Description

Book Synopsis
In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China''s Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism. Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao''s attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close. Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies. He also examines the Shangh

Trade Review
“Published forty years after Mao's death, Alessandro Russo's Cultural Revolution and Revolutionary Culture must be seen as the first book that studies China's Cultural Revolution from the intellectual point of view of the central question of this extraordinary movement itself: what can the real destiny of the communist idea be after fundamental experiments at the level of the state power in Russia and China? Across a precise experience made of readings of all sort of texts written in the fire of the movement or after, historical clarifications of some crucial sequences, personal inquiries, and intellectual synthesis, Russo simultaneously proposes a sort of complex but clear image of the event and an essential examination of its strategic goals and final failure. All that in the direction of a clear understanding of the possibility of a new communism.” -- Alain Badiou
“This book should be widely read. Alessandro Russo is an inventive, creative philosopher who contributes new materials, new interpretations, and new ways of examining the Cultural Revolution.” -- Tani Barlow, George and Nancy Rupp Professor of Humanities, Rice University
" A model of historical inquiry that should be read by those interested in modern Chinese and East Asian history and revolutionary movements in general." -- M. J. Wert * Choice *
"For all who would pose the question, What is a Revolution? in its political and theoretical registers, Russo’s book is invaluable. It should be widely read, both inside and outside the China field." -- Christopher Connery * PRC History Review *

Table of Contents
Acknowledgments vii
Introduction 1
Part I. A Theatrical Prologue
1. Afterlives of an "Upright Official" 11
2. Political and Historical Dilemmas 26
3. An Unresolved Controversy 48
Part II. Mao's Anxiety and Resolve
4. A Probable Defeat and Revisionism 91
5. Shrinking the Cultural Superego 104
Part III. A Political Test for Class Politics
6. Testing the Organization 141
7. A Subjective Split in the Working Class 167
8. Facing a Self-Defeat 204
Part IV. At the Edge of an Epochal Turning Point
9. Intellectual Conditions for a Political Assessment 239
10. Foundations of Deng Xiaoping's Strategy 263
Notes 285
Bibliography 323
Index 343

Cultural Revolution and Revolutionary Culture

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    A Paperback / softback by Alessandro Russo

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      Publisher: Duke University Press
      Publication Date: 18/09/2020
      ISBN13: 9781478009528, 978-1478009528
      ISBN10: 1478009527

      Description

      Book Synopsis
      In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China''s Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism. Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao''s attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close. Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies. He also examines the Shangh

      Trade Review
      “Published forty years after Mao's death, Alessandro Russo's Cultural Revolution and Revolutionary Culture must be seen as the first book that studies China's Cultural Revolution from the intellectual point of view of the central question of this extraordinary movement itself: what can the real destiny of the communist idea be after fundamental experiments at the level of the state power in Russia and China? Across a precise experience made of readings of all sort of texts written in the fire of the movement or after, historical clarifications of some crucial sequences, personal inquiries, and intellectual synthesis, Russo simultaneously proposes a sort of complex but clear image of the event and an essential examination of its strategic goals and final failure. All that in the direction of a clear understanding of the possibility of a new communism.” -- Alain Badiou
      “This book should be widely read. Alessandro Russo is an inventive, creative philosopher who contributes new materials, new interpretations, and new ways of examining the Cultural Revolution.” -- Tani Barlow, George and Nancy Rupp Professor of Humanities, Rice University
      " A model of historical inquiry that should be read by those interested in modern Chinese and East Asian history and revolutionary movements in general." -- M. J. Wert * Choice *
      "For all who would pose the question, What is a Revolution? in its political and theoretical registers, Russo’s book is invaluable. It should be widely read, both inside and outside the China field." -- Christopher Connery * PRC History Review *

      Table of Contents
      Acknowledgments vii
      Introduction 1
      Part I. A Theatrical Prologue
      1. Afterlives of an "Upright Official" 11
      2. Political and Historical Dilemmas 26
      3. An Unresolved Controversy 48
      Part II. Mao's Anxiety and Resolve
      4. A Probable Defeat and Revisionism 91
      5. Shrinking the Cultural Superego 104
      Part III. A Political Test for Class Politics
      6. Testing the Organization 141
      7. A Subjective Split in the Working Class 167
      8. Facing a Self-Defeat 204
      Part IV. At the Edge of an Epochal Turning Point
      9. Intellectual Conditions for a Political Assessment 239
      10. Foundations of Deng Xiaoping's Strategy 263
      Notes 285
      Bibliography 323
      Index 343

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