Literary studies: fiction Books

Book Synopsis** This title will be released on Monday, October 30th but is available for pre-order now ** A superbly rich and engrossing exploration of C.S. Lewis’ The Lion, the Witch and the Wardrobe, Paths in the Snow traces the literary allusions and echoes to be found in this beloved novel, drawing the reader deeper into the magic and meaning of Narnia. From Dante to The Wind in the Willows, and from medieval dream poetry to Dorothy L. Sayers, Paths in the Snow uncovers the literary connections which criss-cross Narnia. Stories, myth and literature played a central role in Lewis’ personal life and religious imagination: he was a professor of literature who came back to faith by seeing the Christian story as a “true myth” created by God. Untangling the fascinating network of literary allusions and sources in The Lion, the Witch and the Wardrobe helps to bring Lewis’ vision into focus. This study also examines the time in which the first Narnia book was written, shedding light on its historical and cultural context, and how these shaped its meaning for its first readers. Paths in the Snow reveals why the Pevensie children are always shaking hands with each other and what a wartime recipe for whalemeat fritters can tell us about Narnian food. The book proceeds chapter by chapter through The Lion, the Witch and the Wardrobe, making it ideal for reading groups or study sessions. It also provides an opportunity for readers to branch off into their own journey through the literary and theological sources which stocked Lewis’ mind. The perfect gift for any Narnian, and a valuable resource for groups, Paths in the Snow will appeal to all fans of C.S. Lewis’ work, and enable anyone to stand at the wardrobe door, and go further in.Trade Review'This is a book that will delight all Narnians. Jem Bloomfield leads us on a charming yet erudite ramble through the land of Narnia, pointing out many of the literary and theological references Lewis wove consciously or unconsciously into his tale ... I read the book in one huge gulp and enjoyed every page of it.’ -- Katherine Langrish‘Jem Bloomfield provides an insightful and interesting exploration of scriptural and literary echoes in the first Chronicle of Narnia. Always intelligent, often intriguing, and at times an arresting read.’ -- Michael Ward‘This is a rich and rewarding book, an indispensable guide for anyone wanting to gain a deeper understanding of C. S. Lewis’ much-loved novel.' -- Eleanor Parker‘Diligently researched and passionately argued, this literary re-reading of one of the best-loved children’s stories of the twentieth century is crammed with beguiling, often surprising, insights into the creation of the Land of Narnia.’ -- Brian Sibley

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Book SynopsisWhy do Agatha Christie’s novels continue to inspire each generation? The answer is the quality and range of her puzzles: her rich and varied structures of deception. Christie broke the mould of detective fiction and rewrote the implicit rules of the whodunnit. Agatha Christie: Plots, Clues and Misdirections examines Christie’s skills as a whodunnit writer. It analyses her methods in setting her puzzles. It shows how she uses a combination of diverse plots, cunning clues and subtle misdirections. In the sheer variety and profusion of each of these elements Christie is without peer, and her combining genuine puzzles with entertaining narratives has never been surpassed. In this unique analysis of how Christie sets her puzzles, two medical professionals and enthusiastic Christie fans explore the greatest of Christie’s deceptions – the impression that her writing is simple.

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Book SynopsisAyn Rand, author of the best-selling novels, The Fountainhead and Atlas Shrugged, is beloved by millions of readers, and equally despised by a significant number of detractors. Her novels and her revolutionary philosophy of Objectivism have acquired a world-wide following. They have also created legions of readers who are hungry for a deeper understanding of her writings.Despite her undeniably significant contributions to the literary canon and the progression of philosophy, there has been no simple, comprehensive introduction to Rand''s books and ideas, until now. AYN RAND FOR BEGINNERS sheds new light on Rand''s monumental works and robust philosophy. In clear, down-to-earth language, it explains Rand to a new generation of readers in a manner that is entertaining, and easy to read and comprehend.

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Book SynopsisThis book analyses the successive appearances of Adolf Hitler in French fiction between 1945 and 2017. It discusses why, unlike what has been observed in the US and in the UK, it has proven problematic for French novelists to write about Hitler in their numerous fictional explorations of the Second World War. It examines the literary and ethical challenges of including historical characters such as Hitler in fiction, and demonstrates how these challenges evolved over time as memories of the Second World War also evolved in France. jhopokTrade Review Table of ContentsChapter 1: Hitler and the Second World War in French Historiography and Fiction.- Chapter 2: Hitler in the Margins. On Jean-Paul Sartre’s Le Sursis (1945) and Jean Genet’s Pompes funèbres (1947).- Chapter 3: What if Hitler had Survived? On Pierre Boulle’s ‘Son Dernier Combat’ (1965) and René Fallet’s Ersatz (1974).- Chapter 4: From Adolf to Hitler. On Frédéric Dard’s Le Dragon de Cracovie (1998) and Éric-Emmanuel Schmitt’s La Part de l’autre (2001).- Chapter 5 : Adolf before Hitler. On Christian Millau’s Le Passant de Vienne (2010) and Michel Folco’s La Jeunesse mélancolique et très désabusée d’Adolf Hitler (2010).- Chapter 6: Hitler from France to the Rest of the World (and Back): Concluding Remarks.

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Book SynopsisOne of the most published and translated books in the world, The Little Prince fascinates the reader with its story of a pilot marooned in the Sahara after something goes wrong with his plane, and a little man with golden hair who has ''fallen'' to earth by chance.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe Place of Dragons is an interesting journey book written with the aid of the well-known British creator William Le Queux, who's recognised for his undercover agent and mystery books. It's an interesting blend of spying, mystery, and politics round the world. The tale is set the main individual, Richard Scarsmere, who gets stuck up in a complicated plan regarding espionage and political plots. In a time of political unrest and uncertainty in Europe, The Unusual takes readers on an interesting journey thru distinctive nations as Scarsmere uncovers a sinister plan concerning the enigmatic Place of Dragons. Le Queux really knows loads about writing secret agent testimonies because he crafts a story complete of mystery agencies, political video games, and unexpected turns. The book continues readers on the edge of their seats with its issues of strength, lies, and the shadowy global of international politics. The Place of Dragons is proof that Le Queux ought to write interesting undercover agent stories. The book remains a tremendous example of flip-of-the-century journey fiction because it has a complex plot, well-drawn characters, and a feel of looming danger. It takes readers on an interesting ride through the secret global of spies and conspiracies.

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Book SynopsisDovlatov and Surroundings is a literary ode by one of the most consequential late 20th-century Russian writers, Alexander Genis, to another: Sergei Dovlatov. Though the book’s focus is ostensibly the man himself, the text unfolds as a comprehensive look at the Soviet, post-Soviet, and American cultures that shaped him and which he shaped. Dovlatov and Surroundings constantly, but effortlessly shifts its focus from the intimate to the sweeping, as Genis’s reflections on his friendship with Dovlatov organically give way to recollections about diaspora life, which transition smoothly into analyses of language, culture, politics, and literature. Characterized by Genis as an obituary, this book makes plain the significance of Dovlatov to Russian literature and the nuances of the Soviet cultural heritage.Trade Review“Appearing almost a quarter of a century after the publication of the Russian original, Rojavin's translation into English of Aleksandr Genis’s Dovlatov i okrestnosti, an ambivalent tribute to Russian literary historian Sergei Dovlatov, is flawless. … Including (often-unattributed) witticisms… this book… provides a sociohistorical record of the Russian immigrant life and elements of the diaspora trying to maintain the identity of their native land. … Recommended.— D. Hutchins, CHOICE“Dovlatov and Surroundings in this new translation offers a cocktail of brilliant spirits: An informative introduction by accomplished scholar Mark Lipovetsky, then Alexander Genis’s striking and influential study of beloved (and tremendously funny) émigré author Sergei Dovlatov. Bilingual translator Alexander Rojavin has brought Genis’s work into precise and idiomatic English, hitting every note right.”— Sibelan Forrester, Susan W. Lippincott Professor of Modern and Classical Languages and Russian, Swarthmore College“A famous Russian émigré writer and a sharp Russian literary critic meet in this blend of a literary biography and a memoir. Sergei Dovlatov’s massive personality is portraited by Alexander Genis sympathetically and with keen observations. In this book, life and literature intertwine seamlessly, as was the case for both Dovlatov and Genis. Those interested in a detailed account of the aspirations and mind-set of the Soviet immigrants’ literary milieu in New York will find this narrative educational and fascinating. The book works as a perfect entrée to Dovlatov’s simple, but exquisite prose.”— Olga Bukhina, Translator, Author, Children’s Books Specialist“Genis achieves the same effect that Dovlatov did: he simultaneously makes the Third Wave of immigration more intimate and more mythological. On the one hand, Dovlatov and Surroundings is the best possible memorial to a generation of immigrants who left the Soviet Union on a Jewish visa and created a new Russian literature abroad. On the other hand, it is a house, filled with joyful and dramatic life, whose doors are open to all who wish to enter. The fact that Genis’s philological novel is coming out in English today is proof of this project’s success. When all is said and done, Genis’s book is an inexhaustible source of optimism…”— Mark Lipovetsky, from the prefaceTable of ContentsForeword: Genis and Surroundings, or Twenty Years Later by Mark Lipovetsky The Last Soviet Generation Laughter and Trepidation The Poetics of Prison Do You Like Fish? The Metaphysics of Error Cabbage Soup from Borjomi Tere-Tere Poetry and Truth None of Us Are Lookers An Empty Mirror A Dotted Novel All That Jazz Pushkin A Concert for an Accented Voice Halfway to the Homeland A Matryoshka with Genitals The Unwilling Son of the Ether Death and Other Concerns Without Dovlatov A Brief History of The New American Dovlatov as an Editor Dovlatov on the Screen Dovlatov and Death

