Individual film directors Books

Book SynopsisA Sight & Sound Book of the Year "Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice. The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.Trade ReviewSeeking to understand the obstacles that even notable names face trying to finance a British film these days, Winterbottom uses the first Covid lockdown to interview an enviable list of directors, including Steve McQueen, Lynne Ramsay and Mike Leigh… There’s fascinating candour… Eye-opening and addictively readable. * Total Film *The interviews’ focus on the busi­ness side of film production is relatively unusual and all the more valuable for it. Possibly liberated by the uncertainty of the moment, Winterbottom’s subjects are more frank about the industry than is customary. Their perspectives often converge, but the directors’ reasons for not directing vary as widely as their cir­cumstances. -- Henry K. Miller * Sight & Sound *A must-read for anyone interested in how films are made, and not made. * The Saturday Paper *Table of ContentsFOREWORDS Dark Matter The Starting Point More is More INTERVIEWS Pawel Pawlikowski Danny Boyle Joanna Hogg Asif Kapadia James Marsh Andrew Haigh Carol Morley Edgar Wright Steve McQueen Lynne Ramsay Stephen Daldry Ben Wheatley Peter Strickland Mike Leigh Ken Loach AFTER WORDS Production Companies: A Protected Space Some Numbers More Numbers British Cinema and Television A Note on the Author

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Book Synopsis The first illustrated monograph on writer, journalist, and director Nora Ephron, the visionary behind When Harry Met Sally, Sleepless in Seattle, and You’ve Got MailNora Ephron at the Movies offers an unfiltered look at Ephron as a champion of the rom-com and as a feminist Hollywood trailblazer. It explores her life and work by pairing detailed criticism with exclusive interviews with Ephron’s key collaborators, including Andie MacDowell and Jenn Kaytin Robinson, to add color and nuance to her life and legacy. With her singular voice, Nora Ephron flourished as a dominant force in the entertainment industry, focusing on the idiosyncrasies of romance that were universally relatable. The women in her stories paralleled reality—the veil was lifted, the glossy sheen removed. Her protagonists share an unwavering sense of humor about life’s mishaps, and they never take themselves too seriously—l

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Book SynopsisThe Northman: A Call to the Gods is the official look at how this epic Viking revenge thriller was conceived, written, cast, and produced by acclaimed director Robert Eggers. Set against the ruthless backdrop of tenth-century Norse territory, The Northman is an epic Viking revenge thriller by acclaimed director Robert Eggers (The Witch [2015] and The Lighthouse [2019]), featuring an all-star cast including Alexander Skarsgard, Nicole Kidman, Ethan Hawke, Anya Taylor-Joy, Willem Dafoe, and Bjoerk. Compiled from fascinating interviews with the cast and crew, inspiring storyboards, exclusive behind-the-scenes photographs-including the director's own firsthand account of his creative processes in writing and directing-The Northman: A Call to the Gods explores the cold and forbidding world of the Vikings, their customs, traditions, and relentless thirst for battle and vengeance that inspired Eggers to write this compelling Norse saga. Learn how the wardrobe department recreated the intricate chainmail armor and costumes of Viking berserkers and warriors; and delve into the research behind the art department's visual inspiration for replicating the villages of Hrafnsey and Freysdalur.

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Book SynopsisExplore the beginning of Steven Spielberg's remarkable career with this definitive retrospective that covers Duel, The Sugarland Express, Jaws, Close Encounters of the Third Kind, 1941, Raiders of the Lost Ark, and E.T. The Extra-Terrestrial. In the first ten years of his career, Steven Spielberg directed some of the most influential and beloved films in cinema history. Movies such as Jaws, Close Encounters of the Third Kind, Raiders of the Lost Ark, and E.T. The Extra-Terrestrial introduced audiences to the modern blockbuster and cemented Spielberg as a monumental figure in pop culture. Through exclusive imagery and unparalleled insight from Spielberg's longtime documentarian, Laurent Bouzereau, this deluxe volume explores how a young filmmaker reinvented American cinema within just ten years. Featuring a fresh perspective on films including Duel, The Sugarland Express, Jaws, Close Encounters of the Third Kind, 1941, Raiders of the Lost Ark, and E.T. The Extra-Terrestrial, this book is an essential exploration of an iconic filmmaker's early career.

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Book SynopsisA NEW YORK TIMES BESTSELLER * LOS ANGELES TIMES BESTSELLER * USA TODAY BESTSELLER “This funny, insightful, and deliciously dishy memoir” (Town & Country) from the director of Blood Diamond, The Last Samurai, Legends of the Fall, and Glory, creator of thirtysomething, and executive producer of My So-Called Life, “takes its place alongside Adventures in the Screen Trade and Easy Riders, Raging Bulls as one of the indispensable behind-the-scenes books for fans of movies and television” (Aaron Sorkin).“I’ll be dropping a few names,” Ed Zwick confesses in the introduction to his book. “Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints.” He has encountered these Hollywood types d

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Book SynopsisThis study examines the work of Akira Kurosawa, one of the century's greatest film directors. It discusses his choice of themes, story-telling technique, camera work and directorial style. New to this edition are a revised introduction and filmography, and some additional chapters.Trade Review"A gratifying study for both film buff and critic." * Kirkus Reviews *"The seminal work on one of the greatest of all film artists, [it] has universally been regarded as a masterpiece of film criticism." * Bloomsbury Review *"Definitive, readable, and a virtual model for future studies in the field." * Saturday Review *

