Individual artists, art monographs Books

Book SynopsisThe greatest director and set designer of the Cinquecento, Paolo Caliari (1528-1588), ''Veronese'' to his patrons and admirers in Venice the city in which he lived and worked becoming its citizen was appreciated first and foremost as a colourist, capable of proposing an unprecedented bright palette, daring combinations of colours, skilful plays of light. Furthermore, he was a sumptuous narrator.Alone he created a genre: the Cene, or Suppers, grandiose in size and display of fabrics, poses and portraits, where the evangelical event is an opportunity to stage the patrician society of his time, within architectural spaces in which the classical orders are articulated in urbanistic fantasies that are as impressive as they are creative. Furthermore, he painted for a clientele of patricians and main religious orders an impressive variety of biblical scenes, stories of saints and martyrs, sophisticated and allusive allegories, verging on ambiguity and irony.Appreciated and

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Book SynopsisLONGLISTED FOR THE WILLIAM MB BERGER PRIZE FOR BRITISH ART HISTORY 2022 A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. Laura Knight (1877–1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades, her realist style of painting fell out of fashion and her work become largely overlooked. Anew generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as a war artist. This beautifully illustrated book, which accompanied a major exhibition at MK Gallery, provides an overview of Knight’s illustrious career: from her training at Nottingham Art School at the age of 13 and her time in North Yorkshire and Cornwall, to her visits to traveller communities and a segregated American hospital. It also features her circus, ballet and theatre scenes, paintings of women during the war and her late paintings of nature. The selection of over 160 works combines celebrated paintings with less known graphic and design works, including ceramics, jewellery and costumes that reflect the artist’s enduring interest in the everyday activities of people from all walks of life.Trade ReviewMarvel at Knight’s works scattered throughout this beautiful book. * This England *This beautifully illustrated book also features her circus, ballet and theatre scenes and her late paintings of nature. * Art Mag *… a fascinating look at an artist who has often been overlooked, and stunningly illustrated with celebrated paintings as well as lesser known works. * The Artist *The quality of the reproductions is excellent, and the story of Knight’s life makes for fascinating reading. This is a real treat. * Leisure Painter *Beautifully relayed and interestingly formatted, Laura Knight: A Panoramic View is not only timely but imperative to our understanding of the artist it documents and is well worth the attention of us all. * #WomensArt *To further understand this eclectic artist from a twenty-first century perspective, the catalogue that accompanies the exhibition provides valuable additional material. It includes incisive essays and contributions from contemporary artists who provide personal responses to Knight’s work and demonstrate her enduring relevance, particularly in relation to the representation of women. * The Burlington Magazine *This beautifully illustrated book, which accompanies a major exhibition at MK Gallery, provides an overview of Knight’s illustrious career: from her training at Nottingham Art School at the age of 13 to her paintings of women during the war and her late paintings of nature. * Art Herstory *Table of ContentsA Panoramic View by Fay Blanchard & Anthony Spira Timeline Journey to Fame by Pamela Gerrish Nunn Early Work Newlyn The Heat of Their Bodies by Lubaina Himid The Interwar Years by Sophie Hatchwell Ballet Pictures Within Pictures by Hannah Starkey Circus Between Painting and Performance by Monster Chetwynd Theatre Between the Acts A Complicated Artist by Barbara Walker Gypsies The Sky for a Ceiling by Damian Le Bas Dame Laura’s One-Man Show by Sacha Llewellyn War Malvern Notes References Image Credits Index of Works Acknowledgements

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Book SynopsisAn important reassessment of the later career and life of a beloved baroque artistTrade ReviewWinner of the 2016 Helen and Howard R. Marraro Prize given by the Society for Italian Historical Studies.“Artemisia Gentileschi opens up new understandings of a prominent female artist and baroque culture in Italy.”—Elizabeth Cohen, York University

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Book SynopsisVictoria Noel-Johnson is an independent British art historian and curator, specialising in early 20th century European art.

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Book SynopsisEdward Hopper’s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper’s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.

