Description
Book SynopsisArtist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixed-media works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.
Trade ReviewJoe Roberts draws on pop-cultural imagery from the 1960s to the ’90s, filtering them through his own experiences, and re-presenting them in mixed-media works that recall Mike Kelley or Chris Johanson. Mickey Mouse, Casper, and the Teenage Mutant Ninja Turtles all make appearances, but here they’re dropping acid or eating pizza, fellow travelers in Roberts’s personal journey. -Hyperallergic
Through his work, Roberts returns to what most children already know, that whatever is experienced and imagined really is reality, and sometimes there’s no need to muddle it up. In that same way, he refutes the idea that childish is synonymous with simple, it’s that childish is more akin to infinite. - Juxtapoz (11/14/2018)
We Ate the Acid, Roberts’ new book published by Anthology Editions, is the latest product of his visionary journey and a testament to his expansive, singular imagination. Along with Roberts’ unpretentious paintings, the 140-page book presents original drawings, collages and surrealistic scenes of everything from UFO sightings amongst cityscapes, to candid still-life’s in nature. Amongst smiley faces, dancing Kokopelli, and Grateful Dead stealies, the book chronicles a range of fantastical imagery that carries a childlike wonder and begs the viewer to join the experience themselves. - Amadeus (11/26/2018)
Through his work, Roberts returns to what most children already know, that whatever is experienced and imagined really is reality, and sometimes there’s no need to muddle it up. In that same way, he refutes the idea that childish is synonymous with simple, it’s that childish is more akin to infinite. -Juxtapoz
New York Times art critic Ken Johnson, author of Are You Experienced? How Psychedelic Consciousness Transformed Modern Art, argues that Roberts’ work is part of a resurgent psychedelic movement: “This whole psychedelic thing is still part of our culture. It’s not over.” Johnson’s thesis is that, since the mass consumption of LSD began in the mid 1960s, hallucinogens have altered the minds of so many people that much contemporary art has come to conform with what one critic called the “psychedelic paradigm”. If so, then it’s little wonder Roberts’ work has become so marketable. - The Guardian
"A cult following in the skateboarding community, fashion collaborations with Supreme and an archive of trippy artworks putting a fresh twist on 60s psychedelia: Joe Roberts is the outsider artist you need to know." - Hunger
"Roberts' work manages to toe the line between playful and edgy, imaginative and nightmarishly vivid." - Hypebeast
"Joe creates work which guide the viewer through a menagerie of psychedelic shapes, colours, pop culture figures and mystic symbols. Existing somewhere between fear, euphoria, and what the fuck, Joe's trips incorporate collage, diorama, drawing and painting evocative of Jean-Michel Basquiat and Joseph Cornell. " - Monster Children
