Literary studies: c 1600 to c 1800 Books
Cambridge University Press The Renaissance of Lesbianism in Early Modern England 42 Cambridge Studies in Renaissance Literature and Culture Series Number 42
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£44.64
Cambridge University Press Macbeth
Book SynopsisThis second edition of Macbeth offers a thorough reconsideration of one of Shakespeare's most popular plays. Edited and introduced by A. R. Braunmuller, this edition features a new introductory section on recent productions of the play, including cinematic versions by Kurosawa and Roman Polanski.Trade Review'This updated edition of Macbeth reveals thorough research, it is conscientiously annotated, and it appears a superb tool for researchers and students involved in Shakespeare scholarship.' Year's Work in English StudiesTable of ContentsIntroduction: Macbeth in legend, Macbeth in history; Macbeth in the mind; Macbeth in performance; Macbeth in the mind and in performance; Recent performances and adaptations; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendixes: 1. Casting Macbeth; 2. Additional text and music; 3. Relineation of the Folio; Reading list.
£12.29
Carcanet Press Ltd England and the English Millennium Ford
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£17.06
Archetype The Secret of Shakespeare: His Greatest Plays
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£18.95
WW Norton & Co 1 Henry IV
Book SynopsisThe text, with few departures, is that of the First Quarto (1598) edition of the play.Table of ContentsPreface A Note on the Text Abbreviated Genealogy of the Mortimers and the House of Lancaster The Text of 1 Henry IV Contexts and Sources COMPOSITION AND PUBLICATION Excerpt from the 1598 Quarto ONE PLAY OR TWO? Harold Jenkins – The Structural Problem in Shakespeare’s “Henry the Fourth” Paul Yachnin – History, Theatricality, and the “Structural Problem” in the Henry IV Plays FALSTAFF OR OLDCASTLE? Gary Taylor – The Fortunes of Oldcastle David Scott Kastan – [Reforming Falstaff] ORIGINS Peter Saccio – [Shakespearean History and the Reign of Henry IV] Edward Hall – Henry, Prince of Wales Raphael Holinshed – Elizabeth and the Uniting of the Two Houses Anonymous – An Homilee against disobedience and wylful rebellion Raphael Holinshed – The Chronicles of England Samuel Daniel – The Ciuile Wars The Famous Victories of Henry the Fifth Criticism John Dryden – The Composition of a Character Samuel Johnson – [Falstaff] Elizabeth Montagu – [Hal, Falstaff, and Taste] Maurice Morgann – An Essay on the Dramatic Character of Sir John Falstaff John Dover Wilson – The Falstaff Myth Arthur C. Sprague – Gadshill Revisited E.M.W. Tillyard – The Second Tetralogy Henry Ansagar Kelly – [Providence and Progaganda] Graham Holderness – [Tillyard, History, and Ideology] Sigurd Burckhardt – [Symmetry and Disorder] John Wilders – [Knowledge and Misjudgement] Stephen Greenblatt – [Theater and Power] Scott McMillin – [Performing 1 Henry IV] David Scott Kastan – “The King Hath Many Marching in His Coats,” or, What Did You Do in the War, Daddy? C. L. Barber – [Mingling Kings and Clowns] Michael Bristol – [The Battle of Carnival and Lent] Samuel Crowl – [Welles and Falstaff] Patricia Parker – [Fat Lady Falstaff] Coppélia Kahn – [Masculine Identities] Gus Van Sant – [My Own Private Idaho] Susan Wiseman – [Shakespeare in Idaho] Jean E. Howard and Phyllis Rackin – [Gender and Nation] Christopher Highley – [Defining the Nation] Barbara Hodgdon – [Endings] Selected Bibliography
£13.99
Nick Hern Books Sweet William: A User's Guide to Shakespeare
Book SynopsisMichael Pennington's solo show about Shakespeare, Sweet William, has been acclaimed throughout Europe and in the US as a unique blend of showmanship and scholarship. In this book, he deepens his exploration of Shakespeare's life and work - and the connection between the two - that lies at its heart. It is illuminated throughout by the unrivalled insights into the plays that Pennington has gained from the twenty thousand hours he has spent working on them as a leading actor, an artistic director and a director - and as the author of three previous books on individual Shakespeare plays. With practical analysis, wonderfully detailed and entertaining interpretations of characters and scenes, and vivid reflections on Shakespeare's theatre and ours, the result is a masterclass of the most enjoyable kind for theatregoers, professionals, students and anyone interested in Shakespeare. This book was published in hardback as Sweet William: Twenty Thousand Hours With Shakespeare. 'A brilliant and intimate insider's guide to Shakespeare from one of our greatest classical actors' Gregory Doran 'Michael Pennington is a great Shakespearian actor who writes with the authority of an academic. His book analyses the plays, the characters and the playwright's life. It will intrigue, entertain and challenge students, actors and their audiences' Ian McKellen 'Rich and informative, and something that will be mined for many years to come by anyone interested in Shakespeare and in British theatre' Professor James Shapiro 'Shakespeare comes wonderfully to life in Michael's beautifully written book' Rupert Everett 'Irresistibly readable' Peter Brook Trade Review'Pennington's blend of scholarship and practical experience gives him an edge over critics with a purely academic knowledge... It's like chatting to an immensely knowledgeable and entertaining actor in The Dirty Duck at Stratford: a raconteur full of theatrical anecdotes, waspish asides, and provocative insights' * Drama magazine *'I can't remember when I learned so much from a single volume as I have from Michael Pennington's engaging, absorbing, congenial, informative new book Sweet William... Sometimes he's anecdotal, often lyrical, always thoughtful and occasionally laugh-aloud funny. Pennington's book is a must-read for anyone interested in Shakespeare from almost any angle - actor, drama student, teacher, director, technician, literature student or audience member' * The Stage *'The most important and best set of original Shakespeare essays that I have read in over thirty years... Pennington is blessed with an ideal combination of talents and experiences... a wonderful book' * Speaking English *
£12.34
Boydell & Brewer Ltd The Philosopher's English King: Shakespeare's
Book SynopsisThe Philosopher's English King offers a close reading of the Henriad, presenting Shakespeare's teaching on political authority and contributing to the burgeoning scholarship on Shakespeare as a political thinker. This book on Shakespeare's Henriad studies the tetralogy as a work of political thought. Leon Harold Craig, author of two previous volumes on Shakespeare's political thought, argues that the four plays present Shakespeare'steaching on the problem of legitimacy, or who has the right to rule -- one of the perennial questions of political philosophy. Offering original interpretations of each of the plays, Craig discusses the demise of divine right inRichard II, political upheaval and disputed rule in Henry IV, Parts 1 and 2, and the attempt to reestablish legitimacy on a new basis in Henry V. While focusing especially on the plays' various interpretive puzzles,Craig shows how the four plays constitute one narrative, culminating in the rule of England's most famous warrior king, Henry V, whose brilliant achievements were undone by ill fortune. Craig concludes with an epilogue on what might have been had Henry lived to consolidate his conquest of France and unify it with England under a single crown. Supported by a wealth of scholarship, both historical and critical, The Philosopher's English King makes a major contribution to the burgeoning scholarship on Shakespeare as a political thinker, providing further evidence for why the poet deserves to be recognized as a philosopher in his own right. Leon Harold Craig is professor emeritus of political science at the University of Alberta.Trade ReviewI consider this one of the best books ever written on Shakespeare's Henriad. The level of scholarship is second to none. Each chapter is as good as the next. The book is never uneven, and Craig's passion for his subject matter and his desire to share his knowledge with his readers is evident throughout. Not only does one gain many valuable insights into these plays, we are also encouraged to read Shakespeare philosophically, as I am certain Shakespeare wished to be read. * VOEGELINVIEW *Supported by the author's learned command of the relevant English history, this analysis not only serves as a comprehensive overview of the plays' events but also shows how paying attention to even the most minute details and minor characters can shed light on Shakespeare's central figures and plot lines. Highly recommended. * CHOICE *Dissenting from Craig requires the disputant's exercising his utmost capacities for philosophical reflection. . . . Because Craig rightly conceives the philosophic poet. * REVIEW OF POLITICS *In The Philosopher's English King Leon Craig once again proves the value of taking Shakespeare seriously as a political thinker. Drawing parallels with important political philosophers, such as Plato, Machiavelli, and Hobbes, Craig illumines some of the darker corners of Shakespeare's history plays and offers a comprehensive interpretation of the tough-minded teaching on kingship they embody. -- Paul A. Cantor, University of VirginiaTable of ContentsAcknowledgments Prologue Begins the Woefullest Division: The Tragic Reign of King Richard II A Punishing of Mistreadings: The Turbulent Reign of King Henry IV Proceeds The Noble Change Long Purposed: The Turbulent Reign of King Henry IV Concludes A Curious Mirror of Christian Kings: The Brief Glorious Reign of King Henry V An Alternative Epilogue: Imagining What Might Have Been Notes Bibliography Index of Names
