Literary studies: c 1800 to c 1900 Books

Book SynopsisIn The Lost Thread, Rancière debunks the notion of Flaubert, Baudelaire, Conrad, Woolf and Keats as reactionary producers of bourgeois mythologies, and instead foregrounds the egalitarian and democratic impulses of modernist literature. Contrary to the canonical interpretation of the relation between modernism and capitalism via the commodification of everyday life, Rancière proposes a radical rethinking of our received ideas regarding the politics of aesthetics in the modern era. Through a complex and original stitching together of form and content, modernists strove to depict by embodying new forms and regimes of material and everyday life. Rancière articulates this substantial change in the politics of representation by explaining the shattering of the sacrosanct hierarchies of the genres and life-forms of classical literature. In the midst of the 19th century, poets, novelists and playwrights challenged the narrative staples of noble means and moral ends, and Trade ReviewRancière’s continues his recent explorations of the aesthetics and politics of fiction, poetry, and theater in this beautifully written and elegantly translated volume. The dissensual strategies of thinking, speaking, and acting that Rancière finds in literary modernism are no less active in the spheres of politics and the social sciences, and this book will be of immense interest not only to scholars and students working in these fields, but to artists, writers, and activists experimenting with new modes of aesthetic and political invention today. * Kenneth Reinhard, Associate Professor of English and Comparative Literature and Director, Program in Experimental Critical Theory, UCLA, USA *Table of ContentsTranslator’s Introduction Foreword I. The Lost Thread of the Novel II. Marlow’s Lie III. The death of Prue Ramsay IV. Republic of the poets V. The infinite taste of the Republic VI. The Theatre of Thoughts Notes Index

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Book SynopsisEmily Ennis received her PhD from the University of Leeds in 2016. Since then, she has taught Victorian and Modernist literature, as well as modules on visual cultures, at University of Leeds, Newcastle University and Bishop Grosseteste University.Table of ContentsIntroduction: Capturing the Image Part One: Thomas Hardy, Photography, and Reality Chapter One: The Figure of the Author and Amateur Photography Chapter Two: Obscuring the Boundaries: Art, Imagination, Photography Part Two: Bram Stoker, Theatrical Culture, and the Photographic Heritage of the Vampire Chapter Three: Photography, Promotion, and the Theatrical Profession in Bram Stoker’s Correspondence Chapter Four: ‘Could not codak him’: Theatrical Monsters and Popular Photography Part Three: Joseph Conrad: Photography, Identity, and Modernity Chapter Five: Past and Present Lives: Conrad, Heritage, and Literary Celebrity Chapter Six: Modernity, Mass Media, and Moving Pictures Part Four: Photography, Composition, Memory: Virginia Woolf’s Early Prose and Family Albums Chapter Seven: Photography and Woolf’s Non-Fiction Chapter Eight: Woolf as Rachel Vinrace: Biography, Photography, and The Voyage Out (1915) Coda(k): Professional Writing, Leisure, and Class Bibliography Index

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Book SynopsisJane Suzanne Carroll is Ussher Assistant Professor in Children's Literature at Trinity College Dublin, Ireland. She has published a monograph, Landscape in Children's Literature (2012), as well as articles on Susan Cooper, Jules Verne, J.R.R. Tolkien, ghost stories, and children's fantasy.Trade ReviewAn invaluable exploration of an aspect of children’s literature that is often overlooked, even though (or perhaps because) it lies in plain sight. * Modern Language Review *Provides a fresh and insightful perspective on the dynamic and non-trivial relationships nineteenth-century children had with the material culture that often goes unnoticed as the mundane backdrops of their lives. * BAVS Newsletter *This is a brilliantly fresh account of the relationship between children, children’s literature and consumer culture. In tracing the trajectory from Victorian books that enthusiastically teach children to be appreciative and discerning consumers to Edwardian works that show the relationship between children and the bought objects around them as fraught and sometimes frightening, Jane Suzanne Carroll takes in science, manufacturing, séances, magic and mysterious deaths. The writing is lively and often witty, making this as entertaining as it is informative. * Professor Kimberley Reynolds, School of English Literature, Language and Linguistics, Newcastle University, UK *Table of ContentsIntroduction 'Devoured by a Desire to Possess': Children's literature, commodities and consumption Children's books as commodities and vehicles for consumerism Children's books and the creation of new products Reading objects Structure of this book Chapter One Remarkable and perplexing items: Children and the Great Exhibition Learning to look Getting lost Guiding children Head, hand & heart The world of goods Conclusion Chapter Two The wonders of common things: Worldly goods in the nineteenth century The history of the it-narrative Children's it-narratives The History of a Pin The Story of a Needle 'A China Cup' The wonders of common things Conclusion Chapter Three A hailstorm of knitting needles: Otherworldly goods and domestic fantasy Commodity fetishism Spiritualism and fiction The rise of domestic fantasy Through the Looking Glass and What Alice Found There Speaking likenesses The cuckoo clock Conclusion Chapter Four ‘A Disgraceful State of Things’: Bad consumers and bad commodities Bad things and bad consumers in E. Nesbit's writing for children Bad things in Nesbit's work The Enchanted Castle and the live thing Bad mice and crooked sixpences: Material deviance in Beatrix Potter's work The (mis)adventures of Mr Toad Conclusion Conclusions Failed palaces and magic cities References

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Book SynopsisWidely seen as evolution's founding figure, Charles Darwin is taken by many evolutionists to be the first to propose a truly modern theory of evolution. Darwin's greatness, however, has obscured the man and his work, at times even to the point of distortion. Accessibly written, this book presents a more nuanced picture and invites us to discover some neglected ambiguities and contradictions in Darwin's masterwork. Delisle and Tierney show Darwin to be a man who struggled to reconcile the received wisdom of an unchanging natural world with his new ideas about evolution. Arguing that Darwin was unable to break free entirely from his contemporaries' more traditional outlook, they show his theory to be a fascinating compromise between old and new.Rediscovering this other Darwin and this other side of On the Origin of Species helps shed new light on the immensity of the task that lay before 19th century scholars, as well as their ultimate achievements.Trade ReviewThe book shows that biology, especially evolutionary biology, is a dynamic and extremely exciting field and that there is much left to be discovered by the next generations of biologists. It delves deeply into Darwin’s Origin of Species as well as into the paradigm prevailing during his time. * Alexander Czaja, Evolution: International Journal of Organic Evolution *Delisle and Tierney have immersed themselves in the text of On the Origin of Species like few, if any, before. This is a highly original, critical, yet sympathetic deconstruction of the Darwin idolatry that has dominated biological evolution theory for decades. * Nicolaas Rupke, Professor of the History of Science, University of Göttingen, Germany and Washington and Lee University, USA *A much-needed deconstruction of the ‘Darwin Legend’, that is, the seemingly irresistible temptation of many modern readers to read their own ideas back into On the Origin of Species, and to make Darwin an ahistorical icon, or the father figure of an even more ahistorical ‘Darwinism’. * Antonello La Vergata, Professor of the History of Philosophy, University of Modena and Reggio Emilia, Italy *Table of ContentsIntroduction: The Two Sides of Darwin Part One The Charles Darwin We Think We All Know 1 A Primer of Evolution’s Complexities 2 What Time Selected from Darwin: The Standard View Part Two Charles Darwin and the Static Worldview 3 The Tree That Hides the Forest: Charles Darwin’s “Tree of Life” 4 Divergence: A Geometry That Shatters Creative Time and Novelty 5 A Cyclical World in Equilibrium 6 Natural Selection: The Core of Darwin’s Theory? Part Three Charles Darwin Viewed in Piecemeal Fashion 7 When So-Called New Ideas Hide Old Ones Conclusion: Back to the Future Index

