History of art Books

Book SynopsisArtist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixed-media works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.Trade ReviewJoe Roberts draws on pop-cultural imagery from the 1960s to the ’90s, filtering them through his own experiences, and re-presenting them in mixed-media works that recall Mike Kelley or Chris Johanson. Mickey Mouse, Casper, and the Teenage Mutant Ninja Turtles all make appearances, but here they’re dropping acid or eating pizza, fellow travelers in Roberts’s personal journey. -HyperallergicThrough his work, Roberts returns to what most children already know, that whatever is experienced and imagined really is reality, and sometimes there’s no need to muddle it up. In that same way, he refutes the idea that childish is synonymous with simple, it’s that childish is more akin to infinite. - Juxtapoz (11/14/2018)We Ate the Acid, Roberts’ new book published by Anthology Editions, is the latest product of his visionary journey and a testament to his expansive, singular imagination. Along with Roberts’ unpretentious paintings, the 140-page book presents original drawings, collages and surrealistic scenes of everything from UFO sightings amongst cityscapes, to candid still-life’s in nature. Amongst smiley faces, dancing Kokopelli, and Grateful Dead stealies, the book chronicles a range of fantastical imagery that carries a childlike wonder and begs the viewer to join the experience themselves. - Amadeus (11/26/2018)Through his work, Roberts returns to what most children already know, that whatever is experienced and imagined really is reality, and sometimes there’s no need to muddle it up. In that same way, he refutes the idea that childish is synonymous with simple, it’s that childish is more akin to infinite. -JuxtapozNew York Times art critic Ken Johnson, author of Are You Experienced? How Psychedelic Consciousness Transformed Modern Art, argues that Roberts’ work is part of a resurgent psychedelic movement: “This whole psychedelic thing is still part of our culture. It’s not over.” Johnson’s thesis is that, since the mass consumption of LSD began in the mid 1960s, hallucinogens have altered the minds of so many people that much contemporary art has come to conform with what one critic called the “psychedelic paradigm”. If so, then it’s little wonder Roberts’ work has become so marketable. - The Guardian"A cult following in the skateboarding community, fashion collaborations with Supreme and an archive of trippy artworks putting a fresh twist on 60s psychedelia: Joe Roberts is the outsider artist you need to know." - Hunger"Roberts' work manages to toe the line between playful and edgy, imaginative and nightmarishly vivid." - Hypebeast"Joe creates work which guide the viewer through a menagerie of psychedelic shapes, colours, pop culture figures and mystic symbols. Existing somewhere between fear, euphoria, and what the fuck, Joe's trips incorporate collage, diorama, drawing and painting evocative of Jean-Michel Basquiat and Joseph Cornell. " - Monster Children

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Book SynopsisHassan Massoudy's elegant calligraphy depicts the four seasons of the garden. From the icy palettes of winter and the fading hues of autumn to delicate spring growth and the dazzling sunshine and blooms of summer, he captures in calligraphy what countless poets have wrought with words.Trade Review'Hassan Massoudy's calligraphies are arranged to loosely follow the seasons, beginning and ending with autumn: sombre, wintry hues at one end, brilliant tones full of vibrant reds at the other.' Dr. Venetia Porter, The British Museum; 'Veritable written landscapes.' Liberation; 'A feast for the eyes and balm for the soul.' Telerama; 'The triumph of this inspirational book is ultimately Massoudy's, who not only selected the texts, but created the exquisitely beautiful compositions.' Maria Golia, The Middle East; 'In bright, broad strokes mingling with inventive, intricate shapes, Massoudy describes the garden's four seasons with sayings from some of the artists who have inspired him.' Banipal

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Book SynopsisA brand new look at the extraordinary accomplishments of early modern Italian women artists Trade Review“The book is uniquely conscious of its place in the historiography of the subject, avoiding essentialist claims.”—Jesse Locker, Art Newspaper“Among numerous works in By Her Hand that have never been exhibited before, a set of four large pastels by Rosalba Carriera is outstanding. . . . Oliver Tostmann provides an excellent discussion of the set, focusing on their iconography.”—Richard E. Spear, Kunst Chronik“Overall, the catalogue and exhibition is a balanced overview of women artists in Italy in the pre-modern era. Some of the art is wonderful and the texts provide a survey of the achievements of Italian women artists.”—Alexander Adams Art

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Book SynopsisA long-awaited and highly intimate visual history of Versace, the glamorous and globally renowned Italian fashion house. Versace—a name that epitomizes Italian opulence, bold sexiness, and a flair for the extravagant—holds its place firmly in the fashion world as a legendary and iconic luxury brand. Taking over the creative artistic direction of the family-run fashion house in 1997, the enigmatic and alluring Donatella Versace has since catapulted the brand into popular culture, cementing Versace as a go-to label for A-list celebrities. This richly illustrated tome chronicles Donatella’s interpretation of Versace in the twenty-first century and her remarkable work as the curator and face of Versace. Versace includes exclusive contemporary and archival imagery from runway and backstage shots to intimate scenes at the Versace atelier, with accompanying original essays penned by fashion’s most authoritative voices. Featuring arresting photography by Richard Avedon,Trade Review"Donatella Versace can add the title of writer and editor to her résumé. The designer is gearing up to unveil a book retracing her career. Published by Rizzoli, the richly illustrated “Versace” chronicles Donatella Versace’s interpretation of the namesake brand starting from 1997, when she took over the artistic direction after the tragic loss of her brother Gianni. Written in collaboration with Maria Luisa Frisa, fashion curator and professor at the IUAV University of Venice, and W Magazine’s director Stefano Tonchi, the 336-page tome offers a contemporary and archival insight on the brand and retraces its evolution under the designer’s watch through secret anecdotes, runway pictures and exclusive backstage shots."—Women's Wear Daily"Including essays, iconic photography and archival images, this book captures Versace in all its glory." —Bal Harbour Magazine"Though the monograph is crammed with seductive imagery of ’90s supermodels and sexy rock stars by some of the world’s most renowned fashion photographers—Richard Avedon, Steven Klein, Bruce Weber—the underlying narrative of Donatella Versace’s life is hardly all glitz and glamour; indeed her story is ultimately one of triumph over adversity."—Vogue.com"Versace is one of the most celebrated Italian fashion houses of the modern era. This illustrated company history captures the opulence of its designs." —Bookriot.com "Published by Rizzoli, the publication chronicles the designer’s vision for her family brand since she took over the reins more than a decade ago. In 1997, Versace was appointed to be in charge of the brand’s artistic direction after the tragic loss of her brother, Gianni Versace." —Hypebeast.com"Donatella Versace is reflecting on her 19 years as a designer with the release of her first-ever book. Published by Rizzoli, the book is titled Versace and is the first of its kind to trace the infamous platinum blonde’s career from the moment she assumed creative control of the house in 1997, after her brother Gianni tragically passed away." —CR Fashion Book"In November, Rizzoli will release a glossy coffee table book celebrating Donatella Versace’s decades at the helm of this illustrious brand" —MTV.com". . . the inimitable Donatella Versace provides a vivid chronicle of her family’s fashion empire in Versace, which includes photographs by Richard Avedon, Irving Penn, and Steven Meisel." —Harper's Baazar"The glossy monograph offers an intimate look at her integral role in the company through personal images and essays by friends..." —W Magazine"...this extremely personal and visual history book shows us the place Versace holds in the fashion world as a legendary and iconic luxury brand through a series of never seen photos and notes."—TheImpression.com"La Signora, as Donatella Versace is known around the company’s Via Gesù headquarters, takes readers back through her era at the helm of the Italian fashion house."—15 of the Most Covetable Fashion Tomes to Hit Bookshelves This Year, Vogue". . . visual history of the renowned Italian fashion house, is sure to dress up any coffee table with its exquisite collection of exclusive contemporary and archival photos, backstage imagery and behind-the-scenes shots."—Pittsburgh Post-Gazette"Holiday Gift Guide: A stunning visual history of the famous fashion house, celebrating the years since Donatella Versace took over as creative artistic director in 1997."—Saturday Evening Post "Of all the books reviewed this Christmas, this is one that has given me the most visual pleasure. Because it gives us spreads of the major looks per season, it is also the most useful reference for fans, writers and fashion historians."—Colin McDowell, BusinessofFashion.com