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Book Synopsis “A great gift for any Coen fan-boy or fan-girl in your life.” ―NPR’s Pop Culture Happy Hour Combining critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity, The Coen Brothers: This Book Really Ties the Films Together is film critic Adam Nayman's carefully crafted effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. They have given movie fans classics of all types—comedy, history, drama, romance. Their movies have a distinctive style and point of view: hilarious, sad, thoughtful, musical, sometimes all at once. When someone says a movie is Coen Brothers–like, every serious movie lover knows exactly what they meaTrade Review"...this book tries to plot "some Grand Unified Theory of Coen-ness" in a "definitive" exploration of the Coen brothers' oeuvre." -- TheBookseller"Far from an entry-level guide to the Coens' career, this comprehensive dissection of their filmography aims to uncover a 'Grand Unified Theory Of Coen-ness'. Exploring the complexities of the duo's oeuvre with forensic attention to detail, critic Adam Nayman flags up repeating motifs and parallels, only occasionally overreaching into tenuousness." -- Total Film"The large-format tome, lavishly decorated with stills (including on-set panoramas by Jeff Bridges), illustrations and infographics, may suggest coffee-table fare, but there is genuine substance here. Punctuating his chronologically ordered analyses of individual movies with interviews with key collaborators (though not the Coens themselves) and five chapters charting the commercial and critical vicissitudes of the brothers' career, Nayman swiftly shows he's done his homework: he's read the books that influenced the movies, researched and considered the countless references, and checked, for example, the number of cats used in shooting Inside Llewyn Davis (2012)." -- Sight & Sound magazine"Nayman’s essays are both entertaining and academic, analysing themes and motifs from each film, identifying recurring links between them, and tying them into cinema history - and once you start reading, it’s easy to get hooked. Even the most obsessive Coen fans will come out of this appreciating their favourite films in new ways as they see details they never knew were there." -- Starburst“One of the pleasures of the big, handsome, mid-to-late career monographs that Abrams Books has made a specialty (they also released books on Wes Anderson, Oliver Stone, and Martin Scorsese) is that they allow us to appreciate the “minor” entries of those oeuvres. Take, for example, Adam Nayman’s The Coen Brothers: This Book Really Ties the Films Together (out tomorrow), which, yes, gives full analysis and appreciation to Fargo, Raising Arizona, The Big Lebowski, and No Country For Old Men. But Nayman also has plenty to say about supposedly secondary works like The Hudsucker Proxy, Burn After Reading, and, in this excerpt, the all-but-forgotten 2001 black-and-white film noir riff, The Man Who Wasn’t There.” -- Flavorwire"Drawing heavily on his knowledge of film production methods and cinematic history and with a keen eye for the concepts that emerge and re-emerge in the Coen Brothers’ work, Nayman has put together an urgent and compelling tribute to the two mild-mannered brothers from Minnesota showed us the life of the mind. The Coen Brothers; This Books Really Ties The Films Together is a must for any film buff and required reading for all the stoned bowlers and murderous insurance salesman out there." -- Film Ireland“… film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre.” -- Indiewire"This is highly recommended for any film fan, and essential for any Coen brothers fan - let Adam Nayman show you the life of the Coen brothers’ minds." -- StarburstMagazine.com“The Coen Brothers can count themselves among the small list of the most extraordinary American filmmakers to ever work in the genre. And reading through The Coen Brothers: This Book Really Ties the Films Together is a testament to their talents.” -- /Film"If you’d like to read more about the making of The Big Lebowski, may we recommend The Coen Brothers: This Book Really Ties the Films Together, which has just been released by Abrams" -- AnOther Man“It’s one of those large Abrams doorstops… filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis that more than justifies their literal heavy-osity.” -- Filmmaker Magazine online“There’s no doubt this is one of 2018’s must-own books for film lovers.” -- The Film Stage“…a marvelous mixture of well-designed coffee table book and thoughtful analysis of a filmmaking team…” -- Flavorwire Christmas gift guide“…fans of Joel and Ethan Coen will appreciate this oversized guide to their offbeat oeuvre…” -- Newsday“..this detailed compendium is a cinephile’s delight.” -- BookPage“It would make a great gift for any Coen fan-boy or fan-girl in your life.” -- Pop Culture Happy Hour“…a king-sized guide to the filmmakers’ off-beat oeuvre… “ -- The Playlist

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Book SynopsisAs the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of concept artists whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this volume offers a window into the most inspiring work created by the best Disney artists during the studio''s early golden age.They Drew as They Pleased is the first in what promises to be a revealing and

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Book Synopsis''Over 20 films. Over 40 years. What collaboration in any medium has lasted so long, been so successful, so personal, so happy? Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema'' WES ANDERSON ''Jim is as eloquent and elegant with words as with the camera; here are almost a series of short stories of his life, vivid snapshots, told with an exacting eye. Every sentence is filled with his wry cadence, guided by his appreciation of things beautiful, amusing and unusual. We take the tour of his life which has as fascinating a cast and is set in locations as far flung and exotic as his films - except with way more sex. Read it and drink it in!'' HELENA BONHAM CARTER''Ivory is full of candour and randiness...[this] book will open the eyes, often very wide'' The Times---------------In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflecTrade ReviewOver 20 films. Over 40 years. What collaboration in any medium has lasted so long, been so successful, so personal, so happy? James Ivory met Ismail Merchant (in 1961) and Ruth Prawer Jhabvala (in 1962), and one of the earliest, most durable, most independent of independent film families came to life. The widest varieties of stories (neorealist memoirs, literary adaptations, avant garde experiments) and settings (England, France, Italy, India, the Americas North and South); the broadest collection of superb actors and artists (Vanessa Redgrave, Paul Newman, Anthony Hopkins, Shashi Kapoor, Maggie Smith, Subrata Mitra!). Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema. * Wes Anderson *I met Jim when I was 18 . He was an introvert to Ismail's extrovert. I always wondered what was going on in his head. Now I know, and I'm so glad he's shared it.Jim is as eloquent and elegant with words as with the camera; here are almost a series of short stories of his life, vivid snapshots, told with an exacting eye. Every sentence is filled with his wry cadence, guided by his appreciation of things beautiful, amusing and unusual. We take the tour of his life which has as fascinating a cast and is set in locations as far flung and exotic as his films - except with way more sex. And I thank God I'm not in it. Jim is now in his ninth decade and I believe his secret elixir is a delight in life - read it and drink it in! -- Helena Bonham Carter'James Ivory write[s] with perfect elegance...there's nothing starchy or uptight about these scenes from his fascinating life' * The Sunday Times *'Full of humour, warmth and crystal-clear reminiscences from his personal and professional life, Ivory's narrative is witty, informative, gossipy and at times eye-poppingly frank' * The Lady *'There's something rather brilliant about a man heading towards his hundredth birthday demanding more explicit sex. Ivory is full of candour and randiness...[this] book will open the eyes, often very wide' * Times *'Consistently entertaining' * Guardian *'A languid, enjoyably gossipy memoir from one half of Merchant Ivory that after a fascinating exploration of well-off, small-town American life in the Thirties and Forties, quickly gets eye-opening' * Evening Standard *Ivory writes beautifully and delicately, and emerges as a true cinematic rarity; the auteur who wants everyone to have a nice time while they make their best work * TLS *Over 20 films. Over 40 years. What collaboration in any medium has lasted so long, been so successful, so personal, so happy?...Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema. -- Wes AndersonJim is as eloquent and elegant with words as with the camera; here are almost a series of short stories of his life, vivid snapshots, told with an exacting eye. Every sentence is filled with his wry cadence, guided by his appreciation of things beautiful, amusing and unusual. We take the tour of his life which has as fascinating a cast and is set in locations as far flung and exotic as his films - except with way more sex...read it and drink it in! -- Helena Bonham CarterA memoir as eloquent and gracious as his films, Ivory's page-turner brims over with the boldness, candor, and modesty which only great minds can claim. Places, objects, bodies, people, and so many names, all have a place in his unassailably brilliant life. -- André Aciman - writer of CALL ME BY YOUR NAMEThe producer-director's memoirs are as stately and intimate as his indelible films, chronicling his childhood in Klamath Falls, Oregon during the Great Depression; his clandestine boyhood crushes; and the tribulations and triumphs of making movie magic. * Oprah Daily *

