Literary studies: c 1900 to c 2000 Books

Book SynopsisOscar Wilde's early fame ensured that throughout his short life he was written about by many of those he met. He was celebrated - or mocked - as the master of the ingenious epigram, the provocative paradox, the witty aside or the extravagant conceit. In researching his monumental biography of Wilde Matthew Sturgis found, in every major archive, sheets of foolscap in Wilde's distinctive handwriting, setting down a series of unfamiliar epigrams - unpublished try-outs. There were fascinating new discoveries. He uncovered dozens of unfamiliar and previously ungathered anecdotes about Wilde: sidelights on his days in Oxford, London, America and Paris and beyond, by society hostesses, men-about-town, actors, lawyers, minor litterateurs, artists and politicians, diligently setting down his actions, his mannerisms and above all his sayings.The items in this volume are all small additions to the Wilde story: some unfamiliar, others unexpected, they enrich and alter the picture of his life.Trade ReviewWildeana is an intriguing, entertaining miscellany of recollections, letters, descriptions, skits, about Oscar Wilde by his contemporaries, as well as scraps of his own writing. An enlightening collection, perfect for dipping into, for Oscar Wilde fans and newcomers alike. * Tatler (Autumn books roundup) *

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Book SynopsisJack Kerouac was one of America's great writers of the latter half of the 20th century, yet he endured a life characterized by persistent hardship and disillusion. Leading Kerouac scholar Paul Maher Jr. targets the writer's embattled insight of self as central to his life and work. He reveals how Kerouac's troubled interactions with alcohol, drugs, and spirituality stamped its importance on his autobiographical prose and poetry and created a singular language that united thoughts on the human condition and spiritual liberation. Becoming Kerouac: A Writer In His Time affixes Kerouac's life and art in a fresh way, giving readers a rich perspective from which to understand this 20th-century literary genius.Using unpublished archival material, Becoming Kerouac focuses on the writer's critical formative years ––1940 to 1957–– to demonstrate his growth as a novelist and poet. Maher contends that Kerouac developed his singular language to capture human consciousness as it never had before. His futilities catapulted American literature to reflect its restless post-World War II anxieties. Narrating the events that comprised Kerouac's life, biographers have long struggled to illustrate his complexness and the contradictions that shaped his determinations and dogged his relationships. But without consideration of the writing, the troubles in life fail to reveal their deeper resonances by skillfully analyzing the work while tracing the events. Maher achieves a full portrait, revealing struggles that problematize his work. Becoming Kerouac fuses Kerouac's life and art to comprehend this misunderstood literary genius.

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Book SynopsisLauded by Jerry Saltz as “one of the most reactionary yet radical visions of art,” The Young and Evil tells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting. These artists—including Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circle—were new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the body—driven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesn’t nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. Their little-known history is presented here through never-before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintings—offering the first view of its kind into their interwoven intellectual, artistic, and personal lives. Edited by Jarrett Earnest, who also curated the exhibition, The Young and Evil features new scholarship by art historians Ann Reynolds and Kenneth E. Silver and an interview with Alexander Jensen Yow by Michael Schreiber.

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Book SynopsisAs Holderlin was to Martin Heidegger and Mallarme to Jacques Derrida, so is H.P. Lovecraft to the Speculative Realist philosophers. Lovecraft was one of the brightest stars of the horror and science fiction magazines, but died in poverty and relative obscurity in the 1930s. In 2005 he was finally elevated from pulp status to the classical literary canon with the release of a Library of America volume dedicated to his work. The impact of Lovecraft on philosophy has been building for more than a decade. Initially championed by shadowy guru Nick Land at Warwick during the 1990s, he was later discovered to be an object of private fascination for all four original members of the twenty-first century Speculative Realist movement. In this book, Graham Harman extracts the basic philosophical concepts underlying the work of Lovecraft, yielding a weird realism capable of freeing continental philosophy from its current soul-crushing impasse. Abandoning pious references by Heidegger to Holderlin and the Greeks, Harman develops a new philosophical mythology centered in such Lovecraftian figures as Cthulhu, Wilbur Whately, and the rat-like monstrosity Brown Jenkin. The Miskatonic River replaces the Rhine and the Ister, while Holderlin's Caucasus gives way to Lovecraft's Antarctic mountains of madness.

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Book SynopsisThe autobiography Nancy Mitford intended to write herself

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Book SynopsisWilbur Smith has lived an incredible life of adventure, and now he shares the extraordinary true stories that have inspired his fiction. I've been writing novels for over fifty years. I was lucky enough to miss the big wars and not get shot, but lucky enough to grow up among the heroes who had served in them and learn from their example. I have lucked into things continuously. I have done things which have seemed appalling at the time, disastrous even, but out of them has come another story or a deeper knowledge of human character and the ability to express myself better on paper and write books which people enjoy reading.Along the way, I have lived a life that I could never have imagined. I have been privileged to meet people from all corners of the globe, I have been wherever my heart has desired and in the process my books have taken readers to many, many places. I always say I've started wars, I've burned down cities and I've killed hundreds of thousands of people - but only in my imagination!From being attacked by lions to close encounters with deadly reef sharks, from getting lost in the African bush without water to crawling the precarious tunnels of gold mines, from marlin fishing with Lee Marvin to near death from crash-landing a Cessna aeroplane, from brutal school days to redemption through writing and falling in love, Wilbur Smith tells us the intimate stories of his life that have been the raw material for his fiction. Always candid, sometimes hilarious and never less than thrillingly entertaining, On Leopard Rock is testament to a writer whose life is as rich and eventful as his novels are compellingly unputdownable.Trade ReviewThis brutally honest, entertaining and compelling autobiography reflects an extraordinary man and his extraordinary talent * Lancashire Evening Post *If you love the books of Wilbur Smith then I do recommend that you read this exciting adventure story that reads more like one of his novels than a non-fiction account of his life. There are thrills and danger, as well as inspiration for all writers to keep doing what you love, do it well and enjoy life to the full * Smorgasboard blog *A rollicking yarn of slaughtered wildlife, literary superstardom and late-blooming love with his fourth wife, Niso. 'I won't stop writing until I stop breathing,' he promises * Daily Mail *

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Book SynopsisSport and Monstrosity in Science Fiction examines fantastic representations of sport in science fiction, both cataloguing this almost entirely unexamined literary tradition and arguing that the reason for its neglect reflects a more widespread social suspicion of the athletic body as monstrous. Combining scholarship of monstrosity with a biopolitically focused philosophy of embodiment, this work plumbs the depths of our abjection of the athletic body and challenges us to reconsider sport as an intersectional space. In this latter endeavour it contradicts the image presented by both the most dystopian films such as Deathrace and Rollerball as well as social criticism of sport that limits its focus to an essentially violent masculinity. The book traces an alternative tradition of sport sf through authors as diverse as Arthur C. Clarke, Steven Barnes, and Joan Slonczewski, exploring the way the intersectional categories of gender, race, and age in these works are negotiated in, for example, a solar wind sailing race or futuristic anti-gravity boxing. These complex athletic bodies display the social mobility that sport allows and challenge us to acknowledge our own monstrously animal bodies and our place in a “cycle of living and dying.”Table of ContentsAcknowledgementsIntroduction: Beastmode1 Baseball, Not Biology: Sex and Gender in Sport SF2 Broken Teeth: Race, Bodies, and Sport SF3 Graying the Playing Field: SF Sport and Age4 SF Sport and the Individual Talent5 Sport, Institution, and the Devil6 Beasts in the Stands: Fandom, Sport, and SFConclusion, or How to Stop Looking for SinnersWorks Cited

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Book SynopsisThe adventures of a group of friends, pre-war, with far too much time on their hands.

