Literary studies: fiction Books

Book SynopsisA fascinating collection of essays on literary subjects ranging from Daniel Defoe to Samuel Beckett by a Nobel and Booker Prize-winning writerLate Essays gathers together J.M. Coetzee’s literary essays from 2006 to 2017. The subjects covered in this stunning collection range from Daniel Defoe in the early eighteenth century to Coetzee’s contemporary Philip Roth. Coetzee has had a long-standing interest in German literature and here he engages with the work of Goethe, Hölderlin, Kleist and Walser. There are four fascinating essays on fellow Nobel laureate Samuel Beckett and he looks at the work of three Australian writers: Patrick White, Les Murray and Gerald Murnane. There are essays too on Tolstoy’s great novella The Death of Ivan Ilyich, on Flaubert’s masterpiece Madame Bovary, and on the Argentine modernist Antonio Di Benedetto.Trade ReviewA writer of JM Coetzee’s stature needs no preamble… This book emerges as an engaging series of master classes in novel writing, from which we might distil a selection of dos and don’ts -- Lauren Elkin * Guardian *J.M. Coetzee's essays are filtered through boundless reserves of knowledge, wisdom and reading...A spare, dry sense of humour...Not a single page goes by in this collection when you don't learn something * Spectator *Coetzee remains a highly original thinker, able to take a much-dissected novel such as Flaubert’s Madame Bovary and offer an appreciation that stretches the boundaries of the reading experience. The most intriguing essay is one on Philip Roth, a rare occasion where Coetzee tackles one of his contemporaries -- Tobias Grey * Financial Times *His essays are models of clarity, judicious reasoning, and respectful attention… a kind of sage who brings composure to bear on the earthquake zones of mind and heart. He is a master of prose’s lucidities, all the while cognisant of the hidden presence of poetry… Late Essays gives you the feeling that Coetzee has come to look into the eyes of writers, the better to read them with the justice they deserve * The Monthly *His interest is in delving into the writer’s mind, the circumstances surrounding the work and the thinking processes that led to writerly choices in terms of form, style, and themes...Above all, he brings the perspective of one who has much to teach us about slow reading. * Australian Book Review *

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Book SynopsisWilbur Smith has lived an incredible life of adventure, and now he shares the extraordinary true stories that have inspired his fiction. I've been writing novels for over fifty years. I was lucky enough to miss the big wars and not get shot, but lucky enough to grow up among the heroes who had served in them and learn from their example. I have lucked into things continuously. I have done things which have seemed appalling at the time, disastrous even, but out of them has come another story or a deeper knowledge of human character and the ability to express myself better on paper and write books which people enjoy reading.Along the way, I have lived a life that I could never have imagined. I have been privileged to meet people from all corners of the globe, I have been wherever my heart has desired and in the process my books have taken readers to many, many places. I always say I've started wars, I've burned down cities and I've killed hundreds of thousands of people - but only in my imagination!From being attacked by lions to close encounters with deadly reef sharks, from getting lost in the African bush without water to crawling the precarious tunnels of gold mines, from marlin fishing with Lee Marvin to near death from crash-landing a Cessna aeroplane, from brutal school days to redemption through writing and falling in love, Wilbur Smith tells us the intimate stories of his life that have been the raw material for his fiction. Always candid, sometimes hilarious and never less than thrillingly entertaining, On Leopard Rock is testament to a writer whose life is as rich and eventful as his novels are compellingly unputdownable.Trade ReviewThis brutally honest, entertaining and compelling autobiography reflects an extraordinary man and his extraordinary talent * Lancashire Evening Post *If you love the books of Wilbur Smith then I do recommend that you read this exciting adventure story that reads more like one of his novels than a non-fiction account of his life. There are thrills and danger, as well as inspiration for all writers to keep doing what you love, do it well and enjoy life to the full * Smorgasboard blog *A rollicking yarn of slaughtered wildlife, literary superstardom and late-blooming love with his fourth wife, Niso. 'I won't stop writing until I stop breathing,' he promises * Daily Mail *