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Book SynopsisA completely new way of looking at and understanding Surrealism, with a focus on the worldwide sweep of the movement“The variety of discoveries, detailed with exceptional scholarship in a ravishing keeper of a catalogue, defeat generalization.”—Peter Schjeldahl, New Yorker This groundbreaking book challenges conventional narratives of Surrealism, tracing its impact and legacy from the 1920s to the late 1970s in places as diverse as Colombia, Czechoslovakia, Egypt, Japan, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey. In doing so, it presents a more inclusive and accurate understanding of the fundamentally international character and lasting significance of the revolutionary artistic, literary, and philosophical movement. Vibrantly illustrated with more than 300 works of art by both well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—and numerous underrepresented artists, this expansive book pushes beyond the borders of history, geography, and nationality to provocatively redraw the map of the Surrealist movement, investigating how its visual languages, ideals, theories, and practices were framed or reframed in contexts far from its Parisian origins. Contributions from more than 40 distinguished international scholars explore themes such as the channels used to transmit ideas; artists’ responses to the challenges of political oppression, social unrest, and the effects of colonialism; and experiences of displacement and exile in the twentieth century. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 4, 2021–January 30, 2022)Tate Modern, London (February 25–August 29, 2022)Trade Review“The variety of discoveries, detailed with exceptional scholarship in a ravishing keeper of a catalogue, defeat generalization.”—Peter Schjeldahl, New Yorker

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Book SynopsisIn addition to being a renowned artist, Renée Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010.Trade Review“[B]y interweaving an astounding diversity of tones, modes, subjects, and genres into a single body of writing, Green reveals many of the underlying interactions and interconnections that would seem to shape our contemporary moment. In the pieces collected in the volume, Green oscillates between the poles of academic and literary ambition, combining the poetic with the analytic, the diaristic with the theoretical, the autobiographical with the systematic, the tentative with the polemical. . . . Other Planes of There offers both a critical genealogy of and a reflexive corrective to our present art-historical and political moment.” -- André Rottmann * Artforum *“Anticipating the artist’s expanded function—the various ‘turns’ of the 2000s—Green wears many hats, acting at once as a curator, archivist, events organizer, and independent distributor (a role she calls ‘free media agent’). . . . An important resource for those seeking to understand what has happened in progressive art discourse for the past twenty years. Other Planes of There also offers a model for how artists might situate their work through a critical, process-intensive writing practice.” -- Thom Donovan * BOMB *“The book is evidence of what remains an ongoing process, which continues to grow in the minds of those that read it or come to encounter Green’s work. Rooted within the fabric of every text is Green’s voice, which remains one of questioning the world, through a continual prodding and reexamination of methods of understanding, transmission, and communication.” -- Maia Nichols * Full Stop *“Complete with an extensive Publishing History, Curriculum Vitae and Index that indicate clearly the rich scope of this anthology, this certainly is a beautiful example of what thinking through and with work can lead to.” -- Edith Doove * Leonardo Reviews *Table of ContentsAcknowledgments xi Introductory Essays Other Planes, Different Phases, My Geometry, Times, Movements: Becomings Ongoings 1 Remarks on the Writings of Renee Green, by Gloria Sutton 19 Genealogies 1. Sites of Criticism: A Symposium. Practices: The Problem of Division of Cultural Labor. Statement (1992) 35 2. Discourse on Afro-American Art: The Twenties (1982) 42 3. I Won't Play Other to Your Same (1990) 53 4. What's Painting Got to Do with It? Representing Gender and Sexuality in the Age of Post-Mechanical Reproduction (1990) 57 5. From Camino Road (1994) 64 Circuits of Exchange 6. Open Letter #1: On Influence (1992) 73 7. Open Letter #2: Another Attempt (1993) 78 8. Collectors, Creators, and Shoppers (1994) 83 9. Peripatetic at "Home" (1995) 89 10. Free Agent Media / FAM (1995) 94 11. Situationist Text (2001) 99 12. Introductory Notes of a Reader and "A Contemporary Moment" (2001) 103 Encounters 13. Trading on the Margin (1991) 119 14. Democracy in Question (1991) 128 16. Spike Lee's Mix: Calculated Risks and Assorted Reckonings (1996) 141 17. Compared to What? (1998) 152 18. Notes on Humanist and Ecological Republic and Lac Mantasoa (2000) 156 19. Other Planes of There (2004) 163 20. Archives, Documents? Forms of Creation, Activism, and Use (2008) 176 21. On Kawara's Solutions to Living (2010) 191 Positions 22. "Give Me Body": Freaky Fun, Biopolitics, and Contact Zones (1995) 197 23. Dropping Science: Art and Technology Revisited 2.0 (1995) 210 24. Site-Specificity Unbound: Considering "Participatory Mobility" (1998) 225 25. Slippages (1997) 230 26. Affection Afflictions: My Alien/MySelf, or More "Reading at Work" (1998) 256 27. Survival: Ruminations on Archival Lacunae (2001) 271 28. Beyond (2006) 289 29. Place (2006) 297 Operations 30. Sites of Genealogy (1990) 309 31. VistaVision: Landscapes of Desire (1991) 312 32. Tracing Lusitania: Excerpts from an Imagined Prototype (1995) 317 33. Secret, Part 1. Practiced Places (1992-1993) 320 34. Secret, Part 2. Scenes from a Group Show: Project Unite (1993) 323 35. Inventory of Clues (1993) 335 36. Eighteen Aphoristic Statements (1994) 340 37. Collecting Well Is the Best Revenge (1995) 346 38. The Digital Import/Export Funk Office (1995) 354 39. Wavelinks Transmitted amidst "Dangerous Crossings": Reflections in 2006 (2000, 2006) 364 40. Standardized Octagonal Units for Imagined and Existing Systems (2002) 375 41. Sound Forest Folly: Intermediary Units of a Variable Number (2004) 379 42. Why Systems? (2004) 381 43. Relay (2005) 388 44. Index (From Oblivion): Paradoxes and Climates. Thought Experiments: Warm-up Notes (2005) 392 45. Climates and Paradoxes (2005) 396 46. Why Reply? (2007) 403 47. Now It Seems Like a Dream (2007) 408 48. Imagine This Wherever and Whoever You Are (2008) 411 49. Come Closer: Prelude to Endless Dreams and Water Between (2008) 419 50. Come Closer (2008) 422 51. Endless Dreams and Water Between (2009) 428 Plate Captions 453 Publishing History 463 Curriculum Vitae 469 Index 491