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Book SynopsisThis book tells the story of how nineteenth-century writers turned to the realist novel in order to reimagine Jesus during a century where traditional religious faith appeared increasingly untenable. Re-workings of the canonical Gospels and other projects to demythologize the story of Jesus are frequently treated as projects aiming to secularize and even discredit traditional Christian faith. The novels of Charles Kingsley, George Eliot, Eliza Lynn Linton, and Mary Augusta Ward, however, demonstrate that the work of bringing the Christian tradition of prophet, priest, and king into conversation with a rapidly changing world can at times be a form of authentic faitheven a faith that remains rooted in the Bible and historic Christianity, while simultaneously creating a space that allows traditional understandings of Jesus' identity to evolve.Trade ReviewOverall, this is a thought-provoking book that continues the important project of revaluing theology’s significance for Victorian fiction, alongside the work of scholars like Susan E. Colón, Joshua King, Mark Knight, and J. Russell Perkin. Readers who have engaged with contemporary work in narrative theology may be intrigued by its conclusions about storytelling and community * Modern Philology *“The ubiquity of Christ is not just a theological principle; it’s also a fact of Victorian culture. Jessica Ann Hughes has brilliantly taken on this alpha and omega of all themes, and traced it insightfully across some of the period’s influential works of fiction. Jesus in the Victorian Novel is Victorian Studies at its very best.” * Timothy Larsen, McManis Professor of Christian Thought and Professor of History at Wheaton College, USA and author of A People of One Book: The Bible and the Victorians *“Mainstream Victorian realists reimagined Jesus not to debunk the Christian story, as Jessica Hughes shows, nor to secularize it, but rather to relocate it within a decidedly modern sensibility. Such is the premise of this spectacular, beautifully argued book. Along the way, too, we encounter much additional intrigue: German higher criticism, the period’s tensions between theology and science, rival atonement theories, and—perhaps most interesting of all—the question of how best to represent God in fiction. Some works are especially easy to recommend. This is one of them.” * Ryan J. Stark, Professor of Humanities, Corban University, USA *Table of ContentsIntroduction Chapter 1: The Theological Consequences of Cultural Narratives Chapter 2: The Narrative Consequences of Theology Chapter 3: Jesus the Revolutionary King Chapter 4: Jesus the Reconciling High Priest Chapter 5: Jesus the Moral Prophet Conclusion: Resurrecting Jesus: Religious Experience and the Novel Bibliography Index

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Book SynopsisTaking readers through the various stages of criticism of Emily Dickinson's poetry, this guide identifies both the essential critical texts and the key debates within them. The texts chosen for discussion represent the canonical readings which have typically shaped the area of Dickinson studies throughout the twentieth- and twenty-first century and provide a lens through which to view current critical trends. Chapters focus on style and meaning, gender and sexuality, history and race, religion and hymn culture, and performance and popular culture. In all, this guide serves as a user-friendly reference tool to the vast body of criticism on Dickinson to date by suggesting formative starting points and underlining essential critical highlights. It provides students and scholars of Dickinson with a sense of where these critical texts can be placed in relation to one another, as well as an understanding of pivotal moments within the history of reception of Dickinson from late nineteeTrade ReviewMorgan expertly guides readers through the history of Dickinson criticism and provides them with key insights that help illuminate the most pertinent issues and recurring debates that have shaped and continue to shape Dickinson’s reputation. * Dr Páraic Finnerty, Reader in English and American Literature, University of Portsmouth, United Kingdom *Table of ContentsAcknowledgements Introduction 1 Biographies and publication 1.1 Biographers 1.2 Dickinson as poet: Self-publication and early publication 2. Style and Meaning 2.1 Early criticism 2.2 Later revaluations 3 The female tradition, gender and sexuality 3.1 The female tradition 3.2 Writing the body 3.3 Queering Dickinson 4 History, Civil War and race 4.1 Historicizing Dickinson 4.2 The US Civil War 4.3 Dickinson, ethnicity and race 5 Religion and hymn culture 5.1 Rejecting orthodoxy 5.2 Religion and aesthetics 5.3 Dickinson and hymnody 6 Performance and reception 6.1 Performance in Dickinson’s Poetry 6.2 Dickinson and popular Culture 6.3 Digital Dickinson and international reception Conclusion Bibliography Index

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Book SynopsisThis book argues that, in Victorian literature, transgressive desires that cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues.

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Book SynopsisExamines the way the corporation a legal concept of enduring and timely importance in the Anglo-American legal tradition was imagined in the nineteenth century historical imagination.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe first book-length investigation of the history of pre-chapter epigraphs in the English novel

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Book SynopsisPositions the sensation novel, and nineteenth-century popular fiction more generally, as vital to the history of feeling

