LGBTQIA+ Studies / topics Books

Book SynopsisPublics and Counterpublics revolves around a central question: What is a public? The idea of a public is a cultural form, a kind of practical fiction, present in the modern world in a way that is very different from other or earlier societies. Like the idea of rights, or nations, or markets, it can now seem universal. But it has not always been so. Publics exist only by virtue of their imagining. They are a kind of fiction that has taken on life, and very potent life at that.Publics have some regular properties as a form, with powerful implications for the way our social world takes shape; but much of modern life involves struggles over the nature of publics and their interrelation. There are ambiguities, even contradictions in the idea of a public. As it is extended to new contexts and media, new polities and rhetorics, its meaning can be seen to change, in ways that we have scarcely begun to appreciate.By combining historical analysis, theoretical reflection, and extended case studies, Publics and Counterpublics shows how the idea of a public works as a formal device in modern culture and traces its implications for contemporary life. Michael Warner offers a revisionist account at the junction of two intellectual traditions with which he has been associated: public-sphere theory and queer theory. To public-sphere theory, this book brings a new emphasis on cultural forms, and a new focus on the dynamics of counterpublics. To queer theory, it brings a new way of seeing how queer culture (among other examples) is shaped by the counterpublic environment.

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Book SynopsisSince the late 1980s, queer studies and theory have become vital to the intellectual and political life of the United States. Working from texts of European and American writers, this work analyzes a turn-of-the-century historical moment in which sexual orientation became as important a demarcation of personhood as gender had been for centuries.Trade Review"Close readings of Melville's Billy Budd, Wilde's Dorian Gray, and of Proust, Nietzsche, Henry James, and Thackeray bristle with keen observations relating entrenched fears of same-sex relationships to contemporary gay-bashing." * Publishers Weekly *"No book I have recently read is as successful as Sedgwick's in making provocative connections between literary acts and social dynamics." * The Nation *"Pioneering and rewarding. Sedgwick has zeroed in on the taboo area of male sexuality, and the architecture she exposes is stunning." * Boston Globe *"An important contribution to lesbian and gay studies." * San Francisco Chronicle *"Brilliant as a work of literary criticism, a cultural study, a political analysis, and as a landmark in the development of lesbian and gay studies." * Women's Review of Books *“To read (and reread) Sedgwick’s Epistemology of the Closet is a rewarding experience. This text will shatter the framework through which you think about life.” * Feminist Review *Table of ContentsAcknowledgments Credits Preface to the 2008 Edition Introduction: Axiomatic I. Epistemology of the Closet 2. Some Binarisms (I) Billy Budd: After the Homosexual 3· Some Binarisms (II) Wilde, Nietzsche, and the Sentimental Relations of the Male Body 4· The Beast in the Closet James and the Writing of Homosexual Panic 5· Proust and the Spectacle of the Closet Index

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Book SynopsisIn Paris in 1954, Andre Baudry founded Arcadie, an organization for 'homophiles'. Yet despite its huge importance, Arcadie has largely disappeared from the historical record. This title uncovers Arcadie's pioneering efforts to educate the European public about homosexuality in an era of renewed repression.Trade Review"A work of exceptional erudition, originality, and insight. It not only restores the most important French homophile movement to history in all its complexity; it also uses that history to make a powerful revisionist argument for the intelligence, savvy, courage, and, indeed, dignity of the people who founded and guided it. As one of the most important studies of the pre-Stonewall homophile movement we have, Living in Arcadia represents a major new contribution to both gay history and French history." - George Chauncey, author of Gay New York"

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Book SynopsisTrade ReviewEngaging with a broad range of audiences, Salamon makes a convincing case that the lens offered by transgendered embodiment and subjectivity reconfigures entrenched theoretical positions in gender studies, psychoanalysis, and continental philosophy. -- Penelope Deutscher, Northwestern University Assuming a Body makes a stunning intervention, by way of phenomenology, into contemporary theories of the body. Situating transgenderism within 'rhetorics of materiality,' Gayle Salamon crafts a supple theoretical framework capable of accounting for both the theory and the lived experience of alternative genders. This book will undoubtedly bridge the gap between transgender studies and critical theory, and, in the process, will open up new ways of understanding what it means to be embodied. -- J. Halberstam, author of Female Masculinity and In A Queer Time and Place: Transgender Bodies, Subcultural Lives The 'next big thing' for anyone interested in critically theorizing about contemporary transgender phenomena, Assuming a Body squarely addresses the debates and polemics thrown up during the field's fiery formative decade in the 1990s-the relationships between trans, queer, and feminist theories; performativity, discursivity, and materiality; and psychoanalysis and its discontents-and powerfully hits these balls back across the net. Salamon's next-generation (re)iteration of these intellectually vital arguments forges stronger connections between trans studies and current reappraisals of affective or phenomenological approaches to embodiment, as well as to the post-9/11 turn toward political economy and the critique of neoliberal governmentality. Scholars across a wide range of disciplines will be citing, siding with, and taking aim at this important book for years to come. -- Susan Stryker, Indiana University For those who enjoy a challenge, this book rewards with its timely, thought-provoking examination of the body, and the intersection of transgender psychology and critical theory. -- Rachel Pepper Curve Salomon's book achieves to be theoretically rigorous on issues of gender and embodiment and to acknowledge the specificity and reality of transgender experience in a way that challenges the reader to rethink conceptions of sex and gender at their cutting edge. Metapsychology ...this original contribution reconfigures old questions and issues and engages with new ones, ultimately inviting us all to reconsider what it means to be embodied. Somatechnics ...an important resource and instigation for future work along some very promising lines of thought. -- Tamsin Lorraine PhiloSOPHIATable of ContentsAcknowledgments Introduction 1 What Is a Body? 1. The Bodily Ego and the Contested Domain of the Material 2. The Sexual Schema: Transposition and Transgenderism in Phenomenology of Perception 2 Homoerratics 3. Boys of the Lex: Transgenderism and Social Construction 4. Transfeminism and the Future of Gender 3 Transcending Sexual Difference 5. An Ethics of Transsexual Difference: Luce Irigaray and the Place of Sexual Undecidability 6. Sexual Indifference and the Problem of the Limit 4 Beyond the Law 7. Withholding the Letter: Sex as State Property Notes Bibliography Index

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Book SynopsisHow eighteenth-century artists created works that expressed their desire for other women.Trade Review"As its lyrical title suggests, Sister Arts, Lisa Moore's loving account of the unusual and haunting works produced by her four subjects-elegiac friendship poems, picturesque landscape designs, leaf collages and scrapbooks, collections of flowers, shells, and butterflies-at once illuminates and charms, deepening our understanding both of female–female intimacy and the elegantly subversive means women in past centuries found to express such devotion." —Terry Castle"Lisa Moore recounts the fascinating stories of four eighteenth-century women whose lesbian-like relationships were instrumental in inspiring and fostering their work as artists of the landscape. Sister Arts is an indispensible contribution to the project of establishing a readable record of lesbian desire in the historical past." —Lillian Faderman, author of Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the PresentTable of ContentsPreface: Listening to Gossip in the Queer Archives Introduction: Lesbian Genres and Eighteenth-Century Landscapes 1. Queer Gardens: Mary Delany’s Flowers and Friendships 2. A Connoisseur in Friendship: The Duchess of Portland’s Collections and Communities 3. The Voice of Friendship, Torn from the Scene: Anna Seward’s Landscapes of Lesbian Melancholy 4. The Landscape Which She Drew: Sarah Pierce and the Lesbian Georgic Conclusion. The Persistence of Lesbian Genres: A Circuit Garden Acknowledgments Notes Bibliography Index

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Book SynopsisIn To Be a Gay Man, Will Young speaks out about gay shame, revealing the impact it had on his own life, how he learned to deal with it, and how he can now truthfully say he is gay and happy.We know Will as a multi-platinum recording artist, Olivier-nominee, and the first winner of the Idol franchise. But his story began long before his first audition. Looking back on a world where growing up being called gay was the ultimate insult and coming out after a lifetime of hiding his sexuality, Will explores the long-lasting impact repressing his true self has had.As Will's own story demonstrates, internalised shame in childhood increases the risk of developing low self-worth, and even self-disgust, leading to destructive behaviours in adult life. Will revisits the darkest extremes he has been to, sharing his vulnerabilities, his regrets, tracing his own navigation through it all and showing the way for others who might have felt alone in the same experience.Trade ReviewWrites with likable fizz...and colours his vulnerabilities with humour. How brilliant it is that he's written [this book]. * The Observer *An unfussy and unself-pitying mixture of memoir and advice manual * Daily Telegraph *

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Book SynopsisNow a major motion picture starring Tessa Thompson, Ruth Negga and Alexander Skarsgard. A writer of the Harlem Renaissance, Nella Larsen wrote just two novels, published here, and a handful of short stories. Critically acclaimed, both speak powerfully of the contradictions and restrictions experienced by black women at that time. Quicksand, written in 1928, is an autobiographical novel about Helga Crane, a mixed race woman caught between fulfilling her desires and gaining respectability in her middle class neighbourhood. Written a year later, Passing tells the story of two childhood friends, Clare and Irene, both light skinned enough to pass as white. Reconnecting in adulthood, Clare has chosen to live as a white woman, while Irene embraces black culture and has an important role in her community. Nella Larsen's novels are moving, characterful, and important books. She pioneered writing about the conflicts of sexuality, race and the secret suffering of women in the early twentieth century.Trade ReviewQuicksand and Passing are novels that I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating and indispensable -- Alice WalkerHighly charged interior dramas of the black middle class in Harlem [by] an original and hugely insightful writer * New York Times *Quicksand does not just explore the contradictory terrain of women and romance; its sexual politics tear apart the very fabric of the romance form -- Hazel Carby, Yale UniversityDiscovering The Complete Fiction of Nella Larsen is like finding lost money with no name on it. One can enjoy it with delight and share it without guilt -- Maya AngelouThese are precious and unusual works * Irish Times *

