History of architecture Books

Book SynopsisComputer Architectures is a collection of multidisciplinary historical works unearthing sites, concepts, and concerns that catalyzed the cross-contamination of computers and architecture in the mid-20th century.Weaving together intellectual, social, cultural, and material histories, this book paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development. The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi-material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface,Trade Review"This impressive collection brings together a stellar group of thinkers from diverse disciplinary traditions to explore the deeply intertwined histories of architecture and computation. It’s a model for studies of computation as a cultural, as well as technical, practice." - Jennifer S. Light, Professor of Urban Studies and Planning, Massachusetts Institute of TechnologyTable of Contents1. Introduction: Toward a Polyglot Space PART I PROGRAM 2. Computing Environmental Design 3. The Work of Design and the Design of Work: Olivetti and the Political Economy of its Early Computers 4. "Bewildered, the Form-Maker Stands Alone": Computer Architecture and the Quest for Design Rationality PART II INPUT/OUTPUT 5. Augmentation and Interface: Tracing a Spectrum 6. The First Failure of Man-Computer Symbiosis: The Hospital Computer Project, 1960-1968 7. The Unclean Human-Machine Interface PART III STORAGE 8. Architectures of Information: A Comparison of Wiener’s and Shannon’s Theories of Information 9. Bureaucracy’s Playthings PART IV COMPUTATION 10. Imagining Architecture as a Form of Concrete Poetry 11. The Axiomatic Aesthetic

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Book SynopsisThis book investigates the relationship architecture has with the underground. It provides a broad ranging historical and theoretical survey of, and critical reflection on, ideas pertaining to the creation and occupation of underground space. It overturns the classic dictates of construction on the surface and through numerous examples explores recoveries of existing voids, excavations, caves, quarries, grottos and burrows.The exploitation of land, especially in areas of particular value, has given rise to the need to reformulate the usual approach to building. If the development of urban sprawl, its infrastructure and its networks, generates increasingly compromised landscapes, what are the possible strategies to transform, expand and change the usual relationship between abuse of soil and unused subsoil?Psychological, philosophical, literary and cinematographic legacies of underground architecture are mixed with the compositional, typological and constructive expedieTrade Review"Antonello Boschi investigates the subject in a wide-ranging interdisciplinary, historical and theoretical survey. Inverting the classic dictates of surface construction, he explores possible strategies for transforming, expanding and changing the typical relationship between the mistreatment of land and unused subsoil." Francesca Tagliabue, Abitare, excerpt from The charm of underground, https://www.abitare.it/en/research/publications/2022/05/27/antonello-boschi-underground-architecture-strategies/"Quarries, subways, cellars, grottos and underpasses seem to overturn the rule that says buildings only exist above ground, facing the need to exploit urban space down to the last square centimetre. As Michael Jakob reminds us in his introduction, "architecture has always been lair, cavern, shelter, also and above all. So thinking about the underground means thinking about architecture."Elena Sommariva, excerpt from domus 1069 June 2022Table of Contents1. Huddling 2. Notes from the underground 3. The city other 4. Mimicry 5. Novelty is but oblivion 6. Stone skies 7. Sensations 8. Sous passages 9. Buried high-rises 10. Brightening the dark Bibliography Index

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Book SynopsisThis book argues that long-distance trade in luxury items such as diamonds, gold, cinnamon, scented woods, ivory and pearls, all of which require little overhead in their acquisition and were relatively easy to transport played a foundational role in the creation of what we would call global trade in the first millennium CE. The book coins the term dark matter economy to better describe this complex though mostly invisible relationship to normative realities.The first full integration of dark matter economy with the emerging global flows took place in South India and Sri Lanka at the beginning of the millennium. The book then moves to other places in the world sweet spots where a particular type of affluence was generated through the trade in luxury goods. This upstream affluence manifested itself in the creation of shrines, palaces, temples and engineering works that all thickened the landscape of memory, control and extraction and also served as a defense mechanism agTable of ContentsIntroduction: Leading QuestionsPart 1 The Case of Musa I Dark Matter Affluence and Sweet Spot Systems Cross-Ecological Delivery Economies Part 2 "The Most Outlying Lands" The Sri Lanka Wealth Rush South Indian Emergence The Central Role of Borneo The Indonesian Seaway The Sub-Himalayan – Yungui Plateau Sweet Spot The East Africa Coastal Sweet Spot The North Sea Lattitude Sweet Spot Part 3 Beyond the Binary Structural Assymetries Institutions Without Institutionality Crossing Chieftain Geographies Part 4 Shrine Landscapes Feast and Dance Great Works Palace Universes Looking and Sounding the Part Coda: Death by a Thousand Cuts

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Book SynopsisThe urban attentions of Pritzker Laureate Sverre Fehn (19242009) are extensive, but as yet virtually unexplored. This book examines ten select projects to illuminate Fehn's approach to the city, the embodiment of that thinking in his designs, and the broader lessons those efforts offer for better understanding the relationship between architecture and urban life, with unignorable implications for emergent urban architecture and its address of sociological and ecological crises. Wary of large-scale planning proposals or the erasure of existing urban patterns, Fehn offered an uncommon and profoundly vibrant approach to urbanism at the scale of the single architectural project. His writings, constructed buildings, competition entries, and lectures suggest opportunities for reinvigorating architecture's engagement with the city, and provoke a rethinking of concepts foundational to its theorization. What is the nature of urbanity? What is the relationship of urbanity to the natural worldTrade Review"What if a good urban solution doesn’t involve ‘fitting into existing conditions’ but adding a clear and articulate voice to barely audible communications about ways of living that could be less wasteful, more humane, and just? Read this forward-looking book to discover modern architecture’s positive contribution to the city and the cultures it embodies."David Leatherbarrow, Emeritus Professor of Architecture, University of Pennsylvania"This is a thesis that takes architectural scholarship and criticism to an entirely new level, in part because of the exceptionally sensitive talent and inventive energy of Sverre Fehn, and in part because of Anderson’s comparable sensitivity and profound erudition, influenced as it has been by the architectural phenomenologies of Dalibor Vesely and David Leatherbarrow. This is a truly important work."Kenneth Frampton, Emeritus Professor of Architecture Columbia UniversityTable of ContentsAcknowledgments. Chapter 1 Fehn in the City: “What makes this all so alive”. Chapter 2 Opened Ground. Chapter 3 Sverre Fehn’s Ambient Urbanity. Chapter 4 Sverre Fehn, the City, and the Architecture of Participation. Chapter 5 More Oslo. Afterword. Appendix 1. Appendix 2. Index.

