Installation art Books
Occasional Papers Mieke Bal Michelle Williams Gamaker Saying It
Book Synopsis
£8.57
David Zwirner Carol Bove
Book SynopsisCarol Bove presents new work by “sculpture’s woman of steel,” as coined by Randy Kennedy in The New York Times. Her new sculptures expand on her investigations of materiality and form.Characterized by compositions of various types of steel, Bove’s ongoing series of “collage sculptures,” begun in 2016, amalgamates theoretical and art-historical influences across time periods and disciplines. To create these lyrical and abstract assemblages, Bove pairs fabricated tubing that has been crushed and shaped at her studio with found metal scraps and a single highly polished disk. Luminous color is applied to parts of the composition, transforming the steel—more commonly associated with inflexibility and heft—into something that appears malleable and lightweight, like clay, fabric, or crinkled paper.Bove’s new works are smaller in scale and elaborate on the “collage sculptures,” with more complex forms that twist, fold, and bend into postures that belie their material construction. Bove manipulates steel to varying degrees, rendering gentle folds in some, and extreme, almost anthropomorphic contortions in others. Their contrasting textures—matte, glossy, or rough—create a further sense of visual play, heightening the surface tension throughout.The publication features a new interview with the artist by Johanna Burton. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong in 2019, Carol Bove is available in both English only and bilingual English/traditional Chinese editions.
£21.25
David Zwirner Nikita Gale: END OF SUBJECT
Book SynopsisImmersing the audience in sound and light Nikita Gale’s END OF SUBJECT subverts understandings of viewership by prompting spectators to question their subjecthood within 52 Walker’s site-specific installation. Creating an aurally and visually rich environment, Gale engages with the architecture of the surrounding space, stimulating all senses through site-specific installation and muses on the boundaries of performance art. Considering and fracturing the physical space of the installation, the artist employs abolitionist ideology and institutional critique to simultaneously rupture and rebuild facets of the art institution. With an introduction by Ebony L. Haynes and a suite of poems by Harmony Holiday, this publication considers Gale’s multidisciplinary approach to address historical hierarchies of visibility. A text by the esteemed artist Andrea Fraser offers reflections on the various interventions at play during a gathering held in the exhibition.
£21.25
Boydell & Brewer Ltd The Marvellous and the Monstrous in the Sculpture
Book SynopsisRichly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.Trade ReviewAn insightful and overdue study that will pave the way for future research. * SPECULUM *[An] excellent work. ... Ambrose's scholarly contribution is fundamental to the progression of the study of Romanesque sculpture. * MEDIEVAL REVIEW *Profound and intellectually wide-ranging. ... A book that offers both a fresh and profound perspective on monsters and a superb, original, perspective on the current state of the field and some of its central questions. * BURLINGTON MAGAZINE *Fascinating. To the wonderful sculptures on which the author focuses, he brings knowledge and sound judgment. -- Christopher Howse * DAILY TELEGRAPH *Table of ContentsIntroduction: Approaching Monsters Past Present Ideal Bodies (Il)Legibility Creating Monsters Imagining Cosmos Epilogue
£23.74
Phaidon Press Ltd Paola Pivi
Book SynopsisThe first complete survey of the work of the much-loved and collected contemporary Italian multimedia artist Paola Pivi - with more than 250 images, including previously unpublished work. Published in association with Anchorage Museum, Alaska; The Andy Warhol Museum, Pittsburgh; The Bass Museum of Art, Miami Beach; [mac] musée d’art contemporain de Marseille; and MAXXI Museo nazionale delle arti del XXI secolo, Rome. Probably best known for her playful, complex installations of life-sized, brightly-hued, feathered polar bears, Paola Pivi has created work across a range of media - including sculpture, video, photography, performance, and installation - throughout her 27-year career. Often using recognisable objects that are modified to introduce new scale, material, or color, her work challenges viewers to rethink their position. This in-depth monograph, made with the close involvement of the artist, is her most substantial publication to date and features more than 250 images, including previously unpublished work, together with five newly commissioned essays giving insight and perspective on her incredibly diverse body of work.