£26.34
Viking Society for Northern Research Old Norse Made New Essays on the PostMedieval
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£10.00
Cambridge University Press The Cambridge Companion to Shakespeare and War
Book SynopsisWritten by a team of leading international scholars, The Cambridge Companion to Shakespeare and War illuminates the ways Shakespeare''s works provide a rich and imaginative resource for thinking about the topic of war. Contributors explore the multiplicity of conflicting perspectives his dramas offer: war depicted from chivalric, masculine, nationalistic, and imperial perspectives; war depicted as a source of great excitement and as a theater of honor; war depicted from realistic or skeptical perspectives that expose the butchery, suffering, illness, famine, degradation, and havoc it causes. The essays in this volume examine the representations and rhetoric of war throughout Shakespeare''s plays, as well as the modern history of the war plays on stage, in film, and in propaganda. This book offers fresh perspectives on Shakespeare''s multifaceted representations of the complexities of early modern warfare, while at the same time illuminating why his perspectives on war and its consequences continue to matter now and in the future.Trade Review'The Cambridge Companion to Shakespeare and War is much more than an overview of a field or guide to an area and performs valuable intellectual work in bringing together diverse perspectives on a subject that embarrasses as well as attracts readers, many of whom want a straightforward understanding of a complicated subject that will inevitably resist mastery.' Andrew Hadfield, Times Literary SupplementTable of Contents1. Beyond shallow and silence: war in the age of Shakespeare Paul E. J. Hammer; 2. Just war theory and Shakespeare Franziska Quabeck; 3. Shakespeare on civil and dynastic wars David Bevington; 4. Foreign war Claire McEachern; 5. War and the classical world Maggie Kilgour; 6. 'The question of these wars': Shakespeare, warfare, and the chronicles David Scott Kastan; 7. Instrumentalizing anger: warfare and disposition in the Henriad Gail Kern Paster; 8. War and Eros David Schalkwyk; 9. Shakespeare's language and the Rhetoric of war Lynne Magnusson; 10. Staging Shakespeare's wars in the twentieth and twenty-first centuries Michael Hattaway; 11. Reading Shakespeare's wars on film: ideology and montage Gregory Semenza; 12. Shakespeare and World War II Garrett A. Sullivan Jr; 13. Henry V and the pleasures of war Paul Stevens; 14. Macbeth and Trauma Willy Maley; 15. Coriolanus and the use of power Catherine M. S. Alexander.
£22.79
Bloomsbury Publishing PLC Shakespeare and London A Dictionary
Book SynopsisShakespeare and London: A Dictionary is a topographical reference book of all the London locations, allusions and colloquial terms mentioned in Shakespeare's complete works. For many years critics have argued that Shakespeare did not engage with the city in which he lived, however London''s topography and life is present in all his work, in its language, its locations and its characters. This dictionary offers a concise and fascinating insight into the city''s impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early modern London, its contemporary meanings and the ways in which Shakespeare employs these throughout the canon.Table of ContentsList of Figures Acknowledgements Series Editor's Preface List of Abbreviations List of Headwords Introduction A-Z Bibliography Index
£114.00
Greenwich Exchange Ltd Student Guide to Shakespeare's 'The Merchant of
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£11.99
Stanford University Press Shakespeare's Mad Men: A Crisis of Authority
Book SynopsisThis book is about a mad king and a mad duke. With original and iconoclastic readings, Richard van Oort pioneers the reading of Shakespeare as an ethical thinker of the "originary scene," the scene in which humans became conscious of themselves as symbol-using moral and narrative beings. Taking King Lear and Measure for Measure as case studies, van Oort shows how the minimal concept of an anthropological scene of origin—the "originary hypothesis"—provides the basis for a new understanding of every aspect of the plays, from the psychology of the characters to the ethical and dialogical conflicts upon which the drama is based. The result is a gripping commentary on the plays. Why does Lear abdicate and go mad? Why does Edgar torture his father with non-recognition? Why does Lucio accuse the Duke in Measure for Measure of madness and lechery, and why does Isabella remain silent at the end? In approaching these and other questions from the perspective of the originary hypothesis, van Oort helps us to see the ethical predicament of the plays, and, in the process, makes Shakespeare new again.Trade Review"This is criticism of the highest order, whose long, careful readings of King Lear and Measure for Measure are in dialogue with the finest readers of Shakespeare for the past century." —Blair Hoxby, Stanford University"A rigorous yet highly readable attempt to understand Shakespeare and neoclassical drama in general in new terms, Shakespeare's Mad Men demonstrates in admirable detail the analytical power of generative anthropology wielded by a powerful intelligence."—Eric Gans, University of California, Los Angeles"Attentive to both the ruses of bad faith and the truths disclosed by Shakespeare's language, van Oort addresses our human predicament as symbol-making creatures whose search for love is troubled by the ceaseless drive for mastery."—Julia Reinhard Lupton, University of California, Irvine"van Oort's reading is nothing less than a stunning provocation."—Amir Khan, Shakespeare Quarterly"[R]eaders... will find value and pleasure in van Oort's compelling readings, and his clear style makes complex concepts pleasingly accessible."—Molly G. Yarp, Times Literary Supplement"Eminently readable, Shakespeare's Man Men attempts to engage and explain the larger questions the plays raise, particularly why characters behave the way they do and make the choices they do. The readings are original and offer exciting ways to engage with the plays. Highly recommended."—K. J. Wetmore Jr., CHOICETable of ContentsIntroduction 1. The King's Last Potlatch 2. The Judge, the Duke, His Wife, and Her Lover Conclusion
£23.39
University of Pennsylvania Press Possible Knowledge: The Literary Forms of Early
Book SynopsisThe Renaissance, scholars have long argued, was a period beset by the loss of philosophical certainty. In Possible Knowledge, Debapriya Sarkar argues for the pivotal role of literature—what early moderns termed poesie—in the dynamic intellectual culture of this era of profound incertitude. Revealing how problems of epistemology are inextricable from questions of literary form, Sarkar offers a defense of poiesis, or literary making, as a vital philosophical endeavor. Working across a range of genres, Sarkar theorizes “possible knowledge” as an intellectual paradigm crafted in and through literary form. Sixteenth- and seventeenth-century writers such as Spenser, Bacon, Shakespeare, Cavendish, and Milton marshalled the capacious concept of the “possible,” defined by Philip Sidney as what “may be and should be,” to construct new theories of physical and metaphysical reality. These early modern thinkers mobilized the imaginative habits of thought constitutive to major genres of literary writing—including epic, tragedy, romance, lyric, and utopia—in order to produce knowledge divorced from historical truth and empirical fact by envisioning states of being untethered from “nature” or reality. Approaching imaginative modes such as hypothesis, conjecture, prediction, and counterfactuals as instruments of possible knowledge, Sarkar exposes how the speculative allure of the “possible” lurks within scientific experiment, induction, and theories of probability. In showing how early modern literary writing sought to grapple with the challenge of forging knowledge in an uncertain, perhaps even incomprehensible world, Possible Knowledge also highlights its most audacious intellectual ambition: its claim that while natural philosophy, or what we today term science, might explain the physical world, literature could remake reality. Enacting a history of ideas that centers literary studies, Possible Knowledge suggests that what we have termed a history of science might ultimately be a history of the imagination.Trade Review"This pathbreaking book will be at the vanguard of a new movement in literature and science studies." * Jenny C. Mann, New York University *"An ambitious, brilliant, and genuinely original account of the constitutive relationship between poesy and science in early modernity." * Vin Nardizzi, University of British Columbia *"This important book provides compelling evidence that early modern literature in the age of the new science helped readers develop sophisticated forms of knowing about what existed in the world, and, more crucially, what might possibly come to be." * Mary Thomas Crane, Boston College *
