Indigenous peoples / Indigeneity Books

Book Synopsis''A hymn of love to the world ... A journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise'' Elizabeth Gilbert, author of Eat, Pray, LoveAs a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two ways of knowledge together. Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings - asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass - offer us gifts and lessons, even if we''ve forgotten how to hear their voices. In a rich braid of reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.Trade ReviewRemarkable, wise and potentially paradigm-shifting * Guardian *Braiding Sweetgrass is the book we all need right now. It is a vision of a new world, of reciprocity, gratitude and seeing the living world for what it is: an abundance of gifts. Kimmerer is uniquely placed to braid indigenous knowledge with scientific learnings and she does it with kindness, ingenuity and a poet's prose. It is truly the text for our times. -- Lucy Jones * author of Losing Eden *An extraordinary book, showing how the factual, objective approach of science can be enriched by the ancient knowledge of the indigenous people. It is the way she captures beauty that I love the most - the images of giant cedars and wild strawberries, a forest in the rain and a meadow of fragrant sweetgrass will stay with you long after you read the last page -- Jane GoodallOne of the most beautiful books I've ever read. * Daily Herald *I give daily thanks for Robin Wall Kimmerer for being a font of endless knowledge, both mental and spiritual. -- Richard Powers * The New York Times *Reading this book was like looking at the world afresh. Radical, hopeful, honest and wise, Robin Wall Kimmerer has woven us a precious heartsong for difficult times -- Helen JukesA journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise -- Elizabeth GilbertRobin Wall Kimmerer opens a sense of wonder and humility for the intelligence in all kinds of life we are used to naming and imagining as inanimate. -- Krista TippettIn a world where only six percent of mammalian biomass on the planet now comprises of wild animals, I longed for books that pressed me up against the inhuman, that connected me to an inhuman world. Braiding Sweetgrass by Robin Wall Kimmerer moved me to actual tears -- Alexandra Kleeman, THE MILLIONSWith deep compassion and graceful prose, Robin Wall Kimmerer encourages readers to consid­er the ways that our lives and language weave through the natural world. A mesmerizing story­teller, she shares legends from her Potawatomi ancestors to illustrate the culture of gratitude in which we all should live * Publishers Weekly *In Braiding Sweetgrass, botanist Robin Wall Kimmerer tackles everything from sustainable agriculture to pond scum as a reflection of her Potawatomi heritage, which carries a stewardship 'which could not be taken by history: the knowing that we belonged to the land.' . . . It's a book absorbed with the unfolding of the world to observant eyes?that sense of discovery that draws us in. -- NPRThe gift of Robin Wall Kimmerer's book is that she provides readers the ability to see a very common world in uncommon ways, or, rather, in ways that have been commonly held but have recently been largely discarded. She puts forth the notion that we ought to be interacting in such a way that the land should be thankful for the people * Minneapolis Star Tribune *Beautifully written . . . Anyone who enjoys reading about natural history, botany, protecting na­ture, or Native American culture will love this book * Library Journal *Professor and botanist Robin Wall Kimmerer knows that the answer to all forms of ecological unbalance have long been hidden in plain sight, told in the language of plants and animals, minerals and elements. She draws on her own heritage . . . pairing science with Indigenous principles and storytelling to advocate for a renewed connection between human beings and nature. * Outside *Kimmerer eloquently makes the case that by observing and celebrating our reciprocal relationship with the natural world, one can gain greater ecological consciousness. * Sierra Magazine *Braiding Sweetgrass is instructive poetry. Robin Wall Kimmerer has put the spiritual relationship that Chief Seattle called the 'web of life' into writing. Industrial societies lack the understanding of the interrelationships that bind all living things?this book fills that void. I encourage one and all to read these instructions. -- Oren Lyons, Faithkeeper, Onondaga Nation and Indigenous Environmental Leader

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Book SynopsisGiven the extreme variety of research issues under investigation today and the multi-million-dollar industry surrounding research, it becomes extremely important that we ensure that research involving Indigenous peoples is ethically as well as methodologically relevant, according to the needs and desires of Indigenous peoples themselves. This distinctive volume presents Indigenous research as strong and self-determined with theories, ethics and methodologies arising from within unique cultural contexts. Yet the volume makes clear that challenges remain, such as working in mainstream institutions that may not regard the work of Indigenous researchers as legitimate ‘science’. In addition, it explores a twenty-first-century challenge for Indigenous people researching with their own people, namely the ethical questions that must be addressed when dealing with Indigenous organisations and tribal corporations that have fought for – and won – power and money. The volume also analyses Indigenous/non-Indigenous research partnerships, outlining how they developed respectful and reciprocal relationships of benefit for all, and argues that these kinds of best practice research guidelines are of value to all research communities.Table of ContentsChapter 1. An Introduction to Indigenous Research Ethics; Lily George, Lindsey MacDonald, and Juan TauriPart One - Challenges of Mainstream Institutions Chapter 2. Ethical Conduct in Indigenous Research: It's Just Good Manners; Juanita Sherwood, and Thalia Anthony; Chapter 3. Developing Ethical Standards in Criminology and Criminal Justice Research: A Focus on Indigenous Australian Peoples; Debbie Bargallie, Chris Cunneen, Elena Marchetti, Juan Tauri, and Megan Williams; Chapter 4. Vision Mātauranga, Eclectic Anthropology, and The Fading Empire; Marama Muru-lanning; Chapter 5. Data Ethics and Data Governance From a Māori Worldview;Kiri West; Maui Hudson, and Tahu Kukutai Chapter 6. Autoethnography and Ethics: Sovereignty, Self-determination, and Strategies; Julie Bull; Chapter 7. Engaging with 'That Treaty Question' on a University Ethics Committee in Aotearoa New Zealand; Lorena Gibson, O. Ripeka Mercier, and Rebecca Kiddle Chapter 8. The Practice of Engaging Aboriginal and Torres Strait Islander Communities in Genome Research; Sharon Huebner, Azure Hermes, and Simon Easteal Part Two - Indigenous Research Chapter 9. I Try to Keep Quiet but My Ancestors Dont Let Me; Cherryl Waerea-i-te-rangi Smith Chapter 10. "I was Hurt, But Now I am Strong" The Story of A Cultural, Social, and Emotional Wellbeing Programme; Pat Dudgeon, Angela Ryder, Carolyn Mascall, and Maddie Boe Chapter 11. Implementing Indigenous Research Ethics at The Interface; Amohia Boulton; Chapter 12. Kebi Paser: The Small Hill Approach to Research, Ethics and Cultural Protocols; Gretchen Stolte, Noel Zaro, and Kaylynn Zaro ; Chapter 13. Stable or Changing? Revealing Patterns of Cultural Influences on The Discourses of Research Ethics; Angus Hikairo MacFarlane, Fiona Duckworth, and Sonja MacFarlane; Part Three - Indigenous/Non-Indigenous Partnerships Chapter 14. Decolonising Māori-Pākehā Research Collaborations: Towards an Ethics of Whanaungatanga and Manaakitanga in Cross-Cultural Research Relationships; Tarapuhi Vaeau, and Catherine Trundle Chapter 15. Kei Tua o te Arai (beyond the veil): Taonga Puoro and Contemporary Technologies in Musical Conversation; Horomona Horo, and Jeremy Mayall Chapter 16. Yuta Anthropology Miyarrka Media; Chapter 17. What does a Shared Space Look Like? A Dialogue of a Research Partnership; Wiremu T. Puke, and Sebastian J. Lowe; Chapter 18. The Struggle Against Neo-Colonial Academic Exoticizing in Postgraduate Research; Rhea Lewthwaite, and Antje Deckert; Chapter 19. A Deeper Deep Listening: Doing Pre-ethics Fieldwork in Aotearoa New zealand; Sebastian J. Lowe, Lily George, and Jennifer Deger

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Book SynopsisThe American West, 1860-1890: years of broken promises, disillusionment, war and massacre.Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward.Trade ReviewOriginal, remarkable and finally heartbreaking...Impossible to put down * New York Times *Shattering, appalling, compelling * Washington Post *An essential insight into modern America * Daily Telegraph *Calculated to make the head pound, the heart ache and the blood boil * The Times *

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Book SynopsisFrom the winner of the New York Times Best Illustrated Book Prize and the American Indian Youth Literature AwardI'd like to tell you a rather true story about a big black cat who started out gray. Her name was May. Margaux and her cat May became friends when Margaux was just six years old. They grew up together, sharing countless memories along the way. But one day, May is late coming home. Where is May? Is she under the porch? Maybe on the roof?Margaux's nitôsis (the Cree word for auntie) helps search for May in the tall grass. But soon nitôsis needs to leave: she's moving away to the big city, and has to pack her things into boxes. Margaux helps nitôsis, but she can't take her mind off May. Will she ever return? nitôsis is worried, too. But little do they know, May has a surprise in store for both of them!This fun and heartwarming story with a surprise happy ending invites readers to share their own cat stories. My Friend May is a tribute to love and the balance between all beings, and the experiences and emotions that connect us all. My Friend May features:A glossary of Cree words used throughout the bookBackmatter content that includes a pronunciation guide

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Book SynopsisIn twenty short books, Penguin brings you the classics of the environmental movement.In The Democracy of Species Robin Wall Kimmerer guides us towards a more reciprocal, grateful and joyful relationship with our animate earth, from the wild leeks in the field to the deer in the woods.Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought, and point the way to a fairer, saner, greener world.