£80.00
Boydell & Brewer Ltd The Marvellous and the Monstrous in the Sculpture
Book SynopsisRichly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.Trade ReviewAn insightful and overdue study that will pave the way for future research. * SPECULUM *[An] excellent work. ... Ambrose's scholarly contribution is fundamental to the progression of the study of Romanesque sculpture. * MEDIEVAL REVIEW *Profound and intellectually wide-ranging. ... A book that offers both a fresh and profound perspective on monsters and a superb, original, perspective on the current state of the field and some of its central questions. * BURLINGTON MAGAZINE *Fascinating. To the wonderful sculptures on which the author focuses, he brings knowledge and sound judgment. -- Christopher Howse * DAILY TELEGRAPH *Table of ContentsIntroduction: Approaching Monsters Past Present Ideal Bodies (Il)Legibility Creating Monsters Imagining Cosmos Epilogue
£70.00
Lund Humphries Publishers Ltd Light Field: The Art of Bruce Munro
Book SynopsisStarting his career in commercial lighting design, Bruce Munro (b.1959) later returned to his artistic roots to create large immersive site-specific light installations. Exploring Munro’s fascinating career to date, text and images combine to present an artist whose work is an exploration of place, topography and the environments in which the works are set. From the Australian desert to Californian vineyards, through to museums and manor houses in his native England, Munro’s spellbinding installations are immersive experiences that engage with the senses, their apparent simplicity belying the thematic and technological complexity behind their conception and realisation. Continually probing the possibilities of light and the considerable emotional pull the medium can create, Munro's enthusiasm for his materials and their relationship with audiences and environments is intelligently and engagingly communicated here. Richly balanced with beautiful reproductions of Munro's spectacular work, Light Field is essential reading for anyone interested in the power of light as an artform.Table of ContentsAcknowledgements; Introduction; 1 The birth of the Field of Light; 2 Developing Art Practice; 3 Long Knoll, Wiltshire; 4 Ideas and Inspirations; 5 New Directions and Works in Progress; Chronology; Bibliography; Index
£35.00
Yorkshire Sculpture Park Chiharu Shiota: Beyond Time
Book Synopsis
£10.00
Luath Press Ltd Burnsiana: Artworks and Poems Inspired by the
Book SynopsisThis unique reflection on the world of Robert Burns places a range of photographic artworks by celebrated Scottish artist Calum Colvin alongside poems written in response to each work by 'weel-kent' Scots poet Rab Wilson. Colvin's multi-referential artworks are concerned with the very process of looking, perceiving and interpreting. The potential meaning of any individual piece is intrinsically linked to the viewer’s personal deconstruction of the image. Utilising the unique fixed-point perspective of the camera, Colvin creates and records manipulated and constructed images in order to create elaborate narratives which meditate on numerous aspects of Scottish culture, identity and the human condition in the early 21st century. At times witty, controversial and tender, the images are presented alongside poems in response by Rab Wilson which equally reflect on the life and aspects of Burns to dwell on who we are, and where we have been, toward what we may become. As Burns reflected through his art the world he inhabited, these works and words strive to reflect on a myriad of contemporary concerns.
£9.49
David Zwirner Franz West: The 1990s
Book SynopsisDuring the 1990s, Franz West’s work moved in new and innovative stylistic directions, as his career was solidified through important international exhibitions. This publication delves into this significant decade in an effort to contextualize the evolution of West’s singular practice. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. His key innovations from this period—which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations—resulted in dynamic, frequently interactive installations that helped to expand the possibilities of sculpture and the ways in which art is experienced. Produced on the occasion of David Zwirner’s 2014 exhibition in New York, this fully illustrated publication gives an in-depth overview of the decade, arguably the most important of the artist’s lengthy career. It features essays by noted West scholars Eva Badura-Triska and Veit Loers, as well as a personal account by Bernhard Riff on video collaborations made with the artist throughout the 1990s.
