LGBTQIA+ Studies / topics Books

Book SynopsisWe stand on the shoulders of giants. Now we learn their names.'THE QUEER BIBLE is a collection of essays written by queer icons, about the queer trailblazers throughout history who inspired them.From Elton John on Divine to Graham Norton on Armistead Maupin; Russell Tovey on David Robilliard to Lady Phyll on Moud Goba; Tan France on the Queer Eye cast to Mae Martin on Tim Curry, today's queer heroes write about the icons that provided a creative inspiration to them. Other contributors include Amelia Abraham, Paula Akpan, Courtney Act, Munroe Bergdorf, Mykki Blanco, Joseph Cassara, David Furnish, Paul Flynn, Paris Lees, Juliet Jacques, Gus Kenworthy, Freddy McConnell, Paul Mendez, Mark Moore, Hans Ulrich Obrist, Hanne Gaby Odiele and Matthew Todd. Each essay is accompanied by exclusive, bespoke illustrations by queer or ally artists, to create a truly beautiful celebration of queer culture.Based on the popular website QueerBible.com, founded by model and activist Jack Guinness, this timTrade Review‘A joyous collection of essays’ GRAZIA ‘An ode to queer icons.’ STYLIST ‘The book is as eye-catching as its editor, all glossy pages and cool illustrations.’ INDEPENDENT / PA MEDIA

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Book SynopsisThe groundbreaking work on being homosexual in America—available again only from Penguin Classics and with a new foreword by Dan SavageOriginally published in 1971, Merle Miller’s On Being Different is a pioneering and thought-provoking book about being homosexual in the United States. Just two years after the Stonewall riots, Miller wrote a poignant essay for the New York Times Magazine entitled “What It Means To Be a Homosexual” in response to a homophobic article published in Harper’s Magazine. Described as “the most widely read and discussed essay of the decade,” it carried the seed that would blossom into On Being Different—one of the earliest memoirs to affirm the importance of coming out.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin CTrade Review“Forty years after Miller’s article and book his eloquent voice is still poignant, still relevant to the ongoing struggle, our struggle for dignity and equal rights.” — Jonathan Ned Katz, Founder, Co-Director, OutHistory.org“Forty years later, the story Miller tells remains important and necessary to read, not only for both gay and straight readers to understand ‘the way it used to be,’ but because the issues Miller raised are still being discussed and argued about.” — Nancy Pearl“Merle Miller’s On Being Different is a searing indictment of social hypocrisy, written with a quite but burning passion… This book is not only a valuable historical document about the gay civil rights movement, but it is an American classic because of the beauty it achieves through its unflinchingly honest portrayal of the raw pain of rejection.” — David Carter, author Stonewall: The Riots That Sparked the Gay Revolution“Without indulging in sensationalism or special pleading but making it clear that he was writing directly from his own experience, [Miller] bridged the gap between the ‘straights’ and the ‘gays’ in a way that few recent writers on the subject have done. He also put himself on the line as a well-known writer, who was not afraid to publicly acknowledge his homosexuality.” — Publishers Weekly“Brilliant, moving, and one is obliged to add, courageous narrative of personal homosexuality.” — James A. Wechsler, columnist

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Book SynopsisLavishly illustrated with over 175 black-and-white and color images that range from high to popular culture and from Ancient Greece to contemporary America, Christopher Reed''s arresting book reveals the deep linkages between art and homosexuality as we understand those terms. This is the first book to fully explore the interdependence between the identity of the artist and the homosexual. It offers a bold, globe-spanning narrative that draws on artwork from all the important periods in the Western tradition, including classical, Renaissance, and contemporary, with special focus on the modern period. It was in the nineteenth century that the identities of the avant-garde artist and the homosexual took shape, and almost as quickly overlapped. The figures involved--Ingres, Courbet, Wilde, Whitman--are among that era''s most iconic artists. The development of twentieth-century art--exemplified in the work of figures like Gertrude Stein, Jasper Johns, David Hockney, and David Wojnarowicz--this book argues is simply not understandable apart from the concurrent development of ideas about sexual identity. This highly readable volume challenges the ideas of many prominent art critics and punctures the platitudes surrounding discussions of both art and sexuality. The book discusses what it means to be an insider and outsider, how sexuality came to define one''s fundamental humanity, and what people risk (and gain) in rejecting economic and social conformity. Reed shows that many of the core ideas that define modern thought more generally are nearly indecipherable without an understanding of this pairing. The debates that have surrounded artists and homosexuals in effect capture the dramatic history of the evolution of the modern mind.Trade ReviewIt's not the first book on the subject, but 'Art and Homosexuality: A History of Ideas' is certainly among the best. * Los Angeles Times Culture Monster blog *Table of Contents1. VARIETIES OF 'HOMOSEXUALITY'; VARIETIES OF 'ART'. INITIATORY HOMOSEXUALITY: THE 'SAMBIA' OF NEW GUINEA & ANCIENT GREECE AND ROME. GENDER-TRANSCENDENT HOMOSEXUALITY: POLYNESIA & NORTH AMERICA. PERFORMATIVE HOMOSEXUALITY: TOKUGAWA JAPAN ; 2. BEFORE MODERNITY. EARLY CHRISTIAN AND MEDIEVAL EUROPE. THE RENAISSANCE. 17TH- AND 18TH-CENTURY EUROPE ; 3. INVENTING THE MODERN: ART AND SEXUAL IDENTITY IN THE LATE- NINETEENTH CENTURY. IMAGERY AT MID-CENTURY. INVENTING THE AVANT-GARDE. ARTISTS AT MID-CENTURY. THE MODERN ARTIST AS HOMOSEXUAL. AESTHETES AND ART JOURNALS ; 4. SECRETS AND SUBCULTURES, 1900-1940. ECHOES OF AESTHETICISM. AVANT-GARDE CONTINGENTS. SEXUALITY AND RACE. STRATEGIES OF CODING: ABSTRACTION AND SYMBOLS. THE LIMITS OF THE AVANT-GARDE. THE AVANT-GARDE AND THE OPEN SECRET. THE OPEN SECRET AND MASS CULTURE ; 5. THE SHORT TRIUMPH OF THE MODERN: 1940-1965. EXPRESSION AND REPRESSION IN POST-WAR ART. POPULAR IMAGERY, POP ART, AND THE ORIGINS OF POSTMODERNISM. CAMP AND CRITICISM ; 6. THE AVANT-GARDE AND ACTIVISM: 1965-1982. ART VS. POLITICS. FEMINISTS, LESBIANS, AND FEMALE SENSIBILITY. IDENTITY AND SENSIBILITY ; 7. THE AIDS DECADE: 1982-1992. AIDS AND THE AVANT-GARDE. AIDS, ACTIVISM, AND VISUAL CULTURE. HOMOPHOBIA AND VISUAL CULTURE ; 8. QUEER AND BEYOND. QUEER. FRAGMENTATION FROM WITHIN. PRESSURE FROM WITHOUT. WORKING THROUGH DIFFERENCE: THE BLACK MALE NUDE

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Book SynopsisPurposely flying in the face of decades of safe-sex campaigning and HIV/AIDS awareness initiatives, barebacking is unquestionably radical behavior, behavior that most people would rather condemn than understand. This title presents an investigation into barebacking and the distinctive subculture that has grown around it.Trade Review"Unlimited Intimacy is novel, fascinating, insightful, and courageous. Tim Dean convincingly argues that confronting head-on a sexual subculture that is alien to most readers, and understanding the fantasies that propel it, is a very good way of stimulating thought - not only about that subculture, but about one's own choices and behavior, and about the general social process of demonizing and pathologizing certain sexual practices." - Martha Nussbaum"

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Book SynopsisTrade Review“Plague Years is a remarkable book. At once the story of a disease and a very personal and reflective memoir, 200-some pages written in a powerful narrative style at once artful and enlightening. . . .There are many truths in this stunning and important book. And there’s also hope.” -- Rick Kogan * Chicago Tribune * “[A] powerful, humane and stylish memoir.” * Nature *"This medical memoir will be welcomed as a timely and thought-provoking read." * Choice *“Slotten’s memoir of caring for AIDS patients in Chicago in the 1980s and 1990s, Plague Years, could not be more timely. . . . San Francisco and New York City have long been cast as the epicenters of the AIDS epidemic, but Slotten provides a history of another major urban center coming to grips with an illness that was unexpected and misunderstood. . . .He is unflinching in examining his own psychology, the mechanisms he erected to protect himself, articulating his sense of deficiency in a bracing confessional tone. . . What loudly echoes from Slotten’s account is the commitment of caregivers to confront the uncertainty of a contagious disease.” -- Jerome Groopman * The New York Review of Books *“A tense reading experience. Indeed the entire story of [Slotten’s] love for a man who broke his heart sets us up for many pages of suspense. This story is woven in with memories of his young adulthood and middle years spent medically caring for AIDS patients, particularly gay men. As he comes to terms with his own advice to get tested—something he had avoided doing himself—readers may feel as if they’re holding onto a fraying rope.” -- Terri Schlichenmeyer * The Gay & Lesbian Review *“Slotten recounts his experience in the clinic with acuity and sensitivity. . . . Plague Years is thus a clinical story that is layered with emotional depth and personal detail, as he grapples with both medical and personal crises. The result is captivating and transformative.” * Cleveland Review of Books *“A heartfelt meditation on a time many thought they'd never see their way through-and a self-critical look at how he got through it. . . . As the public waits for medical miracles to crush the coronavirus, Slotten's words provide a glimmer of hope.” * Jewish United Fund News *"This is a devastating book, made more so by Slotten's viewpoint as both gay man and doctor, and by casual reminders of the things we didn't know then, and the things we know now. 'Plague Years' is profane and blunt and nail-biting and heartbreaking and hopeful, and that pretty much covers it." * The Meridian Star *“A plainspoken memoir of the AIDS onslaught by a doctor whose life and career have been spent fighting back at it, Plague Years is humane, harrowing, and—eventually, mercifully, guardedly—hopeful. It was not an easy thing for me to return to the Chicago of those early years of increasing anxiety and fear—who knows how many times Dr. Slotten and I may have unknowingly crossed paths?—but this is an important account, and well worth your time.” * Benjamin Dreyer, New York Times best-selling author of Dreyer’s English *“An excellently written, eminently readable, and absolutely compelling account of the AIDS epidemic, told with passion from the inside. Slotten vividly brings to life the stories of individuals lost to history and memory, as well as the experience of being a doctor on the frontline of something he never expected to encounter.” * John D’Emilio, author of Queer Legacies: Stories from Chicago’s LGBTQ Past *“Plague Years could have been written only by a highly observant and deeply thoughtful firsthand witness, reporting the most intimate and honest moments between a physician and his patients. A moving memoir of a gay doctor’s life during the most horrific years of the AIDS epidemic as well as an insightful and detailed historical document.” * Sean Strub, founder of POZ magazine and director of The Sero Project *

