History Books

Book SynopsisIn parks, on downlands and heaths, by motorways, overlooking firths: the racecourses of Britain and Ireland are as various as the people you meet there. Some - Newmarket, Epsom, the Curragh - are rich in history, and among the most celebrated sporting venues in the world; others - Fakenham, Bangor-on-Dee, Perth - offer more modest but no less enjoyable spectacles.Journeying round these courses, Nicholas Clee meets the people who bring them to life: from those in the spotlight, including a Grand National-winning jockey, Derby-winning owner and top TV commentator; to many others with key roles in the sport - bookmakers, form experts, racecourse managers and more. From them, he learns about the bravery, dedication, skill and expertise that make racing one of our most popular spectator sports.Whether basking in sunshine or sheltering from a hurricane, sampling a variety of pies or recoiling from the world''s worst curry, losing his money with the bookies or at the Tote wTrade ReviewDelightful digressions into the histories of the tracks and into every aspect of racing . . . The racecourse visits are spiced with anecdotes and gentle wit . . . fun, quirky and informative * Literary Review *Gripping stories of famous horses, jockeys and trainers, along with a history of racing itself . . . This is a book for racing enthusiasts, whether course-goers or chairbound -- Anne de Courcy * The Spectator *A picture of the modern horse-racing industry . . . evocative . . . he describes the racetrack experience perfectly . . . Already acclaimed for his book on Eclipse, Mr Clee has produced another winner * Country Life *Authoritative . . . admirably detailed and comprehensive . . . in its discursive way it is very much a guide to racing - thoroughbreeding, training and ownership, gambling, the lot . . . very interesting * Times Literary Supplement *

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Book SynopsisSHORTLISTED FOR BEST SPORTS WRITING AT THE 2024 SPORTS BOOK AWARDSIn parks, on downlands and heaths, by motorways, overlooking firths: the racecourses of Britain and Ireland are as various as the people you meet there. Some - Newmarket, Epsom, the Curragh - are rich in history, and among the most celebrated sporting venues in the world; others - Fakenham, Bangor-on-Dee, Perth - offer more modest but no less enjoyable spectacles.Journeying round these courses, Nicholas Clee meets the people who bring them to life: from those in the spotlight, including a Grand National-winning jockey, Derby-winning owner and top TV commentator; to many others with key roles in the sport - bookmakers, form experts, racecourse managers and more. From them, he learns about the bravery, dedication, skill and expertise that make racing one of our most popular spectator sports.Whether basking in sunshine or sheltering from a hurricane, sampling a variety of pies or recoiling

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Book SynopsisFor most of the twentieth century, the Mr. America image epitomized muscular manhood. From humble beginnings in 1939 at a small gym in Schenectady, New York, the Mr. America Contest became the world’s premier bodybuilding event over the next thirty years. Rooted in ancient Greek virtues of health, fitness, beauty, and athleticism, it showcased some of the finest specimens of American masculinity. Interviewing nearly one hundred major figures in the physical culture movement (including twenty-five Mr. Americas) and incorporating copious printed and manuscript sources, John D. Fair has created the definitive study of this iconic phenomenon.Revealing the ways in which the contest provided a model of functional and fit manhood, Mr. America captures the event’s path to idealism and its slow descent into obscurity. As the 1960s marked a turbulent transition in American societyfrom the civil rights movement to the rise of feminism and increasing acceptance of homosexuaTrade ReviewFair’s book is deftly written and superbly researched. I have little doubt that this volume will remain one of the best sources for both the story of American bodybuilding and the “tragic history” of its most famous contest. * Journal of Sport History *Table of Contents Preface Introduction Part 1: Precedents 1. The Greek Ideal 2. The Athletic Body Part 2: The Golden Age 3. The First Mr. America Contests 4. The Glory Years 5. Multiple Mr. Americas 6. Winds of Change Part 3: Decline and Fall 7. The Arnold Era 8. The Sprague Revolution 9. Professionalizing Amateurism 10. Eclipse of an Icon Epilogue and Conclusion Appendix: Mr./Ms. America Titlists Notes Bibliography Index

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Book SynopsisExplores the role of the North Caucasus as the first borderland between the Ottoman and Russian Empires in the 16th century

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Book SynopsisIs Latinidad a racial or an ethnic designation? Both? Neither? The increasing recognition of diversity within Latinx communities and the well-known story of shifting census designations have cast doubt on the idea that Latinidad is a race, akin to white or Black. And the mainstream media constantly cover the browning of the United States, as though the racial character of Latinidad were self-evident. Many scholars have argued that the uncertainty surrounding Latinidad is emancipatory: by queering race-by upsetting assumptions about categories of human difference-Latinidad destabilizes the architecture of oppression. But Laura Grappo is less sanguine. She draws on case studies including the San Antonio Four (Latinas who were wrongfully accused of child sex abuse); the football star Aaron Hernandez's incarceration and suicide; Lorena Bobbitt, the headline-grabbing Ecuadorian domestic-abuse survivor; and controversies over the racial identities of public Latinx figures to show how mediaTrade Review[Conjured Bodies] provides an accessible and significant exploration of the construct of race in the U.S. Grappo’s book provides an insightful and engaging discussion of the importance of understanding both the value and danger of malleability...Grappo’s book provides thought provoking and gripping arguments about the possible consequences, harms, and issues of conjured identities, images, and bodies that is well positioned in current explorations of intersectionality...a necessary read for any serious student and scholar of Latinidad. * Ethnic and Racial Studies *Conjured Bodies expands the understanding of the politics of race and sexuality within Latinidad—the notion of a shared Latin American identity—by introducing readers to the concepts of Latinx ambiguity and queer racialization...Conjured Bodies is a vital addition to mainstream media research within Latinx studies, media studies, queer studies, and critical ethnic studies…Highly recommended. * CHOICE *Conjured Bodies is an impactful study that opens conversations on spectrality and racial categorizations, allowing scholars in Latinx studies, gender studies, LGBTQ+ studies, media studies, carceral studies, and hauntology to build on the author’s interdisciplinary research. * Aztlán: A Journal of Chicano Studies *Table of Contents Acknowledgments Introduction. “The browning of America”: Conjured Bodies and Queer Racialization Chapter 1. “This could be Satanic-related”: Fantasies of Innocence and Criminalization in the Case of the San Antonio Four Chapter 2. “A life is worth more than a penis”: Lorena (Gallo) Bobbitt and the Domestication of Abuse Chapter 3. “A troubled, battered mind”: The Queer Lives and Deaths of Aaron Hernandez, 1989–2017 Chapter 4. “Who’s going to tell Sammy Sosa he is Afro-Latino?”: Transraciality and Panethnic Latinx Authenticity Conclusion. “Feeling brown”: Conjuring Latinidad, Here and Now Notes Bibliography Index

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Book SynopsisA dramatic retelling of the final years of the Western Roman Empire and the downfall of Rome itself from the perspective of the Roman general Stilicho and Alaric, king of the Visigoths.It took little more than a single generation for the centuries-old Roman Empire to fall. In those critical decades, while Christians and pagans, legions and barbarians, generals and politicians squabbled over dwindling scraps of power, two men former comrades on the battlefield rose to prominence on opposite sides of the great game of empire.Roman general Flavius Stilicho, the man behind the Roman throne, dedicated himself to restoring imperial glory, only to find himself struggling for his life against political foes. Alaric, King of the Goths, desired to be a friend of Rome, was betrayed by it, and given no choice but to become its enemy. Battling each other to a standstill, these two warriors ultimately overcame their differences in order to save the empire from enemies on

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Book SynopsisA fully illustrated study into the extraordinary Convair B-36 during the Cold War.Conceived during 1941 in case Germany occupied Britain, when US bombers would then have insufficient range to retaliate, the B-36 was to be primarily a 10,000-mile bomber' with heavy defensive armament, six engines and a performance that would prevent interception by fighters. Although rapid developments in jet engine and high-speed airframe technology quickly made it obsolescent, the B-36 took part in many important nuclear test programmes. The aircraft also provided the US nuclear deterrent until the faster B-52 became available in 1955. It was one of the first aircraft to use substantial amounts of magnesium in its structure, leading to the bomber's Magnesium Overcast' nickname. It earned many superlatives due to the size and complexity of its structure, which used 27 miles of wiring, had a wingspan longer than the Wright brothers' first flight, equivalent engine power to 400 cars, the same inteTable of Contents1. Bigger and Bolder 2. Birth of a Heavyweight 3. Test and Development 4. Service Entry 5. Doomsday Bomber 6. Global Reach 7. Many Crew, Many Tasks 8. Massive Changes Appendices Colour Plates Commentary Index

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Book SynopsisA beautifully illustrated history of the iconic ocean-going gunboats of British ''gunboat diplomacy'', the hundreds of little warships that for 50 years demonstrated the power of the Royal Navy worldwide, and which maintained and enforced the rule of the British Empire at its peak.In recent years the phrase ''gunboat diplomacy'' has been used to describe the crude use of naval power to bully or coerce a weaker nation. During the reign of Queen Victoria, ''gunboat diplomacy'' was viewed very differently. It was the use of a very limited naval force to encourage global stability and to protect British overseas trade. This very subtle use of naval power was a vital cornerstone of the Pax Britannica. Between the Crimean War (185456) and 1904, when the gunboat era came to an abrupt end, the Royal Navy's ocean-going gunboats underpinned Britain's position as a global power and fulfilled the country's role as a ''global policeman''.Created during the Crimean War, these gunboats first sTrade ReviewThese engaging illustrated texts provide an overview of ships and activities that have come to define late 19th century imperialism. -- Andrew Lambert * The Naval Review *Table of ContentsINTRODUCTION DESIGN, DEVELOPMENT AND FUNCTION -The Crimean gunboats -The gunvessels -From wood to iron -Changing roles -From gunvessel to sloop -The last Victorian gunboats GUNBOATS IN ACTION FURTHER READING INDEX

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Book SynopsisWith the Axis Powers ejected from North Africa, the Western Allies look to take the fight across the Mediterranean and into Mussolini's Italy. This supplement for Bolt Action focuses on Operation Husky, the airborne and naval invasion of Sicily, the hard-fought battles in the villages and rugged mountain passes of that island, and the advance up the Italian Peninsula towards Rome. With a host of scenarios, new units, special rules, and Theatre Selectors this book contains everything players need to refight these important battles in defence of the Regno d'Italia or to strike at the underbelly of Axis-controlled Europe.