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Book SynopsisThis book focuses on understanding how a megacity like Seoul can be read as a formal architectural composition and not an endless urban sprawl.In a broader sense, the book discusses the dichotomy between city and urbanization: city being an architectural problem of bounded forms, while urbanism is an infrastructural project of expansion. It is an uncontested reality that urbanization is a continuous global process that has produced nebulous conurbations labeled as megacities. These expand beyond the virtual administrative boundary of any said city, producing a discrepancy between an area of administrative control and the real physical condition of human settlement. If there were a better formal understanding of megacities through their typological architectural conditions, then there could be a better assessment of the qualitative state of urbanization. Avant-garde groups from the 1950s, 1960s, and 1970s such as Team X, the Situationist, the Structuralist, and the Metabolist

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Book SynopsisIn tracing the evolution of the Louvre from fortress to palace and of Versailles from hunting domain to dynastic capital, Dr Tadgellâs detailed architectural analysis of many projects â external and internal, realised and unrealised â is set in the context of the development of the medieval monarchy towards absolutism, of the development of the medieval chÃteau towards precedents for the seat of absolutism, and of the effect of the French monarchyâs financial incontinence on the realisation of royal building ambitions.In particular, Tadgell challenges received opinion on the introduction of Hispano-Burgundian court etiquette to French palace design, relates the court front of Lescotâs Renaissance Louvre to the iconography of apotheosis, revises the current ordering of FranÃois Mansartâs designs for the Louvre and reassesses the subsequent contribution of Claude Perrault to the completion of the east front in respect for the opinion of 17th and 18th century commentators. After surveying the various phases of work for Louis XIV at Versailles, he traces the evolution of Ange-Jacques Gabrielâs grand projet for rebuilding the town side of the palace for Louis XV, noting the influence of Bernini on the definitive phase, and he masters the intricacies of the incessant changes to the royal apartments which inhibited rebuilding.Finally, the book looks at the influence of the great French palaces on those seeking to emulate their ambition, from Stockholm in the late-17th century to the deliriously opulent late-19th century palace of Ludwig II of Bavaria at Herrenchiemsee. A wealth of illustrative material and supporting documents bring this comprehensive and authoritative text to life.

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Book SynopsisIn this book, Eugene J. Johnson traces the invention of the opera house, a building type of world wide importance. Italy laid the foundation theater buildings in the West, in architectural spaces invented for the commedia dell''arte in the sixteenth century, and theaters built to present the new art form of opera in the seventeenth. Rulers lavished enormous funds on these structures. Often they were among the most expensive artistic undertakings of a given prince. They were part of an upsurge of theatrical invention in the performing arts. At the same time, the productions that took place within the opera house could threaten the social order, to the point where rulers would raze them. Johnson reconstructs the history of the opera house by bringing together evidence from a variety of disciplines, including music, art, theatre, and politics. Writing in an engaging manner, he sets the history of the opera house within its broader early modern social context.Trade Review'… sprinkled with photographs and illustrations of Italian theatres as well as architectural plans and digital reconstruction of stage interiors. The content is technical throughout, but there's just enough colour to hold the general reader's interest.' BBC Music Magazine'Beautifully presented … an important addition to the bibliography on the topic …' Brian Robins, Opera'This is clearly the definitive study of Renaissance and early Baroque theaters and should be on the reading lists not only of scholars and students in the fields of theater and architecture but also those of musicologists and historians concerned with the role of culture in early modern Italy.' Jonathan Glixon, Renaissance Quarterly'The book is clearly written and profusely illustrated (nearly two hundred images in black-and-white and color). This is clearly the definitive study of Renaissance and early Baroque theaters and should be on the reading lists not only of scholars and students in the fields of theater and architecture but also those of musicologists and historians concerned with the role of culture in early modern Italy.' Jonathan Glixon, Renaissance QuarterlyTable of Contents1. Ferrara and Mantua, 1486–1519; 2. Rome 1480s–1520; 3. Early theaters in Venice and the Veneto; 4. Sixteenth-century Florence, with excursions to Venice, Lyon and Siena; 5. Early permanent theaters and the commedia dell'arte; 6. Theaters in the ancient manner and Andrea Palladio; 7. Drama-Tourney theaters; 8. Ferrara, Parma, and theaters of Giovanni Battista Aleotti; 9. Seventeenth-century theaters in Venice: the invention of the opera house; 10. Seventeenth-century theaters for comedy and opera; 11. Teatro di Tordinona in Rome, Queen Christina of Sweden, and Carlo Fontana.

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Book SynopsisThe Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat''s volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author''s collaborator Carl Knappett, this edition makes Poursat''s deep knowledge of the Aegean Bronze Age available to an English-language audiTable of ContentsPart I. Aegean Neolithic Art: 1. Artefacts and Contexts; 2. Architectural beginnings; 3. Pottery; 4. Figurines and models; 5. Other arts: ornaments, seals, and stone vases; Part II. The Art of the Aegean Early Bronze Age: 6. Artefacts and Contexts; 7. Architecture; 8. Early Bronze Age Aegean glyptic; 9. Sculpture; 10. Stone vases, metalware, miscellaneous; 11. EBA pottery in the Aegean; Part III. Aegean Art in the Cretan First Palace Period: 12. Artworks in context: the historical framework; 13. Minoan architecture in the First Palace Period; 14. Minoan glyptic in the Protopalatial period; 15. Other Minoan relief arts: stone vases, jewelry, minor arts; 16. Artworks in the round; 17. Minoan pottery; 18. Mainland Greece and the islands in the First Palace Period; Part IV. Aegean Art in the Second Palace Period: Crete and the Aegean Islands: 19. Artworks in context : the historical framework; 20. Aegean architecture in the Second Palace period; 21. Aegean wall painting; 22. Minoan glyptic; 23. Artworks in the round: figures, figurines, and zoomorphic vases; 24. Other artworks (stone, faience, ivory, metal; textile); 25. Pottery production; Part V. Aegean Art in the Cretan Second Palace Period: Mainland Greece: 26. Artworks in context: the historical framework; 27. Funerary architecture; 28. Metalwork; 29. Creto-Mycenaean glyptic; 30. Other Mycenaean relief arts: wood, bone, ivory, stone and faience; 31. Mycenaean pottery of LH I-IIA; 32. General remarks: Aegean art during the Cretan Second Palace period; Part VI. Aegean Art in the Final Palatial Period of Knossos: 33. Artworks in context: the historical framework; 34. Architecture; 35. The frescoes; 36. Metalwork, jewelry and various ornaments; 37. Creto-Mycenaean glyptic in LM II/LH IIB–IIIA1; 38. Other relief arts: ivory and stone; 39. Artworks in the round: figurines and zoomorphic vessels; 40. LM II/LH II-IIIA1 pottery; Part VII. Aegean Art of the Mainland Mycenaean Palatial Period: 41. Artworks in context: the historical framework; 42. Architecture; 43. Mycenaean painting; 44. The end of Aegean glyptic; 45. Mycenaean ivories of LH IIIA2-B; 46. Other relief arts: goldwork, glass, faience, stone; 47. Mycenaean art and 'international art'; Artworks in the round: figurines, figures, anthropomorphic and zoomorphic vases; 49. Pottery production: vases and sarcophagi; Part VIII. Aegean Art at the End of the Bronze Age: 50. Artworks in context: the historical framework; 51. Architecture at the end of the Bronze Age; 52. Figures, figurines, anthropomorphic and zoomorphic vases; 53. Jewelry and metalwork; 54. Pictorial art and vase painting; 55. Mycenaean art and its legacy; Afterword. Aegean art through forgers' eyes; 56. Fakes and dubitanda.