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Book SynopsisTrade Review"Wry, serious, and searching." * New York Review of Books *“Blends personal memoir with cultural criticism to explore the ghosts that haunt not only her rental house, but also her head, the city streets, American classrooms, and presidential debates. . . . Crispin may be primarily concerned with the Midwest, but its history, she argues, belongs just as much to the coasts, even if people from those regions try to distance themselves from it. . . . My Three Dads drills down on and picks apart these opinions, offering a concentrated look at a divided white America.” * Nation *"The reward of reading Crispin’s book is commiseration, sharing her shame at wanting to want something different, but sometimes just wanting." * Bookforum *"Crispin’s erudite analysis and biting wit make this multifaceted history unmissable. Searing and intelligent, this delivers on all counts." * Publishers Weekly, starred review *"By challenging a host of societal assumptions about family, identity, gender, religion, and politics, the author upends an array of notions about American exceptionalism. A fascinating and engaging cultural study." * Kirkus, starred review *"Crispin provides a much-needed counternarrative for the fictions of the Midwest that perpetuate and continue to engender an American cultural mythology that conceals harsh realities of colonialism, oppression, and patriarchalism, which together have led to undiscussed problems related to economic disadvantages, abuse, and stigma. . . .A powerful, provocative narrative, designed to remind readers that it is often silence that empowers oppression, allowing it the power to endure in unchallenged ways." * Library Journal *“My Three Dads is challenging in its assessment of American life—a personal story that’s conveyed with piercing humor, sharp details, and whirlwinds of intelligent, expansive prose.” * Foreword *

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Book SynopsisTrade Review“Because of his pivotal role in creating modern gay literature, Denneny has perhaps done more than any other single individual to actually create contemporary gay literary culture. On Christopher Street shows that there was a first-rate intellect behind his more familiar role as publisher and editor. While this volume is an important window on the recent past, it also demonstrates the extent to which one man’s lively and humane intellect influenced the creation of contemporary gay culture.” * David Carter, author of Stonewall: The Riots That Sparked the Gay Revolution *“On Christopher Street offers a remarkable glimpse into the first decades after the Stonewall Riots, a fascinating behind-the-scenes look at a new culture in formation. A valuable and thoughtful account of a foundational moment in American cultural history.” * David K. Johnson, author of The Lavender Scare *“There simply is no other person in the LGBT community who has been as pivotal for LGBT publishing, from newspapers and magazines to books. This important book is a testament to the history of our community.” * Mark Segal, founder and publisher of the Philadelphia Gay News and author of And Then I Danced *"Michael Denneny’s memoir-in-essays On Christopher Street illuminates various aspects of gay life in the past half-century. . . . The book’s primary focus is the state of the burgeoning gay literary scene and its public and critical reception. In preserving articles as they appeared at the time, the book revives the atmosphere, hopes, fears, ambitions, and challenges of the nascent community, as experienced by Denneny as a gay man living and working in New York. It also exposes the flawed, underdeveloped personal perspectives that Denneny spent subsequent years grappling with and refining." * Foreword *"As a founder and editor of the wildly influential literary journal Christopher Street and later as the first openly gay editor at a major publishing house, Denneny critically shaped publishing around gay subjects in the 1970s and beyond. At St. Martin’s Press, he acquired a slew of landmark titles by gay authors—many for his groundbreaking Stonewall Inn Editions—propelling queer voices into the mainstream cultural conversation. . . . On Christopher Street revisits that heady period to map out the cultural forces, geographies, and storylines of LGBTQ in those decades. Through 41 micro-chapters, Denneny draws on his journal writings, articles, interviews, and more from the 1970s and ’80s to put us there in this formative and also tragic time." * Queer Forty *"As the queer community has survived countless attempts at suppression and elimination, this book offers not only a historical account of the political environment of the 1970s-80s. It also showcases tried and true forms of activism and rhetoric, ones that have kept and continue to make our survival possible." * Out in Jersey *"If you love reading about gay life, you owe a debt to Michael Denneny." * Passport *Table of ContentsPreface: Becoming Real Part 1: Morning in Gay America (1970–1980)Christopher Street Magazine Dead Souls at The New Yorker: A Puzzling Case Lovers: The Story of Two Men “Everything Is Only Ten Years Old”: A Conversation with Felice Picano Decent Passions: Real Stories about Love Blue Moves: Conversation with a Male Porn Dancer Part 2: Beginning to Count Ourselves (1980–1983) Archeologist of the Present: Michel Foucault in New York City Gay Politics and Its Premises: Sixteen Propositions Sixteen Propositions: An Exchange Scaring the Horses; or the Question of Gay Identity Who Are We? What Do We Want? How Best Might We Get it? Part 3: The State of the Tribe (1983–1987) Gay Pride and Survival in the Eighties The State of Gay Criticism Oedipus Revised: David Leavitt’s The Lost Language of Cranes Paragraph 175, or How Dark Can It Get? A Culture in a Crucible Part 4: Workaday Publishing, or Hegel’s Ernst (1985–1988) Further Down the Road The Universal Voice of Gay Writers A Conversation with Allen Barnett How to Review a Gay Novel Chasing the Crossover Audience and Other Self-Defeating Strategies Editing Fiction and the Question of “Political Correctness” Part 5: On the Raft of the Medusa (1988–1990) The Death of a Generation An Intellectual Ambush A Quilt of Many Colors Preaching to the Choir The Present Moment A Letter to Ed White Part 6: In the Gathering Darkness an Age of Heroes (1991–1996) Eulogy for Allen Barnett Honoring Richard Rouillard Eulogy for Randy Shilts Necessary Bread: Gay Writing Comes of Age Stonewall: From Event to Idea Three Takes on John Preston Food for Life: A Dinner Party in Two Hours Turning . . . Turning: The Boys in the Band A Mouthful of Air: The Case of Larry Kramer Key West Seminar Part 7: Reconsiderations (1996–2014) Hymn to the Gym AIDS Books: Where We’ve Been, Where We’re Going Affectionate Men Last Letter to Paul Monette Afterword: Looking Back Appendix A: Out Magazine Appendix B: A Few Words about Christopher Street’s Finances Appendix C: The Stonewall Inn Editions Acknowledgments

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Book SynopsisA wide range of UK and US LGBT+ Christians share their stories, perspectives, and experiences as they have worked hard to reconcile their faith and sexuality.Trade Review'We each have unique gift – our individual testimony of what God has done in our lives, and how we have come to know and accept His amazing love. No one can ever take this away from us, although some do try to silence us. That’s why this book is so important. It is a powerful witness of the love of God in action, and beautifully tells how each individual came to the full realization that they are passionately loved by a God who created them to love and be loved.' -- Jane Ozanne * Writer, Broadcaster and LGBT Campaigner *'The stories of witness which Christians have told, but which have not been heard, typify much of Christian history. The sad but powerful words of witness in this book are a sign of the Gospel which allows LGBT + voices to be heard. They offer an urgent message which needs to be heeded by Christians in this and every generation.' -- Christopher Rowland * Dean Ireland’s Professor of the Exegesis of Holy Scripture Emeritus, University of Oxford *'This is a tremendous collection of deeply moving stories. Some of them are heart-rending, some wonderfully positive, some both. I hope before long such a book will be neither needed nor possible.' -- Revd Professor Michael J Reiss * UCL Institute of Education, University College London *

