Literary theory Books

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Book SynopsisThis collection of essays explores laughter, humor, and the comic from a psychoanalytic perspective. Edited by two leading practicing psychoanalysts and with original contributions from Lacanian practitioners and scholars, this cutting-edge volume proposes a paradigm swerve, a Freudian slip on a banana peel. Psychoanalysis has long been associated with tragedy and there is a strong warrant to take up comedy as a more productive model for psychoanalytic practice and critique. Jokes and the comic have not received nearly as much consideration as they deserve given the fundamental role they play in our psychic lives and the way they unite the fields of aesthetics, literature, and psychoanalysis. Lacan, Psychoanalysis and Comedy addresses this lack and opens up the discussion.Table of ContentsIntroduction Patricia Gherovici and Manya Steinkoler; Part I. The Laughing Cure: 1. Sarah's laughter: where babies and humor come from Manya Steinkoler; 2. Psychoanalysis as Gai Saber: towards a new episteme of laughter Dany Nobus; 3. Laughing about nothing: Democritus and Lacan Patricia Gherovici; 4. The surplus jouissance of the joke: from Freud to Lacan Marcel Drach; 5. Can you spare a laugh? Lacan, Freud, and Marx on the economy of jokes Jean Michel Rabaté; 6. Mother Pumper and the analyst's donuts Jamieson Webster; 7. Not in the humor: bulimic dreams Carol Owens; Part II. Comedy on the Couch: 8. Psychoanalysis and tragicomedy: Measure for Measure after Zizek's Lacanian dialectics Geoff Boucher; 9. Comedy and the agency of the letter in A Midsummer Night's Dream Matthew Sharpe; 10. Jane Austen's wit-craft Molly Rothenberg; 11. The sexual politics of comedy: Henry James's 'The Chaperon' Sigi Jöttkandt; 12. Power in the closet: and its coming out Alenka Zupančič; Part III. He Who Laughs Last, Laughs Last: Epilogue: repetition, repetition, repetition: Richard Prince and the three R's Simon Critchley.

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Book SynopsisFew books in the English language seem to demand a companion more insistently than Ulysses. This volume offers fourteen concise and highly accessible essays by accomplished scholars that explore this masterpiece of world literature. It also includes numerous resources to aid both new and returning readers on their own Odyssean journey through the novel.Table of Contents1. Writing Ulysses Michael Groden; 2. Reception history Joseph Brooker; 3. Afterlife Jonathan Goldman; 4. Beginnings Scarlett Baron; 5. Character, plot, myth Margot Norris; 6. Setting: Dublin 1904/1922 Enda Duffy; 7. Endings Maud Ellmann; 8. City circuits: 'Aeolus' and 'Wandering Rocks' Michael Rubenstein; 9. Memory: 'Sirens' Marjorie Howes; 10. Interruption: 'Cyclops' and 'Nausicaa' Sean Latham; 11. Difficulty: 'Oxen of the Sun' and 'Circe' Cheryl Herr; 12. Intertextuality Brandon Kershner; 13. Bodies Vike Plock; 14. Symbols and things Paul Saint-Amour.

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Book SynopsisThis book offers a history of literary criticism from Plato to the present, arguing that this history can best be seen as a dialogue among three traditions - the Platonic, Neoplatonic, and the humanistic, originated by Aristotle.Trade Review'James Seaton is the only writer discussing the humanist tradition who has sufficient depth of learning to take it back to its origins in Plato and Aristotle. He has shown more clearly than anyone else the paradox of postmodernist theory that nothing can be certain except the postmodernists' own certainty that nothing is certain. This book is sui generis because he offers a practical alternative to the current reign of 'theory' and 'cultural studies'. His characteristic virtues as an essayist and literary critic - discrimination, undogmatic flexibility and vast learning - come through with great force in this book. Seaton is a writer deserving - no, demanding - serious attention.' Edward Alexander, University of Washington'This book discusses one of the most pressing issues besetting literary studies in higher education - the disengagement of the field from the cultural norms and interests of the American public. James Seaton approaches the issue in a scholarly manner, outlining two intellectual traditions that relate to the trend. The first charts a progressive disconnection of the literary critic from the reading public, and Seaton assigns it significant blame for the sliding fortunes of literary studies. The second exemplifies humanistic inquiry that takes literature as a special cultural object, incorporating theory but striving to integrate it into discourse that is accessible to educated laypersons while aiming to communicate with general readers and align intellectual values with bourgeois values. Seaton aims to steer literary scholars and teachers away from the first lineage and toward the second. We need this argument.' Mark Bauerlein, Emory University, Atlanta'… [Seaton's] take on the recent history of literary criticism returns important voices to the conversation. He also issues a timely call for well-written literary criticism …' Steven Knepper, The Hedgehog Review'… profound and crisply written … Seaton builds a strong case for humanism, and it is all the stronger because he follows his own rule of academic integrity.' Gary Saul Morson, The New Criterion'… a much-needed reassessment of the two major traditions of Western literary criticism. … [it] is among the most thoughtful and informed recent assessments of the present state of literary criticism … one can only express deep appreciation for the author's painstaking efforts. … Seaton has produced a superb analysis of some of the most pressing of critical issues. … It is a book that has much to offer to all students of the humanities.' Jeffrey Folks, Modern Age'… Seaton can turn a phrase with the best of them … [he has] his own unique style that remains as accessible to the educated layperson as it is to professional scholars of literature. … Held to his own high standards, Seaton succeeds: his chapters force you to consider what role literature has played in your own development, and how that role might play out in the lives of others.' Allen Mendenhall, The University BookmanTable of ContentsIntroduction; 1. Plato and Neoplatonism; 2. Romanticism and modernism; 3. Theory and cultural studies; 4. Aristotle and the humanistic tradition; 5. Edmund Wilson and Lionel Trilling; 6. Democracy, popular culture, and Ralph Ellison; 7. Literary criticism, the humanities, and liberal education.

