Description

An exploration of Turner’s final, vital years, including new readings of some of his most significant paintings

The paintings and drawings Joseph Mallord William Turner (1775–1851) produced from 1835 to his death are seen by many as his most audacious and compelling work, a highly personal final vision that ranks with the late styles of the greatest artists. In this study, Sam Smiles shows how a richer account of Turner’s achievement can be presented once his historical circumstances are given proper attention. He discusses the style and subject matter of Turner’s later oil paintings and watercolours, his commercial dealings and his relations with patrons; he examines the artist’s critical reception and scrutinises accounts of his physical and mental health to see what can be reliably said about this last phase of creative endeavour. Emerging from this study is an artist who used his final years to consolidate the principles that had motivated him throughout his career.

Distributed for the Paul Mellon Centre for Studies in British Art

The Late Works of J. M. W. Turner: The Artist and his Critics

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Hardback by Sam Smiles

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An exploration of Turner’s final, vital years, including new readings of some of his most significant paintings The paintings and... Read more

    Publisher: Paul Mellon Centre for Studies in British Art
    Publication Date: 27/10/2020
    ISBN13: 9781913107161, 978-1913107161
    ISBN10: 1913107167

    Number of Pages: 312

    Non Fiction , Art & Photography

    Description

    An exploration of Turner’s final, vital years, including new readings of some of his most significant paintings

    The paintings and drawings Joseph Mallord William Turner (1775–1851) produced from 1835 to his death are seen by many as his most audacious and compelling work, a highly personal final vision that ranks with the late styles of the greatest artists. In this study, Sam Smiles shows how a richer account of Turner’s achievement can be presented once his historical circumstances are given proper attention. He discusses the style and subject matter of Turner’s later oil paintings and watercolours, his commercial dealings and his relations with patrons; he examines the artist’s critical reception and scrutinises accounts of his physical and mental health to see what can be reliably said about this last phase of creative endeavour. Emerging from this study is an artist who used his final years to consolidate the principles that had motivated him throughout his career.

    Distributed for the Paul Mellon Centre for Studies in British Art

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