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Book SynopsisCelebrated British painter Rose Wylie—whose works are at once tactile, cerebral, and humorous—often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time. Wylie’s source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career. A new essay by art critic Michael Glover explores the remarkable painter whose work has “spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston.” Part of David Zwirner Books’s Spotlight Series, this book features Wylie’s newest paintings and drawings and is published on the occasion of the artist’s 2020 solo exhibition of these works at David Zwirner Hong Kong.Trade Review'"Expect a riot of colourful and unruly compositions, which delight with their exuberance."' - Staff "Sassy Hong Kong"'"Rose Wylie's painting a noun...exhibition is truly one-of-a-kind."' - Staff "Time Out Hong Kong"'"While Rose Wylie's artworks on first glance appear simplistic or even naive, a closer examination reveals many fascinating details and reminds the viewer of the cartoon-like images of Philip Guston and Jean Michel Basquiat."' - Joanne Shurvell "Forbes"'"Wylie fearlessly tackles the thorniest topics head-on, committing her thoughts and questions about politics, religion, fame, love, history, money and nature to canvas."' - Charlotte Brook "Harper's Bazaar'"In their multiple points of reference, and visual gourmandising, Wylie's paintings are a reminder of how things coexist in our mind's eye and how the memory of a place or time is never a simple, fixed thing: merely a few threads plucked in the moment from a shimmering tangle."' - Hettie Judah "Art UK"'"She eschews art-world artiness; instead, the paintings are unaffected and joyful, and critics are captivated."' - Harriet Baker "Apollo"

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Book SynopsisDelve inside this beautifully presented artist showcase filled with the works and useful advice from popular visual artist Pernille Orum. Pernille is well known and respected in the animation industry, having worked for clients such as Disney Publishing, Nickelodeon Jr., Mattel, DreamWorks, and she was the Lead Character Designer on Warner Brothers’ DC Superhero Girls. In this colorful and vibrant, hardback art book, Pernille shares her artwork over the years, starting with some of her earliest drawings; sharing her progression through various forms of education. She also shares her workspace and favorite tools, and offers an abundance of advice to anyone wishing to break into the animation industry themselves – with tutorials on useful business concerns such as how to approach a character design, and a detailed look at the processes she uses for creating her bright, edgy drawings.With the combined content of Pernille’s best works, including art that she has created especially for the book; career advice and tutorials; and a foreword from Disney Legend, John Musker (Co-Director of Moana, Aladdin, The Little Mermaid) this is undoubtedly a book that any budding animator or artist should reserve space on their bookshelf for.

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Book SynopsisMarianne von Werefkin was not only a talented artist but also a shrewd free thinker and hostess: at the beginning of the twentieth century famous artists including Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc and August Macke assembled in Marianne von Werefkin’s salon in the Schwabing district of Munich. After a long break from painting in order to further her companion Alexej Jawlensky, Werefkin returned to her own art in 1906 and created fascinating works in a new, expressive style. Descended from a family of Russian aristocrats, the artist was an important forerunner and co-founder of the “Neue Künstlervereinigung München” (Munich New Artist’s Association), from which the “Blauer Reiter” developed. In addition to the artist’s early works from Russia and the Expressionist pictures which resulted from her sojourns in the region around Murnau, the Werefkin specialist Brigitte Salmen presents an appreciation of the artist’s later work, which is less well known and which was created in Ascona, where she lived in exile in Switzerland.

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Book SynopsisAn inspiration for those trying to create socially engaged art and make a difference in marginalized communities. Smithsonian Magazine The most comprehensive monograph on the enigmatic French artist updated to include brand-new work Filled with stunning photography, this extraordinary monograph charts a range of JR's collaborative projects executed across the globe. Created in close collaboration with the artist, it features chapters on each of JR's major bodies of work fromExpo2Rue, using the street as his canvas to launch his career as an artist, toTheChronicles of Miami, which opened in November 2023. It also includes hiscollaborations with other artists and institutions such as the New York City Ballet, film director Agnès Varda, andTimemagazine. A foreword by Hollywood legend George Lucas, a specially commissioned graphic novel by comic artist Joseph Remnant, an updated survey essay by Nato Thompson, and a short piece by Italian film director Alice Rohrwacher all come together to tell JR's fascinating story.

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Book SynopsisNobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497/98–1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects.

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Book SynopsisThis extensively illustrated volume focuses on William Morris (1834–1896), placing his wallpaper designs within the context of the radical changes in taste witnessed during the Victorian era. Against a backdrop of the fanciful, naturalistic patterns that typified fashionable papers in Morris’s youth, the impact of the Reform Movement of the mid-19th century is underscored, particularly the reformers' crusade against such multi-coloured ornamental decoration. Instead, the insistence on the concepts of honesty and propriety as promoted by A. W. N. Pugin and Owen Jones, are demonstrated as influences on Morris. The role of imported Japanese wallpapers is also explored, giving insight into a seldom-discussed cultural exchange evidenced within the story of Morris & Co, which produced wallpapers from 1864 until 1940 and, after a post-war hiatus, from the 1960s to the present. Amplifying Morris’s role in the creation of an influential and lasting style, his work is set within a selection by other designers, including Christopher Dresser and C. F. A. Voysey. Also introduced are firms of significance including Jeffrey & Co. and Arthur Sanderson & Sons, both of whom block-printed the Morris wallpapers. In a highly visual presentation, what is revealed are influences across time and within a global context, as pertinent to the creation of wallpaper art in the 19th century as it is today.

