Indigenous peoples / Indigeneity Books
Rutgers University Press Children of the Rainforest: Shaping the Future in
Book SynopsisChildren of the Rainforest explores the lives of children growing up in a time of radical change in Amazonia. The book draws on ethnographic fieldwork conducted with the Matses, a group of hunter-gatherer forest dwellers who have lived in voluntary isolation until fairly recently. Having worked with them for over a decade, returning every year to their villages in the rainforest, Camilla Morelli follows closely the life-trajectories of Matses children, watching them shift away from the forest-based lifestyles of their elders and move towards new horizons crisscrossed by concrete paving, lit by the glow of electric lights and television screens, and centered around urban practices and people. The book uses drawings and photographs taken by the children themselves to trace the children’s journeys—lived and imagined—from their own perspectives, proposing an ethnographic analysis that recognizes children’s imaginations, play, and shifting desires as powerful catalysts of social change.Trade Review"This brief summary of Children of the Forest barely conveys the significance of this grand accomplishment. Seldom has childhood been studied so thoroughly nor yielded so many original findings. This is a must read for anthropologists who study childhood and scholars across the spectrum interested in the process of social change." -- David Lancy * Anthropology Book Forum *"While it is often argued that children are the leading change agents in Indigenous communities, Camilla Morelli provides one of the first and the most thorough documentation of this phenomenon." -- David F. Lancy * author of The Anthropology of Childhood: Cherubs, Chattel, Changelings *"This is a highly innovative book that offers a remarkable perspective on the immense social change facing the Matses since the 1960s through the eyes and lives of children. It is as eminently readable as it is theoretically challenging and offers a truly exceptional ethnography that will appeal to a wide audience. This is one of the most insightful and inspiring books on Indigenous people that I have read in recent years." -- Andrew Canessa * author of Intimate Indigeneities: Race, Sex, and History in the Small Spaces of Andean Life *"Children of the Rainforest is a much awaited and fine-grained analysis of Amazonian childhood! Morelli's ethnographic account is timely, highly informative, and moving." -- Olga Ulturgasheva * coeditor of Animism in Rainforest and Tundra: Personhood, Animals, Plants and Things in Contemporary *Table of ContentsForeword by Roldán Dunú Tumi Dësi Introduction 1 The Child in the Forest: A Glimpse into the Childhood of the Past 2 River Horizons: Moving toward the Big Water 3 The Sound of Inequality: Children as Agents of Economic Change 4 Consuelo’s Dolls: Shifting Desires and the Subversion of Womanhood 5 Jean-Claude Van Damme in the Rainforest: The Spoken Weapons of Masculinity 6 Yearning for Concrete: Children’s Imagination as a Catalyst for Change 7 Urban Futures: When Dreams of Concrete Come True Conclusion Afterword by Roldán Dunú Tumi Dësi Acknowledgments Notes References Index
£107.20
Rutgers University Press In the Shadow of Tungurahua: Disaster Politics in
Book SynopsisIn the Shadow of Tungurahua relates the stories of the people of Penipe, Ecuador living in and between several villages around the volcano Tungurahua and two resettlement communities built for people displaced by government operations following volcanic eruptions in 1999 and 2006. The stories take shape in ways that influence prevailing ideas about how disasters are produced and reproduced, in this case by shifting assemblages of the state first formed during Spanish colonialism attempting to settle (make “legible”) and govern Indigenous and campesino populations and places. The disasters unfolding around Tungurahua at the turn of the 21st century also provide lessons in the humanitarian politics of disaster—questions of deservingness, reproducing inequality, and the reproduction of bare life. But this is also a story of how people responded to confront hardships and craft new futures, about forms of cooperation to cope with and adapt to disaster, and the potential for locally derived disaster recovery projects and politics.Trade Review"In the Shadow of Tungurahua is a powerful reminder of ethnography’s analytical and methodological value in the anthropological study of disasters. Weaving theoretical reflections with ethnographic storytelling, Faas examines the ways people work tirelessly to make meaningful lives in catastrophe’s aftermath and how disaster affected communities are often haunted by colonial and post-colonial political ecological processes that engender disasters. Books like this are few and far between." -- Roberto E. Barrios * author of Governing Affect: Neoliberalism and Disaster Reconstruction *"This book demonstrates how deeply an anthropological eye can probe when guided by solid theory, methodology, and long and careful fieldwork. A.J. Faas makes a transformative contribution to the study of disasters and politics in Ecuador, Latin America, and the Global South. It’s a delightful read, rich in ethnographic detail and engaging prose, and a testament to the value of anthropological approaches to the study of disaster." -- Virginia García-Acosta * editor of The Anthropology of Disasters in Latin America: State of the Art *"A. J. Faas masterfully presents the stories of residents who were affected by the 1999 and 2006 volcanic eruptions of Tungurahua in the Sierra of central Ecuador [and] provides valuable insight into the politics of disasters. The accounts and experiences of the people of Penipe following the eruption and during their resettlement are powerful, and readerswill quickly feel transported to the streets, porches, agricultural fields, and communal buildings where these events unfolded." * Journal of Latin American Geography *"Tungurahua is a volcano that erupted ten years before Faas completed his fieldwork in Penipe...[L]ike the volcano, Faas’s In the Shadow of Tungurahua is similarly potent due to the scope of its scholarly interventions, for how it brings together the anthropologies of work, risk, and disaster. It is also potent for how it keeps the ethnographic encounter front and center, which breathes life into the text." * Exertions, the Journal of the Society for the Anthropology of Work *"In the Shadow of Tungurahua, by A.J. Faas, is a frame story, a structure that allows a rich tapestry of place-based stories to unfold...Faas understands the present situation of people responding to disaster not as an unexpected development but a manifestation of centuries of social and political activity in a place permanently plagued by conquest and resistance – but it is anything but simplistic." * Disaster Prevention and Management *"In the Shadow of Tungurahua is a powerful reminder of ethnography’s analytical and methodological value in the anthropological study of disasters. Weaving theoretical reflections with ethnographic storytelling, Faas examines the ways people work tirelessly to make meaningful lives in catastrophe’s aftermath and how disaster affected communities are often haunted by colonial and post-colonial political ecological processes that engender disasters. Books like this are few and far between." -- Roberto E. Barrios * author of