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Book SynopsisThe first comprehensive history of the Sami people of the Nordic countries and northwestern Russia. There is no single volume which encompasses an integrated social and cultural history of the Sami people from the Nordic countries and northwestern Russia. Neil Kent's book fills this lacuna. In the first instance, he considers how the Sami homeland is defined: its geography, climate, and early contact with other peoples. He then moves on to its early chronicles and the onset of colonisation, which changed Sami life profoundly over the last millennium. Thereafter, the nature of Sami ethnicity is examined, in the context of the peoples among whom the Sami increasingly lived, as well as the growing intrusions of the states who claimed sovereignty over them. The Soviet gulag, the Lapland War and increasing urbanisation all impacted upon Sami life. Religion, too, played an important role from pre-historic times, with their pantheon of gods and sacred sites, to their Christianisation. In the late twentieth century there has been an increasing symbiosis of ancient Sami spiritual practice with Christianity. Recently the intrusions of the logging and nuclear industries, as well as tourism have come to redefine Sami society and culture. Even the meaning of who exactly a Sami is is scrutinised, at a time when some intermarry and yet return to Sapmi, where their children maintain their Sami identity.Trade Review'This detailed and comprehensive study of a people who have lived for thousands of years on Europe's northernmost margins reveals an astonishing diversity of language, culture and livelihoods. The lands of the Sami, as Neil Kent so ably shows, embrace far more than reindeers and Yuletide tourism.' * David Kirby, Emeritus Professor of Modern History, School of Slavonic and East European Studies, University College London and author of A Concise History of Finland *'The Sami People of the North is exhaustive, nuanced, and best of all, accessible. With his sustained attention to historical detail, Neil Kent has done a valuable service for anyone thinking about the Sami - or, for that matter, indigenous populations generally.' * Nick McDonell, author of Twelve and The Civilization of Perpetual Movement: Nomadism in World Politics *

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Book SynopsisTrade Review“Mike Jay is an eminent writer on mind-stilling and mind-expanding substances [. . .] Mescaline reads like the culmination of a lifetime’s wanderings in the very farthest out-posts of scientific and medical history”— Ian Sansom, The Guardian“Mike Jay’s history of mescaline use is a bit of a mind-altering experience itself”—The Economist“Thoroughly researched book is strong on drug's social significance” —Katherine Waters, The Art Desk“Jay, as with his many other works, expertly places the important details in these larger trends, and the result is a wonderfully engaging narrative; informative and entertaining” —Robert Dickins, Psychedelic Press “What Mike Jay's history of mescaline illustrates is that although we may not grasp how, the context of a trip determines its destination” — Kate Womersley, TLS “Jay takes his readers on a journey through history, beginning with the medicinal and ceremonial use of mescaline-containing plants by the indigenous peoples of Mexico thousands of years ago, and the adoption of peyote by some Native American peoples” — Zoe Hackett, Chemistry World“Mike Jay has written a highly detailed but very readable and fascinating history of the use of mescaline throughout the ages”—Peter Carpenter, British Society for the History of Medicine"This is a terrific account of mescaline, the first psychedelic. Mike Jay has nailed it."—Michael Pollan, author of How to Change Your Mind "Mike Jay is the Neil Armstrong of today's psychonauts. In Mescaline an incredible amount of scholarly and personal research is beautifully presented and ordered in a sensible chronology that really works to channel potentially disruptive and mad matter into a fascinating cultural history. I just Ioved the last chapter which brought everything back to its proper place in a careful Native American ritual. It made the most emotionally satisfying ending to an extraordinary trip..." —Nicholas Rankin, author of Telegram from Guernica 'Mike Jay is one of the most wise, well-informed, clever and funny voices on drugs in the world. Everyone should read everything he writes - it is consistently brilliant'—Johann Hari, author of Chasing the Scream and Lost Connections

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Book SynopsisAn intriguing plot matches the well-developed, reflective leads. As always, the real strength of this series lies in its authentic atmosphere, evocative descriptions of the landscape, and fascinating details of Navajo life. Hillerman consistently satisfies. --Publishers WeeklyFossil harvesting, ancient lore, greed, rejected love and murder combine in this gripping new installment of New York Times bestselling author Anne Hillerman?s Leaphorn, Chee & Manuelito series.An unexpected death on a lonely road outside of Utah?s Bears Ears National Monument raises questions for Navajo Tribal Police officers Jim Chee and Bernadette Manuelito. Why would a seasoned outdoorsman and well-known paleontologist freeze to death within walking distance of his car? A second death brings more turmoil. Who is the unidentified man killed during a home invasion where nothing much seems to have been taken? Why was he murdered?The Bears Ears area, at the edge of the Navajo Nation, is celebrated for its abundance of early human habitation sites and the discovery of unique fossils which revolutionized the scientific view of how early animals dealt with their changing world. Chee and Manuelito appreciate the area?s scenery and wealth of human and scientific resources, but their visit to this achingly beautiful place is disrupted by a current of unprecedented violence that sweeps them both into danger. Illicit romance, a fossilized jawbone, hints of witchcraft, and a mysterious disappearance during a blizzard add to the peril.It takes all of Manuelito?s and Chee?s experience, skill, and intuition to navigate the threats that arise and see justice served.

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Book SynopsisA New Statesman Best Book of the Year 2023. A Waterstones Book of the Year 2023. An Economist Book of the Year. One of Smithsonian Magazine''s Ten Best History Books of 2023. A BBC History Magazine Book of the Year 2023. Winner of the Voltaire Medal.''An untold story of colonial history, both epic and intimate, and a thrilling revelation'' Adam Rutherford''Mind-blowing . . . this is how history should be told'' Benjamin ZephaniahIn this groundbreaking new history, Caroline Dodds Pennock recovers the long-marginalised stories of the Indigenous Americans who - as enslaved people, diplomats, explorers, servants and traders - left a profound impact on European civilisation in the ''Age of Discovery''. On Savage Shores is a sweeping account of power and influence in America and Europe - one which could forever change the way we understand our global history.Trade ReviewOn Savage Shores is a work of historical recovery . . . few books make as compelling a case for such a reimagining -- David Olusoga * GUARDIAN, Book of the Day *In On Savage Shores, Dodds Pennock has performed a monumental work of historical excavation. Beautifully written and painstakingly researched, this is first-rate scholarship -- Susannah Lipscomb * FINANCIAL TIMES *A thrilling, beautifully written and important book that changes how we look at transatlantic history, finally placing Indigenous peoples not on the side-lines but at the centre of the narrative. Highly recommended -- PETER FRANKOPANDodds Pennock's unpeeling of the indigenous experience from obscure manuscripts . . . is a much-needed and refreshing take on our all-too Eurocentric telling of the past -- Andrea Wulf * THE TIMES *Not only changes how we think about the first contact between America and Europe but also sets the methodological standard for a new way of understanding the origin of the modern world * NEW YORK REVIEW OF BOOKS *On Savage Shores is mind-blowing, and it's an important contribution to struggle for a fair and more balanced telling of history - I felt genuinely enlightened. Dodds Pennock is a truth teller of the highest order, and a first class communicator. This is how history should be told -- BENJAMIN ZEPHANIAHOn Savage Shores offers a welcome non-Eurocentric narrative about how the great civilisations of the Americas discovered Europe . . . an important book * INDEPENDENT *An untold story of colonial history, both epic and intimate, and a thrilling revelation, not about the invasion of the Americas by Europeans, but the journeys of Indigenous people to Europe. Caroline Dodds Pennock is the perfect guide, cannily and eloquently shifting the axis of global history away from its Eurocentric grip -- ADAM RUTHERFORDCaroline Dodds Pennock's utterly original book is chock full of remarkable stories . . . there is much to enjoy in this unusual history of a forgotten corner of our past * DAILY MAIL *Deftly weaves diverse and fascinating tales of the exciting adventures, complex diplomatic missions, voyages of discovery, triumphant incursions, and heartbreaking exploitations - of the many thousands of Indigenous travellers to new lands. Essential reading for anyone interested in how the events of the "Age of Exploration" shaped the modern world -- JENNIFER RAFF, author of ORIGINInspiring and important . . . Expertly researched, convincingly argued, erudite yet readable, and introduces new readers to the reality of Indigenous American experience * HISTORY TODAY *Caroline Dodds Pennock offers a remarkably fresh and compelling account of the so-called Age of Discovery. Whether arriving as ambassadors or enslaved, these travellers experienced Europe as a new and disorienting world: a place of shocking violence and perplexing social norms. Pennock, a leading authority on Indigenous Mexico, tells their stories with insight and humanity. A must read -- BRETT RUSHFORTH, author of BONDS OF ALLIANCE: INDIGENOUS AND ATLANTIC SLAVERIES IN NEW FRANCEPennock has pieced together hundreds of fragments to create a new and remarkable portrait of the travellers who crossed the Atlantic not to the Americas but from them, and who found in Europe a strange, often hostile, sometimes intriguing society, vastly different from their own -- CATHERINE FLETCHER, author of THE BEAUTY AND THE TERROR[A] fascinating and fluidly written revisionist history . . . This innovative and powerful account breaks down long-standing historical assumptions * PUBLISHERS WEEKLY starred review *An impressive and consequential act of research and interpretation that consistently acknowledges the profound and ongoing . . . fissure caused to indigenous identities by colonisation, enslavement, violence and displacement. * GEOGRAPHICAL *As Caroline Dodds Pennock shows, there were many thousands of Native Americans in early modern Europe who have long been forgotten . . . an overdue diversion of attention towards people marginalised by race . . . Dodds Pennock's skilful method involves subtly layering European accounts -- Malcom Gaskill * LONDON REVIEW OF BOOKS *Imaginative and passionately argued * Wall Street Journal *An excellent exploration of Indigenous presence in and contribution to Europe and nascent globalization. Pennock, by recognizing and voicing a space for Indigenous Peoples in Europe, has told a story that needs to form a part of every history class from grade school to university. On Savage Shores is an original and important recasting of sixteenth-century Europe . . . a decolonizing and un-whitening approach to the past * Anishinabek News *On Savage Shores not only changes how we think about the first contact between America and Europe but also sets the methodological standard for a new way of understanding the origin of the modern world. * New York review of Books *

