Individual artists, art monographs Books
Hatje Cantz Caspar David Friedrich AZ
Book SynopsisON THE CONTEMPLATION OF NATURE One of his generation's most popular artists, German Romantic painter Caspar David Friedrich is known for his allegorical landscapes that convey a deep sense of contemplation and melancholy. 2024 marks the 250th anniversary of the birth of this outstanding artist, whose paintings continue to gain in topicality - hardly a discussion on climate change without one of his iconic paintings, such as The Sea of Ice, being invoked as a silent witness. Barbara Hess examines the painter's work and his life, from its lasting poignancy to the great themes of Romanticism and drawing. In the playful format of an AZ book, the author takes us on a timely journey, showing how new views and perspectives can be gained from what has long been thought familiar.
£16.50
Arnoldsche Art Publishers Helen Britton
Book Synopsis
£40.80
Reliable Copy The Bouquet and the Wreath
£24.70
McGill-Queen's University Press James Clarke Hook
Book SynopsisIn James Clarke Hook Juliet McMaster tracks the life and career of the brilliant yet underappreciated Victorian painter, from his rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as an inspired painter of contemporary rural and coastal scenes.Trade Review"Juliet McMaster convincingly blends biography with discussion of art works and references to contemporary literature (Thackeray and Dickens) and art criticism (Ruskin) in this first comprehensive study of the life and art of Hook, an outstanding colourist and imaginative creator of engaging compositions, most highly regarded for his empathetic portrayal of life by the sea." Judith Nasby, author of The Making of a Museum
£37.05
Yale University Press Our Days Are Like Full Years
Book SynopsisTrade Review“[An] affecting and informative memoir.”—Alex Beam, Wall Street Journal“Our Days Are Like Full Years is not a bitter or angry book. It is a memoir of [Kahn and Pattison’s] times together, moving and heroic (on her part) as well as troubling.”—Rowan Moore, The Guardian“[A] warm and elegant account – splendidly illustrated with drawings, photographs, and facsimiles of correspondence”—Arquitectura Viva, 2020“Part memoir, part collection of letters, part architecture treatise, and part love story, Harriet Pattison’s Our Days Are Like Full Years takes you inside the architect Louis Kahn’s mind and, even more, inside his heart. This is the saga of a devil’s bargain with a saint, and it is at once poignant and triumphant. Pattison has written a magnificent book, filled with warmth, elegance, insight, and grace.”—Paul Goldberger, author of Why Architecture Matters
£35.62
Yale University Press David King
Book SynopsisTrade Review“[A] vital addition to the King collection, assembling for the first time work from across his fields. It is a link, through the artist and archivist, to a history that continues to inspire today.”—Yuri Prasad, Socialist Worker [Newspaper]“Rick Poynor neatly ties together King’s journey from designer to activist to archivist while sharing plenty of his work. It’s a unique and remarkable story, and its physical appearance in terms of design and production is the perfect homage to King.”—Jeremy Leslie, MagCulture“This gorgeous collection of his life’s work with explanatory text is a great introduction and a fitting legacy.”—Barry Healy, Green Left “Rick Poynor’s beautifully-produced monograph wonderfully reflects King’s work and is an evocative transport to the days when the off-set litho appeared to be history’s locomotive.”—Tim Dawson, National Union of Journalists Newsletter“It is worth following the lead of Rick Poynor in his new book...and revisiting the work of this British designer, photojournalist and all-round graphics genius...Poynor’s David King lives up to its subject’s magnificent achievement.”—James Woudhuysen, Spiked"A rich and comprehensive look at one of our finest visual communicators and it deserves to be in the library of every design school."—Mark Noad, Forum 41 “An enthralling visual document of King’s work...The book gives access to a wealth of material I had never seen, lovingly curated and meticulously reproduced.”—Marker Porter, Eye"A remarkable, stunning, and essential book, Rick Poynor’s rich volume was a revelation for me, as I imagine it will be for many readers."—Prem Krishnamurthy, curator, designer and director of Wkshps“Rick Poynor explores the expansive nature of David King’s career through an appropriate combination of verbal and visual intelligence. His study is well researched, collaborative and cross-disciplinary.”—Tim Marlow, director of the Design Museum, London“This is a long-needed study of a unique editorial voice, mapping David King’s development from passionate young designer to authoritative archivist.” Jeremy Leslie, founder of magCulture"David King’s design is shocking, inspiring, original and always beautiful: a great example in these turbulent times of how to create work you believe in for subjects you care about."—Jonathan Barnbrook, designer and founder of Barnbrook
£33.25
