Literary studies: plays and playwrights Books
Liverpool University Press Samuel Beckett's Self-Referential Drama: The
Book SynopsisSamuel Beckett's Self-Referential Drama - The Sensitive Chaos, 2nd EditionTrade Review"... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies."An intelligent, often fascinating analysis of Beckett's work." -- Choice."This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies.Table of ContentsContents: Preface; Introduction: Self-Organisation in the Middle of Chaos; Philosophical Notions; The Message of the Medium -- Theatrical Techniques; The Poetics of Offstage; The Radioplays; "Spirit Made Light" -- Film and TV Plays; Godot -- Resolution or Revolution?; I's and Eyes: A Hermeneutical Circle; Epilogue: Six She's and other Not I Proxies; Index.
£100.00
Classical Press of Wales Tragedy and Archaic Greek Thought
Book SynopsisEight leading contemporary interpreters of Classical Greek tragedy here explore its relation - convergence and divergence - with ideas of the Archaic Period. Prominent are the nature and possibility of divine justice, the influence of the gods on humans, fate and human responsibility, the instability of fortune, the principle of alternation, hybris and ate , the inheritance of guilt and suffering. Other themes are tragedy's relation with Presocratic philosophy, and the interplay between 'Archaic' features of the genre and fifth-century ethical and political thought. Here is a powerful case for the importance of Archaic thought not only in the evolution of the tragic genre but also for developed features of the Classical tragedians' art. Along with three papers on Aeschylus, four on Sophocles, and one on Euripides, there is an extensive introduction by the editor.Trade Review"...of these papers are useful and interesting...[...]The volume is attractive and cleanly produced..." -- Jennifer Starkey, University of Colorado Bryn Mawr Classical Review 2013.08.37
£58.50
Classical Press of Wales Seneca in Performance
Book SynopsisThe plays of Seneca the Younger, minister and philosopher under Nero, are today increasingly studied, appreciated - and performed. Here, in a collection of papers from an international cast, scholars explore both established questions, such as the playwright's subtleties of characterisation, his relation to contemporary Roman spectacle and art - and the problems arising in translating him to modern text or stage.Table of ContentsIntroduction Seneca on the Ancient Stage 1. Playing Seneca? - John G. Fitch 2. Production of Seneca's Trojan Women, Ancient and Modern - Elaine Fantham 3. Location! Location! Location! Choral Absence and Theatrical Space in the Troades - C.W. Marshall 4. Nothing Within Which Passeth Show: Character and Color in Senecan Tragedy - Brian S. Hook Contemporary Roman Social Influences on Seneca 5. A New Look at Seneca's Phaedra - Hanna M. Roisman 6. The Spectacle of Death in Seneca's Troades - Jo-Ann Shelton 7. Grotesque Vision: Seneca's Tragedies and Neronian Art - Eric R. Varner 8. Semper Ego Auditor Tantum?: Performance and Physical Setting of Seneca's Plays - George W.M. Harrison Modern Translation and Staging 9. Seneca and Chaucer: Translating Both Poetry and Sense - Frederick Ahl 10. Seneca's Trojan Women: Identity and Survival in the Aftermath of War - Gyllian Raby 11. Putting Andromacha on Stage: A Performer's Perspective - Katharina Volk 12. Going for Baroque: Seneca and the English - Sander M. Goldberg Bibliography Index
£25.00
Ave Maria University Press Shakespeare the Papist
Book SynopsisShakespeare, who wrote at the beginning of the long period in which the Catholic faith as violently suppressed in the British Isles, has long enjoyed an iconic status. Some readers have interpreted him as an early agnostic, expressing modern angst about whether anything exists besides ""this mortal coil"" that seems to be merely ""full of sound and fury, signifying nothing."" In recent years, however, thanks largely to the work of Peter Milward, close study of Shakespeare's plays has raised the question: Was Shakespeare in fact a believing Catholic? To this question, which radically changes the way that Shakespeare's plays should be read, Milward here offers, in his definitive study of the topic, a resounding ""Yes.
£18.95
Cornell University Press Visioning Eternity: Aesthetics, Politics, and
Book SynopsisIn one of the more remarkable public events of the Tokugawa world, the shogun responded to a deepening crisis in 1840s by sponsoring a huge, "once-in-a-generation" noh performance—the largest performance ever held. This is the first Western language book on Edo period noh and its use by the shogun, an essential addition to the scholarship in Japanese theater and the cultural history of early modern Japan.