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Book SynopsisA Book of the Year in The Times & Sunday Times, Daily Mail, Spectator, Irish Times and TLS. 'Superb' Daily Mail, 'Book of the Week''Brilliant' The Times, 'Book of the Week''[A] vivid, detailed account' Guardian, 'Book of the Week''Hugely enjoyable' Daily Telegraph'Fascinating' SpectatorCharles Dickens was a superb public performer, a great orator and one of the most famous of the Eminent Victorians. Slight of build, with a frenzied, hyper-energetic personality, Dickens looked much older than his fifty-eight years when he died. Although he specified an unpretentious funeral, it was inevitable that crowds flocked to his open grave in Westminster Abbey. Experiencing the worst and best of life during the Victorian Age, Dickens was not merely the conduit through whom some of the most beloved characters in literature came into the world. He was one of them.Filled with twists, pathos and unusual characters, The Mystery of Charles Dickens looks back from the legendary writer's death to recall the key events in his life. In doing so, A. N. Wilson seeks to understand Dickens's creative genius and enduring popularity. Following him from cradle to grave, it becomes clear that Dickens's fiction drew from his own experiences - a fact he acknowledged. Like Oliver Twist, Dickens suffered a wretched childhood, then grew up to become not only a respectable gentleman but an artist of prodigious popularity. Dickens knew firsthand the poverty and pain his characters endured, including the scandal of a failed marriage.Going beyond standard narrative biography, Wilson brilliantly revisits the wellspring of Dickens's vast and wild imagination, revealing why his novels have such instantaneous appeal and why they continue to resonate today. He also uncovers the double standards of both the man and his times.Trade ReviewDelightful, riveting... In this superb book, [Wilson] has succeeded in prising open the layers and revealing the inner child inside Charles Dickens. * Daily Mail, 'Book of the Week' *Fascinating... The greatest compliment one could pay this book is to say that it doesn't only read like something written about Dickens; animated by a restless, rummaging critical intelligence, and a curiosity about many of the things others simply take for granted, at times it reads more like something written by Dickens. * Spectator *This is the stylish and outspoken A N Wilson at his provocative best. * 'Books of the Year', Daily Mail *A brilliant denunciation of the sickness of Victorian England.[Wilson] is especially vivid on the moral horror of a self-confident, capitalist society without a safety net for those at the bottom. * The Times, 'Book of the Week' *Hugely enjoyable... A wonderfully fresh and vivid account, fluently integrating life and work, teasingly constructed without being relentlessly chronological, and personally charged by an impassioned gratitude to Dickens... Wilson's unquenchable gusto, sharp critical intelligence and buoyant prose make compelling reading - a vindication not so much of the mystery of Charles Dickens as the miracle. * Daily Telegraph *Wilson's attempt to pin down the Dickens we don't know is energetic. He leads the reader, like one of the ghosts in A Christmas Carol, to visit moments in the writer's life... Compelling * Financial Times *A sprightly retelling of a well-known narrative... vivid, detailed. * Guardian, ‘Book of the Week’ *Enthralling... In each section, themes and ideas spool out with Wilson's characteristic fluency and narrative flair. He both loves and is appalled by Dickens * Literary Review *Utterly satisfying... A marvelous exploration by an author steeped in the craft of his subject's elastic, elusive work. * Kirkus Reviews (starred review) *Beyond the eye-opening analysis, Wilson also offers a moving personal account of why Dickens has meant so much to him * Booklist (starred review) *Charles Dickens had succeeded in lodging all his phobias and foibles within his characters without leaving many traces of his personal life in Tolstoy-like autobiographical confessions. But A. N. Wilson, who three decades ago wrote one of the best biographies of Tolstoy, shows in The Mystery of Charles Dickens that similar demons haunted the nightmarish duality of Dickens's personality as well. * Zinovy Zinik, 'Books of the Year', TLS *Table of Contents1: The Mystery of fifteen pounds, thirteen shillings and ninepence 2: The Mystery of his childhood 3: The Mystery of the cruel marriage 4: The Mystery of the charity of Charles Dickens 5: The Mystery of the public readings 6: The Mystery of Edwin Drood 7: The Mystery of Charles Dickens

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Book SynopsisSport and Monstrosity in Science Fiction examines fantastic representations of sport in science fiction, both cataloguing this almost entirely unexamined literary tradition and arguing that the reason for its neglect reflects a more widespread social suspicion of the athletic body as monstrous. Combining scholarship of monstrosity with a biopolitically focused philosophy of embodiment, this work plumbs the depths of our abjection of the athletic body and challenges us to reconsider sport as an intersectional space. In this latter endeavour it contradicts the image presented by both the most dystopian films such as Deathrace and Rollerball as well as social criticism of sport that limits its focus to an essentially violent masculinity. The book traces an alternative tradition of sport sf through authors as diverse as Arthur C. Clarke, Steven Barnes, and Joan Slonczewski, exploring the way the intersectional categories of gender, race, and age in these works are negotiated in, for example, a solar wind sailing race or futuristic anti-gravity boxing. These complex athletic bodies display the social mobility that sport allows and challenge us to acknowledge our own monstrously animal bodies and our place in a “cycle of living and dying.”Table of ContentsAcknowledgementsIntroduction: Beastmode1 Baseball, Not Biology: Sex and Gender in Sport SF2 Broken Teeth: Race, Bodies, and Sport SF3 Graying the Playing Field: SF Sport and Age4 SF Sport and the Individual Talent5 Sport, Institution, and the Devil6 Beasts in the Stands: Fandom, Sport, and SFConclusion, or How to Stop Looking for SinnersWorks Cited

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Book Synopsis“Holmes could be rude, impatient, abrupt, and his intolerance of fools was legendary. I tried to show all this, all of the man’s incredible brilliance. But there are some cracks in Holmes’s marble, as in an almost-perfect Rodin statue. And I tried to show that, too. It’s difficult for me to say what I may have given to the image of Holmes. Faithful to Conan Doyle’s text, certainly. Also, I’ve tried to bring out the emotion that is there in Holmes. On the surface he seems a cold, sometimes dark, rather off-putting figure. But deeper down, I think, he’s a man of feeling.” JeremyJeremy Brett is still recognised as the most celebrated incarnation of Sherlock Holmes which he presented for ten years. Jeremy delighted viewers with his dashing, arrogant, moody interpretation of the most popular famous detective he brought a brooding intensity to his finest role - one of disturbing power. He is still called the definitive Sherlock Holmes.Covering a forty year period from first leaving Central School of Speech and Drama until his early death at the age of 61, Playing a Part is a full career book of “a very fine actor” who would delight audiences as a sensitive lover or as a haunted murderer. Talented, loved and admired by the theatrical world at the birth of the National Theatre led by Laurence Olivier, Robert Stephens and Maggie Smith. Beginning and ending his career in Manchester he would transfer his talents to the American culture of the 70s as he settled into his new life with his American wife but was enticed back with some of the best classical roles for television and the stage.Jeremy’s own words are used whenever they are available to present his story and his approach to playing the parts. His unfailing enthusiasm for a new project and the degree of commitment comes through.Illustrated with original photographs covering his life and career it is the first detailed record of all his performances on the stage, film or television.

