Literary studies: plays and playwrights Books
Taylor & Francis Ltd A Critical Edition of John Fletchers Comedy Monsieur Thomas or Fathers Own Son Routledge Revivals
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Taylor & Francis Ltd A Critical Edition of John Fletchers Comedy Monsieur Thomas or Fathers Own Son
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Taylor & Francis Ltd Mercurius Rusticans A Critical Edition Routledge Revivals
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Taylor & Francis OneHour Shakespeare The Early Comedies and Romances
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Taylor & Francis OneHour Shakespeare The Tragedies
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Taylor & Francis Ltd OneHour Shakespeare
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Taylor & Francis Ltd The Feminist Shaw
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Taylor & Francis Ltd Venuss Palace
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Taylor & Francis Ltd The Shakespeare Multiverse
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Taylor & Francis Lorca in English A History of Manipulation through Translation Routledge Interdisciplinary Perspectives on Literature
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Taylor & Francis Ltd Shakespeare in Jest
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Taylor & Francis Shakespeare in Jest
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Taylor & Francis Ltd Shakespeare on the Couch
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Taylor & Francis Ltd The Consulting Process as Drama Learning from King Lear
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Taylor & Francis Ltd Queering Translation History
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Taylor & Francis Ltd Collaborative Playwriting Polyvocal Approaches
Book SynopsisIn Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented. Based on the EU Collective Plays Project, this collection of plays showcases each voice in dialogic tension and in relation to the other voices of the text, offering an entirely novel approach to new play development that challenges the single (and privileged) authorial voice. Castagno's case-study approach provides detailed commentary on each of the various experimental methods, exploring the plays' processes in detail. The book offers an evolutionary path forward in how to develop new work, thus encouraging and promoting the writing of collective, hybrid plays as having profound benefits for all playwrights.The ground breaking approaches to playmaking in Collaborative Playwriting will appeal to playwriTable of ContentsBiographies of Contributors Preface: Testimonial Acknowledgments Introduction written by Paul Castagno 1. Darkness—"The Enemy Inside" 2. Bitch. 3. FREETIME 4. And So My Face Became My Scar. 5. Narcissus Epilogue Index
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Taylor & Francis Ltd The Environment on Stage
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Taylor & Francis Ltd The Routledge Handbook of Shakespeare and Interface
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£204.25
Taylor & Francis The Art of Picturing in Early Modern English Literature
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Taylor & Francis Ltd The Routledge Anthology of Womens Theatre Theory and Dramatic Criticism
Book SynopsisThe Routledge Anthology of Women''s Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women's writing within, and also reframes the field's male-defined and male-dominated traditions. Its collection of documents demonstrates women's consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artTable of Contents1. FIVE MEDIEVAL WOMEN: St. Perpetua (c. 185–203), Hildegard of Bingen (1098–1179), Hadewijch (c. 1200–1250), Katherine Sutton (d. 1376), Margery Kempe (c. 1373–1438)Andrew Galloway2. HROTSVIT OF GANDERSHEIM (c. 935–1002)Andrew Galloway3. MARGARET LUCAS CAVENDISH (c.1623–1673)Sujata Iyengar and Mikaela Warner4. APHRA BEHN (1640–1689)Joseph Roach5. ANNE FINCH (1661–1720)Christina Black6. SUSANNA CENTLIVRE (c. 1669–1723)Gillian Skinner7. CHARLOTTE LENNOX (1729–1804)Elizabeth Kraft8. CHARLOTTE