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Book SynopsisThe short intermezzo between the Great War and World War II and especially the “roaring twenties” with their a thrill of speed were a period of radical social change and artistic development, and of vibrant metropolitan life and. Born into a merchant family in the Swiss mountain canton of Glarus, Lill Tschudi (1911–2004) moved to London in 1929 to educate herself at the Grosvenor School of Modern Art. She flourished in the imperial capital and soon gained wide recognition for her bold and often colourful modernist linocuts. In the Anglo-Saxon world her reputation as an accomplished printmaker has lasted and her works continue to fetch good prices at auctions in Britain and Australia. New York’s Metropolitan Museum of Art holds some 120 of her prints in its permanent collection, while she has until to date never been distinguished with a solo exhibition in a public museum in her native Switzerland. This book, published to coincide with the first such display at Graphische Sammlung ETH Zurich, features some 50 of her unique linocuts. Designed as a proper picture book, it shows her refined and expressive compositions with their captivating narrative in full-page plates, which are supplemented by informative essays. Text in English and German.

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Book SynopsisRichard Mosse's photography captures the beauty and the horror in war and destruction. Born in Ireland and now based in New York, he has worked in many different countries, and has spent years in the Amazon, revealing the unfolding tragedy there. Featuring a selection of images from his Tristes Tropiques and Broken Spectre series, this book shows what happens when what Mosse calls two 'counter-worlds' are brought into collision in his work. Both heartbreaking and startlingly beautiful, Mosse's images once seen cannot be forgotten. The Tate Photography Series is a celebration of photography by artists in the Tate collection, presenting some of the most significant photographers in the world today. Each book focuses on an individual photographer and includes a specially selected sequence of images and an introduction by a Tate curator, alongside a conversation about each photographer's practice. The unifying theme for Series Two is Ecology and Environment, featuring photographers who examine aspects of our relationship with the natural world, environment and changing climate.

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Book SynopsisFirst Painter to the king in 1736 for only a few months before his tragic death, François Le Moyne had a career as short as it was prolific. Teacher of Charles-Joseph Natoire and François Boucher, and contemporary of Antoine Watteau and Jean-François de Troy, he reached the height of his glory with his Apotheosis of Hercules painted between 1732 and 1736 on the immense ceiling of the Salon d'Hercule, located between La Chapelle Royale and the royal apartments of the Château de Versailles. After so many years spent in oblivion, Le Moyne is finally recognised today as one of the major artists of the 18th century, exerting a seminal influence on the following generations.Nearly 40 years after his first monograph devoted to the painter, Professor Jean-Luc Bordeaux proposes a renewed survey of the oeuvre of François Le Moyne (16881737). Bordeaux analyses Le Moyne's contributions to the French rococo as well as lesser-known aspects of his artistic production and career. With almost 140 paintings and 250 drawings, this new catalogue raisonné is an extended edition of the one published in 1984, with significant additions. It also includes an appendix of around 20 pages that describes a considerable amount of works by Le Moyne, now lost but attributed to him by famous collectors of the time and 18th century experts such as Gersaint, Mariette, Paillet and Remy.

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Book SynopsisGustave Caillebotte was more than a painter: he collected postage stamps, designed and raced yachts, cultivated rare orchids, collected Impressionist masterpieces, and organised Impressionist exhibitions. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte''s passions and achievements, and reveals for the first time their profound impact upon his art.Where previous studies have examined Caillebotte's interest in working men, this book develops earlier approaches by excavating Caillebotte's work on in its own terms, to understand what it meant to him. Caillebotte was born to an haute bourgeois milieu in which he was never entirely comfortable and so he refused the life of idle luxury that his inherited wealth afforded him. Instead, he actively sought out opportunities to work hard, and laboriously studied others hard at work. Working at a moment in which definitions of work and class were being reshaped to su