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisA Companion to American Fiction, 1865-1914 is a groundbreaking collection of essays written by leading critics for a wide audience of scholars, students, and interested general readers. An exceptionally broad-ranging and accessible Companion to the study of American fiction of the post-civil war period and the early twentieth century Brings together 29 essays by top scholars, each of which presents a synthesis of the best research and offers an original perspective Divided into sections on historical traditions and genres, contexts and themes, and major authors Covers a mixture of canonical and the non-canonical themes, authors, literatures, and critical approaches Explores innovative topics, such as ecological literature and ecocriticism, children''s literature, and the influence of Darwin on fiction Trade Review"All praise to Lamb and Thompson … Comprehensive, well written and carefully edited ... Essential." Choice "The editors have intended the Companion to be an introduction to the field and a reference tool for 'advanced undergraduates, graduate students, faculty members and general intellectuals'. In this they have succeeded admirably." Reference ReviewsTable of ContentsList of Illustrations x Notes on Contributors xi Acknowledgments xviii Editors' Introduction 1 Robert Paul Lamb and G. R. Thompson PART I Historical Traditions and Genres 13 1 The Practice and Promotion of American Literary Realism 15 Nancy Glazener 2 Excitement and Consciousness in the Romance Tradition 35 William J. Scheick 3 The Sentimental and Domestic Traditions, 1865–1900 53 Gregg Camfield 4 Morality, Modernity, and "Malarial Restlessness": American Realism in its Anglo-European Contexts 77 Winfried Fluck 5 American Literary Naturalism 96 Christophe Den Tandt 6 American Regionalism: Local Color, National Literature, Global Circuits 119 June Howard 7 Women Authors and the Roots of American Modernism 140 Linda Wagner-Martin 8 The Short Story and the Short-Story Sequence, 1865–1914 149 J. Gerald Kennedy PART II Contexts and Themes 175 9 Ecological Narrative and Nature Writing 177 S. K. Robisch 10 "The Frontier Story": The Violence of Literary History 201 Christine Bold 11 Native American Narratives: Resistance and Survivance 222 Gerald Vizenor 12 Representing the Civil War and Reconstruction: From Uncle Tom to Uncle Remus 240 Kathleen Diffley 13 Engendering the Canon: Women's Narratives, 1865–1914 260 Grace Farrell 14 Confronting the Crisis: African American Narratives 279 Dickson D. Bruce, Jr. 15 Fiction's Many Cities 296 Sidney H. Bremer 16 Mapping the Culture of Abundance: Literary Narratives and Consumer Culture 318 Sarah Way Sherman 17 Secrets of the Master's Deed Box: Narrative and Class 340 Christopher P. Wilson 18 Ethnic Realism 356 Robert M. Dowling 19 Darwin, Science, and Narrative 377 Bert Bender 20 Writing in the "Vulgar Tongue": Law and American Narrative 395 William E. Moddelmog 21 Planning Utopia 411 Thomas Peyser 22 American Children's Narrative as Social Criticism, 1865–1914 428 Gwen Athene Tarbox PART III Major Authors 449 23 An Idea of Order at Concord: Soul and Society in the Mind of Louisa May Alcott 451 John Matteson 24 America Can Break Your Heart: On the Significance of Mark Twain 468 Robert Paul Lamb 25 William Dean Howells and the Bourgeois Quotidian: Affection, Skepticism, Disillusion 499 Michael Anesko 26 Henry James in a New Century 518 John Carlos Rowe 27 Toward a Modernist Aesthetic: The Literary Legacy of Edith Wharton 536 Candace Waid and Clare Colquitt 28 Sensations of Style: The Literary Realism of Stephen Crane 557 William E. Cain 29 Theodore Dreiser and the Force of the Personal 572 Clare Virginia Eby Index 587

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Book SynopsisWhat the Victorian history of self-help reveals about the myth of individualism. Stories of hardworking characters who lift themselves from rags to riches abound in the Victorian era. From the popularity of such stories, it is clear that the Victorians valorized personal ambition in ways that previous generations had not. In Material Ambitions, Rebecca Richardson explores this phenomenon in light of the under-studied reception history of Samuel Smiles's 1859 publication, Self-Help: With Illustrations of Character, Conduct, and Perseverance. A compilation of vignettes about captains of industry, artists, and inventors who persevered through failure and worked tirelessly to achieve success in their respective fields, Self-Help links individual ambition to the growth of the nation. Contextualizing Smiles's work in a tradition of Renaissance self-fashioning, eighteenth-century advice books, and inspirational biography, Richardson argues that the burgeoning self-help genre of the VictoriaTrade ReviewRebecca Richardson shows that even those writers who appear to celebrate self-help invite more nuanced readings. They explored the ways in which aspiration encourages not only ambition but competition, and often exploitation – inequities, as declared by Richardson in a brief polemical coda, that persist today.—Times Literary SupplementTable of ContentsAcknowledgmentsIntroduction: Self-Help and the Story of the Ambitious Individual1. Forming the Ambitious Individual in Samuel Smiles's Self-Help2. Expanding the Story of Ambition, Work, and Health in a Limited World: Harriet Martineau's Economic and Illness Writing3. Enabling the Self-Help Narrative in Dinah Craik's John Halifax, Gentleman4. "At What Point This Ambition Transgresses the Boundary of Virtue": From Thackeray's Barry Lyndon to Vanity Fair5. Individuating Ambitions in a Competitive System: Trollope's Autobiography and The Three Clerks6. Placing and Displacing Ambition: Miles Franklin's My Brilliant Career and My Career Goes BungCodaNotes BibliographyIndex

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Book SynopsisFyodor Dostoevsky''s The Brothers Karamazov is unquestionably one of the greatest works of world literature. With its dramatic portrayal of a Russian family in crisis and its intense investigation into the essential questions of human existence, the novel has had a major impact on writers and thinkers across a broad range of disciplines, from psychology to religious and political philosophy. This proposed reader''s guide has two major goals: to help the reader understand the place of Dostoevsky''s novel in Russian and world literature, and to illuminate the writer''s compelling and complex artistic vision. The plot of the novel centers on the murder of the patriarch of the Karamazov family and the subsequent attempt to discover which of the brothers bears responsibility for the murder, but Dostoevsky''s ultimate interests are far more thought-provoking. Haunted by the question of God''s existence, Dostoevsky uses the character of Ivan Karamazov to ask what kind of God would Trade ReviewA superb introduction to Dostoevsky's great novel. Connolly offers a wealth of original and convincing new insights, situating them within a thorough reading of both classic and recent scholarship. Of particular value is the pitch-perfect analysis of The Brothers Karamazov in its religious context. The extensive and up-to-date bibliography is one of the best I have seen. Connolly's book will be an essential resource for first-time readers and seasoned scholars alike. -- Carol Apollonio, Professor of the Practice, Slavic and Eurasian Studies, Duke University, USAThis is an excellent guide to Dostoevsky’s final grand statement as a novelist, illuminating the complexities of its plot, characters, themes, and motifs, and paying special attention to its religious dimensions. Drawing on a wide body of scholarship, it will be helpful both for first readers of the novel and for its more advanced students. -- John Burt Foster, Professor of World and Comparative Literature, George Mason University, USAfter guiding the readers through the intricacies of Nabokov’s Lolita, Julian W. Connolly once again produced a valuable companion, this time to Dostoevsky’s The Brothers Karamazov. Connolly should be commended for the lucid and at the same time insightful and nuanced presentation of the complexities of Dostoevsky’s last novel. Connolly’s book will be indispensable not only for students in every echelon of academic learning, but also for all those interested in Russian literature. -- Gavriel Shapiro, Professor of Comparative and Russian Literature, Cornell University, USConnolly does an excellent job of guiding the reader through Dostoevsky's vast and complex novel. His prose is straightforward and free of jargon; the book is a pleasure to read. [...] Even an experienced student of Dostoevsky will find Connolly's survey and deployment of recent scholarly work on the novel to be of great interest and assistance. [...] Connolly's guide to The Brothers Karamazov will be useful and illuminating for students and general readers as well as Russianists interested in an incisive précis of recent work on the novel. -- Susanne Fusso, Wesleyan University * Slavic and East European Journal, Vol. 58, No. 2, Summer 2014 *Table of Contents1. Contexts 2. Language, Form and Style 3. Reading The Brothers Karamazov 4. Critical Reception, Composition and Publishing History 5. Adaptation, Interpretation and Influence 6. Further Reading Index

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Book SynopsisThere is an unresolved tension in Dostoevsky's novels - a tension between believing and not believing in the existence of God. This book enables us to consider the nature of God in the 21st Century through the lens of Dostoevsky's novels.Trade Review"'The Archbishop of Canterbury has written a book on Dostoevsky which illuminates the real operations of religion in human minds' A. N. Wilson, Times Literary Supplement 'Rowan Williams is an excellent literary critic. He makes you want to read, or reread, everything that Dostoevsky wrote. The books that he describes are spacious enough to contain a whole world, and beautiful enough to serve as icons that illuminate ours' The Guardian 'Although Rowan Williams is very modest about his credentials in writing an important book on Dostoevsky, it is difficult to think of anyone who is better qualified... a remarkable contribution to understanding not just Dostoevsky, but what it might involve to be a religious believer in the world today' Richard Harries, Church Times "...a real feeling for literary narrative... a profound and thought provoking book" Salley Vickers, The Times"Table of ContentsPreface; Introduction; 1. Christ Against the Truth; 2. Devils; 3. The Last Word? Dialogue and Recognition; 4. Exchanging Crosses; 5. Sacrilege and Revelation: The Broken Image; Conclusion; Bibliography.