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Book Synopsis''Both extremely funny and deeply sad, The Writing School examines how and why we tell our own stories. It''s beautifully written and structured, compelling, wise and fabulously readable'' Lissa Evans''The Writing School is an extraordinary book. It is funny, exhilarating, heart-breaking and passionate. Its delicate pulsing themes are held like a bird in the writer''s confident, gentle hand'' Katharine Norbury''Life, with its unexpected troughs and highs, the disciplines of teaching a creative writing course and the shadow of a family tragedy provide the focus for a memoir that brims with humour, honesty and intelligence. The Writing School taught me a lot'' Elizabeth BuchanA creative writing course is a chance for reinvention. When author Miranda France sets off to teach at a residential writing school in a remote valley, she expects to meet a group of aspiring writers with the usual mix of hope and unrealised ambitTrade ReviewFascinating, hugely entertaining, instructive in the best sense. I always thought that writing could not be taught, only reading, but this book made me reconsider. I read it in one sitting -- Alberto ManguelBoth extremely funny and deeply sad, The Writing School examines how and why we tell our own stories. It's beautifully written and structured, compelling, wise and fabulously readable -- Lissa Evans'Intellectually riveting but also slyly funny and, out-of-nowhere, heartbreaking. What an achievement. I loved every word of it' * Nathan Filer *The Writing School is an extraordinary book. It is funny, exhilarating, heart-breaking and passionate. Its delicate pulsing themes are held like a bird in the writer's confident, gentle hand. Miranda France has created a brilliant, ephemeral eulogy for her beloved brother and a luminous gift for her reader -- Katharine Norbury, author of The Fish Ladder

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Book SynopsisAurora Floyd is one of the leading novels in the genre known as ‘sensation fiction’—a tradition in which the key texts include Wilkie Collins’s The Woman in White, Ellen Wood’s East Lynne, and Dickens’s Great Expectations. When Aurora Floyd was first published in serial form in 1862-63, Fraser’s magazine asserted that “a book without a murder, a divorce, a seduction, or a bigamy, is not apparently considered either worth writing or reading; and a mystery and a secret are the chief qualifications of the modern novel.”The novel depicts a heroine trapped in an abusive and adulterous marriage, and effectively dramatizes the extra-legal pressures which kept many such unhappy marriages out of the courts: fear of personal scandal, and of betraying one’s family through the publicity and expense of the process. Aurora’s bigamous marriage dramatizes the need for expeditious divorce without the enormous social cost, but the overt sexuality of the heroine shocked contemporary critics. “What is held up to us as the story of the feminine soul as it really exists underneath its conventional coverings, is a very fleshy and unlovely record,” wrote Margaret Oliphant.Braddon’s text is studded with references to contemporary events (the Crimean War, the Divorce Act of 1857) and the text has been carefully annotated for modern readers in this edition, which also includes a range of documents designed to help set the text in context.Trade Review“This is the only modern edition to be based on the first three-volume version of Braddon’s much revised novel, and the editors make an excellent case for their choice. A substantial and lucidly written critical introduction situates the novel in its contemporary cultural contexts; in debates about realism and sensationalism, and anxieties about class, femininity, domesticity and marriage. The appendices, containing a selection of contemporary views of femininity and domesticity, and responses to Braddon and her novel, are an added bonus to this excellent volume.” — Lyn Pykett, University of Wales-Aberystwyth“Invaluable … provides copious explanatory notes, appendices containing contemporary reviews and writings on femininity, and a thorough, well-organized introduction.” — Times Literary SupplementTable of ContentsAcknowledgementsIntroductionA Note on the TextMary Elizabeth Braddon: A Brief ChronologyAurora FloydAppendix A: Victorian Femininity: The Stable, the Home, and the Fast Young Lady “Fast Young Ladies” (Punch) “Six Reasons Why Ladies Should Not Hunt” (The Field) “Muscular Education” (Temple Bar) John Ruskin, “Of Queens’ Gardens” (Sesame and Lilies) (1865) Appendix B: Reviews and Responses H.L. Mansel, “Sensation Novels” (Quarterly Review) “The Archbishop of York on Works of Fiction” (The Times) W. Fraser Rae, “Sensation Novelists: Miss Braddon” (North British Review) Henry James, “Miss Braddon” (The Nation) Margaret Oliphant, “Novels” (Blackwood’s Edinburgh Magazine) George Augustus Sala, “The Cant of Modern Criticism” (Belgravia) George Augustus Sala, “On the ‘Sensational’ in Literature and Art” (Belgravia) “Sensation Novels” (Punch) Select Bibliography

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Book SynopsisThe Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”Trade Review“The aura of the magnificent novels of the Victorians sometimes obscures the analytic thinking about the genre that one knows had to accompany all the imaginative glory. Too often it is only the amusing obtuse contemporary review that gets remembered. From the year of Vanity Fair (1848) until Henry James’s proto-modern “Art of Fiction” of 1884, Rohan Maitzen’s important new anthology drawn from Victorian periodicals gives us the critical work that accompanied and shaped mid-Victorian fiction. A clear introduction and concise and accurate notes contextualize and enhance the criticism, and make this a book that should be useful for years to come.” — David Latané, Virginia Commonwealth UniversityTable of ContentsAcknowledgementsA Note on the TextsIntroduction Anonymous, Review of Jane EyreChristian Remembrancer (1848) David Masson, Thackeray and DickensNorth British Review (1851) George Henry Lewes, The Lady NovelistsWestminster Review (1852) Anonymous, The Progress of Fiction as an ArtWestminster Review (1853) Theodore Martin, Thackeray’s WorksWestminster Review (1853) C.W. Russell, Novel-Morality: The Novels of 1853Dublin Review (1853) Margaret Oliphant, Modern Novelists—Great and SmallBlackwood’s Magazine (1855) Marian Evans [George Eliot], The Natural History of German LifeWestminster Review (1856) Marian Evans [George Eliot], Silly Novels by Lady NovelistsWestminster Review (1856) W.R. Greg, False Morality of Lady NovelistsNational Review (1859) David Masson, fromBritish Novelists and Their Styles (1859) Walter Bagehot, The Novels of George EliotNational Review (1860) Henry Mansel, Sensation NovelsQuarterly Review (1863) Justin McCarthy, Modern Novelists: Charles DickensWestminster Review (1864) George Henry Lewes, Criticism in Relation to NovelsFortnightly Review (1866) R.H. Hutton, The Empire of NovelsThe Spectator (1869) Edward Dowden, George EliotContemporary Review (1872) Leslie Stephen, Hours in a Library: Charlotte BrontëCornhill Magazine (1877) Anthony Trollope, Novel-ReadingThe Nineteenth Century (1879) John Ruskin, Fiction—Fair and FoulThe Nineteenth Century (1880) Robert Louis Stevenson, A Humble RemonstranceLongman’s Magazine (1884) Henry James, The Art of FictionLongman’s Magazine (1884) Biographical NotesWorks Cited and Further ReadingSourcesAuthor Index

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Book SynopsisHonorable mention recipient for the 2012 Society for the Study of American Women Writers Award.A pioneering American novel of manners first published in 1830, Catharine Sedgwick’s Clarence follows heiress Gertrude Clarence as she negotiates the perils of the marriage market in New York City. Giving Gertrude’s family English and Caribbean histories, Sedgwick aligns the United States in the 1820s with a larger Atlantic world. This edition of Sedgwick’s cosmopolitan novel will contribute to a rethinking both of the history of the American novel of manners and to the shape of Sedgwick’s career as one of the most important novelists of the first half of the nineteenth century.This Broadview edition offers a rich selection of contextual materials, including selections from Sedgwick’s correspondence and journals reconstructing the origins of the novel, engravings and lithographs of key sites in the novel, American and British reviews of the novel, and documentation of the author’s revised edition of 1849.Trade Review“This new edition of Clarence continues the important resurrection of Sedgwick’s writing for the use of both scholarship and teaching. The editors and press have done an excellent job of constructing a user-friendly edition of this important novel, while also including appended materials that richly contextualize it in antebellum literary history and transatlantic literary and cultural relations. The edition will undoubtedly get a lot of good use in the future.” — Philip Gould, Brown University“Homestead and Foster prove that this intensely urban novel deserves a central place in the American literary canon. Both the novel itself and the scholarly apparatus they supply show that Americans were producing fine novels of manners as early as 1830. An excellent edition of a fascinating novel, richly contextualized and historicized.” — Susan K. Harris, University of KansasTable of ContentsAcknowledgementsIntroduction, Melissa J. HomesteadCatharine Maria Sedgwick: A Brief ChronologyA Note on the TextClarence; or, A Tale of Our Own TimesAppendix A: The American Novel of Manners and Transatlantic Literary Culture From William Cullen Bryant’s Review of Redwood, The North American Review (April 1825) From the Correspondence of Rachel Mordecai Lazarus, Maria Edgeworth, and Catharine Sedgwick (1824-27) From Catharine Sedgwick’s Journal Describing Society at Saratoga Springs (1827) Correspondence between Captain Basil Hall and Catharine Sedgwick (1827) From Basil Hall, Travels in North America, In the Years 1827 and 1828 (1829) Appendix B: Images of Trenton Falls G.B. Ellis, Engraver, after Thomas Doughty, Trenton Falls (1826) Catherine Scollay, Lithograph, Fifth View of Trenton Falls (c. 1825-26) After George Innes, Engraved Title Page of Clarence, by C.M. Sedgwick (1849) Appendix C: Images of New York City, c. 1830 and c. 1849 After J.H. Dakin, Engraved by Barnard & Dick, “Bowling Green, Broadway” (1831) After J.H. Dakin, Engraved by Barnard & Dick, “Broadway from the Park” (1831) After August Köllner, Lithography by Deroy, “Broad-way” (1850) Advertisement for the Masquerade from the New-York Evening Post (29 February 1829) Appendix D: Selected American and British Reviews of the 1830 Edition of Clarence New-York Evening Post (14 June 1830) American Monthly Magazine (July 1830) Ladies’ Magazine and Literary Gazette (July 1830) George Stillman Hillard, The North American Review (January1831) The London Literary Gazette (7 August 1830) The Ladies Museum (1 September 1830) Colburn’s New Monthly Magazine (September 1830) Appendix E: The 1849 Author’s Revised Edition of Clarence Advertisements for “Miss Sedgwick’s Works” and Clarence(1849) George P. Putnam, Advertisement for “Miss Sedgwick’s Works,” The Literary World (22 September 1849) George P. Putnam, Advertisement for the Revised Clarence, The Literary World (13 October 1849) Sedgwick’s Preface to Clarence; or, A Tale of Our Own Times (1849) Review from The Christian Inquirer (6 October 1849) Review from The Literary World (6 October 1849) Bibliography