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Book SynopsisKristen Ghodsee recuperates the lost history of feminist activism from the so-called Second World, showing how women from state socialist Bulgaria and socialist-leaning Zambia created networks and alliances that challenged American women's leadership of the global women's movement.Trade Review"An engaging narrative of feminist movements during the Cold War. . . . [Ghodsee's] work is vital in documenting a neglected component of feminist history while illuminating a new resource for feminist theorists and activists interested in thinking about the political project of gender justice outside the confines of dominant, Western, liberal feminism. Recommended. Advanced undergraduates through faculty and professionals; general readers." -- C. E. Rasmussen * Choice *"Second World, Second Sex is a must read for anyone hoping to understand the complexities of a global women’s rights movement that goes beyond the boundaries of Western, liberal feminism." -- Tony Pecinovsky * People's World *"A powerful reminder that ultimately structural conditions are of prime importance if women’s emancipation is to succeed. . . . Ghodsee’s book ultimately reminds as, through the often moving testimonies of former activists she has collected, that women’s activism, also when attached to or even dominated the state, can be effective and progressive." -- Tanja R. Müller * Twentieth-Century Communism *"Interrogating why the activities of women in countries with strong states promoting gender equality should be deemed inauthentic vis-à-vis those in democracies that perpetuate patriarchal norms, alongside rendering the Cold War as a battle between not just capitalism and communism but also competing visions of feminism, Second World, Second Sex is essential reading for anyone in any field interested in women’s activism in the twentieth century." -- Christine Varga-Harris * Slavic Review *“Besides offering a masterful reconstruction of Cold War women’s activism and East-South alliances, Second World, Second Sex provides its readers with extensive and previously uncovered historical documentation, together with important methodological reflections on feminist knowledge production. The book will be of great interest for historians of gender, transnationalism, and the Cold War, and will undoubtedly expand the scope of scholarly research on transnational women’s and feminist history.” -- Chiara Bonfiglioli * American Historical Review *“The Cold War’s end has seen the vision and achievements of the socialist women’s activists marginalized, devalued, and almost forgotten, the neoliberal consensus quickly undoing in the East and South many of the rights which had been so dearly won. Ghodsee articulates a concern that powerful forces in the West still conspire to suppress or delegitimize histories that take state socialist women’s activism seriously…. Ghodsee’s persistence and peerless scholarship have ensured that it will not be allowed to disappear from the mainstream narratives of feminism.” -- Dominic Martin * Journal of the Royal Anthropological Institute *"Second World, Second Sex has to be strongly recommended not only to scholars in Slavic studies, feminist, gender and postcolonial studies, as well as international relations, but to all those who have high expectations of the current trend of re/connecting the feminist and the climate change movements, as well as the new global actions combating inequality, racism and violence against women and girls, as necessary actions to restore the political relevance to transnational women’s organizing efforts, as was the case in the 1970s and 1980s.” -- Renata Jambrešic Kirin * Wagadu *“Ghodsee beautifully describes the relationships that she established with women’s activists throughout the course of her research.... This is why her book is so important: it challenges hegemonic accounts of both Cold War politics and the international Decade for Women.” -- Jennifer Erickson * American Ethnologist *“Ghodsee makes her argument skillfully and with clarity. . . . This is an impressively ambitious book with an undeniably original topic and a bold argument.” -- Alexandra Ghit * International Review of Social History *Table of ContentsAbbreviations and Acronyms viii Note on Translation and Transliteration xiii Acknowledgments xv Introduction. Erasing the Past 1 Part I. Organizing Women under Socialism and Capitalism 1. State Feminism and the Woman Question 31 2. A Brief History of Women's Activism in Domestic Political Context: Case 1: Bulgaria 53 3. Emancipated Women and Anticommunism in the American Political Imagination 76 4. A Brief History of Women's Activism in Domestic Political Context: Case 2: Zambia 97 5. Sandwiched between Superpowers 121 Part II. The Women's Cold War 6. The Lead-Up to International Women's Year 135 7. Historic Gatherings in Mexico and the German Democratic Republic 146 8. Preparing for the Mid-Decade Conference 160 9. The Third Week in July 174 10. School of Solidarity 186 11. Strategizing for Nairobi 198 12. Showdown in Kenya 207 Conclusion. Phantom Herstories 221 Appendix. A Few Reflections on the Challenges of Socialist Feminist Historiography 244 Notes 249 Selected Bibliography 283 Index 301

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Book SynopsisFrom acclaimed aviation historian Michael Napier, this is a highly illustrated survey of the aerial fighting in the flashpoints of the Cold War.The Cold War years were a period of unprecedented peace in Europe, yet they also saw a number of localised but nonetheless very intense wars throughout the wider world in which air power played a vital role. Flashpoints describes eight of these Cold War conflicts: the Suez Crisis of 1956, the Congo Crisis of 196065, the Indo-Pakistan Wars of 1965 and 1971, the Arab-Israeli Wars of 1967 and 1973, the Falklands War of 1982 and the IranIraq War of 198088. In all of them both sides had a credible air force equipped with modern types, and air power shaped the final outcome.Acclaimed aviation historian Michael Napier details the wide range of aircraft types used and the development of tactics over the period. The postwar years saw a revolution in aviation technology and design, particularly in the fields of missile deTrade ReviewCovering the Suez Crisis, the Congo crisis, the two Indo-Pakistan wars, the Arab-Israeli wars, the Falklands war and the Iran-Iraq war, the book casts a wide net and offers superbly researched and very detailed accounts -- Susan Wilson * Army Rumour Service *A readable compendium with much interest to Britain at War readers. -- Andrew Thomas * Britain at War *Table of ContentsForeword by Itamar Neuner, Mirage Pilot Author’s Note Chapter 1. Suez Crisis, 29 October–7 November 1956 Chapter 2. Congo Crisis, July 1960–June 1964 Chapter 3. Indo-Pakistan War, 1–23 September 1965 Chapter 4. Six-Day War, 5–10 June 1967 Chapter 5. Indo-Pakistan War, 3–16 December 1971 Chapter 6. October War, 6–25 October 1973 Chapter 7. Iran–Iraq War, 22 September 1980–20 August 1988 Chapter 8. South Atlantic War, 2 April–14 June 1982 Chapter 9. Debrief Glossary Bibliography Index

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Book SynopsisA detailed and fascinating exploration of the 1945 US combined land, naval and air operation to retake Corregidor and the other Japanese-held islands in Manila Bay from a determined and well-entrenched enemy. The islands guarding the entrance to Manila Bay, Luzon, had been seized by the Japanese in May 1942. In February 1945, US forces were back, and closed in on Manila from the north and south against heavy Japanese resistance. A joint US parachute and amphibious assault was planned to capture the largest island Corregidor, using the much-reinforced 503rd PRCT and elements of the 24th Infantry Division and 2nd Engineer Special Brigade. Facing them were over 6,000 Japanese troops recently evacuated from Bataan, where they had been cut off by advancing US forces. General MacArthur desired the island, once a symbol of American defiance, to be liberated with a flourish.This superbly illustrated work examines the ambitious US assault on Corregidor, which witnessedTable of ContentsORIGINS OF THE CAMPAIGN CHRONOLOGY OPPOSING COMMANDERS United States Japan OPPOSING FORCES United States Japan Orders of Battle OPPOSING PLANS United States Japan THE CAMPAIGN Preliminary operations: January 23–February 15, 1945 L-Day on Corregidor: February 16, 1945 Consolidation on Corregidor: February 17–20, 1945 Mop-up on Corregidor: February 21–28, 1945 Taking the outlying islands: March 3–April 16, 1945 AFTERMATH THE BATTLEFIELD TODAY FURTHER READING ACRONYMS AND ABBREVIATIONS INDEX