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Book SynopsisPeople often associate fairy tales with Disney films, and with the male authors from whom Disney often drew inspiration - notably Charles Perrault, the Brothers Grimm and Hans Christian Andersen. In these portrayals the princess is a passive, compliant figure. By contrast, The Lost Princess shows that classic fairy tales such as 'Cinderella', 'Rapunzel' and 'Beauty and the Beast' have a much richer, more complex history than Disney's saccharine depictions. Anne E. Duggan recovers the voices of women writers such as Marie-Catherine d'Aulnoy, Marie-Jeanne L'Heritier and Charlotte-Rose de La Force, who penned popular tales about ogre-killing, pregnant, cross-dressing, dynamic heroines who saved the day. This new history will appeal to anyone who wants to know more about the lost, plucky heroines of historic fairy tales.Table of ContentsIntroduction Chapter 1: A Not-So-Passive Cinderella Chapter 2: Beauties, Beasts and d'Aulnoy's Legacy Chapter 3: The Other Famous Cat Tale Chapter 4: The Lost Amazon Warriors Epilogue References Sources Acknowledgements Photo Acknowledgements Index

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Book SynopsisUntil the appearance in 1870 of the Memoir written by her nephew J.E. Austen Leigh, very little was known about Jane Austen beyond what could be deduced from her major novels. This had been the family’s choice. Despite this lack of information Deidre Le Faye records that following the acceptance of Jane’s novel Susan for publication in 1803, “according to family tradition, she had composed the plot of another full-length novel”. This, Two Girls of Eighteen, never previously identified as Jane’s, was published in 1806 but at some point apparently suppressed. Only two copies are known to exist - one in the Deutsch Nationalbibliothek and the one from which the present text has been transcribed, which came from a house that Jane knew and is mentioned by her in A Collection of Letters. Two Girls of Eighteen has a divided structure, involving two sisters, Charlotte and Julia, each of whom is given her own story, the one a Romance partly based on Richardson’s Clarissa, the other a Gothic confection - both set in contemporary England. Jane appears to be testing in this the capabilities of such forms for expressing what she was trying to achieve. Through the character of Charlotte, who is attempting to write a novel, she deliberates at length the sort of thing that she herself might write. Her reflections on such subjects as medicine, law, the rights of women, etc take us below the glossy surface of the major novels and show us the complex web of thought that lies beneath.

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Book SynopsisSleuthing Miss Marple mirrors the structure and playful analytic style of a detective novel. Beginning at the ‘scene of the crime’, this investigation places Agatha Christie and the clue-puzzle in historical context, casting light on the methods, the motives, and, in a sense, the alibis that underpin Christie’s crime fiction. In keeping with the clue-puzzle analytical method devised for this book, each chapter builds towards a conclusion that delivers a surprising intellectual payoff.This enquiry is unapologetically textual in approach. It constructs a rigorous evidence base drawn from the Marple short stories and novels, and presents a useful interpretation of crime fiction scholarship. This provides a foundation for original literary analyses that reveal Christie’s engagements with gender roles and genre rules, and the sleights of hand that they conceal. Christie’s modus operandi is uncovered, as are the narrative strategies and literary devices that she deployed to ambush unwary readers. Crucially, this investigation shows how Christie’s ingenious methods made it possible for an elderly spinster to get away with solving murder. Sleuthing Miss Marple will be invaluable for students and researchers of crime fiction, twentieth-century literature, and creative writing.Trade Review‘With Agatha Christie studies on the rise, it is high time attention turned to Miss Marple. Desirée Prideaux’s fresh look at the archetypal spinster sleuth sheds much-needed light on one of the twentieth century’s most popular and misunderstood fictional characters.’ J.C. Bernthal, author of Queering Agatha Christie‘Desirée Prideaux’s Sleuthing Miss Marple is a phenomenally rich and original addition to Agatha Christie studies… Prideaux breaks new ground and sheds new light on a familiar and much-loved character who, as Prideaux demonstrates, contains depths never before explored to such an extent. The end result is an enlightening and enjoyable lesson in never underestimating a woman—or the writer who created her.’ Rachel Schaffer, Clues‘Showcase[s] some interesting and thought-provoking ideas, which encourage you to return to the original stories for a re-read with a different way of looking at them.’ Kate Jackson, Crossing Examining CrimeTable of ContentsIntroduction1. The Scene of the Crime: Social and Cultural Background, Gender Politics, and Christie in Context 2. Establishing Means: The Clue-Puzzle, Genre ‘Rules’, and Christie’s Modus Operandi 3. Solving The Thirteen Problems: A Fresh Analysis of the Inceptive Miss Marple Mysteries 4. ‘I’ve no doubt I am quite wrong’: Spinsterly Camouflage and Deceptive Reassurance in the Marple Novels 5. Marple and Agency: The Female Detective, the Feminine Heroic, and Appropriating the Gaze 6. Heroic Women: The Ironic Femme Fatale, Comic Vindication of the 'Dotty' Old Lady, and Marple’s Female Assistants 7. Breathless Men: The Comic Male Characters of the Marple Mysteries 8. Christie’s ‘Rational Women’ and Common-Sense Dispersal of the Gothic 9. ‘Breathless Men’: Gothic Limitations on Masculine Agency Dénouement