£999.99
Arc Medieval Press Shakespeare and Superheroes
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£91.74
Clemson University Digital Press Rewriting The Hour-Glass: A Play Written in Prose
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£109.50
Diaphanes AG The Steps of Nemesis – A Dramatic Chronicle in
Book SynopsisThe first-ever English translation of this dramatic work by Nikolai Evreinov. In the 1910s the Russian theater director and theorist Nikolai Evreinov (1879–1953) insisted on the theatricalization of life. Twenty years later, Evreinov, who had left Russia in 1924, was in exile in Paris when Stalin staged three elaborate political show trials in Moscow. Evreinov then meticulously read the transcripts of the trials in the Russian-language press, collected material on Nikolai Bukharin and the other defendants, consulted with experts, and finally wrote a play, his response to the staging of a judicial farce. With this response, he also wanted to rehabilitate his idea of the theatricalization of life. After all, the theatricalization of life does not mean performing false confessions, constructing conspiracies, fabricating facts, or casting hired witnesses. In his theatrical theory, Evreinov was careful not to make the theater of life invisible. His play is therefore not a historical reconstruction, but an imaginary look behind the scenes, in which the Stalinist perpetrators confess to the real crime in the end: the theater. Expertly translated into English for the first time by Zachary King, The Steps of Nemesis brings a fascinating play to a whole new world.
£24.00
De Gruyter Liveness on Stage: Intermedial Challenges in
Book SynopsisTheatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
£113.52
De Gruyter Rethinking Character in Contemporary British
Book SynopsisThe category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane’s Crave and 4.48 Psychosis, Ed Thomas’s Stone City Blue and Tim Crouch’s ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated.
£82.65
De Gruyter Ödön-von-Horváth-Handbuch
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£147.72
De Gruyter The New Wave of British Women Playwrights: 2008 – 2021
Book SynopsisIt is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
£77.90
De Gruyter Hexenangst und Hexenverfolgung in Goethes >Faust
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£104.02
Kinokuniya Shoten Shuppanbu Half a Century of Japanese Theater v. 7, Pt. 2;
Book SynopsisThe seventh volume in this series treats the major works of six award-winning counterculture playwrights of the 1960s. Miyamoto Ken's ""Meiji Coffin"" is a biographical play about the Christian socialist Tanaka Shozo and his involvement in the Ashio copper mine pollution problem of the early Meiji period. Fukuda Yoshiyuki's ""Oppekepe"" is a fictionalized treatment of Kawakami Otojiro's shinpa theater company that performed soshi plays, a New Wave theater form that arose in the early modernization period of Japan. Comedy Duo in ""Hibernation"" by Akihama Satoshi is a delightful absurdist piece about two family members stuck together in the snow. Akimoto Matsuyo's ""Our Lady of the Scabs"" depicts how a cult captures the hearts of its naive followers while ignoring or exploiting the truly devout. Shimizu Kunio's ""Such a Serious Frivolity"" uses the image of a queue to illustrate the docility of citizens and the defiance of youth. At ""Play with a Lion"" by Yamazaki Mazakazu treats the complex relations between the seventeenth-century ruler Toyotomi Hideyoshi and the consummate tea artist Sen no Rikyu.
£29.96
Uniwersytet Jagiellonski, Wydawnictwo Eyes to Wonder, Tongue to Praise – Volume in
Book SynopsisThis book is a collection of articles written for Professor Marta Gibinska by her colleagues and friends, from universities both in Poland and abroad. The texts presented in this volume cover a wide spectrum of topics. Part I, devoted to Shakespeare, comprises wide-ranging work from renowned specialists in the field: studies on historical background, sources, theatrical, screen and literary reception, as well as translation. Part II contains articles which deal with multiple authors, genres and perspectives, but are uniformly passionate and insightful.The title Eyes to Wonder, Tongue to Praise, a poetic phrase borrowed from Shakespeare, conveys what seems to be a defining quality of both the contributors to this volume and its recipient: namely, the ability to translate keen appreciation of literature not into speechless awe but eloquent praise, combined with the generosity to share it with others.