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Book SynopsisIn Greek mythology, the Muses are Memory''s daughters. Their genealogy suggests a deep connection between music and memory in Graeco-Roman culture, but how was this connection understood and experienced by ancient authors, artists, performers, and audiences? How is music remembered and how does it memorialize in a world before recording technology, where sound accumulated differently than it does today? This volume explores music''s role in the discourses of cultural memory, communication, and commemoration in ancient Greek and Roman societies. It reveals the many and varied ways in which musical memory formed a fundamental part of social, cultural, ritual, and political life in ancient Greek- and Latin-speaking communities, from classical Athens to Ptolemaic Alexandria and ancient Rome. Drawing on the contributors'' interdisciplinary expertise in art history, philology, performance studies, history, and ethnomusicology, eleven original chapters and the editors'' Introduction offer newTable of ContentsPart I. Approaching Music and Memory: Introduction Lauren Curtis and Naomi Weiss; 1. Music, Memory, and the (Ancient Greek) Imagination Mark Griffith; Part II. Music, Body, and Textual Archives: 2. Musical Memory on Delos: Theseus in the Archive and the Repertoire Sarah Olsen; 3. Remembered but not Recorded: The Strange Case of Rome's Maiden Chorus Lauren Curtis; 4. Incorporating Memory in Roman Song and Dance: The Case of the Arval Cult Zoa Alonso Fernández; Part III. Technologies of Musical Memory: 5. Do Alexandrians Dream of Electric Sound? Recording Music in the Early Ptolemaic Empire Yvona Trnka-Amrhein; 6. Teichoacoustics, or the Wall as Sonic Medium in Antiquity Peter McMurray; Part IV. Audience, Music, and Repertoire: 7. Iacchus Resonatus: Sound, Memory, and Salvation in Aristophanes' Frogs Tim Power; 8. Performance, Memory, and Affect: Animal Choruses in Attic Vase Painting Naomi Weiss; 9. Meter, Music, and Memory in Roman Comedy Timothy J. Moore; Part V. Music and Memorialization: 10. Sirens on the Edge of the Classical Attic Funerary Monument Seth Estrin; 11. Music as Mnēma on Athenian White-Ground Lekythoi Sheramy D. Bundrick.

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Book SynopsisThe East, the second in a series of seven books that describe and illustrate the seminal architectural traditions of the world, is a survey of unparalleled range and depth. The journey starts on the Indian subcontinent with the Vedic and native traditions of the 2nd millennium BCE, modified by the changing demands of worship to produce the characteristic forms of Buddhist and Hindu temples in all their spatial and sculptural variety â which also helped to shape palaces and even towns in a complex line of development.The tradition in its exported forms â in Java, Cambodia, Burma and Thailand among other territories â developed in stupendous buildings, producing monuments as fabulous as Angkor Wat and the Shwe-dagon pagoda in Rangoon.In the second part of the book, the long but conservative traditions of China, Korea and Japan and their spheres of influence are examined, a story of absorption and transformation centred on the walled enclosures of China and the Japanese predilection for informality and artful simplicity.Not simply a profusely illustrated catalogue of buildings, the book also provides their political, technological, social and cultural contexts. It functions equally well as a detailed and comprehensive narrative, as a collection of the great buildings of the world, and as an archive of themes across time and place.Trade Review'The East is truly one of those books that change your life and plans. Christopher Tadgell delivers brilliantly in linking context, structures and high ideals, climate and materials, nature and technology. He gives us a powerful but faithful and finely paced compression of complex interlocked traditions. Few historians have related landscape and meaning with such like success. Impressive learning is worn lightly.'– Sir John BoydTable of ContentsPart 1: Buddhist and Brahmanical 1.1. The Indian Subcontinent 1.2. South-East Asia Part 2: Heaven’s Empires 2.1. China and its Orbit 2.2. Japan Glossary Further Reading Index

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Book SynopsisHistorically the urban festival served as an occasion for affirming shared convictions and identities in the life of the city. Whether religious or civic in nature, these events provided tangible expressions of social, cultural, political, and religious cohesion, often reaffirming a particular shared ethos within diverse urban landscapes. Architecture has long served as a key aspect of this process exhibiting continuity in the flux of these representations through the parading of elaborate ceremonial floats, the construction of temporary buildings, the âdressingâ of existing urban space, the alternative occupations of the everyday, and the construction of new buildings and spaces which then become a part of the background fabric of the city.This book examines how festivals can be used as a lens to examine the relationship between city and citizen and questions whether this is fixed through time, or has been transformed as a response to changes in the modern urban condition. <Table of ContentsIntroduction Christian Frost, Raymond Lucas, Jemma Browne The Festival in History 1. ‘Pruning and propagating civic behaviour: three feste in and around Santa Maria della Vittoria in Mantua, 1495-97’ - Italy Susan Janet May 2. A Contemporary Reading of the Accession Day Tilts in relation to Festival and the Elizabethan Notion of ‘Lost Sense of Sight’- UK Constance Lau 3. Festa della Chinea: Tradition and the 'Exotic' in Roman Festival Design –Italy Nicholas Temple 4. "Honneurs et applaudissements": Celebrating the first Jesuit Saints in 17th Century- France Iara Alejandra Dundas The Festival Through History 5. Script and Score: Revisiting Nelson Goodman at Sanja Matsuri- Japan Raymond Lucas 6. The Calcio Storico in Florence: Agonistic Ritual and the Space of Civic Order- Italy Christian Frost 7. The Festal Topography of Andre Breton’s Paris- France Dagmar Motycka Weston 8. The Town of Witches: Triora Transfixed - Italy Grace Alexandra Williams 9. Festival, Ritual and Rhetoric of the Arabian Market Street – Middle East Jasmine Shahin Meaning in the Modern Festival 10. A Better Life For More People: Jaqueline Tyrwhitt's contribution for the Festival of Britain -UK Paola Zanotto 11. A Vigorous Corrective: The Ulster ‘71 Festival - Northern Ireland Sarah Anne Lappin and Una Walker 12. The Pope, the Park and the City: Dublin, 1979 -Republic of Ireland Brian Ward and Gary Boyd 13. Urban Fabric: Maria Lai at Ulassai,- Sardinia Italy David Chandler 14. The Social Architecture of Contemporary Cultural Festivals: Connecting People, the Environment and Art in the Setouchi Triennale - Japan Simone Shu-Yeng Chung 15. Tahrir Square’s Festive Imagination- Egypt Hazem Ziada Index

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Book SynopsisKengo Kuma, one of Japan's leading architects, has been combining professional practice and academia for most of his career. In addition to creating many internationally recognized buildings all over the world, he has written extensively about the history and theory of architecture. Like his built work, his writings also reflect his profound personal philosophy. Architecture of Defeat is no exception. Now available in English for the first time, the book explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan's northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture's iTable of ContentsPart 1: Disconnection, Criticism, Form 1. From Disconnection to Connection 2. Field and Object 3. What Was Criticality? 4. The Dreariness of Form versus Freedom Part 2: Transparency, Democracy, Materialism 1. De Stijl: A Melancholic Transparency 2. Rudolf Schindler: A Vision of Democracy 3. Yoshichika Uchida: Postwar Democracy 4. Togo Murano: System and Materialism 5. Place, Building, Image: San'ai Dream Center 6. Give Us Houses, Let Us See TV: Venice Biennale 1995 7. Girls and Yogis: Venice Biennale 2000 Part 3: Brand, Virtuality, Enclosure 1. Public, Brand, Private 2. Houses and the Sex Trade 3. Concrete Time 4. Virtuality and Parasite 5. The End of Beauty 6. Enclosure Afterword