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Book SynopsisA concise and fascinating biography of one of the world's undisputed literary titans

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Book SynopsisDescribed as the most widely read and influential serious writer of the twentieth century, George Orwell remains relevant in our own era of contested media. He continues to attract a large readership. This book is about Orwell’s post-war cultural moment c. 1948. Taking his Diaries of the time as inspiration, together with his famous final novel, 1984 (published 1949), and treating them as contiguous texts, Brian May considers the gaps, equivocations, and contradictions in Orwell's message and asks what Orwell would have written next. But 1948 is more than a work of literary criticism: rather, it balances critical discussion with creative intervention, being one-half literary-critical commentary, and one-half fictional departure – a novella titled “From the Archives of Oceania,” which quotes, parodies and pastiches Orwell's Diaries, offering a possible prequel. Together these elements offer a resource for the reader to interrogate anew such difficult issues as Orwell's sexism and anti-Semitism; to explore the tensions between various intertwining strands of thought that cast Orwell as both realist and idealist, Puritan and individualist; and to better understand Orwell's curious affection for the natural world. 1948 will appeal to all readers and critics of Orwell, but also to students of dystopian fiction, "revisionary" fiction and "reception study," which highlights the audience’s contribution to an artwork's meaning.Trade ReviewAt the centre of this dense, extraordinary book lies a powerful novella... As well as mashing together Orwell’s life and fiction, the novella elegantly draws in some distressing contemporary issues. Evocative images of othered people on boats in perilous conditions, and the chilling consequences of leaving antisemitism unchallenged, are haunting... It slowly builds to a believable yet horrifying conclusion which would stand up well in comparison to the iconic end of Nineteen Eighty-Four. -- Nicola Rossi, The Orwell SocietyTable of ContentsAcknowledgement I. Introduction II. Novella: “From the Archives of Oceania” III. Teaching Supplement IV. Critical Supplement: “Orwell Agonistes” Notes Index

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Book SynopsisLewis Carroll's Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children? Beginning by plunging the reader into the spectacular new wonderland of acclaimed illustrator Kristjana S. Williams, Alice: Curiouser and Curiouser goes on to explore how Lewis Carroll's celebrated Alice books have fuelled creative minds for over 150 Years. This unique publication takes us on a journey whose scope ranges from art, literature, theatre and film through science and technology to fashion and politics, encouraging us to ask whether we should all try to be more like Alice.Trade Review'As Alice herself once said: "what is the use of a book without pictures or conversation?" This book provides plenty of the former while encouraging, I'm sure, much of the latter.' -- - - Antonino Tati, Cream Magazine, October 2020 'This playful and visually stunning tome investigates the Alice phenomenon and includes dreamy illustrations and quotes from a host of aficionados...' -- - - Australian Women's Weekly 'a rich accompanying coffee table book' -- - - Tianwei Zhang, WWD, May 19 2021 'full of riches' -- - - Claire Allfree, The Telegraph, 18th May 2021 'deserve[s] to be on anyone's bookshelf'-- - - Michael Glover, The Tablet, 15th September 2021Table of ContentsForeword, Tristram Hunt - Introduction, Kate Bailey and Simon Sladen - Wonderland, Kristjana S. Williams - Creating Alice, Annemarie Bilclough - Performing Alice, Simon Sladen - Reimagining Alice, Kate Bailey - Being Alice, Harriet Reed

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Book SynopsisHidden Heroes is a collection of short stories from the 1980s to present that unveil the lives of ordinary North Koreans. Through themes of identity, community, and power, it reveals a complex society, offering readers a nuanced understanding beyond prevailing stereotypes.

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Book SynopsisNancy Durrell was a woman famous for her silences. Anaïs Nin said 'I think often of Nancy's most eloquent silences, Nancy talking with her fingers, her hair, her cheeks, a wonderful gift. Music again.' As the first wife Lawrence Durrell, author of The Alexandria Quartet, it is perhaps surprising that she is an unknown entity, a constant presence in the biographies of Durrell and others in the Bloomsbury set, yet always a shadowy figure, beautiful and enigmatic. But who was the woman who was with Durrell during the most important years of his development as a writer? Joanna Hodgkin decides to retrace her mother's fascinating story: the escape from her toxic and mysterious family; the years in bohemian literary London and Paris in the 1930s; marriage to Durrell and their discovery of the 'Eden' of pre-war Corfu and her desperate struggle to survive in Palestine alone with a small child as the British Mandate collapsed. Amateurs in Eden is a fascinating biography of a literary marriage and of an unusual woman struggling to live an independent life.Trade ReviewFrank and captivating . . . rich in charm and pathos . . . Hodgkin has done both Nancy and herself proud with this fresh portrait of a marriage we thought we knew, and of a woman we have never known well enough -- Miranda Seymour * Sunday Times *It's a cracking story, and Hodgkin is a meticulous researcher -- Olivia Laing * Observer *The animating spirit that pulses through this joint biography is to be thoroughly applauded -- D.J Taylor * Literary Review *This is not just a memoir of her mother. This is the history of a literary wife. On both counts, Hodgkin succeeds beautifully . . . Her story is not a footnote; it is absolutely central * Independent *A truly fascinating account of one of those many women, the wives and the girlfriends and the sisters of famous literary men, who have lived a twilight existence in the shadows of the historical canon. A particularly rich and honest account * Scotland on Sunday *An enjoyable, revisionist account of a bohemian marriage -- Blake Morrison * Guardian *

