Description
Book SynopsisIn One-Man Band, the third volume in his epic survey of Orson Welles' life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another theatre, radio, film, television, even, at one point, ballet in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities.
The book begins with Welles' self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way
Trade Review
One Man Band gathers strength page by page. This is by far the funniest volume of the three, and in some ways the most revelatory. The more vulnerable Welles becomes, the more vivid Callow’s writing. The fear was always that a description of Welles’ later years would be depressing. But this is that rare thing: a book about decline which is actually exhilarating -- David Hare
One Man Band gathers strength page by page. This is by far the funniest volume of the three, and in some ways the most revelatory. The more vulnerable Welles becomes, the more vivid Callow’s writing. The fear was always that a description of Welles’ later years would be depressing. But this is that rare thing: a book about decline which is actually exhilarating -- David Hare
A biography as huge as if it had been fed a Welles-style diet of roasted chicken and foie gras -- Victoria Segal * Sunday Times *
Callow continuously strikes to the quick and the essential in Welles -- Michael Coveney * Independent *
Impeccably detailed research peppered with anecdotes and […] his witty conversational style -- Kevin Maher * The Times *