Yale University Press Bob Thompson
Book SynopsisA rich reconsideration of a short-lived but visionary voice in twentieth-century American painting and his enduring relevance
£35.62
Yale University Press Julie Manet
Book SynopsisA beautifully illustrated exhibition catalogue accompanying the first ever exhibition dedicated to Julie Manet
£38.00
Yale University Press Yield
Book Synopsis
£14.99
Princeton University Press The Natural History of Edward Lear New Edition
Book SynopsisEdward Lear, known as an author of nonsense verse, was also an artist and natural history illustrator.Trade Review"As Robert McCracken Peck shows us in his The Natural History of Edward Lear, when it comes to realistic animal portraiture, Lear could have run circles around any of his successors. He simply chose not to."---Emily Donaldson, Globe and Mail"This book is much recommended and indeed an essential reference for this rather under-researched part of Lear’s artistic life."---Clemency Fisher, Archives of Natural History"An engaging history of the remarkable 19th century artist, Edward Lear. . . . The Natural History of Edward Lear is an important and insightful description of the artist’s career with convincing evidence that his unique contributions continue to influence our artistic and literary culture."---Tony Angell, Wilson Journal of Ornithology
£22.50
Princeton University Press Holzerisms
Book Synopsis
£45.00
Princeton University Press Mina Loy
Book SynopsisTrade Review"[Mina Loy] gives a crucial account of Loy’s varied life and art, and also shines a light on other aspects of her multifaceted creative output, including her work as a writer, poet, playwright, inventor, and fashion and industrial designer. . . . This book provides an essential foundation for future scholarship on this fascinating and enigmatic artist."---Lauren Moya Ford, Hyperallergic"Loy’s repute as a writer (poet, satirist, polemicist, critic, feminist), and the international scholarship around it, underpins how the visual works are here brought to public attention. The contributors approach the task discursively: Lauterbach considering Loy’s engagement with truth and beauty, Ades exploring the trajectory from Dada to the late constructions, and Conover writing more self-reflexively as a result of his experience of 50 years studying and editing Loy’s work. This is a noble endeavour."---Matthew Gale, The Art Newspaper"[Mina Loy] significantly restores [the artist] to the center of international 20th century Modernism. . . . [The] catalog allow[s] both a historical and contemporary view of Loy, analyzing her literary and artistic careers and works historically through her archive, and also in light of an expansive current concept of artistic production. The catalog’s contributors . . . look back and forth between word and image, knitting back together the different parts of her life—social, literary, artistic, and entrepreneurial—that have formerly separated Loy’s accomplishments and obscured her art historical importance."---Amy Rahn, Brooklyn Rail"[A] fascinating exhibition catalog."---Jorge S. Arango, Portland Press Herald"Loy has long been recognized for her poetry (among poets, anyway), yet gradually, recognition of her multi-faceted artistic practice has increased—and with Mina Loy: Strangeness Is Inevitable . . . it is irrevocably clearer than ever."---Patrick James Dunagan, Rain Taxi Review of Books
£35.70
Princeton University Press Barbara ChaseRiboud Monumentale
Book SynopsisTrade Review"Shortlisted for the Alfred H. Barr Jr. Award, College Art Association""Chase-Riboud’s work.... truly shines. The luscious illustrations of the artist’s sculptures and drawings compose much of the catalogue’s heft, and in an adroit and meaningful editorial move, the reproductions are interspersed with full-page reprints of seven of the artist’s poems. Thus Chase-Riboud’s visual and literary works are physically placed into conversation— with neither taking priority over the other, and with both, at times literally, existing side by side. In one of the most powerful juxtapositions."---Nika Elder, Women's Art Journal
£35.70
Cornell University Press Form as Revolt
Book SynopsisThe German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.Trade ReviewSebastian Zeidler presents not only a detailed, rigorous analysis of Einstein’s fragmentary, gnomic writings, but a provocative extrapolation of their potentials.... Among other things, Form as Revolt is an impressive exercise in intellectual history, ranging with ease from Novalis and Hegel to Rosa Luxemburg, Lucien Lévy-Bruhl, and beyond.... Form as Revolt is a far-reaching, learned, and ambitious volume.... In this book, over and above the vital contribution he makes to the reception of his hero, Carl Einstein, Sebastian Zeidler takes his own place among the leading critical historians of modernist art. * CAA Reviews *Zeidlers Buch führt in Eisteins literarisches und kunsttheoretisches Werk ein, sprengt aber zugleich das Format der Monografie an so gut wie jedem Punkt seines Textes. Form as Revolt handelt entschieden weniger über den historischen