£49.30
University of Delaware Press Carrying All before Her: Celebrity Pregnancy and
Book SynopsisThe rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.Trade Review"Phillips's most significant contribution is her move to focus on the gravid body and its realities as well as significance(s), something both earlier histories of actresses and cultural histories of maternity have shied away from. The book's dialogues and echoes across and between different case studies – and with our own time – are significant for eighteenth-century, celebrity, and theatre studies."— Elaine McGirr, editor of Stage Mothers: Women, Work, and the Theater, 1660-1830Table of ContentsFigures Acknowledgments Introduction 1 Inheriting Greatness: Susanna Mountfort Verbruggen and Anne Oldfield 2 Pregnant Sensibility: Susannah Cibber and George Anne Bellamy 3 Conceiving Genius: Sarah Siddons 4 Prolific Muse: Dorothy Jordan Conclusion: Celebrity Pregnancy, Then and Now Appendix: Birth and Christening Dates Notes Bibliography Index
£30.40
Oxford University Press Early Modern Merchants and their Books
£107.35
Oxford University Press Shakespeare on Page and Stage
Book SynopsisThis volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells, one of the most well-known and respected Shakespeare scholars in the world. Wells''s accomplishments include editing the entire canon of Shakespeare plays for the ground-breaking Oxford Shakespeare, and over his lifetime he has made significant contributions to debates over literary criticism of the works, genre study, textual theory, Shakespeare''s afterlife in the theatre, and contemporary performance. The volume is introduced by Peter Holland, and its thirty chapters are divided into themed sections: ''Shakespearian Influences'', ''Essays on Particular Works'', ''Shakespeare in the Theatre'', and ''Shakespeare''s Text''. An afterword by Margreta de Grazia concludes the volume.Trade ReviewHis breadth and judiciousness are generously on view in an essay "On Being a General Editor," with advice that I have long taken to heart as to whether notes should appear at the foot of the page, how to keep the text as free as possible from algebraic signs, how to persuade individual editors in a series to absorb and act upon the advice they are given, and much more. These are only a few instances of enlightenment afforded by this immensely valuable collection of essays. * David Bevington, Renaissance Quarterly *Another collection poised at the intersection of theatrical practice and historical scholarship ... The essays in this collection exhibit Well's extraordinary critical range, as well as his characteristic clarity, wisdom, and wit. * Kevin Curran, Studies in English Literature 1500-1900 *[An] expansive, insightful essay collection ... [Wells's] engagement with the material is lively enough that [readers will be inspired] to dust off their old editions of the plays from their school days and dive back in. * Publishers Weekly *At their best (and they are often at their best), these essays display the tough-minded wit that John Donne might have brought to, as well as found in, Shakespeare: wreathed, ingenious, supple, sophisticated - and delivered with a wink. * Times Literary Supplement *For decades, the dean of British Shakespeare studies and Shakespeare's most sedulous ambassador worldwide, Stanley Wells, has been a critic of astonishing range. Here we see what he brought to and learned from his executive roles with the Shakespeare Institute and the Shakespeare Birthplace Trust, his editorships of the Oxford Shakespeare Complete Works and Shakespeare Survey, and his engagement with and mentorship of countless scholars. Close reading, contextual reading, textual editing, performance analysis, theatre history, cultural history--all are to be encountered in this astutely curated collection. There are pleasures of discovery and rediscovery: how fresh the work remains, how searching, and how revelatory. * Lena Cowen Orlin, Executive Director, The Shakespeare Association of America. *Stanley Wells's contribution to Shakespeare studies has been profound. This collection of his finest essays--ranging widely from stagecraft to theatre criticism, and from textual studies to explorations of individual works--confirms why he continues to serve as such an incisive and brilliant guide to the plays and poems. * James Shapiro, author of 1599 and 1606 *Stanley Wells is the most Shakespearian of Shakespearians. He epitomizes what makes the humanities humane. Great learning lightly worn; hard work disguised as play. A love of beauty and of truth. A deep commitment to the difficult work of understanding the human past. Curiosity, empathy, generosity, modesty. The clarity and passion of all great teachers. A twinkle in the eye, and in the prose. * Gary Taylor, Apprentice; Collaborator; Beneficiary *Table of ContentsPeter Holland: Introduction I. Shakespearian Influences 1: Shakespeare: Man of the European Renaissance 2: Tales from Shakespeare II. Essays on Particular Works 3: The Failure of The Two Gentlemen of Verona 4: The Taming of the Shrew and King Lear: A Structural Comparison 5: The Integration of Violent Action in Titus Andronicus 6: The Challenges of Romeo and Juliet 7: Juliet's Nurse: The Uses of Inconsequentiality 8: The Lamentable Tale of Richard II 9: A Midsummer Night's Dream Revisited 10: Translations in A Midsummer Night's Dream 11: The Once and Future King Lear 12: Points of Stagecraft in The Tempest 13: 'My Name is Will': Shakespeare's Sonnets and Autobiography 14: Shakespeare Without Sources 15: Shakespeare and Romance III. Shakespeare in the Theatre 16: Boys Should be Girls: Shakespeare s Female Roles and the Boy Players 17: Staging Shakespeare's Ghosts 18: Staging Shakespeare's Apparitions and Dream Visions 19: Shakespeare in Planché's Extravaganzas 20: Shakespeare in Max Beerbohm's Theatre Criticism 21: Shakespeare in Leigh Hunt's Theatre Criticism 22: Shakespeare in Hazlitt's Theatre Criticism 23: Peter Hall's Coriolanus, 1959 IV. Shakespeare's Text 24: On Being a General Editor 25: Editorial Treatment of Foul-Paper Texts: Much Ado About Nothing as Test Case 26: Money in Shakespeare's Comedies 27: To Read a Play: The Problem of Editorial Intervention 28: The First Folio: Where Should We be Without it? 29: The Limitations of the First Folio Margreta de Grazia: Afterword Notes Select List of Publications Acknowledgements Index
£999.99
Oxford University Press The Tragedy of Coriolanus
Book SynopsisCoriolanus is perhaps the most brilliant political play ever written. Set in Ancient Rome, it remains a gripping psychological study of the relationship between personality and politics. The introduction to this new edition considers Shakespeare''s adaptation of his historical material (Plutarch''s Lives) in relation to the social and political conditions in London and Stratford at the time of the play''s composition, also offering new evidence that it was written in 1608. Professor Parker examines the play''s history and particularly its staging at the Blackfriars theatre, where it was probably the first of Shakespeare''s plays to be presented and for which it may have been written. A thorough commentary pays special attention to the needs of actors and directors. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the mostTrade Review'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.' The Oxford Times * English Studies Offprint from vol.77 Number 1, January 1996 *
£8.54
Oxford University Press Henry V The Oxford Shakespeare