Governing Affect: Neoliberalism and Disaster Reconstruction *"This book demonstrates how deeply an anthropological eye can probe when guided by solid theory, methodology, and long and careful fieldwork. A.J. Faas makes a transformative contribution to the study of disasters and politics in Ecuador, Latin America, and the Global South. It’s a delightful read, rich in ethnographic detail and engaging prose, and a testament to the value of anthropological approaches to the study of disaster." -- Virginia García-Acosta * editor of The Anthropology of Disasters in Latin America: State of the Art *Table of ContentsPrefacePrologue – Fire on The MountainIntroduction – Reframing DisasterPart I – Mobility and LegibilityIntroductionChapter 1 – Mobilities & (Re)SettlementsChapter 2 – Archipelagos and Bare LifeChapter 3 – The Production of SpaceChapter 4 – The Four Walls of Bare LifePart II – The Palimpsest of MingaIntroductionChapter 5 – Enduring CooperationChapter 6 – InstitutionsChapter 7 – El Indigno, El Truco, El Chisme, Y El AdelantoPart III – RecoveriesIntroductionChapter 8 – “But We Did It”Epilogue – ConvivirAcknowledgementsNotesReferencesIndex
£28.90
Rutgers University Press In the Shadow of Tungurahua: Disaster Politics in
Book SynopsisIn the Shadow of Tungurahua relates the stories of the people of Penipe, Ecuador living in and between several villages around the volcano Tungurahua and two resettlement communities built for people displaced by government operations following volcanic eruptions in 1999 and 2006. The stories take shape in ways that influence prevailing ideas about how disasters are produced and reproduced, in this case by shifting assemblages of the state first formed during Spanish colonialism attempting to settle (make “legible”) and govern Indigenous and campesino populations and places. The disasters unfolding around Tungurahua at the turn of the 21st century also provide lessons in the humanitarian politics of disaster—questions of deservingness, reproducing inequality, and the reproduction of bare life. But this is also a story of how people responded to confront hardships and craft new futures, about forms of cooperation to cope with and adapt to disaster, and the potential for locally derived disaster recovery projects and politics.Trade Review"In the Shadow of Tungurahua is a powerful reminder of ethnography’s analytical and methodological value in the anthropological study of disasters. Weaving theoretical reflections with ethnographic storytelling, Faas examines the ways people work tirelessly to make meaningful lives in catastrophe’s aftermath and how disaster affected communities are often haunted by colonial and post-colonial political ecological processes that engender disasters. Books like this are few and far between." -- Roberto E. Barrios * author of Governing Affect: Neoliberalism and Disaster Reconstruction *"This book demonstrates how deeply an anthropological eye can probe when guided by solid theory, methodology, and long and careful fieldwork. A.J. Faas makes a transformative contribution to the study of disasters and politics in Ecuador, Latin America, and the Global South. It’s a delightful read, rich in ethnographic detail and engaging prose, and a testament to the value of anthropological approaches to the study of disaster." -- Virginia García-Acosta * editor of The Anthropology of Disasters in Latin America: State of the Art *"A. J. Faas masterfully presents the stories of residents who were affected by the 1999 and 2006 volcanic eruptions of Tungurahua in the Sierra of central Ecuador [and] provides valuable insight into the politics of disasters. The accounts and experiences of the people of Penipe following the eruption and during their resettlement are powerful, and readerswill quickly feel transported to the streets, porches, agricultural fields, and communal buildings where these events unfolded." * Journal of Latin American Geography *"Tungurahua is a volcano that erupted ten years before Faas completed his fieldwork in Penipe...[L]ike the volcano, Faas’s In the Shadow of Tungurahua is similarly potent due to the scope of its scholarly interventions, for how it brings together the anthropologies of work, risk, and disaster. It is also potent for how it keeps the ethnographic encounter front and center, which breathes life into the text." * Exertions, the Journal of the Society for the Anthropology of Work *"In the Shadow of Tungurahua, by A.J. Faas, is a frame story, a structure that allows a rich tapestry of place-based stories to unfold...Faas understands the present situation of people responding to disaster not as an unexpected development but a manifestation of centuries of social and political activity in a place permanently plagued by conquest and resistance – but it is anything but simplistic." * Disaster Prevention and Management *"In the Shadow of Tungurahua is a powerful reminder of ethnography’s analytical and methodological value in the anthropological study of disasters. Weaving theoretical reflections with ethnographic storytelling, Faas examines the ways people work tirelessly to make meaningful lives in catastrophe’s aftermath and how disaster affected communities are often haunted by colonial and post-colonial political ecological processes that engender disasters. Books like this are few and far between." -- Roberto E. Barrios * author of Governing Affect: Neoliberalism and Disaster Reconstruction *"This book demonstrates how deeply an anthropological eye can probe when guided by solid theory, methodology, and long and careful fieldwork. A.J. Faas makes a transformative contribution to the study of disasters and politics in Ecuador, Latin America, and the Global South. It’s a delightful read, rich in ethnographic detail and engaging prose, and a testament to the value of anthropological approaches to the study of disaster." -- Virginia García-Acosta * editor of The Anthropology of Disasters in Latin America: State of the Art *Table of ContentsPrefacePrologue – Fire on The MountainIntroduction – Reframing DisasterPart I – Mobility and LegibilityIntroductionChapter 1 – Mobilities & (Re)SettlementsChapter 2 – Archipelagos and Bare LifeChapter 3 – The Production of SpaceChapter 4 – The Four Walls of Bare LifePart II – The Palimpsest of MingaIntroductionChapter 5 – Enduring CooperationChapter 6 – InstitutionsChapter 7 – El Indigno, El Truco, El Chisme, Y El AdelantoPart III – RecoveriesIntroductionChapter 8 – “But We Did It”Epilogue – ConvivirAcknowledgementsNotesReferencesIndex
£107.20
Rutgers University Press Indigeneity in Real Time: The Digital Making of