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Book SynopsisInterdisciplinary approach to the Iberian and Italian perceptions and representations of the Battle of Lepanto and the Muslim “other” The Battle of Lepanto, celebrated as the greatest triumph of Christianity over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. The varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe are the focus of this book. In broader terms, Lepanto and Beyond also sheds light on the construction of religious alterity in the early modern Mediterranean. It presents cross-disciplinary case studies that explore the figure of the Muslim captive in historical documentation, artistic depictions, and literature. With a focus on the Republic of Genoa, the authors also aim to balance the historical scale and restore the important role of the Genoese in the general scholarly discussion of Lepanto and its images.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).Trade ReviewIn dit magistraal boek van een ongeëvenaard, intellectueel niveau, staan de gevarieerde vertelkunst en de vele visuele voorstellingen, die hebben bijgedragen aan de perceptie van de strijd in christelijk Europa, centraal. “Lepanto and Beyond” brengt nieuw licht op de constructie van religieuze alteriteit in het vroegmodern Middellandse Zeegebied. Het presenteert multidisciplinaire casestudy’s die de toenmalige moslims onderzoeken in historische documentatie, artistieke afbeeldingen en literatuur. Met een focus op de Republiek Genua, streven de auteurs naar een evenwicht tussen de historische betekenis en het historisch belang, en het herstel van de belangrijke rol van de Genuezen, in de algemene wetenschappelijke discussie over Lepanto.Michel Dutrieue, Stretto, 9 april 2021„Lepanto and Beyond“ is a collection of eleven articles dealing with the construction of perceptions surrounding the Battle of Lepanto and the „Muslim Other“ in earlymodern Italy and Spain. The volume is innovative in its study of Lepanto through Genoese sources, often disregarded in favour of their Venetian and Spanish counterparts.In addition to this, the collection offers several contributions on the representation of Ottoman subjects promoted by European states and patricians. [...] „Lepanto and Beyond“ achieves its dual aim of shedding new light on media campaigns following the Battle and of investigating representations of the Ottoman in the Christian Mediterranean.Achille Marotta, QFIAB 102 (2022), https://doi.org/10.1515/qufiab-2022-0032« The Battle of Lepanto, celebrated as the greatest victory of Christendom over its Ottoman archenemy, was soon transformed into a powerful myth »: la potenza generatrice, sul piano delle rappresentazioni culturali e della produzione di simboli, scaturita dall’esito dello scontro navale del 7 ottobre 1571, è un fatto largamente noto. Consentono ora di approfondirlo, con rimarchevole ricchezza di apporti originali, i saggi riuniti nella miscellanea a cura di Laura Stagno e Borja Franco Llopis.Danilo Zardin, Mediterranean International Journal on the transfer of knowledge, 7, 2022, https://doi.org/10.21071/mijtk.v7i.14091En fin, se trata de una obra de consulta obligada sobre las «representaciones» –en sentido amplio– de Lepanto, o mejor dicho, de los «Lepantos» hispánico y genovés, tanto por la calidad de los ensayos, como por el prestigio académico de los/as autores/as reunidos por los editores, Stagno y Franco Llopis.Iván Rega Castro, Boletín De Arte, (43), 268-269. https://doi.org/10.24310/BoLArte.2022.vi43.14355For those who are interested in seeing how the study of alterity can expose the lines of connection between art, politics, and religion, the entries in Lepanto and Beyond have much to commend them. In addition to the eleven essays, the volume includes twenty-nine color images of paintings and drawings depicting either the battle itself or individuals associated with it, such as Doria and Philip II. The image gallery alone makes this volume of value to historians of the 16th century, most especially to those specializing in art and in the print and media landscape of the period. Brent Gordon, SJ, Reading Religion, March 2023, https://readingreligion.org/9789462702646/Table of Contents Preface PART I. OTHERNESS AND CONFRONTATION IN EARLY MODERN SOUTHERN EUROPE 1. A Brief Review of the Scholarly Literature on Representation of the “Turk” and images of Lepanto in Italy and Iberia Laura Stagno and Borja Franco Llopis 2. Multiple Alterities in the Ottoman Empire Steven Hutchinson PART 2. LEPANTO: THE BATTLE, ITS NARRATIVES, ITS ICONOGRAPHIES 3. Event and Narration. Spanish Storytelling on the Battle of Lepanto in the Early 1570s Stefan Hanß 4. A Sea of Dead Turks: Lepanto and the Iconographies of Hell and the Flood Víctor Mínguez 5. Lepanto in Religious Iconographies: The Genoese Case Daniele Sanguineti 6. Accusation, Defense and Self-Defense: The Debate on the Action of Giovanni Andrea Doria in Lepanto Emiliano Beri 7. Celebrating Lepanto in the Republic of Genoa: Giovanni Andrea Doria’s and Other Aristocrats’ Patronage. Portraits, Paintings and Tapestries Laura Stagno Gallery Section 8. The Necessary Enemy: Reconsidering the Perception of the “Other” in a Society of War Contractors (Genoa, Spain and the Ottoman Empire – Sixteenth Century) Bastien Carpentier PART 3. AFTER THE BATTLE: SLAVES BETWEEN REALITY AND REPRESENTATION 9. In the Sign of Reciprocity: Muslim Slaves in Genoa and Genoese Slaves in Maghreb Andrea Zappia10. The Image of the Turkish Slave in a Peripheral Area of the Pontifical States: The Case of the Cycle of Villa Buonaccorsi in Potenza Picena Giuseppe Capriotti 11. ‘Cet obscur objet du désir’: Sex and Slavery in Early Modern Spanish Fiction Mercedes Alcalá Galán Illustration Credits About the Authors

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Book SynopsisThis is the first book to gather leading designers, creators and industry insiders to reflect on sneaker design and its ground-breaking impact on popular culture. Contributors provide insights into the evolution of sneakers from sport-wear to style icons, the processes and people involved in sneaker design and its global future. Through conversations with the people directly involved in the creation of sneakers, it speaks to the next generation of sneaker designers and wearers by asking: who are the people involved in the design of a sneaker? How do their roles and approaches differ? How does their individual work contribute to the collective effort of making a sneaker? What will the future of sneaker design be? Richly illustrated, it includes iconic sneakers, drawings and sketches, prototypes as well as glimpses in the manufacturing process. Across three chapters – Style and Culture, People and Processes, The Future – the approaches and experience of industry leaders unfold the past, present, and future of sneakers as style icons and cultural facilitators. Contributors turn to the next generation of designers with an open challenge to move the industry towards a more positive direction for both the people and the planet.Table of ContentsForeword by Tim Marlow Curatorial Foreword by Ligaya Salazar Introduction by Alex Powis 1. Style and Culture 2. People and Process 3. The Future

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Book SynopsisThe first English-language collection of the titular artist, "The Art of Sachiko Kaneoya" chronicles the creator's work and themes for nearly a decade, showcasing the monstrous, the romantic, and the mortal suffering of her subjects. Inspired by anime and manga from the 50s and 90s, Kaneoya's global contingent of fans has never had a easily-obtainable volume of her work... until now.

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Book SynopsisTrade Review"Deeply researched and written in a scholarly but engaging style, the book breaks new ground in Korean art history, counteracting the dominant role of the yangban in earlier studies. Kim's book is a welcome addition to recent monographs and exhibition catalogues on Korean art history." * Choice *"Richly detailed, comprehensively resourced, and meticulously researched . . . call[s] into question existing narratives on Chosŏn painting by reading artworks in consideration of their collective agency and their roles in negotiating values, taste, and status at a critical historical juncture. [Flowering Plums and Curio Cabinets] will hence contribute significantly to the literature and ultimately enrich scholarly discussion of early modernity in East Asia." * Journal of Asian Studies *"[C]omprehensive analyses of the late Chosŏn dynasty...Kim's Flowering Plums and Curio Cabinets boldly presents the academic possibility that the artworks and cultural objects of late Chosŏn Korea can be examined through visual and cultural studies." * European Journal of Korean Studies *"Kim’s scholarship makes an important addition to understandings of late Chosǒn arts and culture and is a must-read volume for students and researchers alike." * Asian Affairs: An American Review *"[A] model of scholarship...opens new insights..offering fresh and exciting readings." * The Art Bulletin *

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Book SynopsisAn intimate look at Ben Nicholson's everyday inspirations Throughout his career, Ben Nicholson (1894–1982) transformed everyday homewares into extraordinary experiments in abstract art. Nicholson’s studio was filled with objects that inspired him. From patterned mocha-ware jugs and cut glass goblets to spanners, hammers and chisels, these ordinary personal possessions were a source of almost endless inspiration to the artist. This book brings together for the first time Nicholson’s paintings, reliefs, prints and drawings alongside his rarely seen personal possessions and studio tools. It traces how the artist’s style developed, from his early traditional tabletop still lifes to his later abstract works. Still life was at the heart of Nicholson’s artistic practice. Through these humble items, he began to experiment with form and color. His early works in particular owed inspiration to his father, the painter William Nicholson. The book traces the artistic and personal influences on Nicholson’s evolutionary still life style from the 1920s to the 1970s. It explores his time with Winifred Nicholson and Barbara Hepworth, as well as his encounters with other Modernist greats, Pablo Picasso and Piet Mondrian. Distributed for Pallant House Gallery