Autor als mit ihm. Im skrupulösen, am Poststrukturalismus, an Derrida und Deleuze geschulten Versuch, die spezifische Verschränkung von Formen und Inhalten in Einsteins Denken und Schreiben herauszuarbeiten, um Einstein gewissermaßen neu zu schaffen, entdeckt und entwickelt Zeilder die Elemente einer Kunstgeschichte der Moderne vor dem Hintergrund der offenkundigen Krise wesentlicher Achsen der Disziplin, von der Semiologie bis zur social art history. * Kunstform *Form as Revolt is the inverse of esoteric; it ceaselessly winnows away the abstruse to place difficult art and thought within reach, but not in dumbed-down ways. To say this volume offers a remarkably insightful contribution to scholarship on the history and criticism of early twentieth-century art would certainly be true, but even such an accolade would hardly speak to the significance—and the courage—of Zeidler’s study. * Critical Inquiry *Table of ContentsCarl Einstein: A LifeCarl Einstein: An Introduction1. The Lost Wanderer2. Sculpture Ungrounded3. Cubism's Passion4. The Double Style5. Private Mythologies
£31.35
Duke University Press Writing in Space 19732019
Book SynopsisWriting in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O'Grady, who for over forty years has investigated the complicated relationship between text and image. A firsthand account of O'Grady's wide-ranging practice, this volume contains statements, scripts, and previously unpublished notes charting the development of her performance work and conceptual photography; her art and music criticism that appeared in the Village Voice and Artforum; critical and theoretical essays on art and culture, including her classic "Olympia's Maid"; and interviews in which O'Grady maps, expands, and complicates the intellectual terrain of her work. She examines issues ranging from black female subjectivity to diaspora and race and representation in contemporary art, exploring both their personal and their institutional implications. O'Grady's writings-introduced in this collection by critic and curator Aruna D'Souza-offer a unique window into her artistic and intellectual evolution while consistently plumbing the political possibilities of art.Trade Review“Lorraine O'Grady's work has always been driven by embodied experiences, questioning the construction of identity and what it means to be human. This extraordinary volume charts O'Grady's fascinating musings on these subjects, tracing and shedding new light on her impressive forty-year career whilst highlighting the urgency and continued relevance of her work in our current moment. O'Grady once told me, ‘Everything I do could be a book’; this publication goes some way toward meeting that possibility.” -- Hans Ulrich Obrist, Artistic Director of the Serpentine Galleries“Lorraine O'Grady is one of the foremost conceptual artists of the last century. Writing in Space, 1973-2019 is an indispensable contribution to our appreciation of the breadth and innovation of her singular practice; it asks us to think beyond rigid boundaries that prevent a nuanced consideration of the mutually transformative power of ‘text’ and ‘image.’ O'Grady's practice creates new worlds, wherein photography, criticism, literature, and history leave the reader with a renewed sense of creative possibility.” -- Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem"This is the first book to offer a comprehensive overview of O’Grady’s writing. Monumental texts, canonical essays, interviews, performance transcripts, and previously unpublished material form the edited volume, affirming both the range and reach of the artist’s significant impact upon an art world that has only belatedly recognized her. . . . The book establishes O’Grady’s literary brilliance that shines through her multifaceted creative practice, as she consistently pushes the art world toward deeper thought and political consciousness." -- Alexandra M. Thomas * Hyperallergic *"Lorraine O’Grady’s importance as a performance artist has tended to overshadow her talent as a writer. Ahead of a Brooklyn Museum retrospective due next year, critic and art historian Aruna D’Souza put together a must-read volume featuring O’Grady’s shrewd musings on her own work, the intersections of Blackness and gender, and notions of visibility." -- Alex Greenberger * ARTnews *"A deeply nourishing account of her life, from the years preceding her full approach to artistry and criticism until recent times. . . . Such a collection, 46 years into O’Grady’s exceptional career, reflects how the art industry has long excluded Black women artists. It is a delicate and difficult read, and a manifestation of the many possibilities embedded in thoughtful collaboration between an artist and editor who have been longtime supporters of each other’s work." -- Tyra A. Seals * Art Papers *"This volume is more than a collection of writing by an important artist whose work and thoughts have very belatedly come to larger attention. It is an extremely eloquent analysis of the New York art world since 1973 by one of the most articulate and profound conceptual artists to