Book SynopsisLong before the COVID-19 crisis, Mexican Indigenous peoples were faced with organizing their lives from afar, between villages in the Oaxacan Sierra Norte and the urban districts of Los Angeles, as a result of unauthorized migration and the restrictive border between Mexico and the United States. By launching cutting-edge Internet radio stations and multimedia platforms and engaging as community influencers, Zapotec and Ayuujk peoples paved their own paths to a transnational lifeway during the Trump era. This meant adapting digital technology to their needs, setting up their own infrastructure, and designing new digital formats for re-organizing community life in all its facets—including illness, death and mourning, collective celebrations, sport tournaments, and political meetings—across vast distances. Author Ingrid Kummels shows how mediamakers and users in the Sierra Norte villages and in Los Angeles created a transborder media space and aligned time regimes. By networking from multiple places, they put into practice a communal way of life called Comunalidad and an indigenized American Dream—in real time. Trade Review"This is a fascinating ethnography about Zapotec and Ayuujk mediamakers and their use of synchronic communicative spaces to cross national borders between the US and Mexico, trespassing uneven media structures, economic disparities, and also ethnoracial and gender hierarchies. Beautifully written, Kummels’s ethnography is about migration, displacement, and lively Indigenous-tech communities across borders who dream of better futures to come for them and their offspring."— María Eugenia Ulfe, professor, Department of Social Sciences, Pontificia Universidad Católica del Perú "Without losing sight of troubling transborder geographies, this ethnography richly illustrates how Indigenous migrant communities associated with Oaxaca mobilize communication technologies, in particular social media, to foster collective place-based cultural identities."— Laurel C. Smith, associate professor and associate chair, Department of Geography and Environmental Sustainability, U "In Indigeneity in Real Time: The Digital Making of Oaxacalifornia noted scholar Ingrid Kummels brings to life what it means to be Indigenous in a globalized and constantly changing world. For Zapotec and Ayuujk peoples living in Los Angeles, Oaxacalifornia is a transnationalized space through which people, ideas, money and media message travel constantly reenforcing and changing the sense of identity and belonging for the thousands of Indigenous migrants leading a transnational existence. This is riveting reading.''— Gaspar Rivera-Salgado, director, UCLA Center for Mexican Studies, coauthor of Indigenous Mexican Migrants in the United StaTable of Contents1 Introduction: Community Life and Media in Times of Crisis 2 Histories of Mediatic Self-Determination: Pioneer Oaxacan Videos Go Transnational 3 Zapotec Dance Epistemologies Online 4 The Fiesta Cycle and Transnational Death: Community Life on Internet Radio 5 Ayuujk Basketball Tournament Broadcasts: Expanding Transborder Community Interactively 6 Turning Fifteen Transnationally: The Politics of Family Movies and Digital Kinning 7 Epilogue: Reloading Comunalidad—Indigeneity on the Ground and on the Air Acknowledgments Notes References Index
£28.90
Rutgers University Press Indigeneity in Real Time: The Digital Making of
Book SynopsisLong before the COVID-19 crisis, Mexican Indigenous peoples were faced with organizing their lives from afar, between villages in the Oaxacan Sierra Norte and the urban districts of Los Angeles, as a result of unauthorized migration and the restrictive border between Mexico and the United States. By launching cutting-edge Internet radio stations and multimedia platforms and engaging as community influencers, Zapotec and Ayuujk peoples paved their own paths to a transnational lifeway during the Trump era. This meant adapting digital technology to their needs, setting up their own infrastructure, and designing new digital formats for re-organizing community life in all its facets—including illness, death and mourning, collective celebrations, sport tournaments, and political meetings—across vast distances. Author Ingrid Kummels shows how mediamakers and users in the Sierra Norte villages and in Los Angeles created a transborder media space and aligned time regimes. By networking from multiple places, they put into practice a communal way of life called Comunalidad and an indigenized American Dream—in real time. Trade Review"In Indigeneity in Real Time: The Digital Making of Oaxacalifornia noted scholar Ingrid Kummels brings to life what it means to be Indigenous in a globalized and constantly changing world. For Zapotec and Ayuujk peoples living in Los Angeles, Oaxacalifornia is a transnationalized space through which people, ideas, money and media message travel constantly reenforcing and changing the sense of identity and belonging for the thousands of Indigenous migrants leading a transnational existence. This is riveting reading.'' -- Gaspar Rivera-Salgado * director, UCLA Center for Mexican Studies, coauthor of Indigenous Mexican Migrants in the United Sta *"This is a fascinating ethnography about Zapotec and Ayuujk mediamakers and their use of synchronic communicative spaces to cross national borders between the US and Mexico, trespassing uneven media structures, economic disparities, and also ethnoracial and gender hierarchies. Beautifully written, Kummels’s ethnography is about migration, displacement, and lively Indigenous-tech communities across borders who dream of better futures to come for them and their offspring." -- María Eugenia Ulfe * professor, Department of Social Sciences, Pontificia Universidad Católica del Perú *"Without losing sight of troubling transborder geographies, this ethnography richly illustrates how Indigenous migrant communities associated with Oaxaca mobilize communication technologies, in particular social media, to foster collective place-based cultural identities." -- Laurel C. Smith * associate professor and associate chair, Department of Geography and Environmental Sustainability, U *Table of Contents 1 Introduction: Community Life and Media in Times of Crisis 2 Histories of Mediatic Self-Determination: Pioneer Oaxacan Videos Go Transnational 3 Zapotec Dance Epistemologies Online 4 The Fiesta Cycle and Transnational Death: Community Life on Internet Radio 5 Ayuujk Basketball Tournament Broadcasts: Expanding Transborder Community Interactively 6 Turning Fifteen Transnationally: The Politics of Family Movies and Digital Kinning 7 Epilogue: Reloading Comunalidad—Indigeneity on the Ground and on the Air Acknowledgments Notes References Index
£107.20
Lulu Press Our Home and Native Land
Book Synopsis
£13.29
Steidl Publishers Shelley Niro
Book Synopsis
£38.40
Independently Published Indianer
Book Synopsis
£10.67
HarperCollins Publishers Inc Chief Joseph the Flight of the Nez Perce The
Book Synopsis
£13.29
HarperCollins Publishers Inc The Earth Is All That Lasts
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£24.79
Penguin Putnam Inc Fools Crow
Book SynopsisThe 25th-anniversary edition of a novel that in the sweep and inevitability of its events...is a major contribution to Native American literature. (Wallace Stegner)In the Two Medicine Territory of Montana, the Lone Eaters, a small band of Blackfeet Indians, are living their immemorial life. The men hunt and mount the occasional horse-taking raid or war party against the enemy Crow. The women tan the hides, sew the beadwork, and raise the children. But the year is 1870, and the whites are moving into their land. Fools Crow, a young warrior and medicine man, has seen the future and knows that the newcomers will punish resistance with swift retribution. First published to broad acclaim in 1986, Fools Crow is James Welch''s stunningly evocative portrait of his people''s bygone way of life.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics rep
£15.30
University of Washington Press Northwest Coast Indian Art
Book SynopsisFocuses on the art of Northwest Coast Indians that offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists. This book presents an analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet.