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Book SynopsisIn this fully updated new edition, Frank Sear offers a thorough overview of the history of architecture in the Roman Empire.Arranged logically in six historical sections interspersed with material on Roman architects and their techniques, the building types found in Roman cities and the different buildings found in the Roman provinces, this volume now contains the latest insights into Roman architecture and takes account of the past 20 years of scholarship. This seminal work covers the architecture of the Republic, the Age of Augustus, the imperial period, Pompeii and Ostia, the eastern and western empire, and the Late Antique period, exploring subjects such as patronage, building techniques and materials, Roman engineering, town planning and imperial propaganda in a concise and readable way.Illustrated with nearly 300 photographs, maps and drawings, Roman Architecture continues to be the clearest introductory account of the development of architecture in the RoTrade Review"Sear’s unrivalled knowledge of Roman architecture allows him to present a vast array of buildings and urban landscapes in enviably clear and concise prose. He sets developments in buildings’ techniques, styles and functions illuminatingly in their wider historical context. Time and again he picks out telling detail to which his sharp eye gives meaning." - Ewen Bowie, Corpus Christi College, University of Oxford, UK."In this extensively rewritten and updated edition of his classic history of Roman architecture, Frank Sear proves both an authoritative and reliable guide and one propelled by his hallmark enthusiasm for all aspects of architecture." - Andrew Wallace-Hadrill, University of Cambridge, UK.'Sear’s unrivalled knowledge of Roman architecture allows him to present a vast array of buildings and urban landscapes in enviably clear and concise prose. He sets developments in buildings’ techniques, styles and functions illuminatingly in their wider historical context. Time and again he picks out telling detail to which his sharp eye gives meaning.' Ewen Bowie, Corpus Christi College, University of Oxford, UK'In this extensively rewritten and updated edition of his classic history of Roman architecture, Frank Sear proves both an authoritative and reliable guide and one propelled by his hallmark enthusiasm for all aspects of architecture.'Andrew Wallace-Hadrill, University of Cambridge, UKTable of Contents1. Republican Rome 2. Roman Building Types 3. The Age of Augustus 4. Roman Architects, Building Techniques and Materials 5. The Julio-Claudians 6. Two Roman Towns: Pompeii and Ostia 7. The Flavians 8. Trajan and Hadrian 9. North Africa 10. The European Provinces 11. The Eastern Provinces 12. The Late Empire

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Book SynopsisHealing Spaces, Modern Architecture, and the Body brings together cutting-edge scholarship examining the myriad ways that architects, urban planners, medical practitioners, and everyday people have applied modern ideas about health and the body to the spaces in which they live, work, and heal. The book's contributors explore North American and European understandings of the relationship between physical movement, bodily health, technological innovation, medical concepts, natural environments, and architectural settings from the nineteenth century through the heyday of modernist architectural experimentation in the 1920s and 1930s and onward into the 1970s. Not only does the book focus on how professionals have engaged with the architecture of healing and the body, it also explores how urban dwellers have strategized and modified their living environments themselves to create a kind of vernacular modernist architecture of health in their homes, gardens, and backyards. TTable of ContentsIntroduction by Sarah Schrank and Didem Ekici Part 1: Interior Spaces and Everyday Therapeutic Architecture 1: Naked Houses: The Architecture of Nudism and the Rethinking of the American Suburbs Sarah Schrank 2: Inputs, Outputs, Flows: The Bio-Architecture of Whole Systems Design, the Energy Pavilion, and the Integral Urban House Sabrina Gabrielle Richard 3: The Physiology of the House: Modern Architecture and the Science of Hygiene Didem Ekici 4: Material Heliotechnics: A Tale of Two Bodies John Stanislav Sadar 5:Isolation, Privacy, Control and Privilege: Psychiatric Architecture and the Single Room Leslie Topp Part 2: Healing Landscapes and the Body Out-of-Doors 6: Freeing Bodies and Prescribing Play in the Humanization of New York City: Richard Dattner’s 1960s Playgrounds Camille Shamble 7: Garden Walks: Physical Mobility and Social Identity and Dumbarton Oaks Robin Veder 8: Shaping Fascist Bodies: Children’s Summer Camps in Fascist Italy Stephanie Pilat 9: Bodies at Work and Leisure: Therapeutic Landscapes of Early Nineteenth-Century New York State Insane Asylums Jennifer L. Thomas Part 3: Public Health and Modern Medical Institutions 10: Designing the Medical Museum Annmarie Adams 11: The Decline of the Hospital as a Healing Machine David Theodore 12: Passive and Active: Public Space at the McMaster Health Sciences Center, 1972 Thomas Strickland Index

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Book SynopsisThe Architecture of the Facade provides a comprehensive study of the facade as both a physical and cultural artifact, highlighting its significance as a critical component of the civic realm and arguing for the restoration of the art of the facade as both a subject of study within academia and an aspiration within the profession at large.As the principal surface of mediation, contextualization, and representation, the facade carries the lion's share of responsibility for containing the internal environment and confronting the outer world. And yet, in recent decades, the very question of what exactly a facade is has been raised by the dramatic changes in building technology, advances of parametric design, and the ubiquity of autonomous buildings. The Architecture of the Facade addresses these and other related issues. The book is organized into 12 chapters, with each chapter focusing on a particular aspect of the phenomenon of the facade such as those Table of Contents1. A History of the Facade in Twelve Buildings 2. Notes Towards a Difficult Definition 3. Phenomenology and the Facade 4. The Phenomenon of the Wall 5. The Phenomenon of the Frame 6. The Outside, the Inside and the In-between 7. The Repetitive Bay 8. Representation, Abstraction, and Meaning 9. Transparency, Translucency and Opacity 10. Proportion and the Search for a Cosmic Connection 11. Precedent and Invention 12. The City and the Facade

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Book SynopsisVast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life on the outside'.Interior Urbanism explores the roots of this contemporary tension between inside and outside, identifying and analysing the concept of interior urbanism and tracing its history back to the works of John Portman and Associates in 1960s and 70s America. Portman increasingly recognised as an influential yet understudied figure was responsible for projects such as Peachtree Center in Atlanta and the Los Angeles Bonaventure Hotel, developments that employed vast internal atriums to define a world of possibilities not just for hotels and commercial spaces, but for the future of the American downtown amid the upheaTrade ReviewCharles Rice's study of the architecture of John Portman raises key questions about the quality of public space in modern cities where multi-use complexes with gleaming towers and soaring atriums remake the relationship between street, square and interior. Rice thus offers a timely analysis for developers and planners in today's international marketplace. * Alice Friedman, Professor of Art, Wellesley College, USA *Despite its wide-ranging influence, the work of the developer-architect John Portman has to date recieved little attention from scholars of architecture. Rice's study of Portman's paradigmatic "interior urbanism" addresses this lacuna, skilfully contextualising its emergence within the ideologies, institutions, politics and technologies of urban development in the USA in the 1960s and 70s. This is an important study for anyone seeking to understand the prehistory of our global urban present. * Mark Dorrian, Forbes Chair in Architecture, University of Edinburgh, UK *Table of ContentsPrologue: The Atrium Effect 1. Transformations in Modern Architecture 2. The Business of Architecture and Development 3. Atlanta, New American City 4. The Geometry of Interior Urbanism 5. Urban Studies on the Street Epilogue: On Hollow Forms Bibliography Index