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Book SynopsisMichael Powell and Emeric Pressburger were true visionaries of British cinema, creating glorious Technicolor masterpieces including A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948). Delving into their magical and obsessive worlds, this lavishly-illustrated publication presents fresh perspectives on the filmmaking duo, shining the spotlight not only on them, but also on their circle of talented collaborators. Thelma Schoonmaker, Caitlin McDonald, Alexandra Harris, Mahesh Rao, Sarah Street, Ian Christie and Marina Warner write about the key figures who shared Powell and Pressburger’s creative journey, and Tilda Swinton, Tim Walker, Sarah Greenwood, Michelle Williams Gamaker, Sandy Powell, Joanna Hogg and Stephen Jones reflect on the ways in which Powell and Pressburger’s stories and images have haunted and inspired them in their own work. The Cinema of Powell and Pressburger draws on the BFI’s stunning design and archive collections, as well as key objects held in other public and private collections.Trade ReviewThis book is a pleasure to read, full of generous appreciations of Powell and Pressburger’s work from a multitude of personal angles. -- Philip Kemp * Sight & Sound *A lavish volume. -- Robin Ashenden * The Spectator *A richly illustrated book … Alongside the films themselves, this splendid book is testament to a unique creative collaboration. -- Jacqueline Riding * The Art Newspaper *The Cinema of Powell and Pressburger raids the BFI’s archive to provide definitive visual gloss on the partnership’s career. Gorgeous paintings from the production-design teams. Reproductions of pages from Powell’s diary revealing his immaculately vertical penmanship. Lavish promotional stills that work subtle variations on the moving images. No coffee table is complete without it. -- Donald Clake * The Irish Times *A superb acknowledgement of the powerfully collaborative nature of filmmaking … [And] a record of remarkable artistic freedom made possible for a prolifically imaginative director and writer to cast their spells, enthusiasm and love. * London Grip *Table of ContentsA Letter from Tilda Swinton A Letter from Michael Powell to Emeric Pressburger 1. INTRODUCTION by Claire Smith and Nathalie Morris A Note on Collaboration by Thelma Schoonmaker 2. EXILES by Caitlin MacDonald Notes from a Photographer by Tim Walker 3. PILGRIMS by Alexandra Harris Notes from a Production Designer by Sarah Greenwood 4. BLACK NARCISSUS by Mahesh Rao Notes from an Artist by Michelle Williams Gamaker 5. STARVED FOR TECHNICOLOR by Sarah Street Notes from a Costume Designer by Sandy Powell 6. METAPHORS OF VISION by Ian Christie Notes from a Director by Joanna Hogg 7. THE RED SHOES by Marina Warner Notes from a Milliner by Stephen Jones Index

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Book SynopsisAnimation can be used to illustrate, simplify and explain complicated subjects, as well as to transform stories into engaging, fantastical narratives. There are many types of animation, all of which can incorporate different artistic techniques such as sculpture, drawing, painting, printing and textiles. In this practical guide, animation tutor Steve Roberts explores the twelve basic principles of animation, demonstrating the different techniques available and offering helpful exercises for readers to practise in their chosen style. From pencils to pixels, flip books to feature films, and plasticine to puppets, this helpful book covers everything you need to know about how to start animating and will be of great interest for anyone looking to learn how to make their own animated films.

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Book SynopsisEngages with the career of Isabelle Huppert, a major figure in French, European, and World Cinema

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Book SynopsisEleven original essays by internationally-known scholars examine Stallone's contributions to mainstream cinema, independent film, and televisionTrade ReviewThis wide-ranging collection of perceptive and provocative essays turns the iconic figure and films of Sylvester Stallone into a dynamic conversation not only about Stallone himself but also about key issues and debates in cinema culture today. -- Timothy Corrigan, University of PennsylvaniaTable of ContentsAcknowledgements Notes on Contributors Introduction: Presenting Stallone/Stallone Presents, by Chris Holmlund Staying Alive: Stallone, Authorship and Contemporary Hollywood Aesthetics, by Paul Ramaeker Logic is the Cure, Meet the Disease: The Melos of Cobra, by Scott Higgins I, of the Tiger: Self and Self-Obsession in the Rocky Series, by Eric Lichtenfeld Stallone and Hollywood in Transition, by Mark Gallagher Adventures in Acting: Stallone the Performer, by Chris Holmlund Stallone's Stomach: Cop Land and the Weight of Actorly Legitimisation, by Paul McDonald The Rocky Effect: Sylvester Stallone as Sport Hero, by Alexandra Keller & Frazer Ward 'Who wouldn't want a body like that?': Masculinity, Muscularity and Male Audiences for the Films of Sylvester Stallone, by Ian Huffer Sylvester Stallone and John Rambo's Trek across Asia: Politics, Performance and American Empire, by Gina Marchetti Stallone, Ageing and Action Authenticity, by Yvonne Tasker Filmography Index