£29.66
Random House USA Inc Indian Givers
Book Synopsis
£15.30
St. Martin's Griffin Mankiller A Chief and Her People
Book SynopsisIn this spiritual, moving autobiography, Wilma Mankiller, former Chief of the Cherokee Nation and a recipient of the Presidential Medal of Freedom, tells of her own history while also honoring and recounting the history of the Cherokees. Mankiller''s life unfolds against the backdrop of the dawning of the American Indian civil rights struggle, and her book becomes a quest to reclaim and preserve the great Native American values that form the foundation of our nation. Now featuring a new Afterword to the 2000 paperback reissue, this edition of Mankiller completely updates the author''s private and public life after 1994 and explores the recent political struggles of the Cherokee Nation.
£18.99
St Martin's Press The Captured
Book Synopsis
£18.00
Random House USA Inc The Killing of Crazy Horse
Book Synopsis
£17.00
Penguin Putnam Inc The Heartbeat of Wounded Knee Native America from
Book SynopsisFINALIST FOR THE 2019 NATIONAL BOOK AWARDLONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCEA NEW YORK TIMES BESTSELLER Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal.Chapter after chapter, it's like one shattered myth after another. - NPRAn informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.. - New York Times Book Review, front pageA sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present.
£16.20
Little, Brown & Company Counting Coup A True Story of Basketball and
Book Synopsis
£18.69
Simon & Schuster The Pueblo Revolt The Secret Rebellion That Drove
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£16.19
Grove Press / Atlantic Monthly Press Lakota Woman By Crow Dog Mary June 2011
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£12.99
Wayne State University Press Weweni
Book SynopsisDepending on dialect, the Anishinaabemowin word “weweni” expresses thanks, exactitude, ease, and sincerity. In addition, the word for “relatives” is “nindenwemaaganag”: those whose “enewewe,” or voices, sound familiar. In Weweni, poet Margaret Noodin brings all of these meanings to bear in a unique bilingual collection.
£16.16
Wayne State University Press Raising Bean
Book SynopsisOffered in the oral traditions of the Nez Perce, Native American writer W.S. Penn records the conversations he held with his granddaughter, lovingly referred to as ‘Bean’, as he guided her toward adulthood while confronting society's interest in possessions, fairness, and status.
£17.95
University Alabama Press Sounds of Tohi
Book Synopsis
£23.36
University of New Mexico Press Dine A History of the Navajos
Book SynopsisTraces the history of the Navajos from their origins to the beginning of the twenty-first century. Based on extensive archival research, traditional accounts, interviews, historic and contemporary photographs, and firsthand observation, it provides a detailed, up-to-date portrait of the Dine past and present that will be essential for scholars, students, and interested general readers.
£23.36
University of Manitoba Press Sanaaq An Inuit Novel
Book SynopsisAn intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people, in the mid-nineteenth century. Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec.
£19.96
University of Manitoba Press Ubuntu Relational Love Decolonizing Black
Book SynopsisUses Ubuntu oratures as tools to address the impacts of Euro-colonialism, while regenerating relational Ubuntu governance structures, drawing on anti-racist, African feminist, and Ubuntu theories.Table of Contents Granary 1 Sharing Indigenous Ubuntu Knowledge Granary 2 How to Walk this Path Granary 3 Kwakukhona as a Method of Engagement Granary 4 Ubuntu Orality as a Living Philosophy Granary 5 A Stained Letter to Amai (Mother) Granary 6 I am Your Son, Baba Granary 7 Social Actions of Ubuntu Regeneration Beyond Colonialism Granary 8 Stories of Blackness and Stories that Talk of Blackness Granary 9 Regenerating Everyday Ubuntu Actions Granary 10 Umuntu Ungumuntu Ngubuntu
£25.56
St Martin's Press Killing Crazy Horse
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£13.29
Union Square & Co. Keep Going The Art of Perseverance
Book SynopsisA guide that deals with Native American Lakota spirituality. It features a thought-provoking series of lessons that explain how the art of perseverance is necessary in life, even through shadow and sadness.
£12.11
University of Toronto Press Separate Beds
Book SynopsisSeparate Beds is the shocking story of Canada’s system of segregated health care. Operated by the same bureaucracy that was expanding health care opportunities for most Canadians, the “Indian Hospitals” were underfunded, understaffed, overcrowded, and rife with coercion and medical experimentation. Established to keep the Aboriginal tuberculosis population isolated, they became a means of ensuring that other Canadians need not share access to modern hospitals with Aboriginal patients.Tracing the history of the system from its fragmentary origins to its gradual collapse, Maureen K. Lux describes the arbitrary and contradictory policies that governed the “Indian Hospitals,” the experiences of patients and staff, and the vital grassroots activism that pressed the federal government to acknowledge its treaty obligations.A disturbing look at the dark side of the liberal welfare state, Separate Beds reveals a history of racismTrade Review'Lux's detailed account will surely be of interest to scholars of Aboriginal history and health care as well as to the people interested in the development of Indian hospitals in Canada.' -- Joanne DeCosse Canada's History October-November 2016 "In painstaking research and matter-of-fact reportage, Associate Professor Lux of Brock University documents Canadian apartheid. Separate Beds: A History of Indian Hospitals In Canada is a riveting and extraordinary account of mistreatment of citizens." -- Tom Korski Blacklocks Reporter, Saturday, June 4, 2016Table of ContentsChapter One: Making Indian Hospitals Chapter Two: Neither Law nor Treaty Chapter Three: Everyone in Their Place: Labour in the Indian Hospitals Chapter Four: Life and Death in an Indian Hospital Chapter Five: Getting out of the Hospital Business Chapter Six: "The Government's eyes were opened": The Treaty Right to Health Care
£26.09
Simon & Schuster The Heart of Everything That Is The Untold Story
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£17.99
House of Anansi Press Ltd ,Canada Our Voice of Fire
Book SynopsisTrade ReviewHer powerful and necessary work is required reading for all readers seeking to better know the realities and buried truths of the Indigenous experience. * Booklist (starred review) *Morin writes honestly and compassionately … Her narrative provides an important window into an experience that needs far more mainstream attention. * Liber Review *Brandi Morin's storytelling is accessible, powerful, and clear. ... She is a brave and vulnerable storyteller who brings greater empathy and understanding into the lives of Indigenous people and the cycles of intergenerational trauma and yet manages to get up again and again in hope. * Miramichi Reader *[Morin] comes to view her life story as intertwined with those of others, particularly other Indigenous women … In her candour, she calls on us, as readers, to be good visitors in her narrative. * Literary Review of Canada *Morin’s writing is very satisfying. … Cathartic and evocative, Our Voice of Fire is a beautiful memoir … [and] a wake-up call to Canada’s settlers and the politically indifferent. * Cloud Lake Literary *