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Book SynopsisTrade Review"Honorable Mention for the George Wittenborn Memorial Book Award, Art Libraries Society of North America""One of the New York Times' Best Art Books of 2018""A Choice Outstanding Academic Title of the Year""The most thrilling book of the year."---Roberta Smith, New York Times"[A] remarkable catalogue, which exhaustively lays out what can be known of Traylor’s life, in its historical context, and of the references in his art."---Peter Schjeldahl, New Yorker"Traylor’s images . . . now count among the greatest works of 20th-century American art, and thanks to a magnificent catalogue, the artist is obscure no more."---Roberta Smith, New York Times"[A] major monograph."---Karen Wilkin, Wall Street Journal"The detective work in Between Worlds is so engrossing that one may be forgiven for forgetting that the book is also an exhibition catalogue. It accompanies an extensive retrospective, now at the Smithsonian American Art Museum in Washington, DC, of Bill Traylor’s paintings and drawings. Traylor, who died in 1949, is considered one of the most important 'folk' or 'self-taught' American artists. But this project demonstrates in magisterial manner how his work exceeds these limiting categories. . . . Umberger is refreshingly blunt about the art world’s racial politics, the persistence and consequences of gatekeeping, and the way categories like 'folk art' marginalize the makers of those pieces. She offers deep research into the artist’s like and work as a welcome remedy."---Siddhartha Mitter, Bookforum"Between Worlds pairs a painstakingly detailed biography with an expansive, object-orientated analysis, the former serving as foundation for the latter."---Annie Monahan, Burlington Magazine"Leslie Umberger’s compelling text, the result of extensive research, details the social and political context to Traylor’s life and art, and pieces together as much as possible of his family history." * Art Quarterly *"This meticulously researched catalogue . . . serves as a corrective to the persistent stereotyping of black art as primitive. . . . Now, with the Smithsonian exhibition and accompanying catalogue, Bill Traylor’s testimony is available to the wider world."---Fran Bigman, Times Literary Supplement"[A] major undertaking. . . . [The book] includes chapters on the world in which [Traylor] lived, carefully documented by biographical details from surviving records, and discusses the emergence of his talent during an active period in late life while recounting how his preserved work captured the attention of the art world decades after his death."---Karla Klein Albertson, Antiques and the Arts"[A] groundbreaking monograph in which Umberger thoroughly reassesses the known facts of Traylor’s life and family, his creative trajectory, and the art world’s discovery of him and positions him within the broader context of American art." * ARTFIX daily *"Between Worlds: The Art of Bill Traylor discusses and illustrates 205 of Traylor’s works, images that are powerfully backdropped by the times he lived in."---Shannon Heupel, Montgomery Advertiser"Between Worlds: The Art of Bill Traylor is a genuinely unfathomable account. . . . Umberger takes great care in flushing out the worlds between that Traylor’s depictions historically dangled. . . . With over 200 drawings reproduced as examples of various techniques or themes, there is much information to digest. Umberger’s unsurpassed skill as a historian and writer, cuts easily through it all revealing depth and dimension. For the reader not intimidated by the bulk of this volume, approaching six pounds, there is much reward and there are too many insights to list. Even 70 years after his death, his life experience remains critically important to our contemporary settings."---Cindy Helms, New York Journal of Books"[Leslie] Umberger emerges as the finest interpreter of Traylor’s life and career, proving that she is an American curator and art historian of the first order. . . . At long last, Bill Traylor’s artwork takes center stage to speak to viewers of the pasts of the present. . . . Between Worlds is a testament to the enduring, inclusive genius of Bill Traylor, a man who came from slavery to make a world all his own. Traylor’s paintings remind us of the indomitable creative spirit, enduring beyond this nation’s sins."---Andrew M. Davenport, Los Angeles Review of Books"A major contribution [and] essential reading for anyone who wants to understand American art in the twentieth century. . . . Umberger’s scrupulously researched book fill[s] in many gaps while overturning long-held assumptions, misinformation and misguided theories about the artist and his work. . . . Umberger writes at length about the historical and cultural circumstances within which Traylor lived and made his art. She fills in a richly detailed background, presents the most complete picture of his life to date, and casts revealing new light on his art. Positioning his work firmly within a cultural context, she rejects any notion of him as an outsider."---Tom Patterson, Raw Vision"[Leslie Umberger’s] curated volume of Traylor’s life and work is a narrative and visual accomplishment; a beautifully-presented book that captures the marvel and struggle of Traylor’s life, and the uniqueness of his work."---Nick Ripatrazone, Angelus News"Umberger does justice to [Bill Traylor’s] work and his life story . . . . [a] wonderful book." * Rethinking History *"Leslie Umberger’s monumental catalogue, Between Worlds: The Art of Bill Traylor, which accompanied her 2018 exhibition at the Smithsonian American Art Museum, is a stunning, intensely researched, and moving tribute to a unique figure in the history of American art . . . . The catalogue, which includes more than two hundred gorgeous illustrations of artworks from public and private collections, along with ample reproductions of archival material and historical photographs, make it not only the most comprehensive resource for Traylor’s work, but also an excellent one for those interested in the history of the American South. A bold and brilliant text, contained inside a beautifully produced object, Between Worlds sets the standard for the type of critical scholarship that can be done on an artist once discounted as marginal or an outsider."---Aleesa Pitchamarn Alexander, Panorama: Journal of the Association of Historians of American Art

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Book SynopsisQuentin Blake's illustrations are instantly recognisable to millions of people around the world. A new exhibition to be held at London's House of Illustration will explore an unusual aspect of Blake's work, however, exhibiting for the first time 100 examples of his works of art. 100 Figures, will feature all of the 100 exhibited works - ranging from large-scale oil paintings to drawings and prints, created between the 1950s and today. Works included date back to his post-grad years in the 1950s when he struggled to make a living as an illustrator and took life-drawing classes at Chelsea School of Art. It was here that he first engaged with the human figure, but soon, having observed how the human body behaves, he found he was able to draw it from memory in any pose, working from his vivid imagination. 100 Figures will also offer the chance to catch a rare glimpse of early oil paintings by Blake - some painted on hardboard since he was unable to afford canvases at that time and painted using commercial house-painters' brushes.

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Book SynopsisThe Wiener Werkstatte, founded by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, was an artists' and craftsmen's collective that existed in Vienna from 1903 until 1932. The artists' goal was to bring high-quality design and craft into all areas of life and to elevate everyday objects into pieces of art. During that time, the collective produced items in a variety of media including ceramics, furniture, glass, jewelry, metalwork, and textiles. The Wiener Werkstatte style influenced generations of architects from Bauhaus to Art Deco. This book features the work of well-known Wiener Werkstatte members such as Josef Hoffmann, Koloman Moser, and Dagobert Peche along with lesser known designers such as Gudrun Baudisch, Carl Otto Czeschka, and Ugo Zovetti. It also includes in-depth essays that explore the Wiener Werkstatte's long history and legacy.

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Book Synopsis'Any woman can wear shoes and handbags: it's not a question of how tall you are, how skinny you are, how blonde or blue-eyed or tanned or whatever.' Marc JacobsCarolyn Asome reveals the fashion accessory that can make any woman feel fabulous - from the myriad surrealist creations of Karl Lagerfeld at Chanel to Prada's democratic nylon backpack, from the exclusive Hermés Birkin bag to individual vintage gems, the handbag is fashion's most inventive accessory. No shock, then, that the handbag market today is worth more than a hundred billion dollars. From each season's must-have to five-figure rarities, the handbag symbolizes the inexplicable power of fashion desire. Vogue Essentials: Handbags explores all the greatest hits in a collection that any fashion devotee will covet.Published simultaneously with Vogue Essentials: Little Black Dress. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman's wardrobe and features photographs from Vogue's peerless archive of more than a million pictures.

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Book SynopsisA celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective âResistanceâ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the aTrade Review'A thing of beauty' - Sunday Times'Magnificently illustrated, this is art history at its most eye-popping and also – thanks to philosophical forays in which Hyman explores identity and the friction between self and society – its most brain-tickling' - Observer (Peter Conrad's Books of the Year)'Magnificent ... will change forever our sense of the “story” of modern art ' - Gabriel Josipovici'Highly original ... there are brilliant insights and connections on every page' - David Bindman'Wonderfully concrete in detail and wide-ranging in scope, Timothy Hyman’s 'The World New Made' constructs a new and convincing scenario for the history of twentieth-century painting' - Linda Nochlin'It’s time that the balance was redressed, and Timothy Hyman’s scholarly and enjoyable book sets about the task with great vigour. The quality of the writing makes the reader want to look again and more closely at the artists discussed' - The Spectator'Brings together decades of critical viewing and reading into a richly thoughtful text' - Times Literary SupplementTable of ContentsIntroduction: Painting and Experience in the Twentieth Century 1. After Cubism: Reinventing the Language of Representation 2. After Expressionism: ‘The New Thingness’ 3. First-Person Painting 4. Beyond the Formalist Canon: Visionaries, Dreamers, Outsiders 5. After Abstract Expressionism: Towards a New History Painting Epilogue: Continuous Narratives

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Book SynopsisMost commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834–1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life. The elder scion of a wealthy family, Degas cofounded a series of exhibitions of “Impressionist” art, but soon disassociated himself from the group in pursuit of a more realist approach. His subjects centered on the teeming, noisy streets of Paris, as well as its leisure entertainments, such as horse racing, cabarets, and, most particularly, ballet. With often ambitious, off-kilter vantage points, his images of ballerinas numbered approximately 1,500 works, all deeply invested in the physicality and the discipline of dance. Through illustrations of Foyer de la Danse (1872), Musicians in the Orchestra (1872), and many more, this book provides an essential overview of the artist who created a category all his own, a world of classical resonance, bold compositions, and an endless fascination with movement, which together produced some of the most striking and influential works of the era.