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Book SynopsisFeminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism.Trade Review'Written with a consistently lucid and engaging tone, it accomplishes a dual goal in providing a compelling introduction for students of the discipline and putting forward a range of fresh intellectual insights.' Christine Lees, The Times Literary Supplement'In fact, there could be no stronger testament to the continued relevance and importance of feminist literary criticism than this fresh and up-to-date examination of women's writing, gender and politics from the Middle Ages to the present.' Lisa Regan, Feminist Theory'[The text] is designed to serve an introductory function, but goes beyond acquainting readers with the major strands and debates of feminist literary criticism. … Indeed, this work can serve as a reference and provide points for further debate to more advanced students and scholars.' Bonnie Kime Scott, Review of English StudiesTable of ContentsIntroduction Gill Plain and Susan Sellers; Part I. Pioneers and Protofeminism: Introduction Gill Plain; 1. Medieval feminist criticism Carolyn Dinshaw; 2. Feminist criticism in the Renaissance and seventeenth century Helen Wilcox; 3. Mary Wollstonecraft and her legacy Susan Manly; 4. The feminist criticism of Virginia Woolf Jane Goldman; 5. Simone de Beauvoir and the demystification of woman Elizabeth Fallaize; Part II. Creating a Feminist Literary Criticism: Introduction Gill Plain and Susan Sellers; 6. Literary representations of women Mary Eagleton; 7. A history of women's writing Helen Carr; 8. Autobiography and personal criticism Linda Anderson; 9. Black feminist criticism Arlene Keizer; 10. Lesbian feminist criticism Caroline Gonda; 11. Men in feminism Calvin Thomas; Part III. Poststructuralism and Beyond: Introduction Gill Plain and Susan Sellers; 12. Feminist criticism and poststructuralism Claire Colebrook; 13. Feminist criticism and psychoanalysis Madelon Sprengnether; 14. French feminist criticism and writing the body Judith Still; 15. Postcolonial feminist criticism Chris Weedon; 16. Feminist criticism and queer theory Heather Love; 17. Feminist criticism and technologies of the body Stacy Gillis; Postscript: flaming feminism? Susan Gubar; Bibliography.

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Book SynopsisLiterature in a Digital Age: An Introduction guides readers through the most salient theoretical, interpretive, and creative possibilities opened up by the shift to digital literary forms such as e-books, digital archives, and electronic literature. While Digital Humanities (DH) has been hailed as the 'next big thing' in literary studies, many students and scholars remain perplexed as to what a DH approach to literature entails, and skeptical observers continue to see literature and the digital world as fundamentally incompatible. In its argument that digital and traditional scholarship should be placed in dialogue with each other, this book contextualizes the advent of the digital in literary theory, explores the new questions readers can ask of texts when they become digitized, and investigates the challenges that fresh forms of born-digital fiction pose to existing models of literary analysis.Table of Contents1. Is literature dying in the digital age?; 2. Digitization; 3. Born digital; Coda: print in the digital age.

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Book SynopsisThis selection from the writings of C. S. Lewis gathers together forty book reviews, never before reprinted, as well as four major essays which have been unavailable for many decades. A fifth essay, ''Image and Imagination'', is published for the first time. Taken together, the collection presents some of Lewis''s finest literary criticism and religious exposition. The essays and reviews substantiate his reputation as an eloquent and authoritative critic across a wide range of literature, and as a keen judge of contemporary scholarship, while his reviews of The Hobbit and The Lord of the Rings will be of additional interest to scholars and students of fantasy.Trade Review'C. S. Lewis [was] one of the very best critics writing in English in the twentieth century, vivid, provoking, and eloquent, as well as deeply learned in the literature of Europe from the ancient classics to his own time, with a special mastery of medieval and Renaissance poetry. He is now popularly better known for his fiction and his religious writings than his literary criticism. But it is his gifts as a critic which will endure as his truly pre-eminent legacy. Like Samuel Johnson, on whose personality and writings Lewis modelled himself, he is a commentator whose insights and opinions are enriching even when one disagrees with them, raising central questions and offering challenging perspectives … There is no essay by Lewis on any writer that does not provoke attention and inspire awe at his energy and clarity of mind.' Claude Rawson, Yale University'Almost nothing Lewis wrote is without apercu, often unexpected, always cogently expressed.' Times Literary SupplementTable of ContentsPart I. Reflections on Literature; Part II. The Inklings; Part of The Lord of the Rings); Part of The Lord of the Rings); The Return of the King (being the Third Part of The Lord of the Rings); Part of The Lord of the Rings); Part III. Reflections on Christianity; Part IV. Classical Literature; Part V. Medieval and Renaissance Literature; Part VI. Milton and Later English Literature.