£33.60
David Zwirner Doug Wheeler
Book SynopsisOver five decades, Doug Wheeler has pioneered the art of light and space. His work powerfully explores the way we perceive “empty” space—the way light can affect our perception and make emptiness feel full and dense. From his early experiences flying across the desert with his father, a doctor in Globe, Arizona, Wheeler developed a passion for the intensity and stillness of vast expanses, seeing in them a whole new set of possibilities for visual art.Although Wheeler began his career as a painter, his wall-mounted artworks soon began incorporating light as a medium and quickly gave way to an unprecedented art-historical breakthrough: his construction of an absolute light environment, crafted in his studio in 1967. Since that unparalleled moment, Wheeler’s work has been exhibited widely all over the world; in the past decade, with numerous major gallery and museum installations, his reputation as the definitive light and space artist has been solidified. This volume, featuring new scholarship by renowned art historian Germano Celant, traces the entire course of Wheeler’s career to date, from his first mature paintings to his immersive installations. Writing on Wheeler’s intense and direct engagement with the absoluteness in the optical fields he creates, Celant provides a detailed account for Wheeler’s development as one of the most original and influential artists of his generation. Wheeler’s work not only changes how we encounter reality after we see it, but also how we envision what is possible more broadly in visual art.
£48.00
Editions Skira Paris Rero (Bilingual edition)
Book Synopsis
£27.20
Editions Skira Paris Pascal Haudressy
Book Synopsis
£29.75
Fondation Cartier pour l'art contemporain Sarah Sze: De nuit en jour / Night into Day:
Book Synopsis
£32.00
Scheidegger und Spiess AG, Verlag Zimoun: A Selection of Installations 2009–2021
Book SynopsisSwiss artist Zimoun enjoys significant international renown for an oeuvre that he has been creating over a period of some 20 years. Zimoun uses kinetic principles of rotation and oscillation to set things in motion and generate sounds. He uses mundane, unspectacular materials and conventional industrial products. For his works, he develops small, minimalist apparatus that generate tonal and visual complexity when activated, despite their fundamental simplicity. These mechanical contraptions are often used hundreds of times in the installations, creating visual and acoustic spaces with fascinating power and poetry. This book presents 65 of these location-specific installations that Zimoun realised between 2009 and 2021 in various art galleries and museums around the world. The full-page images are supplemented with brief texts by international authors, who outline a variety of perspectives on Zimoun’s work. Two concise essays consider and position his oeuvre in the wider international and art historical context. QR codes provided with all the images extend the book by enabling the direct playback of video documentations available online on smartphones or tablets, thus offering the reader the additional dimension of sound and movement — the essential elements of Zimoun’s art.
£36.00
Hatje Cantz Verlag GmbH Maria Loizidou. Newcomers
£27.20
Hirmer Verlag STOA169: The Artist Columned Hall
Book SynopsisA hall of art surrounded by nature, supported by 121 individually designed pillars created by famous artists from all over the world: Bernd Zimmer has been pursuing this idea and its realization for over 30 years. The volume is lavishly illustrated and documents its creation, showing all the artists’ pillars in detailed individual photos. It was back in 1990 on a journey through South India that, inspired by the pillared porticoes of the Hindu temples, the painter Bernd Zimmer had the idea of a project which has now been realised as STOA169, a permanent art installation in Polling, Bavaria. Artists from all continents were invited to design pillars which together support a roof. Together the pillars forms an art universe which stands for solidarity, international understanding and respect for nature.
£36.00
Scheidegger und Spiess AG, Verlag Isabelle Cornaro: Fascination and Disgust of
Book SynopsisIsabelle Cornaro, based in Paris and Geneva, holds degrees in art history and visual arts. She has a strong interest in experimental cinema and devotes herself to the narrative, symbolic, and economic origins of things. In her work she assumes an anthropologist-type manner to investigate people's seemingly fixated attachment to emotionally charged, even fetishised objects, creating large stage installations and short movies. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.
£11.40
Scheidegger und Spiess AG, Verlag Latifa Echakhch: A Finished, Resolved and Static
Book SynopsisLatifa Echakhch studied at the art academies of Grenoble, Paris-Cergy, and Lyon. Now based in Switzerland, Eckakhch is concerned with the concept of culture as well as personal and collective memory in between the poles of social and political debate. Her work often features installations that make use of a wide variety of materials, such as brick and raw earth, which she mixes with ink. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.