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Book SynopsisTrade Review"A cool, cerebral book about a cool, cerebral talent. . . . A brisk study of his films, with enough of the life tucked in to add context as well as brightness and bite."—Dwight Garner, New York Times “Mikics is a forensic film critic, and fascinating on what might have been in Kubrick’s career.”—Ed Potton, The Times “Mikics proves to be a perceptive critic...The result of his labours is an extremely useful primer for anyone wanting to learn more about Kubrick and his work. It’s thoughtful, concise...and fluently written.”—Tom Ryan, The Sydney Morning Herald “Some of [Kubrick’s] shots are reproduced in Mikics's book. They show that Kubrick's eye for clever compositions — left balances right, background speaks to foreground — was there from the off.”—Christopher Bray, Spectator “Not least of the pleasures afforded by this heroically concise biography of Stanley Kubrick, a man who neither embraced brevity nor encouraged it, is that it all but compels you to revisit his wonderful films.”—Brian Viner, Standpoint “[Mikics'] chapter on Eyes Wide Shut...is well worth reading, not least for its painful details about Kubrick’s terrible illness during the shoot and his friends’ view that ‘it killed him, really, making that movie’.”—Kevin Jackson, Literary Review CHOICE 2021 Outstanding Academic Title “A joy to read . . . elegant and penetrating as both biography and film criticism. Mikics offers such persuasive arguments for the individual movies that I found myself continually rethinking them.”—Molly Haskell, author of Steven Spielberg: A Life in Films

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Book SynopsisThe most celebrated director of colour photography tells the story of his adventures in celluloid. The ''Magic Hour'' is the special light that occurs just at twilight, and a very special light is what cameraman Jack Cardiff brought to films such as The Red Shoes, The African Queen, and Black Narcissus for which he won an Oscar. In Magic Hour Jack Cardiff details the adventures of his life: on tour on the music-hall circuit with his parents; acting in silent films; being chosen by Technicolor as the first British cameraman to be trained in colour photography; filming with British convoys in the Atlantic during World War II; his big break when Michael Powell asked him to photograph A Matter of Life and Death; his rambunctious expolits with Errol Flynn; and his triumph at the Cannes Film Festival as the director of Sons and Lovers.As a master of light, Cardiff came to photograph some of the most beautiful women in cinema history: Maril

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Book SynopsisRichard Brody's Everything is Cinema: The Working Life of Jean-Luc Godard is a landmark biography of one of the great controversial geniuses of world cinema.

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Book SynopsisScreen Deep is a book about the immense potential of screen storytelling to defeat an evil both historic and urgently topical: racism. Everyone watches TV and movies. Everyone has an interest in building a more just and equitable world. Screen Deep goes beyond the many film books and anti-racist manuals by demonstrating the connection between these two aspects of modern life. In Screen Deep Ellen E. Jones combines her personal experience as a mixed-race woman who cares about racism with her professional expertise as a film and TV journalist of twenty years standing, to ask and answer several questions: Is there such a thing as an Indigenous western? Is race comedy cancelled'? Where are all the films for white people? And most importantly: Can you still fight the good fight with a mouthful of popcorn?

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Book SynopsisOver his four-decade long career, Abel Ferrara has built himself a reputation as one of the most audacious and unconventional filmmakers in contemporary cinema. After his beginnings in the exploitation circuit of the late 1970s he become one of the central figures in the indie wave of the 1980s and 90s and is now an established arthouse director whose versatile oeuvre crosses the boundaries of cult, independent and Hollywood cinema.ReFocus: The Films of Abel Ferrara offers a comprehensive critical survey of the director?s work. The volume brings together a broad range of methodological, theoretical, historical and philosophical perspectives on Ferrara?s work, and case studies include Ms 45, The Driller Killer, Bad Lieutenant, Pasolini and Welcome to New York.

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Book SynopsisTakes an industrial approach to women's documentary practices in Iran since the late 1990s with a patrticular focus on gender politics.

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Book SynopsisA comprehensive history of the financing of British film production from the emergence of the industry until the end of the Second World War.

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Book SynopsisReassesses the work of the influential Russian filmmaker Andrei TarkovskyTrade Review"ReFocus: The Films of Andrei Tarkovsky is an excellent new item in ReFocus: The International Directors Series, [...] a valuable collection that succeeds at avoiding deifying Tarkovskii and presents new theoretical perspectives on his work." -Zoran Samardzija, Columbia College Chicago

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Book SynopsisOffers a unique first-hand account of Ken Loach's working methods.Trade Review"David Archibald provides a thorough analysis of the many facets of Ken Loach's work as one of the most consistent and radical filmmakers in Britain. With a carefully argued methodology and a thorough case study, based on the production process of The Angels' Share, his book offers eloquent insight into this significant director and his work." -Rod Stoneman, NUI Galway

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Book SynopsisTher book investigates contemporary women directors who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialized perspectives in the horror genre

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Book SynopsisComprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across five French directors' careers, from their earliest, often unknown films to their later, major films with international release. -- .

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Book SynopsisThe gripping fourth book in the DI Ryan Wilkins Mysteries, which started with A Killing in November.