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Book SynopsisMary Wollstonecraft wrote these two novellas at the beginning and end of her years of writing and political activism. Though written at different times, they explore some of the same issues: ideals of femininity as celebrated by the cult of sensibility, the unequal education of women, and domestic subjugation. Mary counters the contemporary trend of weak, emotional heroines with the story of an intelligent and creative young woman who educates herself through her close friendships with men and women. Darker and more overtly feminist, The Wrongs of Woman is set in an insane asylum, where a young woman has been wrongly imprisoned by her husband.By presenting the novellas in light of such texts as Wollstonecraft’s letters, her polemical and educational prose, similar works by other feminists and political reformists, the literature of sentiment, and contemporary medical texts, this edition encourages an appreciation of the complexity and sophistication of Wollstonecraft’s writing goals as a radical feminist in the 1790s. Trade Review“Here, combined in one authoritative edition, are the fictional works of this founding ‘mother of feminism,’ novellas that grapple with the same societal challenges that Mary Wollstonecraft herself confronted in the age of sensibility. Michelle Faubert has chosen her contextual materials wisely from among the political writings of Wollstonecraft, William Godwin, and their circle in London, and from among the broader circle of European texts dealing with education. With a lively, informative introduction, the book provides an excellent compendium of the ideas that galvanized the imaginative literature of Romanticism.” — Denise Gigante, Stanford University“Mary Wollstonecraft’s early novella Mary and her late, unfinished Maria are often relegated to critical contexts for her more famous Vindication of the Rights of Woman. Michelle Faubert’s new edition makes abundantly clear that these novellas deserve sustained critical attention in their own right. Faubert offers a generously annotated text framed by a thorough, detailed, and clearly written introduction and a carefully chosen selection of supplementary materials. Readers are now well positioned to appreciate the literary features of these works alongside their contribution to feminist theories of education, 1790s radicalism, and eighteenth-century medical theories about mental development and gender difference. This is an outstanding critical edition—exactly what one has come to expect from Broadview Press.” — Jonathan Sachs, Concordia UniversityTable of ContentsAcknowledgementsIntroductionWorks Cited and ConsultedMary Wollstonecraft: A Brief ChronologyA Note on the TextMary, A FictionThe Wrongs of Woman, or MariaAppendix A: Relevant Texts by and on Mary Wollstonecraft From Wollstonecraft, Thoughts on the Education of Daughters (1787) From Wollstonecraft, “Cave of Fancy” (composed 1787; published 1798) From Wollstonecraft, A Vindication of the Rights of Men (1790) From Wollstonecraft, A Vindication of the Rights of Woman (1792) William Godwin, “Preface” to the Letters in Posthumous Works (1798) From William Godwin, Memoirs of Wollstonecraft (1798) Appendix B: The Political Context: Education, Human Rights, and the French Revolution From Catharine Macaulay, Letters on Education (1790) From Edmund Burke, Reflections on the French Revolution (1790) From Thomas Paine, Rights of Man (1791) From William Godwin, Enquiry Concerning Political Justice (1793) Appendix C: The Novel of Sentiment, the Woman of Sensibility, and the Gothic From Jean-Jacques Rousseau, Émile, ou, de l’Éducation (1762) From Johann Wolfgang von Goethe, The Sorrows of Young Werther (1774) From Anna Lætitia Barbauld, “To a Lady, With Some Painted Flowers” (1792) From William Godwin, Caleb Williams (1794) From William Beckford, Elegant Enthusiast (1796) Appendix D: Education versus Nature: Phrenology, Associationism, and Nerve Theory From William Perfect, Cases of Insanity (1785) From Johann Caspar Lavater, Essays on Physiognomy (1789) From Joseph Priestley on Hartley’s Associationism (1790) Select Bibliography

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Book SynopsisThe Invisible Man stands out as possessing one of the most complicated heroes, or perhaps anti-heroes, in literature. A thoroughly unlikeable character, the Invisible Man is defined by his arrogance, impulsiveness, rudeness, and, at times, violence. He is, however, a man of great genius; but, his genius is selfish—no one profits from his experiments, not even himself. The Invisible Man is not only a commentary on imagination and the great spirit of invention that elevated the nineteenth century but also a warning against the eugenic and self-interested policies that threatened the twentieth.This edition includes a valuable collection of the nineteenth-century narratives of invisibility that inspired Wells’s novel, as well as excerpts of Wells’s nonfiction writings on education and class. Additional appendices situate the novel in its late-Victorian scientific and technological contexts, including material on radio waves and x-rays. Trade Review“This is a wonderful edition, setting Wells’s text in a number of rich contexts, especially the history of invisibility literature.” — Simon James, Durham University“A marvelously comprehensive edition of an H.G. Wells classic. Editors Nicole Lobdell and Nancee Reeves meticulously reconstruct The Invisible Man from early printed sources, providing readers with both a seamless narrative experience and a fascinating glimpse into Wells’s creative process. The carefully curated appendices provide rich literary and scientific context for this complex and sometimes troubling scientific romance, and the concluding filmography demonstrates The Invisible Man’s enduring appeal to the popular imagination. Highly recommended for scholars, artists, and students alike.” — Lisa Yaszek, Georgia Institute of Technology“From the striking X-ray ‘Self Portrait’ on the front cover to the eloquent blurbs on the back, the university classroom now has a portable, modestly priced edition of The Invisible Man worthy of Wells’s remarkable ‘grotesque romance.’” — Nicholas Ruddick, Science Fiction StudiesTable of Contents Appendix A: The Four Endings of The Invisible Man a) Pearson’s Weekly, August 1897 b) Pearson, First Edition, September 1897 c) Pearson, Second Edition, November 1897 d) Arnold, New York Edition, November 1897 Appendix B: Invisibility in Nineteenth-Century Fiction a) James Dalton. From The Invisible Gentleman. London: Edward Bull, 1833. I: 61-72. b) Fitz-James O’Brien. From “What Was It? A Mystery” Harper’s Magazine (March 1859): 504-9. c) W. S. Gilbert, “The Perils of Invisibility” (1869). More “Bab” Ballads: Much Sound and Little Sense. London: Routledge, 1872. 178-183. d) Edward Page Mitchell. From “The Crystal Man” The Sun (30 January 1881) e) Charles H. Hinton. From “Stella.” Stella and An Unfinished Communication: Studies of the Unseen. London: Swan Sonnenschein & Co, 1895. 55-56. f) Katherine Kip. From “My Invisible Friend” The Black Cat (February 1897): 9-21. Appendix C: Reviews of The Invisible Man a) From “Mr. Wells’s New Stories.” Saturday Review of Politics, Literature, Science, and Art (18 September 1897), lxxxiv. 322. b) Arnold Bennett. “The Invisible Man.” [Woman 405 (29 September 1897): 9] Arnold Bennett and H.G. Wells: A Record of a Personal and Literary Friendship. Ed. Harris Wilson. Urbana: U of Illinois P, 1960. 258-59. c) Letter from H.G. Wells replying to Arnold Bennett (October 1897) d) Clement Shorter. From “The Invisible Man.” The Bookman [London] (October 1897): 19-20. e) Claudius Clear. From “The Fantastic Fiction; Or, ‘The Invisible Man.’” The Bookman [New York] 6 (November 1897): 250-51. f) “H.G. Wells’s ‘The Invisible Man.’” The New York Times (25 December 1897): BR15. Appendix D: Wells and Friends on The Invisible Man a) Extract from Letter, H.G. Wells to James B. Pinker (Received 16 April 1896). b) Extract from Letter, H.G. Wells to James B. Pinker (Undated). c) H.G. Wells to James B. Pinker (2 May 1897). d) Joseph Conrad to H.G. Wells (4 December 1898). From Joseph Conrad: Life and Letters. Ed. G. Jean-Aubry. New York: Doubleday, 1927. 259-60. Appendix E: Biological Context a) J. Lockhart Gerson, from “On the ‘Invisible Blood Corpuscles’ of Norris.” Journal of Anatomy and Physiology: Normal and Pathological. Macmillan and Co.: London and Cambridge, 1882. b) From W. Robinson, “Notes on Some Albino Birds Presented to the U.S. National Museum, with Some Remarks on Albinism.” Proceedings of The United States National Museum, volume 11, issue 733, 1889. c) From H.G. Wells, “Popular Feeling and the Advancement of Science. Anti-Vivisection.” The Way the World is Going: Guesses and Forecasts of the Years Ahead. London: Ernest Benn, 1928. 222-227. Appendix F: Technology Contexts: Röntgen Rays and Radio Waves a) Wilhelm Conrad Röntgen. From “On a New Kind of Rays” Trans. Arthur Stanton. Nature 53 (23 January 1896): 274-276. b) H.J.W. Dam. From “A Wizard of To-Day.” Pearson’s Magazine. 1 (April 1896): 413-19. c) George Griffith, “A Photograph of the Invisible” Pearson’s Magazine 1 (April 1896) 378-80. d) H.J.W. Dam “The New Telegraphy” The Strand Magazine 13 (March 1897): 273-80. Appendix G: Wells on Class and Society a) H.G. Wells. From Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought. United Kingdom; Chapman and Hall, 1901: 229-30. b) H.G. Wells. From A Modern Utopia. London: Chapman and Hall, 1905. 265-70. c) H.G. Wells. From “Of the New Reign.” An Englishman Looks at the World: Being a Series of Unrestrained Remarks upon Contemporary Matters. London: Cassel & Co, 1914. 28-32. d) H.G. Wells. From Experiment in Autobiography: Discoveries and Conclusions of A Very Ordinary Brain (since 1866). Philadelphia and New York: J.B. Lippincott, 1934: 556.