£11.40
Skira Kesang Lamdark
Book Synopsis
£46.40
Skira Giorgio Andreotta Calò: “CITTÀDIMILANO”
Book Synopsis
£21.25
Skira Kishio Suga: Writings, Volume I: 1969–1979
Book Synopsis
£25.50
Skira Davide Quayola: re-coding
Book Synopsis
£33.60
Skira Tony Tasset
Book Synopsis
£33.60
Skira Ugo Rondinone (Bilingual edition): burn shine fly
Book Synopsis
£25.50
Skira Pedro Cabrita Reis: Field
Book Synopsis
£21.25
Skira Chung Seoyoung: Wave
Book Synopsis
£25.50
Skira Brendan Fernandes Inaction
Book Synopsis
£30.40
Skira Editore Arne Quinze Are We The Aliens
Book Synopsis
£28.00
Rizzoli Electa The Torlonia Marbles: Collecting Masterpieces
Book SynopsisLast published in a nineteenth-century catalogue, the distinguished Torlonia Collection of more than 600 priceless Greek and Roman works marbles and bronzes, reliefs and sarcophagi, depictions of gods, and portraits of emperors is one of the most important assemblages of classical sculptures still in private hands anywhere in the world. This eagerly awaited volume presents a selection of nearly 100 sculptures, which have been chosen for their quality and historic significance and which will be featured in an unprecedented exhibition designed by David Chipperfield and held in the Villa Caffarelli, near the Musei Capitolini in Rome, before touring globally. The legendary aura surrounding this, Rome s last princely collection, is due not only to its extraordinary scope and the high quality of the works, but also to the fact that the collection has not been available to the public for decades. This revelatory book features multiple essays by leading experts on the history of the collection and scholarly entries for the works detailing important discoveries made through archaeological research as well as the cleaning and conservation of the sculptures.Trade Review"Inaccessibility fueled its mystique, and the Torlonia Collection became the stuff of legend. After decades of negotiations and false starts, the public will be able to decide whether reality lives up to the myth when 96 statues go on display at the Palazzo Caffarelli, part of the Capitoline Museums here, in March. The exhibition, “The Torlonia Marbles. Collecting Masterpieces,” will be open for a nine-month stint, a prelude to a grand tour." — NEW YORK TIMES "The Torlonia Collection is one of the most important collections of classical sculpture still in private hands. Only a few people have ever glimpsed the 620 works in storage." —ARTNET.COM
£27.20
Scheidegger und Spiess AG, Verlag Lesley Dill, Wilderness: Light Sizzles Around Me
Book SynopsisLesley Dill is an American artist working at the intersection of language and fine art in printmaking, sculpture, installation and performance, exploring the power of words to cloak and reveal the psyche. Dill transforms the emotions of the writings of Emily Dickinson, Salvador Espriu, Tom Sleigh, Franz Kafka, and Rainer Maria Rilke, among others, into works of paper, wire, horsehair, foil, bronze and music — works that awaken the viewer to the physical intimacy and power of language itself. Lesley Dill – Wilderness: Light Sizzles Around Me features a uniquely inspired group of sculptures and two-dimensional works more than a decade in the making. It is testimony of Dill’s ongoing investigation into the significant voices and personas of America’s past. For the artist, the American voice grew from early America’s obsessions with divinity and deviltry, on fears of the wilderness out there and wilderness inside us. The plates, in colour throughout, are supplemented with essays by Lesley Dill, Brooklyn-based writer Nancy Princenthal, Figge Art Museum’s curator Andrew Wallace, and researcher and tribal historian Juaquin Hamilton-Youngbird. The book also features a literary text by writer by Tom Sleigh and a poem by author and poet Ray Young Bear.
£21.25
MIT Press Situation Aesthetics The Work of Michael Asher The MIT Press
Book SynopsisThe first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object.Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it.In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past
£26.60
Yale University Press Walter De Maria
Book SynopsisWalter De Maria (b 1935) is known for the expansive and perfectly ordered land art and installations he created in the 1970s. This book introduces the work, "The Bel Air Trilogy" (2000-11), in which the artist combines exacting geometry with the unexpected element of three 1955 "gypsy-red" Chevrolet Bel Airs.