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Book SynopsisHow have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and JÃrgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.Trade Review"This very original, timely and deftly-written study joins a conspicuous body of critical work on British romantic literature and pragmatics....an engaging and fascinating reading of three major poets of British Romanticism." -Annalisa Volpone, NBOL 19"“Clearly written, with a stimulating breadth of research and depth of scholarship, Milnes' work provides an important link between modern linguistic/pragmatic philosophy and romantic/empiricist poetics. Recognizing precedent study in “the discourse of communicative rationality,” Milnes cites often and judiciously Kathleen Wheeler, Paul Hamilton, and Angela Esterhammer as central to the “the pragmatic, future-directed accent of romantic literature” -William C. Horrell,Wordsworth Circle"This very original, timely and deftly-written study joins a conspicuous body of critical work on British romantic literature and pragmatics….Milnes' book offers an engaging and fascinating reading of three major poets of British Romanticism.” -Annalisa Volpone,NBOL-19Table of ContentsIntroduction: the pragmatics of romantic idealism; 1. Romanticising pragmatism: dialogue and critical method; 2. Pragmatising romanticism: radical empiricism from Reid to Rorty; 3. This living Keats: truth, deixis, and correspondence; 4. An unremitting interchange: Shelley, elenchus, and the education of error; 5. The embodiment of reason: Coleridge on language, logic, and ethics; Conclusion.

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Book SynopsisT. S. Eliot''s The Waste Land is often considered to be the most important poem written in English in the twentieth century. The poem dramatically shattered old patterns of form and style, proposed a new paradigm for poetry and poetic thought, demanded recognition from all literary quarters, and changed the ways in which it was possible to approach, read, or write poetry. The Waste Land helped to define the literary and artistic period known as modernism. This Companion is the first to be dedicated to the work as a whole, offering fifteen new essays by international scholars and covering an extensive range of topics. Written in a style that is at once sophisticated and accessible, these fresh critical perspectives will serve as an invaluable guide for scholars, students, and general readers alike--Table of Contents1. 'The world has seen strange revolutions since I died': The Waste Land and the Great War Jean-Michel Rabaté; 2. Geographies of space: mapping and reading the cityscape Spencer Morrison; 3. 'Mixing/memory and desire': what Eliot's biography can tell us Lyndall Gordon; 4. Religions east and west in The Waste Land Barry Spurr; 5. Popular culture in The Waste Land David E. Chinitz and Julia E. Daniel; 6. Form, voice, and the avant-garde Michael Levenson; 7. Dialectical collaboration: editing The Waste Land Jewel Spears Brooker; 8. Doing tradition in different voices: pastiche in The Waste Land Michael Coyle; 9. Gender and obscenity in The Waste Land Rachel Potter; 10. Trauma and violence in The Waste Land Richard Badenhausen; 11. Psychology, psychoanalysis, and new subjectives in The Waste Land Eve Sorum; 12. The Waste Land as ecocritique Gabrielle McIntire; Coda: The Waste Land's afterlife: the poem's reception in the twentieth century and beyond Tony Cuda.

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Book SynopsisIn satire, evil, folly, and weakness are held up to ridicule - to the delight of some and the outrage of others. Satire may claim the higher purpose of social critique or moral reform, or it may simply revel in its own transgressive laughter. It exposes frauds, debunks ideals, binds communities, starts arguments, and evokes unconscious fantasies. It has been a central literary genre since ancient times, and has become especially popular and provocative in recent decades. This new introduction to satire takes a historically expansive and theoretically eclectic approach, addressing a range of satirical forms from ancient, Renaissance, and Enlightenment texts through contemporary literary fiction, film, television, and digital media. The beginner in need of a clear, readable overview and the scholar seeking to broaden and deepen existing knowledge will both find this a lively, engaging, and reliable guide to satire, its history, and its continuing relevance in the world.Table of ContentsPart I: 1. What is satire?; 2. What isn't satire?; Part II: 3. Classical origins; 4. Renaissance satire: rogues, clowns, fools, satyrs; 5. Enlightenment satire: the prose tradition; 6. Verse satire from Rochester to Byron; Part III. Transition: Satire and the Novel: 7. Small worlds: the comedy of manners; 8. Unfortunate travelers: the picaresque; 9. The Menippean novel; 10. Satire and popular culture since 1900; Epilogue: Charlie Hebdo, satire and the politics of community.

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Book SynopsisThe Poetics of Insecurity addresses a key concern of modern America - security - through close readings of American literary works. It combines literary studies with the philosophy of time and sociological theories of modernity, and provides new approaches to canonical American authors from the past two centuries.Trade Review'The Poetics of Insecurity is an impressive and accomplished work that analyzes a range of American narratives from the early Republic to our present moment to show how an interest in and exploration of 'security' has been central to American literature and culture. Voelz makes contributions to multiple fields, including not only American literature broadly construed, but also narrative theory; it also joins a growing body of work exploring the intersections of the literary with non-literary conceptions of security, and contributes to recent work focused on chance and/or accident in American literary history.' Steven Belletto, Lafayette College, Pennsylvania'The strength of Voelz's readings lies in their attentiveness to the ambivalent affective dimensions of insecurity, the intermingling of fear and desire that accompanies the contemplation of an uncertain future.' Deborah Thurman, The Review of English StudiesTable of Contents1. Introduction: security and the uncertain worlds of fiction; 2. The virtue of uncertainty: securing the republic in Arthur Mervyn; 3. Harriet Jacobs's imagined community of insecurity; 4. Willa Cather and the security of radical contingency; 5. Cold War liberalism and Flannery O'Connor's 'The Displaced Person'; 6. In the future, toward death: finance capitalism and security in DeLillo's cosmopolis; Epilogue.

