 1 8. Spies - 2 9. Provoking Terror 10. Chilcot Redux 11. Defending the Past 12. Defending the Future

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Book SynopsisA selection of letters by the pacifist and noted art critic Clive Bell, expertly annotated by his biographerTrade Review"This is a remarkable edition of Clive Bell's letters, expertly introduced and annotated by his biographer, Mark Hussey. From Bell's central position in the Bloomsbury Group, these witty and moving letters illuminate transnational networks of intimacy and artistic debate. This volume is essential and engaging reading for anyone interested in modernism and the arts." -Anna Snaith, King's College London

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Book SynopsisA selection of letters by the pacifist and noted art critic Clive Bell, expertly annotated by his biographer

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Book SynopsisIn Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism. Drott''s analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situaTrade Review“Streaming Music, Streaming Capital is terrific. Eric Drott offers us an assured and learned guide to understanding recorded music in the present conjuncture and likely for years to come. As a study of the political and psychic economies of music streaming, it is unparalleled and will be a must-read.” -- Sumanth Gopinath, author of * The Ringtone Dialectic: Economy and Cultural Form *“Eric Drott offers a much-needed analysis of recorded music, online streaming, and their mutual mediation. With its incorporation into digital platforms, music’s oft-celebrated power to connect takes on new significance as it becomes, simultaneously, a lucrative asset, a service to rent, a means of data accumulation, and an extraeconomic resource. Drott’s fascinating examination of this new music economy’s coherences and contradictions deserves to be widely read.” -- Marie Thompson, Senior Lecturer in Popular Music, The Open University“For those awaiting the definitive critical interrogation of the global music streaming economy, Eric Drott has provided a consummate account. Drott refuses the fallacy of music’s exceptionalism, and in this skilled reading music portends many of the wider crises characterizing our world.” -- Georgina Born, Professor of Anthropology and Music, University College LondonTable of ContentsAcknowledgments ix Introduction 1 1. Streaming Music 22 2. Streaming Capital 63 3. Music as a Technology of Surveillance 101 4. Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists 144 5. Streaming, Cheap Music, and the Crises of Social Reproduction 193 Epilogue 235 Notes 255 Bibliography 307 Index 331

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Book SynopsisThis collection examines law and justice on television in different countries around the world. It provides a benchmark for further study of the nature and extent of television coverage of justice in fictional, reality and documentary forms. It does this by drawing on empirical work from a range of scholars in different jurisdictions. Each chapter looks at the raw data of how much "justice" material viewers were able to access in the multi-channel world of 2014 looking at three phases: apprehension (police), adjudication (lawyers), and disposition (prison/punishment). All of the authors indicate how television developed in their countries. Some have extensive public service channels mixed with private media channels. Financing ranges from advertising to programme sponsorship to licensing arrangements. A few countries have mixtures of these. Each author also examines how "TV justice" has developed in their own particular jurisdiction. Readers will find interesting variations and thought-provoking similarities. There are a lot of television shows focussed on legal themes that are imported around the world. The authors analyse these as well. This book is a must-read for anyone interested in law, popular culture, TV, or justice and provides an important addition to the literature due to its grounding in empirical data.Trade ReviewThe survey, within its chosen and well defined limits of scope and approach, offers, first and foremost, reliable quantitative affirmation of the American dominance of law and justice on TV (with the exception of the UK), and of the dominance of series featuring police focus over lawyer and punishment focus ... The survey will serve as excellent framework and basis for further studies along the quantitative/empirical lines laid out. -- Lars Ole Sauerberg * Criminal Law and Criminal Justice Books *Table of Contents1. A Transnational Study of Law and Justice on TV Peter Robson and Jennifer L Schulz 2. Australia Cassandra Sharp 3. Belgium (Flanders) Hilde Van den Bulck, Kathleen Custers and Jan Van den Bulck 4. Britain Peter Robson 5. Canada Jennifer L Schulz 6. Denmark Glen Odgaard 7. France Barbara Villez (with Valentin Rolando) 8. Germany Stefan Machura and Michael Böhnke 9. Greece Nickos Myrtou, Stamatis Poulakidakos and Panagiota Nakou 10. Israel Itay Ravid 11. Italy Ferdinando Spina 12. Poland Zofi a Zawadzka 13. Spain Anja Louis 14. Switzerland Lukas Musumeci and Fabian Odermatt 15. United States of America Christine A Corcos