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Book SynopsisSince the publication of Edward Said's groundbreaking work Orientalism 35 years ago, numerous studies have explored the West's fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across Trade ReviewThis is the first book to fully explore the formation and perception of Eastern-influenced interiors. Potvin (Concordia Univ., Montreal) divides the essays into three parts: "Modes of Display and Representation," "Gendered and Sexual Identities," and "Spaces and Markets of Consumption." Highlighting design influences such as spatial arrangement, visual culture, gender, and design theory, the 13 essays look at furnishings, ornaments, and other components as they assist to create Oriental interiors. Summing Up: Recommended. All readers. * CHOICE *This engaging collection of fifteen essays breaks new ground in the study of the neglected subject of the interior in relation to Orientalism, covering a range of examples from the 18th century to the present day, by scholars of art, architecture, film, literature, decorative arts and furniture and theatre design. * Louisa Iarocci, Associate Professor of Architecture, University of Washington, USA *Oriental Interiors is a splendid collection of essays that take the reader on a journey through the visual, material and ideological aspects of its topic. The book explores the myriad ramifications of the concept of 'oriental interiors' and demonstrates that it is far more than style, being a complex mix of commerce, politics and consumption practices. * Clive Edwards, Emeritus Professor of Design History, Loughborough University, UK *Table of ContentsIntroduction: Inside Orientalism: Hybrid Spaces and Modern Interior Design John Potvin, Concordia University, Canada Section I: Modes of Display and Representation Introduction to Section I Chapter 1: The Emptiness of Western Aesthetics Versus the Aesthetics of Eastern Intimacy: A Reading of Interior Spaces and (Colonial) Literary Impressionism in E. M. Forster’s A Passage to India Victor Vargas, Cogswell Polytechnic, USA Chapter 2: The Exhibitionary Re-production of ‘Islamic’ Architecture Solmaz Mohammadzadeh Kive, University of Colorado, USA Chapter 3: Promoting the Colonial Empire through French Interior Design Laura Sextro, University of Dayton, USA Chapter 4: Orientalism and David Hockney’s Male-positive Imaginative Geographies Dennis S. Gouws, Springfield College and the Australian Institute of Male Health and Studies, Australia Chapter 5: The Excessive Trompe l’Oeil: The Saturated Interior in Tears of the Black Tiger Mark Taylor, University of Newcastle, Australia and Michael J. Ostwald, University of Newcastle, Australia Section II: Gendered and Sexual Identities Introduction to Section II Chapter 6: On Oriental Interiors in Eighteenth-century British Women Writers’ Novels Marianna D’Ezio, Luspio University for International Studies of Rome, Italy Chapter 7: Bachelor Quarters: The Spaces of Japonisme in Nineteenth-century Paris Christopher Reed, Pennsylvania State University, USA Chapter 8: Coming Out of the China Closet?: Performance, Identity and Sexuality in the House Beautiful Anne Anderson, Hon. Research Fellow Exeter University and Associate MIRC, Kingston University, UK Chapter 9: Orientalism, Collecting and Shame: Inside Rolf de Maré’s Hildesborg Estate John Potvin, Concordia University, Canada Section III: Spaces and Markets of Consumption Introduction to Section III Chapter 10: Paradise in the Parlour: Potted Palms in Western Interiors, 1850 – 1914 Penny Sparke, Kingston University, UK Chapter 11: Traveling in Time and Space: The Cinematic Landscape of the Empress Theatre Camille Bédard, McGill University, Canada Chapter 12: Oriental Spaces at Sea: From the Titanic to the Empress of Britain Anne Massey, Middlesex University, UK Chapter 13: Posturing for Authenticity: Embodying Otherness in Contemporary Interiors of Modern Yoga Lauren Bird, Queen’s University, Canada Index

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Book SynopsisAs towns and cities worldwide deal with fast-increasing land pressures, while also trying to promote more sustainable, connected communities, the creation of green spaces within urban areas is receiving greater attention than ever before. At the same time, the value of the green belt' as the most prominent model of green space planning is being widely questioned, and an array of alternative models are being proposed. This book explores one of those alternative models the green wedge', showing how this offers a successful model for integrating urban development and nature in existing and new towns and cities around the world. Green wedges, considered here as ducts of green space running from the countryside into the centre of a city or town, are not only making a comeback in urban planning, but they have a deeper history in the twentieth century than many expect a history that provides valuable insight and lessons in the employment of networked green spaces in city design and regionaTrade ReviewGreen Wedge Urbanism provides an original and potentially impactful contribution to urban theory, history and practice. The narrative of the book surfaces the concept of the Green Wedge historically and geographically, acting both as an archaeology of its meaning and a critical examination of its contemporary practice. * Simon Guy, Dean of the Faculty of Arts and Social Sciences, Lancaster University, UK *This fascinating and historically informed account sheds new light on the urban landscape, reminding us of the benefits of linear open space, whether as an alternative to encompassing green belts or (even better) in combination with them. * Michael Hebbert, Professor of Town Planning at University College London, UK *Table of ContentsIntroduction Green wedge: definitions Interdisciplinarity, locality, temporality and scale The structure Methods and sources Part 1 – Green Wedges in History Chapter 1 – Urban planning with nature The Enlightenment and the pursuit of nature The industrial revolution and the disintegration of open spaces The rise of town planning Ring vs. radial growth Park systems Chapter 2 – The emergence and diffusion of the green wedge idea Radial planning, radial parks and green wedges Intrinsic opposition: belts vs. wedges Opposition resolved: belts and wedges as elements of the same park system The socialist city Chapter 3 – Towards a bright future: green-wedge visions for the post-war period London: the green-wedge metropolis Diagraming the future The County of London Plan 1943 The Greater London Plan 1944 Other British cities New towns and green spaces Planning new beginnings Chapter 4 – Polycentrism and regional planning Organising the territory: the Nordic experience The 1947 Finger Plan Other Scandinavian capitals The corridor-wedge model: the Nordic influence Planning the metropolis: the case of São Paulo Corridor-wedge in the United States Visions for South East England The case of Melbourne Other cases The Green Heart and wedges of Randstad in the Netherlands Part 2 – Green Wedges Today Chapter 5 – Green spaces, networks and contemporary challenges The benefits of green spaces The birth of Urban Design and the ‘Star City’ Green infrastructures Landscape Ecology Landscape Urbanism Sustainability and resilience in face of climate change Chapter 6 – Towards sustainable and resilient city-regions Stockholm: towards blue and green wedges The development of a model: the Copenhagen Finger Plan The green fingers of Helsinki Randstad: from Green Heart to Green-Blue Delta Melbourne towards 2030 Freiburg: the green wedge and the mountain-valley systems Chapter 7 – Green wedges: from the city-region to the neighbourhood Hamburg green network plan The Raggi Verdi of Milan Songzhuang Arts and Agriculture City: a new form of urban-rural relationship Green wedges at multiple scales: Viikki Rieselfeld Vauban The Neighbourhood scale: Dunsfold Park, UK The green wedge as a typology: La Sagrera Linear Park, Spain Green Wedge Urbanism: Past, Present and Future The green wedge idea: from the city scale to the polycentric region Towards a theory of green wedge urbanism Index Bibliography Notes