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Book SynopsisBronze Winner for the 2017 Independent Publisher Book Awards in the category of Gay/Lesbian/Bi/Trans Non-FictionForegrounding the voices of transgender and non-binary people, this honest and insightful book is a compilation of the voices of those who have decided to undergo transition - both male-to-female and female-to-male. Drawing on over one hundred interviews with individuals, the book details the diverse experiences and challenges faced by those who transition, exploring a range of topics such as hormone treatments; reassignment surgeries; coming out; sex and sexuality; physical, emotional and mental health; transphobia; discrimination; and hate crime, as well as highlighting the lives of non-binary individuals and those who cross-dress to form a wider understanding of the varied ways in which people experience gender.This powerful book is an ideal introduction to those keen to understand more about contemporary trans issues as well as those questioning their own gender identity.Trade ReviewThis book gives an important, valuable platform to many diverse trans voices. We must listen and learn from their experiences and concerns; and act in solidarity with their human rights struggle. -- Peter Tatchell, Director, Peter Tatchell FoundationWe congratulate Declan Henry on developing this perceptive account of trans experiences, richly illustrated with a wide array of authentic personal narratives. It is a timely reminder of the diversity of trans individuals and the many barriers to equal treatment they still face. We commend the book to everyone who is in a position to improve their lives. -- Bernard Reed OBE, Trustee, Gender and Identity Research and Education Society (GIRES)Declan Henry starts the book with a refreshingly honest confession that at one point he knew very little about the T in LGBT. With complete earnestness he sets out to give an overview of the transgender community in simple and very readable sections. He has packed this small book full of information, snippets of enlightening interviews and his thoughts about transgender equality and equality in its widest sense. A must read for anyone wishing to be an ally who realises that only with knowledge and understanding can you change hearts and minds. -- Juno Roche, Writer, campaigner and Patron of cliniQDeclan Henry's 'Trans Voices' captures the diversity of the breadth of the transgender experience through personal stories that make the topic accessible and understandable for any reader and give the book heart that many other books on the subject lack. -- Charlie Craggs, Founder of Nail TransphobiaWhat comes across well, and is refreshing to read, is the range and variety of experiences: that there isn't one way to be trans or to experience gender variance. Any counsellor working (or likely to work) with trans and gender-variant clients would do well to read it. It may also be useful for clients who are family and friends, and are looking for information and understanding. -- Alex Sanderson-Shortt MA, MBACP, relationship and LGBTQ+ specialist counsellor in private practice * Therapy Today *Whether you're just coming out, have been out for years or whether you just know someone who's trans, this book is a great read. It highlights the breadth of differences within the trans community and relays the authentic experiences of those interviewed. If you are in the process of coming out and know people around you who are struggling with the concept, recommend this book. -- Daniel Zagorski * Trans*Action Magazine *Table of ContentsForeword by Professor Stephen Whittle. Introduction. 1. Being Trans. 2. Transitioning. 3. Male to Female (MTF). 4. Female to Male (FTM). 5. Non-Binary. 6. Cross-dressers. 7. Sex and Sexuality. 8. Health. 9. Transphobia, Discrimination and Hate Crime. Afterword by Jane Fae. Glossary. References and Bibliography. Acknowledgments. Useful Contacts.

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Book SynopsisAll the answers clinicians need to work effectively with LGBTQ clients.

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Book SynopsisA bold and provocative look at how the nonprofit sphere’s expansion has helped—and hindered—the LGBT cause What if the very structure on which social movements rely, the nonprofit system, is reinforcing the inequalities activists seek to eliminate? That is the question at the heart of this bold reassessment of the system’s massive expansion since the mid-1960s. Focusing on the LGBT movement, Myrl Beam argues that the conservative turn in queer movement politics, as exemplified by the shift toward marriage and legal equality, is due mostly to the movement’s embrace of the nonprofit structure. Based on oral histories as well as archival research, and drawing on the author’s own extensive activist work, Gay, Inc. presents four compelling case studies. Beam looks at how people at LGBT nonprofits in Minneapolis and Chicago grapple with the contradictions between radical queer social movements and their institutionalized iterations. Through interview subjects’ incisive, funny, and heartbreaking commentaries, Beam exposes a complex world of committed people doing the best they can to effect change, and the flawed structures in which they participate, rail against, ignore, and make do. Providing a critical look at a social formation whose sanctified place in the national imagination has for too long gone unquestioned, Gay, Inc. marks a significant contribution to scholarship on sexuality, neoliberalism, and social movements.Trade Review"Gay, Inc. is a beacon of persuasive clarity, outlining the emotionally compelling but politically compromising role of nonprofit organizations in LGBTQ life. With nuanced ethnographic research, Myrl Beam provokes us to see the conflicts between mission and fundraising, between participants and donors, that shape our deepest commitments to social justice. Gay, Inc. is a must read for scholars and activists alike."—Lisa Duggan, New York University"An essential read for anyone who is trying to figure out how social change works, Gay, Inc. helps us understand queer and trans resistance in depth, bringing new insight into social movement debates about the role of nonprofits using grounded histories of resistance and conflict within queer politics."—Dean Spade, Seattle University School of LawTable of ContentsIntroduction1. Neoliberalism, Nonprofitization, and Social Change2. The Work of Compassion: Institutionalizing Affective Economies of AIDS and Homelessness3. Community and Its Others: Safety, Space, and Nonprofitization4. Capital and Nonprofitization: At the Limits of “By and For”5. Navigating the Crisis of Neoliberalism: A Stance of Undefeated DespairConclusionAcknowledgmentsNotesIndex

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Book SynopsisThis is the first introductory textbook intended for transgender/trans studies at the undergraduate level. The book can also be used for related courses in LGBTQ, queer, and gender/feminist studies.It encompasses and connects global contexts, intersecting identities, historic and contemporary issues, literature, history, politics, art, and culture. Ardel Haefele-Thomas embraces the richness of intersecting identities—how race, ethnicity, sexual orientation, class, nation, religion, and ability have cross-influenced to shape the transgender experience and trans culture across and beyond the binary. Written by an accomplished teacher with experience in a wide variety of higher learning institutions, this new text inspires readers to explore not only contemporary transgender issues and experiences but also the global history of gender diversity through the ages.Introduction to Transgender Studies features:-A welcoming approach that creates a safe space for a wide range of students, from those who have never thought about gender issues to those who identify as transgender, trans, nonbinary, agender, and/or gender expansive.-Writings from the Community essays that relate the chapter theme to the lived experiences of trans and LGB people and allies from different parts of the world.-Key concepts, film and media suggestions, topics for discussion, activities, and ideas for writing and research to engage students and serve as a review at exam time.-Instructors’ resources that will be available that include key teaching points with discussion questions, activities, research projects, tips for using the media suggestions, PowerPoint presentations, and sample syllabi for various course configurations.Intended for introductory transgender, LGBTQ+, or gender studies courses through upper-level electives related to the expanding field of transgender studies, this text has been successfully class-tested in community colleges and public and private colleges and universities.Trade ReviewNamed a top ten book of 2020 by the Over the Rainbow committee of the American Library Association * Over the Rainbow committee of the American Library Association *I can’t imagine a better textbook introducing students to transgender studies. Ardel Haefele-Thomas lucidly explains the complexities of gender nonconformity using clear analysis, together with rich and nuanced historical examples. These are elucidated further with the delightful details they deserve. -- Paisley Currah, coeditor of Transgender Studies QuarterlyThis is a groundbreaking textbook and significant development in transgender studies. Students will relate to all aspects of each chapter, including the personal stories, rich histories, interactive questions, inspiring trans figures, and much more. This is a must read and a truly intersectional accomplishment. -- Breana Bahar Hansen, City College of San Francisco and University of San FranciscoThe cultural historian, queer theorist, and trans activist Ardel Haefele-Thomas has written an indispensable textbook on gender and sexuality for schools and universities. I have field-tested it with students across ethnicities and nationalities. They are invariably drawn to the well-researched multicultural histories, precise definitions of LGBTQ+, and the very personal stories of members of the community that the author has assembled. This volume will further transgender tolerance and challenge the binary as much as any single work can do. -- Regenia Gagnier, University of ExeterArdel Haefele-Thomas has done a commendable job presenting what transgender has meant up to our present moment, thereby giving the rising generation a generous gift to use as they see fit for the ongoing project of creating a less straitjacketed, more expansive sense of what a human life can be. It offers a useful place to start thinking about basic concepts like sex and gender, sexual orientation, and identity. -- Susan Stryker, University of Arizona, from the forewordIt makes me so honored and happy to write the introduction to Ardel Haefele-Thomas’s groundbreaking and profoundly important Introduction to Transgender Studies. A book like this matters to everybody. -- Jo Clifford, independent playwright, poet, and performer and former professor of theater at Queen Margaret University, Edinburgh, ScotlandPragmatic, philosophical, urgent, and inclusive, Introduction to Transgender Studies is a crucial introduction to an important area of study. . . . With high-level theories that often tie into current-day examples—like bathroom discrimination and the concerning rate of violence against trans people––Introduction to Transgender Studies is a powerful work and a constant reminder that what we learn is significant to real lives, every day. * Foreword Reviews *A must-read for anyone needing an education on transgender history. * Advocate *Table of ContentsPrefaceForeword, by Susan StrykerIntroduction, by Jo CliffordA Note on Language1. Sex and Gender: Stories and Definitions2. Sexual Orientation: Stories and Definitions3. Modern Sexology: The Science of Objectification, or the Science of Empowerment?4. Direct Action, Collective Histories, and Collective Activism: What a Riot!5. Navigating Binary Spaces: Bathrooms, Schools, Sports6. Navigating Government Documents, Work, and Healthcare: I'll Need to See Some I.D. with That7. Global Gender Diversity throughout the Ages: We Have Always Been with You8. Four Historical Figures Who Cross-Dressed: The Adventurer, the Ambassador, the Surgeon, and the Seamstress9. Cross-Dressing and Political Protest: Parasols and Pitchforks10. Gender Diversity in Artifacts, Art, Icons, and Legends from Antiquity to the Middle Ages: Classically Trans11. Trans Literature, Performing Arts, Music, and Visual Art: The Art of Resistance/The Art of Empowerment12. The Importance of Archives: Hearing Our Own VoicesIndex