£33.25
Doctor Watson Architects Haunting Whitehead Mies
£18.58
Bloomsbury Publishing (UK) Against Ambience and Other Essays
Book SynopsisSeth Kim-Cohen is Assistant Professor of Art History, Theory and Criticism at the School of the Art Institute of Chicago, USA.Trade ReviewAs an entreaty to sound artists and gallerists to think discursively about the artistic production of ambience, Kim-Cohen’s Against Ambience is a necessary and timely intervention. It should be read by anyone with a serious investment in the creation or presentation of ‘sound art’ or ‘environmental’ art installations. As aesthetic theory, the essay is at once discursively productive, cognitively stimulating, well organized, linguistically playful without indulgence, and frequently razor-sharp in its dissection of concepts ... The art world could use more ethical appeals such as Kim-Cohen’s, and his clarion call in Against Ambience justly deserves amplification. * Twentieth-Century Music *This fantastic new collection of essays confirms that Seth Kim-Cohen writes about sound and unsound, sense and nonsense, like no one else. Kim-Cohen polarizes—not just his readers, but his subjects and, inevitably, himself. The Big One-Thing is always cracked in two. Easy magic can’t get a break. But make no mistake. Kim-Cohen is a lover of intensities: litany becomes a hard bright joy, pleasure heaves its darkness into view. That love of intensity— faith, really—is what lets him break down the ‘superjoke’ of rock ’n roll without spoiling its punchline. An astonishing feat. We could all take a page. * Seth Brodsky, Assistant Professor of Music and the Humanities, The University of Chicago, USA *Against Ambience and Other Essays is like one of those bombs the anarchists dreamed of back at the birth of modernism: exploding whole worlds with a single throw. In their case, some wood panelling was splintered, tuxedoes were spoiled, and a few (usually the wrong) people injured. But Kim-Cohen here, once again, pulls off the more utopian dream—and with aplomb. * Craig Dworkin, Professor of English at the University of Utah, USA *[Against Ambience and Other Essays is] a polemical air horn that might just wake celebrants of ambient art from their nostalgic dream of decontextualized sensory immersion. * Lytle Shaw, Professor of English, New York University, USA *Table of ContentsPreface Against Ambience Shallow Listenings: Sounds, Silences, Scenes, & Sites Nothing That Is Not There And The Nothing That Is: Doug Aitken’s Sonic Pavilion I Have Something To Say, But I’m Not Saying It That Jabbering Which Thinks It Sees: Robert Morris Sites His Sources Sound Today (Is No Longer A Function Of The Ear) or, Why Do I So Dislike Glee? The Conceptual Garage: Rock and Roll, Expanded No Depth: A Call for Shallow Listening Burden Bangs Joy Rock and Roll Lecture No. 1 Anxious, Dismal, Giddy, Aggressive: Seth Kim-Cohen Interviewed by Mark Peter Wright for Ear Room Index
£21.53
Beam Editions Sounds Like Her: Gender, Sound Art & Sonic
Book Synopsis
£25.99
Silvana Jonathas de Andrade: Com o coração saindo pela
Book SynopsisCom o coração saindo pela boca [With The Heart Coming Out of the Mouth] is the title of the installation in the Brazilian Pavilion at the 59th Biennale di Venezia (2022), in which Jonathas de Andrade uses a wide range of idiomatic expressions that draw on body metaphors to develop a series of two- and three-dimensional works that render tangible the poetic weight of these expressions. Two immense ears placed at the entrance and exit of the pavilion allow the public, for example, to ‘go in one ear and out the other’, while an inflatable balloon, which invades the space at various times of the day, alludes to a ‘heart coming out of the mouth’. The emphasis on the body, especially the body of the man from the Brazilian Northeast, and on language, with its wealth, its flaws, and its revelations, is also a characteristic of several of the artist’s earlier works featured in this book, which also includes essays by the publication’s editor Jacopo Crivelli Visconti, and Clarissa Diniz. Text in English and Portuguese.