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Book SynopsisSleuthing Miss Marple mirrors the structure and playful analytic style of a detective novel. Beginning at the ‘scene of the crime’, this investigation places Agatha Christie and the clue-puzzle in historical context, casting light on the methods, the motives, and, in a sense, the alibis that underpin Christie’s crime fiction. In keeping with the clue-puzzle analytical method devised for this book, each chapter builds towards a conclusion that delivers a surprising intellectual payoff.This enquiry is unapologetically textual in approach. It constructs a rigorous evidence base drawn from the Marple short stories and novels, and presents a useful interpretation of crime fiction scholarship. This provides a foundation for original literary analyses that reveal Christie’s engagements with gender roles and genre rules, and the sleights of hand that they conceal. Christie’s modus operandi is uncovered, as are the narrative strategies and literary devices that she deployed to ambush unwary readers. Crucially, this investigation shows how Christie’s ingenious methods made it possible for an elderly spinster to get away with solving murder. Sleuthing Miss Marple will be invaluable for students and researchers of crime fiction, twentieth-century literature, and creative writing.Trade Review‘With Agatha Christie studies on the rise, it is high time attention turned to Miss Marple. Desirée Prideaux’s fresh look at the archetypal spinster sleuth sheds much-needed light on one of the twentieth century’s most popular and misunderstood fictional characters.’ J.C. Bernthal, author of Queering Agatha Christie‘Desirée Prideaux’s Sleuthing Miss Marple is a phenomenally rich and original addition to Agatha Christie studies… Prideaux breaks new ground and sheds new light on a familiar and much-loved character who, as Prideaux demonstrates, contains depths never before explored to such an extent. The end result is an enlightening and enjoyable lesson in never underestimating a woman—or the writer who created her.’ Rachel Schaffer, Clues‘Showcase[s] some interesting and thought-provoking ideas, which encourage you to return to the original stories for a re-read with a different way of looking at them.’ Kate Jackson, Crossing Examining CrimeTable of ContentsIntroduction1. The Scene of the Crime: Social and Cultural Background, Gender Politics, and Christie in Context 2. Establishing Means: The Clue-Puzzle, Genre ‘Rules’, and Christie’s Modus Operandi 3. Solving The Thirteen Problems: A Fresh Analysis of the Inceptive Miss Marple Mysteries 4. ‘I’ve no doubt I am quite wrong’: Spinsterly Camouflage and Deceptive Reassurance in the Marple Novels 5. Marple and Agency: The Female Detective, the Feminine Heroic, and Appropriating the Gaze 6. Heroic Women: The Ironic Femme Fatale, Comic Vindication of the 'Dotty' Old Lady, and Marple’s Female Assistants 7. Breathless Men: The Comic Male Characters of the Marple Mysteries 8. Christie’s ‘Rational Women’ and Common-Sense Dispersal of the Gothic 9. ‘Breathless Men’: Gothic Limitations on Masculine Agency Dénouement

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Book SynopsisThis is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism.The myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam's enjoyment of life. There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation.His evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment.The biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina."One of the century's greatest lyric poets." - Elaine Feinstein, Sunday Times"Mandelstam's poems are both bold and delicate. His imagery can seem both profoundly startling yet entirely natural". - Robert Chandler"Mandelstam was a tragic figure. Even while in exile in Voronej, he wrote works of untold beauty and power. And he had no poetic forerunners. In all of world poetry, I know of no other such case. We know the sources of Pushkin and Blok, but who will tell us from where that new, divine harmony, Mandelstam's poetry, came from?" - Anna Akhmatova"Russia's greatest poet in the twentieth century." - Joseph BrodskyTrade ReviewA timely reminder of both the long history of repression in Russia and the powerful role that literature can play. Dutli's rounded portrait of a Russian poet unafraid to speak truth to power brings to life the man and his time. -- Carl Wilkinson, Best Books of the Year * Financial Times *Likely to become the standard reference work for the English reader ... enlightening -- Donald Rayfield * Literary Review *Deftly examines [Mandelstam's] literary legacy and explains why, in the opinion of the Nobel laureate Joseph Brodsky, [he] can be considered the greatest Russian poet of the 20th century -- John Thornhill * Financial Times *[Dutli's] understanding of his subject is profound and his assessments informed ... his sympathetic grasp of Mandlestam's artistic genius should yet be enough to encourage readers to explore some of the greatest poetry of the 20th century. -- Mark Glanville * Jewish Chronicle *Compelling ... [Dutli] provides a vibrant, deeply informed guide to the life, the writing and the tumultuous age that shaped them. -- Clare Cavanagh * Times Literary Supplement *The author, Ralph Dutli, approaches the poet unobtrusively and sensitively. He deconstructs the myths that have surrounded him, such as the notion that he was a restless ascetic who never put down any roots or settled anywhere. It was sheer necessity that forced him to move from place to place. Dutli brings out the sensual and witty side of Mandelstam, who was full of the joys of life. -- Marion Lülte * Die Tageszeitung *This biography crowns Dutli's work as editor of the poet's oeuvre. Thanks to Ralph Dutli, the German public now have the best conceivable access to Mandelstam's work. Dutli hasn't just told the story of Mandelstam's life; he has included in an appendix a range of comments by other poets, the most remarkable of them being that by Pasolini. -- Christoph Bartmann * Süddeutsche Zeitung *This is a biography written with insight and precision, which can be recommended unreservedly. The aim of the book is to explain how Mandelstam managed to retain his enjoyment of life and clarity of vision despite all his suffering. This is a successful biography written with empathy, sobriety and a wealth of information. -- Renate Wiggershaus * Frankfurter Rundschau *A model biography by Dutli, who is better qualified than anyone else to do this, because he has a precise knowledge of every facet of the poet's life and work. He corrects the picture presented by Celan, whose translations overemphasised the tragic, elegiac aspect of Mandelstam's poetry. -- Ulrich M. Schmid * Neue Zürcher Zeitung *The details of the road that led to Mandelstam's death have never been presented to the German public so precisely and with so much tact, as here. Dutli's language is muscular, warm and colourful. -- Andreas Isenschmid * Die Zeit *Dutli is able to illuminate the interaction between the poet's life and his work in a masterly fashion, without reducing his poems to a mere reflection of aspects of his biography. -- Michael Braun * Deutschlandfunk *