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Book SynopsisThis book considers how ''affect'', the experience of feeling or emotion, has developed as a critical concept within literary studies in different periods and through a range of approaches. Stretching from the classical to the contemporary, the first section of the book, ''Origins'', considers the importance of particular areas of philosophy, theory, and criticism that have been important for conceptualizing affect and its relation to literature. Includes ancient Greek and Roman philosophy, eighteenth-century aesthetics, Marxist theory, psychoanalysis, queer theory, and postcolonial theory. The chapters of the second section, ''Developments'', correspond to those of the previous section and build on their insights through readings of particular texts. The final ''Applications'' section is focused on contemporary and future lines of enquiry, and revolves around a particular set of concerns: media and communications, capitalism, and an environment of affective relations that extend to ecTrade Review'A seminal body of meticulous, informative, and deftly presented scholarship, Affect and Literature is an extraordinary and unreservedly recommended addition to community and academic library Literary Criticism & Theory collections and supplemental curriculum reading lists.' Jim Cox, The Midwest Book ReviewTable of ContentsIntroduction: affect and literature Alex Houen; Part I. Origins: 1. Poetic fear-related affects and society in Greco-Roman antiquity Dana LaCourse Munteanu; 2. Secondary affect in Lessing, Mendelssohn, and Nicolai Stefan Uhlig; 3. Affect and life in Spinoza, Nietzsche, and Bergson John Protevi; 4. Feelings under the microscope: new critical affect Helen Thaventhiran; 5. 'We manufacture fun: capital and the production of affect Ross Wilson; 6. Jacques Lacan's evanescent affects Jean-Michel Rabaté; 7. The durability of affect and the ageing of gay male queer theory Geoff Gilbert; 8. Affect, meaning, becoming, and power: Massumi, Spinoza, Deleuze, and neuroscience Anthony Uhlmann; 9. Translating postcolonial affect Sneja Gunew; 10. Making sorrow sweet: emotion and empathy in the experience of fiction Alison Denham; Part II. Developments: 11. Feeling feelings in early modern England Benedict S. Robinson; 12. Laughable poetry Matthew Bevis; 13. Modernism, formal innovation, and affect in some contemporary Irish novels Derek Attridge; 14. The antihumanist tone Christopher Nealon; 15. Bette Davis's eyes and minoritarian survival: camp, melodrama, and spectatorship Amber Musser; 16. Affective form Ankhi Mukherjee; 17. Subaltern affects Stephen Morton; Part III. Applications: 18. Affect and environment in contemporary ecopoetics Margaret Ronda; 19. Contemporary crisis fictions: twenty-first century disaffection Emily Horton; 20. Shiny happy imperialism: an affective exploration of 'ways of life' in the war on terror Amira Jarmakani; 21. The digital's amodal affect Andrew Murphie; 22. Digital special affects: on exhilaration and the STUN in CGI blockbuster films Eric Jenkins; 23. Cartesian affect Claire Colebrook.

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Book SynopsisHomer was the greatest and most influential Greek poet. This book explores central themes in the reception of the Homeric poems in antiquity, and pays particular attention to Homer's importance in shaping ancient culture. It will appeal to all those seriously interested in Greek and Roman literature and culture.Trade Review'… endlessly interesting book … the importance of [Hunter]'s elegant elucidation of the historical 'reception' of Homer is that it casts instructive light on the ancient world.' Classics For All'H. convincingly demonstrates how greatly modern interpretations of perennially popular Homeric scenes (such as Odysseus among the Sirens or Achilles and his lyre) can be enriched by engaging with ancient readers as diverse as Horace, Dio Chrysostom, Clement of Alexandria and Sextus Empiricus along the way.' Anna Stelow, Religious Studies ReviewTable of Contents1. Placing Homer; 2. Homer and the divine; 3. The Golden Verses; 4. Homer among the scholars; 5. The pleasures of song.

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Book SynopsisThis Element is for anyone interested in the processes of canon-formation, world literatures in general and African literature in particular. It offers a fresh and exciting perspective on canon-formation and contestation that draws on original archival and field research.Trade Review'… [Madhu Krishnan] makes a compelling argument for expanding and also questioning the dominant perspective of literary and book studies on canonization and African literature.' Dorit Neumann, Westfälische Wilhelms-UniversitätTable of ContentsIntroduction; 1. Publishing Africa on a global scale; 2. Contemporary canons; 3. Alternative landscapes; Bibliography.

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The New Feminist Literary Studies presents sixteen essays by leading and emerging scholars that examine contemporary feminism and the most pressing issues of today. The book is divided into three sections. This first section , ''Frontiers'', contains essays on issues and phenomena that may be considered, if not new, then newly and sometimes uneasily prominent in the public eye: transfeminism, the sexual violence highlighted by #MeToo, Black motherhood, migration, sex worker rights, and celebrity feminism. Essays in the second section, ''Fields'', specifically intervene into long-constituted or relatively new academic fields and areas of theory: disability studies, eco-theory, queer studies, and Marxist feminism. Finally, the third section, ''Forms'', is dedicated to literary genres and tackles novels of domesticity, feminist dystopias, young adult fiction, feminist manuals and manifestos, memoir, and poetry. Together these essays provide new interventions into the thinking and theorisi