£42.50
Uniwersytet Jagiellonski, Wydawnictwo Shakespeare: His Infinite Variety – Celebrating
Book SynopsisThe essays included in this volume attempt to answer, directly or indirectly, the following questions connected with Shakespeare’s popularity worldwide. Can we appropriate Enobarbus’s fascination with Cleopatra, borrowed for the motto of this volume: “age cannot wither Shakespeare, or custom stale”? What makes it so that his works do not “cloy” their recipients’ appetite, but instead constantly whet it for more? Can we still talk about Shakespeare’s “infinite variety” and how are we to understand this epithet in the twenty-first century? Does this opinion hold in the context of the international reception of his works? Why does he still enjoy such an exciting career—with his works still in active circulation—even though he died in 1616? How is it possible for works written with a quill over four hundred years ago by a man in ruffs and tights to resonate with the hearts and minds of contemporary recipients all over the world?Trade ReviewIt might appear that everything has been already said about Shakespeare, and yet new theatrical productions show how well Shakespeare’s plays function in new contexts and surprising interpretations. The great asset of Shakespeare: His Infinite Variety is its wide historical and geographical range – that is, from the time of the Bard himself to the latest metamorphoses of meanings that new electronic media has made available. Every reader, depending on his/her age and prior experience with Shakespeare, is at a different moment of this great historical-theoretical continuum of world culture. Everyone can also begin one’s own intellectual journey through cultural history – any time, any place. Despite the once popular but now outdated claim, history has not ended. This volume testifies to the benefits of combining historical perspective in its fairly elementary version, which is a linear sequence of events, with an in-depth analysis of the transformations in understanding, exhibiting, and using (appropriating) Shakespeare’s works in our rapidly changing reality. -- Marta Wiszniowska-Majchrzyk, professor emerita, Stefan Wyszynski University in Warsaw
£35.70
The Chinese University Press Ibsen and Ibsenism in China 1908-1997: A
Book SynopsisIbsen has often been considered as the most important source, besides Goethe, of Western influence in modern Chinese literary thinking and remains influential in both the modern Chinese theatre and the Chinese women's movement. This bibliography charts how modern Chinese culture has developed.
£24.76
University of the West Indies Press Una Marson
Book SynopsisUna Marson's work embodied anti-colonialism, anti-racism, feminism, class politics and pan-Africanism in the first half of the twentieth century. Her poetry and dramatic work symbolically ushered in a new era in Jamaica's literary landscape and her efforts in championing early Jamaican literature, as well as her avid support for Caribbean writers in Britain and the region, made her a key proponent of the development of a nationaland West Indian literary canon. She challenged racial inequality, affirmed standards of black beauty and black identity, and explored the complexities of gender, religious discrimination and class/economic exploitation. She did not frame her work around a single cause but, instead, she was mindful of the multiple intersections of oppression. Britain's hold on Jamaica's cultural imagination would finally be challenged by artists like Marson who were eager to free their nation of colonial authority and cultural dominance. In the end, through her advocacy and pioneering work, Marson achieved a voice for the oppressed.
£21.56
Forgotten Books The New Covenant or the Saints Portion
£32.29
£25.09
£25.49
Hardpress Publishing Tales from Shakespear Designed for the Use of Young Persons 1
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£15.15
Hardpress Publishing Romeo and Juliet
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£12.30
£25.99
Public Park Publishing Ethan Frome
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£18.44
Editorial Fundamentos La construcción de un personaje el Gracioso
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£20.93
Miraguano William Shakespeare
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£16.57
Nordica Libros, Hamlet
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£28.22
Acantilado Prefacio a Shakespeare
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£13.52
Taylor & Francis Ltd Studying Shakespeare
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£36.54
Clarendon Press The Songs of Aristophanes