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Book SynopsisIn the popular imagination MI5, or the Security Service, is known chiefly as the branch of the British state responsible for chasing down those who endanger national security-from Nazi fifth columnists to Soviet spies and today's domestic extremists. Yet, working from official documents released to the National Archives,distinguished historian Caute discovers that suspicion also fell on those who merely exercised their civil liberties, posing no threat to national security. In reality, this 'other history' of the Security Service, was dictated not only by the consistent anti-Communist and Imperial aims of the British state but also by the political prejudices of MI5's personnel. The guiding notions were 'Defence of the Realm' and 'subversion.' Caute here exposes the massive state operation to track the activities and affiliations of a range of journalists, academics, scientists, filmmakers, writers actors and musicians, who the Security Service classified as a threat to national security. Guilt by association was paramount. Letters were opened, phones were intercepted, private homes were bugged and citizens were placed under physical surveillance by Special Branch agents. Among the targets of surveillance are found such prominent figures as Arthur Ransome, Paul Robeson, J.B. Priestley, Kingsley Amis, George Orwell, Doris Lessing, Christopher Isherwood, Stephen Spender, Dorothy Hodgkin, Jacob Bronowski, John Berger, Benjamin Britten, Christopher Hill, Eric Hobsbawm, Kingsley Martin, Michael Redgrave, Joan Littlewood, Joseph Losey, Michael Foot and Harriet Harman. More than 200 victims are listed here but further MI5 files will be released to the National Archives.Trade ReviewRed List reintroduces us to lost generations of artists and writers, many of whom opposed imperial wars and British colonialism in India but disappeared into the annals of history - perhaps due to MI5 influence... [Caute] exemplifies how capitalist superpowers can control their own history and the legacy of radical art. -- Billy Anania * Hyperallergic *An exceptional and seminal work of impeccable scholarship and exhaustive research. * The Midwest Book Review *[Red List] provides a wealth of information about left-wing British intellectuals and artists in the postwar era. -- Richard J. Evans * The Nation *Caute has pieced together an extensive history of MI5 surveillance across the twentieth century...Red List demonstrates that the function of the security state is to foreclose political possibilities before they pose any direct threat to the established order, often ruining countless lives in the process. * Jacobin *Red List is a lucidly written account of MI5's surveillance of [Caute's] country's intelligentsia. * Shepherd Express *Table of ContentsNote on Sources ix List of Abbreviations x Introduction 1 PART I 9 1. MI5 and the First World War 11 2. MI5 and the Communist Party of Great Britain 30 PART II 45 3. Dangerous Voices, Disloyal Pens 47 4. Theatre and Players 98 5. Film Censorship 118 6. Discordant Musicians 125 PART III 133 7. History as Heresy 135 8. Veteran Academics 178 9. Black Liberation and the Africanists 186 PART IV 219 10. Science and Treachery 221 PART V 255 11. Not to Be Trusted 257 12. Illegitimate Lawyers 271 13. Publish and Be Damned 284 14. The BBC Toes the Line 300 15. Art and Design 312 PART VI 339 16. MI5 and the Labour Left 341 Conclusion. MI5 and 'Subversion' 356

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Book SynopsisFrances Hodgson Burnett is remembered today as the author of the children’s classic The Secret Garden, but in her lifetime she had a long and successful career as a novelist, dramatist and writer of children’s stories. Of high literary quality, her novels covered a range of genres, including industrial novels, American-themed social novels, historical novels, transatlantic novels and post–World War I novels. The Novels of Frances Hodgson Burnett reads her novels in the context of the changing literary field in England and the United States in the years between the death of George Eliot in 1880 through to the Great War. Read as a body of literary fiction in relation to Elizabeth Gaskell, Henry James and T. S. Eliot among others, and read in the context of literary realism, historical fiction, the sensation novel and so on, Burnett’s novels constitute an important thread that chronicles the changing contexts and forms of English and American fiction from the end of the Victorian period to the Jazz Age of the 1920s.Trade Review“Recchio’s book on Frances Hodgson Burnett is an excellent example of a popular woman writer reclaimed in the twenty-first century for her generically varied, financially successful and still relevant fiction. This book is a must for anyone interested in women’s writing, Victorian to modernist literary developments and First World War writing.” —Janine Hatter, Programme Manager, PGTS, Doctoral College, University of Hull, UKWith this literary reclamation of Burnett's novels, Thomas Recchio has made a significant contribution to nineteenth- and twentieth-century studies, persuasively arguing for the recognition of Frances Hodgson Burnett as a serious writer. One way in which The Novels of Frances Hodgson Burnett develops its in-depth analysis is by exploring intersecting threads of Burnett's life and career, thereby offering rich contexts in which to highlight her craft. - Ruth Y. Jenkins, The Lion and the Unicorn, Johns Hopkins University Press, Volume 44, Number 2, April 2020, pp. 213-215.Recchio offers detailed readings of most of Burnett’s fourteen adult novels (by his count), which he organizes into five roughly chronological clusters grouped by genre and topic. […] This book amply documents Burnett’s prolific work as a novelist for adults, her engagements with and influence on literary traditions in two countries and two centuries, and the rewards of reading her fiction more widely and critically —Victorian StudiesTable of ContentsAcknowledgments; Introduction; Chapter One Learning from Elizabeth Gaskell; Chapter Two Writing as an American: The Portrait of a Washington Lady; Chapter Three Historical Dreamscapes and the Vicissitudes of Class: From A Lady of Quality to The Methods of Lady Walderhurst; Chapter Four Transatlantic Alliances in The Shuttle and T. Tembarom; Chapter Five After the Great War: Emerging from the Wasteland in The Head of the House of Coombe and Robin; Bibliography; Index.

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Book SynopsisThe compelling biography of the beautiful, talented Garman sisters and the glittering, romantic era in which they lived. Each of the seven Garman sisters were strikingly beautiful, artistic and wild. Born around the turn of the nineteenth century, most of the siblings were to become involved in the radical literary and political circles of British life between the First and Second World Wars. Their morals were unconventional: bisexuality, unfaithfulness and illegitimate children were a matter of course. Nevertheless they were high-minded and intensely loyal. They were the last muses: women who were prepared to sideline their own talent, friendships, material comforts – even their own children – in order to beguile and inspire the men they loved. Cressida Connolly's family biography delves into the lives of three of the sisters in intense and revealing detail. Kathleen Garman, the father's favourite, ran away to London to study music. She was spotted by the American sculptor Jacob Epstein, who promptly fell in love with her, and remained his muse until his death. They had three children, she was shot in the shoulder by his first wife and she finally became Lady Epstein in 1955. Mary Garman came to London with Kathleen and studied art at the Slade. She married poet Roy Campbell, who was to become the scourge of the literary establishment by espousing General Franco's side during the Spanish Civil War. Finally there was Lorna Garman, the youngest and most beautiful of all the family. At sixteen she married the wealthy Ernest Wishart, a landowner, communist and founder of the socialist publishing house Laurence & Wishart, who spent most of his life turning a blind eye to his wife's infidelities. Lorna was the love of Laurie Lee's life and they had a daughter. Lucian Freud painted several pictures for her. Through Cressida Connolly’s skilfull retelling of these remarkable lives, we get an intimate portrait of a golden age of romance, passion and art that is an original, beguiling read.Trade Review'Paints some wonderfully vivid pictures of how difficult the Garmans must have been to live with.' Sunday Telegraph 'Connolly writes with great elegance and perception about this ruthlessly sensual family.' Literary Review ‘A rollicking mix of the familiar and surprising.' Sunday Times ‘A sobering coda and an often hilarious tale.' Independent

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Book SynopsisNancy Durrell was a woman famous for her silences. Anaïs Nin said 'I think often of Nancy's most eloquent silences, Nancy talking with her fingers, her hair, her cheeks, a wonderful gift. Music again.' As the first wife Lawrence Durrell, author of The Alexandria Quartet, it is perhaps surprising that she is an unknown entity, a constant presence in the biographies of Durrell and others in the Bloomsbury set, yet always a shadowy figure, beautiful and enigmatic. But who was the woman who was with Durrell during the most important years of his development as a writer? Joanna Hodgkin decides to retrace her mother's fascinating story: the escape from her toxic and mysterious family; the years in bohemian literary London and Paris in the 1930s; marriage to Durrell and their discovery of the 'Eden' of pre-war Corfu and her desperate struggle to survive in Palestine alone with a small child as the British Mandate collapsed. Amateurs in Eden is a fascinating biography of a literary marriage and of an unusual woman struggling to live an independent life.Trade ReviewFrank and captivating . . . rich in charm and pathos . . . Hodgkin has done both Nancy and herself proud with this fresh portrait of a marriage we thought we knew, and of a woman we have never known well enough -- Miranda Seymour * Sunday Times *It's a cracking story, and Hodgkin is a meticulous researcher -- Olivia Laing * Observer *The animating spirit that pulses through this joint biography is to be thoroughly applauded -- D.J Taylor * Literary Review *This is not just a memoir of her mother. This is the history of a literary wife. On both counts, Hodgkin succeeds beautifully . . . Her story is not a footnote; it is absolutely central * Independent *A truly fascinating account of one of those many women, the wives and the girlfriends and the sisters of famous literary men, who have lived a twilight existence in the shadows of the historical canon. A particularly rich and honest account * Scotland on Sunday *An enjoyable, revisionist account of a bohemian marriage -- Blake Morrison * Guardian *