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Book SynopsisHow are aesthetics and ethics related to the practical realities of the global fashion industry? Both have played an important role in academic fashion studies to this point, but they are most often discussed in the context of abstract phenomena such as modernity and capitalism, or identity issues such as sexuality, class and gender. The essays in this volume strive instead to show how the realities of the global fashion industry have important and pertinent aesthetic and ethical consequences.This collection provides critical and philosophical analysis of the interplay of aesthetics and ethics within the global fashion industry. Characterized by an increasingly fast spinning production, the industry is highly exploitative in terms of environment and labor force: underpaid textile workers, retailers working under brutal competition from the mass-merchandise discounters, young designers, seamstresses and curators often working for free, and a vast body of aspiring models. In addition, faTrade ReviewBringing together an influential group of scholars, this book makes you seriously think about how what you choose to buy and wear impacts on people and our planet. Read and act. * Vicki Karaminas, Massey University, New Zealand *Table of ContentsList of Illustrations List of Contributors Foreword: ‘Hedonism – Notes during an Epidemic’ by Elizabeth Wilson Acknowledgements Introduction: by Louise Wallenberg and Andrea Kollnitz Part I: Producing Aesthetics: Ethical Issues in Contemporary Fashion Production 1. ‘Circular Fashion: Moral Effects and Ethical Implications’ by Herman Stål 2. ‘Kindness to the Environment in Vogue Italia: A Neoliberal Aberration?’ by Morna Laing 3. ‘Producing Garments, Manufacturing Fashion: On the Globalization of Industry and Disconnection with Craft’. Göran Sundberg 4. ‘The Fashion of the Manifesto’ by Marco Pecorari 5. ‘The Cost of Looking Good: Ethics and Aesthetics in the Fashion Industry’ by Louise Wallenberg and Torkild Thanem Part II: Fashion Aesthetics and Ethics: from Past to Present 6. ‘Ragged and Unravelled’ by Marcia Pointon 7. ‘Art Nouveau Women’s Fashion and the Theme of Nature’ by Lucy Fischer 8. ‘The Black Panther Party Uniform: Power, Resistance, and Community’ by Anna Hanchett 9. ‘Fashion is Human: Perspectives on the Aesthetics and Ethics of Contemporary Swedish Fashion Photography’ by Andrea Kollnitz Part III: Aesthetics and Ethics: Philosophical Investigations of Fashion 10. ‘Fashion, Prosthetics, Machines: Being Humans and the Body’ by Patrizia Calefato 11. ‘The Missing Juncture: Architecture and Fashion from Schinkel to Le Corbusier’ by Sven-Olov Wallenstein 12. ‘Fashion Aesthetics, Ethics and Choice’ by Malcolm Barnard Bibliography Index

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Book SynopsisTrade Review"This comprehensive survey should be required reading for contemporary art and African American history connoisseurs alike." * Publishers Weekly *"If Basquiat’s ultimate fate in the annals of art history remains unknown, it is Saggese’s Reader to which the future will turn for guidance as she expertly maps out the historical territory." * Rain Taxi Review of Books *Table of ContentsAcknowledgments Introduction JEAN-MICHEL BASQUIAT IN HIS OWN WORDS Interview by Marc H. Miller, 1982 Interview by Henry Geldzahler, 1982 Interview by Lisa Licitra Ponti, 1983 Interview by Geoff Dunlop and Sandy Nairne, 1985 Interview by Becky Johnston and Tamra Davis, 1985 Interview by Démosthènes Davvetas, 1985–1988 Interview by Isabelle Graw, 1986 BASQUIAT'S LANGUAGE Texts by Jean-Michel Basquiat CONTEMPORARY CRITICISM AND COMMENTARY The Radiant Child Rene Ricard, 1981 Schnabel and Basquiat: Explosions and Chaos Hunter Drohojowska, 1982 Jean-Michel Basquiat Jeffrey Deitch, 1982 Jean-Michel Basquiat at Annina Nosei Lisa Liebmann, 1982 Jean-Michel Basquiat at Fun Gallery Susan Hapgood, 1983 Black Picasso and the Lie Detector Diego Cortez, 1983 New Kid on the (Auction) Block Ellen Lubell, 1984 Jean-Michel Basquiat Kate Linker, 1984 Jean-Michel Basquiat at Boone/Werner Nicolas A. Moufarrege, 1984 New Art, New Money: The Marketing of an American Artist Cathleen McGuigan, 1985 Activating Heaven: The Incantatory Art of Jean-Michel Basquiat Robert Farris Thompson, 1985 Art: Basquiat, Warhol Vivien Raynor, 1985 Andy Warhol/Jean-Michel Basquiat Robert Mahoney, 1985 Andy Warhol/Jean-Michel Basquiat Ronald Jones, 1986 Jean-Michel Basquiat Barry Schwabsky, 1986 KNOWING BASQUIAT Interviews by Jordana Moore Saggese Michael Holman, 2007 Suzanne Mallouk, 2008 Bruno Bischofberger, 2010 Robert Farris Thompson, 2011 Dieter Buchhart, 2019 Erika Belle, 2019 Diego Cortez, 2019 THE AFTERLIFE OF JEAN-MICHEL BASQUIAT Jean Basquiat, 27, an Artist of Words and Angular Images Constance L. Hays, 1988 Jean-Michel Basquiat, 1960–1988 Hilton Als, 1988 Martyr without a Cause Peter Schjeldahl, 1988 Remembering Basquiat Keith Haring, 1988 Requiem for a Featherweight: The Sad Story of an Artist's Success Robert Hughes, 1988 New York: More Post-Modern Than Primitive Gregory Galligan, 1988 Saint Jean-Michel Frederick Ted Castle, 1989 Nobody Loves a Genius Child: Jean-Michel Basquiat, Lonesome Flyboy in the '80s Art Boom Buttermilk Greg Tate, 1989 Welcome to the Terrordome: Jean-Michel Basquiat and the "Dark" Side of Hybridity Dick Hebdige, 1992 Royal Slumming: Jean-Michel Basquiat Here Below Thomas McEvilley, 1992 Altars of Sacrifice: Re-membering Basquiat bell hooks, 1993 A Day at the Races: Lorraine O’Grady on Basquiat and the Black Art World Lorraine O’Grady, 1993 Tip-Tapping on a Tightrope Franklin Sirmans, 1994 Famous and Dandy like B. 'n' Andy: Race, Pop, and Basquiat José Esteban Muñoz, 1996 Lost in Translation: Jean-Michel in the (Re)Mix Kellie Jones, 2005 Basquiat's Poetics Christopher Stackhouse, 2015 Chronology List of Illustration Credits Index