Book SynopsisHenry V, the climax of Shakespeare''s sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness.Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play''s fluctuating fortunes in performance, and analyses the range and variety of Shakespeare''s characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600). ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to c
£8.54
Oxford University Press Troilus and Cressida The Oxford Shakespeare
Book SynopsisTrade Review`authoritatively tackles one of the most textually troubling plays' Sunday Times'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.' The Oxford Times
£8.54
Oxford University Press Discourse on the Origin of Inequality
Book SynopsisIn his Discourses (1755), Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process. If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature? We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives to the corruption and oppressive conformity of modern society. Rousseau''s sweeping account of humanity''s social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century. This new translation includes all Rousseau''s own notes, and Patrick Coleman''s introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£8.54
Pearson Education Limited Heinemann Advanced Shakespeare Hamlet
Book SynopsisPart of the "Heinemenn Advanced Shakespeare" series of plays for A Level students, this version of "Hamlet" includes notes which should bridge the gap between GCSE and A Level, and space for students' own annotation. The text includes activities and assignments after each act.
£15.84
Bloomsbury Publishing PLC The Taming of The Shrew: Third Series
Book SynopsisThe Taming of the Shrew is unique among Shakespeare's plays and is a perennial and compelling success in the theatre. Its reception is marked, however, by ongoing polarized debate over the meaning and worth of the play. This edition disengages Shakespeare's exuberant and disturbing marital farce from the tangled history of its reception. It views the two sixteenth-century Shrew plays as textually independent but theatrically interdependent and so includes the full text of The Taming of A Shrew in an appendix. While the Introduction and Commentary focus on the critical and theatrical debate surrounding the play, the original and comprehensive editing of the playtext makes available a 'different' Shrew, more open to the reader's interpretation than is usually the case. Barbara Hodgdon is a distinguished feminist scholar whose reading of the play offers a stimulating array of ideas and questions about this enduringly popular yet challenging comedy.Trade Review'a spry, supple introduction to the play...Hodgson's performance history is particularly impressive: closely aligned to the breadth of critical readings, but suggesting the comedy's challenges and even, its charms.' * Plays International (February 2011) *'Barbara Hodgdon is a distinguished feminist scholar whose reading of the play offers a stimulating array of ideas and questions about this enduringly popular yet challenging comedy.' * Sardines Magazine (Autumn 2010) *
£11.67
Bloomsbury Publishing PLC King Henry IV Part 1: Third Series
Book SynopsisDavid Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the play's language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority.Trade Review'It is the superbly generous girth of Shakespeare's Henry IV plays that makes them so remarkable' * Charles Spencer, Daily Telegraph, 15.07.10 *'Shakespeare's story of a troubled usurper, a rebel age, a dissolute prince and his Falstaff.' * Libby Purves, The Times, 16.07.10 *'This is Shakespeare's masterpeice where diseaeses are turned to commodity, the hostess is eaten out of house and home, citizens are urged to construe the time to their neccessities, and white hairs ill become a fool and jester.' * Michael Coveney, Independent, 16.07.10 *
£14.19
Clairview Books Shakespeare's Secret Booke: Deciphering Magical
Book SynopsisAnd now I will unclaspe a Secret booke, And to your quicke conceyving Discontents, Ille reade you Matter, deepe and dangerous As full of peril and adventurous Spirit...- William Shakespeare, "King Henry IV", Part I. Whilst Shakespeare's genius is universally recognized, there is a hidden, secretive side to his work that is little known: the fact that he made use of a mysterious code that figures widely in the esoteric literature of the Elizabethan and Jacobean periods. The Bard of Avon was a master of such encoding, and his methods were continued, in the Folio of 1623 and in his various memorials, by those who had known him. However, Shakespeare was not the inventor of this code. Among the many arcane authors who made use of it before him was Michel Nostradamus, the famous French prophet and savant. As David Ovason reveals, many leading esoteric writers - alchemists, occultists and Rosicrucians - contributed to this 'Secret booke'. Among the more outstanding English literary figures who used the code were the mysterious adviser to Elizabeth I, John Dee, the turbulent author of "The Alchemist, Ben Jonson", and the more classically-minded Edmund Spenser, whose poem "The Faerie Queene" is the best-known esoteric work of the period. "Shakespeare's Secret Booke" reveals many other literary figures who together form a remarkable underground literary movement, including the most influential esotericist of the period, Jacob Boehme, and alchemists such as the English polymath Robert Fludd. Another was Shakespeare's contemporary, the youthful Johann Valentin Andreae, credited as author of "The Chymical Wedding" - a Rosicrucian work replete with sophisticated examples of encoding. The fact that all these writers used the same or similar encoding points to a secret teaching designed to be recognized by initiates. Ovason explores and, for the first time, reveals what Shakespeare alluded to as 'a Secret booke'.Table of ContentsIntroduction Chapter One The Secret Number Hamlet and ghosts - The Sonnets - The Tempest - Authors of the Secret booke - George Sandys - Four encoded portraits - Abraham Cowley - Love's Labour's Lost - William Blake - Robert Fludd - The two cupids Chapter Two Shakespeare's Curse Stone Shakespeare's tomb - Washington Irving - Ben Jonson - Francis Bacon - The curse-stone code - Samuel Ireland - The code unravelled Chapter Three Some Rosicrucian WorkS Ethan Allen Hitchcock - Shakespeare's tomb code - Liber M Mysterium Magnum - D.L.S. - Magica - Khunrath's Amphitheatrum - The Mystic Rose - The Phoenix, or Hermes Bird - Flaming Rose - Robert Fludd - Tabula Smaragdina - Atalanta fugiens Chapter Four The Sacred Monas of John Dee John Dee - Monas Hieroglyphica - John Milton - The Alchemist of Jonson - Alpha, Omega and Crux - Daniel Mylius - Saint Luke and Saint Matthew - Two Children - Michelangelo Chapter Five The Rosicrucian Code The Rosicrucian Temple of Schweighardt - Johann Valentin Andreae - Ezechiel Foxcroft - The Chymical Wedding - Pearls before swine - The Fifth Day - Naked Venus - The encoded script above the Venus - The Tree and the Fruit - The code within a code - Atman, Buddhi and Manas - Fludd's diagram of the secret Ternary - The Paracelsian Three Principles - Salt - Sulphur - Mercury - A Rosicrucian diagram of the secret Ternary Chapter Six Nostradamus his Codes Nostradamus - Propheties - First two quatrains - Iamblichus - Language of the Birds - Michael Maier - Jocus Severus - Quatrain 3:3 - The Battle of Lepanto - Pierre l'Estoile - Urbanus VIII - Bees - A 33-encoded quatrain Chapter Seven The Ego in Strife: Law & Boehme Portrait of Jacob Boehme - William Law - The Clavis - An Illustration of the Deep - Thomas Heywood - Michelangelo's Creation of Adam - Charles Bovelles - Das Auge and the A - Reincarnation diagram - Der Weeg zu Christo - Vesica Piscis Conclusion Picture section
£13.49
Taylor & Francis Ltd Mutual Flame Wilson Knight V The Sovereign
Book SynopsisFirst Published in 2002. This is a collection of essays and commentary on some of Shakespeareâs Sonnets looking at the areas of symbolism, time and eternity, integration and their expansion and moves onto the metaphysical poem of the Phoenix and the Turtle and considers if it has the same love as celebrated in the Sonnets.Table of ContentsPart 1 The Sonnets; Chapter 1 Facts and Problems; Chapter 2 The Integration Pattern; Chapter 3 Symbolism; Chapter 4 Time and Eternity; Chapter 5 The Expansion; Chapter 6 Conclusion; Part 2 Phoenix and Turtle; Chapter 7 Preliminary Remarks; Chapter 8 Love’s Martyr; Chapter 9 The Poetical Essays; Chapter 10 Shakespeare’s Poem; Chapter 11 Other Poets;
£225.00
Cambridge University Press Shakespeare Survey Volume 62 Close Encounters with Shakespeares Text Shakespeare Survey Series Number 62
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£116.85
Cambridge University Press A Literary History of Womens Writing in Britain 16601789
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£999.99