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Book SynopsisKristen Hogan traces the feminist bookstore movement's rise and fall, showing how the women at the heart of the movement developed theories and practices of lesbian antiracism and feminist accountability that continue to resonate today.Trade Review"An oft-forgotten chapter in the women's lib movement of the 1970s was the rise of independent, women-owned bookstores, many of which created safe spaces for conversations that spurred second-wave feminism. Hogan has written a history of those thought-leading small businesses and the lesbians and women of color behind them, in which she celebrates the power of the feminist printed word." * Ms. *"It’s difficult to write the history of women’s bookstores without romanticizing a complex world of books, ideas, feelings, and feminist community that many of us miss. Hogan describes the pleasures of these communities, as well as the anger and factionalism that their commitments provoked. A literary history that opens and closes with Hogan’s own experience working at the Toronto Women’s Bookstore, The Feminist Bookstore Movement leads us through the rise and fall of this network, which, at its peak, included 130 businesses in North America." -- Claire Bond Potter * Chronicle Review *"Hogan gives us a more complicated narrative; she focuses on a broad base of women from different backgrounds working together as activists, rather than on a few commercially successful writers. It is a history from the bottom-up rather than a female-adjusted Great Man style of history. . . .Hogan’s story should make us think about how we can build the communities that will give us the next books that will change our lives." -- Laura Tanenbaum * The New Republic *"[A]n eminently readable text that traces the history of feminist bookstores from their rise in the 1970s through the 1990s. . . . This work will appeal to scholars and everyday readers who enjoy microhistories. Highly recommended. All levels/libraries." -- M. Martinez * Choice *"In some ways, The Feminist Bookstore Movement is a classic Second Wave recovery project, casting a loving glance backward as it seeks to uncover a series of lost moments obscured by the financial fate (and fight) of feminist bookstores in the ’90s. But Hogan’s account also spills beyond generational borders." -- Stephanie Young * Los Angeles Review of Books *"The Feminist Bookstore Movement offers more than a chronicle of the rise and fall of feminist bookstores from 1970 to 2003. Drawing from archival documents, interviews, and scholarship, Hogan delineates the infrastructure that housed a lesbian, antiracist, anticapitalist, community-oriented culture, and she textures her account with thick descriptions of lived experience." -- Ellen Messer-Davidow * American Historical Review *"Hogan's richly researched text is resplendent with photos that commemorate the 1970s-1980s era of feminism....Indeed, the engaging narrative prompted winsome memories of my brief, mid-1980s stint as an employee at Womanbooks in New York City while in journalism school. The passage of three decades has not dimmed my affection for the colourful posters, shelves of dazzling books and smiling co-workers that greeted me when I began my shift. I'm honoured to have been a part of the tradition that Kristen Hogan recounts, to sublime effect, in her outstanding contribution to lesbian and feminist letters." -- Evelyn C. White * Herizons *"Carefully researched and highly engaging. . . . The Feminist Bookstore Movement is essential reading for anyone interested in the history of feminist writing and publishing, as well as anyone seeking to understand how feminist alternative economies and communities took shape and survived in the late twentieth century." -- Kate Eichhorn * Journal of American History *“A radical contribution to contemporary feminist dialogue. . . . This book will be of potential relevance to feminist, queer and antiracist readers both within and beyond the North American context.” -- Chiara Xausa * Women's Studies International Forum *Table of ContentsAcknowledgments ix Preface. Reading the Map of Our Bodies xiii 1. Dykes with a Vision 1970–1976 1 2. Revolutionaries in a Capitalist System 1976–1980 33 3. Accountable to Each Other 1980–1983 69 4. The Feminist Shelf, A Transnational Project 1984–1993 107 5. Economics and Antiracist Alliances 1993–2003 145 Epilogue. Feminist Remembering 179 Notes 195 Bibliography 241 Index 261

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Book SynopsisA work on the history of black dandyism. It examines the pivotal role that style has played in the politics and aesthetics of African diasporic identity formation.Trade Review“Miller’s study incites a much-needed dialogue between existing scholarship on the figure of the dandy—particularly its performative queering of modern narratives of masculinity and nationhood—and the legacies of imperialism and slavery that attest to the constant, if silent, presence of race and racializing discourse in those same narratives. . . . [A]n absorbing and timely study of the black dandy.” - Jaime Hanneken, Comparative Literature“Encompassing the genres of drama, fiction, photography, film, and sculpture, Miller's study highlights the ways in which diaspora can be located in the image and the imagination of the body and its garments. . . . The value of Miller's text is in its historical range.” - Alisa K. Braithwaite, Modern Fiction Studies“Monica L. Miller's book is the first of its kind: a lengthy written study of the history of black dandyism and the role that style has played in the politics and aesthetics of African and African American identity. She draws from literature, film, photography, print ads, and music to reveal the black dandy's underground cultural history and generate possibilities for the future. . . . [U]ncanny feats of scholarship that illustrate ways in which the figure of the black dandy has been an elephant-in-the-room — albeit a particularly well-dressed one.” - D. Scot Miller, San Francisco Bay Guardian“A model for cultural studies, Slaves to Fashion brings the rich,interdisciplinary scholarship of the black dandy into the twenty-first century, serving the fields of both black and American studies.” - Pamela J. Rader, MELUS“Miller has performed a cultural excavation, sifting through fragments of visual and literary culture to trace a history of black style and assemble the first history of black dandyism. Her work deserves a place among the finer recent contributions to black performance studies. . . .” - Kristin Moriah, Callaloo“Monica L. Miller’s close readings dazzle, and her historical reach—confident and unforced—is as long as the transnational arc of black dandyism here is wide. Arresting, discerning, responsible, and urgent, Slaves to Fashion is path-breaking. Literary criticism, visual history, and black Atlantic studies never looked so good.”—Maurice O. Wallace, author of Constructing the Black Masculine: Identity and Ideality in African American Men’s Literature and Culture, 1775–1995“Revising and augmenting scholarship on minstrelsy, literary representations of blackness, and black sartorial aesthetics and visual culture, Slaves to Fashion is an impressive and meticulously researched treatise on the history of the black dandy. It fills a gap in the scholarship on the cultural politics of black self-fashioning.”—E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity“Encompassing the genres of drama, fiction, photography, film, and sculpture, Miller's study highlights the ways in which diaspora can be located in the image and the imagination of the body and its garments. . . . The value of Miller's text is in its historical range.” -- Alisa K. Braithwaite * Modern Fiction Studies *“Miller has performed a cultural excavation, sifting through fragments of visual and literary culture to trace a history of black style and assemble the first history of black dandyism. Her work deserves a place among the finer recent contributions to black performance studies. . . .” -- Kristin Moriah * Callaloo *“Miller’s study incites a much-needed dialogue between existing scholarship on the figure of the dandy—particularly its performative queering of modern narratives of masculinity and nationhood—and the legacies of imperialism and slavery that attest to the constant, if silent, presence of race and racializing discourse in those same narratives. . . . [A]n absorbing and timely study of the black dandy.” -- Jaime Hanneken * Comparative Literature *“Monica L. Miller's book is the first of its kind: a lengthy written study of the history of black dandyism and the role that style has played in the politics and aesthetics of African and African American identity. She draws from literature, film, photography, print ads, and music to reveal the black dandy's underground cultural history and generate possibilities for the future. . . . [U]ncanny feats of scholarship that illustrate ways in which the figure of the black dandy has been an elephant-in-the-room — albeit a particularly well-dressed one.” -- D. Scot Miller * San Francisco Bay Guardian *Table of ContentsAcknowledgments ix Introduction. Stylin' Out 1 1. Mungo Macaroni: The Slavish Swell 27 2. Crimes of Fashion: Dressing the Part from Slavery to Freedom 77 3. W. E. B. Du Bois's "Different Diasporic Race Man 137 4. "Passing Fancies": Dandyism, Harlem Modernism, and the Politics of Visuality 176 5. "You Look Beautiful Like That": Black Dandyism and the Histories of Black Cosmopolitanism 219 Notes 291 Bibliography 347 Index 371

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Book SynopsisShows the capacities of film and video to bear witness to the cultural, political, and psychological imperatives of the AIDS crisis. This book explains how queer films and videos made in response to the AIDS epidemics in North America, Europe, Australia, and South Africa challenge assumptions about historical trauma and politics of gay visibility.Trade Review“And although he does a solicitous and richly nuanced job of situating these works in the ever-shifting cultural dynamics of their production and reception, Reframing Bodies does much more than provide a descriptive and historicist re-appraisal of these video/film texts (although in this enterprise it is both detailed and insightful). Beyond the particularity of Hallas’ interest in AIDS, homosexuality and representation, Reframing Bodies will also be essential reading for scholars and students of both memory/trauma studies and film/media studies more generally.” -- Dion Kagan * Screening the Past *“And although he does a solicitous and richly nuanced job of situating these works in the ever-shifting cultural dynamics of their production and reception, Reframing Bodies does much more than provide a descriptive and historicist re-appraisal of these video/film texts (although in this enterprise it is both detailed and insightful). Beyond the particularity of Hallas’ interest in AIDS, homosexuality and representation, Reframing Bodies will also be essential reading for scholars and students of both memory/trauma studies and film/media studies more generally.” - Dion Kagan, Screening the Past“Hallas looks at reframings of film and video conventions like autobiography, home movies, song, museum installations, and news reports. . . . It is wonderful to see attention given to this important archive. One wishes these were all on DVD and that Hallas could offer commentary as one viewed them! In his thoroughness, Hallas collects a wide range of voices in a kind of fraternity, but one based in a n embrace of complexity and difference and never denying the multifaceted trauma of AIDS. Taken together, they say something different than what each could say alone.” -- Chael Needle * A&U Magazine *“Hallas looks at reframings of film and video conventions like autobiography, home movies, song, museum installations, and news reports. . . . It is wonderful to see attention given to this important archive. One wishes these were all on DVD and that Hallas could offer commentary as one viewed them! In his thoroughness, Hallas collects a wide range of voices in a kind of fraternity, but one based in a n embrace of complexity and difference and never denying the multifaceted trauma of AIDS. Taken together, they say something different than what each could say alone.” - Chael Needle, Art & Understanding“This book presents an original and intriguing re-evaluation of queer film and videos made between the mid-1980’s and the early 2000’s in response to the AIDS epidemic. . . . Reframing Bodies expands our understanding of the political importance of visual media to the act of witnessing and the ongoing efforts of AIDS activism.” - James Polchin, Gay and Lesbian Review/ Worldwide“This book presents an original and intriguing re-evaluation of queer film and videos made between the mid-1980’s and the early 2000’s in response to the AIDS epidemic. . . . Reframing Bodies expands our understanding of the political importance of visual media to the act of witnessing and the ongoing efforts of AIDS activism.” -- James Polchin * Gay & Lesbian Review *“This excruciating, tender and evocative book not only produces a timeline of politicized queer corporeal action but peels back the intrinsic value between intersubjectivity and representation. Reframing Bodies explores the boundaries of visuality and visibility through an archive of AIDS activism and queer social history that leaves no rock unturned.” -- Stephanie Rogerson * Fuse Magazine *“With Reframing bodies, Roger Hallas has written a complex yet accessible book that manages to recapture the sense of urgency animating earlier queer AIDS media. But it is not nostalgic. It is also a moving work that reminds us that the AIDS crisis is far from over and that our duties to those afflicted have not abated.” - David Caron, Culture, Health & Sexuality“This is an important, informative, persuasive and timely book. . . . Reframing Bodies is a significant testament and testimony, itself bearing witness to a criminally unrecorded and underexamined time in our lives.” - Monica B. Pearl, Screen“This is an important, informative, persuasive and timely book. . . . Reframing Bodies is a significant testament and testimony, itself bearing witness to a criminally unrecorded and underexamined time in our lives.” -- Monica B. Pearl * Screen *“This excruciating, tender and evocative book not only produces a timeline of politicized queer corporeal action but peels back the intrinsic value between intersubjectivity and representation. Reframing Bodies explores the boundaries of visuality and visibility through an archive of AIDS activism and queer social history that leaves no rock unturned.” - Stephanie Rogerson, Fuse Magazine“With Reframing bodies, Roger Hallas has written a complex yet accessible book that manages to recapture the sense of urgency animating earlier queer AIDS media. But it is not nostalgic. It is also a moving work that reminds us that the AIDS crisis is far from over and that our duties to those afflicted have not abated.” -- David Caron * Culture, Health & Sexuality *“Roger Hallas ensures that HIV/AIDS activist media receives its critical due by showing not only its historical importance but also its formal complexity. Through his passionate engagement, keen sensitivity to shifting contexts of reception, and sophisticated account of the testimonial function of the moving image, he keeps this body of activist media, and its political and memorial legacies, alive for the future. ”—Ann Cvetkovich, author of An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures“Roger Hallas is perhaps today’s leading expert on AIDS and the ‘queer moving image,’ and with Reframing Bodies he takes AIDS cultural studies in a variety of new, compelling directions. He makes important contributions about the practices and politics of homosexuality’s cultural visibility, the representational strategies mobilized around AIDS as a historical trauma experienced by gay men, and the ways that queer moving images allow us to rethink spectatorship, bearing witness, and trauma.”—Alexandra Juhasz, author of AIDS TV: Identity, Community, and Alternative Video“In this incisive and well-written volume, Hallas argues that ‘reframing’ is fundamental to the success of AIDS films and videos in bearing witness to tragedy and trauma while putting forward or holding open alternative imaginings of social existence.” -- Steven Epstein * GLQ *Table of ContentsIllustrations ix Acknowledgments xi Introduction 1 1. Historical Trauma and the Performance of Talking Heads 35 2. The Embodied Immediacy of Direct Action: Space and Movement in AIDS Video Activism 77 3. Related Bodies: Resisting Confession in Autobiographical AIDS Video 113 4. Queer Anachronism and the Testimonial Space of Song 151 5. Gay Cinephilia and the Cherished Body of Experimental Film 185 6. Sound, Image, and the Corporeal Implication of Witnessing 217 Afterword 241 Notes 253 Bibliography 291 Index 307