£13.29
Simon & Schuster God War and Providence
Book SynopsisTrade Review“Warren’s well-written monograph contains a great deal of insight into the tactics of war on the frontier.” —Library Journal“In the long and sorrowful history of Native American resistance to white encroachment, no episode raises more perplexing questions than that in which the Narragansett tribe forged a seventeenth-century alliance with the white religious dissidents of Rhode Island for their mutual protection against New England’s Puritans…A riveting historical validation of emancipatory impulses frustrated in their own time.” —Booklist, starred review“Warren distinguishes himself by trying to understand all the motives of the principal players in this sad, sanguinary drama….There are several simultaneous stories going on, and the author handles them all deftly.” —Kirkus Reviews“An engaging history of the long struggle between the Puritan oligarchy and New England's most important Indian tribe, in which Roger Williams, America’s first advocate of religious freedom, played a vital role. Williams established Rhode Island as a refuge from Puritan domination, and a place where Indian and English settlers could live side by side, in peace. If you want to know about the origins of religious diversity and cultural pluralism in America, read this compelling book.” —Chester Gillis, Professor of Theology, Georgetown University“A noted military historian trains his critical sights on Puritan New England, while putting up a staunch defense of Roger Williams, Rhode Island, and the Narragansett Indians. In this compelling story, James Warren portrays Williams as a man of peace in violent times, an intellectual whose ideas were often strikingly modern. Now recognized as a champion of religious liberty and the separation of church and state, Williams also earns Warren’s praise for his pioneering ethnographic research, his fair treatment of Native Americans, and his deft maneuvering to assure the survival of a tiny but tolerant colony.” —Professor Patrick M. Malone, Brown University, author of The Skulking Way of War“In God, War, and Providence, James Warren accomplishes many tasks: he adds to the far too brief historiography of the small, radical colony that helped to shape the philosophical underpinnings of this nation; he renders comprehensible the complex relationships of 17th century religious dissenters and Native Americans; and he exposes his readers to the challenges of researching the Colonial Era—a scant and untrustworthy written record and even fewer records that capture the Native American perspective. And all the while he does this is an engaging and enjoyable narrative that is a pleasure to read.” — C. Morgan Grefe, PhD, Executive Director, Rhode Island Historical Society
£17.09
Fulcrum Publishing The World We Used to Live In: Remembering the
Book SynopsisIn his final work, the great and beloved Native American scholar Vine Deloria Jr. takes us into the realm of the spiritual and reveals through eyewitness accounts the immense power of medicine men. The World We Used To Live In, a fascinating collection of anecdotes from tribes across the country, explores everything from healing miracles and scared rituals to Navajos who could move the sun. In this compelling work, which draws upon a lifetime of scholarship, Deloria shows us how ancient powers fit into our modern understanding of science and the cosmos, and how future generations may draw strength from the old ways.Trade Review"Deloria, Jr. was angry at what he saw as a growing godlessness in contemporary American society. His posthumous The World We Used To Live In is a call for today's American Indians to accept as true many of the stories told by Indian medicine men in earlier centuries." - The Salt Lake Tribune"Some of these stories demonstrate that Native science had capabilities unheard of today. They illustrate the fact that contemporary life, for all its material progress, has not yet touched what human potential might accomplish without external technology." - Winds of Change"Deloria, Jr. lets us witness the feats of "Medicine Men" of the past, showing that their calling included powers in all areas of life" - MultiCultural Review" The World We Used to Live In ", is a collection of stories that Deloria kept in his pocket over the years, stories that concerned him throughout his life - stories of American Indian spirituality. This book is a treasury of observations on the wisdom and experience of medicine men from several native cultures." - Wicazo SA Review"Deloria pairs each story he records with his own commentary on the text, a commentary always executed with insight and the cutting edge we long ago came to expect from him. The collection of these texts alone makes this volume and important addition to any library on American Indian concerns; Deloria's commentaries throughout make it indispensable." - Great Plains Quarterly
£24.26
Milkweed Editions Peyakow: Reclaiming Cree Dignity
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£14.11
Arcadia Publishing Cahokia Mounds: America's First City
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£20.39
PM Press Red Nation Rising: From Border Town Violence to
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£15.29
Minnesota Historical Society Press Awesiinyensag: Dibaajimowinan Ji-Gikinoo'amaageng
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£16.16
Wilfrid Laurier University Press Indianthusiasm: Indigenous Responses
Book SynopsisIndianthusiasm refers to the European fascination with, and fantasies about, Indigenous peoples of North America, and has its roots in nineteenth-century German colonial imagination. Often manifested in romanticized representations of the past, Indianthusiasm has developed into a veritable industry in Germany and other European nations: there are Western and so-called ""Indian"" theme parks and a German hobbyist scene that attract people of all social backgrounds and ages to join camps and clubs that practise beading, powwow dancing, and Indigenous lifestyles.Containing interviews with twelve Indigenous authors, artists, and scholars who comment on the German fascination with North American Indigenous Peoples, Indianthusiasm is the first collection to present Indigenous critiques and assessments of this phenomenon. The volume connects two disciplines and strands of scholarship: German Studies and Indigenous Studies, focusing on how Indianthusiam has created both barriers and opportunities for Indigenous peoples with Germans and in Germany.Table of Contents 1. Introduction / Hartmut Lutz, Florentine Strzelczyk, and Renae Watchman 2. I thought to myself: ""Well, I'll appropriate from the people who appropriated from us"" / Ahmoo Angeconeb 3. Most people can't be informed because of the way they are being informed / Jeannette Armstrong 4. Germany is my other Heimat now; ""Groan"" (poem) / John Blackbird 5. The focus on remembering "" a sort of superego kind of thing / Warren Cariou 6. When the gaze turns in both directions / Jo-Ann Episkenew 7. I actually never wanted to like Germany / Audrey Huntley 8. The thorn is in my side when I'm talking to Europeans, who begin lecturing me on Indianness / Thomas King 9. You can deal with stereotypes! At least you are dealing with some knowledge / David T. McNab 10. It's been my job to not only entertain them through my dancing and singing, but also to educate them in the actual original traditional stories / Quentin Pipestem 11. I was definitely an ambassador and sort of a mythbuster in many ways / Waubgeshig Rice 12. You can't underestimate the influence of Karl May's Winnetou / Drew Hayden Taylor 13. They want redemption somehow / Emma Lee Warrior