Cambridge University Press Samuel Johnson in Context
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£85.49
Cambridge University Press Shakespeare on the German Stage Volume 2 The Twentieth Century
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£108.00
Cambridge University Press Shakespeare Survey Volume 41 Shakespearian Stages and Staging with a General Index to Volumes 3140 Shakespeare Survey Series Number 41
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£71.25
Cambridge University Press Shakespeare Survey Volume 42 Shakespeare and the Elizabethans 042 Shakespeare Survey Series Number 42
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£71.25
Cambridge University Press Shakespeare Survey Volume 43 The Tempest and After Tempest and After v 43 Shakespeare Survey Series Number 43
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£71.25
Cambridge University Press Shakespeare Survey Volume 48 Shakespeare and Cultural Exchange Shakespeare and Cultural Exchange v 48 Shakespeare Survey Series Number 48
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£71.25
Cambridge University Press The Cambridge Introduction to Shakespeares Poetry
Book SynopsisShakespeare's poems, aside from the enduring appeal of the Sonnets, are much less familiar today than his plays, despite being enormously popular in his lifetime. This Introduction celebrates the achievement of Shakespeare as a poet, providing students with ways of understanding and enjoying his remarkable poems. It honours the aesthetic and intellectual complexity of the poems without making them seem unapproachably complicated, outlining their exquisite pleasures and absorbing enigmas. Schoenfeldt suggests that today's readers are better able to analyze aspects of the poems that were formerly ignored or the source of scandal - the articulation of a fervent same-sex love, for example, or the incipient racism inherent in a hierarchy of light and dark. By engaging closely with Shakespeare's major poems - 'Venus and Adonis', 'Lucrece', 'The Phoenix and the Turtle', the Sonnets and 'A Lover's Complaint' - the Introduction demonstrates how much these extraordinary poems still have to say tTrade Review"Schoenfeldt's volume has all the merits of a first-rate lecture series. It provides the facts, engages judiciously with current scholarship, and models exacting readings of target texts." --Recent Studies of the English RenaissanceTable of Contents1. Shakespeare and English poetry; 2. Shakespeare's banquet of sense: 'Venus and Adonis'; 3. 'My tongue shall utter all': constraint and complaint in 'Lucrece'; 4. Mysteries of the Sonnets; 5. 'All in war with time': progeny, poetry, and entropy in the Sonnets; 6. Friendship and love, darkness and lust: desire in the Sonnets; 7. Solitary and mutual flames: 'A Lover's Complaint' and 'The Phoenix and the Turtle'; 8. Passionate pilgrims: fantasies of Shakespearean authorship; Further reading.
£18.04
Cambridge University Press Performing Shakespeare in Japan
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£53.20
Cambridge University Press A Tale of a Tub and Other Works
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£133.95
Liverpool University Press As You Like it
Book SynopsisUsing an innovative theory of the significance of the Globe’s stage space, Penny Gay examines As You Like It's presentation of issues of power, sexuality, gender and genre.
£14.02
Taylor & Francis Ltd Women Medicine and Theatre 15001750 Literary
Book SynopsisWell illustrated, accessibly presented, and drawing on a comprehensive range of historical documents, including British, German and other European images, and literary as well as non-literary texts (many previously unconsidered in this context), this study offers the first interdisciplinary gendered assessment of early modern performing itinerant healers (mountebanks, charlatans and quacksalvers). As Katritzky shows, quacks, male or female, combined, in widely varying proportions, three elements: the medical, the itinerant and the theatrical. Above all, they were performers. They used theatricality, in its widest possible sense, to attract customers and to promote and advertise their pharmaceuticals and health care services. Katritzky investigates here the performative aspects of quack marketing and healing methods, and their profound links with the rise of Europeâs professional actresses, fields of enquiry which are only now beginning to attract significant attention from historians of medicine, economics or the theatre. Women, Medicine and Theatre also recovers womenâs roles in the economy of the itinerant quack stage. Women associated with mountebank troupes were medically and theatrically active at every level from major stage celebrities to humble urine sample collectors, but also included sedentary relatives, non-performing assistants, door- and bookkeepers, wardrobe mistresses, prop and costume loaners, landladies, spectators, patrons and clients. Katritzkyâs study of the whole range of women who supported the troupes contextualizes the activities of their male counterparts, and rehabilitates a broad spectrum of diversely occupied women. The strength of this titleâs research method lies in its comparative examination of documents that are generally examined from the point of view of either their performative or their medical aspects, by historians of, respectively, the theatre and medicine. Taken as a whole, these handbills, literary descriptions aTrade Review'Katritzky's main focus is on plays and players, but the author's assiduous research has assembled as much as could be hoped for on the extremely elusive presence of women in early modern performative medicine. This detailed study provides a storehouse of invaluable information, as well as decisive interventions in debates over the nature of early modern theatre.' Margaret Pelling, University of Oxford ’... impressively researched... A brief review can only suggest the wealth of examples and the depth of research that make this 'gendered' history of early modern theatrical practice an indispensable work in the field... the rich cultural context Katritzky provides makes the book a valuable resource for those engaged in more specialized studies.’ Renaissance Quarterly ’M. A. Katritzky's Women, Medicine and Theatre presents a fascinating wealth of visual and textual evidence signally important connections between women's roles in the theatricality of itinerant medical practitioners (mountebanks or quacks), and more literary or professional dramatic practice. ... Offering material that crosses European national borders, with particular focus on the Italian, English and German-speaking traditions, the book is spatially as well as temporally broad in scope, with good reason. ... Indeed, anyone with primary interest in a single national theatre, say in Shakespeare's England, should be attentive to Professor katritzky's evidence pointing toward much more entangled international practices. Her comparative and interdisciplinary approach is both exciting and welcome.’ Cahiers Elisabéthains ’In an era when many scholars seem to do everything they can to avoid archives, this scholar dives into them not only with energy and persistence, but with the tools necessary to evaluate and communicate what she finds. Her bibliographies are treasure troves, especially of things German. She also has amassed a remarkable catalog of visual resources, including many in privaTable of ContentsContents: Introduction: 'Mountebanks, monsters and several beasts': Margaret Cavendish at the Antwerp carnival fair. Part I Performing Medieval Quacks: Quack actresses of 1514; Literary mountebanks I: sex 'n shopping on the medieval religious stage; A quack picture: a key to the appearance of medieval staging? Part II Visual Aspects of Mountebank Activity: Friendship albums and other visual sources; Containers, stages and venues; The troupe; Performative aspects. Part III Marketing Medicine: Medical and commercial activity; Women as healers; Literary mountebanks II: stage quacks of Ben Jonson, Thomas Killigrew, Aphra Behn and Christian Weise; Quack couples: the male-female partnership. Part IV Gendering Tooth-Drawers: Tooth-drawers; Literary mountebanks III: Johann Kuhnau's female tooth-drawer, 1700; A French tooth-drawer: on the stage of Europe's first secular theatre? Part V Commedia dell'Arte Actresses: The inamorata; Comici and buffoni; Italian mixed-gender troupes: Thomas II Platter and Hippolytus Guarinonius; Female stage costume and cross-dressing. Part VI English Comedians in Shakespearean Europe: The Women: English actresses and the rise of the German professional stage; Pre-1650 women associated with the English comedians; The introduction of actresses in German-speaking Europe; Literary mountebanks IV: Johann Beer's flying quacks and mixed-gender 'English' troupe. Bibliography; Index.