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Book SynopsisWhilst seemingly simple garments such as the tunic remained staples of the classical wardrobe, sources from the period reveal a rich variety of changing styles and attitudes to clothing across the ancient world. Covering the period 500 BCE to 800 CE and drawing on sources ranging from extant garments and architectural iconography to official edicts and literature, this volume reveals Antiquity's preoccupation with dress, which was matched by an appreciation of the processes of production rarely seen in later periods. From a courtesan's sheer faux-silk garb to the sumptuous purple dyes of an emperor's finery, clothing was as much a marker of status and personal expression as it was a site of social control and anxiety. Contemporary commentators expressed alarm in equal measure at the over-dressed, the excessively ascetic or at barbarian' silhouettes. Richly illustrated with 100 images, A Cultural History of Dress and Fashion in Antiquity presents an overview Table of ContentsList of Illustrations Introduction Mary Harlow (University of Leicester, UK) Chapter 1 – Textiles Eva Andersson Strand (University of Copenhagen, Denmark) and Ulla Mannering (National Museum of Denmark) Chapter 2 – Production and Distribution Kerstin Droß-Krüpe (University of Kassel, Germany) Chapter 3 – The Body Glenys Davies (University of Edinburgh, UK) and Lloyd Llewellyn-Jones (Cardiff University, UK) Chapter 4 – Belief Carly Daniel Hughes (Concordia University, Canada) Chapter 5 – Gender and Sexuality Glenys Davies (University of Edinburgh, UK) and Lloyd Llewellyn-Jones (Cardiff University, UK) Chapter 6 – Status Kelly Olson (Western University, Canada) Chapter 7 – Ethnicity Ursula Rothe (Open University, UK) Chapter 8 – Visual Representations Lena Larsson Lovén (University of Gothenburg, Sweden) Chapter 9 – Literary Representations Mary Harlow (University of Leicester, UK) Notes Bibliography Notes on Contributors Index

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Book SynopsisWinner, Canadian Museums Association’s Outstanding Achievement in Research Award and IPPY Awards Silver Medal (Fine Art)A Toronto Star Holiday Gift Guide SelectionA Like Vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada’s canonical landscape painters. The Group’s depiction of the rugged beauty of the Canadian landscape — from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland — charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada’s sense of autonomy and identity as a modern state in the aftermath of the First World War.Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarralik Duffy.One hundred years on from the Group’s first exhibition in 1920, A Like Vision is both a chance to review the Group’s legacy and a tribute to these giants of Canadian art and culture.Trade Review"This beautifully produced book with full colour reproductions ... looks at the paintings through the eyes of immigrants or Indigenous people. As Milroy writes in her introduction, ‘These are either the least political paintings ever made (just trees, please, we’re Canadian) or the most — in what they leave out.’" * Toronto Star *"Exceptionally informative as a collective enterprise expertly showcasing the life and art of Tom Thomson." * Midwest Book Review *“A gorgeous book featuring the art of the Group of Seven, yes, but also an examination of how their painting fits into a longer history of this land that includes — and excludes — Indigenous peoples. Beautiful and thought-provoking.” -- Deborah Dundas * Toronto Star's “Book Gift Guide” *

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Book SynopsisA heterogeneous collection of writings, speeches, and interviews, revealing how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a general audience during a time of great cultural and societal upheaval.

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Book SynopsisA highly entertaining read for anyone with even a passing interest in art and art history. This myth-busting book takes you on a great ride through the lives of starving (and not so starving) artists, unusual exhibitions and painting blunders throughout history. In the intriguing, outrageous and often provoking world of the visual arts, nothing is quite as it seems. From the world’s first intance of photobombing in 1843 to the Damien Hirst spot painting that landed on Mars, the destruction of Vincent van Gogh’s Sunflowers during World War II and the £3,500 sheet of paper crumpled into a ball, Everything You Know About Art is Wrong will confound your assumptions about the world of art – and perhaps even the place of art in the world.

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Book SynopsisMichael Fisher holds the Robert S. Danforth Chair in History at Oberlin College and in 2007 was awarded the Teaching Excellence Award for Social Sciences by Oberlin.Table of ContentsIntroduction 1. From Central Asia into the Alien Land of India 2. Establishment of the Mughal Indian Empire 3. Efflorescence of the Imperial Court 4. Building up the Empire 5. Expanding the Frontiers and Facing Challenges 6. Hollowing Out the Imperial System 7. Vestiges of Imperium 8. Contested Meanings of the Mughal Empire Conclusion Bibliography

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Book SynopsisA vividly illustrated catalogue of linocuts by the Modern British printmakers of the Grosvenor School of Art. The Grosvenor School of Modern Art was founded by the influential teacher, painter and wood-engraver Iain McNab in 1925. Situated in London’s Pimlico district, the school played a key role in the story of modern British printmaking between the World Wars. The Grosvenor School artists received critical acclaim in their time that continued until the late 1930s under the influence of Claude Flight who pioneered a revolutionary method of making the simple linocut to dynamic and colourful effect. Cyril Power, a lecturer in architecture at the school, and Sybil Andrews, the School Secretary, were two of Flight’s star students. Whilst incorporating the avant-garde values of Cubism, Futurism and Vorticism, the Grosvenor School printmakers brought their own unique interpretation of the contemporary world to the medium of linocut in images that are strikingly familiar to this day. They are included in the print collections of the world’s major museums, including the British Museum, the MoMA in New York and the Australian National Gallery. Cutting Edge, which accompanied an exhibition at Dulwich Picture Gallery, illustrates over 120 linocuts, drawings and posters by Grosvenor School artists; its thematic layout focuses on the key components which made up their dynamic and rhythmic visual imagery. For the first time, three Australian printmakers, Dorrit Black, Ethel Spowers and Eveline Syme - who played a major part in the Grosvenor School story - are included in a major museum exhibition outside of Australia.Table of ContentsDirector’s Foreword – Jennifer Scott Preface – Gordon Samuel Life in Linocuts: The Printmakers of the Grosvenor School of Modern Art – Hana Leaper 1. The Avant-Garde Pulsating Rhythms: The Radical Achievement of Claude Flight and his Printmaking Pupils – Philip Vann 2. Urban Living Relaxing the Line: The Linocuts of the Australian Artists – Dorrit Black, Eveline Syme and Ethel Spowers – Tracey Lock 3. At Work and at Play 4. A Pastoral Life The Rise, Demise and Renaissance of the Grosvenor School Linocuts – Gordon Samuel 5. The Sporting Life 6. On the Move The Andrew-Power Posters Photographs of the Grosvenor School Artists Notes Photography Credits Index

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Book SynopsisTerracotta Warriors provides an intriguing, original and up-to-date account of one of the wonders of the ancient world. Illustrated with a wealth of original photographs, this is the first book available for the general reader. In one of the most astounding archaeological discoveries of all time, the Terracotta Warriors were discovered by chance by farmers in 1974. We now understand that the excavated pits containing nearly eight thousand warriors and hundreds of horses are only part of a much grander mausoleum complex. There is a great deal still to be discovered and understood about the entire area whichis now thought to cover around 100 square kilometres. And there is the tantalising possibility of the opening of the imperial tomb.Trade ReviewTell[s] us a great deal that is fascinating about the figures and the Emperor who ordered them to be built -- Nick Rennison * Daily Mail *Edward Burman examines the most up-to-date theories about these extraordinary artefacts -- Arminta Wallace * Irish Times *

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Book SynopsisA unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten's Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt's studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten's magnum opus--here available in an English print edition for the first time--brings textual sources into dialogue with the author's own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten's arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.Trade Review“Superbly edited and translated, Introduction to the Academy of Painting reveals anew the variety and scope of Samuel van Hoogstraten’s great treatise on Dutch art, showing how it harnesses multiple genres of text to the task of affirming the epistemic authority of painting as an instrument of perception, judgment, and thought. Brusati and Jacobs allow us to see that Van Hoogstraten, even while deeply responsive to the circumstances his time and place, was yet sui generis: eschewing mere erudition, he placed a premium on artisanal expertise, gave voice to the inextricable connection between verisimilar description and optical deception, and argued that pictorial excellence results above all from the mutual attunement of the painter’s discriminating mind, attentive eye, and practiced hand.”;—Walter S. Melion, Asa Griggs Candler Professor of Art History, Emory University; Foreign Member, KNAW, Royal Netherlands Academy of Arts and Sciences;;“This meticulous new translation of Samuel van Hoogstraten enables modern readers to encounter, finally and fully, the richly diverse content of that cosmopolitan, learned, and sophisticated practicing artist, as he attempts to provide both theory and practice for visual art as the worthy sister of the nine muses. Celeste Brusati's enlightening introductory commentary is another important contribution to art history's literature from the Dutch Golden Age. As with her monograph on Van Hoogstraten, Artifice and Illusion (1995), Brusati provides a springboard into Van Hoogstraten's dialogue about art, poised between Academy and Visible World.”—Larry Silver, University of Pennsylvania, Farquhar Professor of Art History, emeritus, and co-editor of Canons and Values (2019)