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Book SynopsisAn inspiring and intersectional re-imagining of the path to liberation in PalestineTrade Review'An inspiring call to action that deconstructs the many oppressive systems we currently find ourselves struggling against, and shows us the way forward' -- Adam Horowitz, Executive Editor at Mondoweiss'The book our movements deserve. Crafted from decades of transnational activism, Nada Elia brilliantly weaves together the challenges of our time and the political frameworks necessary to overcome them' -- Noura Erakat, Associate Professor at Rutgers University, New Brunswick in Africana Studies and the Program in Criminal Justice'I am so grateful that a book such as Greater Than the Sum of Our Parts finally exists! Reading it felt like drinking cold water on a parched day. The writing is bold and brave, the analysis clear-sighted and unflinching. And yet somehow, on top of all this, the book is full of heart, fierce love and radical empathy. A must read' -- Jen Marlowe, author of 'I Am Troy Davis' and 'The Hour of Sunlight''Offers a new map altogether: a map of survival, possibility, and hope. Like the Palestinian struggle for freedom itself, this map is collective, collaborative, built on and for radical love' -- Sherene Seikaly, Associate Professor, Department of History, University of California, Santa Barbara'A compelling, even irresistible case for moving beyond rights and statehood for Palestine to a truly decolonial future. Grounded in the analysis of actual struggles, the book is informed by Elia's commitment to abolitionist feminist practice, which reorients the vision of what a post-Zionist Palestine could look like in crucial ways. Defined by solidarity rather than exceptionalism, this is a truly necessary book' -- David Lloyd, Department of English, University of California, US‘A book about community, resistance, and hope … heart-wrenching, inspirational’ -- ‘Mondoweiss’‘Provides a unique view into the problems of Palestine and the resourcefulness of indigenous people, feminists, and the LGBTQ community globally’ -- ‘Palestine Chronicle’‘Probes us to ask: where do we believe knowledge lies? What does it mean to practise solidarity across differences? How can we work to build a liberated future? Read the book, ask yourself these questions, and then organise to answer them – our liberation depends on it.’ -- ‘Red Pepper’‘A book of hope and purpose … an important contribution to the Palestinian fight for self-determination’ -- ‘Bella Caledonia’Table of ContentsIntroduction Part One: Unsettling Indigeneity 1. From Cowboys to Indians: Zionism’s Opportunistic Discourse 2. On this Land: Indigenous Struggles from Turtle Island to Palestine Part Two: Overcoming State-Sanctioned Settler Supremacy 3. Déjà Vu: The Apartheid Analogy 4. Lessons Learned: Looking Forward Part Three: We Teach Life, Sir 5. Social and Political Liberation 6. Conclusion: Beyond Boundaries: Greater than the Sum of Our Parts

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Book SynopsisSebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there—an irreplaceable treasure of humanity. In the book’s foreword Salgado writes: “For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world’s largest single natural laboratory.” Salgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the Asháninka, the Yawanawá, the Suruwahá, the Zo’é, the Kuikuro, the Waurá, the Kamayurá, the Korubo, the Marubo, the Awá, and the Macuxi—their warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebastião Salgado has dedicated this book to the indigenous peoples of Brazil’s Amazon region: “My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years’ time this book will not resemble a record of a lost world. Amazônia must live on.” INSTITUTO TERRA Founded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a Collector's Edition and four Art Editions, each with a signed silver gelatin print, all with a book stand designed by Renzo Piano.Trade Review“Sebastião Salgado has spent more than two decades documenting the complex lives of Indigenous Amazonian people as they stand strong in the face of unrelenting colonial forces.” * Scientific American *“Superb….. Salgado mythologises the landscapes he photographs.” * theguardian.com *“A revealing and intimate study.” * thisiscolossal.com *“If one of the purposes of art is to help us see the world around us, then Sebastião Salgado’s photographs in Amazônia does so in the most spectacular way imaginable.” * spectator.co.uk *“In over 500 pages of stunning and captivating photos and text, Salgado delivers a piercing look at a lost world, still surviving but under immense threat.” * ecowatch.com *“If Salgado’s book Genesis was a quest to document places on Earth unblemished by humans, his latest volume Amazônia speaks to the idea that humans can live on this planet in a sustainable way, through profiling the forest’s indigenous communities, and offering fresh perspectives on the forest itself.” * CNN.com *“Amazônia, a stunning succession of black and white panoramas. Looking through his images, I feel the same awe I would feel in front of sublime paintings: serpentine rivers flow through seemingly limitless forests, sheer-sided rock escarpments vanish into skies, and apocalyptic clouds loom over wispy treetops.” * The Guardian *“Capture[s] the sheer scale of the still-unspoiled heart of this wilderness.” * The Guardian *“[Sebastião Salgado] spent six years capturing the Amazon rainforest and its Indigenous inhabitants, making a case for their ecological and cultural importance.” * The New York Times *“This book is a powerfully persuasive voice in an increasingly urgent campaign.” * The Times *“An exceptional book on the beauty of this almost lost paradise, threatened by a galloping deforestation.” * Le Soir *“This book is dedicated to the indigenous peoples of Brazil’s Amazon region. It is a celebration of the survival of their cultures, customs, and languages. It is also a tribute to their role as the guardians of the beauty, natural resources, and biodiversity of the planet’s largest rainforest in the face of unrelenting assault by the outside world. We are eternally grateful to them for allowing us to share their lives.” * Sebastião Salgado and Lélia Wanick Salgado *

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Book SynopsisIn these rigorous and challenging essays, writers from Aotearoa and Turtle Island (Canada and the United States of America) explore the well-being of takatapui, two-spirit, and Maori and Indigenous LGBTQI+ communities. Themes include resistance, reclamation, empowerment, transformation and healing. Central to Honouring Our Ancestors is the knowledge that, before colonisation, Indigenous peoples had their own healthy understandings of gender, sexual identities and sexuality. Some of these understandings have survived the onslaught of colonisation; others require decolonisation so that our Indigenous nations can begin to heal. Through this lens, the writers gathered here contribute their knowledge and experience of structural and social change. This collection was inspired by two major research projects: the HONOR Project, which investigated well-being in American Indian and Alaskan Native two-spirit communities, and the Honour Project Aotearoa, which investigated Kaupapa Maori strengths-based understandings of the health and well-being of takatapui and Maori LGBTQI+ communities. Edited by Alison Green and Leonie Pihama, Honouring Our Ancestors upholds the independent authorities and languages that distinguish our Indigenous nations and celebrates the relationships that bind us. Decolonised Indigenous knowledges are offered as a wellspring of unlimited potential for Indigenous communities and nations everywhere.

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Book SynopsisNaomi Angel analyzes the visual culture of reconciliation and memory in relation to the Truth and Reconciliation Commission that Canada established in 2008 to review the history of the Indian Residential School system, a brutal colonial project that killed and injured many Indigenous children.Table of ContentsPreface. Tracing Memory in Naomi Angel’s Archive / Jamie Berthe and Eugenia Kisin ix Acknowledgments / Marita Sturken and Faye Ginsburg xix Introduction. Reconciliation and Remembrance 1 1. Reconciliation as a Way of Seeing: The History and Context of the Indian Residential School System 19 2. Images of Contact: Archival Photographs and the Work of Reconciliation in Canada 54 3. Nations Gather: Public Testimony and the Politics of Affect 90 4. Reconciliation as a Ghostly Encounter: Discourses of Haunting and Indian Residential Schools 125 Conclusion. Fragments of Truth: Concluding Gestures 160 Notes 167 Bibliography 189 Index 207