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Book SynopsisIn Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographers based in Senegal and Benin, Bajorek draws on formal analyses of images and ethnographic fieldwork with photographers to show how photography not only reflected but also actively contributed to social and political change. The proliferation of photographic imagery-through studio portraiture, bureaucratic ID cards, political reportage and photojournalism, magazines, and more-provided the means for west Africans to express their experiences, shape public and political discourse, and reimagine their world. In delineating how west Africans' embrace of photography was associated with and helped spur the democratization of political participation and the development of labor and liberation movements, Bajorek tells a new history of photography in west Africa-one that theorizes photography's capacity for doing decolonial work.Trade Review“With intimate ethnography, urgent activism, and an intriguing mix of methodological and theoretical tools, Jennifer Bajorek presents a compelling set of arguments about photography's critical role in producing new publics with their own forms of political imagination and civic consciousness. Her book is an absolute pleasure to read and leaves readers with tantalizing possibilities for future scholarship in other sites at the reaches of the French colonial sphere.” -- Elizabeth Harney, coeditor of * Mapping Modernisms: Art, Indigeneity, Colonialism *“Jennifer Bajorek offers a nuanced and sophisticated understanding of the transformative power of photography all while telling a compelling story packed with detail and brio. Beautifully written, highly original, and built around a core of remarkable images, Unfixed is unquestionably a major contribution.” -- Christopher Pinney, author of * Camera Indica: The Social Life of Indian Photographs *“Unfixed…moves beyond topics that are by now familiar, even canonical. Grounded in rigorous theoretical inquiry and years of in-depth research in the major cities of Senegal and Benin, the book deftly shifts the field toward new terrain. While past scholarship has been concerned with demarcating the Africanity of photography and has focused on issues of identity formation, portraiture, and the colonial gaze, Bajorek instead challenges us to pay attention to photography’s political significance to Africans.” -- Prita Meier * CAA Reviews *“Bajorek’s approach, observations, and suggestions make Unfixed an insightful and illuminating read—not only for researchers of Black or African Studies, but for anyone concerned with vernacular photography.” -- Daniela Yvonne Baumann * Camera Austria International *“[Unfixed] contributes to the dismantling of the notion of a monolithic canon of photography history.... Unfixed is a richly layered book that explores a wide variety of concepts, raising thought-provoking questions along the way.” -- Jane Darcovich * ARLIS/NA *“Jennifer Bajorek’s book is a remarkable achievement; the product of an inquiry that began in 1999 and grew through seven years of field work in Senegal and Benin, Unfixed unearths the extraordinary and largely uncharted territory of photography’s role in what she describes as the ‘decolonial imagination’ of Francophone West Africa.” -- Jordan Troeller * History of Photography *“Jennifer Bajorek’s Unfixed convincingly and eloquently discusses the role that photography played in fostering decolonial imagination among francophone west Africans. . . . [It is] an engaging and accessible read, a rich resource for scholars and students, and a welcome addition to scholarly works on African photography and decolonization.” -- Haythem Guesmi * Africa Today *Table of ContentsList of Illustrations vii A Note on Geography, Spelling, and Language xiii Preface xvii Acknowledgments xix Introduction. At Least Two Histories of Liberation 1 Part I. What Makes a Popular Photography? 1. Ça bousculait! (It Was Happening!) 41 2. Wild Circulation: Photography as Urban Media 83 3. Decolonizing Print Culture: The Example of Bingo 117 Part II. Republic of Images 4. Africanizing Political Photography 163 5. The Pleasures of State-Sponsored Photography 203 6. African Futures, Lost and Found 240 Notes 265 Bibliography 307 Index 319

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Book SynopsisExplores the history of the US Navy''s 11 new steel warships, built during the late 19th century to advance American naval supremacy.After the American Civil War, the powerful US Navy was allowed to decay into utter decrepitude, and was becoming a security liability. In 1883, Congress approved four new steel-constructed vessels called the ABCD ships. The three protected cruisers Atlanta, Boston, and Chicago were the first steel warships built for the US Navy, whose 1880s1890s technological and cultural transformation was so total it is now remembered as the New Navy. This small fleet was joined by a succession of new and distinctive protected cruisers, culminating in the famous and powerful Olympia. These 11 protected cruisers formed the backbone of the early US steel navy, and were in the frontline of the US victory in the 1898 Spanish-American War. It was these warships that fought and won the decisive Battle of Manila Bay. These cruisersTable of ContentsINTRODUCTION DEVELOPMENT USN protected cruiser hull numbers, classification and renamings DESIGN AND CONSTRUCTION Propulsion Protection Weapons THE ABC CRUISERS 1886–89 Atlanta-class (1886) USS Chicago (1889) SECOND-GENERATION CRUISERS 1889–91 USS Newark C-1 (1891) USS Charleston C-2 (1889) USS Baltimore C-3 (1890) USS Philadelphia C-4 (1890) USS San Francisco C-5 (1890) FAST CRUISERS 1894–95 USS Olympia C-6 (1895) Columbia-class (1894) OPERATIONAL HISTORY The Squadron of Evolution The Spanish–American War, 1898 Actions in the Atlantic and Caribbean Final operations 1899–1923 The preserved Olympia CONCLUSION SELECT BIBLIOGRAPHY INDEX

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Book SynopsisFeaturing rare photos, detailed colour illustrations and insignia tables, this study explores the contribution made by Czech and Slovak troops fighting alongside Allied forces during World War II. Following the Anglo-French failure at the Munich Conference in March 1938 to prevent a Nazi take-over of Bohemia-Moravia (modern Czech Republic/Czechia), many frustrated Czech and Slovak soldiers sided with Allied forces and fought alongside their armies first in Poland, then in France, and finally from Britain. Using depictions of relevant uniforms and equipment plus photos of the troops in action, military uniformology expert Nigel Thomas explains how the Czech Army was organized and how it fought alongside Allied forces in the Middle East and at Normandy. He describes the involvement of free Czech agents operating from Britain in Operation Anthropoid, the assassination of Nazi governor Reinhard Heydrich in occupied Bohemia-Moravia, and the part Czech soldiers played in mutinies in both Italy and Prague against German occupation which ultimately helped to secure a final Allied victory.Table of Contents(subject to confirmation) INTRODUCTION THE RISE AND FALL OF CZECHOSLOVAKIA – Czechoslovak armed forces: 28 Oct 1918–1 Mar 1920 – The little entente – The death of Czechoslovakia – State defence guard – Sudeten German organizations CZECHOSLOVAK ARMY ORGANIZATION: 10 SEP 1930–30 SEP 1938 – Higher formations – Infantry – Mobile forces – Artillery – Engineers – Air force – Services CZECHOSLOVAK UNIFORMS AND INSIGNIA: 10 SEP 1930 – 30 SEP 1938 CZECHOSLOVAK ARMY RANK INSIGNIA: 16 DEC 1927 – 11 MAY 1945 CZECHOSLOVAK ARMY BRANCH AND UNIT DISTINCTIONS: 1 JAN 1930 – 15 MAR 1939 FIGHTING ABROAD – Czech and Slovak legion – French Army – Middle East – Far East – Great Britain – Eastern Front – Czechoslovak air forces – Bohemia–Moravia Protectorate Government Army RESISTANCE ORGANIZATIONS – Special operations executive – Operation Anthropoid CONTINUING RESISTANCE – The battle for Prague SELECT BIBLIOGRAPHY PLATE COMMENTARIES INDEX

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Book SynopsisWhen nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as pTrade Review“Negative Exposures is a brave and revelatory book. With lyrical prose, nuanced argumentation, and a photosensitive eye, Margaret Hillenbrand limns the contours of China's contemporary cryptocracy, showing us how photographic images can work both to obscure and to bring the shadows of the historical past back into spectral presence.” -- Andrew F. Jones, Professor of Chinese, University of California, Berkeley“Negative Exposures is a boldly original book that analyzes cultural works based on photographs as objects that enable us to see and think through the unsayable in China. Margaret Hillenbrand contends that a culture of public secrecy, rather than censorship or historical amnesia, can explain how ordinary Chinese citizens fail or refuse to see and speak about difficult issues. This book is a powerful intervention that will be warmly welcomed and widely applauded.” -- Chris Berry, Kings College London“While sharply grounded in Chinese cultural history, Margaret Hillenbrand’s Negative Exposures is a valuable addition to current studies on visuality…. Negative Exposures is an insightful account of media objects’ centrality within anthropological, art-historical, literary, historical and sociological modes of analysis, binding often disparate methodologies together.” -- Shaowen Zhang * Critical Inquiry *“Margaret Hillenbrand’s incisive and beautifully composed monograph takes...‘photo-forms’—repurposed historical photographs—and their circulation as the point of departure for her fascinating excursus of public secrecy in contemporary China…. Her work could not have come at a more opportune time.” -- Patricia M. Thornton * China Quarterly *“Hillenbrand focuses on the medium of photography and its treatment of three key historical moments—the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Movement of 1989.... This is a beautifully conceived and nicely written book that is always interesting and thought-provoking.” -- Kirk A. Denton * MCLC Resource Center *“This timely book by Margaret Hillenbrand...examines the mechanism of ‘secrecy’ as a main structuring force in contemporary Chinese society.... A courageous and revelatory work like this, also beautifully written, surely blazes new trails and opens up many questions.” -- Mia Yinxing Liu * Chinese Literature *“One of the great contributions of the book is its intricate navigation across different disciplines and fields.... Filled with self-reflexive arguments, sophisticated analyses, and elegant prose, this engaging study is destined to be an important work.” -- Kun Qian * Journal of Asian Studies *“Margaret Hillenbrand’s Negative Exposures is a theoretically rich and provocative study that offers a new paradigm for thinking about Chinese cultural production under repressive governance.” -- Belinda Kong * The China Journal *“How could I write a review that could possibly do justice to this eloquently written monograph?... Negative Exposures is thought-provoking reading for scholars and research students interested in culture and history, in creativity and politics, and in control and resistance, both in China and beyond.” -- Yiu Fai Chow * China Review International *Table of ContentsSeries Editor's Preface ix Acknowledgments xi Preface xiii Introduction. Staking Out Secrecy 1 1. Don't Look Now 45 2. Keeping It in the Family 89 3. Cracking the Ice 131 4. Ducking the Firewall 168 Conclusion. Out of the Darkroom 209 Notes 225 References 245 Index 277