£108.75
University of Alberta Press Jane Austen Company
Book SynopsisTwelve essays by distinguished academic Bruce Stovel study Austen in the context of comic novelists.
£26.99
Cambridge University Press Ben Jonsons Walk to Scotland
Book SynopsisThis is the first publication of a recently discovered account of Ben Jonson's walk to Scotland in 1618. Supported by contextual essays, this unique firsthand narrative provides researchers and graduate students with an invaluable insight into Jonson's life and work, and the social and cultural history of early modern Britain.Table of ContentsIntroduction: Jonson's 'foot voyage' and the Aldersey manuscript; My gossip Jonson his foot voyage and mine into Scotland; Contextual essays; 1. The genres of a walk; 2. Jonson's foot work; 3. Scenes of hospitality; Works cited; Index.
£62.69
Cambridge University Press A Cultural History of the Irish Novel 17901829 91 Cambridge Studies in Romanticism Series Number 91
Book SynopsisClaire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.Trade Review'… quietly provocative … the book makes an important foundational contribution to the field of Irish Gothic as well as Romantic studies … an exemplary study for scholars working in any language and national tradition.' Fiona Stafford, European Romantic Review'Everywhere in this book we see lines for exciting new developments in Irish literary history … The book will no doubt become a critical touchstone and will helpfully reshape the study of the Irish novel for a long time to come.' Robert Brazeau, Irish Studies Review'Connolly convincingly demonstrates the complexities of Irish Romantic novels in their engagements with Ireland's political union with Britain, and she uses various strategies to exemplify the dynamics between discourses of union and division in these texts … Connolly's work is highly commendable for the wide scope of texts that she incorporates into her argument, her revisionist reading of key works, and her reconsideration of prevalent assumptions about Irish Romantic novelists and their writings.' Marguerite Corporaal, Nineteenth-Century ContextsTable of ContentsPreface; 1. Introduction: fact and fiction; 2. Landscape and map; 3. Love and marriage; 4. Catholics and Protestants; 5. Dead and alive.
£85.50
Cambridge University Press Shakespeare Beyond Doubt
Book SynopsisDid Shakespeare write Shakespeare? The authorship question has been much treated in works of fiction, film and television, provoking interest all over the world. Sceptics have proposed many candidates as the author of Shakespeare''s works, including Francis Bacon, Christopher Marlowe and Edward De Vere, the seventeenth Earl of Oxford. But why and how did the authorship question arise and what does surviving evidence offer in answer to it? This authoritative, accessible and frequently entertaining book sets the debate in its historical context and provides an account of its main protagonists and their theories. Presenting the authorship of Shakespeare''s works in relation to historiography, psychology and literary theory, twenty-three distinguished scholars reposition and develop the discussion. The book explores the issues in the light of biographical, textual and bibliographical evidence to bring fresh perspectives to an intriguing cultural phenomenon.Trade Review'Until now no book has provided the comprehensive evidence necessary to satisfy those 'Reasonable Doubters'.' James Shapiro, Columbia University, and author of Contested Will: Who Wrote Shakespeare?'The Shakespeare debate has never been hotter.' London Evening Standard'This book helpfully pulls together irrefutable evidence that Shakespeare really was Shakespeare.' New Statesman'Well conceived and energetic.' The Times Literary Supplement'… salutary …' Standpoint'Shakespeare Beyond Doubt shows, once more, that the fickle authorship controversy still exists not because there is no evidence that Shakespeare was Shakespeare but because anti-Shakespeareans refuse to acknowledge it and prefer the creative route of constructing an imaginary and speculative truth. History does not work like that. It is not a Hollywood movie.' The Huffington Post'Thorough, rigorous, scholarly, and a lot of fun.' History Today'The range of evidence, from dialect, through manuscript analysis, to stagecraft, makes it a wonderfully rounded introduction to the period, as well as to the playwright.' Judith Flanders, The Times Literary Supplement'This excellent collection, edited by Paul Edmondson and Stanley Wells, assumes that it is possible to engage with the doubters in an honest, honourable, and constructive dialogue.' Quarto'… a most useful volume …' The New Criterion'The achievement here is substantial. Edmondson and Wells have curated an impressive collection that leaves few stones unturned and sets out a weighty case that defies easy rebuttal.' Cahiers Élisabéthains'All the essays are brief and accessible. Often summarising their own groundbreaking research, the contributors accomplish a two-fold task: they expose the feebleness of the anti-Shakespeareans' contentions and simultaneously provide accounts of the most recent developments in various branches of Shakespeare studies, whose scope and interest go well beyond the authorship question.' Laura Talarico, Memoria di Shakespeare: A Journal of Shakespearean Studies'The volume's distinguished editors, Paul Edmondson and Stanley Wells, have assembled a tight volume that both addresses the questions at the heart of the so-called authorship controversy and discusses the phenomenon in critically sophisticated ways.' Curtis Perry, SEL: Studies in English Literature 1500–1900Table of ContentsGeneral introduction Paul Edmondson and Stanley Wells; Part I. Sceptics: Introduction to Part One Paul Edmondson and Stanley Wells; 1. The unreadable Delia Bacon Graham Holderness; 2. The case for Bacon Alan Stewart; 3. The case for Marlowe Charles Nicholl; 4. The life and theatrical interests of Edward de Vere, 17th Earl of Oxford Alan H. Nelson; 5. The unusual suspects Matt Kubus; Part II. Shakespeare as Author: Introduction to Part Two Paul Edmondson and Stanley Wells; 6. Theorizing Shakespeare's authorship Andrew Hadfield; 7. Allusions to Shakespeare to 1642 Stanley Wells; 8. Shakespeare as collaborator John Jowett; 9. Authorship and the evidence of stylometrics MacDonald P. Jackson; 10. What does textual evidence reveal about the author? James Mardock and Eric Rasmussen; 11. Shakespeare and Warwickshire David Kathman; 12. Shakespeare and school Carol Chillington Rutter; 13. Shakespeare tells lies Barbara Everett; Part III. A Cultural Phenomenon: Did Shakespeare Write Shakespeare?: Introduction to Part Three Paul Edmondson and Stanley Wells; 14. 'This palpable device': authorship and conspiracy in Shakespeare's life Kathleen E. McLuskie; 15. Amateurs and professionals: regendering Bacon Andrew Murphy; 16. Fictional treatments of Shakespeare's authorship Paul Franssen; 17. The declaration of reasonable doubt Stuart Hampton-Reeves; 18. 'There won't be puppets, will there?': 'Heroic' authorship and the cultural politics of Anonymous Douglas M. Lanier; 19. 'The Shakespeare establishment' and the Shakespeare authorship discussion Paul Edmondson; Afterword James Shapiro; A selected reading list Hardy M. Cook.