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Book SynopsisIf literature has often informed the creation of a national imaginary—a sense of common history and destiny—it has also complicated, even challenged, the unifying vision assumed in the formation of a national literature and sense of nation. National Literature in Multinational States questions the persistent association of literature and nation-states, contrasting this with the reality of multinational and ethnocultural diversity. The contributors to this collection interrogate concepts and manifestations of nationalism in the context of literary production while evaluating the place of national literatures in multinational states at a time when social unity and political agreement have never been more elusive. The volume strives for synoptic analysis via the complementary, multifaceted treatment of literary creation in several geo-cultural contexts: Canada, the Caribbean, Europe, India, and Nigeria. Contributors: Sabujkoli Bandopadhyay, Albert Braz, Matthew Cormier, Doris Hambuch, Clara A.B. Joseph, Paul D. Morris, Asma Sayed, Matthew Tétreault, Uchechukwu Peter Umezurike, Jerry WhiteTable of ContentsIntroduction—Paul D. Morris and Albert Braz, “The Nation and Its Literature(s) – Representing People, Representing a People” Chapter 1—Paul D. Morris (Université de Saint-Boniface), “Reticent Nations: Governor General’s Award-Winning Fiction and the Representation of Canada” Chapter 2—Matthew Cormier (University of Alberta), “Cultural Memory, National Identity: The Changing Paradigms of Acadian Literature” Chapter 3—Matthew Tétreault (University of Alberta), “Literary Resistance: Situating a Métis National Literature” Chapter 4—Sabujkoli Bandopadhyay (University of Regina), “Intersections of Nationhood, Multiculturalism, and Globalization in South Asian Canadian Fiction: A Study of Anita Rau Badami’s Can You Hear the Nightbird Call?” Chapter 5—Asma Sayed (Kwantlen Polytechnic University), “Canadian Literature in Heritage Languages and the Politics of Canon Formation” Chapter 6—Doris Hambuch (United Arab Emirates University), “‘No nation now but the imagination’: No Caribbean Nation without the Dutch Caribbean” Chapter 7—Jerry White (University of Saskatchewan), “Rediscovering the Republic: The Work of Joan Daniel Bezsonoff” Chapter 8—Clara A.B. Joseph (University of Calgary), “A Multinational Narrative in a Case Study of Translating an Eastern Christian Play” Chapter 9—Albert Braz (University of Alberta), “Nigeria’s Other Civil War: Ken Saro-Wiwa and Ogoni Nationalism” Chapter 10—Uchechukwu Peter Umezurike (University of Alberta), “‘Write Only the Truth’: (Re)Contesting the Nigerian Nation in Chimeka Garricks’s Tomorrow Died Yesterday and Helon Habila’s Oil on Water”

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Book SynopsisWhen The Great Gatsby was first published, in 1925, reviews were mixed. H.L. Mencken called it “no more than a glorified anecdote”. L.P. Hartley, author of The Go-Between, thought Fitzgerald deserved “a good shaking”: “The Great Gatsby is evidently not a satire; but one would like to think that Mr Fitzgerald’s heart is not in it, that it is a piece of mere naughtiness.” Yet, gradually the book came to be seen as one of the greatest – if not the greatest – of American novels. Why? What is it that makes this story of a petty hoodlum so compelling? Why has a novel so intimately rooted in its own time “lasted” into ours? What is it that posterity, eight decades later, finds so fascinating in this chronicle of the long-gone “Jazz Age”, flappers, speakeasies and wild parties? It is, after all, scarcely a novel at all, more a long short story. But it has a power out of all proportion to its length. It is beautifully written, making it feel even shorter than it is, and is full of haunting imagery. It is also, perhaps, the most vivid literary evocation of the “Great American Dream”, about which it is profoundly sceptical, as it is about dreams generally. In the end, however, as D.H. Lawrence would put it, it is “on the side of life”. Gatsby’s dream may be impossible, so much so that the book can end in no other way than with his death, but up to a point he is redeemed by it and by the tenacity with which he clings to it. It is this that makes the novel so moving and so haunting. 

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Book SynopsisThe most authoritative, comprehensive, perceptive biography of R. L. Stevenson to date, using for the first time his collected correspondence which has been unavailable to all previous writers.The short life of Robert Louis Stevenson (1850-94) was as adventurous as almost anything in his fiction: his travels, illness, struggles to become a writer, relationships with his volatile wife and step-family, friendships and quarrels have fascinated readers for over a century. In his time he was both engineer and aesthete, dutiful son and reckless lover, Scotsman and South Sea Islander, Covenanter and atheist. Stevenson's books, including Treasure Island', The Strange Case of Dr Jekyll and Mr Hyde' and Kidnapped', have achieved world fame; others The Master of Ballantrae', A Child's Garden of Verses', Travels with a Donkey' remain all-time favourites. His unique gift for storytelling and dramatic characterisation has meant that some of his characters live in the consciousness even of those wTrade Review'Rich and colourful!Harman's book is a delight from beginning to end.' John Carey, Sunday Times 'Excellent!RLS has never been portrayed with such diligence and care!her portraits of Stevenson's nearest and dearest are also unsurpassed.' Independent on Sunday 'Cool, ironic and often funny!appreciative, extremely subtle!lively accessible!compelling.' Financial Times 'A smoothly assembled and readable study which confirms Stevenson as a writer of the first importance.' Independent 'Vivid and engaging!Stevenson emerges from her pages as a vital, courageous, contrary and exhilarating figure.' TLS Praise for 'Fanny Burney': 'A great achievement.' Andrew Marr, Observer 'Excellent.' Miranda Seymour, Sunday Times

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Book SynopsisA clear-sighted and entertaining defence of literary realism, and an account of its key practitionersTrade Review“Typically lively and witty.”—Jake Kerridge, The Telegraph“[A] delightful new book . . . explores what artist fidelity to the ‘real world’ involves.”—Stuart Jeffries, The Telegraph“Expansive, erudite, and instantly engaging, this companionable book has all the hallmarks of a classic Eagleton excursion.”—David James, author of Modernist Futures“Once again, Terry Eagleton pans gold from the cultural stream. This brilliant, sharply drawn, and deeply wise study of literary realism in fiction reveals one of our finest critics writing at the top of his form.”—Jay Parini, author of Borges and Me“Learned, lucid, and often hilarious, Terry Eagleton recovers the central traits of literary realism for a new generation of readers. In a stirring demonstration of the efficacy and pleasure of dialogue with authorities more often cited than questioned, Eagleton celebrates the art of everyday lives, minds, and contexts in a common sense defense of ‘the real thing.’”—Suzanne Keen, author of Empathy and the Novel“The Real Thing condenses a vast amount of knowledge into a remarkably enlightening jaunt across literature and philosophy. With dialectical zest, Eagleton elaborates on the contradictory meanings and complex history of that seemingly straightforward word: realism.”—Rita Felski, author of The Limits of Critique

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Book SynopsisA ground-breaking and intensely revealing examination of the life of the 20th century''s most iconic writer. Ernest Hemingway was an involuntary chameleon, who would shift seamlessly from a self-cultivated image of hero, aesthetic radical, and existential non-conformist to a figure made up at various points of selfishness, hypocrisy, self-delusion, narcissism and arbitrary vindictiveness.Richard Bradford shows that Hemingway''s work is by parts erratic and unique because it was tied into these unpredictable, bizarre features of his personality. Impressionism and subjectivity always play some part in the making of literary works. Some authors try to subdue them while others treat them as the essentials of creativity but they endure as a ubiquitous element of all literature. They are the writer''s private signature, their authorial fingerprint.In this ground-breaking and intensely revealing new biography, including previously unpublished letters from the HemingwTrade ReviewA blistering, rollicking, horribly convincing account of a compelling literary monster ... [a] fascinating book. * The Sunday Times *In a new revisionist biography by Richard Bradford, we learn, from his astute analysis of previously unpublished letters from the Hemingway archive that there is indeed a good deal more to know about this ‘scrapper intellectual’, and ‘role player’. * The Irish Independent *Vivid and pugnacious... it will ruffle a few feathers among those wedded to the image of him as all-American literary hero -- Martin Stannard, author of Muriel Spark: The BiographyTable of ContentsList of Plates List of Abbreviations Acknowledgements Introduction 1 The Young Deceiver 2 An American in Paris 3 Key West 4 Conflicts 5 War: With Martha 6 Secrets and Lies 7 Everywhere and Nowhere Epilogue Bibliography Index