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Book SynopsisAt once a memoir, a call to support the Boycott, Divestment and Sanctions movement, and an argument for queer solidarity across borders, this book tells the story of how novelist and activist Sarah Schulman's became aware of how issues of the Israeli occupation of Palestine were tied to her own gay and lesbian politics.Trade Review"Al-Shulman has written an honest, warm, and moving book. This is a book about how the political heart expands to encompass the rights of queers and the rights of Palestinians, the rights of you and the rights of me, the rights of individuals and the rights of collectivities. This vision is neither stingy nor utopian, but deeply realistic. A must-read."—Vijay Prashad, author of Uncle Swami: South Asians in America Today"This is a great book, brave, and compassionate. A journey of discovery, a coming of age, and more important, a search for justice. Our world is a better place for its existence. Read it, please."—Rabih Alameddine, author of The Hakawati"This is an extraordinary, challenging, and moving book. It is both an honest account of the work Sarah Schulman had to do to allow the full reality of the occupation of Palestine to be registered in her consciousness, and a story—told firmly yet gently, with patience and care—of the shared labor of building activist worlds on occupied grounds. We embark on a journey with Sarah Schulman and many other activists, from Palestine, the U.S. and beyond, as they persist in the effort to make the liberation of Palestine essential to queer politics. We follow their footsteps, we trace the paths; we hear the conversations; we share the meals. If activism involves hard often painstaking work, if it involves mundane and ordinary tasks, we learn that it can also create connections that nourish and sustain. I hope this book becomes a teacher. I hope we join the invitation to become part of a new queer international where liberation for all is the common goal."—Sara Ahmed, author of On Being Included: Racism and Diversity in Institutional Life“Solidarity, reciprocity, and recognition here reinforce each other, broadening the range of human rights that each movement affirms. The queer activist learns about colonialism and the anti-occupation activist learns about feminism. It is a remarkable testament to the value of the risk that Schulman ran in agreeing to deny her lesbian and gay constituency in Israel in favour of a broader human rights agenda in which their rights too might find validation and defence.” -- Gerry Kearns * Dubin Review of Books *“Written with verve and grace, Israel/ Palestine and the Queer International is eye-opening, courageous, investigative, an activists’ how-to manual, and a shining example of the best in contemporary gay liberation thinking of the sort we have come to expect from Sarah Schulman. The book is by turns hard-headed (in the best sense), clear-sighted, and tender and moving.” -- Doug Ireland * Gay City News *“[A] provocative argument against Israel’s recent attempt to market itself as a gay tourist destination. . . . [H]er skepticism regarding power is bracing. Schulman not only upends many of her own unquestioned assumptions, she also clarifies the connection between seemingly innocuous acts, like an effusive travel-section article extolling Tel Aviv’s gay-friendly cafes, and imperialism, racial prejudice and class struggle.” -- Raymond Simon * Philadelphia Weekly *“[Schulman] eloquently and cogently describes how her awareness and transformation happened. She presents interesting stories about the queer Palestinians she meets, and bonds with, including anti-occupation activists, as well as details about the unique coming-out process for Palestinians.” -- Gary Kramer * Philadelphia Gay News *“Schulman offers an honest and unflinching look at her step-by-step process for challenging her own biases. It's courageous work, and something we don't see nearly enough of, especially when it comes to hot-button issues.” -- Kel Munger * Colorado Springs Independent *“Schulman’s ‘willful ignorance regarding Israel and Palestine’ is both acknowledged and interrogated through her own self-questioning and activism in this concise yet powerful activist-roman. . . . Is homonationalism the activist’s cry of the 21st century? Are you ready to interrogate your privilege? It is this call to acknowledge and interrogate our privilege and our ignorance that concludes Schulman’s fine work. . . .” -- Marcie Bianco * Lambda Literary Review *“Schulman’s greatest strength in this moving accuont of her politicization around Palestine is her personal exploration of how Jewish historical trauma is linked to the Israeli oppression of Palestinians. . . . This powerful narrative will be particularly helpful for folks struggling to understand the intersection of Jewish identity, queerness, and anti-occupation work.” -- Wendy Elisheva Somerson * Bitch *“A great introduction to the Israeli occupation of Palestine, and to the role of queers in that struggle. Schulman offers a thoughtful, if somewhat uneven, presentation of the relationship between the two struggles, the impact of identity politics, and the devastation caused by colonialism and nationalism. She has generously taken us on her journey of self-examination and inspires others to do the same.” -- Jody Raphael * Women's Review of Books *"Israel/Palestine and the Queer International offers an insightful, critical and personal interpretation of the issues surrounding movements to divest from Israel, boycott Israel’s official economy and draw attention to Israel’s supposed pinkwashing. As always, Schulman’s writing is sophisticated, intelligent and yet accessible." -- David Gorshein * Journal of Modern Jewish Studies *“I am hopeful that Schulman's book can help more queer folks understand the link between queer issues and Palestine solidarity, as well as how to combat pinkwashing efforts. This book can help us learn how to respond to arguments that use the concepts of dialogue, discrimination, and diversity to promote a narrow vision of gay rights aligned with state rights. By insisting on a power analysis as part of her critique of global politics, Schulman demands that we consider who is being excluded when we focus on the ‘safety’ and ‘rights’ of some LGBT folks without linking these rights to anti-colonial struggle.” -- Wendy Elisheva Somerson * Tikkun *Table of ContentsAcknowledgments ix Introduction: Before 1 Part I. Solidarity Visit 1. Awareness 23 2. Preparation: Learning from Cinema 40 3. Maps 48 4. The Jewish Embrace 58 5. Solidarity Visit 67 6. Palestine 77 7. Finding the Strategy 86 Part II. Al-U.S. Tour 8. Homonationalism 103 9. Amreeka 133 10. Backlash 156 11. Understanding 172 Conclusion: There Is No Conclusion 175 Appendix; Brand Israel and Pinkwashing: A Documentary Guide 179 Index 187