Book SynopsisA comedy of Aristophanes was in large measure a musical performance, and his lyric verse covers a wide range of styles - from popular song to parody of tragedy. The music is lost, and our only way of recovering something of the experience of an Athenian audience is by studying the rhythms of the poetry. This book provides a full text, with scansions, of the lyric of the surviving plays, and an introduction to the different rhythms used by Aristophanes, their origins, and literary associations. Dr Parker pays particular attention to showing the role played by lyric metre in the structure of the plays and to distinguishing the different levels of musical style, thus illustrating the integral part metre plays in Aristophanes'' dramatic art and satire. She also discusses fully the metrical aspects of textual problems in Aristophanes'' lyric, and a section of the introduction traces the evolution of the study of Aristophanes'' metres and the influence this has on the text.Trade ReviewA major addition to the specialist literature on the author ... There is an enormous amount of scrupulous, carefully pondered scholarship here, used to highlight both large scale features ... and the rhythmic effects of particular passages ... Parker's work represents a superb achievement; it will be indispensable to all who want to pick the finer threads in the fabric of Aristophanic comedy. * Greece & Rome *This book testifies to extraordinary scholarly zeal, offering an abundance of detailed analyses, observations and readings of all lyric passages in Aristophanes' complete works ... the book provides a good insight into the metrical techniques employed in the comedies of this period ... By giving the book a clear structure and by offering a comprehensive study of Aristophanes' poetry and to some extent of the entire Attic poetry of the time, Parket has successfully provided us with another commendable basis for research. * Christoph Kugelmeier, Bryn Mawr Classical Review *The explanatory text is highly readable because of its refreshingly low amount of footnotes. Important quotations and bibliographical references are integrated into the text, giving the impression of a lively discussion ... Parker incorporates her scholarly knowledge into the discussion and evaluates opposing views only where absolutely vital. She offers sensitive observations and readings without ever exceeding the self-imposed limits. * Christoph Kugelmeier, Bryn Mawr Classical Review *
£225.00
Oxford University Press, USA Writing Under Tyranny English Literature and the Henrician Reformation
Book SynopsisWriting Under Tyranny is both a study of the birth of Renaissance literature in England and a history of the reign of Henry VIII told through and around the lives of its poets and writers. It shows how political tyranny prompted resistance in and through literature.Trade ReviewReview from previous edition Walker's readings invest the literature of the early sixteenth century with a complex political urgency that is more often associated with Elizabethan texts. This thoroughly researched and well-written book asks us to rethink the standard narrative of sixteenth-century literary history... For scholars in the fields of literature and history, Writing under Tyranny is destined to become a classic. * Journal of British Studies *A new book by Greg Walker... is a major event. * Reviews in History *... an exceptionally good book... will surely remain an important work * Lucy Wooding, English Historical Review *Walker's ability to invoke very specific points of reference in clarifying the contemporary significance of his texts is ... remarkable ... This is an important book, which deserves to have a profound influence upon the ways in which we understand the literature of the Henrician period. * Roderick J. Lyall, Cahiers Elisabethains *Walker gives voice to a fascinating dialogue between literature and politics... in a compelling work ... This is an actively engaging book, required reading for anyone interested in the relation between literature and politics, and a welcome addition to the ranks of intellectual history. * Alessandra Petrina, Renaissance Quarterly *Walker's strength is that he understands and engages intimately with the culture of a generation schooled in the rhetorical tradition... Walker is a most acute critic of the literature of an age when most published writers were active politicians and most politicians were writers. * Patrick Collinson, London Review of Books *... a monumental achievement that furthers our understanding of an area that Walker has done much to illuminate over the years. The careful and scrupulous analysis of a whole range of texts that deserve to be better known, and more meticulously read, has resulted in a serious, scholarly and, in places, profound work, well written throughout. * Andrew Hadfield, Times Literary Supplement *Table of Contents1. The Long Divorce of Steel: Tyranny and Political Culture in Henry VIII's England ; POETRY AND THE CULTURE OF COUNSEL: THE 1532 IWORKES OF GEFFRAY CHAUCER/I AND JOHN HEYWOOD'S IPLAY OF THE WETHER/I ; 2. A Gift for Henry VIII ; 3. The Signs of the World: The 'Wondrous' Divisions of the early 1530s ; 4. Reading Chaucer in 1532 ; 5. Thynne and Tuke's Apocrypha ; 6. Mocking the Thunder: Henry VIII, Jupiter, and John Heywood's iPlay of the Wether/i ; 'TO VIRTUE PERSUADED'?: THE PERSISTENT COUNSELS OF SIR THOMAS ELYOT ; 7. Sir Thomas Elyot and the King's Great Matter ; 8. iThe Boke Named the Governor/i: Good Kingship and the Royal Supremacy ; 9. Tyranny and the Conscience of Man: Elyot's Dialogues, 1533-34 ; 10. From Supremacy to Tyranny ; 11. The Apotheosis of Sir Thomas Elyot ; THE DEATH OF COUNSEL: SIR THOMAS WYATT AND HENRY HOWARD, EARL OF SURREY ; 12. Sir Thomas Wyatt: Poetry and Politics ; 13. Tyranny Condemned: Wyatt's Epistolary Satires ; 14. Wyatt's Embassy, Treason, and 'The Defence' ; 15. Pleading With Power: Wyatt's Penitential Psalms ; 16. 'Wyatt Resteth Here': Henry Howard and the Invention of Resistance ; 17. Writing under Tyranny: Wyatt, Surrey, and the Reinvention of English Poetry
£50.35
Oxford University Press, USA On Shakespeare and Early Modern Literature Essays