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Book SynopsisBy bringing the work of Mansfield and von Arnim together including on matters of artistry, on mourning, on gardens, on female resistance this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period.

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Book SynopsisDrawing on primary sources including novels, Victorian periodical literature, legislative debate, case law and legal treatise, Cathrine O. Frank traces the ways conventions of literary characterisation mingled with character-centred legal developments to produce a jurisprudential theory of character that extends beyond the legal profession.

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Book SynopsisDrawing on primary sources including novels, Victorian periodical literature, legislative debate, case law and legal treatise, Cathrine O. Frank traces the ways conventions of literary characterisation mingled with character-centred legal developments to produce a jurisprudential theory of character that extends beyond the legal profession.

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Book SynopsisProvides a uniquely detailed and accessible insight into the terminology and culture of the Victorian periodTrade Review"Key Concepts in Victorian Studies is a landmark reference work for any scholar working on the period. All the major issues and innovations are outlined, from Anarchism to Zoetrope. The excellent overview of parliamentary legislation provides an invaluable account of social and economic change. Scholarly and accessible, this is an essential guide to the period." -Andrew Smith, University of Sheffield

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Book SynopsisNahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois's 1897 American Negro Academy address, The Conservation of Races, proposing both a close reading of Du Bois's engagement of the concept of race and a meditation on Du Bois's conceptualization of historicity.Trade Review"A complex and detailed philosophical analysis of W.E.B. Du Bois’ early thought. ... Chandler’s a sophisticated thinker and crafty wordsmith with broad knowledge, a vast vocabulary, and a writing style ripe with complex analytic musing and artistic stylization." -- Sean Elias * Ethnic and Racial Studies *Table of ContentsPreface vii Acknowledgments xv Note on Citations xvii Part I. On Paragraph Four of “The Conservation of Races” 1 Part II. On the Question of the Illimitable in the Thought of W.E.B. Du Bois 81 Afterthought 145 Notes 147 References 161 Index 173

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Book SynopsisReimagines the American 19th century through a sweeping interdisciplinary engagement with oceans, genres, and timeEmergent Worlds re-locates nineteenth-century America from the land to the oceans and seas that surrounded it. Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern eracolonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. These four domainsoceanic geography, historical folds, emergent politics, and dissonant timesin turn, provided the conditions for the development of three previously unnamed genres of the 1850s: the Pacific elegy, tTrade ReviewAn astute, surprising, and inventive study of the experiential and aesthetic possibilities that became imaginable during moments of historical and geographical irresolution in the & long nineteenth century, as older world-systems receded before new ones cohered. In those liminal & folds, Sugden remaps oceanic geoculture through a series of richly illuminating and refreshingly original interpretations of a host of texts, canonical and understudied. Emergent Worlds is, like the worlds it examines, full of possibilities and pleasures. -- Christopher Castiglia, author of Practices of Hope (NYU Press, 2017)Sugden has the rare gift of being able to synthesize complex conversations and formulations and then to intervene within them generously and wisely. His archive of texts is rich, bringing together an unusual grouping of authors ranging from Melville to the first Haitian novelist, Émeric Bergeaud. Emergent Worlds considers these texts as a collective & archival form that does more than merely preserve the interstitial states of emergent political thought that existed precariously in the time of their original production; it also protects a kind of seedbed for unknown futures: emergent forms of political imagining that might one day be called upon to remake a precarious world. -- Anna Brickhouse, University of VirginiaEmergent Worlds is an aspirational and counterfactual history of what might have been—and might yet emerge—within the archives of nineteenth-century American literacy and cultural study. * Early American Literature *You feel you are reading the work of a trailblazer. * Leviathan: A Journal of Melville Studies *In a book that makes forceful yet elegant interventions into conversations about the timelines of American studies and oceanic forms of relation, Sugden shows a remarkable ability to zoom among various temporal and literary scales, from the quirkily local to the global, from the canonical to the surprisingly marginalized. * Early American Literature *

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Book SynopsisIn 1826 Angela Veronese, a gardener’s daughter, wrote and published the first modern autobiography by an Italian woman. Veronese’s account focuses on her unique experience as a peasant girl who came of age among the Venetian elite, and details how she attained a certain renown in and out of Italy by improvising, writing, and publishing her own lyrics. Courting Celebrity is a bilingual annotated edition of Veronese’s autobiography. To better elucidate Veronese’s thinking, the book includes the autobiographical writing of another contemporary Italian poet, Teresa Bandettini, a well-known Tuscan poet-improviser. The book offers a substantial sample of Veronese’s poems, translated and in the original. These compositions, together with detailed bibliographical documentation, point to the success of Veronese’s autobiographical enterprise and offer an unparalleled view of both high society and popular culture at the time. Courting Table of ContentsAcknowledgments Foreword 1. Angela Veronese Notizie sulla vita di Aglaja Anassillide scritte da lei medesima Information on the Life of Aglaja Anassillide, Written by Herself Selected Poems by Angela Veronese Biography of Angela Veronese Bio-Bibliography for Angela Veronese 2. Teresa Bandettini “Autobiografia” “Autobiography” Biography of Teresa Bandettini 3. Contexts and Conclusions 4. Poem by Luigi Carrer Dedicated to Angela Veronese Works Cited Index

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Book SynopsisParisian Pauline Guyot (1805-1886), who wrote under the nom de plume Camille Lebrun, published many novels, translations, collections of tales, and articles in French magazines of her day. Yet she has largely been forgotten by contemporary literary critics and readers. Among her works is a hitherto-untranslated 1845 French novel, Amitié et dévouement, ou Trois mois à la Louisiane, or Friendship and Devotion, or Three Months in Louisiana, a moralizing, educational travelogue meant for a young adult readership of the time. Lebrun''s novel is one of the few perspectives we have by a mid-nineteenth-century French woman writer on the matters of slavery, abolition, race relations, and white supremacy in France''s former Louisiana colony. E. Joe Johnson and Robin Anita White have recovered this work, providing a translation, an accessible introduction, extensive endnote annotations, and period illustrations. After a short preface meant to educate young readers about the geTrade ReviewThere are not many female voices from this time period in French literature and none that I am aware of who write about Louisiana. Through the eyes of a French woman, Friendship and Devotion offers a new and necessary perspective to the history of antebellum Louisiana and Louisiana French history and culture. Friendship and Devotion stands apart from others of the time because it is written by a female author of note in the 1800s, Camille Lebrun, and because it has, until now, only ever appeared in French. This will be the first chance English readers have to engage with this material—a text representative of what young, educated people would have read at the time that highlights the notion that nineteenth-century writers were very much aware of the injustice of the enslavement system in the US.