£25.16
Wilfrid Laurier University Press mahikan ka onot: The Poetry of Duncan Mercredi
Book Synopsismahikan ka-onot collects the finest work of accomplished Indigenous poet Duncan Mercredi, from his first book in 1991 to recent unpublished poems. These are poems of life on the land as well as life in the city, vibrant with the rhythms of traditional Cree and Métis storytelling but also with the clamour and the music of the streets. This book brings the work of Duncan Mercredi (Cree/Métis) back into the public eye, providing a new generation of readers with the opportunity to experience his unique artistry. Mercredi brings to these poems the sensibility of a Cree speaker and a renowned oral storyteller, revealing a deep attachment to the land and a nuanced understanding of the complexities of contemporary Indigenous life. In startlingly direct, plainspoken language, the poet explores themes of cultural resurgence and steadfast connections among the generations, even amid the unfolding tragedies wrought by colonialism. Some of these poems are memories of traditional life on the land, especially in the time before Manitoba Hydro radically altered Mercredi's home community of Grand Rapids, Manitoba. Others focus on the urban Indigenous experience, based upon Mercredi's longstanding and intimate knowledge of Winnipeg. Like mahikan, the wolf, Mercredi's characters are often outsiders in certain contexts, but the poems reveal other perspectives that allow us to understand their loyalty and their love of community. The volume includes an afterword by Duncan Mercredi and an introduction by Métis scholar Warren Cariou, both of which provide resources for deeper study of the poems.
£18.00
Wilfrid Laurier University Press Land/Relations: Possibilities of Justice in
Book SynopsisPrimary audience is Canadian literature scholarsContributes directly to current conversations in both contemporary Canadian media and academic circles around the relationship between bodies and land. For instance, Jordan Abel's piece addresses the possibilities and difficulties of reclaiming Nishga/Nisga'a identity in the aftermath of the residential school experience. Karina Vernon's essay addresses how Black subjects might respond in a moment when they learn that the home they've been longing for is already inhabited. Dina Al-Kassim's essay addresses kinships of dispossession. This book is an effort to steer Canadian literatures out of controversy for controversy's sake, and into a flow of productive, relation-building discussion. It does this by addressing the substance of Canadian and Turtle Island writing, particularly writing by Indigenous, Black and Asian writers. While it avoids empty controversy, it embraces rigorous argument. Addresses issues related to Indigenous and diaspora literatures, settler culture, Black studies, Asian Canadian studies, decolonization, critical race studies, multiculturalism, land issuesParticularly for those interested in the concepts of intersectionality, solidarity, and relationalityTable of Contents Storying Land / Relations: An Introduction in Two Voices - Smaro Kamboureli and Larissa Lai Agency, Urgency, Insurgency [poem] - Lillian Allen Positioning Intergenerational Trauma: Nisga'a Nationalism and the Materiality of Marius Barbeau's Totem Poles - Jordan Abel Neoliberal Gothic, Settler Social Imaginaries, and the Case for Decolonization on Two Fronts - Jennifer Henderson Listing Waters: The Poetics of Solidarity in Darwish and Wong - Dina Al-Kassim CLI and CLII [prose poems] - Sonnet L'Abbé Back to the Future: Black Canada's Past and Present; or the Changing Same - Rinaldo Walcott Deliberate Vulgarity: Performing the Demotic, Transforming Cultural Space? The Six Books [poems] - Pamela Mordecai 'Making Things Right': Black Settlement and the Politics of Territory - Karina Vernon From Islamophobia to Islamophilia: Dancing Orientalisms, Islamizing Muslims, and the Unspeakability of the Muslim Woman Subject - Sedef Arat-Koç Literature, Language, Culture: At Mikinaakominis / TransCanadas 2017 - Eileen Antone Listening at Mikinaakominis / TransCanadas 2017 - Erín Moure Between Empire and Nation: Synchronicity and Revolution in Chinese Canadian Writing - Chris Lee Diplomacy before Reconciliation - Margery Fee Federal State, Feral Culture: (Not)Withstanding Canada around its 150th Year - Len Findlay What Next? Asserting Peace Against the Odds - Rita Wong Living on Unceded Indigenous Territories: Vancouver as a Site of Conflict in Building Alliance and Autonomy in Decolonial Struggles - Sophie McCall Re-storying and Restoring the Buffalo to the Indigenous Plains - Tasha Hubbard Landsensing: Body, Territory, Relation - Warren Cariou
£33.26
Wilfrid Laurier University Press Scratching River
Book SynopsisScratching River weaves multiple stories and voices across time to explore the strengths and challenges of the ways in which Métis have created, and continue to create, home through a storied and mobile social geography that is always on the move. The book foregrounds the story of a search for a home for Michelle Porter's older brother, who holds dual diagnoses of schizophrenia and autism, and the abuse he endured at the rural Alberta group home that was supposed to care for him. Interspersed throughout are news clippings about the investigation into 'The Ranch,' the home in question. Métis history is woven between the contemporary stories of the author, her brother, and her mother. As the pieces come together, the book uses the river as a metaphor to suggest that rather than a weakness, the ability to move and move again and to move on has enabled survival, healing, and ongoing reconciliation.Trade ReviewMichelle Porter’s Scratching River is a stunning and ruminative poetic work of creative non-fiction that moves across time, geography, Métis history, and kinship. Porter honours her Métis family and ancestors through past, present, and future poetics. The interwoven narratives wrap around Porter’s mother, Porter’s own story as a daughter and sister, and her relationship with her older brother, who was diagnosed as schizophrenic and autistic, and abused in a rural Alberta group home. Scratching River illustrates the powerful journey of reconciliation, as Porter’s family reconnects amongst their ongoing movement, and relocation to find their way back to the river they share. —Shannon Webb-Campbell, author of Lunar Tides and I Am a Body of Land"In a single sentence, Michelle Porter lets us see her big brother and the river as one—the heart of the telling, tortured, forever in motion, compelling us to follow. This unity, swiftly as it is achieved, is the result of a life spent not just seeing but feeling everything on earth as part of a single being. This is a book of voices: human, animal, water, land, past, present, singing. This is a story of hard truths courageously told. We need it."