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Book SynopsisGilt documents Cooper’s personal struggle through guilt, mourning and, finally, acceptance as the artist lost and then refound a love for their craft after taking a two-year hiatus. Through imagery revolving around the cycles of life and death, seasons, joy and pain, Cooper explores the relationship between making art and an unhealthy reliance on it for self-worth and identity. Cooper discovered that art is the result of one’s experiences on this earth and not the reason for them. This awareness fueled experiments with various media, psychologically driven concepts, and a love of animals and nature—all of which continue to typify Cooper’s work in their newest body of work.This collection highlights over 155 drawings and paintings that includes new art, plus a sampling of older, unpublished pieces not included in previous volumes. Works from Cooper’s 2021 solo show “Gilt” at Gallery Nucleus, are gathered

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Book SynopsisBright sun, blue sea, churning waves, shifting sand: these and other elements of surf life are featured here in work by 30 contemporary surf artists from around the world. In addition to the text are interviews with the artists, which gives a deeper understanding and insight into the transformation of their surf experience into art. Curated and written by surfing journalist Veerle Helsen, author of the bestselling travel guide Surf & Stay, this unique collection of paintings, watercolours, graphics, and digital artworks capture the joy, beauty, and energy of this sport and lifestyle.

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Book SynopsisThroughout his long career, David Hockney has insistently explored diverse ways of depicting the visible world. He has scrutinised the methods of the old masters, and explored radical departures from their cherished assumptions. The exhibitions accompanied by this volume are the first to focus on this central theme in his art. 'Western art' from the Renaissance until at least the late 19th century has been dominated by the depiction of nature. Was this to be accomplished by direct looking (called “eyeballing” by Hockney) or with the assistance of optical theory and devices, such as cameras? Hockney has experimented with the full range of existing strategies, overtly using perspective in some of his classic pictures and rigorously investigating optical aids for the imitation of nature, including the camera obscura and camera lucida.Yet he has come to reject the photograph as the definitive image of what we see. Along the way, he has identified a 'camera culture' in European painting from 1400, arguing very controversially that the supreme naturalism of painters like Jan van Eyck are the product of optical devices. His book, Secret Knowledge (2001), with its majestic panorama of paintings over the course of five centuries, claims that art historians have missed the central aspect of painters’ practice. The 'Hockney thesis' has been received more favourably outside the professional world of art history than in it.His own artistic practice has been in vigorous dialogue with his radical thesis, and he has progressively demonstrated new and dynamic ways of characterising the visual world without perspective and other conventional techniques. This quest results a series of joyous challenges to our ways of seeing in the major exhibition in Cambridge at the Fitzwilliam Museum and in the Heong Gallery (Downing College). It will look at the whole span of Hockney’s varied career and at the nature of the optical devices he has tested. His vision will be explored in the setting of traditional masterpieces of naturalistic observation, and in the context of modern sciences and technologies of seeing.The first section of the book looks at his thrilling experiments in seeing and representing in broad historical and contemporary contexts. This is followed by discussions of pre-photographic devices for capturing the appearances of things by optical means. The third section includes essays on Hockney’s experiments from the perspectives of neuroscience and computer vision. In short, it reveals in a new way the working of Hockney’s unique eye.

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Book SynopsisOne of the world’s most revered visual artists, Gerhard Richter embraces many concepts in his work and continually thwarts categorisation. In this expansive and authoritative overview, Armin Zweite leads readers through every phase of Richter’s celebrated career including his early artistic education in East Germany and his later prolific output in West Germany: the black and white photo paintings, the brilliantly conceived colour charts and lush, inscrutable grey paintings, installations with glass and mirrors, his landscapes, portraits, and still lifes, and his monumental abstract paintings, which broke records at auction. Also included are selections from Richter’s larger-scale thematic works, such as Atlas, his ongoing collection of photographs and newspaper clippings, and October 18, 1977, a series of paintings commemorating the lives and deaths of members of a German left-wing terrorist group. The beautiful plates sections feature exquisite reproductions of more than 250 of his most famous works, including Ten Large Colour-charts (1966), Annunciation after Titian (1973), Faust (1980), Skull with Candle (1983), Funeral (1988), Strip (2012), and Double Gray (2014). Throughout, Zweite’s clear-eyed commentary offers an expert appraisal of the breadth of Richter’s oeuvre. This six-decade monograph of Richter’s work is a visually stunning and articulate appreciation by one of the world’s foremost experts on the artist and his life.

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Book SynopsisIrony and self-reflectivity are central to Mounira Al Sohl's work, which explores feminist issues, tracks patterns of microhistory, also being socially engaged, political and escapist all at once. In a series of drawings, Al Solh collects personal histories and experiences that merge from humanitarian and political crises in Syria and the Middle East. The more than 150 drawings and embroideries presented here document deeply personal encounters and conversations between Al Solh and Syrian refugees as well as other refugees from the Middle East. Text in English and Arabic..