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Book SynopsisHenry Swanzy (1915-2004) has an unrivalled position as the midwife of Caribbean writing in the post 1950s period. As the editor of the BBC Caribbean Voices programme (initiated by Una Marson) between 1946 and 1956, he was there as the careers of George Lamming, Edgar Mittelholzer, Jan Carew, V.S. Naipaul, Sam Selvon and many others took off in London. As a programme aimed in the first place at a Caribbean listenership, Swanzy encouraged writing that was authentic to its Caribbean roots, in language, theme and social concern. As an Irishman, Swanzy retained enough of a post-colonial sensibility to be positively sympathetic to the nationalist thrust of the writing. He was evidently well-respected by the writers to whom he offered both literary and personal support – and not least for his awareness of their pecuniary needs. Once Caribbean Voices was well established, it was left in the hands of Caribbean editors (including Mittelholzer and V.S. Naipaul) and Swanzy himself went off to Ghana in 1956 to encourage and support writers and broadcasting there. Thanks to the generosity of Swanzy’s heirs, his private and often amusingly indiscreet diaries of this period (known as “Ichabod”) have been made available and carefully edited and documented by the team of Niblett, Campbell and Smith. With an introduction that puts Swanzy and these radio programmes in context, this is both an essential, entertaining and highly readable book for anyone even remotely interested in the development of Caribbean writing. Not least of its value is the extensive appendix where Niblett et al. have documented all the writers mentioned in the diary. This, in itself, is a salutary reminder of the wealth of writing talent in both the Caribbean and Ghana that flowered in this period but then, in the absence of other opportunities, in many cases undeservedly disappeared from view.Table of ContentsIntroduction The Diaries Appendix Acknowledgements Index

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Book SynopsisGeorge’s memory is inseparable from Orkney, where he was born the youngest child of a poor family and which he rarely left. His mother was a beautiful woman who spoke only Gaelic and his father was a wit, mimic and singer, who also doubled as postman and tailor. Tuberculosis framed George’s early life and kept him in a kind of limbo. He discovered alcohol which gave him insights into the workings of the mind. While attending the University of Edinburgh he came into contact with Goodsir Smith, MacDiarmid and Norman MacCaig – and Stella Cartwright with whom perhaps all of them were in love. By the time of his death in 1996 he was recognised as one of the great writers of his time and country.

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Book SynopsisOn the day that A. M. Homes was born in 1961, she was given up for adoption. Her birth parents were a twenty-two year old woman and an older married man with whom she was having an affair. Thirty years later, out of the blue, Homes was contacted by a lawyer on behalf of her birth mother, and they began to correspond; her biological father contacted her soon after. These two individuals and their effect on the adult Homes are strange and unexpected, and the story spirals into something utterly raw and hilarious, heartbreaking and absurd. Along the way, Homes describes the clash between her childhood fantasies of her birth parents and the disappointing reality. She writes about the experience of experiencing biological resemblance for the first time (in 'My Father's Ass') and the addictiveness of the genealogical research she embarks on. She reflects on the significance of DNA testing and having two mothers and two fathers and unearths profound truths about her family and herself. Finally, she writes movingly about her own baby daughter and the way she has recently helped to mend Homes' fractured life.Trade ReviewA compelling, devastating and furiously good book written with an honesty that few of us would risk -- Zadie SmithVeracious words on the complexity and ambiguity of the fractured life of an adopted child. Celebratory and shattering, it will leave you asking yourself, adopted or not, who am I? -- Jamie Lee Curtis

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Book SynopsisA few magical poems by Coleridge remain among the most celebrated works in the language: KUBLA KHAN, CHRISTABEL and - above all -THE ANCIENT MARINER. All are included in this volume, together with many other superb but lesser-known poems and a selected prose extracts from the BIOGRAPHIA LITERIA and the NOTEBOOKS which show that Coleridge was not only a major poet but also a great critic and prose writer.

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Book SynopsisWhen friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him - not wisely, perhaps, but fairly well - on an island that was "not his kind of place," but where he came season after season, year after year & where he, too, will be subsumed into the capacious story.' For millennia the cliffs of Capri have sheltered pleasure-seekers & refugees alike, among them the emperors Augustus & Tiberius, Henry James, Rilke & Lenin, plus hosts of artists, eccentrics & outcasts. Here in the 1960s Graham Greene became friends with Shirley Hazzard & her husband, the writer Francis Steegmuller; their friendship lasted until Greene's death in 1991. In GREENE ON CAPRI, Hazzard uses their ever volatile intimacy as a prism through which to illuminate Greene's mercurial character, his work & talk & the extraordinary literary culture that long thrived on this ravishing, enchanted island.Trade ReviewA little masterpiece of reminiscence... reading a personal sketch of this quality makes me think that perhaps the conventional biography is just a grandiose dump-bin for all those elements of life that do not matter MAIL ON SUNDAY Her observations are penetrating, her style is superb, and her range of literary reference is the equal of his. Marvellous TIME OUT Shirley Hazzard achieves an astonishing amount in less than 150 pages ... Her memoir, like the island it so fondly describes, is a real gem to which the reader will wish to return SUNDAY TELEGRAPH Shirley Hazzard is highly observant and alarmingly intelligent; she is also erudite, precise and morally scrupulous. Her short book is not only a joy to read for its lucid, thoughtful prose, but also a refreshing antidote to biographical overkill and presumption. As a picture of Graham Greene, it is like an Ingres portrait drawing: small, but miraculously clear Spectator An affectionate but not uncritical portrait of a companion who could be charming but also provocative... it is a convincing picture of a man who has been much and excellently written about but seldom with so astute and yet so warm an eye Times Literary Supplement Charming... succinct and satisfying... her memoir, like the island it so fondly describes, is a real gem to which the reader will wish to return Sunday Telegraph