address questions of race, class, diasporic identity, non-Western philosophy and aesthetics and female subjectivity." -- Andrea Kirsh * The Art Blog *"For nearly a half century, Lorraine O’Grady has produced a profound body of art and writing that reckons with and contests the logics of anti-Blackness, coloniality, and extraction that underpin cultural institutions. The texts anthologized in her new volume, Writing in Space, 1973–2019, immerse readers in O’Grady’s prescience. . . . The collection spans the four decades of O’Grady’s career with interdisciplinary writings that address questions of formal beauty in concept-driven art, interrogate where and how power operates in every part of the organization of museum space, and highlight Black avant-garde and abstract work." -- Christina Sharpe * Art in America *"An absorbing cover-to-cover read, no surprise considering the artist’s roots in literature." -- Holland Cotter * New York Times *"The book is astonishing for O’Grady’s way with words alone. We see how she refines her own artist biographies and the framing of her process over time. Her performance scripts are so richly detailed that they read like closet dramas." -- Rahel Aima * Bookforum *"[W]onderful and inspiring. . . . The collection of O’Grady’s erudite and charged writings spans 1973 to 2019; each entry contests and reimagines structures of power." -- Lisa Le Feuvre * The Art Newspaper *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction: For Those Who Will Know / Aruna D'Souza xix 1. Statements and Performance Transcripts Two Biographical Statements (2012 and 2019) 1Cutting Out the New York Times (CONYT), 1977 (2006) 6Mlle Bourgeoise Noire 1955 (1981) 8Rivers, First Draft, 1982: Working Script, Cast List, Production Credits (1982) 11 Statement for Moira Roth re: Art Is . . ., 1983 (2007) 23Body Is the Ground of My Experience, 1991: Image Descriptions (2010) 27 Studies for a Sixteen-Diptych Installation to Be Called Flowers of Evil and Good, 1995–Present (1998) 30 2. Writing in Space Performance Statement #1: Thoughts about Myself, When Seen as a Political Performance Artist (181) 37 Performance Statement #2: Why Judson Memorial? or, Thoughts about the Spiritual Attitudes of My Work (1982) 40 Performance Statement #3: Thinking Out Loud: About Performance Art and My Place in It (1983) 43Nefertiti/Devonia Evangeline (1977) 50 Interview with Cecilia Alemani: Living Symbols of New Epochs (2010) 53 Interview with Amanda Hunt on Art Is . . . (2015) 60 On Creating a Counter-confessional Poetry (2018) 64 3. Reclaiming Black Female Subjectivity Black Dreams (1982) 69 Interview with Linda Montano (1986) 77 Dada Meets Mama: Lorraine O'Grady on WAC (1992) 84 The Cave: Lorraine O'Grady on Black Women Film Directors (1992) 88 Olympia's Maid: Reclaiming Black Female Subjectivity (1992/1994) 94Mlle Bourgeoise Noire and Feminism (2007) 110 4. Hybridity, Diaspora, and Thinking Both/And On Being the Presence That Signals an Absence (1993) 115 Some Thoughts on Diaspora and Hybridity: An Unpublished Slide Lecture (1994) 119 Flannery and Other Regions (1999) 126 Responding Politicially to William Kentridge (2002) 131 Sketchy Thoughts on My Attraction to the Surrealists (2013) 136 Two Exhibits: The Diptych vs. the Triptych (1998) and Notes on the Diptych (2018) 139 Introducing: Lorraine O'Grady and Juliana Huxtable (2016) 142 5. Other Art Worlds A Day at the Races: Lorraine O'Grady on Jean-Michel Basquiat and the Black Art World (1993) 169 SWM: On Sean Landers (1994) 176 Poison Ivy (1998) 181The Black and White Show, 1982 (2009) 184 Email Q&A with Artforum Editor (2009) 198 My 1980s (2012) 203Rivers and Just Above Midtown (2013, 2015) 213 6. Retrospectives Interview with Laura Cottingham (1995) 219 Interview with Jarrett Earnest (2016) 239 The Mlle Bourgeoise Noire Project, 1980–1983 (2018) 250 Job History (from a Feminist "Retrospective") (2004) 260 First There Is a Mountain, Then There Is No Mountain, Then . . . ? (1973) 269 The Wailers and Bruce Springsteen at Max's Kansas City, July 18 1973 (1973) 278 Notes 287 Index 311 Credits
£21.59
Getty Trust Publications Willem de Kooning – The Artist′s Materials
Book SynopsisThis is the first systematic and truly methodical study of de Kooning's idiosyncratic working methods and use of materials. This in-depth study of the paintings of Willem de Kooning (1904-1997), Dutch-born American abstract expressionist painter, from the 1940s through the 1970s breaks new ground in its analysis of the artist's working methods and yields new information about previously unreported materials. De Kooning's idiosyncratic working methods have long provoked intense speculation and debate among conservators and art historians, primarily on the basis of visual inspection and anecdotal accounts rather than rigorous technical analysis. This is the first methodical study of de Kooning's creative process to use comprehensive scientific examinations of the artist's pigments, binders, and supports, to inform art historical interpretations, thereby presenting a key to the complicated evolution of the artist's work.