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Book SynopsisFrom the teeming streets of Dickens''s London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics.In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the VictoTrade ReviewPopulating the Novel is an impressive and thought-provoking work. It lays down a gauntlet to other scholars for further examination of biopower and surplus in nineteenth-century literature and culture. * Dickens Quarterly *Steinlight's study moves across a truly impressive array of materials and does so without ever sacrificing close attention to the particular texts under consideration. The book moves fluently beyond the rigid periodizations that continue to govern the professional life of nineteenth-century scholars. * Modern Philology *Populating the Novel is an extremely accomplished and wide-ranging monograph that contributes forcefully to the field of nineteenth-century novel studies. The argument that the multitude, not the individual, is the focus of nineteenth-century fiction takes criticism in an exciting new direction. * Modern Language Review *Populating the Novel is a compelling, thought-provoking work of criticism. Steinlight's reading of traditional narratives in the nineteenth century helps redefine pre-existing ideas about the novel's cultural role while simultaneously considering how its form was heavily influenced by demographics. This significant contribution to scholarship helps reimagine life in the aggregate while demonstrating a unique approach to socio-political aspects of the English novel. * Victorian Review *A work of scholarship that fulfills and exceeds the multitude of promises contained in its title. After describing and delineating the overcrowded demographics of Romantic and Victorian writing, Steinlight makes a provocative claim about population: in an age of efflorescence of biopolitical principles and quantitative social science, population becomes a political, economic, sociological, and, above all, literary problem. * V21 Collations Book Forum *While England's population more than tripled during the nineteenth century, the congested narratives of this era's fiction do not simply reflect demographic change. Instead, as Steinlight powerfully contends, they turn that reality into a pressing political problem that exposes the limits of social and political institutions to contain, manage, and care for the biological life of the populace. * Studies in the Novel *

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Book SynopsisIn The One, Other, and Only Dickens, Garrett Stewart casts new light on those delirious wrinkles of wording that are one of the chief pleasures of Dickens's novels but that go regularly unnoticed in Dickensian criticism: the linguistic infrastructure of his textured prose. Stewart, in effect, looks over the reader's shoulder in shared fascination with the local surprises of Dickensian phrasing and the restless undertext of his storytelling. For Stewart, this phrasal undercurrent attests both to Dickens's early immersion in Shakespearean sonority and, at the same time, to the effect of Victorian stenography, with the repressed phonetics of its elided vowels, on the young author's verbal habits long after his stint as a shorthand Parliamentary reporter.To demonstrate the interplay and tension between narrative and literary style, Stewart draws out two personas within Dickens: the Inimitable Boz, master of plot, social panorama, and set-piece rhetorical cadences, and a veTrade ReviewThe One, Other, and Only Dickens is sui generis... Stewart offers an exuberant appreciation of Dickens's language, a celebration of craft.... Stewart points toward a return to the pleasurable, slow reading of both criticism and primary texts, but Stewart champions sustained and passionate attentiveness as integral to that process. Stewart's lovely reading, and writing, will be a pleasure to readers who agree with Thackeray's 1847 appraisal of Dickens that 'There's no writing against such power as this-one has no chance!' * SEL Studies in English Literature 1500–1900 *A series of compelling readings from the inklings of nebulous popular consensus. * Dickens Quarterly *Passage after passage of this kind not only leave you feeling as if you have consistently under-read Dickens, but also, retracing Stewart's granular detail, that Dickens is the unequaled master of English prose, the only peer in prose to Shakespeare in verse. * Victorian Studies *Table of ContentsForeword: Preparing the Way Introduction: Some "Reagions" for Reading 1. Shorthand Speech / Longhand Sound 2. Secret Prose / Sequestered Poetics 3. Phrasing Astraddle 4. Reading Lessens Afterword: "That Very Word, Reading" Endpiece: The One and T'Otherest Notes Index

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Book SynopsisMary Shelley’s Frankenstein is one of the most popular novels in western literature. It has been adapted and re-assembled in countless forms, from Hammer Horror films to young-adult books and bandes dessinées. Beginning with the idea of the ‘Frankenstein Complex’, this edited collection provides a series of creative readings that explore the elaborate intertextual networks that make up the novel’s remarkable afterlife. It broadens the scope of research on Frankenstein while deepening our understanding of a text that, 200 years after its original publication, continues to intrigue and terrify us in new and unexpected ways.Trade Review'...covers an impressively wide range of adaptations of Shelley’s classic and that can only be warmly recommended to anyone interested in Frankenstein, or in adaptation studies in general for that matter.'Archiv für das Studium der neueren Sprachen und Literaturen -- .Table of ContentsIntroductionThe Frankenstein Complex: when the text is more than a text – Dennis R. Cutchins and Dennis R. PerryPart I: Dramatic adaptations of Frankenstein on stage and radio1 Frankenstein’s spectacular nineteenth-century stage history and legacy – Lissette Lopez Szwydky2 A Frankensteinian model for adaptation studies, or ‘It lives!’: adaptive symbiosis and Peake’s Presumption, or the fate of Frankenstein – Glenn Jellenik3 The gothic imagination in American sound recordings of Frankenstein – Laurence RawPart II: Cinematic and television adaptations of Frankenstein4 A paranoid parable of adaptation: Forbidden Planet, Frankenstein, and the atomic age – Dennis R. Perry5 The Curse of Frankenstein: Hammer film studios’ reinvention of horror cinema – Morgan C. O’Brien6 The Frankenstein Complex on the small screen: Mary Shelley’s motivic novel as adjacent adaptation – Kyle Bishop7 The new ethics of Frankenstein: responsibility and obedience in I, Robot and X-Men: First Class – Matt Lorenz8 Hammer films and the perfection of the Frankenstein project – Maria K. Bachman and Paul C. Peterson Part III: Literary adaptations of Frankenstein9 ‘Plainly stitched together’: Frankenstein, neo-Victorian fiction, and the palimpsestuous literary past – Jamie Horrocks10 Frankensteinian re-articulations in Scotland: monstrous marriage, maternity, and the politics of embodiment – Carol Margaret Davison11 Young Frankensteins: graphic children’s texts and the twenty-first-century monster – Jessica Straley12 In his image: the mad scientist remade in the young adult novel – Farran L. Norris Sands13 The soul of the matter: Frankenstein meets H. P. Lovecraft’s ‘Herbert West—Reanimator’ – Jeffrey Andrew WeinstockPart IV: Frankenstein in art, illustrations, and comics14 Illustration, adaptation, and the development of Frankenstein’s visual lexicon – Kate Newell15 ‘The X-Men meet Frankenstein! “Nuff Said”’: adapting Mary Shelley’s monster in superhero comic books – Joe Darowski16 Expressionism, deformity, and abject texture in bande dessinée appropriations of Frankenstein – Véronique Bragard and Catherine ThewissenPart V: New media adaptations of Frankenstein17 Assembling the body/text: Frankenstein in new media – Tully Barnett and Ben Kooyman18 Adaptations of ‘liveness’ in theatrical representations of Mary Shelley’s Frankenstein – Kelly JonesFrankenstein’s pulse: an afterword – Richard J. HandIndex