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Book SynopsisT. S. Eliot once spoke of a lifetime burning in every moment. He had the mind to conceive a perfect life, and he also had the honesty to admit he could not meet it.'He was a man of extremes whose deep flaws and high virtues were interfused,' writes Lyndall Gordon in this perceptive and innovative biography of the great poet. She brilliantly explores his poetry, drama and essays in relationship to the four quite different women in his life and to his time in America and England. The Imperfect Life of T.S. Eliot follows the trials of a searcher whose flaws and doubts speak to all of us whose lives are imperfect.Trade ReviewThe most valuable single book yet published about Eliot -- Jonathan Raban * Sunday Times *A nuanced, discerning account of a life famously flawed in its search for perfection * New Yorker *An intellectually demanding, sophisticated and distinguished book . . . Probing and extremely thoughtful -- Richard Bernstein * New York Times *

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Book SynopsisGeorge’s memory is inseparable from Orkney, where he was born the youngest child of a poor family and which he rarely left. His mother was a beautiful woman who spoke only Gaelic and his father was a wit, mimic and singer, who also doubled as postman and tailor. Tuberculosis framed George’s early life and kept him in a kind of limbo. He discovered alcohol which gave him insights into the workings of the mind. While attending the University of Edinburgh he came into contact with Goodsir Smith, MacDiarmid and Norman MacCaig – and Stella Cartwright with whom perhaps all of them were in love. By the time of his death in 1996 he was recognised as one of the great writers of his time and country.

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Book SynopsisOn the day that A. M. Homes was born in 1961, she was given up for adoption. Her birth parents were a twenty-two year old woman and an older married man with whom she was having an affair. Thirty years later, out of the blue, Homes was contacted by a lawyer on behalf of her birth mother, and they began to correspond; her biological father contacted her soon after. These two individuals and their effect on the adult Homes are strange and unexpected, and the story spirals into something utterly raw and hilarious, heartbreaking and absurd. Along the way, Homes describes the clash between her childhood fantasies of her birth parents and the disappointing reality. She writes about the experience of experiencing biological resemblance for the first time (in 'My Father's Ass') and the addictiveness of the genealogical research she embarks on. She reflects on the significance of DNA testing and having two mothers and two fathers and unearths profound truths about her family and herself. Finally, she writes movingly about her own baby daughter and the way she has recently helped to mend Homes' fractured life.Trade ReviewA compelling, devastating and furiously good book written with an honesty that few of us would risk -- Zadie SmithVeracious words on the complexity and ambiguity of the fractured life of an adopted child. Celebratory and shattering, it will leave you asking yourself, adopted or not, who am I? -- Jamie Lee Curtis

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Book SynopsisOne day in spring 1964, the young American poet Robert Bly left his rural farmhouse and drove 150 miles to the University of Minnesota library in Minneapolis to obtain the latest book by the young Swedish poet Tomas Transtromer. When Bly returned home that evening with a copy of Transtromer's The Half-Finished Heaven, he found a letter waiting for him from its author. With this remarkable coincidence as its beginning, what followed was a vibrant correspondence between two poets who would become essential contributors to global literature. Airmail collects more than 290 letters, written from 1964 until 1990, when Transtromer suffered a stroke that has left him partially paralysed and diminished his capacity to write. Across their correspondence, the two poets are profoundly engaged with each other and with the larger world: the Vietnam War, European and American elections, and the struggles of affording a life as a writer. Airmail also offers remarkable insights into the processes of translating literature from one language into another. As Bly began to render Transtromer's poetry into English and Transtromer began to translate Bly's poetry into Swedish, their collaboration soon turned into a friendship that has lasted fifty years. Insightful, brilliant, and often funny, Airmail provides a rare portrait of two artists who have become integral to each other's particular genius. Based on the original Swedish edition published in 2001, this publication marks the first time letters by Transtromer and Bly have been made available in Britain. Robert Bly's translations of Tomas Transtromer appear in The Half-Finished Heaven: The Best Poems of Tomas Transtromer, published by Graywolf Press. Transtromer's complete poetry is available in English in Robin Fulton's translation, New Collected Poems, published by Bloodaxe Books (and by New Directions in the US under the title The Great Enigma: New Collected Poems).Trade Review..a book of real importance...this is a generous, intimate book. It should be required reading for everyone interested in poems and the making of poetry. -- Fiona Sampson * Guardian *I spent early summer days with Airmail: The Letters of Tomas Tranströmer and Robert Bly. In March 1964 Bly drove across Minnesota to borrow Tranströmer’s latest collection from a library. On his return he found a letter from the Swedish poet. With this coincidence began 26 years of letters. It’s an elegant, humorous and illuminating collection. -- Mary O'Donoghue * Irish Times, Books of the Year 2013 *

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Book SynopsisWhen friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him - not wisely, perhaps, but fairly well - on an island that was "not his kind of place," but where he came season after season, year after year & where he, too, will be subsumed into the capacious story.' For millennia the cliffs of Capri have sheltered pleasure-seekers & refugees alike, among them the emperors Augustus & Tiberius, Henry James, Rilke & Lenin, plus hosts of artists, eccentrics & outcasts. Here in the 1960s Graham Greene became friends with Shirley Hazzard & her husband, the writer Francis Steegmuller; their friendship lasted until Greene's death in 1991. In GREENE ON CAPRI, Hazzard uses their ever volatile intimacy as a prism through which to illuminate Greene's mercurial character, his work & talk & the extraordinary literary culture that long thrived on this ravishing, enchanted island.Trade ReviewA little masterpiece of reminiscence... reading a personal sketch of this quality makes me think that perhaps the conventional biography is just a grandiose dump-bin for all those elements of life that do not matter MAIL ON SUNDAY Her observations are penetrating, her style is superb, and her range of literary reference is the equal of his. Marvellous TIME OUT Shirley Hazzard achieves an astonishing amount in less than 150 pages ... Her memoir, like the island it so fondly describes, is a real gem to which the reader will wish to return SUNDAY TELEGRAPH Shirley Hazzard is highly observant and alarmingly intelligent; she is also erudite, precise and morally scrupulous. Her short book is not only a joy to read for its lucid, thoughtful prose, but also a refreshing antidote to biographical overkill and presumption. As a picture of Graham Greene, it is like an Ingres portrait drawing: small, but miraculously clear Spectator An affectionate but not uncritical portrait of a companion who could be charming but also provocative... it is a convincing picture of a man who has been much and excellently written about but seldom with so astute and yet so warm an eye Times Literary Supplement Charming... succinct and satisfying... her memoir, like the island it so fondly describes, is a real gem to which the reader will wish to return Sunday Telegraph

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Book Synopsis'The one hundred and forty poems he wrote in the last two years of his life are a miracle. I can think of no body of work in English that is more mysterious.' - Michael Longley. When Edward Thomas died in the First World War, very few of his poems had been published, but he is now recognised as one of the finest and most influential poets of the last century. Although often referred to as 'a poet's poet', his writing has an almost universal appeal. He wrote accessibly, on traditional themes - the natural world, human relationships, transience and mortality. And yet his poetry is alive with the critical intelligence that came from years of writing non-fiction and reviewing verse. "Branch-Lines" captures the range of Thomas' achievement, not least by combining poetry with prose. In this unique collection, fifty-five contemporary poets reflect on Thomas' craftsmanship and enduring power. Some have chosen poems of their own in which they detect his influence, others have written new poems in his honour. Each poet has also contributed a piece of prose, and the volume contains an introduction, four critical essays, illustrations, a foreword by Andrew Motion and an afterword by Michael Longley. "Branch-Lines" offers a fascinating perspective on the workings of literary influence, with personal insights from some of the leading poet-critics of our time. 'The collection has a double value. It is a celebration of Thomas, and dignified tribute to his achievement; at the same time it bears witness to his powers of regeneration' - Andrew Motion. 'I read Thomas' collected poems at a sitting, poem by poem, all the way through and felt as I had not felt since reading Lawrence and Graves ten years before: I love this man, I can learn from him.' - David Constantine. 'I have always loved Edward Thomas' poetry' - Geoffrey Hill. 'He comes naturally, I think, to writers in English, like grass growing.' - U. A. Fanthorpe. 'When I started to try and write poetry and prose, a very uncertain beginning, it would have been even more uncertain if I hadn't read Thomas' poetry in my teens.' - Tom Paulin.