£23.80
Saqi Books Blackpop
Book SynopsisShaheen Merali''s oeuvre extends from large-scale installations to remapping colonial history through collages and batiks. Acutely aware of how popular culture acts as a carrier of social prejudice and invective, his work is exercised specifically by the racial and racist content of popular culture. Whether it''s his series of life-size paper constructions of black celebrities or his use of flowerpots and toys to represent people of colour, Merali explores and questions the relationship between racist desire and disgust, between consumer goods and art fetishes, between the sweet icing of kitsch and brutal racist violence. Through his work, it becomes clear that the most trivial objects of amusement carry an inordinate wealth of history, knowledge and prejudice. Blackpop covers the last decade of his work while referring to earlier work of the 1980s, with an introduction by the artist, Dave Beech, and essays by art historian Jean Fisher, film historian Adrian Rifkin, and film-maker HitoTrade Review'Shaheen Merali is an artist who puts popular culture through its paces ... He is exercised specifically by the racial and racist content of popular culture.' Dave BeechTable of ContentsIntroduction by Dave Beech - Masquerade as Masculinity: notes on Shaheen Merali's Paradigms Lost by Adrian Rifkin - Tales from the Dark Side: Double Agency by Jean Fisher - Dark Matters by Hito Stereyl
£11.69
Merrell Publishers Ltd Chateau La Coste: Art and Architecture in
Book SynopsisChateau La Coste, near Aix-en-Provence, is a unique property that combines sculptural artworks by leading contemporary artists alongside works by some of the world's best-known architects, all within the grounds of a working organic vineyard. Since 2004 the estate, which occupies an ancient site, has been transformed into an exceptional plein-air museum, and the number of installations grows every year. The spreading collection lies within the walk of a spectacular Art Centre, designed by the world-renowned Japanese architect Tadao Ando. On the reflecting pool in front of the building is one of Louise Bourgeois' giant arachnoid sculptures, Crouching Spider. To the north lies a futuristic winery by Jean Nouvel. By taking one of several routes to the south or west, the visitor encounters such monumental installations as Sean Scully's sculpture of stacked blocks of limestone, Wall of Light Cubed; Richard Serra's steel sheets, AIX; and Oak Room by Andy Goldsworthy, a cave of interwoven oak branches, integrated into an old stone wall. Installations by Liam Gillick, Kengo Kuma, Paul Matisse, Sophie Calle and many others punctuate the pathways. And by an ancient Roman route, Ai Weiwei has created another new path up the hillside, using paving stones salvaged from the renovated port at Marseilles. Overlooking the site is a 16th-century chapel restored by Ando and enclosed by a framework of steel and glass. The music and exhibition pavilions, close to the `village' of buildings at the heart of the property, have been designed by Frank Gehry and Renzo Piano respectively. In this stunning new book, Robert Ivy of the American Institute of Architects and the curator Alistair Hicks explore each work of architecture and art installation in depth. Their insightful commentaries are accompanied by specially commissioned photographs by the acclaimed architectural photographer Alan Karchmer. The book is arranged into sections covering all areas of the property, so that the reader is able to experience and discover Chateau La Coste as a visitor would. In the introduction, Ivy relates the conception, creation and further development of Chateau La Coste by its owner, Patrick McKillen; while, to conclude the book, Hicks considers the site's ever-increasing exhibition programme. Throughout the pages, the reader will feel transported to idyllic Provence, to this most remarkable and significant collection of modern and contemporary art and architecture.
£38.25
DruckVerlag Kettler Leiko Ikemura: Aquí estamos / Here we are
Book SynopsisRenowned Japanese-Swiss artist Leiko Ikemura’s multifaceted oeuvre comprises paintings, watercolours, drawings, as well as terra-cotta and bronze sculptures. She has created a diverse cultural universe that acts as an intermediary between Western and Asian culture. Ikemura is known, above all, for her sculptural works. Her hybrid creatures, seemingly archaic, oscillate between human, animal and plant like shapes. Sometimes childlike or feminine in appearance, the figures and their peculiar physiognomy evoke moments of calm reflection and deep emotion; at times they gesture towards vulnerability and pain, at others they symbolise bliss and dreaminess. This title introduces Ikemura’s most recent installation: six sculptures displayed in the open air at Valencia’s City of Arts and Sciences, an ensemble of buildings and parkland designed by Santiago Calatrava. Large-format photographs bear witness to the unreal, almost dreamlike dialogue between the sculptures and Calavatra’s iconic architecture, while the inclusion of works unrelated to this project offers a comprehensive introduction to Ikemura’s unique visual universe. Text in English, German and Spanish.