Book SynopsisJohn Kerrigan is one of the foremost critics of English literature. This richly informed collection brings together his essays on such major figures as Sir Philip Sidney and Milton, but also less celebrated writers, including Thomas Carew and - in a new piece - William Drummond, to reconfigure the familiar and help extend the canon. Shakespeare looms large; his plays and poems, and his influence on Keats, are the subject of half the book. But themes and issues are pursued from the 1580s to the late Restoration. Kerrigan acutely reassesses the nature of early modern texts-their production and reconstruction by writers, printers, theatre companies, and readers-and their relationship with socio-political circumstance.This original and eloquent book shows what criticism can do when closely engaged with verbal fabric and form. Always alert to the scholarly and theoretical debates that have raged within literary studies, it concentrates on drawing out the distinctive qualities of poems and plays.Trade ReviewReview from previous edition Though elegantly written, Kerrigan's essays are densely argued and formidably erudite . . . The quality of Kerrigan's work sets a standard for others to aim at. * Neil Rhodes, Around the Globe *These essays consolidate Kerrigan's position as one of the outstanding scholars of the English Renaissance of his generation * E. A. J. Honigmann, Times Literary Supplement *Table of ContentsI: SHAKESPEARE; II: EARLY MODERN LITERATURE
£45.12
Oxford University Press (UK) Antigone on the Contemporary World Stage
Book SynopsisAntigone on the Contemporary World Stage is the first book to analyse what happens to Sophocles'' play as it is adapted and (re)produced around the world, and the first to focus specifically on Antigone in performance. The essays, by an international gathering of noted scholars from a wide range of disciplines, highlight the numerous ways in which social, political, historical, and cultural contexts transform the material, how artists and audiences in diverse societies including Argentina, The Congo, Finland, Haiti, India, Japan, and the United States interact with it, and the variety of issues it has been used to address.Table of ContentsI. ANTIGONE IN ANTIQUITY ; II. AN ANCIENT GREEK PLAY? ; III. CULTURAL FREEDOM ; IV. ANTIGONE AND HUMAN RIGHTS ; V. INDIVIDUAL VS. COLLECTIVE ; VI. ANTIGONE AS DISSIDENT ; VII. CULTURAL MEMORY ; VIII. SOPHOCLES VS. ANOUILH
£114.00
Oxford University Press The Agamemnon of Aeschylus
Book SynopsisThis commentary discusses Aeschylus'' play Agamemnon (458 BC), which is one of the most popular of the surviving ancient Greek tragedies, and is the first to be published in English since 1958. It is designed particularly to help students who are tackling Aeschylus in the original Greek for the first time, and includes a reprint of D. L. Page''s Oxford Classical Text of the play.The introduction defines the place of Agamemnon within the Oresteia trilogy as a whole, and the historical context in which the plays were produced. It discusses Aeschylus'' handling of the traditional myth and the main ideas which underpin his overall design: such as the development of justice and the nature of human responsibility; and it emphasizes how the power of words, seen as ominous speech-acts which can determine future events, makes a central contribution to the play''s dramatic momentum. Separate sections explore Aeschylus'' use of theatrical resources, the role of the chorus, and the solo charactersTrade ReviewRaeburn and Thomas have provided a comprehensive and reliable guide to the Agamemnon that will be of use to students and scholars alike. * Eric Dugdale, CJ-Online *Table of ContentsABBREVIATIONS; INTRODUCTION; TEXT; COMMENTARY; APPENDIX: SOUND AND RHYTHM; WORKS CITED; INDEX
£27.93
Taylor & Francis Ltd The Theater of Tony Kushner
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£128.25
Taylor & Francis Ltd The Theater of Tony Kushner
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£34.99
Taylor & Francis Limited Shakespeare The Reason of Finitude Routledge Studies in Shakespeare
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£142.50
Taylor & Francis Ltd An OldSpelling Critical Edition of James Shirleys The Example
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£104.50
Taylor & Francis Ltd An OldSpelling Critical Edition of James Shirleys The Example
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Taylor & Francis John Marstons The Wonder of Women or The Tragedy of Sophonisba
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£99.75
Taylor & Francis John Marstons The Wonder of Women or The Tragedy of Sophonisba A Critical Edition Routledge Revivals
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Taylor & Francis Ltd The Old Law by Thomas Middleton and William Rowley
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Taylor & Francis The Old Law by Thomas Middleton and William Rowley Routledge Revivals
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Taylor & Francis Ltd A Critical Edition of I SIr John Oldcastle
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Taylor & Francis Disgust in Early Modern English Literature
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Taylor & Francis Short Plays with Great Roles for Women
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Taylor & Francis How and Why We Teach Shakespeare
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