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Book SynopsisBiographical writing about Eliot is in a more confused and contested state than is the case with any other major twentieth-century writer. No major biography has been released since the publication of his early poems, "Inventions of the March Hare," in 1996, which radically altered the reading public's perception of Eliot. There have been attempts to turn the American woman Emily Hale into the beloved woman of Eliot's middle years; and Eliot has also been blamed for the instability of his first wife and declared a closet homosexual. This biography frees Eliot from such distortions, as well as from his cold and unemotional image. It offers a sympathetic study of his first marriage which does not attempt to blame, but to understand; it shows how Eliot's poetry can be read for its revelations about his inner world. Eliot once wrote that every poem was an epitaph, meaning that it was the inscription on the tombstone of the experience which it commemorated. His poetry shows, however, that the deepest experiences of his life would not lie down and die, and that he felt condemned to write about them.Trade ReviewReviewed in 2010 May CHOICE. 'An accomplished biographer who knows how to go straight to the issues, Worthen (emer., Univ. of Nottingham, UK) contributed immensely to D. H. Lawrence studies with his D. H. Lawrence (CH, Sep'06, 44-0195) and other titles. He has also written a biography of the Romantic poets (The Gang, CH, Sep'01, 39-0195) and Robert Schumann: Life and Death of a Musician (CH, Feb'08, 45-3118). Here he reinforces some of the usual stories--Eliot's family, health difficulties, friendships--and also revises some of the biographical understanding of Eliot by addressing controversies and issues surrounding Eliot's life, e.g., Eliot as an unsympathetic husband and as anti-Semitic. Though he brings little new to the discussion, Worthen uses good biographical sources and relies on the poetry, plays, and prose to provide clues to a life that Eliot deliberately obscured. The book's brevity is its advantage: it brings relevant, useful information to the first-time student of Eliot and invigorates the idea that a life can be read many ways in retrospect. Those looking for more will want to seek out the second volume of The Letters of T. S. Eliot, ed. by Valerie Eliot (2009), which provides insights on such subjects as homosexuality, misogyny, and eroticism. Summing Up: Highly recommended. Lower-division undergraduates and general readers.' -- L. L. Johnson, Lewis & Clark College CHOICE Magazine 20100501

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Book SynopsisRona Munro's 1991 play Bold Girls is a tale of four Belfast women during the Troubles, exploring personal and communal history, and what it means when aspects of a community ideologies, relationships, and spaces, for example are threatened. Despite being set in a very specific time and place, the themes are universal: how societies are warped by male violence, dominance, and social privilege, and female subservience to that behaviour. Bold Girls is a case-study of the victims rather than the perpetrators of conflict: an unsentimental portrait of women's lives under psychological siege.Gillian Sargent's Scotnote Study Guide provides a comprehensive overview to the characters and themes of Munro's play, as well as its artistic and cultural influences, and is an excellent guide for senior school pupils and teachers alike.

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Book SynopsisNearly 100 years after Franz Kafka's death, his works continue to intrigue and haunt us. Even for those who are only fleetingly acquainted with his unfinished novels, or his stories, diaries, and letters, `Kafkaesque' has become a byword for the menacing, unfathomable absurdity of modern existence and bureaucracy. Yet for all the universal significance of his fiction, Kafka's writing remains inextricably bound up with his life and work in Prague, where he spent every one of his 40 years. Klaus Wagenbach's account of Kafka's life in the city is a meticulously researched insight into the author's family background, his education and employment, his attitude toward the town of his birth, his literary influences, and his relationships with women. The result is a fascinating portrait of the 20th century's most enigmatic writer and the city that provided him with so much inspiration; W.G. Sebald recognised that `literary and life experience overlap' in Kafka's works, and the same is true of this book.Trade Review`A useful addition to any thinking person's library... Wagenbach's volume on Kafka includes reproductions of Kafka's letters, original book covers and a well-drawn map of Prague showing the places mentioned in the text'- New Statesman; `Wonderful... Wagenbach is the doyen of Kafka scholars, and this is easily the best guide to his life and work: succinct, handsomely produced, and endlessly informative' - New York Sun

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Book SynopsisJacques Derrida’s Structure, Sign, and Play is one of the most controversial and influential philosophical texts of the 20th century. Delivered at a conference on structuralism at Johns Hopkins, the lecture took aim at the critical and philosophical fashions of the time and radically proposing a world in which meaning cannot be pinned down or traced to an origin, but instead is continuously shifting, fleeting, and open to play. Hailed by many as a watershed in philosophy and literary theory, Derrida’s lecture has shaped both disciplines. At once dense, brilliant, and humorous, it is a crucial read for anyone interested in questioning our natural assumptions about meaning in the world. Table of ContentsWays in to the text Who was Jacques Derrida? What does Structure Sign and Play in the Discourse of Human Science Say? Why does Structure Sign and Play in the Discourse of Human Science Matter? Section 1: Influences Module 1: The Author and the Historical Context Module 2: Academic Context Module 3: The Problem Module 4: The Author's Contribution Section 2: Ideas Module 5: Main Ideas Module 6: Secondary Ideas Module 7: Achievement Module 8: Place in the Author's Work Section 3: Impact Module 9: The First Responses Module 10: The Evolving Debate Module 11: Impact and Influence Today Module 12: Where Next? Glossary of Terms People Mentioned in the Text Works Cited

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Book SynopsisAyn Rand, author of the best-selling novels, The Fountainhead and Atlas Shrugged, is beloved by millions of readers, and equally despised by a significant number of detractors. Her novels and her revolutionary philosophy of Objectivism have acquired a world-wide following. They have also created legions of readers who are hungry for a deeper understanding of her writings.Despite her undeniably significant contributions to the literary canon and the progression of philosophy, there has been no simple, comprehensive introduction to Rand''s books and ideas, until now. AYN RAND FOR BEGINNERS sheds new light on Rand''s monumental works and robust philosophy. In clear, down-to-earth language, it explains Rand to a new generation of readers in a manner that is entertaining, and easy to read and comprehend.

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Book SynopsisCharles Bukowski, novelist, short-story writer, poet, journalist and cult figure of the dissident and rebellious, was born in Germany in 1920 and died in the USA in 1994. During his life he was hailed as laureate of American lowlife by Time Magazine and literary critic, Adam Kirsch of The New Yorker, wrote: the secret of Bukowski''s appeal. . . [is that] he combines the confessional poet''s promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero. Bukowski was one of the most unconventional writers and cultural critics of the twentieth century. He lived an unorthodox, idiosyncratic life and wrote in a style that was unique - a style that is impossible to classify or categorise. His work was at times cynical or humorous and was always brilliant and challenging. His life and work are distinguished not only by a remarkable talent for words, but, also, by his rejection of the dominant social and cultural values of American society.Bukowski began writing at the age of 40 and published 45 books, six of them novels. Along with Raymond Chandler, he could be considered one of the great voices of Los Angeles. In BUKOWSKI FOR BEGINNERS, playwright, Carlos Polimeni, evaluates the life and literary achievements of the cult writer whose voice of dissidence and discontent is still heard and appreciated by readers worldwide.