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Book SynopsisRe-reads Freud and articulates a fresh model of "perverse" desire.Trade Review" ... a work that builds a substantial bridge between Freudian psychoanalysis and radical feminist thought, particularly on the subject of lesbianism... Presenting a complex argument about an issue vital to the psychoanalytic endeavor as well as to feminist theory, The Practice of Love should stimulate a reconsideration of 'perversion' and the construction of sexual fantasy. The illumination of the fantasies that make lesbian desire distinctive will necessarily open up our understanding of all sexuality." Jessica Benjamin, New York Times Book Review "Teresa de Lauretis has entwined three books into one: a critical history of psychoanalytic theories of female homosexuality; a bold study of how lesbians keep disappearing from popular culture, especially film; and an original speculation on the dynamics of lesbian desire." Elisabeth Young-Bruehl "An important and original contribution not only to lesbian and gay studies, but also to psychoanalytic theory and film criticism. De Lauretis brings a unique and valuable perspective to issues of great importance today in all these areas." Leo Bersani "De Lauretis's influential theory gets top marks from sapphic scholars who know best." OutTable of ContentsACKNOWLEDGMENTSINTRODUCTIONPART ONE: PSYCHOANALYSIS AND LESBIAN SEXUALITY1. Freud, Sexuality, and Perversion2. Female Homosexuality RevisitedPART TWO: ORIGINAL FANTASIES, SCENARIOS OF DESIRE3. Recasting the Primal Scene: Film and Lesbian Representation4. The Seductions of Lesbianism: Feminist Psychoanalytic Theory and the Maternal Imaginary5. The Lure of the Mannish Lesbian: The Fantasy of Castration and the Signification of DesirePART THREE: TOWARD A THEORY OF LESBIAN SEXUALITY6. Perverse Desire7. Sexual Structuring and Habit ChangesWorks CitedFilms CitedGeneral IndexIndex of Films Citied

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Book SynopsisExamines "masked" lesbian representation in Hollywood cinemaTrade ReviewWhite (Swarthmore College) seeks traces of lesbian desire and difference in the films of the classic era. Since the Production Code forbade even the slightest hint of sexual deviancy, White must engage in a great deal of what she calls retrospectatorship, with somewhat mixed results. She begins by discussing the Code itself; moves on to a discussion of star personae (e.g., Davis, Hepburn, Dietrich, Garbo), the gothic/horror film and maternal melodrama, overt lesbian overtones among supporting players such as McDaniel, Waters, Fitter, McCambridge, and—especially—Moorehead; and closes with a chapter on retrospectatorship. She draws on all of the major figures in feminist film theory, if only to chastise them for ignoring the lesbian spectator. Since White covers much of the same ground that Mary Ann Doane does in The Desire to Desire: The Woman's Films of the 1940s (CH, Oct'87), she is particularly concerned with correcting Doane's omissions. White writes with considerable flair, and her arguments are always interesting, if not always fully convincing. A useful addition to studies of spectatorship in and of the classic era. Upper—division undergraduates through professionals. -- W. A. Vincent * Choice *Table of ContentsIntroductionChapter 1: Reading the Code(s) Chapter 2: Lesbian CinephiliaChapter 3: Female Spectator, Lesbian SpectatorChapter 4: Films for Girls: Lesbian Sentiment and the Maternal MelodramaChapter 5: Supporting "Character"Chapter 6: On RetrospectatorshipNotesWorks CitedIndex

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Book SynopsisThis groundbreaking study, among the earliest syntheses on female homosexuality throughout Antiquity, explores the topic with careful reference to ancient concepts and views, drawing fully on the existing visual and written record including literary, philosophical, and scientific documents.Even today, ancient female homosexuals are still too often seen in terms of a mythical, ethereal Sapphic love, or stereotyped as Amazons or courtesans. Boehringer''s scholarly book replaces these clichés with rigorous, precise analysis of iconography and texts by Sappho, Plato, Ovid, Juvenal, and many other lyric poets, satirists, and astrological writers, in search of the prevailing norms, constraints, and possibilities for erotic desire. The portrait emerges of an ancient society to which today''s sexual categories do not applya society before sexualitywhere female homosexuality looks very different, but is nonetheless very real.Now available in English for the first time, Table of ContentsList of figures; Note to the reader and translator's note; Preface to the English Translation (2020), by Sandra Boehringer; Preface to Sandra Boehringer, L’Homosexualité féminine dans l’Antiquité grecque et romaine, Paris: Les Belles Lettres, 2007, by David Halperin; Acknowledgements; Abbreviations; Introduction; I. MYTH AND ARCHAIC LYRIC POETRY: HOMOEROTICISM IN THE FEMININE; II. CLASSICAL AND HELLENISTIC GREECE: FROM SILENCE TO HUMOR; III. THE ROMAN PERIOD: FROM MYTHICAL FICTION TO SATIRE; Epilogue: Lucian or the Saturation of Signs; Conclusion; Bibliography (2007); Index of Ancient Authors and Works; Index of Contemporary Authors; Index nominum et rerum

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Book SynopsisLawrence Chaney isn't just the people's princess, they're the reigning Queen... of Drag Race UK. Lawrence hails from Glasgow, Scotland but has exploded globally after winning Drag Race. This is their first book.Trade ReviewIt's no mystery or secret how much I enjoy Lawrence Chaney. * RuPaul *Lawrence Chaney is queen of the one-liner and the funniest queen by a country mile. She has delivered the laughs a locked down nation needed in abundance. But there's much more to Chaney than her quick wit. Her vulnerability is also part of her natural gift. * Vogue *Gorgeous, hugely talented, funny, charismatic, adorable, Chaney is a goddess and brings us joy. * Lorraine Kelly *If you were obsessed with Lawrence when they were competing on Drag Race (and who wasn't?), you'll want to get yourself a copy asap * Cosmopolitan *Hilarious... gives a fresh perspective on the autobiographical drag queen format. Lawrence shares some of her most intricate and personal stories, as well as her extremely professional opinion on various subjects such as concocting a drag name, mental health and dating. * Gay Times *

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Book SynopsisUproarious.' The TimesTerrifically entertaining.' Evening StandardIrresistible.' Daily MailGripping.' Sunday Telegraph''A scintillating gem: a cracking page-turner, historically illuminating, culturally fascinating, and a book which effortlessly passes comment on today.'' HeraldLondon, April 1870: Fanny and Stella were no ordinary Victorian women. They were young men who liked to dress as women: Frederick Park and Ernest Boulton. Stella was the most beautiful female impersonator of her day, Fanny her inseparable companion.But the Metropolitan Police were plotting their downfall. Fanny and Stella were arrested and subjected to a sensational trial where every lascivious detail of their lives was lapped up by the public.With a cast of peers and politicians, detectives and drag queens, Fanny and Stella is a dazzling and enthralling story of cross ex

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisTakes stock of the ‘new British queer history’. Topics range from newspaper reporting of sodomy cases, to homoerotic representations in art, to queer autobiographical accounts, to oral histories of Scottish lesbians, and much else besides.Trade Review'The historians are coming and they’re bringing the New Queer History. The essays collected in British queer history present original perspectives and fascinating new data on the social, sexual and gendered past. Recommended!'Jonathan Ned Katz, author of The Invention of Heterosexuality and founder of OutHistory.org -- .Table of ContentsIntroduction: British queer history – Brian Lewis1. Politics and the reporting of sex between men in the 1820s – Charles Upchurch2. Naturalism, labour and homoerotic desire: Henry Scott Tuke – Jongwoo Jeremy Kim3. Bricks and Flowers: Unconventionality and queerness in Katherine Everett’s life writing – Mo Moulton4. ‘A peculiarly obscure subject’: The missing ‘case’ of the heterosexual – Laura Doan 5. ‘These young men who come down from Oxford and write gossip’: Society gossip, homosexuality and the logic of revelation in the interwar popular press – Ryan Linkof6. Thinking queer: The social and the sexual in interwar Britain – Matt Houlbrook 7. ‘I conformed; I got married. It seemed like a good idea at the time’: Domesticity in post-war lesbian oral history – Amy Tooth Murphy8. Mr Grey goes to Washington: The homophile internationalism of Britain’s Homosexual Law Reform Society – David Minto9. The homosexual as a social being in Britain, 1945–68 – Chris Waters10. Films and filming: the making of a queer marketplace in pre-decriminalisation Britain – Justin Bengry11. The cultural politics of gay pornography in 1970s Britain – Paul R. DeslandesIndex

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Book SynopsisA much-needed resource for LGBT+ communities and their allies that features global historical perspectives, explorations of myths and lore, and suggestions for integrating practices into contemporary life

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Book SynopsisThis is the story of two women, Lilly Wust and Felice Schragenheim, who met and fell in love during the war years in Nazi Germany. The story is based on interviews with Lilly, now 80 years old, and with friends and acquaintances of the couple.