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Book SynopsisWhereas previous books have explored how literature depicts or discusses scientific concepts, this book argues that literature is a technology. It shows how literature has been shaped by technological revolutions, and reveals the essential work that literature has done in helping to uncover the consequences of new technologies.Table of ContentsList of figures; List of contributors; Timeline; Introduction Adam Hammond; Part I. Origins: 1. Orality and writing I. J. MacRae; 2. Manuscript Bonnie Mak; 3. The hand press, 1450–1800 Paula McDowell; 4. The mechanical press, 1800–1900 Simon Reader; 5. The typewriter Darren Wershler; 6. Literature in the electric age Lise Jaillant; 7. Digital text Maxwell Foxman; Part II. Developments: 8. Prostheses Alice Hall; 9. Clocks Scott Lightsey; 10. Compasses Chris Barrett; 11. Telescopes Peter C. Herman; 12. Steam engines Nicola Kirkby; 13. Wires Aaron Worth; 14. Cameras Beci Carver; 15. Phonographs Jason Camlot; 16. Waves and rays Jennifer A. Janechek; 17. The bomb Ann Larabee; 18. Networks David Ciccoricco; Part III. Applications: 19. Distant reading Natalie M. Houston; 20. Visualization Daniel Carter; 21. Digital editions Susan Brown; Index.

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Book Synopsis''Romanticism'', though a debated term, is broadly understood as a cultural movement which gripped the European imagination in the late eighteenth and early nineteenth centuries. Embodying a poetics of feeling intersecting with nature and the notion of the sublime, its experiential aesthetics were furthermore bound up with ideas of personal and political rebellion. Michael Ferber''s lively anthology includes lesser-known verse from the best-known poets, as well as a few fine poems by little-known poets. Perfect for readers who would like to enjoy the many riches of arguably poetry''s greatest era, or for those already familiar with the poets but who would welcome some happy surprises, this varied international selection includes verse translated from six languages, with several poems appearing in the original language alongside its translation. This engaging selection features concise, informative headnotes and a helpful introduction that charts a course to understanding the Romantic mTable of ContentsIntroduction; 1. Charlotte Smith; 2. Johann Wolfgang von Goethe; 3. William Blake; 4.Robert Burns; 5. Friedrich Schiller ; 6. Helen Maria Williams; 6. André Chénier; 7. Friedrich Hölderlin; 7. Sophie Mereau; 8. William Wordsworth; 9. Sir Walter Scott; 10. Friedrich Schlegel; 11. Samuel Taylor Coleridge; 12. Robert Southey; 13. Ugo Foscolo; 14. Clemens Brentano; 15. Thomas Moore; 16. Karoline von Günderode; 17. Leigh Hunt; 18. Marceline Desbordes-Valmore; 19. Joseph Freiherr on Eichendorff; 20. Lord Byron; 21. Susan Evance; 22. Alphonse de Lamartine; 23. Percy Bysshe Shelley 1792-1822; 24. John Clare; 25. Felicia Dorothea Hemans; 26. William Cullen Bryant; 27. John Keats; 28. Annette von Droste-Hülshoff; 29. Alfred de Vigny; 30. Heinrich Heine; 31. Giacomo Leopardi; 32. Anton Delvig; 33. Amable Tastu; 34. Adam Mickiewicz; 35. Alexander Sergeyevich Pushkin; 36. Victor Hugo; 37. Letitia Elizabeth Landon; 38. Alexander Odoevsky; 39. Ralph Waldo Emerson; 40. Charles-Augustin Sainte-Beuve; 41. Elizabeth Barrett Browning; 42. Henry Wadsworth Longfellow; 43. Gérard de Nerval; 44. Edgar Allen Poe; 45. Alfred de Musset; 46. Théophile Gautier; 47. Mikhail Lermontov; 48. Emily Brontë; 49. Walt Whitman; 50. Emily Dickinson; 51. Gustavo Adolfo Bécquer; 52. William Butler Yeats.

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Book SynopsisTerrorism has long been a major shaping force in the world. However, the meanings of terrorism, as a word and as a set of actions, are intensely contested. This volume explores how literature has dealt with terrorism from the Renaissance to today, inviting the reader to make connections between older instances of terrorism and contemporary ones, and to see how the various literary treatments of terrorism draw on each other. The essays demonstrate that the debates around terrorism only give the fictive imagination more room, and that fiction has a great deal to offer in terms of both understanding terrorism and our responses to it. Written by historians and literary critics, the essays provide essential knowledge to understand terrorism in its full complexity. As befitting a global problem, this book brings together a truly international group of scholars, with representatives from America, Scotland, Canada, New Zealand, Italy, Israel, and other countries.Table of ContentsIntroduction Peter C. Herman; Part I. Origins: The Varieties of Terrorism: 1. Savagery and the sacred: the rhetoric of terror and its consequences in the scriptural monotheisms Reuven Firestone; 2. Early modern terrorism Robert Appelbaum; 3. 'Carrying patriotism in their hearts': the terror in the French Revolution Lindsay Parker; 4. Methodology and martyrs: Irish American Republicanism in the late nineteenth century Gillian O'Brien; 5. 'Play's the thing': how governments in nineteenth and early twentieth century North America used 'terrorism to further their own ends Nathan Greenfield; 6. The nation-state's other: postcolonial terrorism in the Indian context Rini Bhattacharya Mehta; 7. Conflict and violence in the early Northern-Irish troubles Simon Prince; 8. Social-revolutionary violence in Western Europe: the case of the Red Brigades' trajectory, during the 1970s and early 1980s Lorenzo Bosi; 9. Terrorism in the Middle East David Cook; Part II. Development: Terrorism in Literature: 10. Terrorism in literature to 1642 Robert Appelbaum; 11. 'Terror in inquisition': terrorists and inquisitors in the British Gothic literature of the 1790s Joseph Crawford; 12. 'Parliament is burning': dynamite, terrorism and the English novel Deaglán Ó Donghaile; 13. Dostoevsky's terrorism trilogy Lynn Patyk; 14. Perils and pleasures of the bloody oath: the nihilist conspiracy in American popular fiction, 1881–1901 Ann Larabaee; 15. Staging the limit: Albert Camus's just assassins and the il/legitimacy of terrorism Ève Morisi; 16. Gillo Pontecorvo's Battle of Algiers and terrorism on film Tony Shaw; 17. 'Something in the making': writing in the troubles and the singularity of Northern Irish literature Tom Walker; 18. No heroes in a cycle of violence: collaborators, perpetrators and the never-ending terror of the Arab-Israeli conflict Rachel S. Harris; 19. 'Why do they hate us?' Terrorists in American and British fiction of the mid-2000s Michael C. Frank; 20. Terrorism in theory David Simpson; Part III. Applications: Terrorism Today: 21. Sympathy for the devil: evil, taboo, and the terrorist figure in literature Richard Jackson; 22. War after war: terrorism and retaliation in Don DeLillo's Point Omega Linda Kauffman; 23. Conceptual confusion: the ambiguities of the war on terror in Roy-Bhattacharya's The Watch and O'Hagan's The Illuminations Tim Gauthier; 24. Terror, testament, and trial Ian Ward; 25. Global terror/global literature Daniel O'Gorman; 26. Recipient unknown: terrorism and the other in post-9/11 American poetry Ann Keniston; 27. Samson among the terrorologists Peter C. Herman; 28. Afterword Alex Houen.