£33.25
Getty Trust Publications Henry Van de Velde: Selected Essays, 1889-1914
Book SynopsisThe first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century. Belgian artist, architect, designer, and theorist Henry van de Velde (1863-1957) was a highly original and influential figure in Europe beginning in the 1890s. A founding member of the Art Nouveau and Jugendstil movements, he also directed the Grand-Ducal Saxon School of Arts and Crafts in Weimar, Germany, which eventually became the Bauhaus under Walter Gropius. This selection of twenty-six essays, translated from French and German, includes van de Velde's writings on William Morris and the English Arts and Crafts movement, Neo-Impressionist painting, and relationships between ornament, line, and abstraction in German aesthetics. The texts trace the evolution of van de Velde's thoughts during his most productive period as a theorist in the artistic debates in France, Germany, Belgium, and the Netherlands. Katherine M. Kuenzli expertly guides readers to see how van de Velde's writings reconcile themes of aesthetics and function, and expression and reason, throughout the artistic periods and regions represented by these texts. With introductory discussions of each essay and full annotations, this is an essential volume for a broad range of scholars and students of the history of fine and applied arts and ideas.Trade Review"A key figure of late nineteenth- and twentieth-century architecture and design, Henry van de Velde's seminal role and thought has yet to emerge fully from under the shadow, notably, of those who continued his work in Weimar with the creation of the Bauhaus. This volume is a triumph of textual sleuthing, providing a generous selection of van de Velde's writings that allows scholars and students alike to witness the many facets of this cosmopolitan designer's interaction with turn-of-the-century reform movements in Belgium, Germany, and France. A figure long reduced to a small set of designs in survey books is here revealed in all his complexity and even contradictions."-Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University; "Writing and speaking fueled the modernist persona and the international career of designer Henry van de Velde. This volume, an essential companion to the existing literature, makes a case for why-and how-he emerged as one of the most significant, and difficult, figures of the twentieth century."- Amy F. Ogata, Professor of Art History, University of Southern California
£45.00
GMC Publications Biographic: Klimt
Book SynopsisPart of the `Biographic’ series, which presents an entirely new way of looking at the lives of the world’s greatest thinkers and creatives. This book takes the 50 defining facts, dates, thoughts, habits and achievements of Gustav Klimt, and uses infographics to convey all of them in vivid snapshots. Many people know that Gustav Klimt (1862–1918) was an Austrian painter and founding member of the Vienna Secession art group, whose gold-tinged paintings of the female nude include The Kiss. What, perhaps, they don’t know is that The Kiss was sold before its completion for 25,000 crowns – over 50 times that paid for any other Austrian painting at the time; that he fathered at least 14 illegitimate children; that his fondness for cats led to his studio being overrun by his feline friends; and that in 2006 he set the record for the highest-priced painting in the world, when his Portrait of Adele Bloch-Bauer I was sold for $135million. `Biographic: Klimt’ presents an instant impression of his life, work and fame, with an array of irresistible facts and figures converted into infographics to reveal the artist behind the pictures. It is published to commemorate the 100th anniversary of the artist’s death. Each `Biographic’ title is designed to be as entertaining as it is informative. Timelines not only pinpoint significant dates, but set them in the context and culture of their times. Dynamic maps locate biographical events alongside other points of interest. Character traits are illuminated by visual comparisons.
£8.99
National Gallery Company Ltd Frans Hals
Book SynopsisAn illuminating study of the singularly gifted Dutch artist Frans Hals, a true revolutionary in the field of portraiture and one of the most sought-after painters of his generation This beautifully illustrated book offers a fresh scholarly appraisal of Frans Hals, more than 30 years since the last large exhibition devoted to his work. Essays cover all the important aspects of Hals’s oeuvre, including his militia paintings, his spectacular family portraits and his depictions of laughter: he was one of very few artists throughout the history of Western painting who successfully managed to paint people smiling and laughing. The texts also provide an overview of the artist’s life, and examine his extraordinarily virtuoso technique, which involved painting extremely fast straight on to the canvas. The authors set out to place Hals and his work firmly in the context of his time, employing new previously unpublished archival research and technical findings. For the first time, an overview is given of all the apprentices who worked for Hals. Other themes, such as the design for portrait prints or the humour seen in the works of Frans Hals, have never before been treated separately. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (September 30, 2023–January 21, 2024) The Rijksmuseum, Amsterdam (February 15–June 9, 2024)
£33.25
Paul Mellon Centre for Studies in British Art The Late Works of J. M. W. Turner: The Artist and
Book SynopsisAn exploration of Turner’s final, vital years, including new readings of some of his most significant paintings The paintings and drawings Joseph Mallord William Turner (1775–1851) produced from 1835 to his death are seen by many as his most audacious and compelling work, a highly personal final vision that ranks with the late styles of the greatest artists. In this study, Sam Smiles shows how a richer account of Turner’s achievement can be presented once his historical circumstances are given proper attention. He discusses the style and subject matter of Turner’s later oil paintings and watercolours, his commercial dealings and his relations with patrons; he examines the artist’s critical reception and scrutinises accounts of his physical and mental health to see what can be reliably said about this last phase of creative endeavour. Emerging from this study is an artist who used his final years to consolidate the principles that had motivated him throughout his career.Distributed for the Paul Mellon Centre for Studies in British ArtTrade Review“[A] scholarly and impeccably detailed examination of Turner’s art and its critical reception . . . presenting a rich, absorbing account of his later career. [Sam Smiles] challenges the hackneyed image of Turner in his last two decades. . . . In its place he builds a complex picture of a man who, despite his gradually declining health and the diminishing output of his very last years, retained a keen interest in the world around him, in the marketing of his art and in his posthumous reputation.”—Barry Venning, Turner Society News“Smiles’s magnificent study can only deepen our understanding of an artist who continues to reveal himself in unexpected ways.”—Stephen Bann