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Book SynopsisTuring's involvement in the world's first computer and his life in Manchester

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Book SynopsisWith an introduction from RuPaul's Drag Race winner Sasha VelourTheir greatest act of resistance was simply existing.  In 1950s New York, a group of drag pioneers found work in a small number of Lower East Side clubs. They occupied the margins of society, determined to live authentically, despite the attentions of the police. These girls were unstoppable, fearless and fabulous, but their very existence was deemed a criminal threat to society. When a secret cache of their letters was discovered in 2014, these individuals were given a voice for the first time. The letters reveal personal triumphs and tragedies, and a fascinating world that has rarely been documented. Expertly weaving social, political and cultural history, Craig Olsen illuminates the lives and loves of our exceptional LGBTQ+ forebears.P.S. Burn This Letter Please is the ground-breaking result: a deeply moving encounter with a genera

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Book SynopsisCaptures the multitude of ways that diverse societies have shaped female same-sex sexuality across time and placeTrade ReviewSapphistries is amazing.. -- John D'Emilio,author of Intimate Matters: A History of Sexuality in AmericaSapphistries: A Global History of Love Between Women achieves what it set out to do by providing an overview of lesbian love from a historical and cultural perspective. * Popmatters.com *Every decade or so, a brave thinker makes an attempt to chart the historical maps of women loving women. Rupps contribution is perhaps one of the most elegant and interestingmaking up for the lapses of the past, Sapphistries sails an international course, giving us a rich mix of historical sources and an even richer gift of asking questions at just the right places. -- Joan Nestle,co-editor of GenderQueerRupps sweeping and highly readable synthesis of womens same-sex love and sexuality is also a finely crafted work of historical analysis. Her deep knowledge of the sources, from ancient to modern times, is truly impressive, while her use of literary imaginings make this a unique contribution to sexuality studies. -- Estelle Freedman,author of No Turning BackRupp has given us an invaluable history that promises to inform and inspire. * San Francisco Chronicle *Judicious, copious, scholarly and heartfelt, it will appeal equally to general readers and serious historians for its carefully chosen content and its novel methodology... As to methodology, Rupp is an old school historian who scrupulously recognizes the limitations of her craft, but who doesnt let those limitations keep her from rich imaginings and a refreshingly humane interest in the historical record... Sixty six pages of endnotes attest to the seriousness of the work; over two hundred pages of lucid and accessible prose make history fun again. * Salem Press, Magill Book Reviews *The narrative shines when Rupp describes love between women in its many forms, whether innocent (the schoolgirl & raves of early twentieth-century England) or romantic (intense & romantic friendships throughout the Western world) or outright erotic. With acute cultural sensitivity and a panoramic scope stretching from early Native American societies to contemporary India, Rupp delivers an academically rigorous and brilliantly told history. * Publishers Weekly (starred review) *Rupp succeeds in writing a fascinating and at times startling transnational history. . . . The range of this book is extraordinary. . . . Rupp has given us an invaluable history that promises to inform and inspire. * The San Francisco Chronicle *This is a useful source text that expands, rather than contracts, the interpretations of erotic subjectivities among women who desire women. * Historian *A fascinating book about the history of same-sex female attraction. . .reminds the reader all too poignantly never to take hard-won sexual freedoms for granted. * Bust Magazine *Rupps intellectually ambitious monograph attempts to present and trace the diverse threads of lesbian history in a worldwide and comparative framework... The resulting text is thought-provoking, readable, and challenging and belongs in every college and university library. * CHOICE *Table of ContentsPreface 1 Introduction 2 In the Beginning (40,000-1200 BCE) 3 In Ancient Worlds (3500 BCE-800 CE) 4 In Unlikely Places (500 BCE-1600 CE) 5 In Plain Sight (1100-1900) 6 Finding Each Other (1600-1900) 7 What's in a Name? (1890-1930) 8 In Public (1920-1980) 9 A World of Difference (1960-Present) 10 Conclusion Notes References Index About the Author

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Book SynopsisA bestseller in France following its publication in 1999, Insult and the Making of the Gay Self is an extraordinary set of reflections on “the gay question” by Didier Eribon, one of France’s foremost public intellectuals. Known internationally as the author of a pathbreaking biography of Michel Foucault, Eribon is a leading voice in French gay studies. In explorations of gay subjectivity as it is lived now and as it has been expressed in literary history and in the life and work of Foucault, Eribon argues that gay male politics, social life, and culture are transformative responses to an oppressive social order. Bringing together the work of Jean-Paul Sartre, Pierre Bourdieu, Judith Butler, and Erving Goffman, he contends that gay culture and political movements flow from the need to overcome a world of insult in the process of creating gay selves.Eribon describes the emergence of homosexual literature in Britain and France at the turn of the last cTrade Review“Best known in the United States for his biography of Michel Foucault, Didier Eribon is well known in France as an eloquent and influential gay critic and advocate. This stunning analysis of the continuing power of antihomosexual insult to shape gay lives shows us why. A tour de force of cultural criticism, erudition, and social engagement, Eribon’s work demonstrates the intellectual breadth and radical potential of queer critique.”—George Chauncey, author of Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940“Didier Eribon’s new book is a brilliant study of the ways in which gay subjectivity is at once constituted by homophobic discourse and, from within that discourse, finds the terms with which to forge a queer resistance and a queer freedom. Not only does it add an invaluable dimension to queer theory in the United States; it will be read by an even wider audience for its incisive and original analysis of the relation between culture and subjectivity.”—Leo Bersani, author of Homos, The Culture of Redemption, and Caravaggio's Secrets (with Ulysse Dutoit)“With lucid and exemplary patience, Didier Eribon dissolves more than a century of transatlantic thought-blockages. The result is a deeply clarifying book.”—Eve Kosofsky Sedgwick, author of Touching Feeling: Affect, Pedagogy, Performativity Table of ContentsPreface xi Acknowledgments xxiii Abbreviations xv Introduction: The Language of the Tribe 1 Part 1 A World of Insult 13 1 The Shock of Insult 15 2 The Flight to the City 18 3 Friendship as a Way of Life 24 4 Sexuality and Professions 29 5 Family and “Melancholy” 35 6 The City and Conservative Discourse 41 7 To Tell or Not to Tell 46 8 Heterosexual Interpellation 56 9 The Subjected “Soul” 64 10 Caricature and Collective Insult 70 11 Inversions 79 12 On Sodomy 88 13 Subjectivity and Private Life 97 14 Existence Precedes Essence 107 15 Unrealized Identity 113 16 Perturbations 124 17 The Individual and the Group 130 Part 2 Specters of Wilde 141 1 How “Arrogant Pederasts” Come Into Being 143 2 An Unspeakable Vice 153 3 A Nation of Artist 160 4 Philosopher and Lover 168 5 Moral Contamination 176 6 The Truth of Masks 182 7 The Greeks against the Psychiatrist 190 8 The Democracy of Comrades 197 9 Margot-a-la-boulangere and the Baronne-aux-epingles 206 10 From Momentary Pleasures to Social Reform 213 11 The Will to Disturb 223 12 The “Preoccupation With Homosexuality” 231 Part 3 Michel Foucault’s Heterotopias 245 1 Much More Beauty 247 2 From Night to the Light of Day 250 3 The Impulse to Escape 256 4 Homosexuality and Unreason 264 5 The Birth of Perversion 274 6 The Third Sex 281 7 Producing Subjects 289 8 Philosophy in the Closet 296 9 When Two Guys Hold Hands 303 10 Resistance and Counterdiscourse 310 11 Becoming Gay 319 12 Among Men 326 13 Making Differences 334 Addendum: Hannah Arendt and “Defamed Groups” 339 Notes 351 Works Cited 419 Index 439

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Book SynopsisProminent participants in the development of queer theory explore the field in relation to their own intellectual itineraries, reflecting on its accomplishments, limitations, and critical potential.Trade Review“At a moment when many had begun to worry that queer theory was becoming little more than a widespread litany of dogmas and slogans, this volume arrives as a wonderful surprise: not only because it reminds us what a contribution the varied intellectual currents grouped together under that rubric have been making—and for nearly twenty years now—to the renewal of our intellectual life; but also, and more importantly, because it shows to what a degree this theoretical effervescence lives on, and how powerfully productive it still is in all its characteristically marvelous variety.”—Didier Eribon, author of Insult and the Making of the Gay Self“[A] a kaleidoscopic collection that rotates around the personal-is-political-is-personal axis of denormativization. . . . Queer theory, in short, is alive and kicking. Having proliferated, branched out, and, so far, resisted ossification, it provides space for diversity and disagreement. Testifying to this, the contributions to After Sex? make an illuminating and, yes, entertaining read.” -- Sylvia Mieszkowski * GLQ *“[T]he value of After Sex? resides in its unwavering commitment to show how the nuances of queer theory aid in making it a powerful form of scholarship and politics. And this motley crew of interdisciplinary scholars reflects the exact kind of bricolage that Cultural Studies argues is productive. More importantly, this book insists that troubling the lenses through which we see the world is imperative if scholars ever want to make sense of a conjuncture that is so complexly intersectional.” -- Raechel Tiffe * Cultural Studies *“Together, the essays that make up this collection offer an engaging insight into the origins, development, expansiveness and potential problems of queer theory. After Sex? does not provide a straightforward, conclusive answer to its own ambiguous question, but then it would be somewhat queer – or, rather, unqueer – if it did.” * Forum for Modern Language Studies *Table of ContentsIntroduction / Janet Halley and Andrew Parker 1 Genealogies of After Queer Times / Carla Freccero 17 Still After / Elizabeth Freeman 27 After Thoughts / Jonathan Goldberg 34 Glad to Be Unhappy / Joseph Litvak 45 Do You Smoke? Or, Is There Life? After Sex? / Michael Moon 55 Post Sex: On Being Too Slow, Too Stupid, Too Soon / Kate Thomas 66 Affects and the (Anti-)Social Starved / Lauren Berlant 79 Shame on You / Leo Bersani 91 Ever After: History, Negativity, and the Social / Lee Edelman 110 Queering Identities What's Queer about Race? / Richard Thompson Ford 121 Queer Theory Addiction / Neville Hoad 130 The Sense of Watching Tony Sleep / José Esteban Muñoz 142 Oklahobo: Following Craig Womack‘s American Indian and Queer Studies / Bethany Schneider 151 Lesbian and Gay after Queer Public Feelings / Ann Cvetkovich 169 Queers ________ This / Heather Love 180 After Male Sex / Richard Rambuss 192 Neither Freud nor Foucault? Lonely / Michael Cobb 207 When? Where? What? / Michael Lucey 221 Queer Theory: Postmortem / Jeff Nunokawa 245 Disturbing Sexuality / Elizabeth A. Povinelli 257 After Sex?! / Erica Rand 270 After After Sex? Melanie Klein and the Difference Affect Makes / Eve Kosofsky Sedgwick 283 Contibutors 303 Index 307