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Book SynopsisAn illustrated account of how the USAAF''s might was challenged by the Jagdflieger and their heavily armed, and armoured, Fw 190A-8 Sturmjäger.Developed from one of the finest fighters of World War II, the radial-engined Fw 190A-8 was conceived as a heavy assault aircraft and armed accordingly. Its mission was to provide a response to the increasing numbers of USAAF B-17 and B-24 bombers operating against targets in the western and central Reich. This book explores the fascinating feats of the men flying the Fw 190A-8 and its subvariants. These pilots were given exceptional training and many were volunteers, some of whom were willing to sign oaths that they would bring down a bomber at all costs even if it meant ramming the enemy aircraft. Using first-hand accounts, archival photos, full-colour illustrations, maps and tactical diagrams, acclaimed Luftwaffe expert Robert Forsyth puts readers in the cockpit of a Sturmjäger defendin

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Book SynopsisIn Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China''s Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism. Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao''s attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close. Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies. He also examines the ShanghTrade Review“Published forty years after Mao's death, Alessandro Russo's Cultural Revolution and Revolutionary Culture must be seen as the first book that studies China's Cultural Revolution from the intellectual point of view of the central question of this extraordinary movement itself: what can the real destiny of the communist idea be after fundamental experiments at the level of the state power in Russia and China? Across a precise experience made of readings of all sort of texts written in the fire of the movement or after, historical clarifications of some crucial sequences, personal inquiries, and intellectual synthesis, Russo simultaneously proposes a sort of complex but clear image of the event and an essential examination of its strategic goals and final failure. All that in the direction of a clear understanding of the possibility of a new communism.” -- Alain Badiou“This book should be widely read. Alessandro Russo is an inventive, creative philosopher who contributes new materials, new interpretations, and new ways of examining the Cultural Revolution.” -- Tani Barlow, George and Nancy Rupp Professor of Humanities, Rice University" A model of historical inquiry that should be read by those interested in modern Chinese and East Asian history and revolutionary movements in general." -- M. J. Wert * Choice *"For all who would pose the question, What is a Revolution? in its political and theoretical registers, Russo’s book is invaluable. It should be widely read, both inside and outside the China field." -- Christopher Connery * PRC History Review *Table of ContentsAcknowledgments vii Introduction 1 Part I. A Theatrical Prologue 1. Afterlives of an "Upright Official" 11 2. Political and Historical Dilemmas 26 3. An Unresolved Controversy 48 Part II. Mao's Anxiety and Resolve 4. A Probable Defeat and Revisionism 91 5. Shrinking the Cultural Superego 104 Part III. A Political Test for Class Politics 6. Testing the Organization 141 7. A Subjective Split in the Working Class 167 8. Facing a Self-Defeat 204 Part IV. At the Edge of an Epochal Turning Point 9. Intellectual Conditions for a Political Assessment 239 10. Foundations of Deng Xiaoping's Strategy 263 Notes 285 Bibliography 323 Index 343

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Book SynopsisA supplement for Heirs to Heresy, introducing new knightly orders, mighty relics, mysteries, and foes both mortal and supernatural.The shadow that hangs over Europe, already dark, is growing ever darker. Branded a heretic and turned fugitive, you are on the run. Your enemies are many, your friends few and trust scarce. The knightly orders with whom you once fought side-by-side the Hospitallers, Teutonics, and others are potential allies but, having witnessed your cruel fate, do they still keep faith with the Templars or have they fallen to doubt and fear?Heirs to Heresy: Faith & Fear is a supplement for the roleplaying game of the fall of the Knights Templar that unfolds like the labyrinthine Templar conspiracies themselves. Previously unknown foes stalk city streets and forest paths alike, while unexpected allies come to the fore in the form of new playable knightly orders. Ancient relics and new mysteries abound, allowing players to dive more

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Book SynopsisSuperbly illustrated with original artwork throughout, this book explores the ironclad warships that fought the little-known battles of South America''s War of the Pacific. In the late 19th century, a war erupted between Chile and Peru, the catalyst for which was control of guano-rich Chincha islands. Given the geography of the two countries, with a narrow, arid land border and long exposed coastlines, it was inevitable that the War of the Pacific would predominantly be a naval war. It was a unique episode of military history, fought by two newly emergent South American states, using the latest technology ironclad, steam-powered warships and involving more naval battles than in the American Civil War, including a blockade, the capture of key warships, and bombardments of ports. Chile''s navy was larger and more modern, while Peru''s trump card was the small but powerful ironclad Huáscar. In this book, naval expert Angus Konstam offers readers

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Book SynopsisThe Mekong River has undergone vast infrastructural changes in recent years, including the construction of dams across its main stream. These projects, along with the introduction of new fish species, changing political fortunes, and international migrant labor, have all made a profound impact upon the lives of those residing on the great river. It also impacts how they dream. In Mekong Dreaming, Andrew Alan Johnson explores the changing relationship between the river and the residents of Ban Beuk, a village on the Thailand-Laos border, by focusing on the effect that construction has had on human and inhuman elements of the villagers' world. Johnson shows how inhabitants come to terms with the profound impact that remote, intangible, and yet powerful forces-from global markets and remote bureaucrats to ghosts, spirits, and gods-have on their livelihoods. Through dreams, migration, new religious practices, and new ways of dwelling on a changed river, inhabitants struggle to understand and affect the distant, the inassimilable, and the occult, which offer both sources of power and potential disaster.Trade Review“Mekong Dreaming is both an exemplary work of ethnography and a timely and important intervention in contemporary debates in anthropological theory. Focusing on northeast Thailand and the effects of dam construction on the Mekong among local fishing and farming communities, this book's original contribution consists in its foregrounding of uncertainty and unknowability in the lived experience of non-western cosmologies.” -- Stuart J. McLean, coeditor of * Crumpled Paper Boat: Experiments in Ethnographic Writing *“Andrew Alan Johnson's lucid and richly detailed ethnography of the Thai-Lao border shows how the inchoate and the unknowable can be apprehended through genuinely empirical research. In this masterful analysis, Johnson shows how a marginalized population grapples with the intensified environmental uncertainties generated by modern technology and political upheaval by deploying a cosmological vision that enfolds piety, potentiality, and materiality in a tangled experiential frame.” -- Michael Herzfeld, author of * Siege of the Spirits: Community and Polity in Bangkok *"The book is clearly written, presenting a compelling narrative of daily life and also delving into complex topics without drowning in academic jargon. As such it is accessible for both students and experts. . . . The power of Johnson’s approach is that rather than simply casting uncertainty as a negative, he explores the ways in which uncertainty—the power of 'maybe'—can act as a potency rather than simply something to be worked around." -- Erin B. Taylor * Anthropology Book Forum *“Mekong Dreaming is a lovely, fluent ethnography of a river and its political ecology, focusing on the people on one bank of the Mekong where it forms a border between Thailand and Laos…. Johnson’s style is crisp and engaging and his dealings with recent theory are all concrete and pointed…. Johnson has produced political ethnography of a high order.” -- Leo Coleman * PoLAR Online *“This accessible anthropological work, Mekong Dreaming, demonstrates how infrastructural projects—in this case, hydropower dams on the Mekong—interrupt and reconfigure the social life of the river and relations of those whose fate has long been intertwined with its currents.” -- Dominique Dillabough-Lefebvre * LSE Review of Books *“Johnson’s argument is complex, deftly interweaving fields as diverse as environmental anthropology, migration studies, Thai animism and mediumship, border studies, and more. The resulting ethnography is illuminating and compelling.” -- Mary Beth Mills * Journal of Anthropological Research *“Johnson’s writing is a pleasure: eclectic, erudite and sometimes eccentric.... He handles weighty concepts lightly, and doesn’t let unwieldy terminology upset the flow of the very reader-friendly text. He comes across as a committed, skilled and very human fieldworker.” -- Ashley Carruthers * Asia Pacific Journal of Anthropology *“[Mekong Dreaming] will be a useful text in anthropology courses. I highly recommend this book as it...provides new and important insights.” -- Ian G. Baird * Sojourn *“[Mekong Dreaming] provides crucial insights into the interconnectedness between daily life, environment, and religious experiences.” -- Grzegorz Fraszczak * Religious Studies Review *Table of ContentsAcknowledgments ix Introduction. Through a Glass, Darkly 1 1. Naga and Garuda 29 2. River Beings 69 3. Dwelling under Distant Suns 104 4. The River Grew Tired of Us 130 5. Human and Inhuman Worlds 161 Notes 171 Bibliography 179 Index 193