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Book SynopsisA deeply personal memoir about one woman’s journey to finding her voice and rewriting her story by the creator and host of the award-winning podcast Moms Don’t Have Time to Read Books™. Zibby Owens has become a well-known personality in the publishing world. Her infectious energy, tasteful authenticity, and smart, steadfast support of authors started in childhood, a precedent set by the profound effect books and libraries had on her own family. But after losing her closest friend on 9/11 and later becoming utterly stressed out and overwhelmed by motherhood, Zibby was forgetting what made her her. She turned to books and writing for help. Just when things seemed particularly bleak, Zibby unexpectedly fell in love with a tennis pro turned movie producer who showed her the path to happiness: away from type-A perfectionism and toward letting things unfold organically. What unfolded was a meaningful career, a great love, and finally, her voice, now heard by millions of listeners. An honest and moving story about relationships, love, food issues, the writing life, and finding one’s true calling, Bookends will inspire and uplift.Trade Review“Owens (Princess Charming), host of the podcast Moms Don’t Have Time to Read Books and cofounder of Zibby Books, chronicles her path from shy, bookish child to busy mom and media company CEO in this zippy debut…Owens’s infectious enthusiasm radiates with charm, as do her earnest reflections on motherhood. Bibliophiles will breeze through this.” —Publishers Weekly “Owens recounts falling in love again after divorce and offers encouragement and advice to mothers and women trying to get it all done. Her insights into dealing with grief are touching, and readers experiencing loss may find solace in her story.” —Kirkus Reviews “This is an endearing memoir reflecting on a woman’s defining moments in life that will likely resonate with Owens’ fans and also readers who enjoy stories about writers with a New York City backdrop.” —Booklist “Bookends, Zibby’s memoir, is a remarkably poignant story about family, relationships, love, life, and finding one’s true calling…Her writing flows off the page and offers something for everyone. If you’ve experienced heartache, depression, relationship pain, weight issues, felt punched in the face by life and loss…come through it alive and kickin’—you will fly through each page of Bookends. Zibby’s inspiring account provides helpful insight and hope to everyone who reads it.” —Quest Magazine “Part literary love story, part family history, it’s a propulsive read that chronicles Owens’s complicated relationships—with food, with romance, with books, with vast wealth—all told with self-effacing warmth…heartfelt and touching.” —Claire Gibson, Avenue Magazine “In this new memoir…she takes on the role of accomplished author herself, as she beautifully reveals the loves and losses that have shaped her life, and discovers what it means to truly find your place in the world.” —Town & Country “When Owens writes with this blend of vulnerability and approachability, the reader feels as if a close friend is sharing her story with you…Bookends is proof that anyone has the power to rewrite their narrative, if only they are open to fully experiencing all that life puts in their path.” —Hippocampus Magazine “Zibby Owens’s Bookends is a candid and charming memoir about the ups and downs of midlife through the lens of reading and books. Zibby, one of the most beloved book influencers in America, shares how books can help us through tough times. An inspiring and hopeful read.” —Arianna Huffington, founder and CEO, Thrive Global “I knew Zibby was an ardent supporter of authors, but I didn’t realize she was such a fantastic writer herself. Insightful, helpful, authentic, and unifying, the tone of this beautifully written, memorable memoir is just so Zibby. A great choice for every busy mom.” —Kristin Hannah, #1 New York Times bestselling author of The Four Winds “Zibby Owens has always been a terrific interviewer of authors, but it wasn’t until I read her book that I realized how deep her passion for literature truly runs. Her story is a valentine to falling in love with the written word, and for a writer—and readers—that’s the sweetest kind of tale.” —Mitch Albom, New York Times bestselling author of The Stranger in the Lifeboat “A tender, intelligent coming-of-age tale, by turns poignant and hilarious, Bookends gripped me from the first sentence. This is the kind of book you hide in the bathroom to finish, ignoring the cries of your kids and the ringing phone. But it’s also a serious meditation on the dangerous constraints of contemporary motherhood and the nature of privilege. I dare you to read it and not fall in love with Zibby!” —Joanna Rakoff, author of international bestselling memoir My Salinger Year “Zibby Owens has such an infectious enthusiasm—for life, for love, for her friends and family, but above all else for books—her prose glows with it. Thus Bookends acts on two levels: it is both a personal journey from mute child to gregarious author, who spends her days talking to and about writers, and a virtual bookshelf, the kind you sometimes find in a summer rental, groaning with well-loved spines.” —Deborah Copaken, New York Times bestselling author of Ladyparts and Shutterbabe “Bookends is a testament to the healing power of literature, love, and above all, allegiance to one’s true self. Zibby Owens guides us, like a comforting friend, through her journey of loss and reinvention, reminding us, in the end, of our endless capacity for love.” —Claire Bidwell Smith, author of The Rules of Inheritance “Lucky for us, Zibby Owens—a relentless cheerleader for authors known and unknown—has paid homage to books and the role reading has played in her endlessly fascinating life by writing her own.” —Katie Couric “There are no words other than: WOW! Zibby’s work is gorgeous, raw, honest, heartbreaking, and funny. Zibby inspires me.” —Allison Pataki, New York Times bestselling author