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Book SynopsisAnn Cvetkovich combines memoir and cultural critique in search of ways of writing about depression as a public cultural and political phenomenon rather than as a personal medical pathology.Trade Review"A provocative addition to Ann Cvetkovich's eloquent writings on the archives of public feelings, this book takes depression out of the space of the private into the complex politics of our time. Weaving together memoir, cultural and medical history, and literary and theoretical discussion, Cvetkovich experiments with and reflects on unconventional ways of writing about embodiment, cognition, and affect. Along the way, she offers myriad prescriptions, small and large, on how to cope with the daily effects of depression and how to heal the world."—Marianne Hirsch, author of The Generation of Postmemory: Writing and Visual Culture after the Holocaust"Combining cultural critique with nuanced readings of queer aesthetic practices, and mixing theoretical reflections on experience with experiments in memoir, Depression: A Public Feeling delivers not only critical insights but also wisdom. The book offers a model for something like collective or collaborative authorship; framed as a project conceived in concert with a far-flung community of academics, activists, and artists, Depression is a departure from academic business as usual. This is a profoundly inspiring book."—Heather Love, author of Feeling Backward: Loss and the Politics of Queer History“Aesthetics, anecdotes and evidence against the medical model.” -- Tyler Cowen * New York Times Magazine *“Depression: A Public Feeling… sets out to challenge ‘contemporary medical notions’ of depression ‘that simultaneously relieve one of responsibility (it’s just genes or chemicals) and provide agency (you can fix it by taking a pill)’. . . . In anatomising her ‘lived experience’ of writer’s block, Cvetkovich invites the reader to ask whether, despite the trade-specific terminology, this is still a symptom exclusive to writers. . . . [H]er perceptions are agile.” -- Talitha Stevenson * New Statesman *“Depression succeeds at opening up a public discussion on certain kinds of depression that are often dismissed as trivial, like the stress of academic labour. . . . [C]lear and helpful with a vision for overcoming melancholy through a transformation of everyday life.” -- William Burton * Lambda Literary Review *“[Cvetkovich] has taken some huge risks with Depression. Rather than building a traditional academic argument with research and theory, the book combines stylistically distinct and potentially disparate parts that add up to a highly readable, relatable, radical treatise that provides many points of entry and fresh thinking on one of the most overexamined subjects of the past few decades.” -- Cindy Widner * Austin Chronicle *“At one end, Depression is a call to expand how we frame and engage with depression, and at the other it’s an internal appeal to academia to accept personal experience as a valid source material for scholarship. By melding the personal and the academic, Cvetkovich is creating an important new forum for how we discuss depression. . . . The material is totally fascinating. . . .” -- Nina Lary * Bitch *“Cvetkovich offers us an introduction to thinking critically about depression's causes and its manifestations as well as, perhaps, the localised tactics that are necessary to enable recovery. At the end, she turns rather sweetly to crafting as one reparative habit, partly because of the aesthetic of connectivity that it can stimulate. Knitting yourself out of depression: it's kind of folksy, but I liked it.” -- Sally Munt * Times Higher Education *“The book’s merit is in jolting us out of our habit of thinking about depression as a personal, medical issue, reminding us of the ways in which the rules and roles of society influence our psyches and feelings about ourselves. By taking depression out of the exclusive domain of the therapeutic culture, [Cvetkovich] challenges us to make new connections between the individual’s experience of depression and life within a depressive culture.” -- Irene Javors * Gay & Lesbian Review *“[A]n experiment in connecting personal feelings with social conditions and critical analysis. . . . Cvetkovich finds a variety of ways to utilize the tools of academe to build a shelter from the traumas of academe. It's both funny and oddly endearing to see an academic response to depression that turns it into a field, organizes conferences and protests with special and entertaining dress requirements, recommends cures for writing blocks, and appropriates American anxiety in the interest of getting academic work published.” -- Elaine Showalter * Chronicle Review *“Although she is not the first to consider that institutionalized racism causes depression, Cvetkovich’s take on academia’s ills is unique. . . . Still, Depression is not a pity party. Cvetkovich offers hope to all who fight depression by suggesting that as she has emerged from despair, so can others.” -- Rachel Pepper * Curve *“Cvetkovich draws us into her own encounters with various obstacles and leaves us with the sense that all the insights she has gained have been unexpected gifts—earned through lots of hard work, but still contingent, provisional, uncertain. If you have ever been a struggling academic, you will relate, and you will feel grateful.” -- Aaron Sachs * American Quarterly *"It is important that Cvetkovich is able to balance the personal desire for feeling better alongside a questioning of the investment that exists in both medical and critical social models of depression. Importantly, while this approach never undermines the experience of depression by positioning it only as a construction, it still draws attention to commonplace assumptions about feeling sad, being political and getting better. Cvetkovich weaves her own journal through the critical reading that makes her work so compelling—simultaneously taking seriously, and asking us to question, the more familiar narrative she has just shared." -- Jacqueline Gibbs * Feminist Review *Table of ContentsAcknowledgments ix Introduction 1 Part I. The Depression Journals (A Memoir) Going Down 29 Swimming 43 The Return 62 Reflections: Memoir as Public Feelings Research Method 74 Part II. A Public Feelings Project (A Speculative Essay) 1. Writing Depression: Acedia, History, and Medical Models 85 2. From Dispossession to Radical Self-Possession: Racism and Depression 115 3. The Utopia of Ordinary Habit: Crafting, Creativity, and Spiritual Practice 154 Epilogue 203 Notes 213 Bibliography 243 Illustration Credits 265 Index 267

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Book SynopsisExamining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.Trade Review“Jennifer Doyle’s Hold It Against Me offers us a powerful and challenging new voice. The difficulty she describes emerges in work that turns to face us. . . .Doyle has opened up a critical and much needed space for this work and these experiences. She demands that we consider the political and historical stakes in ourselves, to embrace what is intimate and fraught — and that is no easy feat.” -- Laura Fried * Los Angeles Review of Books *“Doyle blends scholarly critique with personal experience, producing a deep and broad analysis which is as much a critique of contemporary art criticism as contemporary art.” * Publishers Weekly *“This treatise argues that emotion makes artworks harder, more interesting, more difficult, and yet ultimately more rewarding for their complexity. Though aimed at scholars of performance and visual culture, this densely complex book will reward tenacious readers interested in understanding some of the most moving (and difficult) contemporary art of our time." -- Toro Castaño * Library Journal *“In this rich, thought-provoking, and very readable work of scholarship, Doyle poses questions about works of art that cannot be easily described, that bring complicated personal and political subject matter to the fore, and that often evoke strong emotional reactions in the audiences that view them.” -- Alexis Clements * Hyperallergic *"Doyle’s book is both an endorsement for and an example of what might happen once we venture away from the assurance of that cool scholarly detachment and into the less transparent but perhaps more revealing terrain of affective response. What Doyle discovers in that realm of feelings is not only personal sentiment, but also a complex site where ideology, aesthetics, social convention, and political possibility intersect." -- Catherine Zuromskis * Postmodern Culture *“Doyle captures unnerving moments of unease, anxiety, even extreme pain. These images and Doyle’s compelling discussion of their difficulty stay with the reader long after closing the book’s covers. Perhaps that is what is so successful about Doyle’s study. While the actual works explored are many of them fleeting performances, or done by artists who have by now succumbed to the AIDS virus, or are representations of the dead, they persist. They fight. They move us.” -- Sarah E. Cornish * Rocky Mountain Review *Table of ContentsPreface ix Acknowledgments xxi I. Introducing Difficulty 1 Hard Feelings 5 Patrolling the Border between Art and Politics 9 Vocabulary Shift: From Controversy to Difficulty 15 Difficulty's Audience 21 2. Three Case Studies in Difficulty and the Problem of Affect 28 A Blank: Aliza Shvarts, Untitled (2008) 28 Theater of Cruelty: Thomas Eakins, The Gross Clinic (1875) 39 Touchy Subjects: Ron Athey, Incorruptible Flesh: Dissociative Sparkle (2006) 49 3. Thinking Feeling: Criticism and Emotion 69 What Happened to Feeling? 69 The Difficulty of Sentimentality: Franko B's I Miss You! (2003) 73 The Strange Theatricality of Tears: Nao Bustamante's Neapolitan (2009) 83 Relational Aesthetics and Affective Labor 89 4. Feeling Overdetermined: Identity, Emotion, and History 94 The Difficulty of Identity 94 James Luna's The History of the Luiseño People (Christmas, La Jolla Reservation 1990) (1990–1996, 2009) 98 Difficulty and Ideologies of Emotion 106 Carrie Mae Weems's From Here I Saw What Happened and I Cried (1995–1996) 112 Conclusion 126 David Wojnarowicz's Untitled (Hujar Dead) (1988–1989) 126 Notes 147 Bibliography 183 Index 193