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Book SynopsisGioia Woods and her contributors bring together histories, biographies, close readings, and theories about the literary and cultural left in the American West. Left in the West expands our understanding of what constitutes the literary left in the United States by including writers, artists, and movements not typically considered within the traditional context of the literary left. In doing so, it provides a new understanding of the region’s place among global and political ideologies.From the early nineteenth century to the present, a complex and varied body of literary and cultural production has emerged out of progressive social movements. While the literary left in the West shared many interests with other regional expressions—labor, class, anti-fascism, and anti-imperialism, the influence of Manifest Destiny—the distinct history of settler colonialism in western territories caused western leftists to develop concerns unique to the region.Chapters in this volume cover artists and movements from suffragist writers to bohemian Californian photographers, civil rights activists to popular folk musicians, and Latinx memoirists to Native American experimental writers.The unique consideration of the West as a sociopolitical region establishes a framework for political critique that moves beyond class consequences, anti-fascism, and civil liberties, and into distinct western concerns such as Native American sovereignty, environmental exploitation, and the legacies of settler colonialism.Trade Review“Left in the West offers a timely overview of the cultural production that emerged out of progressive social movements from the late nineteenth to the early twenty-first century. Weaving together social and literary history with biographies and theory about the cultural Left in the American West, the contributors create a complicated and diverse portrait of politically engaged critical work.”—Susan Kollin, Montana State University, editor of A History of Western American Literature

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Book SynopsisFrom Finding to Making offers the first detailed discussion of the relationship between Marxism and pragmatism. These two philosophies of praxis are not incompatible, and an analysis of their relation helps one to better understand both. Establishing a transatlantic theoretical dialogue, this book discusses similarities and differences between these philosophies. It is an interdisciplinary study that brings together philosophy, American and European intellectual history, and literary studies. Schulenberg’s book shows that if we seek to continue the unfinished project of establishing a genuinely postmetaphysical culture, the attempt to elucidate the dialectics of Marxism and pragmatism is a good starting point. The book offers detailed discussions of Sidney Hook, Georg Lukács, Theodor W. Adorno, Fredric Jameson, W.E.B. Du Bois, John Dewey, Richard Rorty, and Jacques Rancière. Table of Contents1. Introduction.- 2. Early Encounters: Sidney Hook, Richard J. Bernstein, and George Novak.- 3. Resuscitating Georg Lukács: Form, Metaphysics, and the Idea of a New Realism.- 4. “Kunst hat soviel Chance wie die Form”: Theodor W. Adorno and the Idea of a Poeticized Culture.- 5. “This morning I read as angels read”: Self-Creation, Aesthetics, and the Crisis of Black Politics in W.E.B. Du Bois’s Dark Princess.- 6. Marxism, Pragmatism, and Narrative.- 7. Marxism, Pragmatism, and Postcritique.- 8. From Finding to Making: Jacques Rancière, Richard Rorty, and the Antifoundationalist Story of Progress.- 9. Stories of Emancipation and the Idea of Creative Praxis: Karl Marx and John Dewey.- 10. Conclusion.

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Book SynopsisThis book analyses the successive appearances of Adolf Hitler in French fiction between 1945 and 2017. It discusses why, unlike what has been observed in the US and in the UK, it has proven problematic for French novelists to write about Hitler in their numerous fictional explorations of the Second World War. It examines the literary and ethical challenges of including historical characters such as Hitler in fiction, and demonstrates how these challenges evolved over time as memories of the Second World War also evolved in France. jhopokTrade Review Table of ContentsChapter 1: Hitler and the Second World War in French Historiography and Fiction.- Chapter 2: Hitler in the Margins. On Jean-Paul Sartre’s Le Sursis (1945) and Jean Genet’s Pompes funèbres (1947).- Chapter 3: What if Hitler had Survived? On Pierre Boulle’s ‘Son Dernier Combat’ (1965) and René Fallet’s Ersatz (1974).- Chapter 4: From Adolf to Hitler. On Frédéric Dard’s Le Dragon de Cracovie (1998) and Éric-Emmanuel Schmitt’s La Part de l’autre (2001).- Chapter 5 : Adolf before Hitler. On Christian Millau’s Le Passant de Vienne (2010) and Michel Folco’s La Jeunesse mélancolique et très désabusée d’Adolf Hitler (2010).- Chapter 6: Hitler from France to the Rest of the World (and Back): Concluding Remarks.

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Book SynopsisBuilding on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.Table of ContentsIntroduction An Influence on the Public: Writers, Authors, Prefaces.- Chapter One People Have to Learn: Willa Cather’s Introductions to My Ántonia.- Chapter Two Stepping In or Turning Back: Ring Lardner and Authorial Refusal.- Chapter Three Inhibiting Signposts: F. Scott Fitzgerald and Authorial Anxiety.- Chapter Four The Will to Control: Ernest Hemingway and the Action of Writing.- Chapter Five The Awful Responsibility: Robert Penn Warren, Ralph Ellison, and Time.- Chapter Six A Safe Distance: Toni Morrison and the Search for Legacy.- Conclusion Every Given Moment Has Its Value: To Get a Proper Reading.

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Book SynopsisObject Studies: Introductions to Material Culture is a textbook that introduces students to an interdisciplinary approach to material cultural study. This text helps reveal how everyday objects from pens and coffee cups to our most cherished keepsakes help define our collective histories and personal narratives. Object Studies is organized around accessible and engaging chapters on objects with “model essays” that present original projects designed to engage students with a series of concepts and research activities. Each will demonstrate a key methodology tied to specific learning outcomes, but all chapters will be intertwined in their attention to the project of developing the core skills of “object studies”: careful viewing, writing detailed descriptions, setting out and testing research hypotheses, and telling stories through material artifacts. Aimed towards undergraduate students taking courses in material culture as well as postgraduate students embarking on independent research projects these chapter “studies” are practically oriented and demonstrate research projects that can be undertaken either in a course or even through personal study. Chapters in Object Studies conclude with research questions, suggestions on methodology, and a discursive bibliography designed to help students pursue their own projects based on these examples.Table of ContentsChapter 1: Personal Objects.- Chapter 2: Objects and Local History.- Chapter 3: A History of the World in Coffee Cups.- Chapter 4: Collecting Things: The Psychology of Accumulation, from Museums to Hoarders.- Chapter 5: The Things We Read.- Chapter 6: Consuming Objects.- Chapter 7: Thinking with Things.

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Book SynopsisThis book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America’s most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the context of Brazil and world literature. During her lifetime, Hilst won several major national literary awards and attracted legions of devoted readers. Her writing spanned styles and genres, encompassing poetry, theatre, and experimental fiction. She was also considered to be “a writer’s writer,” and her literary achievements eluded both mainstream acclaim and international recognition. In recent years, Hilst’s books have enjoyed increased visibility in Brazil and beyond. A host of translators (including three contributors to this volume) have finally made some of her masterpieces available in English. This pioneering collection of essays should excite longtime readers and introduce her to a new audience.Table of ContentsIntroduction: “Who’s Afraid of Hilda Hilst? An Author Between Brazil and ‘World Literature’”; Adam Morris & Bruno Carvalho.- PART I: HILST ON STAGE- 1. “A Brazilian Teorema: Queering the Family in Hilda Hilst’s O Visitante (The Visitor)”; David William Foster.- 2. “Is the Word Alive? An Inquiry into Poetics and Theater in As aves da noite (Nightbirds) by Hilda Hilst”; Tatiana Franca R. Zanirato.- PART II: OBSCENITY AND THE HUMAN CONDITION- 3. “Figurations of Eros in Hilda Hilst”; Eliane Robert Moraes.- 4. “Hilda Hilst, Metaphysician”; Adam Morris.- PART III: HILST IN NATIONAL AND GLOBAL CONTEXT- 5. “A Nation on the Ground Floor: The Face of Brazil, Drawn with Hilda Hilst’s Political Pen”; Deneval Siqueira de Azevedo Filho.- 6. “When Life is Extremely Bourgeois”: Ideal love and non-conformism in the love poems of Hilda Hilst; Alva Martínez Teixeiro.- PART IV: HILST IN TRANSLATION.- 7. “Translating Brazil’s Marquise de Sade”; John Keene.- 8. “Derelict of Duty”; Nathanaël.- 9. Hilst on Hilst: Excerpts from interviews with the author, 1952-2003.