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Book SynopsisThe dome of thought is the first study of phrenology based primarily on the popular – rather than medical – appreciation of this important and controversial pseudoscience. With detailed reference to the reports printed in popular newspapers from the early years of the nineteenth century to the fin de siècle, the book provides an unequalled insight into the Victorian public’s understanding of the techniques, assumptions and implications of defining a person’s character by way of the bumps on their skull. Highly relevant to the study of the many authors – Wilkie Collins, Charles Dickens, and George Eliot, among them – whose fiction was informed by the imagery of phrenology, The dome of thought will prove an essential resource for anybody with an interest in the popular and literary culture of the nineteenth century, including literary scholars, medical historians and the general reader.Table of ContentsPreamble ‘This far-famed skull’: exhumation and the autopsy of talent1 ‘Dr Gall, the anatomist, who gives lectures on the skull’: phrenology in Britain during the first decade of the nineteenth century2 ‘A field for quacks to fatten in’: phrenology in the British Isles3 ‘The doctrines of phrenology shall spread over Britain’: George Combe and the rise of British phrenology4 ‘That strange amalgamation of the two sciences’: mesmerism, celebrity practitioners and the schism of 1842-3Conclusion: The decadence of phrenology: materiality and meaninglessness in modern BritainCoda The phrenology of Donald J. TrumpBibliographyIndex

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Book SynopsisThis collection explores the genesis of John Polidori's foundational novella The Vampyre (1819). It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy from the melodramatic vampire theatricals in the 1820s, through further Gothic fictions and horror films, to twenty-first century paranormal romance. -- .

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Book SynopsisThis collection brings together scholars from disciplines including Children’s Literature, Classics, and History to develop fresh approaches to children’s culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.Trade Review‘Pasts at play makes a valuable contribution to scholarship on informal learning, revealing how much more we understand about the history of education when we look beyond the school gates.’ Siân Pooley, Victorian Studies -- .Table of ContentsIntroduction: pasts at play – Rachel Bryant Davies and Barbara GriblingPart I: Biblical and archaeological pasts1 Noah’s Ark-aeology and nineteenth-century children – Melanie Keene2 Bringing Egypt home: children’s encounters with ancient Egypt in the long nineteenth century – Virginia ZimmermanPart II: Classical pasts3 Didactic heroes: masculinity, sexuality and exploration in the Argonaut story of Kingsley’s The Heroes – Helen Lovatt4 ‘Fun from the Classics’: puzzling antiquity in The Boy’s Own Paper – Rachel Bryant DaviesPart III: Medieval and early modern pasts5 Youthful consumption and conservative visions: Robin Hood and Wat Tyler in late Victorian penny periodicals – Stephen Basdeo6 A tale of two ladies? Stuart women as role models for Victorian and Edwardian girls and young women – Rosemary MitchellPart IV: Revived pasts7 Tarry-at-home antiquarians: children’s ‘tour books’ 1740–1840 – M. O. Grenby8 Playing with the past: child consumers, pedagogy and British history games, c. 1780–1850 – Barbara Gribling9 Re-enacting local history in the Stepney Children’s Pageant, 1909 – Ellie ReidAppendix A: A list of 'tour books' – M. O. GrenbyAppendix B: A list of British history-themed toys and games – Barbara GriblingIndex

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Book SynopsisDon Catrín de la Fachenda is a picaresque novel by the Mexican writer José Joaquín Fernández de Lizardi (1776-1827), best known as the author of El periquillo sarniento (The Itching Parrot), often called the first Latin American novel. Don Catrín is three things at once: a rakish pícaro in the tradition of the picaresque; a catrín, a dandy or fop; and a criollo, a person born in the New World and belonging to the same dominant class as their Spanish-born parents but relegated to a secondary status. The novel interrogates then current ideas about the supposed innateness of race and caste and plays with other aspects of the self considered more extrinsic, such as appearance and social disguise. While not directly mentioning the Mexican wars of independence, Don Catrín offers a vivid representation of the political and social frictions that burst into violence around 1810 and gave birth to the independent countries of Latin America.Trade ReviewThe work offers a complex portrait of negotiated identities, and, despite its ending on a moralizing note, a modern audience will find it delightfully subversive." —Kelly Washbourne, Kent State University

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Book Synopsis“A visual treat as well as a literary one…for gardeners and garden lovers, connoisseurs of botanical illustration, and those who seek a deeper understanding of the life and work of Emily Dickinson.” —The Wall Street Journal Emily Dickinson was a keen observer of the natural world, but less well known is the fact that she was also an avid gardener—sending fresh bouquets to friends, including pressed flowers in her letters, and studying botany at Amherst Academy and Mount Holyoke. At her family home, she tended both a small glass conservatory and a flower garden. In Emily Dickinson’s Gardening Life, award-winning author Marta McDowell explores Dickinson’s deep passion for plants and how it inspired and informed her writing. Tracing a year in the garden, the book reveals details few know about Dickinson and adds to our collective understanding of who she was as a person. By weaving together Dickinson’s poems, excerpts from letters, contemporary and historical photography, and botanical art, McDowell offers an enchanting new perspective on one of America’s most celebrated but enigmatic literary figures.