—Richard Harrison, author of On Not Losing My Father’s Ashes in the Flood and Hockey Poems"Gnarled and knotted, Scratching River is a bricolage of intimate memories, newspaper articles, investigative reports, a century-old memoir, and practical knowledge. It meanders and flows like an old river, burbling and rushing into a story of past and present, human and environment, colonialism and violence, justice and love."—Sonja Boon, author of What the Oceans Remember"Like her astonishing brother does in this book, Michelle Porter takes me by the hand and runs with me into a new world. I have never been here before. The sad and heroic stories which she braids together flood my heart and stretch my soul. I love this book. "—Andy Jones (CM), actor and writer"This is a book on the move. It eddies through still-water ponds and tumbles over cataracts; it branches into ox-bows and branches again. One moment it speaks so quietly in your ear, and another, it breaks you apart. Scratching River is a wise and necessary work in these times in which we strive for reconciliation around contested readings of those words “home” and “land.” Braiding together varied voices and forms of attention into a deeply personal inquiry into place and belonging, Michelle Porter is making some of the most innovative and compelling creative nonfiction today. Scratching River is a magnificent achievement."—Robert Finley, Memorial University of Newfoundland and Labrador Creative Writing Program. "This book is a kind of prayer, a 'map in words' that navigates the treacherous, uncharted territory of our collective souls—a necessary exploration if we are ever to land safely, solidly, truthfully, on future shores. A triumph, Scratching River is proof that the healing power of narrative is a gift a writer can transmit to readers. " —Sheree Fitch, author of You Won't Always be This Sad and Kiss the Joy as it Flies Michelle Porter’s Scratching River is both a reckoning and an elegy; a scathing, powerful roar against social injustice, the scars of trauma, climate crisis, environmental damage and, at the very same time, a love song to the power of family, Métis history, rivers, Bison, burdock, and the Métis storyteller and musician, Louis Goulet, who is her great-great-grandfather’s brother. Porter artfully braids together a portrait of her brother, Brendon Porter, who was horrifically brutalized in an institution for mentally disabled adults, with a rich understanding of the lives and habits of rivers, grassland, bison, and the threatened ecosystems of the prairies — to profound effect. Here also are wisdom and tenderness, stories full of dancing, hunting, travelling by ox-drawn cart, or Greyhound bus, and sleeping under the stars. Porter roves gracefully through the past, present, and future and proves herself a consummate writer for our times. Scratching River is a rare gift.—Lisa Moore , author of This Is How We Love Scratching River is a complex exploration of memory, trauma, erasure and moving on. ... As with her previous creative non-fiction book Approaching Fire, she weaves stories of landscape with personal family biographies into her memoir. ... A final delight is a bibliography that nods to academic protocols but rollicks forward in a unique and lively way. Mary Horodyski, Winnipeg Free Press
£19.76
Wilfrid Laurier University Press Indigenous Media Arts in Canada: Making, Caring,
Book SynopsisIndigenous and settler scholars and media artists discuss and analyze crucial questions of narrative sovereignty, cultural identity, cultural resistance, and decolonizing creative practices. Humans are narrative creatures, and since the dawn of our existence we have shared stories. Storytelling is what connects us, what helps us give shape and understanding to the world and to each other. Who tells whose stories in which particular ways leads to questions of belonging, power, relationality, community and identity. This collection explores those issues with a focus on settler-Indigenous cultural politics in the country known as Canada, looking in particular at Indigenous representation in media arts. Chapters feature roundtable discussions, interviews, film analyses, resurgent media explorations, visual culture advocacy and place-based practices of creative expression.Eclectic in scope and diverse in perspective, Indigenous Media Arts in Canada is unified by an ethic of conciliation, collaboration, and cultural resistance. Engaging deftly and thoughtfully with instances of cultural appropriation as well as the oppressive structures that seek to erode narrative sovereignty, this collection shines as a crucial gathering of thoughtful critique, cultural kinship, and creative counterpower.Trade Review“Dana Claxton and Ezra Winton’s collection of conversations between, for, and about Indigenous media makers poses vital, critical, and generative questions about Indigenous film, film festivals and institutions, residential school histories, and decolonization without providing easy answers. These conversations are at times joyful expressions of the radical possibilities of media arts and at times painful provocations about settler colonial violence and its representational apparatuses. The chapters, written by the most brilliant and creative minds in contemporary Indigenous film, are paradigm-shifting love letters to the land, lived experience, collaboration, and futurity.” —Michelle Raheja, Associate Professor, Department of English, University of California, Riverside, author of Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in FilmTable of Contents Insiders/Outsiders: The Cultural Politics and Ethics of Indigenous Representation and Participation in Canada’s Media Arts – Edited by Dana Claxton and Ezra Winton Contributor Bios Introduction: Seeing, Knowing, Lifting – Dana Claxton and Ezra Winton Part I – Decolonizing Media Arts Institutions Part I Introduction – Dana Claxton and Ezra Winton 1. Our Own Up There: A Discussion at imagineNATIVE – Danis Goulet and Tasha Hubbard with Jesse Wente, Alethea Arnaquq-Baril and Shane Belcourt 2. And Speaking of the North: A Conversation between Ezra Winton and Alethea Arnaquq-Baril 3. Sights of Homecoming: Zacharias Kunuk’s Festival Performance of Angirattut Claudia Sicondolfo Part II – Protecting Culture Part II Introduction – Dana Claxton and Ezra Winton 4. Addressing Colonial Trauma Through Mi’kmaw Film – Margaret Robinson and Bretten Hannam 5. Not Reconciled, Repairing