£32.00
Liverpool University Press Cities in Dialogue
Book SynopsisThis book is a retrospective volume on Latin American new media arts, arising from the Cities in Dialogue exhibition that was held in in FACT in conjunction with the University of Liverpool and the Liverpool Independents Biennial in 2014. There is also plenty of detail about the other events that were held during 2014 and into 2015, including workshops, artist talks, Twitter galleries and the Artist in Residence and his activities. One chapter is dedicated to each artist and the works they presented at the exhibition: Brian Mackern from Uruguay, Bárbara Palomino from Chile, Marina Zerbarini from Argentina, and Ricardo Miranda Zúñiga from the US. There is also an extensive chapter about the exciting new residence artwork created by Artist in Residence Brian Mackern. Entitled This Too Shall Pass// Affective Cartographies, this work is based on footage obtained through a series of unplanned journeys along Liverpool’s urbanscape. The gathering of information and recording of sound and visual material during these journeys is then remixed in this artwork by different parameters (volume levels, transparencies, zooms, fragmentations, crossfadings, speeds of timelines, etc.) controlled by Liverpool’s “socio economic historic curve” of the last century. In this book you can find out about all of these works, and other pieces by these artists. The book includes full colour images throughout, including exclusive images of works in progress, as well as excerpts of interviews with the artists. At the back of the book you can find links to online resources, including the art works themselves, audio interviews with the artists, image galleries, and more.Table of ContentsForeword by Ana Botella, Programme Producer at FACT Introduction: Cities in Dialogue by Claire Taylor and Jordana Blejmar Chapter One. On Brian Mackern: his Art Practice and his Works Chapter Two. On Bárbara Palomino: her art Practice and her Works Chapter Three. Ricardo Miranda Zuniga: his Art Practice and his Works Chapter Four. On Marina Zerbarini: Her art Practice and Her Works Chapter Five. Brian Mackern: Residency Art Work Concluding Observations: Ludic Memories of the City by Jordana Blejmar Afterword by Simon Yorke, Chairman of Independents LiverpoolBiennial Links to Artists’ Works Further Reading
£20.17
Scheidegger und Spiess AG, Verlag Evan Ifekoya: Resonant Frequencies
Book SynopsisEvan Ifekoya is an artist and energy worker who, through sound, text, video, and performance, and places demands on existing systems and institutions of power in order to re-centre and prioritise the experiences and voices of those previously marginalised. Their practice considers art as a site where resources can be both redistributed and renegotiated, whilst challenging the implicit rules and hierarchies of public and social spaces. In an exhibition at Migros Museum für Gegenwartskunst in spring 2022, Ifekoya explores a cosmology of healing through sound, stillness, and the creation of intentional space — a site for reflection and contemplation as part of a large installation inside the museum. Through investigations with sonic and visual artists as well as instrument-makers, the show focuses on self-care and healing. It also showcases Ifekoya’s ongoing investigation into the somatic experience of listening, the healing potential of sound, and the spiritual dimension of sexuality. This book, published in conjunction with the exhibition, features contributions from artists, curators and writers, and by Ifekoya themselves. In an interview with the critic and researcher Kojo Abudu, the artist reflects on their journey to producing sound-led work, and their recent exploration of drumming and object making. Text in English and German.
£28.00
DruckVerlag Kettler Daniel Lie: Scales of Decay
Book SynopsisA central pillar of Daniel Lie’s artistic practice is time – ranging from age-old memories to the beginning of the world, from the life span of a human being to the geological time of the elements. Lie’s art explores concepts such as life, death, and decay, as well as biographical relationships and heritage, with an approach that centres around personal memories, family stories, cultural objects, and natural products that survive for a long time and are linked to memories of the past. Taking a lifetime as a comparative measure, the works are inspired by developmental processes and the transition from one state to another. Installations, sculptures, and a combination of different media reveal the performative qualities of the referential objects – time, transience, and presence. Lie turns a spotlight on these three aspects by creating complex installations and giving pride of place to organic elements that grow and age and have life cycles of their own, such as plants and fungi. Engaging in an interdisciplinary exchange with mycologists, archaeologists, and environmental specialists, Lie addresses the fault lines in binary thought patterns such as science and religion, past origins and present existence, life and death, while attempting to subvert them.Table of ContentsTexts by Daniel Lie Death as expansion 8 The Rangda cycle 12 Harvesting flowers in the sea 28 Crying as a portal 34 In loving memory of 57 To remind us to be humble while not denying our agency A conversation between farid rakun and Daniel Lie 17 An existential scale of understanding: On fungus and fabulation in Daniel Lie’s oeuvre By Nomaduma Rosa Masilela 38 List of images 60 Biographies Daniel Lie 62 About the authors 63
£23.80
JRP Ringier Andro Wekua: Lady Luck
Book SynopsisDesigned by the artist, who grew up in war-torn Georgia, this volume presents new sculptures, paintings and collages that combine sweet nostalgia with a masochistic relish for history''s decay. Doppelg?ngers of the artist as a child seem to be blinded or burned, pointed noses grow from models'' heads and figures walk through foreboding landscapes.