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Book SynopsisIn the twentieth century, cumulative millions of readers received books by mail from clubs like the Book-of-the-Month Club, the Book Society or Bertelsmann Club. This Element offers an introduction to book clubs as a distribution channel and cultural phenomenon, and shows that book clubs and book commerce are linked inextricably. It argues that a global perspective is necessary to understand the cultural and economic impact of book clubs in the twentieth and into the twenty-first century. It also explores central reasons for book club membership, condensing them into four succinct categories: convenience, community, concession and, most importantly, curation. This title is also available as Open Access on Cambridge Core.Table of Contents1. Introduction; 2. Book clubs: definition and basic structure; 3. Books for the masses: book clubs in the twentieth century; 4. Chances and challenges for book clubs today; 5. Conclusions and outlook.

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Book SynopsisThis is the first book specifically devoted to the new modernist studies. Bringing together a range of perspectives on the past, present, and future of this vibrant, complicated scholarly enterprise, the collection reconsiders its achievements and challenges as both a mode of inquiry and an institutional formation. In its first section, the volume offers a fresh history of the new modernist studies'' origins amid the intellectual configurations of the end of the twentieth century and changing views of the value, ?influence, and scope of modernism. In the second section a dozen leading scholars examine recent trends in modernist scholarship to suggest possible new paths of research, showing how the field continues to engage with other areas of study and how it makes a case for the ongoing meaning of modernist literature and art in the contemporary world.Table of ContentsIntroduction Douglas Mao; Part I. Histories; 1. History's Prehistory: Modernist Studies before the New Michael North; 2. Scholarship's Turn: Origins and Effects of the New Modernist Studies Mark Wollaeger; Part II. Horizons: 3. Planetarity's Edges: Modernist Studies and the Bounds of Modernism María del Pilar Blanco; 4. Religion's Configurations:Modernism, Empire, Comparison Susan Stanford Friedman; 5. Disability's Disruptions: Embodiment and the New Modernist Studies Maren Linett; 6. Affect's Vocabularies: Literature and Feeling after 1890 David James; 7. Invisibility's Arts: The Seen and the Unseen in Modernism and Modernist Studies Sarah Cole; 8. Black Writing's Visuals: African American Modernism in Nugent, Ligon, and Rankine Miriam Thaggert; 9. Noir Film's Soundtracks: Jazz, Black Transnationalism, and Postcolonial Genres of Criminality Edwin Hill; 10. Language's Hopes: Global Modernism and the Science of Debabelization Aarthi Vadde; 11. Revolution's Demands: Modernism, Socialist Realism, and the Manifesto Steven Lee; 12. Feminism's Archives: Intersectionality with Loy and Mendelssohn Sara Crangle; 13. Risk's Instruments: Speculation, Futurity, and Modernist Finance Gayle Rogers; 14. Deep Time's Hauntings: Modernism and Alternative Chronology Paul Saint-Amour.

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Book SynopsisA collection of essays from one of the world's greatest scholars of Latin literature and Roman culture. Covers ancient epic, historiography, lyric, elegy, and drama, with a particular focus on ancient literary criticism, comparative religion, historicism and the technology of the ancient book. With a foreword by Stephen Hinds.Table of ContentsIntroduction; 1. Si licet et fas est: Ovid's Fasti and the problem of free speech under the Principate; 2. 'Shall I compare thee ...?' Catullus 68 and the limits of analogy; 3. Towards an account of the ancient world's concepts of fictive belief; 4. Horace and the Greek lyric poets; 5. Criticism ancient and modern; 6. The odiousness of comparisons: Horace on literary history and the limitations of synkrisis; 7. Vna cum scriptore meo: poetry, principate, and the traditions of literary history in the Epistle to Augustus; 8. Two Virgilian acrostics: certissima signa? (with Damien Nelis); 9. Catullus and the Roman paradox epigram; 10. Becoming an authority: Horace on his own reception; 11. Fathers and sons: the Manlii Torquati and family continuity in Catullus and Horace; 12. Doing the numbers: the Roman mathematics of civil war in Shakespeare's Antony and Cleopatra; 13. Crediting Pseudolus: trust, belief, and the credit crunch in Plautus' Pseudolus; 14. Hic finis fandi: On the absence of punctuation for the endings (and beginnings) of speeches in Latin poetic texts; 15. Representation and the materiality of the book in Catullus' polymetrics; 16. Catullus 61: Epithalamium and comparison; 17. Ovid's Ciceronian literary history: end-career chronology and autobiography; 18. Horace and the literature of the past: lyric, epic, and history in Odes 4; 19. Forma manet facti (Ov. Fast. 2.379): aetiologies of myth and ritual in Ovid's Fasti and Metamorphoses.