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Book SynopsisRather than using displays of masculinity to counter portrayals of Asian American men as passive and effeminate, Nguyen Tan Hoang develops a concept of bottomhood that opens up political alliances based on risk, vulnerability, and receptiveness.Trade Review"Little or none of the scholarship around the sexual position of the bottom has accurately articulated it as a sexual practice with the capacity to rewrite both shame and vulnerability... [Nguyen] sets himself a part from today’s contemporary queer canon of scholars." -- John Erickson * Lambda Literary Review *“Using tools not of the master's house, Nguyen offers a pioneering study of Asian American gender and sexuality with reverberating tools that transform our theory and praxis.” -- Margaret Rhee * Amerasia Journal *"Communication researchers who are interested in critical racial studies, cultural studies, and queer theory should find [A View from the Bottom] relevant and inspiring." -- Lik Sam Chan * International Journal of Communication *"The book is written with nuance and theoretical sophistication, in a clear and lively style that is at once personable and playful.... A View from the Bottom is certainly well positioned to provoke new conversations—even realignments of boundary—between gay studies and trans studies." -- Helen Hok-Sze Leung * TSQ *"A View from the Bottom... provokes a political recalibration that aligns bottomhood, femininity, and race in tender union.... Nguyen bravely models a praxis of vulnerability that we rarely encounter in academic writing, especially around the fraught and fragile imbrications of race, desire, and power" -- Uri McMillan * GLQ *"Nguyen’s insights allow us to view the bottom as an opportunity for creativity, a position of receptiveness that affords agency and pleasure, and an occasion to build a queer utopic space that offers unbounded social relations with others." -- Christopher B. Patterson * MELUS *"This monograph is a generative work for scholars who center comparative racialization and queer diaspora, as well as gender, sexuality, and media representation more broadly. Nguyen deftly engages numerous conversations in queer studies, film studies, Asian American studies, and queer of color critique." -- Jonathan Branfman * Sexualities *"A View from the Bottom is a critical and insightful read for anyone interested in media studies, particularly for people interested in the performance and representation of sexual and racial minorities." -- Min Joo Lee * Liminalities *“Nguyen’s book is a welcomed effort to deal with the thorny contradictions that arise when scholarship of advocacy meets the unwieldy reality of sexual desire. Future projects dealing with race and sexual representations, particularly those of gay Asian and Asian American subjectivities, must confront this question and reckon with the insights in Nguyen’s study.” -- Hao Jun Tam * Journal of Asian American Studies *

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Book SynopsisDrawing on memoir, history, and theory, Eli Clare complicates the understanding of cure, seeing it as an ideology that serves contradictory purposesfrom saving lives to social controlwhile critiquing cure rhetoric and the drive to cure disabled people through an insistence of the value of disability.Trade Review"Vermont has many national treasures living quietly among us, and one of them is Addison County resident Eli Clare. His latest book, Brilliant Imperfection: Grappling with Cure, is revelatory, a clarion call for changing the medicalized disability narrative of defective brokenness." -- John Killacky * Vermont Public Radio *"Brilliant Imperfection is a clarion call, for changing the medicalized disability narrative, that of 'defective brokenness,' that often prevails in U.S. healthcare.... [It] provides empowering answers and guidance-contributing significantly to the evolving discourse on gender, queer, and disability studies." -- John R. Killacky * Gay & Lesbian Review *"Brilliant Imperfection is an honest, moving, and deeply thoughtful engagement with some of the most difficult and significant questions in disability, queer, and cultural studies. . . . Brilliant Imperfection is sure to become required reading for scholars of disability and queer studies, revealing the multiple, often contradictory meanings and consequences of cure and the importance of work for social justice." -- Laurel Daen * H-Disability, H-Net Reviews *"Brilliant Imperfection is powerfully intersectional in its approach to body-mind difference: disability, as an identity, process, and means of interacting with the world, cannot be disentangled from other facets of identity like race, sexuality, class, and gender." -- Travis Lau * Wordgathering *"This book will quickly become a classic, cited for Clare's careful analogies that examine cure through the notion of ecosystem restoration; his harsh critique of 'case files' and the work that scholars and artists do with them; and his deeply-nuanced exploration of the shame, grief, loss, and yearning in relation to bodymind difference. Brilliant Imperfection is beautifully written, with the insight and poetic clarity that readers have come to expect from Clare." -- Ryan Cartwright * Disability Studies Quarterly *"Clare’s Brilliant Imperfection provides a well-researched, thoroughly thought-out project that grapples with multiple relevant discourses surrounding disability and PwDs. In highlighting historical, personal, and anecdotal evidence, Clare’s text is an articulate, poignant narrative – a mosaic of stories, histories and experiences – that invites much debate and analysis." -- Heather Lacey * Journal of Gender Studies *"Brilliant Imperfection is a provocation—one that spotlights how crucial disability studies continues to be, particularly as scholars, activists, and artists make room for more nuanced conversations about rehabilitation, cure, and diagnosis." -- Julie Passanante Elman * Feminist Formations *"As lawmakers present some lives as worth less than others, we need voices like Clare’s: the voices of those who see worth in the most devalued lives but who also recognize that a simple critique of medical technology is inadequate when so many people around the world desperately need access to that technology. Brilliant Imperfection is therefore timely and necessary for our current political moment—and it will prove a critical resource as we seek to create a better world." -- Julie Avril Minich * QED *“Accessible and poetic. Brilliant Imperfection will be valuable to students in introductory medical anthropology courses as well as anthropology courses on the body and human–nature interactions.” -- Michele Friedner * Medical Anthropology Quarterly *"[Brilliant Imperfection] wasn’t a how-to on overcoming grief and injury. It was permission to be who the accident made me: a disabled dyke. It was a permission to rage against the abelist and lesbiphobic shame I’d internalized. Clare was the only person who told me my worth was not dependent on my ability to get better or to disappear my pain. I cried as I read and re-read." -- Sara Youngblood Gregory * Vice *Table of ContentsAcknowledgments xi Introduction: Writing a Mosaic xv A Note on Reading This Book: Thinking about Trigger Warnings xix Brilliant Imperfection: White Pines 1 1. Ideology of Cure 7 Brilliant Imperfection: Twitches and Tremors 19 2. Violence of Cure 21 Brilliant Imperfection: Maples 33 3. In Tandem with Cure 37 Brlliant Imperfection: Stone 49 4. Nuances of Cure 51 Brilliant Imperfection: Shells 65 5. Structure of Cure 67 Brilliant Imperfection: Hermit Crabs 81 6. How Cure Works 83 Brilliant Imperfection: Rolling 99 7. At the Center of Cure 101 Brilliant Imperfection: Myrtle 125 8. Moving Through Cure 127 Brilliant Imperfection: Drag Queen 147 9. Impacts fo Cure 149 Brilliant Imperfection: Survival Notes 169 10. Promise of Cure 171 Brilliant Imperfection: Cycling 189 Notes 191 Bibliography 201 Index 209

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Book SynopsisCruising the Library examines the ways in which library classifications have organized sexuality and sexual perversion. The author studies the Library of Congress Subject Headings and Classification, as well as the Library of Congress’s Delta Collection, a restricted collection of obscenity until 1964.Trade Review"An original study on an old institution- the U.S. Library of Congress. Adler's reading of crucial and cultural theory are accurate and insightful. She presents a practical example of the philosophical power of library documentation as a tool of metaphysics and political economy." -- -Ronald E. Day author of Indexing It All: The Subject in the Age of Documentation, Information, and Data "Tailor-made for the critlib movement, this demonstration that the Library of Congress is not a neutral space begs one critical question: where should it be shelved?" -Kirkus Reviews "This compelling book should be read by everyone who cares about the complex politics of knowledge production and dissemination. Melissa Adler's highly readable account of the fate of queer, non-normative sexual knowledge within the Library of Congress is both startling and important. It speaks to the very real importance of libraries and librarians to contemporary intellectual life." -- -Janice Radway Northwestern University "In this rewarding study, Melissa Adler shows how systems used to classify and catalogue information for libraries operate as mechanisms of control. In particular, she focuses on the ways sexual identities are constructed and disciplined through library practices. Using Eve Sedgwick's work as a paradigmatic test case, and the Library of Congress as a site, including its infamous Delta Collection, she produces a study that is as compelling as it is far-reaching in its implications. A must-read for present and future professionals, but also, a useful text for anyone concerned with official instruments for the production of knowledge." -- -Johanna Drucker Breslauer Professor, Information Studies, UCLA

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Book SynopsisThis Element shows how two social movements, lesbian separatism and Men Going Their Own Way (MGTOW), reflect the changing and complex (anti-)feminist ideologies of their time. The authors outline the historical and political background of those discourses and how they are influencing contemporary gender relations.Table of Contents1. Introduction; 2. Background to Forms of Gender-Based Separatism; 3. Social Movements and Manifestos; 4. Data and Methods; 5. Analysis: Lesbian Separatist Manifestos; .6 Analysis: Mgtow Manifestos; 7. Comparison and Discussion; 8. Conclusion; References.