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Book SynopsisA fully illustrated overview of the USSR's bloody conflict in Afghanistan and its long legacy.The Soviet invasion of its neighbour Afghanistan in December 1979 sparked a nine-year conflict until Soviet forces withdrew in 198889, dooming the communist Afghanistan government to defeat at the hands of the mujahideen, the Afghan popular resistance backed by the USA and other powers. Gregory Fremont-Barnes reveals how the Soviet invasion had enormous implications on the global stage; it prompted the US Senate to refuse to ratify the hard-won SALT II arms-limitation treaty, and the USA and 64 other countries boycotted the 1980 Moscow Summer Olympics. For Afghanistan, the invasion served to prolong the interminable civil war that pitted central government against the regions and faction against faction. Updated and revised for the new edition, with full-colour maps and new images throughout, this succinct account explains the origins, events and consequences of the S

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Book SynopsisIn Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requTrade Review“Offering a new way of thinking about black soundwork as an understanding of text, Anthony Reed makes a deep theoretical intervention in black studies by opening up the role of recordings in the black aesthetic avant-garde. The beauty and appeal of Soundworks lies in Reed's fresh focus on the records that allow us to hear the more ephemeral and unrecordable situation of blackness.” -- Margo Natalie Crawford, author of * Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics *“Anthony Reed adds his instrument to the slowly swelling chorus of intently listening, jazzed readers and critics. We've gone from the veritable whisper to a scream, and now is the time to consider the black media concept we have been inhabiting. Reed argues for an ‘overhearing,’ a phonographic mode of what he terms disalienation. Baraka called it ‘word-music’ form. Whatever we term it, it remains Black soundwork. Give it a listen.” -- Aldon Lynn Nielsen, author of * Integral Music: Languages of African American Innovation *"Reed’s work . . . clears needed space to think through Black creative production on its own terms, and likewise, to see its revolutionary and radical ambitions as immanent expressions of Black soundwork. Overall, Soundworks offers a rich and nuanced account of media and materiality that will aid scholars in rethinking the conceptual tools and labor with which we approach Black music." -- Celeste Day Moore * Journal of Musicological Research *"[T]his book is a vital addition to the growing secondary literature about the jazz-poetry interface. . . . Reed is certainly qualified to address this topic, because in addition to being an established scholar he writes poetry and is a musician. Highly recommended. Upper-division undergraduates through faculty." -- B. Wallenstein * Choice *"The most satisfying aspects of Soundworks are found in Reed’s analysis of the recordings and performances he examines. Moreover, it is these sections that contain Reed’s best writing. He seems able to match the tone of his analysis and description of the musical and poetic personalities of these artists, and his enthusiasm for their art is evident." -- Duncan Heining * Popular Music *"A critical contribution to music, jazz, and Black studies in particular. . . . A richly poetic text, whose depth and subtlety rewards patient, repeated engagement." -- Dan DiPiero * Journal of Popular Music Studies *“It is significant that Reed describes this work as recreation, and that he highlights the significance of remediation in Black soundwork. One of this book’s key innovations is that it is a media history of poetry, and an examination of poetry’s work as mediation.” -- Sarah Dowling * Poetics *"The conceptualization of soundwork as both a textual and auditory practice is perhaps the most revelatory contribution made by Reed’s book, for it is a concept whose salience extends beyond phonographic poetry or black radical performance. . . . Across the book, Reed balances heady theoretical imaginings of contingent practices of freedom with attentive close listening to mediated forms of black sound." -- Jessica E. Teague * Contemporary Literature *Table of ContentsAcknowledgments ix Introduction. Black Sonic: Textuality 1 1. Voice Prints: Toward a Black Media Concept 23 2. Communities in Transition: A Poetics of Black Communism 61 3. Tomorrow is the Question! Amiri Baraka's Poetics for a Post-Revolutionary Age 103 4. Body/Language: The Semiotics and Poetics of Improvisation and Black Embodiment 143 Coda. No Simple Explanations 181 Notes 195 Bibliography 235 Index 251

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Book SynopsisAn illustrated account of the dramatic engagement between the Luftwaffe's Me 163 units and Allied bombers during the closing years of World War II.In the summer of 1944, US Army Air Force (USAAF) aircrews flying over the Third Reich reported observing small, high-speed batlike' aircraft flying close to their formations. The Luftwaffe's extraordinary Messerschmitt Me 163 rocket-powered interceptor was making its devastating debut with Jagdgeschwader (JG) 400. Capable of reaching high altitudes in the shortest possible time by using a volatile rocket fuel, the Me 163 was the Luftwaffe's most impressive yet dangerous aircraft, and the fastest in the world. Luftwaffe expert Robert Forsyth details the testing of the aircraft and its lethal SG 500 Fighter Fist' weapons system, as well as its deployment against the B17s and B24s of the USAAF's Eighth Air Force and, from late 1944, the Lancasters and Halifaxes of RAF Bomber Command. These duels started a deadly form o

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Book SynopsisA dramatic illustrated exploration of the infamous massacre of 1622, and the events of a pivotal conflict in colonial American history. From the establishment of Jamestown in 1607, English settlers in Virginia maintained a shaky relationship with the Powhatan Confederacy. As the settlers expanded their pro table tobacco fields, bolstered by new supplies and people each year, Powhatan tribes grew increasingly wary of English power. In 1622, Chief Opechancanough shattered the peace with surprise simultaneous attacks on Jamestown and its surrounding settlements, during which 347 English settlers, one-third of the Virginia colony, were killed in a single day. Opechancanough hoped to eliminate the European presence with a decisive blow, but instead began a decade-long war with Jamestown. In this engaging and expertly researched work, Cameron Colby narrates the tumultuous events of the colony's early years. Engagements between 1607 and 1632 are brought vividly to life using battlescene a

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Book SynopsisFrom yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire''s racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider thTrade Review“Animalia shows us how imperial power was both extended through and disturbed by the multiple entanglements of human/animal worlds. The elephants, lions, and tigers familiar to the imperial imagination jostle with mosquitoes, scorpions, and unicorns, offering a rich variety of animal engagements with empire, both for and against their would-be masters. An essential bestiary for our times.” -- Catherine Hall author of * Civilising Subjects. Metropole and Colony in the English Imagination, 1830–1867 *“With appealing quirkiness, Animalia introduces readers to the complex ways that humans' treatment of animals offers an informative and genuinely fascinating way of understanding how pervasive the impact of imperialism was and continues to be across the globe. Written with verve and elegance while conveying the surprising importance of all sorts of species to the imperial project, Animalia is an intriguing and exhilarating book.” -- Teresa Mangum, editor of * A Cultural History of Women in the Age of Empire *“Animalia is a charming and creative primer concerning the central role animals played in the British empire.... Inviting further research, the chapters are rich in ideas, themes, and postulations.” -- Miles Alexander Powell * Journal of Pacific History *“Animalia strives to be interdisciplinary not only in the theories and empirical evidence found in the individual contributions but also in the hybrid form of the volume.... Its playful form, fascinating stories, and nuggets of insight offer great potential to serve as a springboard for deeper interdisciplinary explorations.” -- John Soluri * Journal of Interdisciplinary History *“What sets Animalia apart from the rest is the playful and innovative way in which it tells animal stories.... Animalia is informative and encyclopedic and a must-have book for anyone who loves and studies animals.” -- Kaori Nagai * Journal of British Studies *“[Animalia] presents succinct, researched commentaries on a number of the animal species brought under imperial control and thereby reconstitutes the bestiary compendium. . . . This is an A-to-Z compendium for the twenty-first century that points back to the historical taxonomy as it moves forward to trouble its purpose, often by revealing the porous boundaries between species and the instability of ‘animalia’.” -- Peta Tait * Animal Studies Journal *Table of ContentsAcknowledgments Introduction: Animals, the Bestiary Form, and Disruptive Imperial Histories / Antoinette Burton and Renisa Mawani Some Ways to Read This Book A Is for Ape / Amy E. Martin B Is for Boar / Annaliese Claydon C Is for Cattle / Renisa Mawani D Is for Dog / Heidi J. Nast E Is for Elephant / Jonathan Saha F Is for Fox / George Robb G Is for Giraffe / Angela Thompsell H Is for Horse / Jagjeet Lally I Is for Ibis / Renisa Mawani J Is for Jackal (and Dingo) / Isabel Hofmeyr K Is for Kiwi / Tony Ballantyne L Is for Lion / Antoinette Burton M Is for Mosquito / Neel Ahuja N Is for North Atlantic Right Whale / Krista Maglen O Is for Okapi / Sandra Swart P Is for Platypus / Annaliese Claydon Q Is for Quagga / Harriet Ritvo R Is for Racoon / Daniel Heath Justice S Is for Scorpion / Antoinette Burton T Is for Tiger / Dane Kennedy U Is for Unicorn / Utathya Chattopadhyaya V Is for Vulture / Utathya Chattopadhyaya W Is for Whale / Jonathan Goldberg-Hiller X Is for Xerus / Utathya Chattopadhyaya Y Is for Yak / Peter Hansen Z is for Zebu / Michael A. Osborne Contributors Index

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Book SynopsisA beautifully illustrated pocket guide to 40 of the most iconic World War II tanks.From the rapid blitzkrieg assaults to the great battles in North Africa and desperate clashes on the Eastern Front, tanks played a vital role in World War II, becoming one of the key components of the ''combined arms'' philosophy of warfare. But how well do you know the most famous and infamous tanks of the period, and how their speed, armour and armament compare? Which Soviet tank proved impervious to German firepower? Which stopgap design turned out to the one of the best-armed tanks of its day?The World War II Tank Spotter's Guide answers all of these questions and more, providing essential information on 40 legendary tanks, such as the Panther, Sherman, and T-34. Featuring full-colour artwork to aid recognition, as well as all the details you need to compare their performance, this is the perfect pocket guide to the Allied and Axis tanks of World War II.