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Book SynopsisIn this twentieth anniversary edition of Female Masculinitywhich features a new preface by the authorJack Halberstam uncovers a hidden history of female masculinities, cataloging the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.Trade Review“[Halberstam] steers herself admirably between the subtle and not so subtle interactions between the personal and theoretical.” -- Millissa Deitz * Screening the Past *“[R]efreshing . . . . Halberstam forces us to look at familiar texts and problems in fresh ways and leaves room for future scholarship to expand her critical insights. . . . [S]he has taken on a vast project and is clearly committed to sketching the contours of many possible approaches to female masculinity rather than dwelling on one or two . . . .[A]ccessible and enlightening . . . .” -- Rachel Adams * GLQ *“A significant contribution to a growing genre of feminist analyses of masculinity. . . . Female Masculinity's greatest strength lies in its scope. . . . [It] should rank among our most important, sophisticated feminist analyses of the way maleness is constructed in Western culture. Because of its focus on specifically lesbian contributions to masculinity, Halberstam's book surpasses its predecessors in its special relevance to lesbian readers. Finally (and perhaps most importantly for Halberstam's peers), because of her book's attention to both popular and high art subjects, Female Masculinity is an important contribution to the growing field of Cultural Studies.” -- Heather Findlay * Lesbian Review of Books *“Halberstam’s refusal to work within the ‘difference’ paradigm raises a series of exciting questions . . . . Female Masculinity takes on everything from eighteenth-century frictioners (tribades) to mustachioed drag kings like Mo B. Dick and Buster Hymen to transgender dykes. Halberstam argues convincingly that there has been persistent bias against masculine women in the lesbian community and in lesbian criticism. Moreover, she uses the example of the masculine woman to suggest that lesbians need a subtler vocabulary for sexuality and gender. . . .” -- Heather Love * Transition *“In this landmark study, Halberstam consolidates her position as a key theorist within Queer scholarship. Female Masculinity is an immensely persuasive, powerfully-written text that imparts exciting and important theoretical ideas. It constitutes a valuable initial challenge to those in feminism and cultural studies who conflate masculinity with maleness, and offers an inspiring start for ongoing study.” -- Maria Antoniou * Feminist Theory *"[A] unique offering in queer studies: a study of the masculine lesbian woman. Halberstam makes a compelling argument for a more flexible taxonomy of masculinity, including not only men, who have historically held the power in society, but also women who embody qualities that are usually associated with maleness, such as strength, authority, and independence." * Library Journal *"Halberstam’s book can be added to the list of important studies of masculinity and femininity. . . . Along with Judith Butler, Terry Castle, Sue-Ellen Case, and Eve K. Sedgwick, Halberstam—especially in her previous work on masculinity and lesbianism—is already established as one of the most thought-provoking voices in queer studies. This book will only enhance that reputation. Female Masculinity should find a wide readership. . . ." * Choice *"Judith Halberstam’s Female Masculinity is truly a pioneering document which disrupts eras of silence surrounding this topic. . . . [S]he crafts her language in a very inviting and accessible manner. She is clearly trying to be understood, which is a refreshing change from too many academic works. In addition, she infuses humor and little personal preferences or irritations (mostly through colorful adjective choices) into the middle of serious analysis, which makes the whole academic process more interesting and less elusive. . . . Whether you agree or disagree with her choices, the ideas are definitely stimulating. It is a book you’ll want to sit down with your friends and talk about. You find yourself overjoyed at one moment that someone has finally written down exactly what you’ve felt but haven’t been able to articulate, and in the next moment irritated because you think she’s mistaken. It is essentially an opening to the major taboo of masculinity in women . . . . [T]he genuine enthusiasm she brings to her research is catchy and this book could very well be the catalyst for expanding a whole field of thought. And, on a personal level, it simply affirms our lives and ideas." * Gay and Lesbian Times (San Diego) *"Judith Halberstam’s new book, Female Masculinity, is an extraordinary and studied work that carefully presents an analysis of gender, and more specifically, masculinity, without over-simplification or narrow definition. . . . This is the most thorough and broad-visioned work on female masculinity that I have yet seen. Halberstam’s work is an essential contribution to our increasing understanding of gender expression and its relationship to biology and sexual orientation, as well as to everything else." * Lambda Book Report *"There is a need for this book; Halberstam’s analysis offers the reader a fresh and positive spin on the much maligned stone butch figure, for example, and the book contains an interesting selection of photos of drag kings, transgender, and butch women. There are long sections detailing butch characters in film and modern drag performers, an area on which little has been written." * Siren *"Female Masculinity is a full-on attack on the idea that masculinity is exclusively—or even primarily—the property of men. . . . [It] aims to help restore a sense of butch pride, and to validate the entitlement of women to their own masculinity. . . . There’s an interesting defense of the stone butch, more often cast as a damaged and dysfunctional figure, and a walk along the debated borders between butch lesbians and female to male transsexuals. An accessible chapter on butch representation in film observes the emasculation of butches in mainstream productions—Fried Green Tomatoes, Desert Hearts—and there’s a useful analysis of what’s at stake in the drag king club acts in America and the UK. . . . [This is] the first full-length study in a crucial area and it’s a great starting point." * Diva *Table of ContentsIllustrations ix Preface to the Twentieth Anniversary Edition xi Preface xxiii 1. An Introduction to Female Masculinity: Masculinity without Men 1 2. Perverse Presentation: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3. "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 75 4. Lesbian Masculinity: Even Stone Butches Get the Blues 111 5. Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6. Looking Butch: A Rough Guide to Butches on Film 175 7. Drag Kings: Masculinity and Performance 231 8. Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323

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Book Synopsis David Bowie Made Me Gay isthe most “sweeping” and “comprehensive” (Kirkus Reviews, A Best Nonfiction Book Selection) history of LGBT music ever compiled, encompassing a century of music by and for the LGBT community.   From Sia to Elton John, from Billie Holiday to David Bowie, LGBT musicians have changed the course of modern music. But before their music—and the messages behind it—gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who would follow them? David Bowie Made Me Gay is the first book to cover the breadth of history of recorded music by and for the LGBT community.   Darryl W. Bullock reveals the stories of both famous and lesser-known LGBT musicians, whose perseverance against the threat of persecution during decades of political and historical turmoil—including two world war

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Book SynopsisThe definitive book on the influence of LGBT performers on modern music: a Duckworth contemporary classic, beautifully repackaged for our 125th anniversaryTrade Review‘Lovingly detailed and exhaustively researched – easily the most readable and comprehensive guide I've seen to this fascinating hidden history’ Tom Robinson, musician, broadcaster and long-time LGBT rights activist‘An excellent book’ GayStarNews'Darryl W. Bullock leaves no stone unturned in his analysis of this crucial part of LGBT culture' Men 24 Magazine'A thorough and enjoyable tour through LGBT history that underlines how important music is to us, and how important we are to music' Rod Thomas, Bright Light Bright Light'An important volume. One that deserves to be read. One that deserves to be taught’ New York Journal of Books

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Book SynopsisPink Triangle Legacies traces the transformation of the pink triangle from a Nazi concentration camp badge and emblem of discrimination into a widespread, recognizable symbol of queer activism, pride, and community. W. Jake Newsome provides an overview of the Nazis'' targeted violence against LGBTQ+ people and details queer survivors'' fraught and ongoing fight for the acknowledgement, compensation, and memorialization of LGBTQ+ victims. Within this context, a new generation of queer activists has used the pink trianglea reminder of Germany''s fascist pastas the visual marker of gay liberation, seeking to end queer people''s status as second-class citizens by asserting their right to express their identity openly. The reclamation of the pink triangle occurred first in West Germany, but soon activists in the United States adopted this chapter from German history as their own. As gay activists on opposite sides of the Atlantic grafted pink triangle memoriesTrade ReviewFor those interested in the "problems" of queer history, this book is an excellent introduction to the issues associated with confronting queer historical memory. * The Gay & Lesbian Review *Table of ContentsIntroduction: "Beaten to Death, Silenced to Death" 1. "They are Enemies of the State!": The Fate of LGBTQ+ People in Nazi Germany 2. "For Homosexuals, the Third Reich Hasn't Ended Yet": Paragraph 175 and the Nazi Past in West Germany 3. "The Only Acceptable Gay Liberation Logo": The Reclamation of the Pink Triangle in West Germany 4. "It's a Scar, but In Your Heart": The Pink Triangle in American Gay Activism 5. "Remembrances of Things Once Hidden": Piecing Together the Pink Triangle Past on Stage and on Page 6. "We Died There, Too": Commemoration and the Construction of a Transatlantic Gay Identity Epilogue: "Remembering Must Also Have Consequences"

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Book SynopsisWinner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher EducationWinner, 2018 Errol Hill Award in African American theater, drama, and/or performance studies, presented by the American Society for Theatre ResearchA new manifesto for performance studies on the art of queer of color worldmaking. After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vo, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban MTrade ReviewAfter the Party is indeed a manifesto: transparent in its politics and elegant in its prose, it takes the temperature of contemporary politics and offers 'a tactical manual' for survival and transformation … After the Party is a love letter to performance, excavating its efficacy beyond commodification and toward sustenance. With gorgeous prose and unapologetic politics, the author offers this book as a gift … Chambers-Letson invites us to the party, to commit to the transformative and embodied labor of performance that might bestow 'more life.' * Kareem Khubchandani, Global Performance Studies *After the Party is a necessary and fearlessly original text, which pushes against the conventions of the academic monograph, suggesting something closer to a ‘travel guide’ or ‘tactical manual.’ * This Year’s Work in Critical and Cultural Theory *The book is exactly what we need after a year and an uprising that brought increased attention to systemic racism and the unequal distribution of life and death. It is a “travel guide and…tactical manual” (5) that could be called prophetic—but only if you have not been paying attention. This is not an indictment, but a compliment to Chambers-Letson’s work [...] Museum, memorial, and memento mori, After the Party challenges readers to imagine creative ways of living through this moment, and meaningful ways of honoring those we have lost, those we are losing, those we are going to lose. * The Black Scholar *A luminous reflection on mourning, care, and being together. Through deft and intimate analyses, Chambers-Letson assembles a group of insurgents, minoritarian performers whose meditations on survival, death, and collectivity provide the basis for a new theory of communism. These performers show us snippets of space where the violences of neoliberalism, racism, and homophobia are met with howls, defiance, and a turn toward community. These are moments where life persists and this book brings you there. -- Amber Jamilla Musser, author of Sensational Flesh: Race, Power, and MasochismJoshua Chambers-Letson invites us to the party in his beautifully written consideration of the collective functions of performance for more livable black and brown, queer and trans worlds. In a series of cogent readings of various forms of performance across the twentieth century, from Nina Simone to Tseng Kwong Chi, After the Party is a treatise and a handbook for queer and trans of color survival. A timely book and an urgent read! -- C. Riley Snorton, author of Black on Both Sides: A Racial History of Trans IdentityThis is the ongoing process of survival and sustenance that propels Chambers-Letson’s rich theorizations of minoritarian performance, which continuously labours towards 'More Life' in the ongoing work of getting free and bringing your loved ones with you while doing it, even if they have passed on. * Asian Diaspora Visual Cultures and the Americas *Chambers-Letson takes up Muñoz’s work and expands on this to focus on how to deal with the overwhelming death of queer and trans people of color. * Journal of American Culture *

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Book SynopsisTheir greatest act of resistance was simply existing. Drags, fags and trans-women were attracted to the Big Apple because they were able to find work as impersonators in a small number of Lower East Side clubs. Decades before Stonewall, they occupied the margins of society, determined to live as they pleased, despite of the attentions of the police. Sometimes reduced to stealing to get their costumes, these girls were unstoppable, fearless and fabulous.   When a cache of their letters were discovered, these individuals were given a voice where they had traditionally been silenced. The letters they wrote bear witness to a time when gay community was hard to find.   Blending social, political and cultural history with memoir, this book is an unforgettable and deeply moving encounter with a generation of incredible survivors and a necessary account of how modern drag culture was born.Trade ReviewThere are vital, vibrant stories crying out to be told from the history of the drag scene, especially now that it faces a resurgence of bigotry and hostility * Guardian *P.S. Burn This Letter Please reveals a fascinating world of personal triumph and tragedy * Attitude *A delightful collection of newly discovered letters between a fabulous coterie of drag queens who resided in New York City during the 1950s and '60s . . . This charming account combines the poignancy of a coming-of-age narrative, the mordant humor of a gossip column, and the rigor of an archival investigation. It's an essential window into a long-hidden history -- Starred review * Publishers Weekly *Written in a distinctive coded language, the letters in P.S Burn This Letter Please are gossipy in tone and full of catty humour but also coloured by the constant fear of exposure, violence or arrest * Buzz Magazine *The letters make you want to laugh one minute, cry the next, and then take to the streets and protest because in 2023, history is repeating itself . . . A fascinating book . . . P.S. Burn This Letter Please is a must read about fabulous fashion trailblazers, who dared to defy, who HAD to defy, despite the consequences * LA Blade *