CHARKE (1713–1760)Molly Marotta9. FRANCES BURNEY (1752–1840)Serena Baiesi10. HANNAH COWLEY (1743–1809)Melinda C. Finberg and Angela Escott11. LADY EGLANTINE WALLACE (c. 1754–1803)Lilla Maria Crisafulli12. SALLY SIDDONS (1775–1803)Laura Engel13. ELIZABETH INCHBALD (1753–1821)Lisa A. Freeman14. JOANNA BAILLIE (1762–1851)Thomas C. Crochunis15. FELICIA HEMANS (1793–1835)Diego Saglia16. ADELAIDE O’KEEFFE (1776–1865)Donelle Ruwe17. SARAH SIDDONS (1755–1831)Daniel O’Quinn18. “ANONYMOUS”Marjean D. Purinton19. MARY RUSSELL MITFORD (1787–1855)Serena Baiesi20. AMELIA CHESSON (1833–1902)Tracy C. Davis21. FRANCES A. KEMBLE (1809–1893)Catherine Burroughs22. OLIVE LOGAN (1839–1909)Merritt Denman Popp23. MICHAEL FIELD [KATHARINE HARRIS BRADLEY (1846–1914) AND EDITH EMMA COOPER (1861–1913)]Jill R. Ehnenn24. CHARLOTTE PERKINS GILMAN (1860–1935)Andrew Tolle25. PHYLLIS ROBBINS (1883–1972)Kim Marra26. LADY AUGUSTA GREGORY (1852–1932)Marjorie Howes27. EDITH CRAIG (1869–1947)Katharine Cockin28. CHRISTOPHER ST. JOHN (1871–1960)Lesley Ferris29. BINODINI DASI (1862–1941)Aparna Dharwadker30. FLORENCE KIPER (1886–1976)Sharon Friedman31. MAY ISABEL FISK (1872–1955)Jennifer Schmidt32. DJUNA BARNES (1892–1982)Nick Salvato33. SOPHIE TREADWELL (1885–1970)Jerry Dickey34. VIRGINIA WOOLF (1882–1941)Shilo McGiff 35. ELIZABETH ROBINS (1862–1952)Joanne Gates36. LENA ASHWELL (1872–1957)Maggie Gale37. CONSTANCE ROURKE (1885–1941)Charlotte M. Canning38. CORNELIA OTIS SKINNER (1899–1979)Jennifer Schmidt39. GERTRUDE STEIN (1874–1946)Scott W. Klein 40. SUSAN GLASPELL (1876–1948)J. Ellen Gainor and Elizabeth A. Osborne41. HALLIE FLANAGAN (1889–1969)Elizabeth A. Osborne42. JOAN LITTLEWOOD (1914–2002)Fatine Bahar Karlidağ 43. ALICE CHILDRESS (1916–1994)Meenakashi Ponnuswami44. ANN JELLICOE (1927–2017)Kate Pierson45. BARBARA ANN TEER (1937–2008)La Donna L. Forsgren46. JUDITH MALINA (1926–2015)Kate Bredeson47. ROSE YUEN OW (1895–?)Krystyn Moon48. MARGUERITE DURAS (1914–1996)Shelley Orr49. MEGAN TERRY (1932–2023)Maya Roth50. DOROTHY HEWETT (1923–2002)Aoise Stratford51. MARÍA IRENE FORNÉS (1930–2018)Linda Ben-Zvi52. JANE CHAMBERS (1937–1983)Sara Warner53. ELFRIEDE JELINEK (b.1946)Anke Charton54. SUE-ELLEN CASE (b.1942)Penny Farfan55. ADRIENNE KENNEDY (b.1931)Maya E. Roth56. LIZ LOCHHEAD (b.1947)Aoise Stratford57. CONSTANCE CONGDON (b.1944)Ryan Platt58. ELIZABETH MACLENNAN (1938–2015)Gioia Angeletti59. MONSTROUS REGIMENT (1975–1993)Elaine Aston60. JILL DOLAN (b.1957)Jessica Del Vecchio61. THE DIVINA PROJECT (1989–1998)Juliet Guzzetta62. NEHAD SELAIHA (1945–2017)Marvin Carlson 63. PEGGY PHELAN (b.1959)Daniel Sack64. SUZAN-LORI PARKS (b.1963)Kristen Wright65. KATE BORNSTEIN (b.1948)Kara Raphaeli66. ELIN DIAMOND (b. 1948)Jen-Scott Mobley67. HÉLÈNE CIXOUS (b.1937)Rachel Morris Watson68. MĨCERE GĨTHAE MŨGO (1942–2023)Kellen Hoxworth69. DIANE GLANCY (b.1941)Birgit Däwes70. LOIS WEAVER (b.1949)Benjamin Gillespie71. JUDITH THOMPSON (b.1954)Erica Stevens Abbitt72. CHERRÍE MORAGA (b.1952)Lindsay Cummings73. AMAL ALLANA (b.1947)Aparna Dharwadker74. NAOMI WALLACE (b.1960)Lindsay B. Cummings75. MOJISOLA ADEBAYO (b.1971)Kellen Hoxworth76. LAUREN GUNDERSON (b.1982)Noelia Hernando-Real77. SARAH RUHL (b.1974)Amy Muse78. ELAINE ASTON (b.1958)Geraldine Harris79. DAME HARRIET WALTER (b.1950)Rosemary Malague80. CATHERINE KODICEK (b.1972)Katherine Gurnos-Davies81. SPIDERWOMAN THEATER (1976–) AND MURIEL MIGUEL (b.1937)Lilian Mengesha82. EMMA RICE (b.1967)Siouxsie Easter83. PAULA VOGEL (b.1951)Meghan Brodie84. ELAINE ROMEROJimmy A. Noriega85. VELINA HASU HOUSTON (b.1957)Eunha Na86. QUIARA ALEGRÍA HUDES (b.1977) and GABRIELA SERENA SANCHEZJ. Ellen Gainor87. WINSOME PINNOCK (b.1961)Gabriele Griffin88. TAKEMOTO KOSHIKÔ (b.1953)Maki Isaka89. ÉMILIE MONNET (b.1979)Lindsay LaChance
£118.75
Taylor & Francis Ltd Reading Texts for Performance and Performances as Texts
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Taylor & Francis Ltd Martin Crimps Power Plays
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Taylor & Francis Ltd Majesty and the Masses in Shakespeare and Marlowe Western AntiMonarchism The Earl of Essex Challenge and Political Stagecraft Routledge Studies in Shakespeare