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Book SynopsisPicasso apparently said, "when critics get together, they talk about theory. When painters get together, they talk about turpentine.' That has been my experience, as far as film and film studies are concerned. Critics, academics, and theoreticians talk theory. That is what they know. Artists talk about their processes in making art. This is my attempt to apply what I know to a beginning study of film. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Words like these are our currency: they must be known. But, even more urgently, young filmmakers need answers to their questions -- what lens was used? how did they do that effect? who paid for that picture? how did they get it past the censor? Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. And this doesn't just apply to the cinema. I believe 100% that a reasonably educated and intelligent person in any country of the world should be able to have a conversation about Luis Buñuel, about Akira Kurosawa, about Stanley Kubrick, about Fellini or Bergman, and talk knowledgeably about at least one of their films. Read this book, watch the films, and you can!Trade ReviewThis book by Alex Cox will give you great insights into the filmmaking process, from idea to production to cinema * Lock and Load, Brides of Christ *A thought-provoking and thoroughly enjoyable read -- Colin Odell and Michelle Le BlancAN INTRODUCTION TO FILM is setting out to reinvent film studies -- Simon Kennedy

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Book SynopsisFollowing on from an earlier monograph, Mark Lewis: Films 1995-2000', this publication documents a more recent series of film works produced by the artist since 2000, which continue his evocative reflections upon the cinematic history of medium.Extensively illustrated and featuring essays by Steven Bode, David Turnbull and Jean-Pierre Rehm, the book was published to accompany two large-scale exhibitions of Lewis's work that took place at MOMA, Oxford in 2001 and at Villa Arson in Nice in 2001/2002.

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Book SynopsisExplore an A-Z of everything you need to know about the masterful movies of Quentin Tarantino, from AK-47 to Zed''s dead, baby and everything in between.With hundreds of entries covering every facet of Tarantino''s work - from inspiration and influences to his most frequent collaborators and little-known cameos - A Quentin Tarantino Dictionary is a stylish guide to the wonderful world of this visionary filmmaker.Written by author and film critic Helen O''Hara (Empire, BAFTA, the Telegraph) and with bespoke illustrations that bring the director''s vision to life, this is a one-stop shop for all things Tarantino.

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Book SynopsisA visually stunning and heartfelt riposte to the emotional sterility of Kubrick''s 2001: A Space Odyssey, Douglas Trumbull''s eco-themed Silent Running (1972) became one of the defining science-fiction films of the seventies. Bruce Dern excels as lonely hero Freeman Lowell, cast adrift in deep space with three robotic ''Drones'' who become his ''amazing companions'' on a journey ''beyond imagination''.Mark Kermode, writing on his favourite science fiction film of all time, traces Trumbull''s sentimental masterpiece from its roots in the counter-culture of the sixties to its enduring appeal as a cult classic in the 21st century. Drawing on a new interview with Trumbull, Kermode examines both the technical and thematic elements of this uniquely moving space adventure, which continues to be mirrored and imitated by film-makers today.This special edition features original cover artwork by Olly Moss.

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Book SynopsisTrade Review“The organizational structure is superb, as the concepts they’ve isolated seem excitingly to cut to the heart of Reichardt’s motifs. . . . These pages dazzlingly force their readers-as Reichardt’s films force their viewers their viewers- to reflect on the political implications of our empathy, or lack thereof, to imagine other kinds of relationships beyond empathy and judgment."--Cineaste "Kelly Reichardt remains well-reasoned and persuasive throughout in its detail and conviction, casting a keen eye towards the context of Reichardt's career, both in film and in the wider socio-political landscape. Perhaps most importantly of all, it is a tribute to and analysis of an invaluable, distinctively modern American director." --Historical Journal of Film, Radio, and Television "Fusco and Seymour's book offers a satisfyingly complex approach to the political import of her [Reichardt's] contributions to contemporary cinema." --ASAP Journal"An engaging and thoughtful book. Fusco and Seymour persuasively use political theory and affect studies to analyze Reichardt's unique deployment of realist traditions and the politics of temporality in her films. The authors' striking insights illuminate the filmmaker's style and her importance not only in contemporary art and indie cinema spheres but for American cinema more broadly."—Elena Gorfinkel, coeditor of Taking Place: Location and the Moving Image