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Book Synopsis'For we are very lucky, with a lamp before the door And Leerie stops to light it, as he lights so many more...' The picture of a small boy peering from a window at dusk to watch the lamplighter in the street is one of the enduring images of 19th-century Edinburgh, and the child probably the most famous ever brought up there. Robert Louis Stevenson loved to conjure up a dashing, romantic lineage for himself, dreaming that he was descended from the colourful outlaw Rob Roy MacGregor. The reality was less flamboyant but no less remarkable and he would learn that the street lamps of Edinburgh owed their brilliance to the scientific work of his own great-grandfather. This welcome addition to the Robert Louis Stevenson canon gives a concise account of his life - his family background, childhood and adolescence in a Calvinist, hard-working household in Scotland, his travels in three continents and his final years in the South Seas.It examines his relationships with his parents and his nurse, with English and American friends, particularly the family into which he married, and with the Samoan islanders among whom he died at the age of 44. Stevenson's childhood experiences and Scottish identity fed his fertile imagination wherever he found himself. His legacy includes travel writing, essays and poetry, and novels such as "Treasure Island", "Kidnapped", "The Master of Ballantrae", "Strange Case of Dr Jekyll and Mr Hyde", "St Ives" and "Weir of Hermiston", still read and enjoyed more than one hundred years after his death. "Robert Louis Stevenson: The Travelling Mind" is an insightful introduction to the life and work of one of the world's best-loved writers.Trade Review' ... it seems we still have to remind ourselves how wonderful a writer Stevenson was. Dunlop's new biography does the honours with appealing brevity and elegance.' The Scotsman A concise, well-written chronological narrative of Stevenson's life, which, though it makes no new contribution to our knowledge, tells the story well and offers convincing interpretations of key moments (quarrels with father and Henley, family relations on Samoa.' ... Professor Richard Drury, RLS website ' ... a stimulating text, particularly useful for young scholars and those interested in learning more about Stevenson. Dunlop's enthusiasm about her subject will certainly encourage readers to revisit Stevenson's writings and to investigate further into his life.' Journal of Stevenson StudiesTable of ContentsThe Engineer's ChildThe Cummy YearsThe Education of a WriterWork ExperienceIn Two WorldsNorth and SouthThe Pains of LoveR.L. Stevenson, AdvocateBeside the StoveThe Travelling MindFamiliesSkerryvoreBreaking CirclesIn the South SeasA Laird in SamoaThe Myth of Robert Louis StevensonPostscriptSelect BibliographyIndex

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Book SynopsisGreat Expectations is one of the best-selling Victorian novels of our time. No Dickens work, with the exception of A Christmas Carol, has been adapted more for both film and television. It has been as popular with critics as it has with the public. In 1937, George Bernard Shaw called the novel Dickens’s “most compactly perfect book”. John Lucas describes it as “the most perfect and the most beautiful of all Dickens’s novels”, Angus Wilson as “the most completely unified work of art that Dickens ever produced”.                                                                                   Great Expectations has been so successful partly because it’s an exciting story. Dickens always had a keen eye on the market and subscribed to Wilkie Collins’s advice: “make ‘em laugh, make ‘em cry, above all make ‘em wait.” From the violent opening scene on the marshes to the climax of Magwitch’s attempted escape on the Thames, the story is full of suspense, mystery and drama. But while these elements of Great Expectations have ensured its popularity, it is also a novel which, as this guide will seek to show, raises profound questions not just about the nature of Victorian society but about the way human relationships work and the extent to which people are shaped by their childhoods and the circumstances in which they grow up.

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Book SynopsisConrad finished Heart of Darkness on 9th February, 1899 and on publication it had an impact as powerful as any long short story, or short novel ever written – it is only 38,000 words. It quickly became, and has remained, Conrad’s most famous work and has been regarded by many in America, if not elsewhere, as his greatest work. Exciting and profound, lucid and bewildering, and written with an exuberance which sometimes seems at odds with its subject matter, it has influenced writers as diverse as T.S.Eliot, Graham Greene, William Golding, and Ngugi wa Thiong’o. It has also inspired, among others, Orson Welles, who made two radio versions the second of which, in 1945, depicted Kurtz as a forerunner of Adolf Hitler, and Francis Ford Coppola who turned it into the film Apocalypse Now. More critical attention has probably been paid to it, per word, than to any other modern prose work. It has also become a text about which, as the late Frank Kermode once complained, interpreters feel licensed to say absolutely anything. Why? What is it about Heart of Darkness that has captivated critics and readers for so long and caused so many millions of words to be written about it? And why has its peculiarly dark and intense vision of life so frequently been misunderstood? Graham Bradshaw provides the answers in this illuminating guide.