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Book SynopsisThe Times' Best History Books of 2017Winner of the Gilder Lehrman Prize for Military HistoryWinner of the 2017 Caroline Bancroft History PrizeShortlisted for the Military History Magazine Book of the Year AwardNominated for the 2017 PEN Hessell-Tiltman'Extraordinary... Cozzens has stripped the myth from these stories, but he is such a superb writer that what remains is exquisite' The TimesAt the end of the Civil War, the American nation continued its expansion onto tribal lands, setting off a struggle that would last nearly three decades. Peter Cozzens chronicles the conflict from both sides in comprehensive and singularly intimate detail, bringing together a pageant of fascinating characters, including Custer, Sherman and Grant, as well as great native leaders such as Crazy Horse, Sitting Bull and Red Cloud. This is the tale of how the West was won... and lost.Trade ReviewExtraordinary... Few writers possess the descriptive talent that the immensity of the American west demands. * The Times *Peter Cozzens's sweeping, expert and appalling account of the murder of America's Indians * Spectator *A detailed recounting of random carnage, bodies burned, treaties broken and treachery let loose across the land. * New York Times *Truly epic and beautifully written * Tribune *Treachery on such an epic scale can bear many retellings, and this account stands out for its impressive detail and scope. * Washington Post *Cozzens does an exceptional job of examining the viewpoints of both sides, making heavy use of previously untapped primary sources... This is a timely and thorough book, presenting the story without hyperbole or histrionics. * New York Journal of Books *Peter Cozzens, one of our finest working historians, has taken on a massive chunk of Native American history and delivered it with power, style, and insight. He is above all a great storyteller. I have never read better, more concise, or more entertaining versions of the Little Bighorn story, Geronimo's wild run to glory, the Ute War, or Captain Jack's rebellion in the northwest. There is much wisdom here, and much good writing. -- S.C. Gwynne, author of EMPIRE OF THE SUMMER MOONMagnificent... This is a beautifully written work of understanding and compassion that will be a treasure for both general readers and specialists. -- Jay Freeman * Booklist (Starred review) *I've been waiting for an up-to-date, objective, and well-researched book on the Indian Wars, and Peter Cozzens' The Earth Is Weeping is all that and more - an elegantly written narrative of one of the great sagas in American history, and better than Bury My Heart at Wounded Knee. -- James Donovan, author of A TERRIBLE GLORYPeter Cozzens reminds us that tragedy, not melodrama, best characterizes the struggles for the American West...The Earth Is Weeping is the most lucid and reliable history of the Indian Wars in recent memory. -- Victor Davis Hanson, author of CARNAGE AND CULTUREIn sobering detail, Peter Cozzens has chronicled this dark chapter in our history. -- James M. McPherson, author of BATTLE CRY OF FREEDOMFor 25 years the United States Army and the native peoples of the West struggled for their destiny, and the region's, an oft-told story more tragic with each retelling. Peter Cozzens' The Earth is Weeping provides all that, and adds a missing perspective on the lives of ordinary people on both sides. -- William C. Davis, author of THREE ROADS TO THE ALAMOCozzens is an erudite storyteller, meticulous in his approach to documenting the west. * BBC History Magazine *

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Book Synopsis*#1 NATIONAL BESTSELLER *Winner, Kobo Emerging Writer Prize Nonfiction *Winner, Indigenous Voices Awards *Winner, High Plains Book Awards *Finalist, CBC Canada Reads *A Globe and Mail Book of the Year *An Indigo Book of the Year *A CBC Best Canadian Nonfiction Book of the Year In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.If I can just make it to the next minute...then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead. From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up. Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, whose tough-love attitudes quickly resulted in conflicts. Throughout it all, the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling with all that had happened, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. Finally, he realized he would die unless he turned his life around. In this heartwarming and heart-wrenching memoir, Jesse Thistle writes honestly and fearlessly about his painful past, the abuse he endured, and how he uncovered the truth about his parents. Through sheer perseverance and education—and newfound love—he found his way back into the circle of his Indigenous culture and family. An eloquent exploration of the impact of prejudice and racism, From the Ashes is, in the end, about how love and support can help us find happiness despite the odds.Trade Review“A heartbreaking and honest debut.” The Globe and Mail“Blown away by [this] eloquent memoir of Métis life and surviving the streets . . . [a] strong contender for #CanadaReads.” — EMMA DONOGHUE, New York Times bestselling author of Room “A memoir of resilience, spirit, and dignity from a gifted storyteller. It is, at heart, also about the many shapes that love can inhabit. When you plan to read this book, clear your schedule. It will hold you in its grasp and won’t let you go, like a great novel. It’s all the more remarkable that this is not fiction. This book will stand out in my reading experience for a long time to come.” — SHELAGH ROGERS, OC, host and a producer of CBC Radio’s The Next Chapter, and honorary witness for the Truth and Reconciliation Commission of Canada“So fortunate to have the opportunity to read From The Ashes. . . . You’ll be drawn into the life journey of someone who’s struggled so deep yet has risen up to share with us what it means to be human. A deeply moving read.” — CLARA HUGHES, Olympian and author of Open Heart, Open Mind“This memoir haunts, gnawing at the soul as we walk with Jesse through his many incarnations. . . . If you want a glimpse at why some of our brothers and sisters end up on the streets, read this book.” — TANYA TALAGA, The Walrus“In spare and often brutal prose . . . Thistle weaves a narrative punctuated with joy and comedy and ultimately redemption.” — Toronto Star“An illuminating, inside account of homelessness, a study of survival and freedom. Jesse Thistle delivers a painfully lyrical book, a journey through the torrents of addiction and trauma, masterfully sliding in humour and moments of heart-expanding human connection. I found myself gasping out loud at parts, unable to put the book down. Jesse’s story shows us that there is nothing that cannot be transformed.” — AMANDA LINDHOUT, bestselling co-author of A House in the Sky“In this page-turner of a memoir—raw, honest, gripping, wrenching, and inspiring—Jesse Thistle gifts us with an intimate and bracing look into the realities, traumas, and triumphs of Indigenous life in today’s North America.” — GABOR MATÉ, MD, bestselling author of In The Realm of Hungry Ghosts: Close Encounters With Addiction“A gritty memoir recounting the devastating long-term effects of childhood abandonment. . . . The theme of estrangement is powerfully portrayed in what is ultimately a story of courage and resilience certain to strike a chord with readers from many backgrounds.” — Library Journal“Candid and cutting, Jesse Thistle lays down his story with a brutal beauty you’ll never forget. From the Ashes is a guided tour through a broken heart just trying to keep beating, both failing and succeeding spectacularly.” — CHERIE DIMALINE, bestselling author of The Marrow Thieves“Jesse’s story is shocking, intriguing, and compelling. He goes deep into the conflicting forces pulling him in different directions, the pain of knowing how he was letting down his grandmother, the terrifying sickness of addiction, and his own uncertainty about how to break the cycle. All the decks were stacked against him, yet he did learn to make the right choices. He had every right to blame ‘the system,’ but he never resorted to that easy strategy. His unexpected strength is remarkable.” — CHARLOTTE GRAY, award-winning biographer and bestselling author of The Promise of Canada“The best stories are the ones that stay with you. From the Ashes will stay with me for a long time. Maarsii to Jesse for coming through to tell this story. It is an important one. The revolutionary kind. The kind of story that changes how you look at the world, that shows us how amazing human beings can be, so capable, strong, resilient, powerful.” — KATHERENA VERMETTE, bestselling author of The Break“[This] powerful and moving memoir is also a scathing indictment of the treatment of Indigenous people and the myriad ways systems fail them.” — Booklist“This is a work that should not be mistaken for a redemption story—it is a love story. About family. Community. A partner. Most of all: this is a love story about Jesse Thistle. How he came to love himself. Why he is worthy of love. And, importantly, how you will love him when you are done reading. This book signals change: in our understanding of worth, our compassion in the face of harm and self-harm, and the power and possibility that can exist in spaces we try to forget about. Jesse Thistle is amazing. His story is stunning. We will talk about colonial and other violence differently on Turtle Island because Jesse lived them and shared them with us. With an openness, candour, and generosity that is inspiring. Its uglybeautiful/hurtlove will resonate with you long after you finish turning the pages. I am proud to call him nisîmis (my little brother).” — TRACEY LINDBERG, bestselling author of Birdie“Stereotypes and conventional understandings are about to be challenged. . . . In the world Thistle inhabits, poverty, addiction, and homelessness are all one step over a line. Some are pushed, some stumble, and some jump. . . . The places Thistle takes us come together to illustrate a common theme: we look for home wherever we can find it. Over the course of the book, Thistle builds a better world for himself, one day and one decision at a time. It is a remarkable transformation to witness, and the arc of his story will make the reader want to cheer.” ­­ — Quill & Quire, starred review“Hits you like a punch in the gut. It’s an unflinching, heartrending, and beautifully written story of survival against seemingly impossible odds. But it’s also a book that should make you furious. Thistle paints a vivid portrait of a country seemingly incapable of doing right by Indigenous youth or by those struggling with homelessness, addiction, and intergenerational trauma. That he survived to tell this story is truly a miracle. Still, one question haunts me after finishing this powerful and devastating book: How do we ensure that the next generation isn’t forced to navigate a broken system that takes their lives for granted and fails them at every turn? My greatest hope, then, is that From the Ashes will be the wakeup call Canada needs.” — IAN MOSBY, historian and author of Food Will Win the War