£999.99
Cambridge University Press Shakespeare Survey Volume 65 A Midsummer Nights Dream
Book SynopsisShakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 65 is 'A Midsummer Night's Dream'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey.Table of Contents1. 'A local habitation and a name': the origins of Shakespeare's Oberon Laura Aydelotte; 2. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream Helen Barr; 3. 'Enter Cælia, the Fairy Queen, in her Night Attire': Shakespeare and the fairies Michael Hattaway; 4. Thinking with fairies: A Midsummer Night's Dream and the problem of belief Jesse Lander; 5. 'India' and the Golden Age in A Midsummer Night's Dream Henry Buchanan; 6. The limits of translation in A Midsummer Night's Dream Michael Saenger; 7. Voice, face, and fascination: the art of physiognomy in A Midsummer Night's Dream Sibylle Baumbach; 8. A Midsummer Night's Dream in illustrated editions, 1838–1918 Stuart Sillars; 9. Balanchine and Titania: love and the elision of history in A Midsummer Night's Dream Laura Levine; 10. A Midsummer Night's Dream on radio: the Oregon Shakespeare Festival's radio series Michael P. Jensen; 11. Benjamin Britten's dreams Russ McDonald; 12. Staging A Midsummer Night's Dream: Peter Hall's productions, 1959–2010 Roger Warren; 13. A Midsummer Night's Dream at the millennium: performance and adaptation Carol Thomas Neely; 14. Shakesqueer, the movie: Were the World Mine and A Midsummer Night's Dream Matt Kozusko; 15. Letter from the chalk face: directing A Midsummer Night's Dream at the Staunton Blackfriars Jacquelyn Bessell; 16. A Dream of campus Andrew James Hartley; 17. The plurality of Shakespeare's Sonnets Paul Edmondson and Stanley Wells; 18. The properties of whiteness: Renaissance Cleopatras from Jodelle to Shakespeare Pascale Aebischer; 19. 'This is the strangers' case': the utopic dissonance of Shakespeare's contribution to Sir Thomas More Margaret Tudeau-Clayton; 20. A collaboration: Shakespeare and Hand C in Sir Thomas More John Jowett; 21. Three's company: alternative histories of London's theatres in the 1590s Holger Schott Syme; 22. Thomas Greene: Stratford-upon-Avon's town clerk and Shakespeare's lodger Robert Bearman; 23. Shakespeare and the Inquisition Brian Cummings; 24. The Cowell manuscript or the first Baconian: MS294 at the University of London K. E. Attar; 25. The spectre of female suffrage in Shakespeare's Revelations by Shakespeare's Spirit Todd Borlik; 26. Shakespeare, word-coining, and the OED Charlotte Brewer; 27. Shakespeare's new words Robert N. Watson; 28. Hamlet in Plettenberg: Carl Schmitt's Shakespeare Andreas Höfele; 29. Behind the red curtain of Verona Beach: Baz Luhrmann's William Shakespeare's Romeo + Juliet Toby Malone; 30. The Royal Shakespeare Company at the Swan: the first twenty-five years Margaret Shewring; 31. Prospero behind bars Curt L. Tofteland and Hal Cobb; 32. Shakespeare performances in England (and Wales) 2011 Carol Chillington Rutter; 33. Professional Shakespeare productions in the British Isles, January–December 2010 James Shaw; 34. This year's contribution to Shakespeare studies: a. Critical studies reviewed by Charlotte Scott; b. Shakespeare in performance reviewed by Russell Jackson; c. Editions and textual studies reviewed by Eric Rasmussen.
£122.55
Cambridge University Press Commedia dellArte in Context
Book SynopsisThe commedia dell''arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell''arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell''arte.Table of ContentsIntroduction: commedia dell'arte: history, myth, reception Daniele Vianello; Part I. Elements: 1. Knots and doubleness: the engine of the Commedia dell'Arte Ferdinando Taviani; 2. Popular traditions, carnival, dance Riccardo Drusi; 3. Notebooks, prologues and scenarios Stefan Hulfeld; 4. Between improvisation and book Piermario Vescovo; Part II. Commedia dell'Arte and Europe: 5. Journeys Siro Ferrone; 6. France Virginia Scott; 7. The Iberian Peninsula María del Valle Ojeda Calvo; 8. German-speaking countries M. A. Katritzky; 9. Eighteenth-century Russia Laurence Senelick; 10. England Robert Henke; 11. Northern Europe Bent Holm; Part III. Social and Cultural Conflicts: 12. Commedia dell'arte and the church Bernadette Majorana; 13. Commedia dell'arte and dominant culture Raimondo Guarino; Part IV. Opera, Music, Dance, Circus and Iconography: 14. Commedia dell'arte in opera and music 1550–1750 Anne MacNeil; 15. From Mozart to Henze Andrea Fabiano; 16. Commedia dell'Arte in dance Stefano Tomassini; 17. The circus and the artist as Saltimbanco Sandra Pietrini; 18. Iconography of the commedia dell'arte Renzo Guardenti; Part V. Commedia dell'Arte from the Avant-Grade to Contemporary Theatre: 19. Stanislavsky and Meyerhold Franco Ruffini; 20. Copeau and the work of the actor Marco Consolini; 21. Staging Gozzi: Meyerhold, Vakhtangov, Brecht, Besson Franco Vazzoler; 22. Staging Goldoni: Reinhardt, Strehler Erika Fischer-Lichte; 23. Eduardo De Filippo and the Mask of Pulcinella Teresa Megale; 24. Dario Fo, Commedia dell'arte and political theatre Paolo Puppa; 25. Commedia dell'arte and experimental theatre Mirella Schino; Conclusion: commedia dell'arte and cultural heritage Christopher B. Balme.