Justice: The Legacy of Films on Canadian Residential Schools – Brenda Longfellow 6. Indigenous Women in Québec Cinema: From Alanis Obomsawin’s Mother of Many Children to Michel Poulette’s Maïna – Karine Bertrand 7. “Our Circle Is Always Open”: Indigenous Voices, Children’s Rights, and Spaces of Inclusion in the Films of Alanis Obomsawin Joanna Hearne Part III – Methods/Practices/Knowledges/Interventions Part III Introduction Dana Claxton and Ezra Winton 8. Indigenous Documentary Methodologies: ChiPaChiMoWin / Telling Stories – Jules Arita Koostachin 9. Due North: Contemporary Indigenous Media and Ecological Knowledge – Michelle Stewart 10. Marking and Mapping Out Embodied Practices of Indigenous Women Media Artists – Julie Nagam and Carla Taunton 11. Speaking Outside: Collaboration as Strategic Intervention Toby Katrine Lawrence Part IV - Resurgent Media and its Allies Part IV Introduction - Knowledge as Territory: A Note to the Settler Academy – Sasha Crawford-Holland and Lindsay LeBlanc 12. “Making Things Our [Digital] Own”: Sovereignty in Indigenous Computational Art – Sasha Crawford-Holland and Lindsay LeBlanc 13. Careful Images: Unsettling Testimony in the Gladue Video Project – Eugenia Kisin and Lisa Jackson Conclusions We Are Only Beginning – Dana Claxton and Ezra Winton Final Thoughts: Setting the Record Straight –Lisa Jackson Index – Makers and Thinkers Contributors Alethea Arnaquq-Baril Shane Belcourt Karine Bertrand Dana Claxton Sasha Crawford-Holland Danis Goulet Bretten Hannam Joanna Hearne Tasha Hubbard Lisa Jackson Eugenia Kisin Jules Arita Koostachin Toby Katrine Lawrence Lindsay LeBlanc Brenda Longfellow Julie Nagam Margaret Robinson Claudia Sicondolfo Michelle Stewart Carla Taunton Jesse Wente Ezra Winton
£35.96
Fernwood Publishing Co Ltd Indigenous Women's Theatre in Canada: A Mechanism
Book SynopsisDespite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women's Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of twentieth and twenty-first century Canada.Closely analyzing dramatic texts by Monique Mojica, Marie Clements, and Yvette Nolan, MacKenzie explores representations of gendered colonialist violence in order to determine the varying ways in which these representations are employed subversively and informatively by Indigenous women. These plays provide an avenue for individual and potential cultural healing by deconstructing some of the harmful ideological work performed by colonial misrepresentations of Indigeneity and demonstrate the strength and persistence of Indigenous women, offering a space in which decolonial futurisms can be envisioned.In this unique work, MacKenzie suggests that colonialist misrepresentations of Indigenous women have served to perpetuate demeaning stereotypes, justifying devaluation of and violence against Indigenous women. Most significantly, however, she argues that resistant representations in Indigenous women's dramatic writing and production work in direct opposition to such representational and manifest violence.
£18.00
Medicine Wheel The Seventh Direction
Book Synopsis
£13.99
Fernwood Publishing Co Ltd Circle Works: Transforming Eurocentric
Book SynopsisInspiring educators, philosophers, activists, shamans, artists, and visionaries to take up the challenge of bringing alternative teaching possibilities and strategies to the educational experience, this book creatively combines Aboriginal teachings with feminist and antiracist theory and practice.
£16.10
Random House USA Inc Carry: A Memoir of Survival on Stolen Land
Book Synopsis
£17.00
Valiz Towards Home: Inuit & Sámi Placemaking
Book Synopsis
£23.75
MP-WIS Uni of Wisconsin Understanding and Teaching Native American
Book SynopsisA timely and urgently needed remedy to a long-standing gap in history instruction. This volume is designed to help teachers effectively integrate Indigenous history and culture into their lessons, providing richly researched content and resources across the chronological and geographical landscape of what is now known as North America.Trade ReviewThis impressive volume from noted experts includes a variety of essays all suited to inform the teaching of Native and American histories. From broad concepts to helpful, concrete suggestions, these essays make it easier for everyone to engage with Indigenous history." - Malinda Maynor Lowery, Emory University"Comprised of 21 erudite and informative contributions by experts in the Native American History that are deftly organized into three major sections. . . . A seminal, unique, and unreservedly recommended core addition to personal, professional, college and university library Native American Studies collections and supplemental and developmental studies curriculum studies lists." - Midwest Book Review"[An] excellent collection. . . . Quite a feast of knowledge awaits readers." - CHOICE ReviewsTable of ContentsIntroductionPart One: Reflections on Teaching Native American History Chapter One: Learning to Teach Indian History: A Memoir By Theda Perdue Chapter Two: Teaching American Indian History Using the Medicine Way By Donald Fixico Chapter Three: Transnational History and Deep Time: Reflections on Teaching Indigenous History from Australia By Ann McGrath Chapter Four: Being There: Experiential Learning by Living Native American History By Bernard Perley Chapter Five: čwÈ·ˀn neyękwaˀnawèrih: Reflections on Teaching Indigenous History from a Native Student By Taylor HummelPart Two: Reflections on Invasions, Epidemics, War and Genocide Chapter Six: Before Columbus: Native American History, Archeology, and Resources By Maureen Meyers Chapter Seven: Teaching and Understanding Genocide in Native America By Gray Whaley Chapter Eight: The “Virgin” Soil Thesis Cover-Up: Teaching Indigenous Demographic Collapse By Tai S. Edwards Chapter Nine: Teaching Indian Wars By Mark van de Logt Part Three: Essential Topics in Native American History Chapter Ten: Teaching Indian Slavery: From First Slaves to Early Abolitionists in Four Myths By Denise I. Bossy Chapter Eleven: Teaching the American Revolution from Indian Country By Charles W. Prior Chapter Twelve: Teaching the Broad and Relevant History of American Indian Removal By John Bowes Chapter Thirteen: Teaching and Understanding the History of Allotment By Rose Stremlau Chapter Fourteen: Teaching Federal Indian Law through Literature By N. Bruce Duthu Chapter Fifteen: Nation-to-Nation: Understanding Treaties and Sovereignty By Margaret Huettl Chapter Sixteen: Teaching Indigenous Environmental History By Paul Kelton and James Rice Part Four: Reflections on Identity and Cultural Appropriation Chapter Seventeen: An Appropriate Past: Seminole Indians, Osceola, and Florida State University By Andrew K. Frank Chapter Eighteen: Looking Past the Racial Classification System: Teaching Southeastern Native Survival Using the Peoplehood Model By Marvin Richardson Chapter Nineteen: Teaching Native American Religions and Philosophies in the Classroom By Brady DeSanti Chapter Twenty: Sustenance as Culture and Tradition: Teaching About Indigenous Foodways By Devon A. Mihesuah Chapter Twenty-One: Native American Art 101 By Nancy Marie Mithlo
£21.56