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Book SynopsisLiterature not only represents Canada as "our home and native land" but has been used as evidence of the civilization needed to claim and rule that land. Indigenous people have long been represented as roaming "savages" without land title and without literature. Literary Land Claims: From Pontiac's War to Attawapiskat analyzes works produced between 1832 and the late 1970s by writers who resisted these dominant notions. Margery Fee examines John Richardson's novels about Pontiac's War and the War of 1812 that document the breaking of British promises to Indigenous nations. She provides a close reading of Louis Riel's addresses to the court at the end of his trial in 1885, showing that his vision for sharing the land derives from the Indigenous value of respect. Fee argues that both Grey Owl and E. Pauline Johnson's visions are obscured by challenges to their authenticity. Finally, she shows how storyteller Harry Robinson uses a contemporary Okanagan framework to explain how white refusal to share the land meant that Coyote himself had to make a deal with the King of England. Fee concludes that despite support in social media for Theresa Spence's hunger strike, Idle No More, and the Indian Residential School Truth and Reconciliation Commission, the story about "savage Indians" and "civilized Canadians" and the latter group's superior claim to "develop" the lands and resources of Canada still circulates widely. If the land is to be respected and shared as it should be, literary studies needs a new critical narrative, one that engages with the ideas of Indigenous writers and intellectuals.Trade ReviewFee contributes to the decolonization of literary studies in Canada and readers will benefit from Fee's contextualization of Indigenous notions of land rights and language. ... scholars interested in issues related to decolonization and Indigenous sovereignty will find this work especially useful. -- Lianne Leddy -- H-Envirnoment, 2016Literary Land Claims is an extremely important contribution to conversations about literature in Canada. ... At a time when universities across Canada are endeavouring to heed the Truth and Reconciliation Commission's "Calls to Action," Fee points readers toward a goal of consensus building, one that is predicated on muddying the binary and hierarchical logics through which we have tended to understand identity and, indeed, colonialism itself. She opens up an engaging and necessary conversation, offering a model for rich, ethical scholarly engagement with a literary landscape that is extends far beyond this book, and beyond the confines of "Canlit." -- Sarah Krotz -- English Studies in Canada... Literary Land Claims is timely reading. ... a rich and thoughtful book which will appeal to anyone writing or teaching in fields relating to settler-colonial, Canadian, and Indigenous studies. Historians in particular will find Fee's chapters a valuable complement to the original texts she discusses. -- Megan Harvey -- BC Studies, 2017Fee's argument is a compelling reframing of Indigenous literatures and Canadian cultural nationalism. Her case that literature and storytelling are powerful decolonial tools arrives at a crucial time for Indigenous literature and theory as well as the Truth and Reconciliation Commission's calls to decolonize the academy and public school systems, both of which are bound up within Canada's literary canon. Thus, I wholeheartedly endorse Fee's text as an important addition to our decolonial theoretical toolkit. -- Joshua Whitehead -- ariel, 2018Table of ContentsTable of Contents for Literary Land Claims: The âIndian Land Questionâ from Pontiac's War to Attawapiskat by Margery Fee Acknowledgements List of Illustrations Introduction 1 Imagining "The Indian Land Question" from Here 2 "Why have they taken our hunting grounds?": John Richardson's Lament for a Nation 3 "That 'ere Ingian's one of us!": Richardson Rewrites the Burkean Savage 4 "We have to walk on the ground": Constitutive Rhetoric in Riel's Addresses to the Court 5 "We Indians own these lands": Performance, Authenticity, Disidentification, and E. Pauline Johnson / Tekahionwake 6 "They taught me much": Imposture, Animism, Ecosystem and Archibald Belaney / Grey Owl 7 "They never even sent us a letter": Literacy and Land in Harry Robinson's Origin Story Conclusion: Attawapiskat v. #Ottawapiskat Notes Works Cited Index

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Book SynopsisBestselling author, pioneering photographer, mathematical don and writer of nonsense verse, Lewis Carroll remains a source of continuing fascination. Though many have sought to understand this complex man he remains for many an enigma. Now leading international authority, Edward Wakeling, offers his unique appraisal of the man born Charles Dodgson but whom the world knows best as Lewis Carroll, author of Alice's Adventures in Wonderland and Through the Looking-Glass. This new biography of Carroll presents a fresh appraisal based upon his social circle. Contrary to the claims of many previous authors, Carroll's circle was not child centred: his correspondence was enormous, numbering almost 100,000 items at the time of his death, and included royalty and many of the leading artists, illustrators, publishers, academics, musicians and composers of the Victorian era. Edward Wakeling draws upon his personal database of nearly 6,000 letters, mostly never before published, to fill the gaps left by earlier biographies and resolve some of the key myths that surround Lewis Carroll, such as his friendships with children and his drug-taking. Meticulously researched and based upon a lifetime's study of the man and his work, this important new work will be essential reading for scholars and admirers of one of the key authors of the Victorian age.Table of ContentsCONTENTS Foreword by Rhona Lewis, Christ Church, Oxford Preface Acknowledgements A Chronology of C. L. Dodgson’s Life 1. The Dodgson Family 2. Teachers and Oxford University Associates 3. Publishers and Printers 4. Illustrators 5. Mathematicians and Logicians 6. Photographers 7. Artists and Musicians 8. Actors and Dramatists 9. Friends and Children 10. Professionals 11. Royalty 12. Famous Acquaintances Epilogue: Full Circle Bibliography Short Titles Notes Index

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Book SynopsisThis biography of Elizabeth Barrett Browning, written with reference to Browning correspondence only recently available, argues that the poet was a strong and determined woman largely responsible for her own incarceration in Wimpole Street. The author traces her life from her early childhood and adolescence and explores her marriage. She draws a picture of early Victorian family life and aims to show that Elizabeth was a considerable and dedicated poet, self-willed, witty and courageous. Forster has also edited the companion volume "Selected Poems" of Elizabeth Barrett Browning, and is author of several other biographies.Trade ReviewThis is the most exciting sort of biography to read, or to write: the myth-dispelling biography which overturns an old story, and does so most convincingly' * New Statesman *If it is a test of a good biography to send the reader hot-foot to the subject's works, Margaret Forster's has succeeded triumphantly * The Times *

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Book SynopsisWithin the Euro-American literary tradition, Gothic stories of childhood and adolescence have often served as a tool for cultural propaganda, advancing colonialist, white supremacist and patriarchal ideologies. This book turns our attention to modern and contemporary Gothic texts by hemispheric American writers who have refigured uncanny youth in ways that invert these cultural scripts. In the hands of authors ranging from Octavio Paz and Maryse Conde to N. Scott Momaday and Carmen Maria Machado, Gothic conventions become a means of critiquing pathological structures of power in the space of the Americas. As fictional children and adolescents confront persisting colonial and neo-imperialist architectures, grapple with the everyday ramifications of white supremacist thinking, navigate rigged systems of socioeconomic power, and attempt to frustrate patterns of gendered, anti-queer violence, the uncanny and the nightmarish in their lives force readers to reckon affectively as well as intellectually with these intersecting forms of injustice.Table of ContentsIntroduction Chapter 1 - Haunted Perennial Girlhoods Chapter 2 - Cursed Pregnancies and Uncanny Children Chapter 3 - Gothic Boyhoods and Adult Betrayals Chapter 4 - The Teen Girls Aren't Alright Chapter 5 - Writing Gothic Scenes for Kids Conclusion - Resistance, Resilience, and the Gothic Happy Ending

