Media, entertainment, information Books
Taylor & Francis Ltd The Routledge Companion to Global Television
Book SynopsisFeaturing scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century.Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituing television around the world today, providing readers with a contemporary and multi-faceted perspective.In thisTrade Review"[T]his book is uniformly excellent. It makes for a strong, solid guide that can be used as student readings as well as for scholarly work."Melissa Beattie, America University of Armenia, in Popular Culture Studies Journal Volume 9 Issue 2 2021Table of ContentsPart I. Objects and Ideas1. John Hartley: What is Television? –A Guide for Knowing Subjects2. Timothy Havens: What Was Television?: The Global and the Local3. Purnima Mankekar: Objectless Television4. Stuart Cunningham and David Craig: Global Social Media Entertainment5. Jorge A. González: Symbolic Ecologies: Between Technologies, Screens and Society6. Lothar Mikos: Transnational Television Culture7. Toby Miller: Future Perfect TV –And TV StudiesPart II. Audiences8. Shanti Kumar: The Affective Audience: Beyond the Active vs. Passive Audience Theory Debate in Television Studies9. Jonathan Corpus Ong and Ranjana Das: Two Concepts from Television Audience Research in Times of Datafication and Disinformation: Looking Back to Look Forward10. Jerome Bourdon and Cécile Méadel: Globalizing the Peoplemetered Audience11. Jeanette Steemers and Anna Potter: Transforming Markets for Children’s Television Industries12. Andy Ruddock: Understanding Audiences: Television Publics as "Cultural Indicators"13. Esther Milne and Aneta Podkalicka: Grand Designs and The Block: Audience Engagement and Modes of Consumption Through Lifestyle Reality TV in Australia14. Annette Hill: Engaging with Reality TelevisionPart III. Information, Programs and Spectacle15. Esther Hamburger: Transnational Mediation, Telenovela and Series16. Susan Turnbull and Marion McCutcheon: Outback Noir and Megashifts in the Global TV Crime Landscape17. David Rowe: Global Sport Television: Seamless Flows and Sticking Points18. Asha Nadkarni: Neoliberal Multiculturalism, Outsourced 19. Ousmane K. Power-Greene: Roots: Here and There, Then and Now20. Ayanna Dozier: The Music Video’s Counter-Poetics of Rhythm: Black Cultural Production in Lemonade21. Ergin Bulut and Nurçin İleri: Screening Right-Wing Populism in “New Turkey”: Neo-Ottomanism, Historical Dramas and the Case of Payitaht Abdulhamid22. Pawan Singh: Transnational Screen Navigations: Priyanka Chopra’s Televisual Mobility in Hollywood23. Douglas Kellner: Media Spectacle and Donald Trump’s American Horror ShowPart IV. Cultures and Communities 24. Graeme Turner: TV Citizenship25. Alexander Dhoest: Televisual Identities: The Case of Flemish TV Drama26. Ana-Christina Ramón and Darnell Hunt: The Future is Now: Evolving Technology, Shifting Demographics, and Diverse TV Content27. Frederic Chaume: Localizing Media Contents: Technological Shifts, Global and Social Differences, and Activism in Audiovisual Translation28. Nomusa Makhubu: Curating Life, Staging Art: Modernisms and the Art Practices of Television29. Divya McMillin: In the Big League: Television and Gaming in India30. Ruoyun Bai: Refashioning Chinese Television Through Digital FunPart V. Systems, Structures and Industries31. Jean K. Chalaby: Understanding Medial Globalization: A Global Value Chain Analysis32. Aniko Imre: The Other Kind of Cold War TV (Not So Different After All)33. Joe F. Khalil: Arab Television Industries: Enduring Players and Emerging Alternatives34. Guillermo Mastrini and María Trinidad García Leiva: Structural Changes in the Ibero-American TV Market: Concentration and Convergence Against Diversity?35. Lyombe Eko: African Television in the Age of Globalization, Digitization, and Media Convergence36. Ying Zhu: TV China: Control and Expansion37. Ece Algan: Tactics of the Industry Against the Strategies of the Government: The Transnationalization of Turkey’s Television Industry38. Ruth Teer-Tomaselli: South African Television Moves into the Global Age40. Martin Fredriksson: Pirate Utopia Revisited41. Ramon Lobato: Evolving Practices of Informal Distribution in Internet Television42. Aymar Jean Christian: Off the Line: Expanding Creativity in the Production and Distribution of Web Series
£215.00
Taylor & Francis Ltd MOJO The Mobile Journalism Handbook