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Book SynopsisTrade Review"A Times Literary Supplement Book of the Year 2021""Longlisted for the Kraszna-Krausz Book Award, Moving Image Category""Longlisted for the National Translation Award, American Literary Translators Association""A revelation, a trove of snappy pieces that give the reader tantalizing glimpses of the mature film satirist."---Marc Weingarten, Washington Post"The brightest moments here let you watch a little more of the human comedy through Billy Wilder’s eyes. Few saw it as clearly he did or had more fun writing it down."---Jeremy McCarter, Wall Street Journal"Readers who come to Billy Wilder on Assignment to find the seeds of the films for which he is famous—nearly all of them, one assumes—will not be disappointed."---Ryan Ruby, Bookforum"A delicious compilation."---Tobias Grey, Financial Times ​​​​​"The most successful story in this collection, ‘Waiter, a Dancer, Please!,’ about being a hoofer for hire at a big hotel, is waspish and (if you allow for the choppy sentences) jazz-era excitable, New Yorker–ish, with a self-deprecating turn and a fairly urbane sense of the perfectly ridiculous."---Andrew O'Hagan, New York Review of Books"Long before he became the celebrated filmmaker of 'Sunset Boulevard,' 'Some Like It Hot' and 'The Apartment,' a young Billy Wilder worked briefly as a dancer for hire in the ballroom of a fashionable Berlin hotel. As he described the endeavor . . . for a German newspaper in 1927, 'This is no easy way to earn your daily bread, nor is it the kind that sentimental, softhearted types can stomach. But others can live from it.' Wilder’s observations on his experience—from one of his many delightfully acerbic pieces of journalism anthologized in Billy Wilder on Assignment . . . get to the heart of our enduring obsessions with show business and the performing arts."---Dave Itzkoff, New York Times"Sharp and witty. . . . Full of glorious turns of phrase, entertaining narratives, and quirky characters. . . . . Thumbing through Wilder’s essays from the 1920s will make you feel as if you are enjoying yourself at a German coffeehouse, catching up on popular culture, and planning your next weekend adventure in the Weimar Republic. Isenberg and Frisch have done a great service for film historians and fans of classic Hollywood."---Chris Yogerst, Los Angeles Review of Books"An irresistible collection of articles, profiles, and reviews from Wilder’s salad-und-bratwurst days in Berlin, where he worked as a roving journalist, critic, and scene-maker between 1926 and 1930. . . . Isenberg is an expert guide to the Berlin-to-Hollywood axis, and Frisch is a veteran translator."---Thomas Doherty, Tablet Magazine"Billy Wilder on Assignment is, as my colleague, TIME Magazine film critic Stephanie Zacharek kvelled to me in an email, ‘the little book you didn’t know you needed.'"---Jordan Hoffman, Times of Israel"A must-read for film buffs and history aficionados alike."---Tobias Carroll, Inside Hook"This new volume takes in the most significant staging posts of Wilder’s early career."---Gavin Plumley, Literary Review"[Wilder] quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English. Now, thankfully, Professor Isenberg of the University of Texas has put this frustrating situation to rights with a lively anthology, translated by Shelley Frisch into a brisk, punchy English which feels as though it must be an accurate reflection of the young Wilder’s original tone."---Jonathan Coe, Spectator"The opportunity to read Wilder’s journalism in English is welcome. . . . What’s particularly impressive, even slightly eerie, is how many times this young film buff and Americanophile wrote about people he would later work with in Hollywood." * Bookforum *"A delightful and illuminating collection."---Sam Wasson, Air Mail"There is no question that Billy Wilder on Assignment is the most historically important recent book exploring the early days of a major filmmaker. It compiles, for the first time, Wilder’s writings as a young freelance reporter in 1920s Berlin and Vienna. The result is an incredible glimpse of Wilder’s mind at a key age."---Christopher Schobert, The Film Stage"Billy Wilder On Assignment . . . explores the roots of one of Hollywood’s most accomplished and acclaimed directors in the fervid journalistic atmosphere of Central Europe between world wars. . . . Shelley Frisch—one of the nimblest and liveliest translators working today—renders Wilder’s journalism into an English that leaps off the page with deadline urgency. . . . Isenberg's collection offers those interested in the Golden Age of Hollywood valuable new insight into one of its most significant personalities. It is also a vivid account of the vanished world that helped shape Billy Wilder." * Wilson Quarterly *"Let it be said that Billy Wilder on Assignment – Dispatches from Weimar Berlin and Interwar Vienna, is an altogether wonderful read. In fact it reads as if a fine, literary, malt-whiskey."---David Marx, David Marx: Book Reviews"The new anthology Billy Wilder on Assignment proves Wilder's verbal and narrative gifts existed long before he set foot in Hollywood during the 1930s."---Dan Lybarger, Northwest Arkansas Democrat Gazette"Readers will have fun picking out elements, traits and incidents in these lively witty texts and attempting to match them with Wilder’s later cinematic masterpieces."---Alexander Adams, Alexander Adams Art"Billy Wilder on Assignment . . . provides a long-overdue translation of Billy Wilder’s early writings in German. . . . The anthology will be of interest to both the academic and general public."---Nora Gortcheva, EuropeNow"Very nice."---Tom Stoppard, Times Literary Supplement"In this first English-language compilation of Wilder’s early journalism . . . we can see the mischievous humour and love of snappy dialogue characteristic of his later movies."---Monica Porter, The Jewish Chronicle"Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna is a revealing collection of his lively reportage from those two cities. . . . [The book] create[s] a portrait of a man who is so much more complex than a mere cynic."---Kevin Lally, Cineaste Magazine"“Billy Wilder on Assignment is a beautifully assembled collection of the early writings of a master storyteller whose body of work has entertained moviemakers and movie watchers for generations."---Leonora Cravotta, American Spectator

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Book SynopsisBased on the famous series of dialogues between Francois Truffaut and Alfred Hitchcock from the 1960s, the book moves chronologically through Hitchcock's films to discuss his career, techniques, and effects he achieved. It changed the way Hitchcock was perceived, as a popular director of suspense films - such as Psycho and The Birds - and revealed to moviegoers and critics, the depth of Hitchcock's perception and his mastery of the art form.As a result of the changed perceptions about Hitchcock, his masterpiece, Vertigo, hit the No 1 slot in Sight & Sound''s recent poll of film-makers and critics, displacing Citizen Kane as the Best Film of all time.

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Book SynopsisOn its release in 1988, Grave of the Fireflies riveted audiences with its uncompromising drama. Directed by Isao Takahata at Studio Ghibli and based on an autobiographical story by Akiyuki Nosaka, the story of two Japanese children struggling to survive in the dying days of the Second World War unfolds with a gritty realism unprecedented in animation. Grave of the Fireflies has since been hailed as a classic of both anime and war cinema. In 2018, USA Today ranked it the greatest animated film of all time. Yet Ghibli’s sombre masterpiece remains little analysed outside Japan, even as its meaning is fiercely contested - Takahata himself lamented that few had grasped his message. In the first book-length study of the film in English, Alex Dudok de Wit explores its themes, visual devices and groundbreaking use of animation, as well as the political context in which it was made. Drawing on untranslated accounts by the film’s crew, he also describes its troubled production, which almost spelt disaster for Takahata and his studio.Trade ReviewA little jewel of a book, concise, lucid, informative, moving. * The Times *Alex Dudok de Wit provides a valuable service to Japanese animation studies by writing the first book-length analysis in English of Grave of the Fireflies. Let us hope it will pave the way for similar scholarship to follow on other anime films. * Asia Times *For readers to now have access to this detailed, well-written and richly illustrated companion guide to the film is without doubt a boon to both future generations of moviegoers and scholars of animation - thought provoking in all the right ways. * The Japan Society *A thoroughly interesting, enlightening read… Alex Dudok de Wit has done this challenging film a real justice. * Skwigly *Extremely well researched… Insightful. * Sight & Sound *Alex Dudok de Wit’s impactful BFI monograph grapples with the Ghibli stunner’s intended socio-political message – and whether it has been washed away by audiences’ tears. Plus tense tales of missed production deadlines. * Total Film *Table of ContentsAcknowledgments and Author’s Note Introduction: Japanese Suffering, Japanese Guilt The Production: A Monster and a Grave The Film: The Lovers’ Journey The Legacy: A Rethinking of Animation Notes Credits

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Book SynopsisThis is an intimate account of the rise, fall and rise again in show business of Hollywood giant and legendary 'bad boy' Robert Evans. He spares no-one, least of all himself, in this revealing chronicle.