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Book SynopsisWe live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. This Element contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. This title is also available as Open Access on Cambridge Core.Table of ContentsIntroduction; Part I. Frameworks: 1. Networks are always metaphorical; 2. Historical threads; Part II Cultural Networks: 3. Culture is data; 4. Visual networks; Part III Manoeuvres: 5. Quantifying culture; 6. Networking the 'Divided Kingdom'.

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Book SynopsisMany twentieth-century literary writers were directly involved in political parties and causes, and many viewed their writing as part of their activism. This book explores literature's direct relationship to politics, offering new ways of thinking about the troubled relationship between literature and politics.Table of ContentsIntroduction: Christos Hadjiyiannis and Rachel Potter; Part I. 1900–1945: Ideas and Governance: 1. Liberalism Christos Hadjiyiannis; 2. Communism Matthew Taunton; 3. Fascism Charles Ferrall and Dougal McNeill; 4. Suffragism Clara Jones; 5. Pacifism Bárbara Gallego Larrarte; Part II. 1945–1989: New Nations and New Frontiers: 6. Partitions Anindya Raychaudhuri; 7. Federalism Ryan Weberling; 8. Cold War Rachel Potter; 9. Irish Nationalism Emer Nolan; 10. Black Nationalism GerShun Avilez; 11. Caribbean Nationalisms Alison Donnell; 12. African Nationalisms Donna V. Jones; 13. Apartheid Corinne Sandwith; Part III. 1989–2000: Rights and Activisms: 14. Women's Rights Rachele Dini; 15. Sexual Rights Jo Winning; 16. Indigenous Rights Christina Turner; 17. Environmental Rights Jos Smith; 18. Neoliberalism Peter Boxall.

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Book SynopsisThis Element inquires into the notion of 'difference' in relation to books, offering a unique interdisciplinary exploration of literature as culture and commodity in a digital age. This title is also available as Open Access on Cambridge Core.Table of Contents1. Introduction: (Re-)thinking 'Difference'; 2. What's the 'Difference'? 'Difference' as Discourse, Policy and Brand/ing; 3. Are Books Still Different? 'Difference' in a Digital Age; 4. Marketing 'Difference' in a Network of Networks: Bernardine Evaristo; 5. Conclusion: the book as affect and the novel as network.

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Book SynopsisThis recently discovered treatise on poetics from 1599, the end of the most revolutionary decade in English literary history, includes discussions of the works of Shakespeare and his contemporaries. Gavin Alexander's groundbreaking edition, with introduction and commentary, makes William Scott's powerful work newly available to students and scholars of English Renaissance literature.Trade Review'Alexander's editorial skills are dazzling … All writers should be blessed with such editors.' Russ McDonald, The Times Literary Supplement'… Alexander's edition of William Scott's Model of Poesy is exemplary … for anyone working in any way with the literature, and the literary scene, of the sixteenth century's last two or three decades, Scott's Model is indispensable, and it is our immense good fortune that its first modern edition has been prepared by someone with the technical expertise … the capacity for thorough research … and the stylistic elegance of Gavin Alexander.' Roger Kuin, The Spenser Review'Scott's manuscript provides critics with fresh access to a comprehensive and well-arranged early modern exegesis on poetic theory and practice … Scott's treatise, and Alexander's edition, offers perhaps the most exciting literary discovery of recent years.' Hannah Leah Crummé, Renaissance Quarterly'Gavin Alexander's splendid scholarly edition of William Scott's Model of Poesy (1599) contributes to early modern literary studies in ways that will have lasting effects … In ambition and comprehensiveness, Alexander's contribution as an editor matches that of Scott as a critic … So learned in the rhetorical and critical traditions known to the Elizabethans is Alexander's introduction that it stands as a major work of scholarship in its own right.' Donald Stump, Sydney Journal'The recent discovery of the manuscript of William Scott's previously unknown Model of Poesy (c.1599), with its wealth of allusions to contemporary writers including Shakespeare, Spenser, Sidney, and Daniel, represents a major addition to the corpus of Elizabethan literary criticism. And Gavin Alexander's magisterial edition, exemplary in the range and depth of its scholarship, is in every way worthy of its subject.' Stanley Wells, The Shakespeare Birthplace TrustTable of ContentsPreface; Introduction: William Scott (c.1571–c.1617); The Model in context; Form and method; Textual introduction; The Model of Poesy; Commentary; Appendices: Appendix 1. The dedication to Scott's Du Bartas; Appendix 2. Scott's letter to Cecil; Appendix 3. Scott's will.