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Book SynopsisIn more than five decades as a reporter, editor and publisher, Peter Osnos has had an especially good view of momentous events and relationships with some of the most influential personalities of our time.As a young journalist for I.F. Stone''s Weekly, one of the leading publications of the turbulent 1960s and in 18 years at The Washington Post , he covered the war in Vietnam and Cambodia, the Soviet Union at the height of Kremlin power, Washington D.C. as National Editor, "Swinging London" in the 60s and Thatcher''s Britain in the 1980s.At Random House and the company he founded, PublicAffairs, he was responsible for books by four presidents -Carter, Clinton, Obama and Trump; celebrated Washington figures including Robert McNamara, House Speaker Tip O''Neill and Vernon Jordan, first ladies Rosalynn Carter and Nancy Reagan, the billionaire George Soros, basketball superstars Kareem Abdul Jabbar and Magic Johnson, legendary spies, political dissidents and the writers, Molly Ivins and Peggy Noonan, among many others.In this unusually wide-ranging memoir, Osnos uses a reporter''s skills to portray historic events and encounters beginning with his parents'' extraordinary World War II experiences escaping Europe to India, where he was born, to the present day. He shares unique portraits of the famous people he worked with and an insider''s perspective of the news and publishing businesses. As he charts the evolution of his career and recent history, he also explores the influence and impact of family, character, curiosity, luck, resilience, a well-pressed suit and some unexpected wrinkles.Also featuring a "virtual attic" of photographs, documents and video at anespeciallygoodview.com.

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Book SynopsisHow do the media cover the Middle East? Through a country-by-country approach, this book provides detailed analysis of the complexities of reporting from the Arab World. Each chapter provides an overview of a country, including the political context, relationships to international politics and the key elements relating to the place as covered in Western media. The authors explore how the media can be used to serve particular political agendas on both a regional and international level. They also consider the changes to the media landscape following the growth of digital and social media, showing how access to the media is no longer restricted to state or elite actors. By studying coverage of the Middle East from a whole range of news providers, this book shows how news formats and practices may be defined and shaped differently by different nations. It will be essential reading for scholars and practitioners of journalism, especially those focusing on the Arab World.Table of ContentsIntroduction Reporting Lebanon Reporting Palestine/Israel Reporting Gaza Reporting Jordan Reporting Iraq Reporting Saudi Arabia Reporting Turkey Reporting Iran Reporting Egypt Reporting Syria Conclusion: Thoughts on Reporting the Middle East

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