£33.25
Paul Holberton Publishing Ltd Capturing the British Landscape: Alfred Augustus
Book SynopsisThis book presents the life and work of the Victorian landscape painter Alfred Augustus Glendening (1840-1921). With beautiful illustrations of his pictures, showing a timeless countryside, it explores Glendening’s rapid rise from railway clerk to acclaimed artist.Whilst critics often reviewed his exhibited works, very little has been written about the artist himself. Here, new and extensive research removes layers of mystery and misinformation about his life, family and career, accurately placing him in the midst of the British art world during much of the nineteenth and into the twentieth century. Glendening was a man from humble origins, working fulltime as a railway clerk, yet was able to make his London exhibition debut at the age of twenty. This would have been almost impossible before the Victorian era, an extraordinary period when social mobility was a real possibility. Although his paintings show a tranquil and unspoiled landscape, his environment was rapidly being transformed by social, scientific and industrial developments, while advances in transport, photography and other technical discoveries undoubtedly influenced him and his fellow painters.Celebrating his uniquely Victorian story, the book places Glendening within his historical context. Running alongside the main text is a timeline outlining significant landmarks, from political and social events to artistic and technical innovations. Thoroughly researched over many years, the narrative explores why and for whom he painted, his artistic training and inspirations. Painting at Hampton and Greenwich, beside the River Thames, Glendening soon discovered the Welsh hills and became a member of the Bettws-y-Coed Artists' Colony, founded by David Cox. His masterful landscapes also include views of the Scottish Highlands, the Lake District, the Norfolk Broads, the South Downs and the Isle of Wight.The book uncovers new information about the Victorian art world and embraces such aspects as Royal Academy prejudices, the popularity of Glendening's work at home and abroad, especially Australia and America, his use of photography, and the sourcing of his art materials. Family trees are included, and other artistic family members discussed, notably his son and pupil Alfred Illman Glendening (1861-1907). There is a comprehensive list of their exhibited works at the Royal Academy and other major institutions, and details of their paintings in public collections.Trade Review[L]avish and deeply researched volume. * Country Life *Aside from the glorious reproductions of his magnificent landscapes, this is both biography and social history – the strands adroitly woven together by Alice Munro-Faure. * The Field *[M]ore than a monograph on a single artist, this is a book about the rapidly changing Britain of the late Victorian era, with cogent analyses of diverse topics such as industrial development, domestic service, and the art world of the era. The countless reproductions of Glendening’s pastoral idylls are a bonus. * The New Criterion *
£54.00
Paul Holberton Publishing Ltd Luigi Pericle: a Rediscovery
Book SynopsisThis important book presents the work of the fascinating and singular artist Luigi Pericle (1916–2001). Pericle was a painter, illustrator and scholar, as well as a leading figure in the story of art in the second half of the twentieth century.The artist initially found fame as an illustrator, gaining widespread renown in the 1950s as the inventor of the character Max the Marmot. But his intense, enigmatic and multi-layered paintings increasingly drew the attention of the art world, with works that reflect his personal, metaphysical take on post-war abstraction exhibited at numerous venues in Britain during the 1960s. Pericle then abruptly retreatedfrom the art system, and for the rest of his life continued to paint, write and to study esoteric philosophy in the secluded house he shared with his wife Orsolina on Monte Verit in the Ticino region of Switzerland. The artist’s work was dramatically rediscovered in 2016 when the contents of his former residence were revealed. The process of restoring, cataloguing and researching his vast oeuvre is ongoing, and is overseen by Ascona’s Archivio Luigi Pericle, with which the exhibition has been organised.This beautifully illustrated publication, which accompanies an exhibition at the Estorick Collection, London, includes a full catalogue of the works, as well as essays by noted scholars.
£38.00
Rizzoli International Publications Nicole Hollis Artistry of Home
Book Synopsis
£40.00
George Braziller Inc Jazz
Book Synopsis
£16.95
Phaidon Press Ltd Art and Illusion
Book SynopsisA ground-breaking exploration of the history and psychology of pictorial representation.Trade Review"This was a seminal book and remains an enjoyable unfolding of the mysteries of art."—The Times "I shall remember about it is the author's warmth and wit, the fabulous range of his references and the richness of personality that lies behind the whole performance."—The New York Times "...It brought the topic of the visual back to the centre of the history of the visual arts, from where it had been strangely displaced."—The Economist
£17.95
Benteli Verlag The Tarot Garden
Book SynopsisThe Tarot Garden, situated in Italy, is a sculpture park, planned and created by Niki de Saint Phalle. It is her very personal vision of the personalities of the tarot-game: the world, the fool, the hermit, death, the wheel of fortune.
£9.45
Ashmolean Museum Raphael: The Drawing
Book SynopsisThe Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major collection including some of the most beautiful and important of the artist's sketches. Taken together, the two collections provide extraordinary resources that, amplified by carefully-selected international loans, will allow us to transform our understanding of the art of Raphael. The Oxford exhibition is based on new research by Dr Catherine Whistler of the Ashmolean Museum and Dr Ben Thomas from the University of Kent, in collaboration with Dr Achim Gnann of the Albertina. It will take Raphael's art of drawing as its focus, with the concept of eloquence as its underlying structure. Oratory runs as a linking thread in Raphael's drawings, which stand out for the importance given to the study of gestures, facial expressions, and drapery.Moreover, Raphael treated the expressive figure of the orator - poet, philosopher, muse, apostle, saint or sibyl - in fascinating and significant ways throughout his life. This selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
£999.99
Dover Publications Inc. The Drawings Dover Fine Art History of Art
Book SynopsisIrreverent, bizarre, whimsical, and mocking, these 200 pen-and-ink sketches date from the early 20th century. They blend savage humor with brilliant draughtsmanship in depictions of humans, animals, and curious combinations of the two.