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Book SynopsisThis is the first book to demonstrate the value of prose analysis - both appreciative and interpretive in its ''evaluations'' - across dozens of authors, including Jane Austen, Virginia Woolf, Don DeLillo, and Toni Morrison. The Value of Style in Fiction is designed not just for students and scholars of the English novel - and its verbal ''microplots'' - but also for anyone interested in mastering the art of the sentence by ''writing along with'' its finest examplars in a fully descriptive account: a stylistic challenge in its own right exemplified by Stewart''s multifaceted critical modelling. Beginning with a state-of-the-field survey of prose poetics, this manual of invested reading concludes with an ''Inventory'' of terms (bolded throughout) drawn primarily from grammar, rhetoric, etymology, and phonetics, but also narratology and poetic theory: a glossary whose consultation can help cross-map certain verbal tendencies in literary-historical evolution and its separate landmark writTrade Review'Written in an exacting, witty and distinctive prose style of its own, this book is both a manifesto for reading for style and a first-rate demonstration of it, by a scholar-critic long known for practicing exactly the kind of critical attention called for and modelled here. Given a returning interest in prose poetics, this seems like the right book by the right critic at the right time.' Daniel Tyler, University of Cambridge'The Value of Style in Fiction ... offers itself to those seeking to learn the craft of attentive reading and inventive writing at the level of the sentence as a form of mini-plot.' Philip Davis, Victorian StudiesTable of Contents1. Introduction: verbal investments – richness, wealth, value; 2. Emergent turns: Defoe toward Dickens; 3. Stylistic microplots: Melville to Miéville; 4. A rhetorical spectrum: Wharton, Woolf, Waugh, Wallace, and beyond; 5. Inventory: some terms of engagement – A to Z.

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Book SynopsisIn a post-digital media landscape tracked endlessly by streams and feeds of images, it is clearer than ever that photography is an art poised between arresting singularity and ambiguous plurality. Drawing on work in visual culture studies that emphasizes the interplay between still and moving images, In and Out of Sight provides a provocative new account of the relationship between photography and modernist literature--a literature which has long been considered to trace, in its formal experimentation, the influence of modern visual technologies. Making pioneering claims about the importance of photography to the writing of Gertrude Stein, Jean Toomer, John Dos Passos, and F. Scott Fitzgerald, Alix Beeston traverses the history of photography in the late nineteenth and early twentieth centuries. From the composite experiments of Francis Galton to the epic portrait project of August Sander; from the surrealist self-fashioning of Claude Cahun to the reappropriation of lynching photographTrade ReviewBeestons methodology has all the hallmarks and pleasures of the current trend in literary studies that blends theoretical subtlety—ably moving between the various branches of media and visual studies, as well as feminist theory and theories of modernity—with archival detail. ... This is an exciting debut, one which discloses through its study of the past consequential insights about how we intercept and areintercepted by mediated forms in our present. * Feminist Modernist Studies *Beeston's probing, artful, and original In and Out of Sight: Modernist Writing and the Photographic Unseen extends and redirects [the] dialogue between modernist literature and visual media. ... In and Out of Sight is a genuinely interdisciplinary project; its author is as conversant in moving-image studies as she is in modernist literary studies. Beeston sustains her range of references through what she identifies as a sort of critical montage, a methodology that poses important questions for the future of modernist studies. ... Beeston encodes her 'strong' combination of theoretical, formalist, and archival rigor within an open—composite, fractured, sutured—reading practice. It is this openness...that is sure to make it durable for generations of future scholars. * Stephen Pasqualina, Modernism/modernity *In and Out of Sight is powered by a truly interdisciplinary gathering of proofs and examples taken from photography, literature, history, and theory from the modernist moment and our own. [This book] may be the most thrilling offering of 2018". * Shawna Ross, The Year's Work in English Studies *Alix Beeston's bold and challenging new book offers a corrective to [Gertrude] Stein's statement of filmic equivalence, asking that we linger instead with the strangeness of photography when trying to account for literary modernism's interest in serial form. â Beeston carefully establishes a body of criticism into which her own book might be situated and forges an exciting direction for future work in modernist studies, photography and literature, still-moving studies, and feminist studies. * Louise Hornby , University of California, Los Angeles , Modern Language Review *Beeston's impressive first book makes significant contributions not just to the reading of literary and visual modernism but to the understanding of gender, race, and class in twentieth-century American culture... The theoretical and critical analyses of In and Out of Sight reveal how the tensions of the photographic unseen and the still-moving field exist in the representations of gender, race, and class that American visual or verbal images and texts subordinate. * Joseph R. Millichap , MFS Modern Fiction Studies *Alix Beeston's In and Out of Sight is one of several exciting and innovative accounts of the relation between literature and photography to appear in recent years, studies that have charted a new course for the field away from a focus on questions of realism and indexicality... the readings that emerge are powerful and persuasive... [it] is a welcome contribution to modernist and visual studies, persuasive evidence that these intertwined fields remain as vibrant as ever. * Stuart Burrows, American Literary History *Table of ContentsIntroduction: Things Normally Unseen Chapter 1: Bodies Bad and Gentle: The Surrealist Convulsions of Gertrude Stein's Three Lives Chapter 2: Black Flesh is White Ash: Reframing Jean Toomer's Cane Chapter 3: Frozen in the Glassy, Bluestreaked Air: John Dos Passos's Photographic Metropolis Chapter 4: Torn, Burned, and Yet Dancing: The Hollywood Writing of F. Scott Fitzgerald Coda: Shared Hallucinations Works Cited

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