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Book SynopsisIn this new edition of her accessible autoethnography of fat feminist activism in the West, Charlotte Cooper revisits and discusses her activism in the context of recent shifts in the movement. The new preface explores the impact of the Coronavirus pandemic on fat people and fat activism and how Black Lives Matter is inspiring new forms of activism. Cooper issues a call to action in Fat Studies and offers alternatives to current public health approaches to Diabetes. What is fat activism and why is it important? To answer this question, Charlotte Cooper presents an expansive grassroots study that traces the forty-year history of international fat activism and grounds its actions in their proper historical and geographical contexts. She details fat activist methods, analyses existing literature in the field, challenges long-held assumptions that uphold systemic fatphobia, and makes clear how crucial feminism, queer theory and anti-racism are to the lifeblood of the movement. She also considers fat activism’s proxy concerns, including body image, body positivity, the obesity epidemic and fat stigma. Combining rigorous scholarship with personal, accessible writing, Fat Activism: A Radical Social Movement is a rare insider’s view of fat people speaking about their lives and politics on their own terms. This is the book you have been waiting for.Trade Review'Cooper's writing style is refreshingly accessible, in a conversational tone that will ensure this book manages to appeal to activist readerships well beyond the narrow scope of academia. [...] It will be of particular interest to feminist scholars how Cooper manages to develop sharp critical analysis of what she identifies as problematic elements of the movement, including cultural imperialism, white supremacy, homogeneity and moralism, whilst still championing its value and necessity. The nuance with which Cooper navigates this thorny terrain is valuable for thinking about ongoing conflict within feminist debates on how we can reconcile the varied and often contradictory strands of past and present feminist thinking. [...] [The book's] contributions go well beyond the specificity of fat, making it a useful resource for anyone, inside or outside of academia, who is interested in activism, social movements, feminism and intersectionality.' -- Vikki Chalklin, Feminist Review'Explores a long-standing social movement, revealing complex relationships with feminism, class and capitalism. [...] Cooper provides both an account of a radical social movement and a consideration of how we might come to a broad but useful understanding of the nature of activism, through an examination of one of the less-prominent struggles of the twentieth and twenty-first centuries.' -- Elaine Graham-Leigh, Counterfire'Cooper guides the reader into a fertile place of growth a million miles from timebombs and epidemics, and gives a human face to a large segment of the population who are too often dehumanised.' -- Tania Glyde, The Lancet'Cooper creates an arena for a more dynamic, comprehensive discourse that makes space for all types of experiences and voices in fat activist communities. [...] She is making space for fat activists to re-occupy the fat discourse.' -- Cassandra Kuyvenhoven, Canadian Food Studies'Charlotte Cooper’s Fat Activism: A Radical Social Movement may not be the final volume on fat history, but it is, without doubt, an essential one, and should be required reading for all generations of fat activists, both in the academy and beyond it.' -- Elliot Director, Fat Studies An Interdisciplinary Journal of Body Weight and Society'Not only offers a thorough history of the fat acceptance movement, which seeks to change societal attitudes towards fat people, but also provides insight into activist practices more broadly. [...] This accessible book [is] an important read for those working in the field of critical weight studies and fat studies and [...] show[s] how academic research can be mobilised to reach audiences beyond the academy.... Invaluable.' -- Rose Deller, LSE Review of Books'Charlotte Cooper’s fierce new book Fat Activism: A Radical Social Movement should be required reading for scholars and activists. Cooper draws on extensive interviews with fat activists to render a trenchant analysis of our field of motion. She takes a penetrating look at activist efforts and self-understandings, eschewing easy praise in favor of discernment that ultimately promises to invigorate the movement.' -- Kathleen LeBesco, Marymount Manhattan College (Associate Dean)'Charlotte Cooper is once again in the vanguard of radical social change with this book about fat activism. She has captured the history of the fat rights movements, interviewed fat activists, and demonstrated the extensive and exciting breadth of fat activism in a global setting. Fat activism is often portrayed as ineffective when in fact its lack of conformity and interdisciplinarity can serve as a model for other social movements.' -- Esther Rothblum, Editor / Fat Studies: An Interdisciplinary Journal of Body Weight and Society'For any civil rights movement to succeed, it must know its history; to build on its strengths and learn from its mistakes. With the ubiquity of the Internet, the historical knowledge and record of activism can be rewritten with 140 characters. That is one of the many reasons that Fat Activism: A Radical Social Movement is important. Anyone interested in the epistemology, ontology, and methodology, (not to mention history) of fat activism should make this a central text of their library.' -- Cat Pausé, Massey University / Co-Editor of Queering Fat Embodiment'It is in the interest of the ethically and intellectually dubious field of “Obesity Research” to flatten fat subjects; rendering our voices narrowly defined by punchy rhetoric, our activist interventions reduced to child-like flailing against the big bad thin-dominated world. Charlotte Cooper’s book resists this myopic view of resistance to fat oppression in form and content. Fat Activists need more researchers and writers examining and reflecting on our work from within, and this book stands as an offering and opening in that vein.' -- Naima Lowe, Artist and Member of the Faculty at The Evergreen State CollegeTable of ContentsPreface to the Second Edition Acknowledgements Introduction 1. Undoing 2. Doing 3. Locating 4. Travelling 5. Accessing 6. Queering Bibliography Index

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Book SynopsisKnowing that queer voices have been making themselves heard in Germany, Switzerland, and Austria decades before Stonewall, editors Gary Schmidt and Merrill Cole curated thrilling snapshots of prose fiction from more than twenty contemporary writers whose work defies stereotypes, disciplines, and expectations.Trade ReviewQuertext reveals the startling breadth of gay, lesbian, bi, trans, and queer experiences in Germany, Switzerland, and Austria today. From coming out and gay bashing to queer marriage and parenting and caring for the elderly, this collection emphasizes the diversity of queer life in central Europe." - Robert Tobin, Clark University

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Book SynopsisFinalist, 2019 Lambda Literary Award in LGBTQ StudiesA profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center Black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and Black freedom.Keeling reads selected works, such as Sun Ra's 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar speculations Trade ReviewJust when the world seems to be collapsing, Queer Times, Black Futures guides us towards an anti-fragile future that exists here and now. The key? Embracing and holding in tension: Afro-futurist freedom dreams, the queer temporalities that animate Black Swans, and the radical refusal and opacity of Herman Melville's Bartleby and Eduoard Glissant's philosophy. If we haven't realized the possibilities that lie waiting in the present, its because the frame of black experience has not yet registered. Moving seamlessly from James Snead to Sun Ra, from Gilbert Simondon to Beth Coleman, Audre Lorde to Gilles Deleuze, Keeling helps us imagine the (im)possible. Stop reading this blurb and start reading this book. Now. -- Wendy Hui Kyong Chun, author of Updating to Remain the SameFor its contributions to queer constructions of temporality and futurity, in particular in the context of Black media and existence, the text is valuable for queer of color theorists. Professors and students of media, cultural, and/or communication studies would also find the text useful as it provides analyses of various Black and queer media—transnational films, avantgarde music, and digital technologies. * QED *Not satisfied to leave readers in the abyss of endless critique, Keeling is concerned with alternative futures and the ethical imagination of 'the time after the future.' Queer Times, Black Futures is masterful--deeply engaging, wide ranging, carefully researched, and creative in its use of allegory to demonstrate the potential and effect of opacity for black futures and possibilities. -- Herman Gray, Emeritus Professor, UC Santa Cruz...an incredible, (im)possible work that is invested in worlds to come with the necessary caveat that its readers divest from a critical project that is measured in immediate returns. -- Courtney R. Baker * Journal of Cinema and Media Studies *

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Book SynopsisThis book aims to productively engage the pioneering work of Queer theorists and point toe way towards a new sociological Queer studies. First book to bring the works of theorists and researchers in the social sciences to Queer theory which is distinctively dominated by the Humanities. Uses classic sociological essays that shaped lesbian, gay and bisexual studies and recent original works and applies these to the discursive approach of Queer Theory to create a productive dialogue between the disciplines. Table of ContentsSeries Editor's Preface. Acknowledgements. Introduction by Steven Seidman. Part I: Sociological Perspectives on Homosexual Desire:. 1. The homosexual role: Mary McIntosh. 2. The construction of homosexuality: Jeffrey Weeks. 3. Symbolic interactionism and the forms of homosexuality: Ken Plummer. 4. Capitialism, bureaucracy, and male homosexuality: David Greenburg and Marcia Bystryn. 5. Structural foundations of the gay world: Barry Adam. Part II: Sociology/Queer Theory: A Dialogue:. 6. I can't even think straight: queer theory and the missing sexual revolution in sociology: Arlene Stein and Ken Plummer. 7. A queer encounter: sociology and study of sexuality: Steven Epstein. 8. The heterosexual imaginary: feminist sociology and theories of gender: Crys Ingraham. 9. The politics of inside/out: queer theory, poststructuralism, and a sociological approach to sexuality: Ki Namaste. 10. A place in the rainbow: theorizing lesbian and gay culture: Jancie Irvine. Part III: Queer Sociological Approaches: Identity & Society: . 11. Maiden voyage: excursion into sexuality and identity politics in Asian America: Dana Takagi. 12. A certain swagger when I walk: performing lesbian identity: Kristin Esterberg. 13. Containing AIDS: Magic Johnson and post (Reagan) American: Cheryl Cole. 14. The dilemma of identity: bisexuality in the heterosexual matrix: Amber Ault. Part IV: Queer Sociological Approaches: Identity & Politics:. 15. Postmodernism and queer identities: Scott Bravmann. 16. Contested membership: black gay identities and the politics of AIDS: Cathy Cohen. 17. Must identity movements self destruct? A queer dilemma: Joshua Gamson. 18. The depoliticization of Dutch gay identity of why Dutch gays aren't queer: Jan Willem Duyvendak. Index.