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Book SynopsisTrade ReviewThis insightful study is a must-read for everyone interested in creative approaches to one of the major social crises of the modern age—providing decent, affordable housing for single people living on their own in industrialized cities. * Abigail A. Van Slyck, Dayton Professor Emerita of Art History and Architectural Studies, Connecticut College, USA *German architecture rewritten from the perspective of the single men and women living in mass housing. Meticulously researched, Erin Eckhold Sassin’s book is a major contribution to the histories of modernization and urbanization and their highly gendered designs for living. * Sabine Hake, Texas Chair of German Literature and Culture, University of Texas at Austin, USA *Table of ContentsIntroduction: The Unmarried Individual and the “Lodger Problem” 1. Adolph Kolping’s Revolution: Popular Catholicism and Housing “Wild” Youth 2. Beyond the Company Town: Industrialists House the “Roving Male” 3. Making the Municipality a Home: Appropriate Luxury for All 4. Homes for Women: Between the Domestic Realm and the Public Sphere Extended Conclusion: Weimar Twilight and Continued Relevance of the Ledigenheim Building Type

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Book SynopsisOver the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities. Increasingly accessible to tourists, and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. Touring and Publicizing England''s Country Houses in the Long Eighteenth Century examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions.Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuouTrade ReviewFor anyone who has ever wondered how Chatsworth, Pemberley, or Downton Abbey could belong so emphatically to the public—how English country houses (both real and imagined) have, as cultural treasures, come to be possessed by the nation—this book is essential reading. With an extraordinary range of primary sources, Anderson engagingly demonstrates the importance of English country houses as crucial tourist destinations in the 18th century, underscoring the importance of these houses for all sorts of things: not only the history of country house architecture, but also ‘heritage’ more broadly, collections generally, art collections in particular, and—perhaps most importantly—British conceptions of elite property as extending into the public realm of ownership. It is an immensely satisfying account of a fascinating story. * Craig Ashley Hanson, Associate Professor of Art History, Calvin College, USA, and author of The English Virtuoso: Art, Medicine, and Antiquarianism in the Age of Empiricism (2009) *Drawing on extensive primary research, Jocelyn Anderson explores the culture around country house visiting as it developed over the course of the eighteenth century. Bringing a broad range of literary and visual material together, her study examines how guidebooks, travel accounts, pictures, and plans, not only helped promote the growth of domestic tourism to such sites, but also served to condition a visitor’s experience of a house and grounds. With the massive road-building campaigns of the mid-eighteenth century, and the development of an associated infrastructure of coach inns and taverns, opening up the country and easing travel, there was a ready commercial market among the polite classes eager to explore the nation’s architectural landmarks and heritage in person and on paper. By highlighting these concerted efforts to encourage, stage and shape the phenomenon, Anderson’s account effectively calls into question a number of scholarly assumptions about the origins of the public consumption of private property; not least as such often shrewd and sophisticated attempts to market and package the country house and its landscape to the tourist have been conventionally dated a good deal later. But it is a survey that prompts the reconsideration of wider concerns too, especially regarding a tendency to treat the cultural history of urban and rural areas discretely. Yet, while Anderson provides a valuable overview and astute interrogation of such issues, they never overwhelm the text. Well-informed and learned as it is, the book is accessible, deftly assembled, and eminently readable. It is an impressive piece of scholarship that makes an invaluable contribution to the study of the eighteenth-century country house and its legacies. * John Bonehill, Professor of Art History, University of Glasgow, Scotland *Table of ContentsList of Plates List of Figures List of Tables Acknowledgments Introduction: ‘Come Here for Entertainment and Instruction’: Country Houses Exhibited to the Public 1. ‘For the Numerous Strangers Who Visit’: Tourists’ Itineraries and Practices 2. ‘A Sumptuous Pile of Building’: Remaking the Sights and Spaces of the House 3. ‘Eminent in Public Estimation’: The Transformation of Country Houses’ Paintings and Sculptures 4. ‘A Degree of Taste and Elegance’: Commenting on Country Houses’ Interiors 5. ‘The Beauties of Nature’: Descriptions of Country-House Gardens and Parks Conclusion: ‘The Visitor of Today’: Legacies of 18th-Century Country-House Tourism Appendix: Country-house Guidebooks Bibliography Index