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Book SynopsisChristian Warlich was a world famous German tattooist and his flash book is one of the most coveted objects in the tattoo world. It is now available in this exquisite edition that includes over three hundred hand-drawn designs restored to their original vibrant state. It also includes photographs and other archival material, much of which has never been published before. This book brings Warlich’s career into new focus, reflecting the latest research on how his early years at sea may have influenced his work. Intricate renderings of cowboys and indigenous Americans, Chinese dragons and Japanese geishas, daggers, snakes, and skulls reveal not only Warlich’s influence in the iconography of tattoos, but also suggest the interplay of ideas with tattooists across Europe, North America, and Asia. The book also explores how the art of tattooing was reframed during the Nazi era and how Warlich’s estate helped shape the state of tattoo art today. This elegant book is invaluable in understanding the importance of Warlich to the history of tattooing.

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Book SynopsisThe painful, exquisite art of Mexico’s favourite artist was a product of immense physical pain, and an emotional tumultuous life. The new book features the range and power of her heavily autobiographical work, from the early, disturbing explorations of personal suffering to the more dulled, painkiller-drenched paintings of her later life.

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Book SynopsisEngravers Gerd and Patrick Dreher are famous the world over for their masterly animal figures, each of which is cut from a single gemstone. In the early twentieth century, grandfather, great-grandfather and great-great-grandfather all cut gemstones for Faberge - mostly agate but also ruby, obsidian, aquamarine, citrine and rock crystal. Today, creations are still being meticulously made by hand using traditional techniques. The realistic miniature forms of mice, snails, toads, monkeys and hippos are designed by the two artists in multilayered and coloured gemstones so that, for example, the faces, palms of the hand or soles of the feet shine in an iridescent red-brown agate while the bodies are worked in the glossy deep black part of the stone. These unique engravings are today some of the rarest examples of the highest quality in craftsmanship, and represent fascination of the highest cultural degree in a world of increasing globalisation.

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Book Synopsis"Stuart Devlin was probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time. His originality of design marked him out as a master craftsman and his prolific output was a tribute to the width of his imagination." - Foreword by His Royal Highness The Duke of Edinburgh. This book gives an idea of Stuart Devlin's extraordinary creativity, his skill, and the beauty of his work. It comprises over 500 pages with hundreds of images of Devlin's gold, silver and coins as well as his jewellery, sculpture and furniture. Many collectors will recognise pieces that they originally commissioned or have bought. Also shown are numerous sketches and working drawings. The short sections of text include concise captions and reviews from primary sources. Although it has been impossible to encompass everything ever designed or produced by Devlin, the book highlights how remarkable it is that this wealth of ideas was conceived by just one man. Stuart Devlin was a pioneer goldsmith who rejected the anonymity of corporate design during the 1960s. He adapted old techniques and devised many new ones. His commissions included those for the Royal Households, cathedrals, the armed forces, sporting bodies and universities, as well as abundant private commissions. He was also a coin and medal designer. Australian born, recognition came to Devlin after designing the Australian decimal coinage in 1963. He went on to design coins for more than 30 countries.Trade Review"Stuart Devlin was probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time. His originality of design marked him out as a master craftsman and his prolific output was a tribute to the width of his imagination." - Foreword by His Royal Highness The Duke of Edinburgh.

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Book SynopsisRose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language so providing an important contribution to our understanding, and appreciation of, a significant, and increasingly celebrated, figure in contemporary British art.Trade Review'A much-awaited homage to the artist's years of unwavering commitment to her métier.' – Honey Luard, Vanity Fair

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Book SynopsisOn New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted ... to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist. Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body. Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art.Trade Review'This is a beautiful and subtle book about a beautiful and subtle artist which made me want to run to the nearest art shop, buy supplies and take up painting myself' - Emma ThompsonTable of ContentsMary Newcomb: Drawing from Observation by William Packer; 1 The English Countryside; 2 Animals; 3 Figures; 4 Plants, Gardens and Public Spaces; 5 Travel; 6 The Universe; Biography; Exhibitions; Public Collections; Acknowledgements; Image Credits

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Book SynopsisEmil Nolde was one of the most important exponents of Expressionism, and is consid ered one of the main precursors of modernism. His virtuoso handling of colour and the incomparable expressiveness of his paintings, watercolours, and Unpainted Pictures astound viewers again and again, and ensure that every exhibition of his work is a great success. This volume was produced in close collaboration with the Nolde Stiftung Seebüll. The authors — both noted Nolde experts — illuminate Nolde’s life and work and provide extended discussions of key compositions. The richly illustrated essay section and biography are supplemented by rarely seen documents from the artist’s archive, making the book especially attractive to bibliophiles.