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Book Synopsis“A heroine whom no-one but myself will much like,” the author famously proclaimed. In fact, in any league of likeability Miss Woodhouse is streets ahead of Miss Fanny – the ostentatiously “meek” heroine of Mansfield Park. Meek Emma is not. Indeed it is her sense of absolute sovereignty over her little world of Highbury – her right, as she presumes, to dispose of the marriage choices of those in her circle – which brings her to grief. And that grief, by the familiar course of the heroine’s moral education in Austen’s fiction, makes her, through remorse and repentance, a mature woman capable of forming correct judgements. Not least about whom Miss Woodhouse herself will marry.                                                                                Emma, of all the six great novels, is the one which conforms most closely to Austen’s famous formula that “three or four families in a country village is the very thing to work on”.  Emma is, by general agreement, the “quietest” of the novels.  Some have complained that there is not enough of a story in it, but others, as this guide shows, have found the plot in Emma the most successful Austen achieved. It is, for example, unusual among the sextet in playing a cunning trick on the reader who – unless they are sharp (sharper certainly than Miss Woodhouse) – may well be deluded as to which eligible young (or less than young) man the heroine will end up spending the rest of her life with. Or whether, given her frequently uttered distaste for marriage, she will end up the only unwed of the six heroines at the end of it all. 

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Book SynopsisJane Eyre, published on 16th October 1847, was an instant popular success. More than 150 years later, it still powerfully affects its readers with all the charge of a new-minted work. It is easy to forget, now, how shocking it was to its mid-19th century readers. Virtually every early reviewer felt obliged either to condemn or defend its impropriety. As Josie Billington reminds us in this compelling guide, the most savage reviews denounced the “coarseness” of language, the “unfeminine” laxity of moral tone, and the “dereliction of decorum” which made its hero cruel, brutal, yet attractively interesting, while permitting its plain, poor, single heroine to live under same roof as the man she loved. What caused most outrage, perhaps, was the demonstrable rebellious anger in the heroine’s “unregenerate and undisciplined spirit”, her being a passionate law unto herself. “Never was there a better hater. Every page burns with moral Jacobinism,” wrote an early critic. As the poet Matthew Arnold was to say of Brontë’s “disagreeable” final novel, Villette, “the writer’s mind contains nothing but hunger, rebellion and rage”. In this book Josie Billington looks at the passion and indeed rage which filled Bronte, and shows us that, though sometimes criticised for melodrama, this is a novel of great intellectual seriousness, moral integrity and depth of feeling. She quotes George Henry Lewis: “It is soul speaking to soul; it is an utterance from the depths of a struggling, suffering, much-enduring spirit.

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Book SynopsisLewis Grassic Gibbon (James Leslie Mitchell), the author of the acclaimed trilogy A Scots Quair, is one of the most important Scottish writers of the early twentieth century. This volume in the International Companions to Scottish Literature series gives a comprehensive overview of Gibbon''s writing, placing him in the broader context of the social, political, and literary developments of his time. A range of expert contributors demonstrate his continuing relevance both in Scotland and internationally, and provide readers with a comprehensive general introduction to his life and work.

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Book SynopsisNearly 100 years after Franz Kafka's death, his works continue to intrigue and haunt us. Even for those who are only fleetingly acquainted with his unfinished novels, or his stories, diaries, and letters, `Kafkaesque' has become a byword for the menacing, unfathomable absurdity of modern existence and bureaucracy. Yet for all the universal significance of his fiction, Kafka's writing remains inextricably bound up with his life and work in Prague, where he spent every one of his 40 years. Klaus Wagenbach's account of Kafka's life in the city is a meticulously researched insight into the author's family background, his education and employment, his attitude toward the town of his birth, his literary influences, and his relationships with women. The result is a fascinating portrait of the 20th century's most enigmatic writer and the city that provided him with so much inspiration; W.G. Sebald recognised that `literary and life experience overlap' in Kafka's works, and the same is true of this book.Trade Review`A useful addition to any thinking person's library... Wagenbach's volume on Kafka includes reproductions of Kafka's letters, original book covers and a well-drawn map of Prague showing the places mentioned in the text'- New Statesman; `Wonderful... Wagenbach is the doyen of Kafka scholars, and this is easily the best guide to his life and work: succinct, handsomely produced, and endlessly informative' - New York Sun

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Book SynopsisWhat is consciousness? What is it like to feel pain, or to see the color red? Do robots and computers really think? For that matter, do plants and amoebas think? If we ever meet intelligent aliens, will we be able to understand what they say to us? Philosophers and scientists are still unable to answer questions like these. Perhaps science fiction can help. In Discognition, Steven Shaviro looks at science fiction novels and stories that explore the extreme possibilities of human and alien sentience.Trade ReviewWinner of the University of California (Riverside) 2017 Science Fiction and Technoculture Studies Program Book Award

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Book SynopsisEverybody knows Charlotte Brontë. World-famous for her novel Jane Eyre, she’s a giant of literature and has been written about in reverential tones in scores of textbooks over the years. But what do we really know about Charlotte? 
As the famous siblings celebrate their bicentenaries, Charlotte Brontë Revisited looks at Charlotte through 21st-century eyes. Discover the real Charlotte: her private world of convention, rebellion and imagination, and how they shaped her life and writing – including the paranormal, nature, feminism and politics. It’s an indispensable guide for students and literature lovers, and emphatically shows why Charlotte is as relevant today as she ever was.Trade Review`Interweaves biography and reference to scholarly material with [Franklin’s] own take on pertinent aspects of Charlotte’s oeuvre ... [Her] witty tone makes the calibration of these two things — the pleasure of the literary enthusiastic and the scholarly — both easy and enjoyable. Franklin deftly mixes contemporary humour with reflectivity ... superbly written, exuberant.’
 Brontë Studies Journal

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Book SynopsisA series of chronological entries documenting Lawrence Durrell's life (1912-1990) and writing career, preceded by "Antecedents" (1851-1910), and followed by "Aftermath" (1991-2019), listing the main events connected with his reputation since his death. There is a 16-page "Index of Persons".