£13.49
Phaidon Press Ltd The Story of Art
Book SynopsisOne of the most famous and popular books on art ever written.Trade Review"Like every art historian of my generation, my way of thinking about pictures has been in large measure shaped by Ernst Gombrich. I was 15 when I read The Story of Art and like millions since, I felt I had been given a map of a great country, and with it the confidence to explore further without fear of being overwhelmed."—Neil MacGregor, former Director of the National Gallery, London, 1995 "Almost as well known as the Mona Lisa, Sir Ernst Gombrich's The Story of Art unites learning and pleasure."—Pierre Rosenberg, Président-Directeur, Musée du Louvre, Paris "More people... have been introduced to the world of fine art, in the last 45 years, though Ernst Gombrich's The Story of Art than through any other single book."—Christopher Frayling, Professor of Cultural History, Royal College of Art, London "The country's bestselling book on art, never out of print, still in demand (and not just by students) and one of the few 'gift books' that actually gets read. The work is not so simplistic as the title implies, but it is this very title that rendered the book enormously attractive in 1950 to a new sort of book buyer: the self-educator. This field was set to grow, publishers eagerly wooing punters into buying the one big book on every impossibly massive but key subject. But with Gombrich, art was all sewn up."—The Times "The Story of Art has just about everything you need to follow the course of art from cave painting to David Hockney - I am surprised it’s not yet been placed in hotels on the bedside table along with Gideon’s Bible since Gombrich is as authoritative as the voice of God - the book has always been a pleasure to read and handle, the colour plates, now with many new additions, are excellent and the text is clear and straightforward, devoid of both pedantry and academic tedium."—The Birmingham Post "As a humane, uncomplicated but unpatronising account of art from prehistoric cave daubs to twentieth-century splurges, Gombrich’s Story of Art is just what its title promises: more of a story than a work of reference, yet that as well."—Business Weekly "A wise and wide-ranging introduction to art history that will last and last."—The List "At 90-odd, the prolific art historian is still going strong. His populist approach comes from his childhood in Vienna, where art was for everyone, not just for stuffed shirts."—The Mail on Sunday "Gombrich has done more than any other human being to draw people towards an enlightened understanding of art. Wearing his immense learning lightly, tackling abstract ideas without losing his readers in jargon, he has attracted a devoted following."—The Sunday Times "The gift he gave us was to make the living process of art understandable to us all. Rather than a dry cultural history, he made looking at art - that perceptual experience - an adventure."—Antony Gormley, artist "Did more tham any other writer in the last 100 years to introduce a wider public to a love of art. Successive generations of students have been drawn to The Story of Art, his erudite survey of Western art, and his big idea: "There is no such thing as art - there are only artists." An academic who stayed firmly outside his profession's charmed circle, his book was intended as a rallying cry against snobbery and elitism, and has remained a classic."—Antique Dealer and Collector's Guide "Ernst Gombrich was the most famous art historian in the world. His reputation was based on a particular approach to the subject, or the mastery of a single period, than on the breadth of his interests and his skill at making the history of art interesting to a non-specialist public."—Independent "...Lucid and endlessly informative..."—The Good Book Guide "Gombrich's voice is lively, opinionated, and almost conversational, yet his erudition shines through to make a book that is both accessible and informative."—Library Journal "This comprehensive look at Western art from prehistoric times on up to the present has been completely redesigned and extensively revised and updated."—Booklist "Enjoy the most famous book on art ever published... This has been revamped for the first time since 1972, offering larger illustrations, more color, and improved text and coverage. Highly recommended."—Midwest Book Review
£31.46
Dr. Cantz'sche Verlagsgesellschaft mbH & Co. KG Michel Majerus 2022
Book Synopsis
£31.35
Taschen Dalí. Les Dîners de Gala
Book Synopsis
£14.25
König, Walther Gerhard Richter. 81 Zeichnungen 1STRIP 1
Book Synopsis
£999.99
MACK Celia Paul Works 19752025
Book Synopsis
£142.50
David Zwirner Anni Albers: Notebook 1970–1980
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£25.60
Flame Tree Publishing Edgar Degas Masterpieces of Art
Book SynopsisFrench artist Edgar Degas was famous for his drawing, painting, sculpture and printmaking. Although a member of the Impressionists, with Monet, Pissaro and Renoir his work focused on indoor subjects, particularly his acutely observed pieces on ballerinas. His masterful studies of real life resonate still today and he remains one of the most popular painters in the world. This beautiful new book showcases all of his major works (including Ballet Rehearsal, The Star and The Ballet Class), with detailed captions, and a long essay on life, art and influences.