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Book SynopsisJasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila, showing how the rising independent Philippine cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience.Trade Review“From the pirate video stalls of the old city center to the shopping mall multiplexes of Manila, Jasmine Nadua Trice examines the fragmented and multifaceted assemblage of alternative Philippine cinema. Her passionate attention to detail and wide-ranging engagement with critical theory provide a compelling model for the study of cinema cultures in the global South.” -- Michael Curtin, Distinguished Professor of Film and Media Studies, University of California, Santa Barbara“Jasmine Nadua Trice persuasively argues that film circulation both envisions and occasionally actualizes the dream of a national film audience for counterdominant cinema in the Philippines. She confronts head-on one of the thorniest problems of politically or aesthetically progressive Philippine film: filmmakers’ attempts to reach the alienated domestic moviegoer. Her fresh, syncretic approach and elegant thinking make City of Screens a groundbreaking, must-read book not only for readers not only interested in Philippine cinema but also for those attuned to the dynamics of distribution, exhibition, and circulation beyond Hollywood. Representing a wholly original and highly generative departure from previous scholarship, City of Screens is a major intervention.” -- Bliss Cua Lim, author of * Translating Time: Cinema, the Fantastic, and Temporal Critique *"Overall, there are a number of themes to appreciate in City of Screens, especially if one is not familiar with local independent cinema and its circuits of distribution. The book’s contribution also lies in its use of interdisciplinarity, applying rhetoric, urban studies, geography, and anthropology to explain why alternative cinema remains limited in its circulation. . . . The book’s most poignant yet most grounded point may be Trice’s assertion that the formation of alternative film culture and speculative publics will remain an asymptotic process—never being fully finished but always within reach." -- Cherish Aileen A Brillon * Philippine Studies *"Trice displays a generosity to her marginalized objects of study by offering possible questions and connections instead of forcing predetermined approaches and interpretations. Her book is distinguished by its careful selection of less obvious examples, which are described and analyzed in rich language that yields compelling insights with every reading. . . . With its innovative methods and unexpected ideas, which distill the lost vibrancy of a transitional historical moment, this monograph will reverberate with readers yet to come." -- Elmo Gonzaga * Journal of Cinema and Media Studies *Table of ContentsAcknowledgments ix Introduction 1 1. Revanchist Cinemas and Bad Audiences, Multiplex Fiestas and Ideal Publics 39 2. The Quiapo Cinematheque and Urban-Cinematic Authenticity 79 3. Alternative Exhibition and the Rhythms of the City 113 4. "Not for Public Exhibition": Cinema Regulation, Alternative Cinema, and a Rational Body Politic 153 5. "Hollywood Is Not Us": National Circulation and the Speculative State 189 Epilogue 230 Notes 241 Bibliography 281 Index 299

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Book SynopsisIn 1951, the Festival of Britain commissioned a series of short guides they dubbed ''handbooks for the explorer''. Their aim was to encourage readers to venture out beyond the capital and on to ''the roads and the by-roads'' to see Britain as a ''living country''. Yet these thirteen guides did more than celebrate the rural splendour of this ''island nation'': they also made much of Britain''s industrial power and mid-century ambition her thirst for new technologies, pride in manufacturing and passion for exciting new ways to travel by road, air and sea.Armed with these About Britain guides, historian Tim Cole takes to the roads to find out what has changed and what has remained the same over the 70 years since they were first published. From Oban to Torquay, Caernarvon to Cambridge, he explores the visible changes to our landscape, and the more subtle social and cultural shifts that lie beneath. In a starkly different era where travel has been transformed by Trade ReviewAbout Britain is a warm and timely meditation on our changing relationship with the landscape, industry and transport, providing a glimpse of modern Britain as seen from the driver's seat. * Countryside *[A] fascinating book. * People's Friend *Table of ContentsAbout Britain 1 West Country: Barnstaple–Exeter–Torquay (76 miles) 2 Wessex: Southampton–Whitchurch–Salisbury (104 miles) 3 Home Counties: Canterbury–Margate–Canterbury (104 miles) 4 East Anglia: Cambridge–Littleport–King’s Lynn (124 miles) 5 Chilterns to Black Country: Stafford–Coventry–Oxford (104 miles) 6 South Wales and the Marches: Hereford–Merthyr Tydfil–Caerleon–Hereford (147 miles) 7 North Wales and the Marches: Caernarvon–Capel Curig–Caernarvon (88 miles) 8 East Midlands and the Peak: Stamford–Ashby-de-la-Zouch–Stamford (108 miles) 9 Lancashire and Yorkshire: Southport–Glusburn–York (108 miles) 10 The Lakes to Tyneside: Newcastle on Tyne–Otterburn–Durham (108 miles) 11 Lowlands of Scotland: Edinburgh–Perth–Glasgow(146 miles) 12 Highlands and Islands of Scotland: Perth–Crianlarich–Oban (128 miles) Back About Britain Notes Acknowledgements

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Book SynopsisIn Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military''s wartime records and radio programs; the French record industry''s catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African AmerTrade Review“Celeste Day Moore takes us on a dazzling and deeply researched tour through the soundscapes and multisensory experiences of the Francophone Black world. Soundscapes of Liberation is indispensable reading for scholars and students of the African Diaspora, liberation projects, and the circulation of music in the twentieth century.” -- Penny M. Von Eschen, author of * Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War *“Celeste Day Moore provides the best account of the process by which African American culture was popularized in postwar France at a time when France was negotiating its relationship to decolonization, American culture, and power writ large. This fascinating and detailed book made me think anew about things I thought I knew well.” -- Daniel Widener, author of * Black Arts West: Culture and Struggle in Postwar Los Angeles *"What Moore describes is not a simple love affair between a music maligned at home and a country destined to embrace it. . . . Navigating broad territories, she moves from an era when African-American music could only be apprehended fragmentarily to the advent of mass broadcasting, long playing records, and the involvement of state powers. Although this history's outlines can feel familiar, it is approached in a fresh way." -- Pierre Crépon * The Wire *"Thoroughly researched, erudite, and well written, this volume is required reading for those who study the African diaspora and African American music. Recommended. Lower-division undergraduates through faculty and professionals; general readers." -- F. J. Hay * Choice *"Soundscapes of Liberation is a meticulously, deeply, and broadly, researched work. It is well-written and compelling." -- Brett A. Berliner * Diplomatic History *Table of ContentsAbbreviations ix Acknowledgments xi Introduction: Making Soundwaves 1 1. Jazz en Liberté: The US Military and the Soundscapes of Liberation 17 2. Writing Black, Talking Back: Jazz and the Value of African American Identity 43 3. Spinning Race: The French Record Industry and the Production of African American Music 71 4. Speaking in Tongues: The Negro Spiritual and the Circuits of Black Internationalism 103 5. The Voice of America: Radio, Race, and the Sounds of the Cold War 133 6. Liberation Revisited: African American Music and the Postcolonial Landscape 161 Epilogue: Sounding like a Revolution 195 Notes 201 Sources 251 Index 283

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Book SynopsisIn 1992, Eamon Duffy created a sensation in Reformation studies by publishing his groundbreaking book The Stripping of the Altars. In it he demonstrated the health of late medieval religion in England and that the thesis hitherto accepted that the Reformation came to wipe away a corrupt and rotten Church was essentially false. In this book follow-up to The Stripping of the Altars, Duffy makes further soundings in late medieval religion, but drills down to the particular and avoids any wide historical sweep. Among the topics he covers are Purgatory, The Black Death, Adoration of the Mother of God, and Heresy. By his meticulous research, Duffy has discovered many original documents and records during his academic career, proving that his thesis about the Reformation is basically irrefutable.This book is illustrated by a small collection of full color plates which further demonstrate the richness of late medieval religion.Trade ReviewIt is 26 years since Eamon Duffy changed the way that readers of history looked at England on the eve of the Reformation, through his The Stripping of the Altars. Many of the essays here also challenge easy assumptions. All of them are written with a clarity and fluency, humour and humanity that make reading them a pleasure. -- Christopher Howse * Daily Telegraph *Erudite but never unapproachable and laced with a dry wit, [Duffy's] essays are essential reading for those with an interest in how people in the past expressed their faith * Sunday Times *Tremendous … This is a book for the general reader , spiced throughout with Duffy’s profound scholarly understanding of the giant subjects with which each essay grapples * Church Times *[Duffy's] extraordinary depth of knowledge is, throughout these essays, lit for his reader by his sense not of what medieval Christians thought but of what they believed, felt, feared, and, above all, did ... [his] learning and judgement, and the clarity of his prose, have done a great deal to counter the lazy, but alas, still common assumption that "medieval" is a synonym for "barbarous". * TLS *Table of ContentsList of Illustrations Introduction: Royal Books and Holy Bones BOOKS 1 Early Christian Impresarios 2 Books Held by Kings 3 The Golden Legend 4 Secret Knowledge - or a Hoax? 5 The Psalms and Lay Piety CRISES AND MOVEMENTS 6 Plague and Historical Memory 7 The Rise of Sacred Song 8 Holy Terror 9 The Cradle Will Rock: Histories of Childhood SAINTS 10 Blood Libel: The Murder of William of Norwich 11 Sacred Bones and Blood 12 Treasures of Heaven: Saints and Their Relics 13 St Erkenwald 14 The Cult of 'St' Henry IV 15 The Dynamics of Pilgrimage in the Late Middle Ages 16 'Lady, Pray Thy Son for Me': Prayer to the Virgin in the Late Middle Ages ON THE EVE OF THE REFORMATION 17 Provision Against Purgatory: Wingfield College, Suffolk 18 Monasticism and the Religion of the People: Crowland Abbey 19 The Four Latin Doctors: in the Late Middle Ages 20 The Reformation and the Alasbastermen 21 Brush for Hire: Lucas Cranach the Elder Acknowledgements Notes Index A Note on the Author Plate Section

