Description

Book Synopsis
David Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the play's language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority.

Trade Review
'It is the superbly generous girth of Shakespeare's Henry IV plays that makes them so remarkable' * Charles Spencer, Daily Telegraph, 15.07.10 *
'Shakespeare's story of a troubled usurper, a rebel age, a dissolute prince and his Falstaff.' * Libby Purves, The Times, 16.07.10 *
'This is Shakespeare's masterpeice where diseaeses are turned to commodity, the hostess is eaten out of house and home, citizens are urged to construe the time to their neccessities, and white hairs ill become a fool and jester.' * Michael Coveney, Independent, 16.07.10 *

King Henry IV Part 1: Third Series

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£11.99

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Order before 4pm today for delivery by Tue 30 Dec 2025.

A Paperback / softback by William Shakespeare, David Scott Kastan

15 in stock


    View other formats and editions of King Henry IV Part 1: Third Series by William Shakespeare

    Publisher: Bloomsbury Publishing PLC
    Publication Date: 07/11/2002
    ISBN13: 9781904271352, 978-1904271352
    ISBN10: 1904271359

    Description

    Book Synopsis
    David Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the play's language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority.

    Trade Review
    'It is the superbly generous girth of Shakespeare's Henry IV plays that makes them so remarkable' * Charles Spencer, Daily Telegraph, 15.07.10 *
    'Shakespeare's story of a troubled usurper, a rebel age, a dissolute prince and his Falstaff.' * Libby Purves, The Times, 16.07.10 *
    'This is Shakespeare's masterpeice where diseaeses are turned to commodity, the hostess is eaten out of house and home, citizens are urged to construe the time to their neccessities, and white hairs ill become a fool and jester.' * Michael Coveney, Independent, 16.07.10 *

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