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Book SynopsisBased on extensive archival work, Stormtrooper Families combines stormtrooper personnel records, Nazi Party autobiographies, published and unpublished memoirs, personal letters, court records, and police-surveillance records to paint a picture of the stormtrooper movement as an organic product of its local community, its web of interpersonal relationships, and its intensely emotional internal struggles. Extensive analysis of Nazi-era media across the political spectrum shows how the public debate over homosexuality proved just as important to political outcomes as did the actual presence of homosexuals in fascist and antifascist politics. As children in the late-imperial period, the stormtroopers witnessed the first German debates over homosexuality and political life. As young adults, they verbally and physically battled over these definitions, bringing conflicts over homosexuality and masculinity into the center of Weimar Germany's most important political debates. Stormtrooper Families chronicles the stormtroopers' personal, political, and sexual struggles to explain not only how individual gay men existed within the Nazi movement but also how the public meaning of homosexuality affected fascist and antifascist politics-a public controversy still alive today.Trade ReviewDetailed, well informed, and highly readable-an important and most welcome contribution to the still relatively small number of SA histories, and Wackerfuss has undertaken a huge amount of research into local primary sources. -- Daniel Siemens, University College London A fascinating picture of the private lives of the SA, both as individuals and in their close-knit groups. Many studies concentrate on the SA leadership and its trials and tribulations, but Wackerfuss shines a light on individual units, which were by no means a united front but sometimes fraught with infighting. Beyond that, he peers into the life and minds of individual SA men to see what motivated them to join this violent organization and how it became instrumental in winning support for Adolf Hitler. -- Geoffrey Giles, University of Florida Stormtrooper Families is a much needed addition to the vast collection of books on the Third Reich and its history. Books by Meri Stormtrooper Families offers a much-needed historical reckoning... bringing lucid scholarship to a neglected area in the history of the Nazi regime. -- Karl Wolff New York Journal of Books It is a rare achievement indeed to tell us something new about Nazism. Through its in-depth exploration of 'everyday' life within Hamburg's Sturmabteiling (SA), the Nazi Party's paramilitary group, Andrew Wackerfuss' rich and readable book does just that. -- Victoria Harris Times Higher Education A fascinating study of a history that many textbooks have ignored. -- Darrell Scheidegger Jr. Outword A fascinating, well-researched and well-written book, this one is a keeper. -- Angel Curtis OutSmart A very readable history of the Sturmabteilung (SA), or stormtroopers, one of the earliest wings of Nazism... Highly recommended. Choice Wackerfuss brings a very perceptive eye to his subject... Academic readers will find his contribution to our knowledge of the SA, and especially his perceptive analysis of the psychology of some of its members, immensely useful, while more casual readers will surely find his account, quite simply, very enjoyable to read. -- Alex Burkhardt H-German Wackerfuss provides a welcome addition to our understanding of the early SA movement, and a thoughtful commentary on postwar notions of Nazi sexuality and homoeroticism. -- Tiia Sahrakorpi German History Stormtrooper Families reveals intimate details about the lives of the men who served in the famously cliquish, violent, and chaotic German military unit known as Sturmabteilung (a.k.a. "SA" or "Stormtroopers"). -- Jacob Anderson-Minshall The Advocate A very readable book that offers a window on daily life in the SA as well as a provocative argument about homosexuality and Nazism. -- Laurie Marhoefer American Historical ReviewTable of ContentsIntroduction 1. Fathers and Forefathers 2. Shattered Sons 3. Stormtroopers Confront The Criminal 4. The Battle of Sternschanze 5. Community and Violence 6. Bloody Sundays 7. The SA Takes Power 8. Long Knives Epilogue. From Sodom to Gomorrah: Hamburg in Ruins Acknowledgments Glossary Index

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Book SynopsisWINNER OF THE 2020 STONEWALL BOOK AWARD-ISRAEL FISHMAN NONFICTION AWARD“Jones’s voice and sensibility are so distinct that he turns one of the oldest of literary genres inside out and upside down.” NPR’S Fresh Air Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.Trade ReviewPRAISE FOR HOW WE FIGHT FOR OUR LIVES BY SAEED JONES “[A] devastating memoir….Jones is fascinated by power (who has it, how and why we deploy it), but he seems equally interested in tenderness and frailty. We wound and save one another, we try our best, we leave too much unsaid….A moving, bracingly honest memoir that reads like fevered poetry.”—THE NEW YORK TIMES BOOK REVIEW "A raw and eloquent memoir. One could say that Saeed Jones' new memoir, How We Fight for Our Lives, is a classic coming-of-age story….But Jones' voice and sensibility are so distinct that he turns one of the oldest of literary genres inside out and upside down. How We Fight for Our Lives is at once explicitly raunchy, mean, nuanced, loving and melancholy. It's sometimes hard to read and harder to put down." —MAUREEN CORRIGAN, NPR'S "FRESH AIR" "Extremely personal, emotionally gritty, and unabashedly honest, How We Fight for Our Lives is an outstanding memoir that somehow manages a perfect balance between love and violence, hope and hostility, transformation and resentment.....Jones writes with the confidence of a veteran novelist and the flare of an accomplished poet. This is an important coming-of-age story that's also a collection of tiny but significant joys. More importantly, it's a narrative that cements Jones as a new literary star — and a book that will give many an injection of hope."—NPR “Urgent, immediate, matter of fact….The prose in Saeed Jones’s memoir How We Fight for Our Lives shines with a poet’s desire to give intellections the force of sense impressions.”—THE NEW YORKER "Jones’ explosive and poetic memoir traces his coming-of-age as a black, queer, and Southern man in vignettes that heartbreakingly and rigorously explore the beauty of love, the weight of trauma, and the power of resilience."—ENTERTAINMENT WEEKLY "[Jones'] tenacious honesty compels us to be honest with ourselves. His experiences—negotiating grief, family dynamics, and a forthright identity—require our reckoning."—KIRKUS PRIZE 2019 CITATION “[This] memoir marks the emergence of a major literary voice…written with masterful control of both style and material.” —KIRKUS REVIEWS (STARRED REVIEW) “Powerful…Jones is a remarkable, unflinching storyteller, and his book is a rewarding page-turner.”—PUBLISHERS WEEKLY (STARRED REVIEW) "An unforgettable memoir that pulls you in and doesn’t let go until the very last page."—LIBRARY JOURNAL (STARRED REVIEW) "A luminous, clear-eyed excavation of how we learn to define ourselves, “How We Fight for Our Lives” is both a coming-of-age story and a rumination on love and loss....a radiant memoir that meditates on the many ways we belong to each other and the many ways we are released."—SAN FRANCISCO CHRONICLE "There are moments of devastating ugliness and moments of ecstatic joy...infused with an emotional energy that only authenticity can provide."—MINNEAPOLIS STAR TRIBUNE "Phenomenal....In this profound, concise memoir, the 33-year-old writer isolates key moments from his youth and sharpens their points for maximum effect. We follow a young, searching Jones through his early years with his loving single mother, along a path of unrequited lust, furtive sexual experiences, and disapproving relatives, through his hard-won self-acceptance and into the grief of losing the person closest to him."—INTERVIEW MAGAZINE "Jones’ evocative prose has a layered effect, immersing readers in his state of mind, where gorgeous turns of phrase create some distance from his more painful memories. Although its length is short (just 189 pages), How We Fight For Our Lives fairly pulses with pain and potency; there is enough turmoil and poetry and determination in it to fill whole bookshelves."—THE AV CLUB "How We Fight for Our Lives is a primer in how to keep kicking, in how to stay afloat...Thank god we get to be part of that world with Saeed Jones’ writing in it."—LAMBDA LITERARY "Jones' unabashed honesty and gift for self-aware humor will resonate with readers, especially those in search of a story that resembles their own." —BOOKLIST “Scorching…a commentary not only on what it takes to become truly and wholly oneself, but on race and LGBTQ identity, power and vulnerability, and how relationships can make and break us along the way.” —GOOD HOUSEKEEPING “This memoir is a rhapsody in the truest sense of the word, fragments of epic poetry woven together so skillfully, so tenderly, so brutally, that you will find yourself aching in the way only masterful writing can make a person ache. How We Fight for Our Lives is that rare book that will show you what it means to be needful, to be strong, to be gloriously human and fighting for your life.” —ROXANE GAY, author of Hunger “This book. Oh my goodness. It is everything everyone needs right now—both love song and battle cry, brilliant as fuck and at times, heartbreaking as hell. Every single living half-grown and grownup body needs to read this book. I’m shook. I’m changed.” —JACQUELINE WOODSON, author of Another Brooklyn “There will be little left to say, and so much left to make after the world experiences Saeed Jones's How We Fight for Our Lives. This is that rare piece of literary art that teaches us how to read and write on every page. It's so black. So queer. So subtextual, and amazingly so sincere. Saeed changes everything we thought we knew about memoir writing, narrative structure, and heart meat. All three are obliterated. All three are tended to over and over again. All three will never ever be the same after this book. It's really that good.” —KIESE LAYMON, author of Heavy

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Book SynopsisHow do we represent the experience of being a gender and sexual outlaw? In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberationincluding consciousness-raising, separatism, and coming out of the closetwere translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called normal gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environmentsfrom the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earthand finding new ways to formally render queTrade ReviewThis is the book I have been waiting for: fearless, brilliant, and filled with love for feminist and queer cultural forms. Rather than fetishizing formlessness as the pinnacle of freedom, Ramzi Fawaz assembles and mines a rich and moving archive of feminist and queer cultural forms that have given us tools to practice intimacy, radical vulnerability, friendship, and worldmaking. Queer Forms was written out of a deep affection for the visionary work of feminist and queer cultural producers, offering us a blueprint for allowing feminist and queer worlds to take shape. * Jennifer C. Nash, author of Birthing Black Mothers *An invigorating work of queer feminist political theory and imagination. Defying the received demand that instances of nonnormative gender identity remain fluid and formless, Ramzi Fawaz dares to present subversive examples of gender and sexual outlaws whose actions track an unfinished project of freedom. In a range of brilliant readings across political movements and cultural texts, he advances new figures of the thinkable and democratic worldmaking that inspire free action in the present. * Linda Zerilli, University of Chicago *Parting ways with queer theory’s preference for the ephemeral, Queer Forms feels the touch and re-touch of shapeshifting forms as it sets queer studies in new and dynamic relation to its objects in the world. In one of his signal claims, Fawaz uses the materiality of form to rethink the pervasive and privileged association of queerness with formlessness and fluidity. Thus, he argues that feminist and queer ideas become meaningful as they take material shape within the realm of popular cultural production, where they change audiences in ways that neither a pedantic politics nor a moralizing theory can. * Matt Brim, author of Poor Queer Studies: Confronting Elitism in the University *An inspirational history of queer and feminist cultural politics forged in the 1970s and extending to the 1990s. Ramzi Fawaz brilliantly maps the forms of relationality that feminist, lesbian, and gay communities invented to visualize themselves and their futures. In an argument that is both crystalline and capacious, he has discerned patterns across a wide range of popular cultural texts, objects, and images, and he demonstrates how radical change has been—and can be—imagined and enacted. Queer Forms is generously both history and manifesto. It calls on us to ask with each other how we want to see our future take shape. * David J. Getsy, author of Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender *With Queer Forms, Ramzi Fawaz has examined gender and sexual formlessness illustrated by queer and feminist film, literature and visual culture. This 'shapeshifting' allows for greater evolution, authenticity and intimacy for all. -- Karla Strand * Ms. Magazine *Including detailed footnotes, a thorough bibliography, and illustrative images, this volume will interest and engage those working in the field of women's and gender studies. -- R. Stone (Mt. St. Joseph University) * CHOICE *