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Book SynopsisIn No One''s Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One''s Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory''s notions of entangled swarm, field, plenum, chorus, No One''s Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingneTrade Review“Drawing on a powerful critical network of ideas and a refreshing juxtaposition of theorists, Syd Zolf rethinks the critical underpinnings of the examinations of race, history, society, culture, ontology, and ideas of witnessing. As a critical-theoretical intervention and a lyric prose artifact, No One’s Witness will appeal not only to theorists and critics, but also to poets, professors, and students.” -- John Keene, author of * Counternarratives: Stories and Novellas *“Renewing the poetics of survival and witnessing, Syd Zolf asks what it means to witness as No One, where No One is less a position than a form or mode of responsiveness that emerges in the continuing aftermath of annihilation. This No One is not one, yet it offers here a way of bearing witness in forms both monstrous and rife with possible futures. In this book poetics is the interruptive work of philosophy and poetry taken together. No One's Witness shows in brilliant and moving ways how language must change to come close to registering the living aftermath of destruction.” -- Judith Butler, author of * The Force of Nonviolence: An Ethico-Political Bind *"A valuable resource for those interested in German literature or Black history and other examples of human-made violence. Recommended. Upper-division undergraduates through faculty." -- R. C. Conard * Choice *Table of ContentsAcknowledgments vii Opening 1 1. No 21 2. [ ] 43 3. one(s) 54 4. No One 62 5. bear(s) 73 6. witness 81 7. for 101 8. the 113 9. witness(es) 121 Appendix 130 Notes 133 Bibliography 157 Index 171

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Book SynopsisIs today''s youth over sensitive, mollycoddled and intellectually pathetic? Does the scourge of political correctness threaten the very fabric of our nations? Yes, and yes! comes the cry of the incensed politician, columnist, comedian, disgruntled father, and baby boomer. Dubbed the ''snowflake generation'', these hypersensitive cowards are up in arms about silly things like bathrooms smeared with faeces in the shape of Swastikas, climate change, and statues of colonisers being kept in their natural habitats of universities and town squares. They make obstinate requests like wondering if a vegan option might be available, or if you could (please) use their correct pronouns. In response to this outrage, writer and Washington Post pop culture host Hannah Jewell has decided to write a book to explain why being a snowflake might not be a bad thing. It might even make the world a better place. Subversive, provoca

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Book SynopsisAbigail H. Neely explores social medicine's possibilities and limitations at one of its most important origin sites: the Pholela Community Health Centre (PCHC) in South Africa.Trade Review“Compelling and original, Reimagining Social Medicine from the South rethinks core concepts in historical and anthropological discussions of health and healing in Africa through the lenses of political ecology and relational ontologies. Drawing on rich ethnographic and archival examples, Abigail H. Neely illuminates how robust conceptions of the ‘social’ at the heart of a pioneering social medicine project in rural South Africa nonetheless struggled to incorporate more-than-human understandings of life and well-being. The book's insistence that health and illness are entanglements that exceed the confines of the individual body and academic renderings of the ‘social’ alike is a call for place-based models for improving health that challenge global health's narrow frames of measurability and efficacy.” -- Cal Biruk, author of * Cooking Data: Culture and Politics in an African Research World *“It is not easy to develop an analysis that incorporates both racial capitalism and witchcraft, but through her deeply respectful ethnographic examination of the work of a groundbreaking and highly influential health clinic in South Africa, Abigail H. Neely manages to do just that. Her penultimate chapter is a phenomenal rendition of the multiple ontologies of health.” -- Julie Guthman, author of * Wilted: Pathogens, Chemicals and the Fragile Future of the Strawberry Industry *"... Interested readers at all levels will gain important insights into the challenges posed by global initiatives in social medicine. Recommended. Graduate students and faculty. General readers." -- S. W. Moss * Choice *“Neely’s theorizing is smart, sophisticated, and intriguing.” -- Daniel Jordan Smith * International Journal of African Historical Studies *“Neely’s book will be especially useful for graduate students and professionals working with the large body of existing literature on health interventions . . . and need a strong model for how to rework this literature in exciting critical and theoretical frames.” -- Casey Golomski * Medical Anthropology Quarterly *"Reimagining Social Medicine from the South is bound to intrigue any family physician. . . . Abigail H. Neely has successfully highlighted the conceptual framework of the practice of social medicine in South Africa, its uniqueness, the strengths of the PCHC model, and its weaknesses. She has emphasized the importance of social elements in the practice of social medicine. Her personal narrative makes the book an easy read, more humane and appealing." -- Rashmi Rode * Family Medicine *Table of ContentsPreface ix Acknowledgments xvii Introduction. Telling the Story of Social Medicine from Pholela 1 1. Seeing Like a Health Center 17 2. Relationships and Social Medicine 41 3. Nutrition, Science, and Racial Capitalism 58 4. Witchcraft and the Limits of Social Medicine 79 Conclusion. Social Medicine in the Age of Global Health 99 Glossary 105 Notes 107 Bibliography 147 Index 163

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Book SynopsisThe close links between the Scots and English law in the Middle Ages have long been recognised. Based on extensive research, this book examines the brieves of novel dissasine, mortancestry and right, and legal remedies for the recovery of land, as well as aspects of the early history of the Scottish legal profession and the Court of Session.

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Book SynopsisMark Rifkin examines nineteenth-century Native writings by William Apess, Elias Boudinot, Sarah Winnemucca, and Zitkala-Ša to rethink and reframe contemporary debates around recognition, refusal, and resurgence for Indigenous peoples.Trade Review“Mark Rifkin examines important nineteenth-century Native literary figures' engagement with settler publics by laying out a nuanced introspection of their ‘portraits of peoplehood’ during tumultuous contexts and the costs of such representativity that foster tension in the present day. He resituates the discussion of recognition to this earlier period in order to detour from a settler stronghold on political definitions still used to impact the daily life of Indigenous peoples. Delving deep into the political spheres of violence and the nuanced political forms of Indigenous life that emerge, Rifkin gives us further grounds to explore the foundations and formations of slippery recognition politics.” -- Mishuana Goeman, Professor of Gender Studies and American Indian Studies, University of California, Los Angeles“Presenting new, insightful, nuanced, and persuasive readings of four key figures in nineteenth-century Native American literature, Speaking for the People is both timely and poised to become a classic study in Native and Indigenous studies, anthropology, and American literary studies. An interdisciplinary tour de force.” -- Birgit Brander Rasmussen, author of * Queequeg’s Coffin: Indigenous Literacies and Early American Literature *"Speaking for the People is as useful for scholars and students of contemporary indigenous studies as it is for those pursuing the study of 19th-century literature, politics, and indigenous peoples. Highly recommended. Upper-division undergraduates through faculty." -- J. J. Donahue * Choice *"In Speaking for the People Mark Rifkin contributes to the ongoing critical conversation regarding Indigenous recognition. In richly historicized chapters he questions the process of how Indigenous leaders . . . consciously stage the 'legitimacy of their entry' into the discursive frameworks of coloniality." -- Caitlin Simmons * Western American Literature *"Speaking for the People reasserts the usefulness and relevance of literary studies in fashioning Indigenous political theory. Rifkin demonstrates how nineteenth-century Native texts have had to navigate settler worldings to express peoplehood and how their intellectual labor of negotiatedness should inspire present-day scholarship. His demonstration is as compelling as it is unsettling." -- Mathilde Louette * Transatlantica *"Speaking for the People . . . is valuable for literary scholars and Indigenous scholars alike to articulate the complexity of Indigenous activism in a settler state." -- Alison Russell * New England Quarterly *"Speaking for the People has generated a rich set of coordinates and queries for analyzing nineteenth-century Native writing, and Rifkin’s readings model how these questions take us deep into nineteenth-century Native political discussions while resonating in contemporary NAIS scholarship." -- Kelly Wisecup * Native American and Indigenous Studies *Table of ContentsAcknowledgments vii Introduction 1 1. What's in a Nation? Cherokee Vanguardism in Elias Boudinot's Letters 35 2. Experiments in Signifying Sovereignty: Exemplarity and the Politics of Southern New England in William Apess 77 3. Among Ghost Dances: Sarah Winnemucca and the Production of Paiute Identity 127 4. The Native Informant Speaks: The Politics of Ethnographic Subjectivity in Zitkala-Ša's Autobiographical Stories 176 Coda. On Refusing the Ethnographic Imaginary, or Reading for the Politics of Peoplehood 221 Notes 235 Bibliography 277 Index 301