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Book SynopsisWINNER OF 2024 EDGAR ALLAN POE AWARD (BEST CRITICAL/BIOGRAPHICAL BOOK)THE TELEGRAPH'S BEST BOOKS OF THE YEARSHORTLISTED FOR THE H.R.F KEATING AWARD FOR BEST BIOGRAPHICAL/CRITICAL BOOKAs gripping and twisted as a James Ellroy novel. - Ian RankinA masterpiece of literary biography. - David PeaceThe first critical biography of a titan of American crime fiction. Love Me Fierce In Danger is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called Demon Dog of Crime Fiction, Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success. When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbriTrade ReviewHere is 'the skinny' (as the subject himself might put it) on one of the most charismatic and complex crime writers on the planet, affording insights into both the man and his craft. It's every bit as gripping and twisted as a James Ellroy novel. Dig it, cats. * Ian Rankin *Powell brings out the conflicting sides of Ellroy’s personality tactfully and sympathetically — without ever taking his eye off the truth … [It] has all the pace, twists and shocks of a good crime novel. -- Mark Sanderson * The Times *A highly enjoyable read … shrewd in its critiques of the work and jargon-free – an academic biography in the best sense. I suspect it will spoil the genre of literary biography for me for a while: can the life of any other living writer be anywhere near as horribly gripping? -- Jake Kerridge * The Daily Telegraph *Steven Powell’s brilliant, unflinching biography reveals how the novelist’s obsessions have their roots in the extraordinary experiences of his childhood and early years … Powell scrupulously chronicles Ellroy’s hectic career: his compulsive womanising; lapses in sobriety; near nervous breakdowns; and attention grabbing performances as the self-styled ‘Demon Dog of American Crime Fiction’… According to his ex-wife, Helen Knode: ‘James lives life like he was shot out of a cannon.’ This gripping, illuminating biography not only throws light on just what she meant by that. It also reveals why he does so. -- Nick Rennison * The Daily Mail *Sober … Powell’s unruffled approach is a shrewd way of tackling Ellroy’s sensational life and imagination. -- Anthony Cummins * Literary Review *[A] stark, revealing account of [Ellroy’s] life. -- Martin Chilton * The Independent *When it comes to James Ellroy, [Powell] is the go-to expert who plays sleuth to the inventor of many an L.A. sleuth. . . . The same obsessive thread that runs through all of Ellroy's work also weaves kinetically through Powell's prose. In this latest book, he reveals nuances of the epic writer’s life and process that only an Ellroy expert can. * Brooklyn Rail *Powell's biography is wonderful, a must-read. . . . It is a testament to him and to his subject. * Hedgehog Review *An essential purchase for anyone interested in modern American crime fiction, couched in prose that is as lively as its uncompromising subject. -- Barry Forshaw * Crime Time *Contributes a wealth of material and insight into Ellroy's private life and personal struggles. . . . Love Me Fierce In Danger is a substantial work of literary scholarship. . . . A must read for fans and scholars of contemporary American crime fiction. * Pulp Curry *Whatever we thought we knew about the Demon Dog of American Literature, we were wrong; Love Me Fierce in Danger is as revelatory as it is compelling, and a masterpiece of literary biography: James Ellroy deserves no less. * David Peace *Unflinching in detailing the life of one of the living greats of crime fiction … As biographies go, this one is quite a ride. -- Ayo Onatade * Shots magazine *Steven Powell’s biography is notably short on longueurs ... Powell has clearly worked hard to do justice to his subject. -- Nicholas Lezard * The Spectator *Provides fascinating revelations about the life of James and his remarkable parents, Jean & Armand. It is amazing how much new information the biography provides—in clear and eloquent fashion. . . . This is a testament to Steven’s rigorous research and his unprecedented access to Mr. Ellroy, his friends, his family, former lovers and former colleagues. * Apocalypse Confidential *Equal parts literary examination of Ellroy’s stylistic and thematic journey and a fulsome exploration of his personal struggles. . . . A rich and sprawling read. * Zoomer Magazine *From countless interviews with friends, family peers, former lovers, literary and film collaborators, as well as extensive interviews with Ellroy himself, author Steven Powell pulls back the curtain on the life of this enigmatic, often bombastic, charismatic and complex author. The tale he reveals is every bit as gripping, twisted, dark and provocative as any of Ellroy's dozen novels. * The Irish Scene *Table of ContentsList of Illustrations Acknowledgements James Ellroy Bibliography: List of Key Works 1. In the Shadow of Hollywood - Los Angeles (1948-1958) 2. Murder in El Monte (1958-1965) 3. Down and Out in the City of Angels (1965-1975) 4. Debris by the Sea (1975-1981) 5. The Road to the Dahlia (1981-1985) 6. Sweet Smell of Success (1986-1990) 7. Enter the Borzoi (1990-1993) 8. On the Trail of Swarthy Man (1993-1995) 9. Demon Dog of American Crime Fiction (1995-2000) 10. The Crack-Up (2000-2006) 11. Chasing It: Ellroy’s Return to LA (2005-2009) 12. The Big Hurt (2009-2015) 13. Sanctuary (Denver 2016-2020) Notes Works Cited Index

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Book SynopsisChallenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story A Rose for Ecclesiastes, Zelazny soon won the Hugo Award for Best Novel with And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as Home Is the Hangman and 24 Views of Mt. Fuji, by Hokusai. Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determiTrade Review"Cox consistently brings great critical acumen to bear on his readings, which are sensitively attuned to Zelazny’s specifics but never lose sight of the broader literary context, and he organizes an imposing array of material in insightful and intuitive ways. He captures the excitement of Zelazny’s work, the thrill of its evolution, the astonishing panache of its heights." --Locus"Well-researched, well-organized, and well-written, this is an exemplary entry in the University of Illinois Press's Modern Masters of Science Fiction series, and it deserves the attention of all fans and scholars of Zealzny's work, and of modern sf generally." --Science Fiction Studies"Zelazny fans will enjoy comparing their opinions of various Zelazny titles with Cox’s opinions, and getting tips from Cox on worthy titles they may have overlooked." --Sandusky Register"Roger Zelazny is a thorough and sympathetic review of the life, career, and work of one of the seminal creators in science fiction and fantasy of the last half of the 20th century. It takes into account the prior work of reviewers, critics, and biographers as well as commentary by his peers and fans, from every period of his sadly shortened life and since." --SFRA Review

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Book SynopsisA novel about a street in an unnamed city whose inhabitants speculate on the life of a mysterious Madam X. It interweaves their endless suppositions into a work that is at once political parable and surreal fantasia.Trade ReviewShortlisted for the 2016 Neustadt International Prize for Literature given by World Literature Today“[Five Spice Street is] an absolutely hilarious, pseudo-journalistic account of a scandalous affair in a small neighborhood in China.”—James Hannaham in a NYTimes.com interview“There’s no other writer in China like Can Xue . . . strange, surreal, and very compelling . . . [and] this novel is probably the best place to start.”—Chad Post, Publishers Weekly -- Chad Post * Publishers Weekly *

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Book SynopsisOscar Wilde is best remembered for his longer works, his criticism and journalism, and his eventful life. But nothing distills his brilliance like his short fiction. Published here with facing-page annotations and an informative introduction by Nicholas Frankel, the stories pulse with Wilde’s trademark wit, sharp social critique, and tragic love.Trade ReviewA perfect selection of Oscar Wilde stories, with superb annotations by Nicholas Frankel, who is one of the most astute, perceptive, and knowledgeable writers on Wilde. -- Colm TóibínAlthough Oscar Wilde’s literary reputation rests mainly on his plays and essays, he was also the author of a passel of great short stories, ranging from the acerbic ‘Lord Arthur Savile’s Crime’ to the delicate and heartbreaking ‘The Happy Prince,’ which brings tears to my eyes every time I read it. Edited with thoughtful precision by Nicholas Frankel and replete with beautiful illustrations, The Short Stories of Oscar Wilde will delight Wilde’s admirers. For those reading his work for the first time, it will prove revelatory. -- David LeavittNicholas Frankel’s Introduction and notes open up new contexts and rich complications that make this new edition of the short stories of Oscar Wilde essential reading—and indeed rereading. -- Kate Hext, University of ExeterThis carefully chosen selection brings together some of Oscar Wilde’s most beautiful and haunting stories. Frankel expertly relates Wilde’s tales to the author’s Irish heritage and to the lively scene of Victorian publishing, providing a fascinating account of the material history of the books and periodicals in which they first appeared. -- Stefano Evangelista, University of OxfordOscar Wilde’s stories continue to delight and challenge us today, just as they did his contemporaries. The pleasure of reading them is further enhanced by Nicholas Frankel’s informative and often fascinating annotations. This is a splendid volume. -- Stephen Arata, University of Virginia