£11.04
21 Publishing Ltd Robert Motherwell: Open
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£42.50
Martingale & Company A Common Thread: A Collection of Quilts by Gwen
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£22.46
Occasional Papers Roger Ackling Between the Lines
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£15.20
Taschen GmbH David Hockney. My Window
Book Synopsis'For me, it's really the joy of looking out into the world and getting this positive energy... It's opening up our vision, and how we look'—David HockneyWhen David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital drawings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line. Each image in this book captures a fleeting moment seen through a window in Hockney’s Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 drawings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney. This artist’s book, which first appeared in an exclusive signed edition, now returns as an unlimited run, whose still generous XL format presents Hockney’s impressions in brilliant resolution. So now is the perfect occasion to heed the advice of the Times critic regarding this book: “If you would like to be given a bouquet by David Hockney, here is your chance.”Trade Review“A continent away from his perennially sunny Los Angeles poolscapes of the 1960s and ’70s, the British artist David Hockney has turned his attention to the ever-changing diurnal rhythm of the world outside his bedroom window.” * The New York Times *“If you would like to be given a bouquet by Hockney, here is your chance.” * The Times *
£999.99
Scheidegger und Spiess AG, Verlag Magdalena Abakanowicz à Lausanne
Book SynopsisA pioneer of the Nouvelle Tapisserie (New Tapestry) movement, Polish artist Magdalena Abakanowicz (1930–2017) revolutionised the practice of weaving in the 1960s. She elevated this craft to the status of sculptural expression, using the possibilities of organic fibers such as wool, sisal, and linen as living, malleable materials to realise her artistic vision based on the observation of nature and man. Her spectacular wall-mounted and spatial woven works made her name internationally and marked several editions of the Biennale of Tapestry, held in the Swiss city of Lausanne between 1962 and 1995. This French-language book illuminates the crucial role that Lausanne played at the beginning of Abakanowicz’s international career and in her artistic explorations. Her reflections and creative paths are juxtaposed with places and encounters in Lausanne and the rest of Switzerland: the Bienniale of Tapestry and the Alice Pauli Gallery, local patrons and collectors of art, scholars, and friends. Text in French.
£28.80
The School of Life Press Art Against Despair: pictures to restore hope
Book SynopsisOne of the most unexpectedly useful things we can do when we’re feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us. This is a collection of 100 of the world’s most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friends We’re invited to look at art with unusual depth and then find our way towards new hope and courage. This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.
£18.70
Whitefox Publishing Ltd Cedric Morris: A Life in Art and Plants
Book SynopsisCedric Morris (1889-1982) was an accomplished painter of flowers and landscapes, and a plantsman whose irises are an enduring legacy. This is a timely study of a man whose stock has risen appreciably in recent years, with two London exhibitions, a stand at the Chelsea Flower Show and a surge in prices for his paintings. With his lifelong partner, Arthur Lett-Haines, Cedric Morris set up the East Anglian School of Painting and Drawing in Suffolk, where students included the young Lucian Freud and Maggi Hambling. Drawing on archive material and extensively illustrated with the work of Morris as well as artists who became part of his circle, this book explores Morris's family roots in South Wales, follows his travels in Europe and beyond in the 1920s, and evokes the singular camaraderie of the East Anglian School.
£999.99
S Q Publications,US Redheads
Book SynopsisRedheads have a glorious reputation for a fiery temperament to match their exquisite beauty, and artist Raffaele Marinetti has a distinct penchant for capturing such fireworks! Noted for his many delightful ginger pin-ups, Raffaele has collected a full colour (mainly red, naturally) gallery of curvaceous crimson wonders!
£12.34
Andrews McMeel Publishing Bob Ross 2026 DaytoDay Calendar
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£999.99
Thames and Hudson Ltd Jeff Koons Conversations with Norman Rosenthal
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£15.96
Museu D'Art Contemporani de Barcelona (MACBA) Nancy Spero Dissidances
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£26.96
Experiment Modern: Genius, Madness, and One Tumultuous
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£26.59
Two Rivers Press Allen W. Seaby: Art and Nature
Book SynopsisAllen W. Seaby's life has been described as "a classic tale of Victorian self-improvement." But there is more to the tale than just upward mobility. A. W. Seaby was a pioneering, innovative and inspirational man who rose to become a prominent print-maker, teacher, author and illustrator. Best-known for his colour woodcut printing using traditional Japanese methods, and as a prominent wildlife artist, the story of Seaby's many accomplishments is recounted by his grandson, who inherited Seaby's love of birds and became internationally renowned in his own right, Robert Gillmor. Alongside this personal recount, Martin Andrews (Seaby's successor as President of the Reading Guild of Artists) selects aspects of his career and expands upon his techniques, his illustrative methods, his circle of fellow artists and the books he published to give a full and rounded account of a man whose work is currently enjoying a well-deserved renaissance.
£12.34