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Book SynopsisHow can mainstream Western social work learn from and in turn help advance indigenous practice? This volume brings together prominent international scholars involved in both Western and indigenous social work across the globe - including James Midgley, Linda Briskman, Alean Al-Krenawi and John R. Graham - to discuss some of the most significant global trends and issues relating to indigenous and cross-cultural social work. The contributors identify ways in which indigenization is shaping professional social work practice and education, and examine how social work can better address diversity in international exchanges and cross-cultural issues within and between countries. Key theoretical, methodological and service issues and challenges in the indigenization of social work are reviewed, including the way in which adaptation can lead to more effective practices within indigenous communities and emerging economies, and how adaptation can provide greater insight into cross-cultural Trade Review’This is a book that is bound to spark discussion. It will help social workers reflect on the diversity of social work around the globe and question the universal validity of social work models, the values they are based on, the methods they use and how social work education deals with them.’ Professional Social Work ' Indigenous Social Work around the World articulates a social work epistemological revolution...there are an incredible number of ideas, experiences, wisdoms and reflections offered in this book...I invite the authors to consider translating this book into as many languages as possible...' Social Work & Society ’...this book demands a new professional discourse...original essays that chart the evolution and possibilities of indigenous practice...useful glossary covers important terms...Recommended.’ Choice 'This book is a potentially rich resource for social work practitioners, educators, and students. Faculty might find this text useful as a supplement to materials for interpersonal practice courses and I would argue that it would be a shame to relegate it to only international social work courses as the discourse on Indigenization in Parts 1 and 2 is insightful and engaging....introducing the contents of this book by Indigenous Peoples into mainstream social work courses is absolutely necessary if we are to finally begin to change our outmoded and inflexible western approach to social work....useful for practitioners, educators, and students. Additionally, the Postscript that includes an Indigenous Dictionary/Glossary is insightful and should be included in every social work classroom....this book is a welcome change that validates our experiences as social workers.' Qualitative Social WorkTable of ContentsContents: Preface; Introduction, Mel Gray, John Coates and Michael Yellow Bird; Part1 'Indigenization' as an Outmoded Concept: From 'indigenization' to cultural relevance, Mel Gray and John Coates; Promoting reciprocal international social work exchanges: professional imperialism revisited, James Midgley. Part 2 Indigenous Social Work: A Just Cause: Towards an understanding of indigenous social work, Mel Gray, Michael Yellow Bird and John Coates; Indigenous people and the language of social work, Michael Yellow Bird and Mel Gray; Indigenous social work in the United States: reflections on Indian tacos, Trojan horses, and canoes filled with indigenous revolutionaries, Hilary N. Weaver; Decolonizing social work in Australia: prospect or illusion, Linda Briskman. Part 3 Towards Culturally Relevant Social Work Practice: The development of culturally appropriate social work practice in Sarawak, Malaysia, Ling How Kee; The past, the present and the future: the New Zealand indigenous experience of social work, Wheturangi Walsh-Tapiata; Tongan social work practice, Tracie Mafile'o; Critical reflections on an Aboriginal; approach to helping, Michael Anthony Hart; Homemade social work: the 2-way transfer of social work practice knowledge between India and the USA, Jayashree Nimmagadda and Diane R. Martell; Localizing social work with Bedouin-Arab communities in Israel: limitations and possibilities, Alean Al-Krenawi and John R. Graham. Part 4 Culturally Relevant Social Work Education: Reconfiguring 'Chineseness' in the international discourse on social work in China, Rick Sin; A journey of a thousand miles begins with one step: the development of culturally relevant social work education and fieldwork practice in China, Angelina Yuen-Tsang and Ben Ku; Re-envisioning indigenization: when bentuhuade and bentude social work intersect in China, Miu Chung Yan and A Ka Tat Tsang; Developing culturally relevant social work education in Africa: the case of Botswana, Kwaku Osei-Hwedie and Morena J. Rankopo; Missing the 'flight from responsibility': tales from a non-indigenous educator pursuing spaces for social work education relevant to indigenous Australians, Susan Gair; Picking up what was left by the trail: the emerging spirit of Aboriginal education in Canada, Gord Bruyere; Indigenous social work education: a project for all of us?, Erika Faith; Hearing indigenous and local voices in mainstream social work, Mel Gray, John Coates and Tiani Hetherington; Conclusion, Mel Gray and John Coates; Postscript: terms of endearment: a brief dictionary for decolonizing social work with indigenous peoples, Michael Yellow Bird; References; Index.

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Book SynopsisBefore the arrival of Europeans, Native Americans had thriving societies based on governing structures and property rights that encouraged productivity and trade. These traditional economies were crippled by federal law. This book provides the knowledge for tribes trapped in ‘white tape’ to revitalize their economies and communities.

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Book SynopsisT. R. Fehrenbach was born in San Benito, Texas, in 1925 and graduated from Princeton University in 1947. He has been a contributor to many publications, including Esquire, The Atlantic, The Saturday Evening Post, and The New Republic. He is the author of the best-selling Lone Star: A History of Texas and the Texans and Fire and Blood: A History of Mexico, among other works. He lives in San Antonio, Texas, with his wife, Lillian.Trade ReviewFor a complete history of the Comanches, this book probably has no equal -- Dee Brown, author of Bury My Heart at Wounded KneeFehrenbach is a highly interpretive and original writer, whose work rests on solid scholarship. His book ranges grandly across the disciplines from folklore to anthropology to history * Southwestern Historical Quarterly *Marvellous * New York Times *A compelling account...Vivid, poignant and authoritative * The Herald *This is a very good book. Like virtually all good books about the American Indian, it tells a tragic story, but unlike many of them, it tells it well. The author has mastered an extensive and complex subject: he is flexible, well-organized, and sensitive -- Larry McMurtry

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Book SynopsisTrade Review"In this anthology, shape matters. It turns the essay into a resistant form, pushing against the myth of the ‘disappearing Native’ and asserting a new narrative, one that isn’t subject to colonizing. . . . Shapes of Native Nonfiction is full of cognitive and emotional work. It turns the essay into something alive and breathing." * Cincinnati Review *"The medium is the message in this formally daring anthology of essays from Native writers, organized into basket-weaving themes such as ‘coiling’ and ‘plaiting.’ In these 27 essays by writers hailing from multiple tribal nations, some established and some newcomers, the Native experience is interrogated, elucidated, and celebrated." * Esquire *"It’s not hard to imagine this work as a staple of creative writing course syllabi for years to come. A must for any library." * Library Journal *"In gathering contemporary Native nonfiction, this book elucidates the roots of the form-conscious essay and brings together the exciting current work of Native writers. In a sweeping decolonizing gesture, this anthology challenges the nonfiction canon as it’s been taught and creates a porous new space in its place." * Essay Daily *"Shapes of Native Nonfiction is. . . an accessible, engaging book, both for those who have read widely on the subject and for those seeking a place to begin." * New York Journal of Books *"The volume seems to be the work of a master weaver expertly managing the warp and weft of the threads—everything in its place, everything serving its purpose. These vibrant essays and writings acknowledge the wounds of the past but are not confined or defined by them. Rather, the contributors, who include Siku Allooloo, Natanya Ann Pulley, Ernestine Hayes, Chip Livingston, and Michael Wasson, narrate a living, dynamic future." * Choice *"This new collection of essays from established and emerging contemporary Indigenous writers is stunning both in depth and scope. . . . The collection, expertly curated and structured by writer and Cowlitz Indian Tribe member Elissa Washuta (whose incredible essay Apocalypse Logic also appears here) and literary scholar Theresa Warburton, shines in every piece and in its existence as a whole. . . . In these pages, storytelling is a way of developing new Native nonfiction literary possibility." * Literary Hub *"Shapes of Native Nonfiction introduces the reader to a unique collection of voices, telling stories that shift from lost to living language, from history to lived experience. These shifts create new shapes for Indigenous writers to inhabit, explore and share. In this anthology, that shaping makes for a powerful read, and an absolutely necessary one." * High Country News *"A veritable feast of First Nations and Native American writers that readers may otherwise never have discovered." * World Literature Today (WLT) *"In this far-ranging collection of essays, Indigenous writers explore family, home, landscape, identity, trauma, history, and memory. Some of the essays are about writing itself. Others tell stories about particular experiences or moments. Still others are more outwardly focused, exploring art, culture, and politics. Part of what makes this book so unique is the various innovative forms the essays take." * Book Riot *

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Book SynopsisGeorge Washington claimed that anyone who attempted to provide an accurate account of the war for independence would be accused of writing fiction. At the time, no one called it the “American Revolution”: former colonists still regarded themselves as Virginians or Pennsylvanians, not Americans, while John Adams insisted that the British were the real revolutionaries, for attempting to impose radical change without their colonists’ consent. With The Cause, Ellis takes a fresh look at the events between 1773 and 1783, recovering a war more brutal than any in American history save the Civil War and discovering a strange breed of “prudent” revolutionaries, whose prudence proved wise yet tragic when it came to slavery, the original sin that still haunts America. Written with flair and drama, The Cause brings together a cast of familiar and forgotten characters who, taken together, challenge the story we have long told ourselves about our origins as a people and a nation.Trade Review"The Cause comes across as a special gift, the book the author most wanted to write to the reader from the great scholar." -- Robert S. Davis - The New York Review of Books"Masterly... [Ellis] deftly foreshadows all the issues that would complicate America’s trajectory and ends with a historical cliffhanger: Would the Republic survive? It did, but only when the Constitution became the embodiment of The Cause....Can America be truly great if we are built on a foundation that includes slavery?... [Ellis] would say that while the Constitution contains that terrible defect, it also contains the cure for democracy’s wrongs — if we choose to use it." -- Richard Stengel - The New York Times Book Review"No one would accuse Joseph J. Ellis of making history dull. He is a masterly story-teller." -- T. H. Breen - The Times Literary Supplement