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Book SynopsisFrench flower painter Pierre-Joseph Redouté (1759–1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon’s wife Josephine, he was dubbed “the Raphael of flowers,” and is regarded to this day as a master of botanical illustration. This elegant catalogue brings together all engravings from Redouté’s illustrations of Roses and Choix des plus belles fleurs (Selection of the Most Beautiful Flowers) and the most astounding images from The Lilies. Offering a vibrant overview of Redouté’s admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris.Trade Review“The magic of his art still has an almost meditative effect today. A magnificent volume.” * Victoria Magazine *“One of the most gifted botanical artists in history.” * Victoria Magazine *

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Book SynopsisThe seminal artist’s recent art and poster works, and his triumphant return to his street-art roots with murals, all in work never before published. Shepard Fairey rose out of the skateboarding scene, creating his “Andre the Giant Has a Posse” sticker campaign in the late ’80s, and has since achieved a mainstream recognition that most street artists never find. Fairey’s “Hope” poster, created during Obama’s 2008 presidential campaign, is arguably the most iconic American image since Uncle Sam. Fairey has become a pop-culture icon himself, though he has remained true to his street-art roots. OBEY: Covert to Overt showcases his most recent evolution from works on paper to grander art installations, cross-cultural artworks, and music/art collaborations. The book also includes his ubiquitous streetwear and chronicles his return to public artworks. His signature blend of politics, street culture, and art makes Fairey unlike any Trade Review"[Covert to Overt] busts up the years from 2010 to 2014 into epochs of visual history and inspiration . . . Peppering the monograph's more than 250 pages are the fruit of Fairey's recent labors--all the murals, installations, music events and exhibitions -- both stateside and abroad, as well as a section devoted to his varied collaborations . . . "-MassAppeal.com"[Covert to Overt] is meant to help turn the page on the “Hope” chapter by highlighting some of the street murals, mixed media, installations, silkscreens, art-music events and other pieces of work he has done since. The tome also spells out his influence with such notables as Russell Brand, Chris Stein and Jello Biafra."-WWD ONLINE

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Book SynopsisRobert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced.

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Book SynopsisIn the final decades of the nineteenth century, the Glasgow Style introduced Art Nouveau in Britain and helped transform an industrial city into Scotland’s premier cultural capital. The predominant force behind the Glasgow Style was Charles Rennie Mackintosh, an architect and designer who personified the movement’s intellectual freedom, sensuality, and spirit of collaboration. This lively and informative book showcases the work of Mackintosh and contextualizes it in relation to a larger circle of designers and craftspeople with which he shared sources, stylistic features, and patrons. Filled with color illustrations, archival materials, and essays, this volume explores every aspect of the Glasgow Style—from beautifully appointed homes and restaurants to everyday works of needlepoint, cups and saucers, stained glass windows, magazine illustrations, and textiles. It traces the birth of the Glasgow Style to The Glasgow School of Art, where Mackintosh met fellow students, including his future wife, who would form an influential circle nicknamed the “Immortals.” And it reveals how the rise of the Glasgow Style went hand-in-hand with the founding of the city’s Technical Arts School, where students trained in both industrial and artistic crafts, which helped establish a talented and creative workforce. Far-reaching and influential, the Glasgow Style improved nearly every facet of daily life. This book celebrates the immense achievements of Mackintosh and his fellow designers and highlights their impact in the United States and beyond.Trade Review"A fine survey of a vibrant arts movement." —W. S. Rodner, emeritus, Tidewater Community College, CHOICE