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Book SynopsisThis book provides research and analysis on an understudied topic: the LBGTQ+ community as victims and offenders. Most publications focus on LBGTQ+ history and the community''s movement towards equality and acceptance in society and in law. A focus on how the criminal justice system victimizes and marginalizes LBGTQ+ persons is needed. Consequently, this work includes chapters on members of the LBGTQ+ community who work in the criminal justice system, forced sexual orientation efforts, transgender legal concerns, LBGTQ+ persons who are arrested and imprisoned, and online dating hate crimes. International scholars provide their individual stories about being gay, bisexual or lesbian and working as a police or correctional officer. Other international contributors explain their research on crime and how the law and criminal justice community does not provide LBGTQ+ persons with protection or support as offenders or victims. This book will of interest to researchers and advanced studen

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Book SynopsisSources and Methods in the History of Sexuality outlines some of the challenges of retracing sexual acts, identities, and desires in the past, and shows how historians have responded to these methodological challenges with ingenuity and creativity.The volume acknowledges that the history of sexuality poses particularly interesting challenges in relation to sources due the peculiar nature of sexuality. On one hand, sexuality is frequently hidden and private, its practices often unknown, denied,  and evaded, its desires fleeting or obsessive, its reality confused or illuminated by fantasy; yet on the other, sexuality consistently breaks into the public sphere through moral panics, waves of persecution, taxonomizing projects, and medical/juridical interventions. With vivid case studies from renowned contributors, the chapters provide different theoretical approaches along with more practical examples of how to study the history of sexuality. The volume has a broad ch

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Book SynopsisThis book explores the meanings of Queer and Trans People of Colour (QTPOC) activist groups in the UK, considering the tensions around inclusion and belonging across lesbian, gay, bisexual, trans, and queer (LGBTQ) and of colour communities and wider British society.Davis draws de-/anti-/post-colonial, Black feminist, and queer theory into critical psychology to publish the first book of its kind in the UK, developing an intersectional understanding of QTPOC subjectivities and identities. The book examines questions of belonging; racial melancholia; decolonising gender and sexualities; and the joys, erotics, and the difficulties of building and finding QTPOC community that can hold and celebrate our intersectional richness. Offering a radical and critical intervention into psychology, this volume will be of key interest to scholars in Gender Studies and Queer Studies, Psychology and Race, together with activists, community organisers, counsellors, and the third sector.Table of ContentsChapter One. Introduction; 2. Exploring QTPOC Lives; 3. Theorising Multiplicity; 4. Belonging; 5. Building Community; 6. Decolonising Gender and Sexuality; 7. Conflict and Harm in Community: The Possibilities for the Reparative and Transformative; 8. Conclusion.

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Book SynopsisAlthough the last decade has seen steady progress towards wider acceptance of lesbian, gay, bisexual, transgendered, and queer (LGBTQ) individuals, LGBTQ residential and commercial areas have come under increasing pressure from gentrification and redevelopment initiatives. As a result many of these neighborhoods are losing their special character as safe havens for sexual and gender minorities. Urban planners and municipal officials have sometimes ignored the transformation of these neighborhoods and at other times been complicit in these changes. Planning and LGBTQ Communities brings together experienced planners, administrators, and researchers in the fields of planning and geography to reflect on the evolution of urban neighborhoods in which LGBTQ populations live, work, and play. The authors examine a variety of LGBTQ residential and commercial areas to highlight policy and planning links to the development of these neighborhoods. Each chapter explores a Trade Review"This book represents a clarion call to student, academic and practising planners and politicians to open their ears, eyes and minds to the question of sexuality. Petra Doan is to be commended for assembling this landmark contribution to planning scholarship, which highlights the challenges LGBTQ communities continue to endure in the twenty-first century whilst also showcasing the contributions they make in creating dynamic and vibrant cities." Paul J. Maginn, Associate Professor, School of Earth and Environment, University of Western Australia"How can planners contribute to building urban societies that are truly diverse and inclusive? Planning and LGBTQ Communities helps answer this critical question as the authors unpack how LGBTQ residents, who also embody a range of intersectional differences, experience and shape urban life outside the familiar gay neighborhoods. This is a necessary contribution to an overlooked subject." Dr. Renia Ehrenfeucht, University of New Orleans"Planning lags behind its sister disciplines in the scholarship of LGBTQ communities and issues. With Planning and LGBTQ Communities: The Need for Inclusive Queer Spaces, Petra Doan and colleagues close some of this gap. As a course text, their book will bring fresh ideas to planning students' understanding of diversity, and provides practical advice for the practice of planning. Cases presented extend well beyond the "iconic" locales and will make visible to readers layers of LGBTQ communities that have been relatively invisible to the institutions of planning." - Gwen Urey, Professor of Urban & Regional Planning, California State Polytechnic University, Pomona "Moving beyond conceptions of a static, bounded 'gay ghetto', this important and timely volume considers the varied ways in which LGBTQ identified individuals have occupied, moved through and transformed cities. Though mainly focused on US cities, the questions raised by this book are far from parochial, and encourage a wider reflection on the ways that planning serves the interests of diverse communities. A provocative plea that LGBTQ rights to the city should be recognised, and honoured." - Professor Phil Hubbard, University of Kent"This book is a wonderful collection of excellent essays that addresses a key issue, how do we plan for LGBTQ people? Bringing together the world’s leading scholars, this insightful, perceptive and engaging book is a must read for all in planning, urban studies as well as geographies. There can be little doubt that this is a groundbreaking book that will be useful for teaching as well as research." - Dr. Katherine Browne, University of BrightonTable of ContentsChapter 1 –Why Plan for the LGBTQ Community? PART ONE PLANNING AND LGBTQ POPULATIONS IN TRADITIONAL GAY NEIGHBORHOODS Chapter 2 -Gay Commercial Districts in Chicago and the Role of Planning Chapter 3 -The Dallas Way: Property, Politics, and Assimilation Chapter 4 -Fractures and Fissures in "Post-Mo" Washington, DC: The Limits of Gayborhood Transition and Diffusion PART TWO: PLANNING AND LGBTQ POPULATIONS OUTSIDE THE GAY VILLAGE Chapter 5 -Thinking Beyond Exclusionary Gay Male Spatial Frames in the Developing World Chapter 6 -The Pervasiveness of Hetero-Sexism and the Experiences of Queers in Everyday Space: The Case of Cambridge, Massachusetts Chapter 7 -Identifying and Supporting LGBTQ Friendly Neighborhoods in the American South: The Trade-off Between Visibility and Acceptance PART THREE: EXPANDING PLANNING HORIZONS: RECOGNIZING LGBTQ INTERSECTIONALITY Chapter 8 -Finding Transformative Planning Practice in the Spaces of Intersectionality Chapter 9 -Southern Discomfort: In Search of the LGBT-Friendly City Chapter 10 -The Queer Cosmopolis: The Evolution of Jackson Heights Chapter 11 -Lesbian Spaces in Transition: Insights from Toronto and Sydney PART FOUR: LINKING PLANNING AND LGBTQ ACTIVIST GROUPS TO ENSURE SERVICE DELIVERY Chapter 12 -Act Up versus Straighten Up: Public Policy and Queer Community-Based Activism Chapter 13 -Place / Out: Planning for Radical Queer Activism Chapter 14 -The Racial Politics of Precarity: Understanding Ethno-specific AIDS Service Organizations in Neoliberal Times Chapter 15 -Beyond Queer Space: Planning for Diverse and Dispersed LGBTQ Populations

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Book SynopsisThese indelible images are among the hundreds housed in the New York Public Library's archive of photographs of LGBT history from photojournalists Kay Tobin Lahusen and Diana Davies.Trade Review"... a collection of over 100 powerful images capturing the LGBTQ civil rights movement of the 1960s and 1970s, and the protests that surrounded the pivotal Stonewall riots." -- All About History"Love and Resistance contains no photographs from Stonewall – not because Stonewall doesn’t matter but because the community was bound to erupt at some point, and the conditions undergirding that inevitability are of more importance to the edition than the eruption itself. It is also the only book here to focus primarily on queer women, whose contributions to gay liberation are often minimized when the focus is on Stonewall (the bar was primarily for white, cisgender men). Instead, we find personal portraits leading up to, surrounding, and following on from the events of that summer..." -- Times Literary Supplement

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Book Synopsis A Great Gay Book: Stories of Growth, Belonging & Other Queer Possibilities is a gorgeously designed collection of art, essays, short fiction, poetry, interviews, profiles, and photography from the archives of the beloved queer magazine Hello Mr., as well as new material from many of today’s biggest LGBTQ+ creatives.Hello Mr. was founded by Ryan Fitzgibbon in 2012. Over its ten-issue lifespan, the groundbreaking indie magazine became the first home for some of the most prestigious queer voices of a generation. With more than a decade’s devotion, and the publishing prowess of Abrams, Fitzgibbon has created an astonishing reminder of our collective power in A Great Gay Book. Notable artists and writers featured include Jeremy Atherton Lin, Lady Bunny, Alexander Chee, Garth Greenwell, Saeed Jones, Wesley Morris, Chani Nicholas, Tommy Pico, Brontez Purnell, LJ Roberts, Mathew Rodriguez, Antwaun Sargent, Fran Tirado

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Book SynopsisProvides sophisticated theoretical approaches to Latin American cinema and sexual culture.2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America''s most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea''s and Juan Carlos Tabío''s Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro''s Plata quemada (Burnt Money, 2000), Barbet Schroeder''s La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo''s XXY (XXY, 2007), Francisco J. Lombardi''s No se lo digas a nadie (Don''t Tell Anyone, 1998), Arturo Ripstein''s El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.

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Book SynopsisExplores how discussion of LGBTQ+ themes in a high-school literature course can foster ethical engagement among students.Grounded in ethnography and teacher research, Moving across Differences examines how an LGBTQ+-themed literature course enabled high school students to negotiate their differences and engage in ethical encounters. Drawing on the work of queer theorists, Mollie V. Blackburn conceptualizes these encounters as forms of movement across differences of not only gender and sexuality but also identity and ideology more broadly. As we follow Blackburn''s thoughtful rendering of students'' sometimes fraught exchanges, we are encouraged to follow their lead and move when confronted with differences. We might move closer to those like us, so we can be in community to recover and heal. But we might also move closer to others, so we can discover and learn. The book argues, though, that we must move ethically and, moreover, that literature and the work of reading, writing, and talking can foster this movement. Modeling care in both teaching and research, Moving across Differences contributes to the study and practice of English Language Arts curriculum and pedagogy, qualitative methods, and queer theory.This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)-a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries-and the generous support of The Ohio State University Libraries. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at https://soar.suny.edu/handle/20.500.12648/7524

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Book SynopsisDrawing on international perspectives and research, this book explores the experiences of sex and sexuality in individuals and groups living with HIV in later life (50+).