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Book SynopsisThis is the extraordinary history of the hidden civilizations of the first people of the South American Andes, with over 200 photographs and illustrations. This is a fascinating in-depth guide to the mysterious Inca world, providing an extraordinary insight into everyday life. It offers a vivid account of how the Chavin, Nazca, Moche, Wari, Tiwanaku, Chimu, Inca and other people lived. It explores the daily life of the Incas from birth and childhood, to adulthood, marriage, the rituals of death and burial. Chart the progression of Andean societies from primitive villages to the busy, bustling cities of the Late Horizon period including Tiwanaku, Chan Chan and Cuzco. 200 stunning colour photographs, illustrations and detailed maps accompany a lively text, to create a glorious vision of the Inca world. The lives of the ancient native people of Peru and the Andes are shrouded in mystery and mythology. This volume uncovers the day-to-day realities of the ancient Andean world. Beautiful photographs and illustrations create a pictorial timeline from the first villages to the bustling cities of the late period. Explore the working conditions of the Andean civilizations and the realities of daily life. Delve into the religion and mythology of the Inca world. With over 200 full-colour illustrations, accompanied by engaging text, timelines and a comprehensive glossary, this is a highly readable source of reference for both specialist and general reader.Trade Review"'This book takes you to the very heart of the Inca civilization. From the dizzying heights of the Andean cordilleras to the golden kingdoms of coastal Peru and onwards to the Incas the story unfolds with breathtaking clarity.' (Tony Morrison, photographer and author of Pathway to the Gods)"

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Book Synopsis'I was blown away by Layli Long Soldier's WHEREAS.' Maggie Nelson, author of The ArgonautsWHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations.A POETRY BOOK SOCIETY SPECIAL COMMENDATION.'In what is clearly a golden age for American poetry, Layli Long Soldier has to be out in front – one of the best collections of the century.' Andrew McMillanTrade ReviewIn what is clearly a golden age for American poetry, Layli Long Soldier has to be out in front – one of the best collections of the century. -- Andrew McMillan[WHEREAS] reminded me what careful language can do. It made me recommit to writing . . . and made me believe again in the power of writing and the truths that it can reveal for people and what that remembering and honoring the truth can do for the individual, but also for the group, for all of us. -- Jesmyn Ward, The New York Times I was blown away by Layli Long Soldier's WHEREAS--inspired by its trenchant, beautiful thinking about the relationship between political speech and literature's capacity to write back. And write back Long Soldier does, with a sensibility so sure of itself that I find myself simply standing back in admiration. -- Maggie Nelson, author of The ArgonautsLong Soldier reminds readers of their physical and linguistic bodies as they are returned to language through their mouths and eyes and tongues across the fields of her poems. * The New York Times Book Review *Using elliptical prose, blank spaces, crossed-out text, and Lakota words, Long Soldier articulates both her identity and her literary undertaking. * The New Yorker *Long Soldier’s movement between collective and personal makes this book intimate and urgent. She has charted new ways to write in what’s left out—and not merely in the margins either. WHEREAS offers a powerful reckoning. * National Book Critics Circle Award judges’ citation *Steeped in Native American history and current politics, Long Soldier's poetry is a melodious battle cry, an argument and a prayer for our nation's future. -- Morgan ParkerIf there's any justice in this world, Layli Long Soldier's WHEREAS will galvanize readers in the same way that Claudia Rankine did with Citizen. -- Stephen SparksLong Soldier's movement between collective and personal makes this book intimate and urgent. She has charted new ways to write in what's left out--and not merely in the margins either. WHEREAS offers a powerful reckoning. -- National Book Critics Circle Award judges' citationWHEREAS is a new offering of the deepest precedent. This gift of where as else, which no one could possibly ask for or deserve, bears and is borne by terrible and absolute testimony. Look at how we have laid waste, and how nothing in this book settles. With Long Soldier, in the interminable momentousness of her song, poetry itself is somewhere else. Maybe we can get there from there. -- Fred MotenIn Whereas, we are given a substantive act of intelligent, crafted resistance. * Harvard Review *Elegant, innovative, and necessary. * Buzzfeed *I would argue this debut is as close to a masterpiece as we can get. Released now in the UK, if you only ever read one collection of poems, may it be this. -- Anthony Anaxagoro

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Book SynopsisPacked with fascinating facts and spectacular photography, this encyclopedia brings you face to face with more than 80 peoples from around the world.Take an eye-opening tour of Earth''s landscapes and inhabitants. Discover how the Yakut people survive in the Arctic temperatures of Siberia, and why tattoos are so important in Maori culture. This fully updated edition of DK''s popular Encyclopedia of People will take you on a worldwide tour of continents, peninsulas, and islands to discover what life is like for the billions of people on our planet. The perfect companion to geography and culture projects for school-aged children, this book is a treasure trove of facts and information. From the Yanomami of the Amazon rainforest to the Miao people of Eastern China, this is a unique snapshot of the diverse and increasingly fragile cultures living in our beautiful world.

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Book SynopsisThe title of this book We Were Not the Savages speaks to the truth of what happened when Europeans invaded Mi'kmaw lands in the 17th century. Prior to the European invasion the Mi'kmaq lived healthy lives and for thousands of years lived harmoniously with nature in the land they called Mi'kma'ki. This book sets the record straight. When the Europeans arrived, they were welcomed and sustained by the Mi'kmaq. After they became well established, over the next three centuries, they turned on the Mi'kmaq; their language, culture and their way of life was systematically ravaged by the newcomers to whom they had extended human kindness. The murderous savagery of white supremacist policies that begot residential schools, Indian reserves, scalping proclamations, etc., all but wiped out the Mi'kmaw people. Yet the Mi'kmaq survived and today stand defending the land, the water and nature's bounty from the European way of life, which threatens the natural world we live in and need to survive.Since the first edition was published in 1993, Daniel Paul's ongoing research puts the lie to the mainstream record of Canadian settler colonialism and reveals that the mistreatment of Indigenous Peoples throughout the Americas is not confined to the past. In this 4th edition the author shares his research, which catalogues not only the historical tragedy but the ongoing attempts to silence the Mi'kmaq and other Indigenous Peoples. Paul's work continues to give the Mi'kmaw people a voice that must be heard. It is a guiding light in a dark world.

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Book Synopsis"Warrior Women" makes visible the ongoing intergenerational narrative reverberations (Young, 2003; 2005) shaped through Canada's residential school era which denied the communal and cultural, economic, educational, human, familial, linguistic, and spiritual rights of Aboriginal people. Attending to these narrative reverberations foregrounded the continuing colonial barriers faced by six Aboriginal post secondary students as they composed their lives in a current era of increasing standardization in Canadian universities and schools. Yet, what also became visible were ways in which the Aboriginal teachers increasingly reclaimed or drew upon their ancestral ways of knowing and being.Table of ContentsTestimonials. Acknowledgements. Dedication. Foreword to Warrior Women. Not Tomorrow … Today. Introducing Ourselves: Storied Experiences Shaping the Stories We Live By. Co-Composing Relational Narrative Inquiry. Reclaiming and Maintaining Our Aboriginal Ancestry. Reclaiming Our Ancestral Knowledge and Ways: Aboriginal Teachers Honouring Children, Youth, Families, Elders, and Communities as Relational Decision Makers. Becoming “Real” Aboriginal Teachers: Counterstories as Shaping New Curriculum Making Possibilities. Being Included in and Balancing the Complexities of Becoming an Aboriginal Teacher. Sharing Our Forward Looking Stories. Learning to See the Little Girl in the Moon: An Afterword to Warrior Women. About the contributors. Warrior Women: Remaking Postsecondary Places through Relational Narrative Inquiry. Advances in Research on Teaching. Advances in Research on Teaching. Copyright page. Group Photo from Winnipeg Fall 2008. References.

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Book SynopsisThe Inuit have experienced colonization and the resulting disregard for the societal systems, beliefs and support structures foundational to Inuit culture for generations. While much research has articulated the impacts of colonization and recognized that Indigenous cultures and worldviews are central to the well-being of Indigenous peoples and communities, little work has been done to preserve Inuit culture. Unfortunately, most people have a very limited understanding of Inuit culture, and often apply only a few trappings of culture - past practices, artifacts and catchwords -to projects to justify cultural relevance.Inuit Qaujimajatuqangit - meaning all the extensive knowledge and experience passed from generation to generation - is a collection of contributions by well- known and respected Inuit Elders. The book functions as a way of preserving important knowledge and tradition, contextualizing that knowledge within Canada's colonial legacy and providing an Inuit perspective on how we relate to each other, to other living beings and the environment.