£99.75
Cambridge University Press A Guide to NeoLatin Literature
Book SynopsisLatin was for many centuries the common literary language of Europe, and Latin literature of immense range, stylistic power and social and political significance was produced throughout Europe and beyond from the time of Petrarch (c.1400) well into the eighteenth century. This is the first available work devoted specifically to the enormous wealth and variety of neo-Latin literature, and offers both essential background to the understanding of this material and sixteen chapters by leading scholars which are devoted to individual forms. Each contributor relates a wide range of fascinating but now little-known texts to the handful of more familiar Latin works of the period, such as Thomas More''s Utopia, Milton''s Latin poetry and the works of Petrarch and Erasmus. All Latin is translated throughout the volume.Table of ContentsIntroduction: neo-Latin literature Victoria Moul; Part I. Ideas and Assumptions: 1. Conjuring with the classics: neo-Latin poets and their pagan familiars Yasmin Haskell; 2. Neo-Latin literature and the vernacular Tom Deneire; 3. How the young man should study Latin poetry: neo-Latin literature and early modern education Sarah Knight; 4. The republic of letters: across Europe and beyond Françoise Waquet; Part II. Poetry and Drama: 5. Epigram Robert Cummings; 6. Elegy L. B. T. Houghton; 7. Lyric Julia Haig Gaisser; 8. Verse letters Gesine Manuwald; 9. Verse satire Sari Kivistö; 10. Pastoral Estelle Haan; 11. Didactic poetry Victoria Moul; 12. Epic Paul Gwynne; 13. Drama Nigel Griffin; Part III. Prose: 14. Approaching neo-Latin prose as literature Terence Tunberg; 15. Epistolary writing Jacqueline Glomski; 16. Oratory and declamation Marc van der Poel; 17. Dialogue Virginia Cox; 18. Shorter prose fiction David Marsh; 19. Longer prose fiction Stefan Tilg; 20. Prose satire Joel Relihan; 21. Historiography Felix Mundt; Part IV. Working with Neo-Latin Literature: 22. Using manuscripts and early printed books Craig Kallendorf; 23. Editing neo-Latin literature Keith Sidwell.
£94.99
Cambridge University Press A Mirror for Magistrates A Modernized and Annotated Edition
Book SynopsisThe first modern critical edition of A Mirror for Magistrates - a collection of tragic verse narratives compiled by William Baldwin in 1559. This volume is aimed at scholars and advanced students of early modern English literature and history, and undergraduates researching the Mirror's influence on early modern English authors.Table of ContentsIntroduction;, The 1559 Mirror for Magistrates; Appendices.
£94.04
Cambridge University Press Shakespeare Survey Volume 66 Working with Shakespeare Working with Shakespeare Shakespeare Survey Series Number 66
Book SynopsisShakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 66 is 'Working with Shakespeare', and Tiffany Stern's essay has been selected by the Medieval and Renaissance Drama Society for its Barbara Palmer/Martin Stevens award for best new essay in early drama studies, 2014. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.Trade Review'Tiffany Stern's essay, 'Sermons, Plays and Note-Takers: Hamlet Q1 as a 'Noted' Text', reads like an especially well-written and deftly plotted mystery novel. Taking as her subject the so-called 'bad quarto' of Hamlet, Stern leads the reader through a thoroughly documented and totally compelling rethinking of Q1's origins. [She] persuasively argues that this text is the product of a note-taking scribal audience who employed contemporary notational habits to produce a 'pirated' text for publication … [She] brings to life a new world of early modern performance through descriptions and details that offer many small openings onto the textual culture of the period … this essay not only offers a significant reassessment of Hamlet Q1, but also makes a claim for the cultural importance of note-taking practices in the early modern period more generally.' Medieval and Renaissance Drama SocietyTable of Contents1. Sermons, plays and note-takers: Hamlet Q1 as a 'noted' text Tiffany Stern; 2. Equivocations: reading the Shakespeare/Middleton Macbeth Cordelia Zukerman; 3. The date of Sir Thomas More Hugh Craig; 4. Filming 'the weight of this sad time': Yasujiro Ozu's rereading of King Lear in Tokyo Story (1953) Reiko Oya; 5. Cursing to learn: theatricality and the creation of character in The Tempest David Schalkwyk; 6. Like an Olympian wrestling Richard Wilson; 7. 'Doing Shakespeare': how Shakespeare became a school 'subject' Janet Bottoms; 8. (Mis)advising Shakespeare's players Michael Cordner; 9. Making the work of play Michael Pavelka (in conversation with Carol Chillington Rutter); 10. 'On the wrong track to ourselves': Armin Senser's Shakespeare and the issue of artistic creativity in contemporary German poetry Tobias Döring; 11. 'What country, friends, is this?': Cultural identity and the World Shakespeare Festival Stephen Purcell; 12. Redefining knowledge: an epistemological shift in Shakespeare studies Péter Dávidházi; 13. Shakespeare as presentist John Drakakis; 14. Greater Shakespeare: working, playing and making with Shakespeare Hester Lees-Jeffries; 15. 'A joint and corporate voice': re-working Shakespearean seminars Scott L. Newstok; 16. Shakespeare and the cultures of translation Ton Hoenselaars; 17. Shakespeare's inhumanity Kiernan Ryan; 18. Making something out of 'nothing' in Shakespeare R. S. White; 19. 'A book where one may read strange matters': en-visaging character and emotion on the Shakespearean stage Michael Neill; 20. 'Hear the ambassadors!': Marking Shakespeare's Venice connection Carol Chillington Rutter; 21. 'O, what a sympathy of woe is this': passionate sympathy in Titus Andronicus Richard Meek; 22. Who drew the Jew that Shakespeare knew?: Misericords and medieval Jews in The Merchant Of Venice M. Lindsay Kaplan; 23. 'Imaginary puissance': Shakespearean theatre and the law of agency in Henry V, Twelfth Night and Measure For Measure Erica Sheen; 24. Hamlet and empiricism James Hirsh; 25. 'Let me see what thou hast writ': mapping the Shakespeare–Fletcher working relationship in The Two Noble Kinsmen at the Swan Varsha Panjwani; 26. Shakespeare performances in England (and Wales) 2012 Carol Chillington Rutter; 27. Professional Shakespeare productions in the British Isles, January-December 2011 James Shaw; 28. The year's contribution to Shakespeare studies: 1. Critical studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson; 3. Editions and textual studies reviewed by Sonia Massai.
£87.39
Cambridge University Press Celebrity Performance Reception
Book SynopsisBy 1800 London had as many theatre seats for sale as the city's population. This was the start of the capital's rise as a centre for performing arts. Worrall brings to life a period of extraordinary theatrical vitality, re-examining the beginnings of celebrity culture amidst a monopolistic commercial theatrical marketplace.Trade Review'Quirky, original, entertaining … liberally packed with fascinating material viewed from unusual perspectives.' The Times Literary Supplement'This book brings groundbreaking research to bear on its discussion of actors, performances, audiences, and playhouses in Britain in the 1780s and 1790s … [a] rich and fascinating study …' Helen M. Burke, Restoration and Eighteenth-Century Theatre ResearchTable of ContentsIntroduction: theatre, performance and social assemblage theory; 1. Theatrical assemblages and theatrical markets; 2. Georgian performance and the assemblage model; 3. Theatrical celebrity as social assemblage: from Garrick to Kean; 4. Celebrity networks: Kean and Siddons; 5. A working theatrical assemblage: 1790s representations of naval conflict; 6. Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794; 7. Historicising the theatrical assemblage: Marie Antoinette and the theatrical queens; 8. The regulatory assemblage: The Roman Actor and the politics of self-censorship; Conclusion; Appendix: actor-network theory.
£81.00