£17.10
Skira Yayoi Kusama Infinite Present
Book SynopsisStefano Raimondi, contemporary art curator, is director of network The Blank Contemporary Art, Italy's leading network dedicated to the promotion and enhancement of contemporary art and the territory in which it is embedded.
£33.25
Rizzoli Doug Aitken 100 Yrs
Book SynopsisThe most comprehensive book to date on the innovative multimedia artist Doug Aitken. Defying definitions of genre, Doug Aitken has explored every medium, from architecture and film to installations and interventions. While Aitken’s work varies in both theme and context, his installations share a common thread in their ability to use technology to evoke meaningful personal reactions from the viewer, encourage audience interaction, and inspire communal gatherings. His films often explore themes of displacement and temporality, and through his keen awareness of motion, sound, and color he creates dreamlike landscapes and the futurist aesthetic for which he has become known. This beautifully designed book features visual essays by the artist and surveys his work in all mediums. The monograph is organized thematically into the four most prevalent ideas connected with his work, inspires thought, and will leave readers examining their own relationship to the world around them.Trade Review"The book....weaves together various visual essays by the artist and surveys of his work." -S Style"None of the images are identified with captions, making flipping through the book a peculiar experience. The reader is left to interpret and synthesize the works for herself. This immersive format is a fitting presentation for Aitken's work..." -ArtInfo
£44.00
Rizzoli International Publications John Pai
Book SynopsisThe first comprehensive monograph on the master contemporary Korean American sculptor, from his seminal wire sculptures to his never-before-seen early works formed of steel.John Pai (b. 1937) is a prolific multimedia artist whose handmade three-dimensional sculptures are, paradoxically, still objects that seem to exist in a state of movement and transformation. This full-career survey of Pai’s inventive work consists of his rarely seen early work up to the present.Pai’s incredibly intricate, three-dimensional abstract “drawings in space” are made of endless lengths of individual steel or copper rods and textured sheets made from hundreds of rods welded together. Unlike many contemporary sculptors who draw a sketch and let metalworkers do the actual construction, Pai continues to do all his work himself―from choosing the materials to the labor-intensive process of welding and bending the metals into complex and sometimes massive forms
£40.00
Tate Publishing Hyundai Commission: Superflex
Book SynopsisSince Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission, now in its third year, gives artists an opportunity to create new work for this unique context. In 2017 the Hyundai Commission will be undertaken by the Danish collective SUPERFLEX, known for their interests in unifying urban spaces and commenting on society with authenticity through art. Migration, alternative energy and the power of global capital are just some of the motives behind their highly engaging, visual and often humorous work. They are best known for their playfully subversive installations and films. Referring to their works as tools, the collective engage alternative models for the creation of social and economic organisation. SUPERFLEX was founded in 1993 by Danish artists Bjornstjerne Christiansen, Jakob Fenger and Rasmus Nielsen. Based in Copenhagen, they have gained international recognition for their projects and solo exhibitions around the world and are represented in several public art institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord-Pas de Calais; and Coleccion Jumex, Mexico City. Created in close collaboration with SUPERFLEX, the book will feature a fully illustrated survey of their work and an in-depth conversation between the artists and curator Donald Hyslop. Exploring in fascinating detail the artistic processes involved in creating this exciting new work, it will include stunning photographs of the dramatic new installation to be revealed in the Turbine Hall in October 2017.
£17.99