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Book SynopsisIdeal homes investigates the tastes and aspirations of the new suburban communities that emerged in Britain following the First World War. In a period when homeownership was becoming the norm, these communities sought out varieties of architecture and design that were both nostalgic and modern, reflecting longings for ‘Old England’ on the one hand and technological convenience on the other. The book draws on exhibitions, memoirs, advertisements and films, as well as surviving examples of suburban architecture and interiors, to identify a distinctively suburban modernism, embodied by the Tudorbethan semi. Arguing that the ‘ideal’ home of the period was both a retreat from the outside world and a site of change and experimentation, it concludes by considering how such houses are lived in today. This new edition also features an introductory chapter on researching the history of your own home.Trade Review‘A wonderful tour through the interwar suburban house: from the appearance and decoration of our houses through to innovations in appliances and the creation of the modern "ideal home".’ Melanie Backe-Hansen, author of House Histories: The Secrets Behind Your Front Door'Ideal Homes is a superb evocation of interwar living as expressed in its homes and furnishings. Deborah Sugg Ryan's book skilfully interweaves social and design history and beautifully melds the academic and personal. Her exploration of “suburban modernity” and its idiosyncratic blend of tradition and novelty, home and empire, challenges the intellectual condescension of critics to find meaning and value in the lived experience of consumers and the messy, sometimes contradictory, choices they made. Along the way, it charts both the apparently rigid boundaries of gender and seemingly more fluid divisions of class. It's that rare thing – a book that will appeal to academic specialists and the general reader.'John Boughton, author of Municipal Dreams (2018)‘Deborah brings to life the history of typical 1930s British houses using stories from the archives of the real families for whom such houses were home. For anyone who wants to research the history of their own house, her new introduction gives away some key tricks of the trade.’Professor David Olusoga OBE, presenter of A House Through Time'Deborah Ryan’s fascinating new book explores the ideas and emotions that lay behind the rise of interwar suburban homes. Ryan takes a design history approach to the study of the home – exploring design, style, and objects in depth – but situates this in a broader social and cultural narrative that explains the wider social meaning of domestic space and its value for its owners.'Cultural and Social History ‘Sugg Ryan succeeds in evoking the material culture of a past era which, in certain ways, resonates strongly with our own.' Professor Penny Sparke, author of The Modern Interior and The Genius of Design 'Deborah Sugg Ryan's book begins with the personal and then develops into a fascinating and detailed study of housing design and the meanings of home in interwar Britain. These interesting intersections between the subjective, design history and a social history of the home makes for a gratifyingly fresh take on the history of housing design and domesticity during the years 1918 to 1939. The book is well-written, convincingly argued and successfully merges design history, social and gender history in what is undoubtedly an important new contribution to twentieth-century British history.'Cercles‘Grounding her discussion in the discipline of design history, Sugg Ryan explores the aspirations and tastes of new suburban communities in England during the interwar period. Four individual stories of home ownership and homemaking reveal different aspects of emotional investment in domestic design and the drive for individuality. The author investigates how the design and decoration of these domestic spaces forged gender identities and a new suburban class.'CHOICE'Deborah Sugg Ryan's book makes an important contribution to the history of design as it was experienced by lower-middle-class and middle-class consumers in Great Britain in between the two world wars. Weaving a narrative out of such varied sources as the Daily Mail's Ideal Home exhibitions, period advertisements for new housing developments, women's domestic advice literature and the individual histories captured in the Mass Observation Archive, she presents a history of the architectural style and interior design practices of new suburban developments in the 1920s and 1930s.'Journal of Design History'Throughout Ideal Homes, 1918–1930, Sugg Ryan brings together a wealth of information and ideas showing a deep knowledge of domestic design during the interwar period. Through the experiences of individual homeowners, as well as in the attention paid to specific design objects, we get a close reading of how “suburban modernism” was mediated and consumed. Sugg Ryan invites the reader to see the suburban home and its objects as an inherent part of British modernism between the World Wars, offering a core reference point for further research into the domestic interiors of interwar Britain.'Vanessa Vanden Berghe, Journal of British Studies 'With an introduction on researching your house history, the book provides a capsule of the information you need to begin metaphorically peeling back the wallpaper and uncovering the history of your (or your parents' or grandparents') interwar home.'Family Tree Magazine -- .Table of ContentsNew introduction: researching your house history1 The interwar house: ideal homes and domestic design2 Suburban: class, gender and homeownership3 Modernisms: 'good' design and 'bad' design4 Efficiency: labour-saving and the professional housewife5 Nostalgia: the Tudorbethan semi and the detritus of empire6 Afterword: modernising the interwar ideal homeIndex

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Book SynopsisTaking a cue from revisionist scholarship on early modern vernacular architectures and their relationship to the classical canon, this book rehabilitates the reputations of a representative if misunderstood building typology – the eighteenth-century brick terraced house – and the artisan communities of bricklayers, carpenters and plasterers responsible for its design and construction. Opening with a cultural history of the building tradesman in terms of his reception within contemporary architectural discourse, chapters consider the design, decoration and marketing of the town house in the principal cities of the eighteenth- and early nineteenth-century British Atlantic world. The book is essential reading for students and scholars of the history of architectural design and interior decoration specifically, and of eighteenth-century society and culture generally.Trade Review‘This is a fine book about the significant role of artisan house builders as architectural designers in the later Georgian period. When they did not exit their trades to become what earlier historians have ranked as ‘architects’, these artisan builders have remained shadowy figures. Ranging widely and with an even-handed command of material from both sides of the British Atlantic, especially giving Dublin due weight, Conor Lucey illuminates these people and their contributions to architectural design with insight, detail, clarity and humour.’ Peter Guillery, Bartlett School of Architecture, London‘Lucey’s fascinating book explores the role of the artisan in the still somewhat mysterious design processes behind the creation of the urban terraced house. Based on extensive new research it will enable us to place artisan-builders alongside other well-known designer-makers - such as print, furniture or ceramic specialists - in the period. Histories to date have focussed on the tradesman’s role in the construction of town houses but Lucey makes a compelling argument for their contribution to the design and decoration of both exteriors and interiors. In doing so he extends existing scholarship in exciting new directions enabling us more fully to understand the workings of the building trade across the second half of the long eighteenth century. The book’s scope is transatlantic and crucially Ireland for the first time, alongside England and America, is brought into discussions on the inter-connections across the eighteenth-century Atlantic building world.’Elizabeth McKellar, The Open University‘This is the first study of eighteenth-century century building activity which addresses the city house in Britain, Ireland and the American colonies with focus on London, Dublin and Philadelphia. This grand vista of urban domestic builders in the Atlantic world is mirrored in the range of scholarship that is brought to bear on the topic, a rich field of study brilliantly marshalled to provide the reader with a lucid, insightful and hugely stimulating panorama of new directions in architectural history. Lucey argues that the late eighteenth-century townhouse interior owed more to the plasterer and builder as agents of taste than it did to the sensibilities of its occupants and in so doing points up the builder’s facility for design and decoration. This book is an argument, a new apology for the builder, a broadside which asks us not to dumb down creative skill in the operative parts of architectural production. It is a book which will undoubtedly build reputation.’Professor Christine Casey, Trinity College Dublin‘In this book Conor Lucey sets out to rehabilitate the reputations of both the product (the town house) and the producer (the builder) and is concerned with rehabilitating the builder as an agent of taste as well as a figure of building production […] This book is an important addition to the study of the Dublin town house.’David Griffin, Irish Arts Review, Winter 2018/19‘From the middle of the eighteenth century through the 1830s, the brick row house became one of the most common urban building forms in the British Atlantic world. Artisan builders erected thousands of these rows of classically proportioned and ornamented town houses in the new streets, squares, and crescents of expanding cities as well as in smaller market and port towns in Great Britain, Ireland, and America […] In Building Reputations, Conor Lucey argues that this story has been misunderstood or mischaracterized in much of the historical literature on urban architecture, which has emphasized building production at the expense of building design […] In this informative book, he has rehabilitated the reputation of the artisan builder as a significant figure in shaping its decorative articulation.’Carl Lounsbury, caa.reviews, March 29 (2019)‘Building Reputations is a lively exploration of the world of the ‘Georgian’ builder, in particular the makers for the neo-classical townhouse. The book is also a welcome addition to the growing number of architectural investigations of the ‘Atlantic world’ of the late eighteenth and early nineteenth centuries; the study of how ‘books and ideas’ crossed and re-crossed the Atlantic Ocean together with cargos of timber, bricks, cotton, sugar, furs or spices.’ Victoria Perry, Construction History Vol. 34, no. 1, 2019‘...a powerhouse of a book that finally rehabilitates the builder as a key player in the design and decoration of the eighteenth and early nineteenth-century terrace and row houses.’Colin Thom, The Burlington Magazine 'Building Reputations makes an important contribution not only to revisionist architectural history, but also to recent art and design histories that have sought to recuperate the complexity of workshop production and artisanal epistemology, and to acknowledge the critical capacity of craft.3 It adds builders to the orbit of better-known histories of artisanal trades such as cabinetmakers, ceramicists, and silver- and goldsmiths. For these reasons, it deserves to be read widely by anyone interested in the history of the articulation and practice of design in this period.'Stacey Sloboda, Journal of Design History'[This book] is one of the most insightful books on Irish architectural history to have been published in the past decade. Lucey's sophisticated, impressive, well-illustrated and well-written study is not just about Ireland. His study is impressively interdisciplinary, insightfully comparative as it engages in studies of London, Dublin, and Philadelphia and is deeply evidence based. It also pays due regard to previous scholarship and he deploys the appropriate quantum of theory and historiography in respect of aesthetics, architecture and design as well as urban development.' Brendan Twomey, Journal of the Royal Society of Antiquaries of Ireland'Going beyond the traditional presentation of the builder as solely involved in the production of the building, Lucey reveals how because the speculative builder does not neatly fit into this simplified role, he has been overlooked in the scholarship. […] In his rehabilitation of the speculative builder, Lucey brings together sources from architectural history, social history, and material culture, as well as economic and trade history. He paints a picture of a British Atlantic building world at the end of the 18th century that is nuanced and complex. […] While each chapter could be expanded into its own book, they can be easily read alone, as Lucey incorporates historiographic context throughout. [O]verall the book is very readable and will be useful for scholars of architecture, interior decoration, advertising, labour, material culture, and the British Atlantic world in the long 18th century.'Katherine Wheeler, Architectural Histories -- .Table of ContentsIntroduction: a new apology for the builder1 Building reputations: a genteel life in trade2 Designing houses: the façade and the architecture of street and square3 Decorating houses: style, taste and the business of decoration4 Building sales: advertising and the property marketConclusion: the builder rehabilitated?Select BibliographyIndex