Book SynopsisTrade Review"It's finally available, to demonstrate how we can all become MOJOs, with a cautionary note that it's not just technical skills that count, but a good basis in journalism. The "it" is the long awaited MOJO: The Mobile Journalism Handbook (How to Make Broadcast Videos with an iPhone or iPad)... Quinn and burum pack a wealth of background information, advice, and references on how to plan and what it takes to collect, sort out, produce, and disseminate content by using portable devices that older journalists could only dream of."- Magda Abu-Fadil, Huffington PostTable of ContentsIntroductionChapter 1: Mojo and the mobile journalism revolutionChapter 2: Citizens and journalismChapter 3: Mojo across genresChapter 4: Tools of the mojo tradeChapter 5: Composing visual proofChapter 6: Recording location sound with an iPhoneChapter 7: SCRAP: The elements of mojo storytellingChapter 8: Mojo interviewing Chapter 9: Creative mobile editingChapter 10: Mojo post productionChapter 11: Mojo, social networks and social mediaChapter 12: File delivery and phone managementChapter 13: Ethical and legal aspects of mojoChapter 14: Mojo resourcesAuthor biographiesIndex
£45.99
Taylor & Francis Ltd RealWorld Media Ethics
Book Synopsis Is it ethical to pass yourself off as black if you are Caucasian, as Rachel Dolezai, the president of a local chapter of the NAACP, did in 2015? Was it ethical for Donald Sterling, the former owner of the NBA team, to use racially inflammatory language? Is it ethical to exaggerate or fabricate the importance of one's role, as Brian Williams apparently did when he anchored the NBC nightly news? Is it ethical for a journalist to pay a source for a story, tips, and photos, as TMZ, Gawker and others do regularly? The above questions as well as other questions definitely illustrate the need for studying ethics.Real-World Media Ethics provides a wide showcase of real ethical issues faced by professionals in the media field. Numerous case studies allow readers to explore multiple perspectives while using realistic ethical principles. This book includes the basics in ethical journalism, aTable of Contents1. Ethical Issues: A Starting Framework 2. Business Ethics in Mass Media 3. Ethics and the Role of Producers, Writers, Actors, and Directors 4. Controversy and Ethics 5. Ethics and Programmers 6. Globalization 7. Ethics and Fact-Based Stories 8. Ethics and Ratings 9. Journalism and Ethics 10. Ethics and New Media 11. Censorship and Celebrity 12. Diversity and Consolidation 13. The Ethics of Public Relations 14. Ethical Issues in Advertising and Marketing
£47.99
Taylor & Francis Ltd Global Media Giants
Book SynopsisGlobal Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News Corp., The Microsoft Corporation) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, The Bertelsmann Group, Sony Corporation). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power. Trade Review"A brilliant conception, masterfully executed. The editors have given us a path-breaking survey of capitalist power over world communications - conglomerate by conglomerate, region by region, and product by product, from TV program ratings to smartphone apps." -Dan Schiller, University of Illinois at Urbana-Champaign"This authoritative and encyclopaedic volume provides a rich, systematic, and comprehensive analysis of one of the most devastating and significant developments of our century, the universal domination of culture, information, and communications by ever more powerful private corporations." –Peter Golding, Northumbria University "This is without doubt the essential guide to the communication companies that define today’s media-saturated world." –Vincent Mosco, author of To the Cloud: Big Data in a Turbulent World"This systematic global overview of the most powerful media corporations shows the present-day inequalities of global capitalism through the lenses of converging media and information services, revealing both the dominating forces and the on-going resistances." –Helena Sousa, University of Minho, PortugalTable of ContentsIntroduction. Part I. Global Giants. 1. The Walt Disney Company. 2. National Amusements Incorporated. 3. Time Warner. 4. Comcast Corporation. 5. News Corporation. Part II: Regional & Geolinguistical Giants. 6. Televisa. 7. América Móvil. 8. The Bertelsmann Group. 9. Vivendi. 10. Mediaset S.p.A. (Gruppo Mediaset). 11. Telefónica. 12. Grupo Prisa. 13. TV Globo & The Globo Group. 14. Sony Corporation. Part III: Regional Overviews. 15. South America. 16. The Middle East. 17. Sub-Saharan Africa. 18. Eastern Europe. 19. South Asia. 20. East Asia & China. 21. Australian and New Zealand Media Corporations. Part IV: Internet Giants. 22. Apple, Inc. 23. The Microsoft Corporation. 24. Google, Inc. 25. Amazon.com. 26. Facebook. Part V: Global Ratings & Advertising Giants. 27. The Nielsen Company 28. Interpublic Group of Companies. Conclusion: Reflections on Media Power.