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Book SynopsisWith a new afterword by the authorsA powerful, intimate collection of conversations with Indigenous Americans on the climate crisis and the Earth’s future Although for a great many people, the human impact on the Earth—countless species becoming extinct, pandemics claiming millions of lives, and climate crisis causing worldwide social and environmental upheaval—was not apparent until recently, this is not the case for all people or cultures. For the Indigenous people of the world, radical alteration of the planet, and of life itself, is a story that is many generations long. They have had to adapt, to persevere, and to be courageous and resourceful in the face of genocide and destruction—and their experience has given them a unique understanding of civilizational devastation. An American Library Association Notable Book, We Are the Middle of Forever places Indigenous voices at the ce

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Book SynopsisDetails why the arts encourage us to show that we care about important thingsTrade Review"Ellen Dissanayake gives us a deep and even moving investigation of art’s capacity to touch every corner of our emotional lives." -- Denis Dutton * Washington Post *"Not since Dewey's Art as Experience has there been such an impressive effort to develop a naturalist aesthetics that also takes into account the experience of transcendence." -- Thomas Leddy * Journal of Aesthetics and Art Criticism *"Dissanayake offers an account of the origin of the arts and a cleverly argued case for a naturalist aesthetics. The premise is that 'the biological phenomena of love is originally manifested-expressed and exchanged-by means of emotionally meaningful rhythms and modes that are jointly created and sustained by mothers and their infants in ritualized, evolved interaction,' and that 'from these rudimentary and unlikely beginnings grow adult expressions of love, both sexual and generally affirmative, and the arts.'..The work draws on disciplines ranging from cultural anthropology and art history to evolutionary psychology and cognitive archaeology, with contributions from infant and developmental psychology and neuroscience..Well researched and interestingly written." * Choice *Table of ContentsList of Illustrations Preface Introduction: Love and Art Mutuality Belonging Finding and Making Meaning "Hands-on" Competence Elaborating Taking the Arts Seriously Appendix: Toward a Naturalistic Aesthetics Notes References Cited Index of Names Index of Subjects

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Book SynopsisExplore the spiritual practices, legends, and traditions of various Indigenous tribes throughout the North American continent. The Indigenous peoples of North America have followed a wide variety of spiritual traditions, many of which have been carried on to present day. Native American Spiritualism offers powerful insight into the origins and practices of Indigenous American spirituality while also providing guidance to help unlearn colonialist perspectives of Indigenous cultures and embrace an enlightened, nature-focused existence full of traditions of your own making. This multifaceted guide to discovering your spirituality provides lessons on: Oral Traditions and the historical events of Mythic Time Key value systems of eight Nations, including the Chippewa, Sioux, and Chumash Nations Native American seasonal ceremonies and their cultural significance Everyday life in the Nations, including common foods, clothes, objects, and games And more! As with every title in the Mystic Traditions series, Native American Spiritualism is a celebration of a unique and beautiful culture. As such, the subject matter and content has been treated with the utmost care and respect to ensure an accurate and reverent presentation that is accessible to a variety of audiences, and serves to further educate and foster support for these rich practices and traditions for years to come. Illustrated with stunning imagery, Native American Spiritualism is a must-read for practitioners who wish to explore the origins of their craft and practices. The Mystic Traditions series explores mystical and spiritual traditions and magical practices from around the world from a modern perspective. These guides offer concise introductions to the origins of mystical practices; explain key concepts, figures, and legends in these traditions; and give straightforward and engaging instruction on how to connect directly with these practices through rituals, spells, and more. Also from the Mystic Traditions series: Celtic Mysticism, Zen Buddhism. Trade Review"Too often Native American cultures are treated as a monolith and viewed from a colonist’s perspective. To counter the shallow, misleading stereotypes and cultural appropriation, Native American Spiritualism gathered information about spiritual traditions from each nation’s community to help readers appreciate these rich and complex cultures." * Booklist *"Illustrated with stunning imagery, Native American Spiritualism will be of immense value for readers with an interest in Shamanism, Native American Religion, and Metaphysical Studies. An essential resource for aspiring practitioners as an introduction to the origins of Native American religious and spiritual practices and belief systems." * Midwest Book Review *

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Book SynopsisThe no. 1 bestselling author of Collapse and Guns, Germs and Steel explores the profound lessons that traditional societies offer us todayOver the past 500 years, the West achieved global dominance, but do Westerners necessarily have better ideas about how to raise children, care for the elderly, or simply live well? In this epic journey into our past, Jared Diamond reveals that traditional societies around the world offer an extraordinary window into how our ancestors lived for the majority of human history - until virtually yesterday, in evolutionary terms. Drawing on decades of his own fieldwork, Diamond explores how tribal people approach essential human problems, from health and diet to conflict resolution and language, and discovers they have much to teach us.Jared Diamond is the Pulitzer Prize-winning author of the seminal million-copy-bestseller Guns, Germs, and Steel, which was named one of TIME''s best non-fiction books of

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Book SynopsisA pathbreaking look at Native women of the early South who defined power and defied authorityTrade Review“An artful, powerful book. Alejandra Dubcovsky has created a substantial contribution to our knowledge of women in the so-called ‘forgotten centuries’ of European colonialism in the southeast.”—Malinda Maynor Lowery, author of The Lumbee Indians“A remarkable book. Alejandra Dubcovsky pursued relentless research to uncover the histories of women previously unseen, even unnamed. As Dubcovsky shows, they had names, they had families, they had lives that mattered. The historical landscape is transformed by their presence.”—Lisa Brooks, author of Our Beloved Kin“Phenomenal. This pathbreaking scholarship returns our attention to the Indigenous women who shaped the early south. Blending Indigenous studies and historical methodologies, Dubcovsky offers innovative accounts of Native power and survivance amidst colonial invasion.”—Elizabeth Ellis, Princeton University“Dubcovsky breathes vibrant life into documentary fragments as she expertly leads her readers through the Spanish colonial archive to rediscover the many women—be they Timucuan, Apalachee, Spanish or African—awaiting scholarly resurrection.”—Juliana Barr, Duke University“Carefully researched and evocatively written, Dubcovsky’s book centers Indigenous women in the history of the early South, offering a timely reminder that stories of war, empire, and Indigenous worlds are transformed when we attend to women’s power.”—Joshua Piker, William and Mary Quarterly

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Book SynopsisExplores the possibilities that indigenous thought and traditions have for emancipatory, decolonial, feminist societies beyond the stateTrade Review'Anarchists have much to learn from indigenous struggles for decolonization. This thought provoking collection of interviews with indigenous activists offers insight into points of contact, affinities and tensions.' -- Lesley J. Wood, Professor of Sociology, York University, Toronto'Combines rich and arresting reflections on anarchism and indigenism with an incisive analysis of the complexities, tensions and affinities of anarchist and indigenous politics. Vigorously affirming anarchism’s plurality, Dupuis-Déri and Pillet also make a powerful case for the reconfiguration of anticolonial struggle.' -- Ruth Kinna, Loughborough University Anarchism Research Group'Timely, finely-tuned, and establishes anarcho-indigenism as a constellation of personal, political, and theoretical relationships that are crucial for decolonizing Turtle Island and imagining new ways for Indigenous Peoples and Settlers to live and work together.' -- Richard Day, Associate Professor, Queen's University and author of ‘Gramsci Is Dead’'[A] vital conversation between anarchists and leading Indigenous activists and intellectuals ... who together explore the relationship between anarchist and resurgent Indigenous politics. At its best, this book is an invitation to non-indigenous anarchists to (re)consider revolutionary politics by taking up the “political histories and current lived experiences of Indigenous communities seriously”.' -- Elaine Coburn, Director of the Centre for Feminist Research, York University, TorontoTable of ContentsIntroduction (Francis Dupuis-Déri and Benjamin Pillet) 1. Gord Hill: Anarcho-punk — anticolonialism and anticapitalism — solidarity — political violence — anarchism as a culture — survival in the wilderness — indigeneity in the Americas 2. Roxanne Dunbar-Ortiz: American Indian Movement (AIM) — Wounded Knee incident — Black Power and struggle against apartheid — History of New-Mexico — Marxism and colonialism — First Peoples and the working class — the Anarchists — franchise or settler colonialism 3. Clifton Ariwakehte Nicholas: Anarchism and First Peoples — Colonialism and its beginnings — Nationalism and language — the reservation system — religion — complicated allyship — the warriors — political violence and its consequences — the military — Palestine, Greece, Chiapas 4. Véronique Hébert: Anarchist theater — kids — words that do not exist — what is Anarchism — Indigeneity in the Americas — the Polytechnique massacre and the Oka crisis — women and feminism — spirituality — Colonialism and Decolonialism — Cultural blending and métissage 5. Freda Huson and Toghestiy: environmentalism and traditionalism — struggles against pipelines and the oil industry — defending life and the territory — the band council system 6. J. Kēhaulani Kauanui: Discovering American Anarchism — Hawai’i — the Occupy movement — the United States context — the Mâori — Palestine — feminism and queerness — how to talk about anarchism at the university and on the radio