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Book SynopsisTrade Review"Kafka’s mistrust of self-scrutiny, and his equal need for it, are nowhere more dazzlingly displayed than in this jewel of twentieth-century literature."---Ben Hutchinson, Times Literary Supplement"[Stach’s] commanding knowledge of Kafka’s life and work richly informs his interpretations of these hitherto generally neglected masterpieces of concentrated thought and quasi-mystical insight. Stach provides invaluable guidance along this shadowy path. The aphorisms are as enigmatic as they are beautiful. . . . Indeed, it could be argued that, for all their brevity and compression, in the aphorisms we find the essential Kafka."---John Banville, Irish Times"Taut translations. . . . Indispensable commentary."---Max Norman, Wall Street Journal"In this newly annotated edition, Reiner Stach—who knows more about Kafka’s life than anyone else alive—provides data-rich, facing-page commentary for each gnomic observation. He is assisted, as usual, by his nonpareil translator, Shelley Frisch. . . . His commentary eschews definitive interpretations but leaves the reader better able to ponder [Kafka's] tantalizing pronouncements."---Michael Dirda, Washington Post"An astute and subtle commentary. . . . The intellectual risks of commenting on the comments of Kafka are enormous, but Stach takes them in his stride, and Shelley Frisch’s English version keeps pace admirably."---Michael Wood, London Review of Books"If you have a serious interest in Kafka’s life and writings, The Aphorisms of Franz Kafka is a necessary port of call. It gives you all the information necessary to approach and understand what is certainly Kafka’s most personal testimony."---Paul Kane, Jildy Sauce"Stach’s introduction and commentaries and a fresh new translation . . . make you feel at home. In addition to excerpts from Kafka’s crossed-out or amended first drafts, there are quotations from the diaries and letters that are often equal if not superior to the aphorisms themselves."---Stuart Mitchner, Town Topics"If you fancy giving yourself food for thought, then The Aphorisms are ideal."---Alexander Adams, Brazen Head"Stach’s analysis, aided by Frisch’s lucid translation, is substantial and useful, and it consistently provides food for further thought for the reader who ruminates on Kafka’s brief and oracular pronouncements. In short, The Aphorisms of Franz Kafka is an indispensable aid for navigating Kafka’s often disorienting but rewarding verbal sallies. . . . An achievement of the first order by two scholars whose knowledge of their subject can only be called intimidating, and it should be received with gratitude. Its place as an essential volume for the study of Kafka in the Anglophone world is already secure."---E.J. Hutchinson, New Criterion"For anyone who loves Kafka’s fiction, this wonderful edition of aphorisms offers a unique insight into his mind at a crucial point in his life. Though often enigmatic and obscure, the commentaries open them up brilliantly, suggesting possible interpretations."---PD Smith, The Guardian

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Book SynopsisMonsters provide a key to understanding the culture that spawned them. So argues the essays in this wide-ranging collection that asks the question, what happens when critical theorists take the study of monsters seriously as a means of examining our culture?Table of ContentsPart 1 Monster theory: Monster culture (seven theses), Jeffrey Jerome Cohen; Beowulf as palimpsest, Ruth Waterhouse; Monstrosity, illegibility, denegation: the martyrology after de Man, David L. Clark. Part 2 Monstrous identity: the odd couple: Gargantua and Tom Thumb, Anne Lake Prescott; America's united siameses brothers: Chang and Eng and nineteenth century ideologies of democracy and domesticity, Allison Pingree; Liberty, equality, monstrosity: revolutionizing the family in Mary Shelley's Frankenstein, David Hirsch. Part 3 Monstrous inquiry: No monsters at the resurrection: inside some conjoined twins, Stephen Pender; Representing the cripple: cognition, cripples, and other limp parts, Larry Kritzman; Hermaphrodites newly discovered: the cultural monsters of sixteenth century France, Kathleen Perry Long; Anthropometamorphosis: John Bulwer's monsters of cosmetology, Mary Baine Campbell. Part 4 Monstrous history: Vampire culture, Frank Grady; The alien and the alienated as unquiet dead in the sagas of the Icelanders, Will Sayers; Unthinking the monster: twelfth-century responses to saracen alterity, Michael Uebel; Dinosaurs-R-us: the (un)natural history of Jurassic Park, John O'Neill.

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Book SynopsisBridging black feminist theory with disability studies, Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds in the context of race, gender, and (dis)ability, showing how the genre's exploration of bodyminds that exist outside of the present open up new social and ethical possibilities.Trade Review"It is now time to bring focus and attention to the works of Black women speculative writers and their subjects. Bodyminds Reimagined becomes the discovery that celebrates these writers and subjects, while challenging the status quo within speculative fiction and (dis)ability studies, and moves them from marginalized objects to realist representations." -- Grace Gipson * Black Perspectives *“Sami Schalk’s highly anticipated Bodyminds Reimagined is the most significant contribution to literary and cultural disability studies in years. Appeals to scholars in critical race studies, queer studies, and social justice activism.” -- Anna L. Hinton * ASAP/Journal *"Sami Schalk’s book is an important bridge between Black women’s science fiction and disability theorizing. Her work requires a reconceptualization of the boundaries of disability studies and African American literature as well." -- Moya Bailey * Feminist Formations *"Bodyminds Reimagined boldly demonstrates the capacity of black speculation and experimentation to generate world-building visions that are inclusive and sustainable for multiply marginalized black subjects." -- Petal Samuel * Public Books *"Bodyminds Reimagined is a compelling critical study . . . simultaneously accessible and complex, exhaustively sourced and fresh in its analysis. . . . Students, scholars, and fans of speculative fiction will be well served to familiarize themselves with this book." -- Angela Rovak * Women's Studies *"Sami Schalk, through Bodyminds Reimagined, takes a revolutionary step in defining the black disabled person’s experience in literature and media by promoting examples of black disabled people in speculative fiction created by women of color; and by re-defining manifestations of intersectionality among disabled people of color." -- Timotheus "T.J." Gordon, Jr. * Ethnic Studies Review *"Bodyminds Reimagined is an important work on theorizing speculative fiction and the ways in which it can change perceptions, actions, and minds. A model for future intersectional scholarship, this book is well written and accessible." -- Joshua Earle * Catalyst *"Wide-reaching. . . . Sami Schalk’s version of intersectionality emphasizes multidimensional entanglements that resist visual charting and static notions of identity. This version of intersectionality serves as a launchpad for new social formations." -- Gabriella Friedman * American Quarterly *"Bodyminds Reimagined encouraged me to check my own privilege, to think differently about identity, and to reimagine my small niche in the world. The book is that good in its confrontation of the status quo, in its analysis of marginalized peoples in estranged worlds. . . . When I refer to Schalk’s Bodyminds Reimagined as groundbreaking, I do not mean this lightly. . . . All libraries should stock this book on their shelves." -- Isiah Lavender III * Science Fiction Studies *"Bodyminds Reimagined will appeal both to scholars and general readers. Schalk’s framework is simplified in a way that makes it digestible for those who may be unfamiliar with crip theory or intersectionality. With a slim frame, and at only four chapters, the book is inviting rather than intimidating. Schalk’s ability to sound both personable and professional is particularly enjoyable." -- Anelise Farris * Extrapolation *Table of ContentsPrologue and Acknowledgments vii Introduction 1 1. Metaphor and Materiality: Disability and Neo-Slave Narratives 33 2. Whose Reality Is It Anyway? Deconstructing Able-Mindedness 59 3. The Future of Bodyminds, Bodyminds of the Future 85 4. Defamiliarizing (Dis)ability, Race, Gender, and Sexuality 113 Conclusion 137 Notes 147 Bibliography 159 Index 175