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Book SynopsisEugen Bacon, MA, MSc, PhD, is an African Australian author of Writing Speculative Fiction: Creative and Critical Approaches (Bloomsbury, 2019) and several novels and fiction collections. She is a 2022 World Fantasy Award finalist, and her Danged Black Thing was a finalist in the 2023 BSFA, Foreword, Aurealis and Australian Shadows Awards, and made the Otherwise Award Honor List. Her recent books include Mage of Fools (novel), Chasing Whispers (collection) and An Earnest Blackness (essays). Visit her website at eugenbacon.com and Twitter feed at @EugenBacon.

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Book SynopsisA rigorous and expressive collection that investigates compelling forms of encounter, engagement, and care between self and other, human, nonhuman, and more-than-human, as well as diverse feminist practices.

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Book SynopsisWhen The Great Gatsby was first published, in 1925, reviews were mixed. H.L. Mencken called it “no more than a glorified anecdote”. L.P. Hartley, author of The Go-Between, thought Fitzgerald deserved “a good shaking”: “The Great Gatsby is evidently not a satire; but one would like to think that Mr Fitzgerald’s heart is not in it, that it is a piece of mere naughtiness.” Yet, gradually the book came to be seen as one of the greatest – if not the greatest – of American novels. Why? What is it that makes this story of a petty hoodlum so compelling? Why has a novel so intimately rooted in its own time “lasted” into ours? What is it that posterity, eight decades later, finds so fascinating in this chronicle of the long-gone “Jazz Age”, flappers, speakeasies and wild parties? It is, after all, scarcely a novel at all, more a long short story. But it has a power out of all proportion to its length. It is beautifully written, making it feel even shorter than it is, and is full of haunting imagery. It is also, perhaps, the most vivid literary evocation of the “Great American Dream”, about which it is profoundly sceptical, as it is about dreams generally. In the end, however, as D.H. Lawrence would put it, it is “on the side of life”. Gatsby’s dream may be impossible, so much so that the book can end in no other way than with his death, but up to a point he is redeemed by it and by the tenacity with which he clings to it. It is this that makes the novel so moving and so haunting. 

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Book SynopsisDan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author.Trade ReviewA "Most Anticipated" Book of 2023 * The Millions *Revelatory . . . Book lovers curious about how the proverbial sausage gets made will want to check this out. * Publishers Weekly *Sinykin’s Big Fiction is a book of major ambition and many satisfactions. Come for the comprehensive reframing of a key phase in U.S. literary history, stay for the parade of interesting people, the fascinating backstories of bestsellers, the electrically entertaining prose. The story of literary publishing in the postwar period has never been told with such verve. -- Mark McGurl, author of Everything and Less: The Novel in the Age of AmazonBig Fiction tackles a big subject with deep research, great ambition, and broad mindedness. Sinykin pulls together stories of famous authors and obscure yet central behind-the-scenes players to tell the complex and compelling history of modern publishing. This is essential reading for anyone interested in the too-often-overlooked forces that shape what is published, what is written, and what the future of books might hold. -- Lincoln Michel, author of The Body ScoutTen years from now, Publishing Studies will be central to English departments, and Big Fiction will be a foundational text. Sinykin is precisely the critic I have been waiting for, with the intellectual range to bring rigor to the everyday processes by which publishing shapes how we write, read, and think. -- Martin Riker, author of The Guest LectureIn Big Fiction, Dan Sinykin tells the messy, sprawling story of American publishing in the postwar era through the voices and memories of many of its major figures—editors, agents, executives, authors—creating a rich cultural history any observer of the current literary scene will learn from. Through careful and incisive reading, he insists that books like Ragtime, Beloved, and Infinite Jest have much to tell us about the conditions under which they were published. Following through on Bakhtin’s famous phrase—novels are the genre that represents “the zone of maximum content with the present”—Sinykin wants us to think of novels themselves as conglomerations, shaped by many influences, and in some cases by many hands. Big Fiction is provocative, smart, and disturbing; it deserves a big audience. -- Jess Row, author of The New Earth and White Flights: Race, Fiction, and the American ImaginationThis is the book we’ve all been waiting for. Now more than ever, it’s important to grasp how the books that come to shape our imaginations and our understanding of the world are made. Sinykin’s elegant prose and careful analysis pull the curtain back, allowing us new perspectives on book making, book selling, and book promoting. It turns out that everything we thought we knew is a big fiction. -- Dana A. Williams, Howard UniversityThe two most remarkable things about Dan Sinykin's history of how corporate conglomeration in publishing has changed the course of literature are 1) it's never been written before and 2) there was a time, not so long ago, when the merging and acquisition of publishing houses was unthinkable. Sinykin teaches how to read "through a colophon," and that "our outsize attention to the author alone is a trick of history." Sinykin's fascinating history is underlineable on every page. -- Spencer Ruchti * Third Place Books (Seattle, WA) *Big Fiction provides a fascinating overview of American publishing over the past sixty or so years, with many interesting titbits about a large number of significant players and many notable publishing deals. -- M.A. Orthofer * The Complete Review *Big Fiction is a very ambitious book, and the story it tells is sweeping and persuasive. . . . It’s the rare book of literary scholarship that may appeal to readers outside the academy. -- Lee Konstantinou * The Chronicle of Higher Education *This book offers a rich, detailed background explicating the everyday reader’s experience of why books published by big commercial presses seem so much like … books big commercial presses would publish. . . . Any student of publishing would benefit from reading this book. In its pages, publishing seems fascinating and action-packed, but myths that readers might harbor about the industry’s glamor, its sincerity, or the purity of its relationship to art will probably get dispelled. -- Hilary Plum * Los Angeles Review of Books *Sinykin writes with verve and narrative flair as he documents the consolidation of the major publishing houses — and, along the way, overturns the myth of “the romantic author,” that lone genius unfettered by social circumstances or material constraints. . . . The result is a fascinating and informative account of the convulsions roiling the American publishing industry for the past half-century — and a devastating reckoning with the ways in which conglomeration has altered American fiction. -- Becca Rothfeld * Washington Post *For some people, thrill rides are found at Disneyland. For certain types of readers, a thrill ride can be found in Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature, Dan Sinykin's scintillating take on the David and Goliath battle, in which free-spirited publishers fought to hold their own against corporate giants. -- Nell Beram * Shelf Awareness *Full of cogent analysis, ambitious argument, juicy quotes from insiders and a demonstration of the central role of Catholics in American publishing. -- Nick Ripatrazone * America Magazine: The Jesuit Review of Faith & Culture *An excellent history of U.S. trade publishing. -- Tyler Cowen * Marginal Revolution *Big Fiction is sharply written and sharply argued, part of a wave of cutting-edge works of literary history put out by Columbia University Press. -- Scott W. Stern * The New Republic *A fascinating combination of business history and academic literary analysis. -- Morley Walker * Winnipeg Free Press *[A] lively, personality-driven, and original study. -- Greg Barnhisel * Books & Review *Big Fiction’s ambitious project and keen analysis will make it a classic in criticism of contemporary US fiction . . . The grand effect of this grand study is to halt any theorization of contemporary fiction that doesn’t first consider the publishing landscape at that point in time. -- Omid Bagherli * ASAP/Journal *Big Fiction takes the notoriously exclusive and counterintuitive industry of U.S. book publishing and gives its recent history a lucid and unsparing treatment . . . [The book] makes for a demystifying and ultimately empowering read—one of particular value for anyone who feels shut out of the publishing milieu—and will help facilitate our understanding of the culture we have. That understanding is critical as we fight for the culture we want. -- Emmerich Anklam * Protean Magazine *This is the best kind of criticism: a book that told me things I didn’t know . . . illuminated things I thought I knew . . . and made me want to argue back against some of its claims and descriptions. -- Anthony Domestico * Commonweal's Best Books of 2023 *Its unexpected novelty is what gives Sinykin’s project its unique insights, making it a real contribution to our understanding of recent American literary history. -- Adam Fleming Petty * The Bulwark *Big Fiction feels like a major contribution: to our understanding of contemporary literature and literary publishing as an industry, definitely; to literary criticism as a whole, probably; and maybe to our conception of how culture, in general, is made. It is a thoroughly researched, engagingly written, and clear-sighted cultural materialist analysis of the sort that feels almost verboten within the formal and professional fields of artistic production. -- J. Arthur Boyle * Cleveland Review of Books *Dear Reader, you should read Big Fiction. It’s the best treatment of why fiction is the way it is that I’ve ever read. And the stories too! -- Clayton Childress * Public Books *[Big Fiction] teaches us to see contemporary fiction as a field riven by contradiction: conglomeration is poisonous and generative, conservative and democratizing, a force of both austerity and abundance. And while it presents obstacles for nearly all writers, many—especially our best—have found unexpected sources of energy within it. -- Mitch Therieau * Bookforum *Recommended. * Choice Reviews *Table of ContentsAcknowledgmentsIntroduction1. Mass Market (I): How Mass-Market Books Changed Publishing2. Mass Market (II): How the Mass Market Won the World, Lost Its Soul—Then Lost the World3. Trade (I): How Women Resisted Sexism and Reinvented the Novel 4. Trade (II): How Literary Writers Embraced Genre5. Nonprofits: How Rebels Found Funding and Rejected New York6. Independents: How W. W. Norton Stayed Free and Housed the MisfitsConclusionGlossary of Publishing FiguresNotesIndex