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Book SynopsisTrade ReviewKukai was a polymath who has achieved the status of demigod in popular legend: in part because of his virtuosity as a writer of Chinese, his books are too difficult to read by any but a very few scholars in Japan today. Hakeda's achievement in arriving at these lively and intelligible translations is of the highest order. Choice This book serves two functions remarkably well: being an easy to follow, lucidly written introductory work for the non-initiated, and providing for the expert for the first time in English eight of Kukai's major works. World Literature TodayTable of ContentsForeward, by Wm. Theodore de Bary Preface Introduction Part One: Life of Kukai 1. Youth 2. Days of Crisis 3. Reunification and Quest 4. Encounter with Master Hui-Kuo 5. Priod of Trial 6. Rise to Eminence 7. Abhiseka Ceremonies at the Takaosanji 8. Founding of Mt. Koya 9. The Toji Period 10. Return to Mt. Koya Part Two: Thought of Kukai 1. Exoteric Buddhism and Esoteric Buddhism Exoteric versus Esorteric Buddhism Esoteric Buddhism within Exoteric Buddhism Shingon Buddhism, the Synthesis of Exoteric Buddhism 2. Essentials of Kukai's Esoteric Buddhist Thought and Practice General Characteristics of Kukai's Esoteric Buddhist Thought Dharmakaya Mahavairocana Tathagata Kukai's Esoteric Buddhist Practice Part Three: Major Works of Kukai 1. Indications of the Goals of the Three Teachings 2. A Memorial Presenting a List of Newly Imported Sutras and Other Items 3. The Difference Between Exoteric and Esoteric Buddhism 4. The Precious Key to the Secret Treasury 5. Attaining Enlightenment in this Very Existence 6. The Meanings of Sound, Word, and Reality 7. The Meanings of the Word Hum 8. The Secret Key to the Heart Sutra Chronological Table Selected Bibliography Index

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Book SynopsisArthur Rackham was a Victorian born artist who influenced most of the commercial illustration of the first half of the 20thC. The impish detail of his hundreds of drawings brought humour and dark detail to the fairy stories and classic tales of his era; Arthur Rackham: Masterpieces of Art is a celebration of this industrious and lively artist.

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Book SynopsisWomen have always practiced as artists, but for centuries the art world considered them mere dilettantes. Their work was derided as second-rate, and they were considered intruders in a male profession. This study examines how, against the odds, they overcame these difficulties and shifts the focus away from women artists as victims to give an account of how they actually practiced their art. This stirring account documents the centuries- long struggle of gifted women who confronted the exclusionary tactics of a male-dominated art establishment but pressed ahead undaunted to gain acceptance as sought-after professionals.Art historian Frances Borzello takes readers deep into the restricted world of women artists of the past, showing how diligently they trained themselves, set up studios, and pursued sympathetic patrons. Starting with Renaissance painters Sofonisba Anguissola and Lavinia Fontana, the book reconstructs the changing world of women artists as social attitudes evolved. Seventeenth-century painters Artemisia Gentileschi and Judith Leyster enjoyed success by depicting subjects relevant to women, as did eighteenth- century greats Angelica Kauffman and Élisabeth Vigée-Lebrun with lucrative commissions. Further breakthroughs came in the nineteenth century as young hopefuls Mary Cassatt and Marie Bashkirtseff strove to be admitted to exhibiting societies and opened art schools. Finally, as equality for women advanced through the twentieth century, Augusta Savage, Georgia O''Keeffe, Frida Kahlo, Cindy Sherman, Mona Hatoum, and others led the way for today''s talented women to secure their rightful place in the annals of art. Now fully revised and updated, Frances Borzello''s engaging narrative continues to inspire.

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Book SynopsisIn 1978, DC Comics launched a bold initiative to win over fans and retailers with an expanded line-up billed as ?The DC Explosion.? But mere weeks after its launch, DC?s parent company pulled the plug, cancelling a slew of titles, and leaving stacks of completed comic book stories unpublished. Now, over 45 years after that "DC Implosion", TwoMorrows Publishing recalls one of the most notorious events in comics with an exhaustive oral history from Jenette Kahn, Paul Levitz, Len Wein, Mike Gold, Al Milgrom, and other creators and executives involved! Plus: detailed analysis and commentary by other top pros who were ?just fans? in 1978 (Mark Waid, Michael T. Gilbert, Tom Brevoort, and more)?examining how it changed the landscape of comics forever! This new Expanded Edition of the sold-out Eisner Award-nominated book explodes in full cover for the first time, with additional coverage of lost 1970s DC projects like Ninja the Invisible and an adaptation of ?The Wiz,? Jim Starlin?s unaltered cover art for Batman Family #21, content meant for cancelled Marvel titles such as Godzilla and Ms. Marvel, and more! By Keith Dallas and John Wells.