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Book SynopsisMaurice Blanchot: a Critical Biography attempts a critical and theoretical biography by drawing on unpublished documents and interviews with those close to the writer. It tracks the life and work of one of the most important novelists and critics of the twentieth century, who influenced many writers, artists, and philosophers, not least those of French theory.Table of ContentsTranslator’s Note ix Preface xi Part I 1907–1923 1. Blanchot of Quain: Genealogy, Birth, Childhood (1907–1918) 3 2. Music and Family Memory: Marguerite Blanchot in Chalon (1920s) 10 3. The Fedora of Death: Illness (1922–1923) 13 Part II 1920s–1940 4. The Walking Stick with the Silver Pommel: The University of Strasbourg (1920s) 21 5. A Flash in the Darkness: Meeting Emmanuel Levinas (1925–1930) 24 6. There Is: Philosophical Apprenticeship (1927–1930) 29 7. Aligning One’s Convictions: Paris and Far-Right Circles (1930s) 34 8. “Mahatma Gandhi”: A First Text by Blanchot (1931) 41 9. Refusal, I. The Revolution of Spirit: La Revue Française, Réaction, and La Revue du Siècle (1931–1934) 44 10. Journalist, Opponent of Hitler, National- Revolutionary: Le Journal des Débats, Le Rempart, Aux Écoutes, and La Revue du Vingtième Siècle (1931–1935) 51 11. The Escalation of Rhetoric: The Launch of Combat (1936) 62 12. Terrorism as a Method of Public Safety: Combat ( July–December 1936) 67 13. Patriotism’s Breaking Point: L’Insurgé (1937) 71 14. These Events Happened to Me in 1937: Death Sentences (1937–1938) 82 15. On the Transformation of Convictions: A Journalist of the Far Right (1930s) 88 16. From Revolution to Literature: Literary Criticism (1930s) 91 17. Murderous Omens of Times to Come—Writing the Récits: “The Last Word” and “The Idyll” (1935–1936) 101 18. Night Freely Recircled, Which Plays Us: Thomas the Obscure (1932–1940) 111 Part III 1940 –1949 19. The Universe Is to Be Found in Night: Resistance (1940–1944) 121 20. Using Vichy against Vichy: Jeune France (1941–1942) 127 21. Admiration and Agreement: Meeting Georges Bataille (1940–1943) 135 22. In the Name of the Other: Literary Chronicles at the Journal des Débats (1941–1944) 145 23. A True Writer Has Appeared: The Publication and Reception of Thomas the Obscure (1941–1942) 160 24. Lift This Fog Which Is Already of the Dawn: The Publication of Aminadab (1942) 163 25. Writers Who Have Given Too Much to the Present: NRF Circles (1941–1942) 170 26. From Anguish to Language: The Publication of Faux pas (1943) 178 27. The Prisoner of the Eyes That Capture Him: Quain (Summer 1944) 182 28. The Disenchantment of the Community: Editorial Activity after Liberation (1944 –1946) 187 29. The Year of Criticism: L’Arche, Les Temps Modernes, and Critique (1946) 192 30. Respecting Scandal: Literary Criticism (1945–1948) 195 31. The Black Stain: Writing The Most High (1946–1947) 208 32. The Passion of Silence: Denise Rollin (1940s) 219 33. The Mediterranean Sojourn: The Writing of the Night (1947) 225 34. Something Inflexible: The Madness of the Day, a New Status for Speech (1947–1949) 229 35. The Turn of the Screw: The Second Version of Thomas the Obscure (1947–1948) 232 36. The Authority of Friendship: The Completion of Death Sentence (1947–1948) 235 37. Quarrels in the Literary World: Publication and Reception (1948–1949) 239 Part IV 1949–1959 38. Invisible Partner: Èze, Withdrawal (1949–1957) 245 39. The Essential Solitude: Writing the Récits (1949–1953) 248 40. The Radiance of a Blind Power: When the Time Comes (1949–1951) 254 41. Are You Writing, Are You Writing Even Now? The One Who Was Standing Apart from Me (1951–1953) 261 42. The Critical Detour: A Few Articles of Literary Criticism (1950–1951) 266 43. The Author in Reverse: The Birth of The Space of Literature (1951–1953) 271 44. Always Already (The Poetic and Political Interruption of Thought): Toward The Book to Come (1953–1958) 280 45. Of an Amazing Lightness: The Last Man (1953–1957) 290 46. Grace, Strength, Gentleness: Meeting Robert Antelme (1958) 297 47. In the Gaze of Fascination: The Return to Paris (1957–1958) 301 48. Refusal, II. In the Name of the Anonymous: The 14 Juillet Project (1958–1959) 303 Part V 1960 –1968 49. Note That I Say “Right” and Not “Duty”: The Declaration on the Right to Insubordination in the Algerian War (1960) 315 50. Invisible Partners: The Project for the International Review (1960–1965) 324 51. Characters in Thought: How Is Friendship Possible? (1958–1971) 336 52. Act in Such a Way That I Can Speak to You: Awaiting Oblivion (1957–1962) 342 53. The Thought of the Neuter: Literary and Philosophical Criticism—the Entretien and the Fragment (1959–1969) 349 54. A First Homage: The Special Issue of Critique (1966) 362 55. Between Two Forms of the Unavowable: The Beaufret Affair (1967–1968) 370 56. The Far Side of Fear: Political Disillusionment (May 1968) 375 Part VI 1969–1997 57. Life Outside: The Step Not Beyond, a Journal Written in the Neuter (1969–1973) 389 58. Friendship in Disaster: Distance, Disappearance (1974 –1978) 403 59. The Last Book: The Writing of the Disaster (1974 –1980) 406 60. Forming the Myth: Readings and Nonreadings (1969–1979) 416 61. Making the Secret Uncomfortable: Blanchot’s Readability and Visibility (1979–1997) 424 62. With This Break in History Stuck in One’s Throat: The Unavowable Community (1982–1983) 435 63. Even a Few Steps Take Time: Literature and Witnessing (1983–1997) 445 Amor: Blanchot since 2003 465 John McKeane Acknowledgments 479 Notes 481 Bibliography 599 Index 605

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Book SynopsisConsiders how comics display our everyday stuffjunk drawers, bookshelves, atticsas a way into understanding how we represent ourselves nowFor most of their history, comics were widely understood as disposableyou read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novelsclothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre. While the American comics of the past were about hyperbolic battles between good and evil, most of today's graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By deTrade ReviewAs the American vernacular art of comics cements its cultural and academic respectability, other areas of cultural studies are being brought to bear on the form. That project yields interesting and illuminating results in University of Southern California communications professor Henry Jenkins' new book, Comics and Stuff. * Reason Magazine *I cannot recommend this book more for those of us who love to study the medium that is comic books. This book needs to sit right next to Scott McCloud’s Understanding Comics and Will Eisner’s Comics and Sequential Art as a must have resource to truly understand all that comic books can be. ... Thanks to Henry Jenkins I also know I’m far from alone and feel like I understand myself better at the end of this book than I did before. * Masked Library *A major book from a major contemporary thinker. Comics and Stuff models a rigorous but supple interdisciplinarity that the hybrid form of comics itself inspires; its range is wide and enlivening. A lucid, brilliant, and important book. -- Hillary Chute, author of Why Comics? From Underground to EverywhereJenkins examines graphic novels with regard to patterns and values in material culture. His broad view of 'stuff' encompasses possessions and objects and also cultural icons. ... Including color illustrations and extensive references, this compelling exploration of comics will inspire readers to think about stuff. * Choice *For nearly a century, comic books have been an integral part of ‘the stuff’ of our collective fantasies, both a wildly successful form of entertainment and a visual archive of our developing identities. In Henry Jenkins’s Comics and Stuff, one of our greatest cultural critics offers an expansive and exuberant study of the ways that contemporary comics and graphic novels document the material life of American culture, from collecting to artistic curation and hoarding to archiving. Jenkins introduces readers to aesthetically innovative, yet largely understudied, comics and graphic novels to show us how this enduring medium provides a visual map of our most cherished object worlds. -- Ramzi Fawaz, author of The New Mutants: Superheroes and the Radical Imagination of American ComicsJenkins characterizes comics as communicating a series of rituals and personal agendas ... His grasp of comics as a cornucopia of contemporary/past cultures is far reaching. * CHOICE *

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Book SynopsisMarvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel''s dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics.Through a diverse cast of heroes (and the occasional antihero)Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duckwriters such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters'' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes'' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations thatTrade ReviewMarvel Comics in the 1970s is a detailed, wonky examination of a significant period in the history of Marvel Comics for die-hard comics fans and scholars of the graphic novel. * Kirkus Reviews *Table of ContentsIntroduction: The Best Marvel Comic of the 1970s 1. Inside Out: Stan Lee and the Drama of the Visible Self 2. Everyday Transcendence: Steve Englehart and the Quest for Selfhood 3. Crouching Tiger, Running Commentary: Doug Moench on the Margins of Marvel 4. Blood Will Tell: Marv Wolfman's Tomb of Dracula 5. Bodies and Words: Don McGregor's Tortured Romantic Individualism 6. Subjectivity and Its Discontents: Steve Gerber and the Uses of Disenchantment Coda: Claremont Rising

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisFrom The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life.Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture.Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.Trade Review"Re-Enchanted is essential for the study of the fantastic. While other recent critical studies have focused on fantasy’s origins before 1900 or the genre’s place in the contemporary literary landscape, Maria Sachiko Cecire focuses the reader on the influence of the Oxford School fantasists, also known as the ‘Inklings,’ who mapped the world of story through perspectives influenced by their times. Thus, fantasy was left behind while the rest of the world changed. Re-Enchanted reminds us of the ways that English-language fantasy is, was, and can continue to be an instrument of empire. Engaging, thorough, and absolutely necessary."—Ebony Elizabeth Thomas, author of The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games"Full of revelatory scholarship on J. R. R. Tolkien, C. S. Lewis, Phillip Pullman, and their heirs, Re-Enchanted makes the case for scholarship itself at the heart of fantasy. No one will read The Lord of the Rings or His Dark Materials again without realizing just how much Oxford itself—its libraries and its landscape—scripted their imaginations and how its syllabi inspire, to this day, Harry Potter, The Magicians, and beyond."—Seth Lerer, author of Children's Literature: A Reader's History, from Aesop to Harry Potter"In the twenty-first century, fantasy has become a way of speaking, in fiction (adults or children's) and outside it. Here Maria Sachiko Cecire interrogates the Oxford roots of something that has become, like wallpaper, part of our world, and helps us to see the landscape of J. R. R. Tolkien and C. S. Lewis, of Diana Wynne Jones and Philip Pullman, and understand how that landscape became universal, the ways it buoys us up and the ways that it fails us."—Neil Gaiman "Cecire calls upon readers to acknowledge the dangers of the Oxford School’s project while recognizing the cultural power its members harnessed. She encourages us to embrace and explore new ways of expanding the scope of the tropes of children’s fantasy to become more inclusive in the ways it reaches into the past to find magic in a difficult contemporary world."—Medievally Speaking"Effectively, Cecire proves that in terms of modern children’s fantasy literature, all roads lead to the Oxford School."—CHOICE"Cecire illustrates brilliantly how Tolkien and Lewis took the building blocks of medieval literature and historical linguistics and created alternative worlds."—Times Literary Supplement"An important and endlessly engaging book that will provoke much further thought and discussion."—Mythlore"A compelling case both for training our critical attention on medieval and medievalist literature and for expanding the texts we read, teach, study, and share."—The Medieval Review"Re-Enchanted reveals how magic mystifies ideologies, embedding antimodernist, nationalist, colonialist ideas in children’s fantasy, concealing them in an invisibility cloak of (white) childhood innocence. It’s an essential book for anyone who wants to unlearn the hidden assumptions of our own childhood reading and find better stories for the next generation. "—ALH Online Review

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Book Synopsis“A man is the sum of his misfortunes.” —William Faulkner, The Sound and the Fury

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Book SynopsisA memoir of a young boy's unusual travels with his mother. The author recreates his boyhood experiences, relating how he and his mother travelled throughout the United States, and tracing his experiences and changes from young boy to manhood against the background of a violent and wildly optimistic America.