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Book SynopsisFor more than a century and a half the real story of Scotland's connections to transatlantic slavery has been lost to history and shrouded in myth. There was even denial that the Scots had any significant involvement in slavery. The volume systematically peels away the mythology and radically revises the traditional picture.Table of ContentsList of Figures and Tables; Maps and Images; Contributors; Acknowledgements; Introduction: Scotland and Transatlantic Slavery, T. M. Devine; 1. Lost to History, T. M. Devine; 2. Yonder Awa: slavery and distancing strategies in Scottish literature, Michael Morris; 3. Early Scottish sugar planters in the Leeward Islands c.1660-1740, Stuart M. Nisbet; 4. The Scots penetration of the Jamaican plantation business, Eric J. Graham; 5. 'The habits of these creatures in clinging one to the other': Enslaved Africans, Scots and the plantations of Guyana, David Alston; 6. The great Glasgow West India house of John Campbell, Senior and Co., Stephen Mullen; 7. Scottish Surgeons in the Liverpool Slave Trade in the Late Eighteenth and Early Nineteenth Centuries, Suzanne Schwarz; 8. Scotland and Colonial Slave-Ownership: the evidence of the Slave Compensation Records, Nicholas Draper; 9. 'The Upas Tree, beneath whose pestiferous shade all intellect languishes and all virtue dies': Scottish public perceptions of the Slave Trade and Slavery, 1756-1833, lain Whyte 10. 'The most unbending Conservative in Britain': Archibald Alison and Pro-slavery discourse, Catherine Hall; 11. Did Slavery make Scotia great? A question revisited, T. M. Devine; Conclusion: History, Scotland and Slavery, T. M. Devine; Index.

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Book SynopsisConflict in the Middle East has caused observers to ask if Muslims and Christians can coexist. History suggests that relations between those two groups are not predetermined, but are the product of particular social and political circumstances. This book examines Muslim-Christian relations during an earlier period of political and social upheaval.Trade Review"Haiduc-Dale offers a chronological history of Palestinian politics that focuses on the particular role in each stage of Christians, whose narratives have often been marginalized or essentialized. In the process, he offers a comprehensive and easy to follow guide to key landmarks in the development of the Palestinian national movement more generally.' - Liora R. Halperin, International Journal of Middle Eastern Studies. "Published in these times when the fates of Arab Christians and other minorities are at stake in the Middle East, this book is an important contribution to our understanding of the history of Christian communities in Mandate Palestine and in the Middle East in-general."- George Emile Irani, Journal of Palestine Studies

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Book SynopsisLynn Stephen examines the writing of Elena Poniatowska, showing how it shaped Mexican political discourse and provides a unique way of understanding contemporary Mexican history, politics, and culture.Trade Review“Stories That Make History brings us one of Mexico's most admired anthropologists examining the impact of one of Mexico's most prominent public intellectuals. A cross between Susan Sontag and Joan Didion, Elena Poniatowska has been one of the central chroniclers of Mexican social, cultural, and political life. Lynn Stephen shows us the powerful influence Poniatowska has had in shaping our understanding of modern Mexican history.” -- Jocelyn Olcott, Professor of History, Duke University“The fortuitous pairing of perhaps Mexico's most beloved, enduring, and influential writer with one of its most prolific and accomplished international scholars of social and cultural movements gives rise to an extraordinary collaboration. This engrossing volume will be required reading for anyone seriously interested in Mexican journalism and literature, history and history-making, and the formation of social memory.” -- Gilbert M. Joseph, coeditor of * The Mexico Reader: History, Culture, Politics *"Stephen enriches each chapter with extensive interviews with Poniatowska (whom she describes as a good friend) and the writer’s close associates. . . . Setting aside the skepticism characteristic of postmodern social science, Stephen wholeheartedly embraces Poniatowska’s engaged and immersive style of reporting and its contributions to building a 'strategic emotional political community' of social justice advocates who identify with the victims of Mexican history." -- Richard Feinberg * Foreign Affairs *"Stephen illustrates Poniatowska’s unique position of being both a participant and an activist, a duality present in her crónicas, which has placed her in a position of privilege, one she uses to critically inform her predominantly working-class readers. As an accomplished author and public intellectual, la Poni’s firsthand accounts of important historical events in Mexican history fill a lacuna in which state-sponsored violence or government neglect were the official and inadequate responses. Recommended. Advanced undergraduates, graduate students, and professionals." -- C. A. Hernandez * Choice *"Stories That Make History will appeal to anthropologists, sociologists, historians of Latin America and, in terms of use in the classroom, it would work well with fourth year undergraduate students and graduate students more broadly." -- María L. O. Muñoz * Canadian Journal of Latin American and Caribbean Studies *Table of ContentsList of Abbreviations vii Acknowledgments ix Introduction. On Testimony, Social Memory, and Strategic Emotional Political Communities in Elena Poniatowska's Crónicas 1 1. Mexico City's Growing Critical Public: News and Publishing, 1959–1985 31 2. The 1968 Student Movement and Massacre 60 3. A History We Cannot Forget: The 1985 Earthquake, Civil Society, and a New Political Future 110 4. Engaging with the EZLN as a Writer and Public Intellectual 151 5. Amanecer en el Zócalo: Crónica, Diary, and Gendered Political Analysis 197 6. ¡Regrésenlos! The Forty-Three Disappeared Students from Ayotzinapa 228 Conclusion: Telling Stories, Making History 247 Notes 257 Bibliography 281 Index 303

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Book SynopsisA provocative new account of Scotland's history across a century of revolution and political instability

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Book SynopsisIn Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documentsTrade Review“Conceptually rich and deeply pedagogical, Queer African Cinemas models how to think about African queer worldmaking. Lindsey B. Green-Simms wrenches resistance away from heteronormative duty and national obligation to track its wayward possibilities. Resistance is no longer an exhausted term that excludes African queers, but one that centers African queer practices and freedoms. Green-Simms listens for how African queer audiences navigate representation and find succor even in hostile places. A joy to read.” -- Keguro Macharia, author of * Frottage: Frictions of Intimacy across the Black Diaspora *“Lindsey B. Green-Simms’s compelling insights prod us to think about resistance as multilayered, incomplete, and even messy in ways that reveal how the vulnerabilities of queer life exist alongside multiple modes of survival, care, and aspirational imaginaries. Queer African Cinemas is engaging, generative, and remarkably persuasive.” -- Grace A. Musila, author of * A Death Retold in Truth and Rumour: Kenya, Britain and the Julie Ward Murder *“In Queer African Cinemas, Green-Simms offers an insightful and illuminating analysis. . . . Queer African Cinemas makes an important and necessary intervention in queer studies as it works to decenter queerness from the global north and to challenge common understandings of acceptable means of resistance, affect, and representation.” -- Bruno Guaraná * Film Quarterly *“[Green-Simms’s] musings on resistance, aspiration, and resilience, among other difficult-to-define and identity-specific terms, is cultural theory at its finest. Queer African Cinemas will be impactful far beyond its range of study. Highly recommended.” -- G. R. Butters Jr. * Choice *"Written in clear prose and brilliantly self-reflexive in method, this sophisticated reading of queer cinematic texts deserves attention. . . . [A] must-read for those interested in queerness and film studies in Africa and beyond." -- Naminata Diabate * GLQ *Table of ContentsAcknowledgments ix Introduction. Registering Resistance in Queer African Cinemas 1 1. Making Waves: Queer Eccentricity and West African Wayward Women 37 2. Touching Nollywood: From Negation to Negotiation in Queer Nigerian Cinema 73 3. Cutting Masculinities: Post-Apartheid South African Cinema 123 4. Holding Space, Saving Joy: Queer Love and Critical Resilience in East Africa 165 Coda. Queer African Cinema's Destiny 203 Notes 211 Filmography 227 References 231 Index 243

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Book SynopsisThis is a unique collection of essays examining nineteenth-century British and Irish newspaper and periodical history during a key period of change and development.

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Book SynopsisNow in its second edition, this comprehensive history of the Celts draws on archaeological, historical, literary and linguistic evidence to provide a comprehensive and colourful overview from origins to the present.

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Book SynopsisMonique Moultrie collects oral histories of Black lesbian religious leaders in the United States to show how their authenticity, social justice awareness, spirituality, and collaborative leadership make them models of womanist ethical leadership.Table of ContentsAcknowledgments ix Introduction. That Their Living Will Not Be in Vain 1 1. Shattering Stain-Glassed Ceilings: African American Queer Storytelling 17 2. Going to Hell for My Authenticity: Existence as Resistance 38 3. Justice Is Spiritual: Interrogating Spiritual Activism 68 4. Mighty Causes Are Calling Us: Expanding Womanist Spiritualities 103 5. Doing the Work Their Souls Must Have: Cultivating Womanist Ethical Leadership 126 Conclusion. Leading from the Margins 168 Epilogue. Online Archives 182 Appendix: Interview Guide 187 Interview Guide 187 Notes 189 Bibliography 203 Index 217

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Book SynopsisThis book examines the impact since 1600 of out migration from Scotland on the homeland, the migrants, and the destinations in which they settled. It does so through a focus on the under-researched themes of slavery, cross-cultural encounters, economics, war, tourism, and the modern diaspora since 1945.

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