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Book SynopsisTable of ContentsAcknowledgements Introduction 1. The Auteur 2. The Bohemian 3. The Nostalgic 4. The Finn Appendix: A Conversation with Aki Kaurismaki Filmography Bibliography Index

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Book SynopsisEmbargoed to 30th March 2017The Art of Smurfs presents hundreds of storyboards, character design, and location concept pieces.With a foreword by Veronique Culliford, daughter of Pierrot "Peyo" Culliford, this insider's guide celebrates her father's cherished Smurfs and provides a glimpse into the creative process that turned his popular comics into a feature-length, animated film.In this fully animated, all-new take on the Smurfs, a mysterious map sets Smurfette and her friends Brainy, Clumsy and Hefty on an exciting race through the Forbidden Forest leading to the discovery of the biggest secret in Smurf history.

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Book SynopsisRole Models is a wild and witty self-portrait of John Waters, America''s ''Pope of Trash'', told through intimate profiles of his favourite personalities - some famous, some unknown, some criminal, some surprisingly middle of the road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis - these are the extreme figures who helped John Waters form his own brand of neurotic happiness.A paean to the power of subversive inspiration that delights, amuses and happily horrifies in equal measure...Trade ReviewA delirious descent into Waters World, Role Models is a true-life confessional from one of America's greatest ironists. John Waters is a man always ready and willing to say the unsayable. He is the dark mirror of contemporary culture. From haute couture to low culture, from literary outsiders to lapsed actors, he delivers razor-sharp pen portraits of the women and men who have perverted and inspired him by turns. And yet Waters's warped imagination is always humane, his judgments insightful. Role Models is as much a philosophical manifesto as it is an utterly hilarious and shamelessly entertaining read. -- Philip Hoare, author of Leviathan, or The WhaleDisarmingly unfiltered confessions that capture Waters' singular blend of weirdness and guileless honesty. * San Francisco Chronicle *John Waters has a great gift for appreciation - whether for toothless lesbian strippers in Baltimore or the most rarefied painters and writers of our day. He is a dandy who has done away with everyone else's hierarchies and created a new world that conforms only to his own taste for trash and the sublime. He is frank, funny, and (strangely enough) both sensible and outrageous. -- Edmund White, author of City Boy

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Book SynopsisTrade Review“A swift and elegant introduction to Spielberg’s life and work.”—David Denby, New Yorker"'Everything about me is in my films,' Spielberg once said. Yet in this compact study of a sprawling career, Haskell comes close to presenting a unified theory of a director who entertains multitudes, and contains them too."—Victoria Segal, Sunday Times"A superbly readable portrait of the man through his movies . . . this meeting of the minds of the critic and the director turns out to be exceptionally fruitful."—Kate Muir, Times (London)"The exploration here is lively, the critic is deeply informed, and she approaches her mandate with a calmness of inquiry that is a gift often bestowed on the outsider anthropologist impervious to tribal influences."—Lisa Schwarzbaum, New York Times Book Review"Luckily, Molly Haskell is far too wise a critic to be flummoxed by Mr. Spielberg’s seemingly critic-proof oeuvre. She nails Mr. Spielberg when he needs to be nailed . . . Ms. Haskell’s great on the movies that give her something to write about, like 'Duel,' 'Jaws,' and 'Empire of the Sun.'"—Scott Eyman, Wall Street Journal"This fascinating critical study and close reading of the movies, written by a prominent feminist film critic, focuses on the evolution of Spielberg’s Jewish identity."—New York Times Book Review, Editors' Choice"As Haskell delves into her subject, however, she discovers the influences and challenges that shaped this outsize figure in American mainstream cinema, including his denied, then embraced Jewish faith, and comes up with a compelling and remarkable figure."—Sarah Jilani, Times Literary Supplement"In a long nomadic career of film writing, the feminist critic Molly Haskell has never wild about Spielberg, her taste steeped in the great auteurs, her signature a coolly playful rigour. Unexpectedly, this makes her the perfect biographer for a director with a life-long weakness for treacle. Spielberg emerges with his credibility enhanced for having been put through the wringer."—Danny Leigh, Financial Times"Legendary movie critic Haskell weaves Spielberg’s entire body of work through her captivating narrative, providing a poignant study of him as a person and a filmmaker."—Publishers Weekly"Haskell’s discussion of the childlike wonder inherent to many of the director’s films and her eloquent defense of some of his riskier, less successful movies is particularly valuable. . . . Recommended for readers of film criticism or commentary."—Library Journal"[Haskell] takes Spielberg’s statement that 'everything about me is in my films' and provides a fascinating portrait of the man and his entire oeuvre, illustrating just how entwined they are. She reveals that this extraordinarily gifted individual would translate 'not only his childhood but whatever he was feeling and experiencing at any given time' into his films."—Anne Joseph, Jewish Chronicle"Haskell has turned out a brilliant, almost exemplary book: in 200-odd pages it manages to precis the key facts of Spielberg’s off-camera life and distill the essence and flow of his evolving, shifting cinematic achievements . . . an excellent critical biography of a great film director, and is warmly recommended."—Andrew Pulver, Jewish Renaissance"This unlikely match of biographer and subject gives [Haskell’s]study the tension and snap of a good romantic comedy. . . . An essential volume on an artist whose aversion to interviews has shortened the shelf of worthwhile studies on him."—Guy Lodge, The Observer"An arresting set of connections, linking the stresses of childhood and adolescence with the defining themes of his expensive output, ultimately taking a view on Spielberg as a more personal filmmaker than many of his contemporaries . . . a filmmaker this refreshing volume make you keen to reassess, or perhaps indeed visit for the first time with new eyes."—Trevor Johnson, Sight & Sound"Molly Haskell, one of our most essential authorities on the movies, has written a fascinating, witty, acutely discerning book about a subject that would seem, at first glance, odd. But what a spectacular match it proves to be! Spielberg is given his proper due, and Haskell outdoes herself."—Phillip Lopate, author of American Movie Critics"Steven Spielberg and Molly Haskell—the great producer-director of modern film and one of the most intelligent and sensitive film writers we have ever had. The result is as rich and intriguing as the meeting of Elliott and E.T. We know the Spielberg films, or we think we do, until they come under the cool yet warming gaze of Ms. Haskell. As a result, we are the more fascinated with Spielberg and the more encouraged by the principle of essential and enlightening film commentary."—David Thomson, author of A Biographical Dictionary of Film"Molly Haskell’s writing is always thought provoking and rife with insight. She skillfully argues that Hollywood’s most commercially successful film maker has, over a forty-five-year career, produced a series of highly personal films that give voice to the director’s inner conflicts and longings. This persuasive re-think will no doubt intrigue fans and, in fact, anyone who has ever watched a Spielberg movie. A must for anyone interested in a serious look at popular cinema."—Joseph Egan, author of The Purple Diaries"This is a wonderful book, at once personal and critical, eloquent and vivacious. The book vibrates with a productive tension between the writer and her subject."—Morris Dickstein, author of Dancing in the Dark and Why Not Say What Happened