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Book Synopsis''He loved all mankind; for fortune prevented him from knowing there were rascals.''Oliver Goldsmith''s hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel''s popularity owes much to its recognizable depiction of domestic life and loving family relationships.Regarded by some as a straightforward and well-intentioned novel of sentiment, and by others as a satire on the very literary conventions and morality it seems to embody, The Vicar of Wakefield contains, in the figure of the vicar himself, one of the most harmlessly simply and unsophisticated yet also ironically complex narrators ever to appear in English fiction. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisJames Joyce''s Ulysses is filled with all sorts of references that can get in the way of many of its readers. This volume, with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike.The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides.The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape''s relevance to Joyce''s novel. Unlike previous volumes of annotations, almost every note includes documentation about sources.Trade Reviewcomprehensive, incisive and indispensable * Colm Tóibín, The Irish Times, Best Books of 2022 *One of the best books ever devoted to the classic. This heroically researched [book] is twice as long as its subject text - and well worth it...here at last is a volume that not only explains places but directs the reader to hundreds of further sources. The result is a kind of short story behind most of the footnotes, of a kind which Joyce (I guess)would have approved...simply one of the best [books] ever devoted to Ulysses. * Declan Kiberd, The Irish Times *Among the flurry of publications celebrating the centenary of the publication of Joyce's classic novel, this massive, 1,420-page guide, though hardly portable, is an outstanding addition to the scholarship on Ulysses. * W. Baker, CHOICE *The range of cultural references, encompassing the gamut from popular forms like advertising and general knowledge to Irish history, religion, music and 'high-brow' literature, is as astonishing as the exactitude of urban details relating to Dublin's streets as they existed in 1904 and Annotations records them with intelligence and prudence. * Sean Sheehan, Scottish Left Review *...monumental, exhaustive and thoroughly engrossing volume, edited by an unsurpassed team of scholars...a towering, epochal achievement... * Anne Fogarty, James Joyce Broadsheet *Annotations to James Joyce's Ulysses by Sam Slote, Marc Mamigonian and John Turner takes on board all the research and scholarship done since Don Gifford's groundbreaking Notes for Joyce. ... Joyce the untiring chronicler of detail has met his match in the compilers of these annotations * Colm Tóibín, London Review of Books *The new Annotations to James Joyce's Ulysses has a great deal to teach to this Joyce buff. The scholarly work here offers insights into Joyce's intentions and tracks the precise movements of his supple, monumentally well-stocked mind. [...] I offer thanks to these gifted scholars for their meticulous research and concise writing. * Robert Seidman, co-author of 'Ulysses' Annotated, James Joyce Quarterly *Even after scores of readings and minute research, I have found that no other literary evocation rewards me as much as Ulysses does... And thank you, informed, insightful, tireless trio-Sam Slote, Marc A. Mamigonian, and John Turner-for the richness of your work. * James Joyce Quarterly 60.4 *Table of ContentsAbbreviations On the Uses and Disadvantages of Annotations for Ulysses A Note on Dublin Topography and Toponyms A Note on Irish History since 1800 A Note on Currency A Note on Annotations Past A Note on Editions of Ulysses A Note on Joyce's Notes and Manuscripts A Note on the Ulysses Schemata A Note on the Title Ulysses A Note on the Present Project and Acknowledgements 1: 'Telemachus' 2: 'Nestor' 3: 'Proteus' 4: 'Calypso' 5: 'Lotus Eaters' 6: 'Hades' 7: 'Aeolus' 8: 'Lestrygonians' 9: 'Scylla and Charybdis' 10: 'Wandering Rocks' 11: 'Sirens' 12: 'Cyclops' 13: 'Nausicaa' 14: 'Oxen of the Sun' 15: 'Circe' 16: 'Eumaeus' 17: 'Ithaca' 18: 'Penelope' Appendix: Paraphrases of the Opening and Closing of 'Oxen of the Sun' Bibliography

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Book SynopsisPerhaps the most accomplished of Jane Austen’s novels, Emma is also, after Pride and Prejudice, her most popular. Film and television adaptations testify to the world’s enduring affection for headstrong, often misguided Emma Woodhouse and her romantic schemes. This is an illuminating gift edition that will be treasured by readers.Trade ReviewIts large size and heavy weight, complemented by thick, wood-textured endpapers, acid-free cream-vellum paper, generous margins and woven bindings suggest an object important in its own right, an object and a form that will not go quietly into the good night. Its rich illustrations range from frontispieces and portraits to caricatures and Regency fashion plates, including a fine one for the Beaver Hat. Tandon’s explanatory notes are similarly comprehensive and serve to link Austen not only to contemporaries such as Samuel Taylor Coleridge, Mary Wollstonecraft and Charles Lamb, but also to lexical and thematic lines that run backwards, from Samuel Richardson and Henry Fielding to Seneca, and forwards to James Joyce and the contemporary novelist Edward St Aubyn… Tandon’s notes often function as brief scholarly and historic articles in their own right, and the combined effect of these notes and illustrations is an edition of almost Talmudic ambition, but one that carries its erudition without sacrificing readability… Tandon’s notes are superb… One of the great merits of Tandon’s edition is that, without breaking the spell of Austen’s fiction, he presents her work as so very much of her time, whether that be in her conceptual relation to moralists such as Samuel Johnson, or in the social resonances of foodstuffs, clothing and card games. -- Jonathan Sachs * Times Literary Supplement *Scholar and critic Bharat Tandon, who has previously written Jane Austen and the Morality of Conversation, now delivers an enriching set of footnotes to one of the most cherished novels of English literature. Praised for both his lightness of touch and depth of scholarship, Tandon provides, along with copious marginal glosses, a stimulating introduction and a fine selection of illustrations to heighten the reader’s involvement and understanding. * Barnes & Noble Review *I literally swooned when I received a review copy of Emma: An Annotated Edition edited by Bharat Tandon. Readers of this blog know how much I have cherished this annotated series of Jane Austen’s novels by Harvard University Press… Foremost, the books are lushly illustrated, beautifully produced, and well-researched by known Jane Austen scholars. Emma: An Annotated Edition is no exception… Annotated books are such treasures for the serious reader of Jane Austen’s novels, explaining her words and old-fashioned idioms and making long dead customs come alive. This generously illustrated annotation from Harvard University Press both instructs and entertains with its running commentary along the margins, enhancing our enjoyment of one of Jane Austen’s most perfectly realized novels… Emma: An Annotated Edition is well worth the purchase. -- Vic Sanborn * Jane Austen’s World *The latest gorgeous entry in the Belknap Press’ growing library of annotated Jane Austen novels arrives, this time the mighty Emma under the exactingly careful guidance of Bharat Tandon of the University of East Anglia. Belknap has once again done its end of the job superbly: the book is a physical treat—luxuriantly over-sized, heavy with quality paper and solid binding, decked out in a beautiful cover and dozens of well-chosen illustrations throughout. This is one of the prettiest Jane Austen volumes available in bookstores…this season. -- Steve Donoghue * Open Letters Monthly *This lovely edition includes images related to the text as well as notes by Tandon. -- Molly Driscoll * Christian Science Monitor *Austenites can rejoice over this striking new annotated edition of Emma. * Entertainment Weekly *For die-hard fans of Emma, this annotated edition is a must-have. For readers new to Jane Austen’s work, it’s the perfect way to start what might likely turn out to be a lifelong love affair with her work… A highly readable, wonderfully illustrated and remarkably enlightening annotation of Emma. -- Roni K. Devlin * Shelf Awareness *Emma remains one of Austen’s most popular works, and in this annotated edition (the third in Harvard’s annotated series after Pride and Prejudice and Persuasion), readers will find the charming story enhanced by color illustrations and well-crafted annotations. In his introduction, Tandon places Austen in literary and historical context before moving on to a discussion of Emma in particular. The novel follows, with the annotations arranged in the oversized book’s margins. The annotations, addressing topics from the mundane to the esoteric, comment on the prose itself and on the styles and etiquette of the times… Tandon’s annotations will appeal to readers of all levels, and his effort to increase appreciation of Emma should meet with success. This carefully prepared edition is sure to meet the needs of Austen lovers and scholars alike. -- Catherine Gilmore * Library Journal *A superb new edition which combines weighty scholarship with exemplary lightness of touch. Bharat Tandon contributes not only a sparkling introduction, but also a bold set of notes that work like little keyholes, allowing us to peer into the most distant corners of Austen’s world. Many of the novel’s most subtle touches have been muffled by the passage of time; this edition brings them back to life. Suddenly a novel we thought we knew looks as fresh as it did on its first appearance almost 200 years ago. -- Robert Douglas-Fairhurst, University of OxfordBharat Tandon’s edition of Emma is a delight to read, as pleasurable as it is thought-provoking. He captures both the delights of Austen’s novel and the way that those delights are shadowed by darker intimations. -- Deidre Lynch, University of TorontoBharat Tandon brings Emma to life like no previous editor. His extensive and engaging annotation throws searching new light on even its most familiar moments, while his splendid choice of illustrations reveals the world of the novel—its people, musical instruments, dresses, dances, games, furniture, food, carriages, books, and beautiful rural landscapes—in unmatched detail and immediacy. -- Robert Morrison, Queen’s University

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Book Synopsis''You shall see nothing, hear nothing, think of nothing but Svengali, Svengali, Svengali!'' First published in 1894, the story of the diva Trilby O''Ferrall and her mesmeric mentor, Svengali, has entered the mythology of the time alongside Dracula and Sherlock Holmes. Immensely popular for a number of years, the novel led to a hit play, a series of popular films, and the trilby hat. The setting of the story reflects the author''s bohemian years as an art student in Paris; indeed James McNeill Whistler was to recognize himself in one of the early serialized instalments. George Du Maurier was a celebrated caricaturist for Punch magazine and his drawings for the novel form part of its appeal - this edition includes his most significant illustrations. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus Trade ReviewA captivating, strange and evocative story that brings to life 1850s bohemian Paris. * The Sunday Telegraph *

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Book SynopsisWhat happened when Jane Austen's heroines and heroes were finally wed?

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