Description

Book Synopsis
Emily Ennis received her PhD from the University of Leeds in 2016. Since then, she has taught Victorian and Modernist literature, as well as modules on visual cultures, at University of Leeds, Newcastle University and Bishop Grosseteste University.

Table of Contents
Introduction: Capturing the Image Part One: Thomas Hardy, Photography, and Reality Chapter One: The Figure of the Author and Amateur Photography Chapter Two: Obscuring the Boundaries: Art, Imagination, Photography Part Two: Bram Stoker, Theatrical Culture, and the Photographic Heritage of the Vampire Chapter Three: Photography, Promotion, and the Theatrical Profession in Bram Stoker’s Correspondence Chapter Four: ‘Could not codak him’: Theatrical Monsters and Popular Photography Part Three: Joseph Conrad: Photography, Identity, and Modernity Chapter Five: Past and Present Lives: Conrad, Heritage, and Literary Celebrity Chapter Six: Modernity, Mass Media, and Moving Pictures Part Four: Photography, Composition, Memory: Virginia Woolf’s Early Prose and Family Albums Chapter Seven: Photography and Woolf’s Non-Fiction Chapter Eight: Woolf as Rachel Vinrace: Biography, Photography, and The Voyage Out (1915) Coda(k): Professional Writing, Leisure, and Class Bibliography Index

Writing Authorship and Photography in British

    Product form

    £85.50

    Includes FREE delivery

    RRP £90.00 – you save £4.50 (5%)

    Order before 4pm tomorrow for delivery by Wed 17 Jun 2026.

    A Hardback by Emily Ennis

    1 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Writing Authorship and Photography in British by Emily Ennis

      Publisher: Bloomsbury Publishing (UK)
      Publication Date: 1/21/2022 12:04:00 AM
      ISBN13: 9781350196186, 978-1350196186
      ISBN10: 1350196185
      Also in:
      Photography and photographs ELT & Literary Studies Literary studies: c 1800 to c 1900

      Description

      Book Synopsis
      Emily Ennis received her PhD from the University of Leeds in 2016. Since then, she has taught Victorian and Modernist literature, as well as modules on visual cultures, at University of Leeds, Newcastle University and Bishop Grosseteste University.

      Table of Contents
      Introduction: Capturing the Image Part One: Thomas Hardy, Photography, and Reality Chapter One: The Figure of the Author and Amateur Photography Chapter Two: Obscuring the Boundaries: Art, Imagination, Photography Part Two: Bram Stoker, Theatrical Culture, and the Photographic Heritage of the Vampire Chapter Three: Photography, Promotion, and the Theatrical Profession in Bram Stoker’s Correspondence Chapter Four: ‘Could not codak him’: Theatrical Monsters and Popular Photography Part Three: Joseph Conrad: Photography, Identity, and Modernity Chapter Five: Past and Present Lives: Conrad, Heritage, and Literary Celebrity Chapter Six: Modernity, Mass Media, and Moving Pictures Part Four: Photography, Composition, Memory: Virginia Woolf’s Early Prose and Family Albums Chapter Seven: Photography and Woolf’s Non-Fiction Chapter Eight: Woolf as Rachel Vinrace: Biography, Photography, and The Voyage Out (1915) Coda(k): Professional Writing, Leisure, and Class Bibliography Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account