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Book SynopsisDiscover the wild and wonderful creatures of Thra in this guide to the flora and fauna of the Dark Crystal universe featuring remarkable original illustrations.In a world where rocks talk and trees dispense wisdom from across the ages, anything is possible. The Dark Crystal Bestiary is a comprehensive volume that catalogs the many lifeforms of Thra’s unique ecosystem. Drawing from all aspects of the Dark Crystal saga’s universe, this book is visually dazzling and filled with enthralling information about all of Thra’s lifeforms, making it the definitive guide to a world of wonders. • Own the most comprehensive guide to the Dark Crystal universe: This book showcases fauna from all corners of Thra, from the vile Skeksis and their noble counterparts, the Mystics, to a whole cornucopia of amazing creatures and critters, including Landstriders, Garthim, Peeper Beetles, Fizzgigs, Pluff’m, and many more fan favorites. • Over 200 fantasy illustrations: Featuring all-new illustrations by Iris Compiet, a protégé of the original Dark Crystal concept artist, Brian Froud, this book will show you the world of Thra as you’ve never seen it before. • Learn about the world of Thra: The Dark Crystal Bestiary is packed with lore, drawing information from the original film, the hit Netflix show The Dark Crystal: Age of Resistance, comic books, and novels. • An epic addition to your home library: Great for fantasy lovers, The Dark Crystal Bestiary will be a perfect addition to your bookshelf or coffee table.

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Book SynopsisKeep calm and carry on. In 1939, Britain s Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany s surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens efforts might helpor hinderthe wartime effort, one of the most effective forms the British government had at its disposal was the poster. "British Posters of the Second World War" presents one hundred posters from this important period in world history. Some proclaimed in bold type that Victory of the Allies is assured and featured stalwart British soldiers alongside exaggerated enemy figures. Others, however, hung on the walls of bus and railway stations, town halls, and pubs, called for continued self-sufficiency, urging Britons to raise chickens and join pig clubs. As the threat of espionage came to be regarded as ever-present, another category of posters cautioned soldiers and civilians alike against talking about the war: Furtive Fritz is always listening warned one; another, Keep mumshe s not so dumb. Drawing on the Imperial War Museum s impressive collection of materials related to conflicts involving Britain in the twentieth and twenty-first centuries, "British Posters of the Second World War" explores these campaigns and many others with an introduction and explanatory text by the museum s senior curator, Richard Slocombe."

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Book SynopsisPatrick Caulfield was a student at the Royal College of Art between 1960-63 alongside David Hockney and Allen Jones. His subject matter draws more from the masters of modern art such as Braque and Gris than from the consumer culture that preoccupied his fellow students. His work is characterised by a reductive, streamlined use of line and the depiction of banal, everyday objects saturated in colour. Caulfield consistently used screenprint for his graphic work following his introduction to the medium by Richard Hamilton and Chris Prater in 1964. The deceptive simplicity of his images, perfectly matched by the aesthetic capacities of the process, is clear throughout the various phases of his printmaking career. During his lifetime the Serpentine Gallery, the Hayward Gallery and the Tate Gallery in London all held major retrospectives of his paintings. More recently his prints were the subject of a survey at Tate Liverpool. Caulfield died in 2005 having made an indelible contribution to British painting and printmaking.

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Book SynopsisFor centuries, we have been fascinated with the iconic architecture, mystical religious beliefs, and once-thriving societies of the ancient Egyptians. Starting with a detailed chronology and ending with a comprehensive glossary of terms and bibliography, this meticulously researched resource explores the development of the ancient civilizations of the Egyptians. Organised chronologically, it traces Egyptian history in chapters starting with prehistoric times and including The Age of the Pyramids, The Classical Period, The Empire of the Pharaohs, The Late Period and The Age of Foreign Dominion. Hundreds of photographs of the major sites, three-dimensional reconstructions, and close-up shots of ancient artifacts, statues, and funerary goods take readers on a tour of the pyramids, temples, and other major monuments of ancient Egypt. The images reveal fascinating insights into the religious beliefs and rituals of the ancient Egyptians as well as demonstrate their unsurpassed artisanship and remarkable artistic output. The compelling text provides fascinating information on the everyday lives of the ancient Egyptians, interweaving these details with the thrilling tales of the major archaeological discoveries including those relating to Khufu, Tutankhamun, and Ramesses II.

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Book SynopsisThis is the definitive account of the life and work of Edward Seago (1910-1974), the highly popular, versatile and talented British painter whose work was inspired by John Sell Cotman, John Constable and Alfred Munnings.Over 200 colour reproductions are complemented by an engaging text which highlights important periods, episodes and acquaintances from Seago's life and career. Full of anecdotes, sketches and quotations from the artist's books and correspondence, the author provides a vivid impression of Seago's character which helps inform discussion of the outstanding imagery which he created. Including important examples of works from all stages of Seago's career, this book reproduces beautiful landscapes, vibrant circus images, dramatic seascapes and paintings inspired by the artist's travels aboard. A true celebration of a powerful body of 20th-century British painting, Edward Seago will be an invaluable addition to the libraries of collectors, dealers and enthusiasts alike.Trade Review‘a sumptuous volume that covers the totality of Seago’s life and work in context’ The ArtistTable of ContentsContents: Foreword, His Royal Highness the Prince of Wales; Preface; 1. Beginnings; 2. Circus; 3. Country scenes and ballerinas; 4. An artist at war; 5. An East Anglian painter; 6. Painter to Royalty; 7. A master craftsman; 8. A travelling artist; 9. Three inspiring places: Venice, Antarctica, Hong Kong; 10. Queue here for Seago; Acknowledgements, Bibliography, Endnotes, Index.

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Book SynopsisThe Deccan plateau of southwest India has been a place of significant cross-cultural exchange for thousands of years. This volume traces the history of Persianate arts of all kinds on the Deccan from the Brahmani period to the dissolution of the sultanates in the late 17th century.Trade Review"Presents meticulously documented and painstaking analysis of materials that traveled between Iran and the Deccan. This kind of work has been done for the Ottoman Empire and the Mughal Empire, but not yet for the Deccan and it will have a significant and lasting impact."—Deborah Hutton, author of Art of the Court of Bijapur"Demonstrates the significance of the Deccan for the formation of Indo-Persian culture in a thoroughly interdisciplinary manner."—Ali Anooshahr, author of Turkestan and the Rise of Eurasian EmpiresTable of ContentsAcknowledgmentsNote to the ReaderList of Abbreviations1. Introduction to Iranian Mobilities and Persianate Mediations in the Deccan / Keelan Overton2. Iran and the Doors to the Deccan, ca. 1400–1650: Some Aspects / Muzaffar Alam and Sanjay Subrahmanyam3. Excerpt on Yusuf Beg 'Adil Khan, from Rafi' al-Din Shirazi's Tazkirat al-Muluk / Translated by Wheeler Thackston4. Ghariban in the Deccan: Migration, Elite Mobility, and the Making and Unmaking of an Early Modern State / Roy S. Fischel5. Dynastic Self-Fashioning and the Arts of the Pen: Sufi and Calligraphy Networks between Fifteenth-Century Shiraz and Bidar / Peyvand Firouzeh6. From Iran to the Deccan: Architectural Transmission and the Madrasa of Mahmud Gavan at Bidar / Sheila Blair and Jonathan Bloom7. Qur'an Manuscript No. 106 Copied by 'Abd al-Qadir al-Husayni al-Shirazi and Endowed to the Shrine of Imam Riza by Ibrahim Qutb Shah / Maryam Habibi, translated by Arash Khazeni8. Vaqfnama of Ibrahim Qutb Shah in the 'Abd al-Qadir Qur'an Manuscript Endowed to the Shrine of Imam Riza / Translated by Jake Benson9. Faith and Fate: The Khalili Falnama and Shi'i Identity in Golconda / Rachel Parikh10. Indo-Persian Histories from the Object Out: The St Andrews Qur'an Manuscript between Timurid, Safavid, Mughal, and Deccani Worlds / Keelan Overton and Kristine Rose-Beers (with contributions by Bruce Wannell)11. The Qit'at-i Khushkhatt Album: Authenticity and Provenance / Jake Benson12. Khalilullah "Padishah of the Pen": Royal Scribe and Ambassador of Shah 'Abbas and Ibrahim 'Adil Shah II / Hamidreza Ghelichkhani, translated by Kimia Maleki and Jake Benson13. Forging a Canon of Dakhni Literature: Translations and Retellings from Persian / Sunil Sharma14. On Heroes and History: Responding to the Shahnama in the Deccan, 1500–1800 / Subah DayalGlossary-Index

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Book SynopsisA teacher to Jacques Lacan, André Breton, and Albert Camus, Kojève defined art as the act of extracting the beautiful from objective reality. His poetic text, “The Concrete Paintings of Kandinsky,” endorses nonrepresentational art as uniquely manifesting beauty. Taking the paintings of his renowned uncle, Wassily Kandinsky, as his inspiration, Kojève suggests that in creating (rather than replicating) beauty, the paintings are themselves complete universes as concrete as the natural world. Kojève’s text considers the utility and necessity of beauty in life, and ultimately poses the involuted question: What is beauty? Including personal letters between Kandinsky and his nephew, this book further elaborates the unique relationship between artist and philosopher. An introduction by Boris Groys contextualizes Kojève’s life and writings.