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book SynopsisAn exploration of the artist's powerful evocations of statelessness, otherness and denial.Trade Review"This valuable retrospective demonstrates the sense of alienation her work intends to create, and reinforces her artistic statements with essays from cultural commentators, including brilliant fellow-Palestinian Edward Saïd."—Big Issue "Uncomfortable, compelling and often unexpectedly beautiful."—World of Interiors On the Contemporary Artists Series"The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."—Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."—Time Out "A unique series of informative monographs on individual artists."—The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."—The Art BookTable of ContentsMichael Archer interviews the artist who describes the chronology of her practice; Guy Brett explores the key themes that emerge from the artist's work; Catherine de Zegher makes a complex and provocative analysis of "Recollection" a work she commissioned; Mona Hatoum has chosen a text by the influential Palestinian author Edward Said and a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni; the artist's writing section contains scripts from performances, two interviews with the artist and proposals for projects.

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Book SynopsisLuc Tuymans: La Pelle documents the most ambitious monographic exhibition of the work of Luc Tuymans (born 1958). The Pinault Collection at Palazzo Grassi has in the past mounted exhibitions of the work of Sigmar Polke, Damien Hirst and Urs Fischer in its elegant interiors along the Grand Canal in Venice. It was thus the appropriate venue for this survey of Luc Tuymans' work. Quiet, restrained and at times unsettling, his works engage with questions of history and its representation and with everyday subject matter in an unfamiliar and eerie light. Painted from preexisting imagery, they often appear slightly out-of-focus and sparsely colored, like third-degree abstractions from reality. Whereas earlier works were based on magazine pictures, drawings, television footage and Polaroids, recent source images include material accessed online and the artist’s own iPhone photos, printed out and sometimes rephotographed several times.

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Book SynopsisMonograph of the Grosvenor’s work since 2005

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Book SynopsisHere is a rare opportunity to view painting through the discerning eyes of one of the world’s foremost abstract painters. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time.Trade ReviewMr. Stella’s way of dealing with single paintings, 36 of which are reproduced in color, makes for one tour-de-force after another… Paintings familiar and unfamiliar, from the ‘Mona Lisa’ to Wassily Kandinsky’s ‘Composition IX,’ gain a just-washed sparkle. -- Peter Schjeldahl * New York Times Book Review *Working Space comes as something of a bombshell. For this is a book that explodes a great many received ideas about abstraction… [It] is certainly one of the most remarkable books ever written on the subject. What makes it so remarkable, of course, is that Stella is unquestionably the most celebrated abstract painter of his generation. -- Hilton Kramer * The Atlantic *It is seldom that a major artist is prepared to commit himself publicly to a considered, large-scale survey of the art of his time, and to relate it moreover to substantial cross-sections of the art of the past. Frank Stella has done this in his Charles Eliot Norton Lectures at Harvard, with considerable erudition, great verve and genuine originality. -- John Golding * Times Literary Supplement *This is a marvelously insightful and thought-provoking book… Stella’s perception of the problem is correct—abstraction has reached a watershed. His analysis of that problem is erudite and plausible, and at times even passionate. If he does not solve it within these pages, he at least has made us consider its ramifications, and he has enabled us to look at art from a valuable and rarely available perspective. -- Edward J. Sozanski * Philadelphia Inquirer *Working Space develops its thesis with such gusto, elegance, and conviction… The text is rich with insight, integrity, and unexpected rethinkings of erstwhile familiar images. -- David Anfam * Art International *This is art history and art criticism of a high order, detailed and refreshingly idiosyncratic. Both scholarly and hip, Stella has written a book that reveals the painter’s mind and studio, allowing us to see the play of history and vision that goes on within. Highly recommended. -- Calvin Reid * Library Journal *Table of ContentsCaravaggio The Madonna of the Rosary Annibale Carracci Picasso A Common Complaint The Dutch Savannah Illustration Credits Index

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Book SynopsisIn a beautifully harmonious juxtaposition of two cultures, Islamic Art Meets British Flowers combines the formal structure and discipline of Islamic floral pattern-making with British flowers and architectural forms to create a truly unique series of artworks. Hadil Tamim, was born in Al-Yarmouk Refugee Camp south of Damascus, Syria. Her family's heritage is rooted deeply within occupied Palestine. For the last two decades she has been living in Reading, UK, where she has turned to her art to create a bridge between two homes and two cultures. The result is a couple of dozen breath-taking new works - a new pattern line. They draw on the architectural forms of the buildings in Reading for structure and colour, the wildflowers found in and around the town for the arabesque, and the artist's training in ceramic and Islamic decorative art. Together with excerpts from her sketchbook and practical sections on the techniques she uses, along with Adrian's commentary on the wildflowers, this gift of creativity in a situation riven with conflict, provides inspiration and hope for art lovers across the globe.

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