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Book SynopsisGabriele Schwab draws on decades of close engagement with Beckett to explore how his work speaks to our current existential anxieties and fears.Trade ReviewAs a guide to Beckett’s work, Moments for Nothing is indispensable, but it is also much more than this. Mixing literary criticism with memoir and a compelling account of personal loss and mourning, this is a book unlike any other. What holds together its various elements is a moving and generous tribute to the transformative experience of reading—in which an impassioned love of Beckett’s writing gives shape and meaning to a scholarly life. -- Peter Boxall, author of The Prosthetic Imagination: A History of the Novel as Artificial LifeWith passion and deep erudition, Gabriele Schwab situates Samuel Beckett in our “end times” of pandemic and climate catastrophe. Here we encounter afresh the writer’s desolate landscapes, dark wit, and ghostly whispers. Here we gratefully consume, alongside his lonely characters, a typically Beckettian meal of despair and hope. -- Elin Diamond, author of Unmaking Mimesis: Essays on Feminism and TheatreMoments for Nothing provides perfect readings of Beckett’s prose and plays. Schwab blends elegantly personal reminiscences, psychoanalytical analyses, and philosophical approaches that she distills to demonstrate the relevance of Beckett for our times of angst, pandemics, catastrophe, and looming extinction. Like Beckett’s texts, her book nevertheless uplifts. -- Jean-Michel Rabaté, author of Think, Pig! Beckett at the Limit of the HumanTable of ContentsAcknowledgmentsIntroduction1. Moments for Nothing: Endgame and Its Discontents2. The Transitional Space Between Life and Death: “The Calmative,” Molloy, and Malone Dies3. End Times of Subjectivity: The Unnamable4. “Laughing wildly inmidst severest woe”: Happy Days and the Last Humans5. Cosmographical Meditations on the In/Human: The Lost Ones Coda: Breath and the Vicissitudes of AnimationNotesBibliographyIndex

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Book SynopsisChallenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story A Rose for Ecclesiastes, Zelazny soon won the Hugo Award for Best Novel with And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as Home Is the Hangman and 24 Views of Mt. Fuji, by Hokusai. Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determiTrade Review"Cox consistently brings great critical acumen to bear on his readings, which are sensitively attuned to Zelazny’s specifics but never lose sight of the broader literary context, and he organizes an imposing array of material in insightful and intuitive ways. He captures the excitement of Zelazny’s work, the thrill of its evolution, the astonishing panache of its heights." --Locus"Well-researched, well-organized, and well-written, this is an exemplary entry in the University of Illinois Press's Modern Masters of Science Fiction series, and it deserves the attention of all fans and scholars of Zealzny's work, and of modern sf generally." --Science Fiction Studies"Zelazny fans will enjoy comparing their opinions of various Zelazny titles with Cox’s opinions, and getting tips from Cox on worthy titles they may have overlooked." --Sandusky Register"Roger Zelazny is a thorough and sympathetic review of the life, career, and work of one of the seminal creators in science fiction and fantasy of the last half of the 20th century. It takes into account the prior work of reviewers, critics, and biographers as well as commentary by his peers and fans, from every period of his sadly shortened life and since." --SFRA Review

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Book SynopsisThe first English-language biography of one of the great literary talents of the twentieth century, written by his award-winning translatorTrade Review“An accurate, independent, and well-researched English life . . . There is a delicacy in [Bernofsky’s] approach, a will-to-kindness, an openness to other, previously rejected possibilities.”—Michael Hofmann, New York Review of Books“A diligent biography . . . [Walser’s] miniatures account for some of the most sublimely joyful writing of the past century . . . Ms. Bernofsky wants to peer behind the smiling naïf to better glimpse the lonely, erratic artist.”—Sam Sacks, Wall Street Journal“As Susan Bernofsky's authoritative, moving biography demonstrates, Walser made of his own multiform solitudes a gift to the outside world, offering readers an existential sympathy of a kind for which only he could find the appropriate literary expression.”—Paul Binding, Times Literary Supplement“Elegant [and] perceptive . . . A surprising, brilliant look at a man who never stopped looking inward.”—Michael Schaub, National Book Critics CircleFinalist for the National Book Critics Circle Award in Biography “In this nuanced, astute, and revelatory biography, Susan Bernofsky gives us Walser the man—mysterious, intellectually adventuresome, humble, an artist of the first order. So, too, is Bernofsky's exceptional book: of the first order.”—Hilton Als“Susan Bernofsky's deep and decades-long involvement with Robert Walser's work has resulted in a meticulously researched, lively narrative and astute critical study of this complex and appealing writer. Clairvoyant of the Small is one of the best biographies I've read in a long time.”—Lydia Davis“Robert Walser is the perfect pathetic poet: pithy, awkward, drinks too much, sibling rivalrous, ambitious, broke, and mentally ill. Was he proto queer or trans, this red headed writer who next to Gertrude Stein might be the most influential writer of our moment? Riveting and heart-breaking, this biography kept me drunk for days.”—Eileen Myles"Written with true love, Susan Bernofsky’s meticulously investigated book is a sensitive and subtle analysis of Robert Walser’s radical life and work, casting a blazing light on this giant of literature."—Thomas Hirschhorn“A magnificent work of scholarship and among the finest literary biographies I’ve ever read—gorgeously written, immensely well researched, and addictively readable.”—Samuel Frederick, The Pennsylvania State University

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