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Book SynopsisNow a major motion picture, The Disaster Artist, starring James Franco, Alison Brie, Zoey Deutch, Lizzy Caplan, Zac Efron, Bryan Cranston, Dave Franco, Kristen Bell, Seth Rogen, Sharon Stone, and Judd Apatow.In 2003, an independent film called The Room - starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau - made its disastrous debut in Los Angeles. Described by one reviewer as ''like getting stabbed in the head'', the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Over a decade later, The Room is an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising and thousands of plastic spoons. In The Disaster Artist, Greg Sestero, Tommy''s costar, recounts the film''s bizarre journey to infamy, explaining how the movie''s many nonsensical scenes and bits of dialogue came to be Trade ReviewFinally, a hilarious, delusional, and weirdly inspirational explanation for the most deliciously awful movie ever madeA great portrayal of hopefuls coming to Los Angeles to pursue their ambitions, and an even greater examination of what it means to be a creative person with a dream and trying to make it come true....In so many ways. Tommy c'est moiThe Disaster Artist is not only the terrifically engaging tale of a bad Hollywood movie, it's one of the most honest books about friendship I've read in years - Los Angeles TimesA book about a cinematic comedy of errors . . . sharply detailed . . . funny - New York TimesPossibly the most important piece of literature ever printed - The Huffington PostI laughed so hard reading The Disaster Artist that I cried - Rolling Stone

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Book SynopsisFrom their first film in 1963, Jean-Marie Straub and Danièle Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka-Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean-Marie Straub, they developed groundbreaking and unique approaches to film adaptation, performance, sound recording, cinematography, and translation in films made across Germany, Italy, and France – including such modern classics as The Chronicle of Anna Magdalena Bach (1967), Moses and Aaron (1974), Class Relations (1983), and Sicilia! (1999). On the occasion of the first complete North American retrospective of their films in more than two decades, this volume traces the history of Straub's and Huillet's work, placing their films in the specific cultural, linguistic, and critical contexts in which they were produced and providing an account of their distribution and reception in the English-speaking world.Trade ReviewFat and full of ideas and information. -- David Bordwell * Observations on Film Art *[A] showcase of the film making practice as a true labor of love. -- Film QuarterlyFendt's volume is an immensely useful tool for framing and enhancing the duo's notoriously austere, 'difficult' films...A comprehensive and superbly detailed filmography concludes the book, solidifying its status as a newly crucial resource for devout Straubians and casual auditors alike. -- Cinema Scope

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Book SynopsisTenet is a global thriller whose action stretches across time zones, and stars Robert Pattinson, Elizabeth Debicki and John David Washington.

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Book SynopsisPeter Cowie's book chronicles the life and the 60-year film and stage career of Bergman as he wrestles of themes of love, sex and betrayal with the figure of Death hovering overhead.Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused.Bergman's films stand alone as beacons in film history.' Wim Wenders

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Book SynopsisBlumhouse Productions is the first book that systematically examines the corpus of Blumhouse’s cinematic output. Individual chapters written by emerging and established scholars consider thematic trends across Blumhouse films, such as the use of found footage, haunted bodies/haunted houses, and toxic masculinity. Blumhouse’s business strategies and funding model are considered – including the company’s high-profile franchises Paranormal Activity, Insidious, The Purge, Happy Death Day, and Halloween – alongside such key standalone films as Get Out and Black Christmas, and nonhorror films like BlackKklansman. Taken together, the chapters provide a thorough primer for one of the most significant drivers behind the contemporary resurgence of horror cinema.Table of ContentsAcknowledgements List of Tables Notes on Contributors Introduction Blumhouse at the Box Office, 2009-2018 ‘Those Things You See Through’: Get Out, Signifyin’, and Hollywood’s Commodification of African American Independent Cinema Haunted Bodies, Haunted Houses Gothixity: Evoking the Gothic through New Forms of Toxic Masculinity Space Invaders: Aliens and Recessionary Anxieties in Dark Skies The (Blum)House Found Footage Horror Built Insidious Patterns: An Integrative Analysis of Blumhouse’s Most Important Franchise The Purge: Violence and Religion as Toxic Cocktail Happy Death Day: Beyond the Neoslasher Cycle Haunted Networks: Transparency and Exposure in Unfriended and Unfriended: Dark Web Blumhouse’s Halloween (2018) the Shifting Ethos of Slasher Remakes ‘Disobedient Women’ and Malicious Men: A Comparative Assessment of the Politics of Black Christmas (1974) and (2019) What Lies Behind the White Hood: Looking at Horror Through a Realistic Lens Through Spike Lee’s BlacKkKlansman Bibliography Index

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