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Taylor & Francis Household Servants in Early Modern Domestic Tragedy Routledge Studies in Renaissance Literature and Culture
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Taylor & Francis Ltd Household Servants in Early Modern Domestic Tragedy
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Taylor & Francis Ltd Shakespeares Language in Digital Media
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Taylor & Francis The SelfCentred Art
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Taylor & Francis Ltd The SelfCentred Art
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Taylor & Francis Ltd Eugene ONeills Philosophy of Difficult Theatre
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Taylor & Francis Ltd Dramatic Spaces
Book SynopsisFor literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium if audience members are co-creators of the drama, how do they contribute? The book investigates: Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors' bodies shaped the playing space more than did sets or props the use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical space transactions between stage designers and spectators, including work by László Moholy-Nagy,Table of ContentsIntroduction 1. Inside the Theater: Audience Experience at The Menaechmi and The Comedy of Errors 2. "Bodied Forth": Spectator, Stage, and Actor in Early Modern English Theaters 3. Audience Performance: The Claque in Nineteenth-century French Theater 4. How Modernism Played in Berlin: Moholy-Nagy’s Hoffmann at the Kroll Opera House 5. Box Set to the Infinite Power: Metatheatricality and Set Design in Albee's Tiny Alice 6. Design and Double Vision: Spectatorial Experience and M. Butterfly
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Taylor & Francis Ltd Lorca in English
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Taylor & Francis Staging Favorites Theatrical Representations of Political Favoritism in the Early Modern Courts of Spain France and England Routledge Studies in Renaissance and Early Modern Worlds of Knowledge
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Taylor & Francis Ltd Dance Lexicon in Shakespeare and His Contemporaries A Corpus Based Approach Studies in Performance and Early Modern Drama
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Taylor & Francis Ltd Dance Lexicon in Shakespeare and His Contemporaries
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Taylor & Francis Ltd Majesty and the Masses in Shakespeare and Marlowe
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Taylor & Francis Ltd Reading Texts for Performance and Performances as Texts
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Taylor & Francis Christ the Tragedy of God
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Taylor & Francis Ltd Shakespeare as Jukebox Musical
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Taylor & Francis Womens Deliberation The Heroine in Early Modern French Womens Theater 16501750
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Taylor & Francis The Practicalities of Early English Performance Manuscripts Records and Staging
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Taylor & Francis Aeschylus and War Comparative Perspectives on Seven Against Thebes
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Taylor & Francis Killing Hercules
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Taylor & Francis Ltd Echos Voice The Theatres of Sarraute Duras Cixous and Renaude
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Taylor & Francis Ltd The Reinvention of Theatre in Sixteenthcentury Europe Traditions Texts and Performance
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Taylor & Francis Pastoral Drama in Early Modern Italy The Making of a New Genre
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Taylor & Francis Ltd Politics of the Oberammergau Passion Play
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Taylor & Francis Receiving the Stranger in Shakespeare
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Taylor & Francis Ltd Rabindranath Tagores Theatre
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