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Book SynopsisNOMINATED FOR THE H.R.F. KEATING AWARD, 2022. My New Year's Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle may they never give me peace' Patricia Highsmith (New Year's Eve, 1947). Made famous by the great success of her psychological thrillers, The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith is renowned as one of the most influential and celebrated modern writers. However, there has never been a clear picture of the woman behind the books. The relationship between Highsmith's lesbianism, her fraught personality by parts self-destructive and malicious and her fiction, has been largely ignored by biographers in the past. As an openly homosexual writer, she wrote the seminal lesbian love story Carol for which she would be venerated, in modern times, as a radical exponent of the LGBTQ+ community. Alas, her status as an LGBTQ+ icon is underminedTrade ReviewThis book is as snappy as an alligator … those who wish to see Patricia Highsmith devoured will no doubt applaud it. * Mail on Sunday *What makes the present biography poignant, is that there’s no redemption for a life of restlessness, despair, and torturous, doomed affairs. * Los Angeles Review of Books *Serial biographer Richard Bradford has written a captivating biography that carves out its own space... Bradford entertainingly deduces aspects of her literary characters from Highsmith’s own experiences… His lucidity is evident, his research thorough and his writing always immensely readable. Anyone interested in Highsmith would enjoy this book... * The Sydney Morning Herald *Bradford’s comprehensive investigations into the devils, lusts and strange desires in the works and life of Patricia Highsmith inspire further reading of her masterpieces. * Out in Perth *Bradford writes in this engrossing biography, “an incomparable individual,” for she was—among other things—an alcoholic and an equal-opportunity hater (…) he gives careful attention to her individual books, praising some, criticizing others (“ponderous and fatiguing”). Though it breaks little new ground, the book is a happy mixture of biography and criticism. Near its end, Bradford, in judgment, refers to Highsmith's "execrable true self.” Readers will find it hard to disagree. * Booklist *Bradford’s caustic wit helps to make this shortish book an entertaining summary of Highsmith’s life. * Daily Express *In this centenary year of her birth, her satisfyingly ruthless biographer Richard Bradford sets out the essence of her character and lifestyle in four-and-a-half withering introductory pages, to whet (or perhaps stifle) our appetites. * Daily Mail *Tom Ripley, described by Richard Bradford as 'one of the most fascinating exercises in autobiographical fiction ever produced', is a fraudster, psychopath and murderer who remains remote from the suffering he causes and gets no evident pleasure from his achievements. The Ripliad, as the series is known, makes bleak and compulsive reading, and so too does Bradford's biography... Bradford is less concerned with making sense of Highsmith than with making sense of her novels, and in this he succeeds handsomely. * Oldie *The outrageous stories Professor Bradford chooses to tell about her have all been told before, by her previous biographers, but are well worth hearing again, like a much-loved album of greatest hits. * The Mail on Sunday *There have already been two significant biographies of Highsmith - Andrew Wilson's Beautiful Shadow (2003) and Joan Schenkar's The Talented Miss Ripley (2009). Bradford thus covers a lot of already familiar ground but benefits from producing a book in the centenary of Highsmith's birth as well as a more concise biography. * The Canberra Times *Devils, Lusts and Strange Desires is certainly an engrossing book. * The New Criterion *Bradford’s biography employs a more critical approach than previous studies on Highsmith. * The Dallas Morning News *Drawing on her lifelong diaries, Richard Bradford's biography is the first to closely examine the relationship between Highsmith's troubled life and her brilliant, daring fiction. [...] this well-researched book is a must for any fan of film noir or crime fiction. * The Lady *Table of ContentsAcknowledgements Introduction 1. The Beginning 2. Barnard 3. Boarding the Train 4. Yaddo and Consequences 5. Carol 6. Ellen 7. Ripley 8. Marijane 9. ‘So Much in Love’ 10. Eccentricity 11. France 12. Animals and Us 13. ‘It’s Good You Never Had Children’ 14. Her Last Loves 15. ‘I’m Sick of the Jews!’ 16. Those Who Walk Away Primary Sources Suggested Further Reading Index

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Book SynopsisQueering the Interior problematizes the familiar space of home'. It deploys a queer lens to view domestic interiors and conventions and uncovers some of the complexities of homemaking for queer people.Each of the book's six sections focuses on a different room or space inside the home. The journey starts with entryways, and continues through kitchens, living spaces, bedrooms, bathrooms, and finally, closets and studies. In each case up to three specialists bring their disciplinary expertise and queer perspectives to bear. The result is a fascinating collection of essays by scholars from literary studies, geography, sociology, anthropology, history and art history. The contributors use historical and sociological case studies; spatial, art and literary analyses; interviews; and experimental visual approaches to deliver fresh, detailed and grounded perspectives on the home and its queer dimensions. A highly creative approach to the analysis of domestic spaces, Queering the Interior makesTrade Review"Insisting that queer world-making took place even in the domestic spaces most intimately associated with heteronormativity, the gloriously multi-disciplinary essays in this volume illuminate the queer uses and meanings of interior space, the formation of queer interiority, and the complex and often vexed relationship between queer taste, gender, the culture of consumption, and the space of the home. A compelling and highly original intervention. - George Chauncey, Columbia University, USA and author of Gay New York (1994). In this rich and timely volume, Andrew Gorman-Murray and Matt Cook—and the wide range of interdisciplinary authors they have assembled here—take us on a very queer tour of the home. From kitchens, living rooms, bedrooms, bathrooms, closets and studies, they highlight the complexity of queer homemaking. These micro-geographies chart—and critique-- normativities through public and private spheres of domestic space in ways that will surely have wide appeal. - Michael Brown, University of Washington, USA. From bedsits to bedrooms, closets to garden courtyards, the intimate essays in Queer Interiors evoke the slippery identities of rooms and the people who live in them. In asking what makes domesticity queer, this book provides its readers with many remarkable insights into the hidden meanings of familiar spaces.? - Chris Brickell, Otago University, New Zealand Queering the Interior invites readers in to a series of rooms, not just closets but hallways, nurseries, living rooms, kitchens, bathrooms and bedrooms. Each chapter is a rich case study that brings queer theory to life. It is refreshing to read a series of interdisciplinary essays that extend thinking well beyond idealized domestic norms. The collection is a’ must have’ for anyone interested in issues of sex, gender, space and place. - Robyn Longhurst, University of Waikato, New Zealand. The inside echoes the outside. The home inscribes social and power relations but also allows the expression of difference. In this insightful exploration of queer domestic spaces, Andrew Gorman-Murray and Matt Cook take us across the threshold of this most private space and through many of the rooms that make up homes across the developed world. They and their contributors allow us to peer into the lightened corners of domesticity, subversion and pleasure. - Louise Johnson, Deakin University, Australia"Table of ContentsList of FiguresAcknowledgementsContributorsIntroduction (Matt Cook, Birkbeck, University of London, UK and Andrew Gorman-Murray, Western Sydney University, Australia)Part One: Openings1. ‘Thrown-togetherness’: Queering the Interior in Visual Perspectives (Andrew Gorman-Murray, Western Sydney University, Australia)2. Entering the Living Room: Sex, Space and Power in a Cross-Cultural and Non-Heteronormative Context (Geir Henning Presterudstuen, Western Sydney University, Australia)3. Stepping into the Entrance Hallway: Glimpses of Public, Private and Personal Notions of Self (Brent Pilkey, University College London, UK)Part Two: Kitchens4. The Kitchen: Lesbian Pulp Fiction’s Radical Conventionalism (Amy Tooth Murphy, University of Roehampton, UK)5. Kitchens: Queering the ‘Man’s’ Kitchen (Angela Meah, University of Sheffield, UK)6. Beyond Kitchen Walls: Queering Domestic Place through Memory and Story-Telling (Rachael Scicluna, University of Kent, UK)Part Three: Living Spaces7. Designs for Living Rooms (Martin Dines, Kingston University, UK)8. The Bedsit (Mark Armstrong, London, UK)9. Safe Space, Silo Storage, Outhouse with a View: Lesbian Garden History (Lisa L. Moore, University of Texas at Austin, USA)Part Four: Bedrooms10. Law and the Bedroom: ‘Living Together as Husband and Wife’? (Daniel Monk, Birkbeck, University of London, UK)11. The Nursery (Matt Cook, Birkbeck, University of London, UK)Part Five: Bathrooms12. The Writing is on the (Lavatory) Wall: Haptic Presence, Modern Design and the Traces of Community (John Potvin, Concordia University, Canada)13. Toilet Training: The Gender and Sexual Body Politics of the Bathroom (Sheila L. Cavanagh, York University, Canada)Part Six: Closets and Studies14. The Closet (Christopher Breward, University of Edinburgh, UK)15. Entering the Eighteenth-Century Closet and Coming Out Today (Dominic Janes, Keele University, UK)16. A Queer Study (Alison Oram, Leeds Beckett University, UK)Index

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Book SynopsisThe grassroots queer activism and legal challenges that led to a landmark Supreme Court decision in favor of gay and lesbian equality.

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