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Book SynopsisThe Japanese phrase “hodo-hodo” originates in ancient times. When contemporary designer Taku Satoh applies it to his work, it means “just enough.” Hodo-hodo design deliberately holds back, leaving room for individuals to engage with objects according to their unique sensibilities. In the midst of a consumerist age, Satoh has built an illustrious design career around this philosophy, creating iconic work in fashion, food, and architecture. His ideas speak not just to professional designers, but to anyone who wishes to move more thoughtfully through the world. Within this slim but powerful volume, Satoh explains his philosphy through tangible examples—from the aesthetic of a timeworn ramen shop to a rooftop playground inspired by onomatopaeia. Urging readers to appreciate everyday objects and spaces and to question the lure of convenience, he delivers a message rooted in the past yet perfectly suited to our times.

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Book SynopsisA FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Renowned Austrian artist Gustav Klimt is well-known for his golden masterpieces full of sumptuous ornamentation, as well as his incredible depictions of the female form and vibrant landscapes. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Book SynopsisA lavish, full-colour hardcover art book taking readers on a visual guide through Stephen Hickman's artwork. The collection focuses on his book covers for famous SFF authors such as Harlan Ellison, Robert Heinlein, Anne McCaffrey, and Larry Niven.

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Book SynopsisNew insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini

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Book SynopsisFrom Muji to Sony televisions, our lives are surrounded by Japanese design. We think we know it, whether it reflects calming minimalism, avant-garde catwalk fashion or the Kawaii aesthetic populating Tokyo streets. But these stereotypes do not portray the creativity, generosity and sheer hard work that has gone into creating design industries in Japan. In Designing Modern Japan, Sarah Teasley traces the stories of the people who shaped and shape design in modern Japan. Key to the account is how design was seen as a strategy to help the nation thrive during turbulent times, and for making life better along the way. Superbly illustrated, Designing Modern Japan appeals to the wide audience for Japanese design, history and culture.Table of ContentsSarah Teasley is Tutor in History of Design and Critical and Historical Studies at the Royal College of Art, London. Previous publications include Twentieth Century Design History (2005).

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Book SynopsisWith a wealth of images and commentary, this is the essential career survey of Cave's socially responsive art The definitive volume on the ever-evolving and shape-shifting work of the Chicago-based artist, Nick Cave: Forothermore highlights the way Cave’s practice has shifted and continues to shift in response to our history and current moment of cultural crisis. Including several new, never-before-seen works, the book shows an artist at the height of his power. Addressing topics ranging from art history to social justice, Nick Cave: Forothermore includes essays from Naomi Beckwith, Romi Crawford, Antwaun Sargent, Malik Gaines, Krista Thompson and Meida Teresa McNeal. Punctuating these contributions are interviews with the artist exploring his life, work and teaching practice, as well as a roundtable discussion between Cave and dancer Damita Jo Freeman, musician Nona Hendryx and publisher Linda Johnson Rice on Cave's art and influences, as well as pivotal cultural phenomena from Soul Train to Ebony magazine. Nick Cave: Forothermore reveals the way art, music, fashion and performance can help us envision a more just future. Nick Cave (born 1959) is an artist and educator working between the visual and performing arts through a wide range of mediums, including sculpture, installation, video, sound and performance. Cave is well known for his Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the police beating of Rodney King in 1991. Cave has had major exhibitions at MASS MoCA (2016), Cranbrook Art Museum (2015), Saint Louis Art Museum (2014–15), ICA Boston (2014), Denver Art Museum (2013), Seattle Art Museum (2011) and the Yerba Buena Center for the Arts (2009), among others. Cave lives and works in Chicago.Trade ReviewThis book shows what a tour de force of originality he is, and it also absolutely forces you to think. -- Gina Mayfield * Dallas Morning News *Achieves a paradoxical tone of elegiac flamboyance in his work, confronting the spectre of anti-Black brutality with glittering feats of assemblage and couturier-level craft. -- Johanna Fateman * New Yorker *With explosions of color and materiality, Cave has his own enigmatic ways to funnel the funk through histories of adversity. -- Debra Brehmer * Hyperallergic *His hundreds of subsequent Soundsuits, which produce a cacophony of noise when combined with movement, contain infinite contradictions: obfuscation and hypervisibility, refuge and escape—somber reminders of injustice and joyful imaginings of a more utopic future. -- Madison Reid * Vanity Fair *

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Book SynopsisAn engaging story' The SpectatorGeneva, April 1987. The staid Swiss town is awash with limousines, journalists and minor European aristocracy. All the best hotels and restaurants are bursting at the seams. Caviar, truffles and foie gras are in short supply, while champagne is flooding the market at ridiculously high prices.They are all focused on one place: Sotheby's auction house, which is preparing to host the auction of the century' that of the late Duchess of Windsor's jewellery collection.But where did this treasure trove come from? And was it ever really the Duchess' at all?Questions have circulated around the collection's murky provenance since the moment Wallis Simpson stepped onto the scene; now, for the first time, The King's Loot looks to find the answers. Drawing on eyewitness interviews, contemporary accounts and previously unpublished sources, Richard Wallace who was there at that notorious Swiss auction delves into the mystery surrounding this hoard.

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Book SynopsisThe costumes and ritual equipment presented in this volume were obtained from shamans in Mongolia and Siberia and represent today a unique cultural world heritage. They were collected in the 1930s by two Danish legendary travelers, Henning Haslund-Christensen in Mongolia, and Knud Rasmussen in Siberia. Parts of the material were described by Haslund-Christensen in earlier publications, but with senior researcher Rolf Gilberg’s manuscript, the entire material is now thoroughly described, analyzed and presented in a context for an international public. The analysis contains the history of collection of the objects alongside a well-informed description of the cosmology of Shamanism, and the diversity of shamans in the larger Mongolian region. With the expertise accumulated over more than forty years’ studies, Gilberg’s analysis is guided by an abundance of original illustrations of drawings and photographs, of which many are new recordings. The book is rounded off with a chapter where the historical costumes and ritual objects are placed in a contemporary context through the depictions of Gilberg’s meetings with Mongol shamans in Mongolia in the 1990s.

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Book SynopsisA visually stunning guide to architectural drawing from the RIBA Collections for students and those wanting to understand how to develop their graphic and representation skills. Illustrated exclusively with drawings from the world''s largest and most prestigious architectural drawing collection, it features an international span of works ranging from the Palazzo Porto Festa by Andrea Palladio to the Viceroy?s House in New Delhi by Edwin Lutyens; from the illustration of Altun Kupri, Iraq, by Charles Felix Marie Texier to a coastal housing scheme by Balkrishna Vithaldas Doshi.The book delves into the reasons behind why we draw and the various methods used, covering the entire design process ? from nurturing the earliest ideas to aiding construction, as well as surveying, recording, communicating, and representing architecture in spatial, structural, and material terms. Focusing primarily on drawing techniques, it showcases a rich variety of different graphic styles, types, and modes of representation, presented thematically, offering a comprehensive overview.This primer elevates the acquisition of practical drawing skills into a pleasurable experience, acquainting students with some of the most exquisite and accomplished graphic representations in the world.

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