£51.99
Cambridge University Press Politics and the American Press The Rise of Objectivity 18651920
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Cambridge University Press Media Markets and Democracy
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Cambridge University Press Communication and Democratic Reform in South Africa
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Cambridge University Press New Television Old Politics
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Cambridge University Press Hollywoods Overseas Campaign
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Cambridge University Press The Economics of Mobile Telecommunications
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Cambridge University Press The Flight from Work
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Cambridge University Press The Media and the Far Right in Western Europe Playing the Nationalist Card
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Cambridge University Press renaissanceparatexts
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Cambridge University Press The History of the Irish Newspaper 16851760
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Cambridge University Press Printing in Spain 1501 1520
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Cambridge University Press Cycles of Spin
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Cambridge University Press The Making of a European Public Sphere Media Discourse and Political Contention Communication Society and Politics
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Cambridge University Press How Australia Decides Election Reporting and the Media
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Cambridge University Press Robert Estienne Royal Printer
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Cambridge University Press John Baskerville
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Cambridge University Press Intellectual Property in the New Millennium
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Cambridge University Press The Making of a European Public Sphere
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Cambridge University Press German Soldier Newspapers of the First World War
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Cambridge University Press English Books and Readers 1475 to 1557 Being a Study in the History of the Book Trade from Caxton to the Incorporation of the Stationers Company English Books and Readers 3 Volume Set
Book SynopsisIn this classic first volume of English Books and Readers, first published in 1952, H. S. Bennett covers in detail the history of books from Caxton down to the incorporation of the Stationers' Company, discussing the evidence for public literacy, the regulation of the book trade, the demand for books, the authors, translators, and printers of early books, and their methods. It is a history of society at the opening of the Art of Printing, without which civilization as we know it could hardly have taken shape at all - a chapter in the human story, unique in its significance and remarkably obscure before this book was first published.Trade ReviewReview of the hardback: 'He has brought a clear head and an infinite capacity for taking pains to the sifting and orderly presentation of his evidence, which he has distilled into 238 closely reasoned pages … It will be a standard reference-book; a lucidly arranged collection of passages illustrating literacy, the regulation of the book trade, and the aims and methods of authors, translators and printers.' The Times Literary SupplementTable of ContentsPrologue; 1. Caxton and his literary heritage; 2. Literacy; 3. The regulation of the book trade; 4. Patronage; 5. The demand for books; 6. The variety of books; 7. Translations and translators; 8. The printers; 9. The printing of the book; Appendix I; Appendix II; Bibliography; General index; Index of passages.
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Cambridge University Press Telecommunications Pricing
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Cambridge University Press Documentary Film Classics
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Cambridge University Press Fiction and the American Literary Marketplace
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Cambridge University Press The Restoration Newspaper and Its Development
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Cambridge University Press Remote Control New Media New Ethics
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Cambridge University Press The Word Weavers
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Cambridge University Press Henry R LuceTime and the American Crusade in Asia
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Cambridge University Press Regulations Institutions and Commitment
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Cambridge University Press Regulations Institutions Commitment Comparative Studies of Telecommunications Political Economy of Institutions and Decisions
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Cambridge University Press Television News and the Supreme Court
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Cambridge University Press Economics and Culture
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Cambridge University Press Film in Australia
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Cambridge University Press Politics and the American Press
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Cambridge University Press British Film
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Cambridge University Press Fleet Street Press Barons and Politics The Journals of Collin Brooks 19321940 Camden Fifth Series Volume 11
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Cambridge University Press Government Communication in Australia
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Cambridge University Press The Economic Regulation of Broadcasting Markets Evolving Technology and Challenges for Policy
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Cambridge University Press Television Power and the Public in Russia
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Cambridge University Press Cycles of Spin Strategic Communication in the US Congress Communication Society and Politics
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Cambridge University Press Media Bias Perspective and State Repression
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Cambridge University Press Media Bias Perspective and State Repression The Black Panther Party Cambridge Studies in Contentious Politics
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Cambridge University Press Dear BBC
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Cambridge University Press Communication and Democratic Reform in South Africa
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Cambridge University Press Hollywood and AntiSemitism
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