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Book SynopsisFor a generation of gay men who came of age in the 1980s and 1990s, becoming sexually active meant confronting the dangers of catching and transmitting HIV. In the 21st century, however, the development of viral suppression treatments and preventative pills such as PrEP and nPEP has massively reduced the risk of acquiring HIV. Yet some of the stigma around gay male promiscuity and bareback sex has remained, inhibiting open dialogues about sexual desire, risk, and pleasure. A Pill for Promiscuity brings together academics, artists, and activists—from different generations, countries, ethnic backgrounds, and HIV statuses—to reflect on how gay sex has changed in a post-PrEP era. Some offer personal perspectives on the value of promiscuity and the sexual communities it fosters, while others critique unequal access to PrEP and the increased role Big Pharma now plays in gay life. With a diverse group of contributors that includes novelist Andrew Holleran, trans scholar Lore/tta LeMaster, cartoonist Steve MacIsaac, and pornographic film director Mister Pam, this book asks provocative questions about how we might reimagine queer sex and sexuality in the 21st century. Trade Review"The arrival of PrEP and biomedical prevention helped rescue a public centering of gay men's desire, pleasure and sex that was becoming marginalized in the fight for same sex marriage. By returning to the all-but-abandoned anthology as a necessary strategy of critical queer community dialogue, A Pill for Promiscuity: Gay Sex in the Age of Pharmaceuticals offers a compelling collection of voices on the complicated cultural and political dynamics of sex in the era of PrEP. " -- Kenyon Farrow * Managing Director of Advocacy & Organizing for PrEP4All *"A Pill for Promiscuity is a necessary collection, in a time where pharmaceutical culture and public health are too often narrating proper ideas of sexual practice and sexual intimacy. This volume speaks back to these problematic frames, through a rich offering of diverse voices from multiple genres of writing, which explore the complexity of sexual life in eras of disease." -- Jeffrey McCune * author of Sexual Discretion: Black Masculinity and the Polities of Passing *Table of ContentsCONTENTSIntroduction to Q+ Public Books by series editors E.G. Crichton and Jeffrey Escoffier1 Introduction: Why Promiscuity Matters by Andrew Spieldenner and Jeffrey Escoffier2 Notes on Promiscuity by Andrew Holleran3 Perspective: Fear4 Safety by Steve MacIsaac5 How I Learned to Stop Worrying: Or,The Straight Panic Defense by Daniel Felsenthal6 Perspective: Sex7 Reluctant Objects: Sexual Pleasure and HIV Prevention by Kane Race8 Learning How to Fuck on PrEP by Nicolas “Nic” Flores9 Gay Sex is Our Superpower by Alex Garner10 Perspective: Pharma11 “Heard about it before, but don’t know where to get it”: A Black Gay Man’s Journey to Securing PrEP by Deion Scott Hawkins12 PrEP in the Porn World by Pam Dore, aka Mr. Pam13 Auto-Pharmakon: Prescribing Utopia by Addison Vawters14 Perspective: Trauma and Healing15 S(t)imulation by Lore/tta LeMaster16 Playing in the Shadows: Cycles of Trauma by Ariel Sabillon17 When We Touch: A Reading on Queer Intimacies by Justice Jamal Jones and Andrew Spieldenner with Photographs by Justice Jamal Jones18 Epilogue: Promiscuity for the Non-Promiscuous by Andrew Spieldenner and Jeffrey EscoffierAcknowledgementsNotes on ContributorsIndex

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Book SynopsisThe US military has done an about-face on gender and sexuality policy over the last decade, ending Don't Ask, Don't Tell, restrictions on women in combat, and transgender exclusion. Contrary to expectations, servicemembers have largely welcomed cisgender LGB individualsyet they continue to vociferously resist trans inclusion and the presence of women on the front lines. In the minds of many, the embodied deficiencies of cisgender women and trans people of all genders puts othersand indeed, the nationat risk. In this book, Cati Connell identifies the homonormative bargain that underwrites these uneven patterns of receptiona bargain that comes with significant concessions, upholding and even exacerbating race, class, and gender inequality in the pursuit of sexual equality. In this handshake deal, even the widespread support for open LGB service is highly conditional, revocable upon violation of the bargain. Despite the promise of inclusivity, in practice, the military has made room only Table of ContentsContents Acknowledgments Introduction: The Dawning of a Kinder, Gentler US Military Part 1 Repealing Don’t Ask, Don’t Tell 1. “The Hard Work to Get Me in the Door”: A History of the Gay Ban 2. “What They Do in Their Private Life, I Couldn’t Care Less”: Striking the Homonormative Bargain 3. “He Acts Straight but He Has This One Thing . . .”: Open LGB Service and Queer Social Control Part 2 Ending Combat Exclusion 4. “When You Want to Create a Group of Male Killers, You Kill the Woman in Them”: Feminine Abjection and the Impossibility of Women Warriors 5. “My Problem’s Not That I’m Gay; My Problem Is That I’m a Woman”: The Patriotic Paternalism of Combat Exclusion Part 3 Removing Medical Restrictions on Transgender Service 6. “Once He Saw Them as Soldiers, I Knew We Had It”: The Trans Ban Tug of War 7. “You Can’t Have Three Bathrooms at a Forward Operating Position”: Gender Panic in the Transgendering Organization Part 4 Conclusion 8 . We Will Be Greeted as Gay Liberators? Methodological Appendix A Methodological Appendix B Methodological Appendix C Notes References Index

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Book SynopsisA revealing and beautifully open memoir from pioneering industrial music artist, visual artist, and transgender icon Genesis P-Orridge. In this groundbreaking book spanning decades of artistic risk-taking, the inventor of “industrial music,” founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist with COUM Transmissions, Genesis P-Orridge (1950–2020) takes us on a journey searching for identity and their true self. It is the story of a life of creation and destruction, where Genesis P-Orridge reveals their unwillingness to be stuck—stuck in one place, in one genre, or in one gender. Nonbinary is Genesis’s final work and is shared with hopes of being an inspiration to the newest generation of trailblazers and nonconformists.Nonbinary is the intimate story of Genesis’s life, weaving the narrative of their history in COUM Transmissions, Throbbing Gristle, and Psychic TV. It also covers Trade Review“Genesis P-Orridge—a mystifying vanguard with a gift of prophecy. Nonbinary is thee definitive oracle from the heart of the indefinable.” -- Wesley Eisold * musician, poet, and author *“Genesis was continually breaking new ground and developing new projects with the aim of short circuiting received ideas, chipping a hole in the carapace, questioning everything: religion, education, nationality, sexual identity to find the reality behind the society of the spectacle. Gen was always going forwards. It is fascinating to read the back story, finally told.” -- Barry Miles * bestselling author *“Genesis had a profound impact on me as an artist and then a dear friend. Reading this illuminating and radically open memoir is an honor. The echoes of such a strong creative voice unveiling the experiences of the proverbial climb to becoming a true artist and later cultural icon is mesmerizing.” -- Asia Argento * actor, director, and author *“An entertaining and thoughtful book about a remarkable life that consistently embraced transformation.” * Kirkus Reviews *“Part narrative, part philosophy, this outré memoir is a remarkable experience.” * Booklist *

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Book Synopsis The horror genre mirrors the American queer experience, both positively and negatively, overtly and subtextually, from the lumbering, flower-picking monster of Frankenstein (1931) to the fearless intersectional protagonist of the Fear Street Trilogy (2021). This is a historical look at the queer experiences of the horror genre''s characters, performers, authors and filmmakers. Offering a fresh look at the horror genre''s queer roots, this book documents how diverse stories have provided an outlet for queer people--including transgender and non-binary people--to find catharsis and reclamation. Freaks, dolls, serial killers, telekinetic teenagers and Final Girls all have something to contribute to the historical examination of the American LGBTQ+ experience. Ranging from psychiatry to homophobic fear of HIV/AIDS spread and, most recently, the alienation and self-determination of queer America in the Trump era, this is a look into how terror may repair a shatTable of Contents Table of Content Acknowledgments Preface Introduction Chapter 1. The Queens of Hollywood: Queer Roots, Censorship, and the Lavender Menace (the 1930s–1940s) Chapter 2. Psychos, Aliens, and Ghosts: Mass Conformity, Gay Liberation, and the Underground Response (the 1950s–1970s) Chapter 3. Villainization: AIDS and Casual Homophobia (the 1980s) Chapter 4. Manifesting Monstrous Bodies: The Use of the Transgender, Intersex, and/or Non-Binary Body as Horror (1932–2001) Chapter 5. Exposure: Queers and the Millennium (1990–2009) Chapter 6. Queer Resistance: Representation and Trump's America (2010–2021) Chapter 7. Catharsis as Revenge For Your Viewing Pleasure Chapter Notes Bibliography Index

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Book SynopsisSince its inception decades ago, the tabletop roleplaying game Dungeons & Dragons has offered an escape from the real world, the chance to enter distant realms, walk in new shoes, and be part of immersive, imaginative tales as they unfold. More so, in Thom James Carter's opinion, it's a perfect vessel for queer exploration and joy. Journey on, adventurer, as Dungeon Master Thom invites readers into the game's exciting queer, utopian possibilities, traversing its history and contemporary evolution, the queer potential resting within gameplay, the homebrewers making it their own, stories from fellow players, and the power to explore and examine identity and how people want to lead their lives in real and imagined worlds alike. Grab a sword and get your dice at the ready, this queer adventure is about to begin. (This book is unofficial and unaffiliated with properties Wizards of the Coast and Dungeons & Dragons.)Table of ContentsIntroduction: Session 0 Part One: Here be dragons - and queers Chapter 1: A potted history of Dungeons & Dragons Chapter 2: The contemporary realms of D&D Chapter 3: Queerness at the source Part Two: Queer play, exploration, joy and creativity Chapter 4: The character sheet is more than a character sheet Chapter 5: The magical effects of roleplay Chapter 6: The Dungeon Master's world Chapter 7: Raise a tankard to the homebrewers, creators, and community Part Three: Queer D&D's past, present, and future Chapter 8: Problems & Hope Conclusion: As one journey ends, another begins References Acknowledgements About the Author

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