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Book SynopsisNitasha Tamar Sharma maps the context and contours of Black life in Hawai?i, showing how despite the presence of anti-Black racism, the state's Black residents consider it to be their haven from racism.Trade Review“Highlighting the place of Hawai‘i as a site for analyzing the most pressing cultural, political, and economic currents facing our world, Nitasha Tamar Sharma provides a unique and nuanced view into the complex flows of Islander life while creating new spaces for Black and multiracial voices that are all too frequently silenced. This much-needed work makes an important contribution to theorizing race and indigeneity together in American studies, ethnic studies, African American studies, and Native and Indigenous studies.” -- Ty P. Kawika Tengan, author of * Native Men Remade: Gender and Nation in Contemporary Hawai‘i *“This is an elegantly written, trenchantly argued, and persuasively rendered ethnography of African Americans in Hawai‘i. It is simultaneously a landmark pointing the way to how the United States itself may evolve in the twenty-first century as it comes to resemble, racially and ethnically, the vibrant fiftieth state.” -- Gerald Horne, author of * The White Pacific: U.S. Imperialism and Black Slavery in the South Seas After the Civil War *"Hawaiʻi Is My Haven is an ambitious and original work of scholarship. By focusing on an oft-overlooked demographic, it creates a fuller, more accurate picture of Hawaii’s history." -- Eric Stinton * Honolulu Civil Beat *"This book will be of interest to scholars of Pacific settlement histories, transnational and ethnocultural identities, colonialism, and indigenous activism. For those teaching Pacific studies courses, this volume adds a new dimension to Hawaiian histories of migration, settler colonization, and multiculturalism, as well as current alignments in social justice movements." -- Michelle Ladwig Williams * Pacific Affairs *"This is an interesting and important work for scholars in the fields [of Native and Indigenous studies, mixed-race studies, African American studies, American studies, and ethnic studies.] But for Hawaiian scholars and/or activists invested in a more pono future for Hawai‘i, this book is required reading." -- Bryan Kamaoli Kuwada * Native American and Indigenous Studies *Table of ContentsAcknowledgments xi Introduction: Hawaiʻi Is My Haven 1 1. Over Two Centuries: The History of Black People in Hawaiʻi 37 2. "Saltwater Negroes": Black Locals, Multiracialism, and Expansive Blackness 71 3. "Less Pressure": Black Transplants, Settler Colonialism, and a Racial Lens 120 4. Racism in Paradise: AntiBlack Racism and Resistance in Hawaiʻi 166 5. Embodying Kuleana: Negotiating Black and Native Positionality in Hawaiʻi 217 Conclusion: Identity↔Politics↔Knowledge 261 Notes 279 Bibliography 305 Index 331

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Book SynopsisNaomi Angel analyzes the visual culture of reconciliation and memory in relation to the Truth and Reconciliation Commission that Canada established in 2008 to review the history of the Indian Residential School system, a brutal colonial project that killed and injured many Indigenous children.Table of ContentsPreface. Tracing Memory in Naomi Angel’s Archive / Jamie Berthe and Eugenia Kisin ix Acknowledgments / Marita Sturken and Faye Ginsburg xix Introduction. Reconciliation and Remembrance 1 1. Reconciliation as a Way of Seeing: The History and Context of the Indian Residential School System 19 2. Images of Contact: Archival Photographs and the Work of Reconciliation in Canada 54 3. Nations Gather: Public Testimony and the Politics of Affect 90 4. Reconciliation as a Ghostly Encounter: Discourses of Haunting and Indian Residential Schools 125 Conclusion. Fragments of Truth: Concluding Gestures 160 Notes 167 Bibliography 189 Index 207

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Book SynopsisFilled with stories of family, food, and culture, and interwoven with personal recipes and photographs taken by the author, My Father's Smokehouse folds the reader into a beautiful island landscape."Prescott emphasizes the importance of learning the traditional values of where one lives, gratitude for what the land and sea provide, and the responsibility to share with community."—Anchorage Daily News"[Prescott’s] book is filled with traditions, memories and stories surrounding Southeast Alaska life, including a family’s perseverance, the wisdom of Sámi and Tlingit cultures, and respect for elders and their knowledge of the culture. The smokehouse at the fish camp is named after her father."—Wrangell SentinelThe smokehouse at Mickey's Fishcamp holds more than fish. It is filled with traditions, memories, and stories of a thriving Southeast Alaskan life—of a family's perseverance, of the wisdom of Sámi and Tlingit cultures, and of respect for Elders and their knowledge of the natural world.Mickey's Fishcamp is named after three generations of Prescott fishermen who commercially fished the waters of the Inside Passage, and is located near one of the oldest Tlingit settlements in Wrangell, Alaska. Here, next to the rainforest and sea, author Vivian Faith Prescott has found her place in the world. She is a student and teacher of the natural environment—harvesting spruce tips, berries, sea lettuce, and goose tongue and processing salmon, halibut, and hooligan—who combines traditional practices with modern knowledge.Heartwarming and introspective, My Father's Smokehouse tells one woman's stories of Traditional Knowledge that is learned and passed on, from one generation to the next.Table of ContentsIntroduction: Sense of Time, Sense of Seasons: Sea and Forest Seasoning; Spruce Tip Juice & Salt FIRST FISHCAMP CYCLE Skunk Cabbage: A Harbinger of Spring: Roasted Salmon in Skunk Cabbage Leaves Harvesting the Soon Bloom: Oven-Dried Popweed Ceremony: Cute-Little-Raven's Herring Egg Salad Eat Your Trees: Spruce Tip Iced Tea My Father's Smokehouse: Fishcamp Salmon Spread; Dad's Salmon Spread Lessons from the Devil's Club Lady: Black Bean Salad with Devil's Club Tips The Underside of Leaves: Salmonberry Scones A Family of Crabbers: Island Crab Cakes; Spruce Tip Mayonnaise; Wild Alaskan Berry Sauce Art-Thinking at Mickey's Fishcamp: Salmonberry–Spruce Tip Artisan Butter Being Mummo: Foraging for Goose Tongue: Wrangell Ranch Dressing 13 Ways of Looking at Dog Salmon: Fishcamp Ikura (Salmon Caviar) Afloat: Spruce Tip–Labrador Tea–Salmonberry-Infused Water Halibut Sustains Us: Halibut Crepes Backyard Glaciers: Tote Ice Tea for Community: Labrador Tea Encounters with the Giant Pacific Octopus: Smoked Octopus Salad Red Huckleberry: Food for Songbirds: Mickey's Huckleberry Dream Pie Wrangell Winter Games: Shrimp Sandwiches Winter Stories: Salmon Patties; Spruce Tip Tartar Sauce; Fireweed Dipping Sauce SECOND FISHCAMP CYCLE Field Guide to Finding Hope: Put an Egg on it and Dip it in Coffee Gathering Red Seaweed: Dried Red Seaweed A Bunch of Hooligans: Smoked Hooligan Fresh Spring Rolls Carrying on Traditions: Spruce Tip Oatmeal; Spruce Tip Toast The Art of Salmon: Fishcamp Salmon Tacos The Treat Beneath Your Feet: Dried Sea Lettuce Muskeg Love: Muskeg Muffins Gifts from the Porcupine: Spruce Tip Chocolate Brownies It's the Little Fish in Life: Rainbow Smelt: Fried Rainbow Smelt (How Dad Does It) The Bunchberry Yoik: Mixed Alaskan Berry Hand Pies Lungs of the Island: Usnea Tea Highbush Cranberries and Traditional Values: Highbush Cranberry Jelly Listening to the Forest: "Stop the Shouting and Listen to the Sunset" Stink Currants and Landslides: Stink Currant Jelly Winter Blues: Blueberry Water; Winter Blueberry Smoothie Salmon Head Soup: Salmon Head Soup The Practice of Gifting: Spruce Tip Sugar Cookies Winter Kings: White King Salmon Chowder What I've Learned from Living at Fishcamp: Mickey's Fishcamp Tips

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Book SynopsisAn enlightening global journey reveals the inextricable links between Indigenous cultures and their lands—and how it can form the foundation for climate change resilience around the world. *NAUTILUS Award Grand Prize-Winner*One cannot turn on the news today without a report on an extreme weather event or the latest update on Antarctica. But while our politicians argue, the truth is that climate change is already here. Nobody knows this better than Indigenous peoples who, having developed an intimate relationship with ecosystems over generations, have observed these changes for decades. For them, climate change is not an abstract concept or policy issue, but the reality of daily life. After two decades of working with indigenous communities, Gleb Raygorodetsky shows how these communities are actually islands of biological and cultural diversity in the ever-rising sea of development and urbanization.  They are an “archipelago of hope

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Book SynopsisOver 500,000 years ago, a single gene mutated. It spread over time, becoming critical in the journey that transformed our earliest ancestors into fully modern humans, capable of navigating the entire planet and beyond.A few thousand years ago, humans started outsourcing knowledge to writing, displacing art and music from the heart of learning.This is the extraordinary story of a gene that makes us uniquely human. Dr Lynne Kelly recounts how a widespread congenital disorder was the critical clue she and her collaborators needed to identify this gene as the supergene that has long eluded researchers into human cognition.The knowledge gene supercharged our ability to learn and share knowledge with others, explaining the prodigious memories of Indigenous people the world over. The knowledge gene unlocks many other puzzles too. It explains for the first time why humans are the only species to make art, offers new insights into the earliest music and storytelling, and discusses the cognitive strengths of neurodivergent people.The Knowledge Gene shows that we can all access the full power of our memories, without giving up any of the advantages of writing and technology. The implications for learning and creativity at any age are profound.

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