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Book SynopsisBack in print after two decades, Junglist tells the compelling, comic, stream-of-consciousness story of four young Black men coming of age among the raves and Jungle music scene in London during the 1990s. Layered with poetic verse, prose and humour, this cult classic of underground British fiction documents the rollercoaster ride of a weekend spent raving during Jungle’s cultural takeover in the summer of 1994. Jungle, with its booming basslines and Jamaican patois, burst from the pirate radio stations and mixtapes into cavernous clubs, pulling a generation of Black British ravers with it. Originally written as a way to document street culture as it became a feature of London, charting a time when working-class kids, both Black and white, merged to dance as "one family", Junglist is both a testament to Black British sound system culture and a rawthentic account of inner-city life.Trade Review‘‘A brilliant, neglected text of London gnosis, backstreet Modernism.""The world's first "Jungle novel", and a real headtrip... here is a living language, taking on new and weird shapes from its concrete habitat.""An amazing document of what London and UK clubbing was like at this time... Like the best club nights, you just don't want it to end."“Junglist doesn’t just allow you to hear the sound of a subculture through its pages, it implores you to feel it.”“A text that speaks to the soul of what was nothing less than a revolutionary moment in the unfolding of British multiculturalism.”“A hypnotic, immersive novel.”“A hypnotic, immersive novel.”

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Book SynopsisBorn in London in 1890, Angela Thirkell was Sir Edward Burne-Jones’s granddaughter, J.M. Barrie’s goddaughter and a cousin of Rudyard Kipling and Stanley Baldwin. John Collier painted her portrait and she was drawn by John Singer Sargent and Thea Proctor. Between 1931 and her death in 1961, Angela published more than thirty books in a variety of genres. She began with the acclaimed family memoir Three Houses and later settled on her amusing Barsetshire series, inspired by Anthony Trollope but set in the present day. Angela Thirkell: A Writer’s Life tells the author’s story from her Kensington childhood to her two marriages and the birth of three sons, Graham McInnes, Colin MacInnes and Lance Thirkell, all of whom also entered the literary world. The book traces her decade in Australia where she wrote for magazines and newspapers and made radio broadcasts, followed by her return to London and her fortuitous meeting with a young publisher called Jamie Hamilton, which lead to her bestselling Barsetshire novels.Trade Review"[A] careful and sympathetic biography." * Times Literary Supplement *“[A] concise yet lavishly illustrated biography.” * New Criterion *"This is the book all Angela Thirkell enthusiasts have been wishing for. It illustrates so many instances of how she translated her own life into the fictional world of Barsetshire, and for those who haven't yet discovered her it will make them want to make that journey for themselves." -- Penny Alred, former chair of the Angela Thirkell Society"Hall's new biography of Angela Thirkell is detailed, highly readable, and revealing. Her wide-ranging research and a gallery of illustrations not seen before thoroughly revise our understanding of the formative influences on Thirkell's writing and life." -- Kate Macdonald, author of Novelists Against Social Change: Conservative Popular Fiction, 1920-1960

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Book SynopsisGwyn Thomas was born, the last of twelve children, into a Rhondda mining family in 1913. After a childhood marked by the strikes of the 1920s, he went off to study Spanish at Oxford University and in Madrid, where he met the poet Federico Garcia Lorca and witnessed the turmoil which would lead to the Spanish Civil War. On his return, amidst the economic mire of the 1930s and his own burgeoning teaching career in Barry in the 1940s, he picked up his pen and began to write. For more than forty years, until his death in 1981, as novelist, screenwriter, master of the short story, and prizewinning playwright, Gwyn Thomas delivered compelling and comedic portraits of his world of South Wales. His creative genius earned enduring fame on both sides of the Atlantic and on both sides of the European Cold War divide. As a provocative and insightful broadcaster, he embraced the possibilities of radio and television, whilst leaving his hosts and guests alike in fits of knowing laughter. This landmark biography, enriched with unrivalled access to private papers and international archives, tells the remarkable story of one of modern Wales's greatest literary voices.Trade Review'This punchy portrait of a real Welsh literary heavyweight hits home with the brutal realism of Thomas' jabbing prose and mordant wit.' - Jon Gower, Nation.Cymru; 'Leeworthy knows his subject intimately, sympathises with him entirely, and locates him globally in such a way as to leave the reader with no doubt as to his importance as a writer' - Bethan Jenkins, Wales Arts Review

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Book SynopsisDescribed by Virginia Woolf herself as 'easily the best of my books', and by her husband Leonard as a 'masterpiece', To the Lighthouse, first published in 1927, is one of the milestones of Modernism. Set on the Isle of Skye, over a decade spanning the First World War, the narrative centres on the Ramsay family, and is framed by Mrs Ramsay's promise to take a trip to the lighthouse the next day - a promise which isn't to be fulfilled for a decade. Flowing from character to character and from year to year, the novel paints a moving portrait of love, loss and perception. Bearing all the hallmarks of Woolf's prose, with her delicate handling of the complexities of human relationships, To the Lighthouse has earned its reputation - frequently appearing in lists of the best novels of the twentieth century, it has lost not an iota of brilliance.Trade Review'Easily the best of my books.' (Virginia Woolf) 'A book which transcends time.' (Margaret Drabble)Table of ContentsTo the Lighthouse, Note on the Text, Notes, Extra Material: A Brief Introduction to Virginia Woolf, More Information about Virginia Woolf

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