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Book SynopsisSituated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being.Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, intellectual love is a pillar of Romanticism.This book will interest scholars and students of Romanticism, eighteenth- and nineteenth-century British literature, affect studies, ecocriticism, aesthetics, and those who work at the intersection of literature and science.Trade Review‘Amorous Aesthetics is an important contribution to the field of Romantic studies and a successful first book…the book is significant for tracking an indisputably major concept, love, across many decades of Romantic writing and a significant number of canonical poets, which, I think, could make the book foundational for further research in this area.’ David Sigler, The Review of English Studies'Throughout Amorous Aesthetics, Reno resists the insights of the New Historicism, which subordinated aesthetics and affect to cultural context and ideology. Focusing on 1788 to 1805 (from The Evening Walk to The Prelude), his reading of the former poem is masterful, for it highlights the tension between sublimity (that vertical, fearsome force of nature) and sentimentality (a warmer and more horizontalizing form of affect).'Colin Carman, European Romantic Review'With focus on Romantic poetry, Reno's book interrogates quests for transcendental love in relation to the seemingly contrary pull of human bonds. [...Reno's] challenge to the dominant interpretations of young Wordsworth as an unadulterated Pantheist is welcome [...and] the first chapter breaks new ground in explaining Erasmus Darwin's influence on Wordsworth. [...] While much remains for scholarship to say on intellectual love, this book offers substantial contributions.'Chris Murray, Review 19Table of ContentsAcknowledgementsList of AbbreviationsIntroduction: Recovering Intellectual LoveChapter 1: Wordsworthian LoveChapter 2: John Clare and Ecological LoveChapter 3: Shelleyan LoveChapter 4: Felicia Hemans and the AffectionsChapter 5: Tennyson, Arnold, and the Victorians: The Legacy of Romantic LoveBibliographyIndex

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Book SynopsisMary Elizabeth Braddon's The Factory Girl (1863) was a cheap serial intended for working-class readers. The sprawling plot centres on Laura Leslie and her daughter, Dora, who are the targets of a diverse cast of villains. After Laura's tragic death, Dora and her adoptive mother start a new life working in a cotton mill, but Dora's beauty attracts unwelcome attention, putting them in danger. Dora is the classic factory girl, a nineteenth-century revision of the Gothic heroine. Republished in the US in both newspapers and as a book, and translated into French, the novel has been out of print since the 1860s. This edition reproduces the original Halfpenny Journal text and illustrations, and adds a scholarly introduction placing the novel in numerous cultural contexts, including the rise of sensation fiction; nineteenth-century popular theatre; the transformation of the genre of the Gothic; and the backdrop of the Industrial Revolution.

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Book SynopsisThough Julia Wedgwood is still remembered as a commentator on the work of her uncle, Charles Darwin, and for her brief but intense friendship with Browning, her contemporary standing as a writer (“the thoughtful woman par excellence”) has been obscured as has her role in the pioneering days of women’s higher education and the first campaigns for female suffrage. Based on her extensive correspondence and unusually wide-ranging work, this biography unites the private person and the public writer. It also looks at her many relationships with leading Victorian cultural figures including not only Darwin and Browning but George Eliot, Mrs Gaskell, Harriet Martineau, Frances Power Cobbe, F. D. Maurice, Richard Hutton, Arthur Munby and the young E. M. Forster. It considers the challenges facing a single, deaf Victorian woman in establishing her own independent, but unconventional, life.Trade Review‘This sparkling biography is as wide-ranging as its subject, a serious writer and niece of Charles Darwin who enjoyed friendships with luminaries from Elizabeth Gaskell (in whose home Wedgwood heard gossip about Charlotte Brontë), to Robert Browning, and – thanks to her long life – E. M. Forster. A fascinating life!’—Linda Hughes, Addie Levy Professor of Literature, Texas Christian University, USA‘Susan Brown’s deeply researched and penetrating study corrects a historical erasure and brings to full prominence the multifaceted influence of Julia Wedgwood on 19th and early 20th century literature and thought. Skilfully interweaving a wide array of correspondents, collaborators and intellectual companions, Brown’s biography traces the enthralling history of a brilliant but stubbornly self-contained mind and reveals Wedgwood’s substantial contributions to Victorian literature, philosophy, science and theology. Thoughtful, moving and beautifully written, Julia Wedgwood: The Victorian Female Intellectual explores the ways in which Wedgwood’s uncompromising pursuit of the life of the mind and principled retreat from intimacy attracted and repelled the leading writers and thinkers of her day.’—Jane Susan Stabler, Professor, School of English, The University of St Andrews, UK‘A compelling portrait of a remarkable, highly gifted Victorian woman and her contribution to nineteenth-century thought.’—Joanne Shattock, Emeritus Professor of Victorian Literature, University of Leicester, UK‘This is a beautifully written book about an important, yet neglected, Victorian intellectual that provides a new perspective on a number of central figures of the period. Julia Wedgwood was at the center of many of the important philosophical, social, religious, and literary movements of the era. A restless spirit, her broad intellectual interests and commitments brought her into contact with so many fascinating Victorians, including Browning (who interested her romantically), Darwin (who was her uncle), George Eliot, F. D. Maurice, R. H. Hutton, James Martineau, and many others. The author has a knack for analyzing Wedgwood’s relationships with these figures, probing both their intellectual ties and the personalities that could attract or repel. She also has an uncanny ability to examine, with a great deal of sensitivity, the dynamics of the family relationships within the Darwins and the Wedgwoods.’ — Bernard Lightman, Professor of Humanities, York University‘This engaging biography brings to light a remarkable and forceful figure who has long required attention. Sue Brown’s study – detailed, immaculately researched and eloquently written – reveals the full range of Julia Wedgwood’s achievements and intriguingly situates her at the centre of a wide network of nineteenth-century writers, scientists, reformers and intellectuals. It is certainly hard to imagine this biography being surpassed.’ — Simon Avery, Reader in Nineteenth-Century Literature and Culture, Westminster UniversityBrown’s biography surveys Wedgwood’s influence and popularity as they developed across her lifetime and in the context of luminaries such as F. D. Maurice, Elizabeth Gaskell, Mary, and George Boole, and Richard Hutton as well as prominent debates on suffrage, women’s education, vivisection, and the role of science within religion. Brown traces the complex shifts in Wedgwood’s thinking about each of these through close readings of her private letters, her letters to monthly periodicals, and her essays for a range of upmarket monthlies — Mercedes Sheldon, University of Minnesota, Twin Cities, Volume 55, Number 3&4, Fall/Winter 2022, pp. 472-474 (Article).Table of ContentsList of Illustrations; Introduction: ‘The Formidable Snowie’; Part I The Education of Julia Wedgwood Chapter One A Brilliant Child; Chapter Two Mentors, Friends and Pioneers; Chapter Three Waiting; Chapter Four The Young Novelist; Part II Great Men and Female Friends Chapter Five The Promise of Darwinism; Chapter Six ‘The Era of My Life’; Chapter Seven A Woman’s World; Chapter Eight The Responsibilities of the Poet; Part III Becoming a Woman of Letters Chapter Nine Finding a Voice; Chapter Ten A Forgotten Feminist; Chapter Eleven Doubt and the Fallibility of Idols; Chapter Twelve Domestic Contentment; Chapter Thirteen Coming to Terms with Darwin and His Legacy; Part IV The ‘Thoughtful Woman Par Excellence’ Chapter Fourteen The Message of Julia Wedgwood; Chapter Fifteen ‘The Old Order Changeth’; Chapter Sixteen ‘A Satisfi ed Guest’; Acknowledgements; Notes; Bibliography; Index

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