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Book SynopsisBuildings in Society: International Studies in the Historic Era presents a series of papers reflecting the latest approaches to the study of buildings from the historic period. This volume does not examine buildings as architecture, but adopts an archaeological perspective to consider them as artefacts, reflecting the needs of those who commissioned them. Studies have often failed to consider the historical contexts in which the buildings were constructed and how they were subsequently used and interpreted. The papers in this volume situate their interpretation in their social context. Buildings can inform us about past cultures as they are responsive and evolve to meet people’s needs over time. The buildings examined in this volume range from the twelfth to the twenty-first century and cross continents including case-studies from America, Australia and Europe, the United Kingdom, Ireland, Scandinavia and the Mediterranean. Themes include: Approaches to the study of buildings, Buildings of Power, Buildings in Identity, Domestic Space and Urban and Village Spaces. The essays consider building design, role, and how the buildings were altered as their function changed to coincide with the needs and aspirations of those who owned or used the buildings. This collection of papers emphasizes the need for further international multidisciplinary approaches including archaeology, architectural history and art history in order to understand how ideas, styles, approaches and designs spread over time and space. Together, these papers generate valuable new insights into the study of buildings in the historic period.Table of ContentsBuildings in Society International Introduction – Liz Thomas and Jill Campbell ; What is Building History? Emergence and Practice in Britain and Ireland – Mark Gardiner ; The Domestic, Ritual Use of ‘Salt Niches’ in Southern and Eastern England, c.1500 to 1700 AD – Jonathan Duck ; Architecture and Community at Hummingbird Pueblo, New Mexico – Evangelia Tsesmeli ; Houses and Buildings – on Physical and Social Space in Early Modern Swedish Towns – Andrine Nilsen and Göran Tagesson ; Structures and Social Order in a Medieval Italian Monastery and Village: Architecture and Experience in Villamagna – Caroline Goodson ; Ethnic Buildways: Phenomenology in the Architectural Grammar of Later Medieval Córdoba (Spain). – D.A. Lenton ; Hybrid Vernacular: Houses and the Colonial Process in the West of Ireland in the Seventeenth and Eighteenth Centuries – Eve Campbell ; The Development of the Apartment Building in 18th century Vienna – Paul Mitchell ; Store Heddinge Church – a Mystery Solved? – Leif Plith Lauritsen ; Creating a Choreographed Space: English Anglo-Norman Keeps in the Twelfth Century – Katherine Weikert ; A Convict History: The Tale of Two Asylums – Susan Piddock

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Book SynopsisAgency, Micro-History and Built Environment examines how people have been making, using and transforming buildings and built environments in general, and how the buildings have been perceived. It also considers a diversity of built constructions – including dwellings and public buildings, sheds and manor houses, secular and sacral structures. Comparisons between different regions and parts of the globe, important when addressing buildings from a social perspective, are presented with studies from the UK, the Netherlands, Norway, Sweden, Germany and Mexico. The chronological framework spans from the classical Byzantine period, over the Middle Ages and the Early Modern period and ends in 20th century Belfast.Table of ContentsPreface1. Reidun Marie Aasheim, Finn-Einar Eliassen and Marianne Johansson - The house that turned around and the street that wasn't: A cross-disciplinary study of the metamorphosis of the centre of a small town, c. 1680–1760.2. Gunnar Almevik and Jonathan Westin - Entering Hemse. Enacting the assemblage of a twelfth-century Gotlandic stave-church.3. Anna Bergman - Boundaries between private and public space in medieval and early modern Stockholm, c.1350–1700.4. Linn Willetts Borgen - Constructing Sacredness: The Stave Technique as Architectural Memory in Early Modern Norway.5. Jeroen Bouwmeester - Building in Stone: a brief introduction to the development of the use of stone as a building material in the Netherlands between 1000 and 1400 AD.6. Per Cornell and Adriana Velázquez Morlet - Time, Built Space and the Question of the Household in the Case of Ecab, Quintana Roo, Mexico: Maya Settlement Organization in the Late Postclassic period.7. Gunilla Gardelin - Reuse in wooden architecture.8. Antoinette Huijbers - Re-assembling domestic environments: A relational–habitus approach in studying the individuality, commonalities, continuity and change of medieval buildings.9. Sarah Kerr - Ambition and Architecture: a study of medieval lodging ranges.10. Linda Qviström - Windows and light in medieval buildings on Gotland.11. Miriam Steinborn - The hidden world behind simple structures.12. Göran Tagesson - Poor Widow Catharina Bergstedt, What Now? On Houses, Gender and Agency in Early Modern Swedish Towns.13. Liz Thomas - St Joseph’s Church – the peoples’ heartland.Biography of the authors

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Book Synopsis During the nineteenth century, a change developed in the way architectural objects from the distant past were viewed by contemporaries. Such edifices, be they churches, castles, chapels or various other buildings, were not only admired for their aesthetic values, but also for the role they played in ancient times, and their role as reminders of important events from the national past. Architectural heritage often was (and still is) an important element of nation building. Authors address the process of building national myths around certain architectural objects. National narratives are questioned, as is the position architectural heritage played in the nineteenth and the early twentieth centuries.Trade Review “The book Forging Architectural Tradition is an excellent contribution for anyone interested in the creation of national narratives around architectural buildings. It is suitable for architects, art historians, historians, sociologists, cultural researchers, and the general cultural public, as well as anyone interested in the national narratives of ‘small’ nations. The topics explored in the book should not be viewed as a part of the distant past but as still current as the historical processes described in the book can help us deal with problems related to the politicization of heritage that is still evident today.” • Prostor “The scholarly essays in this book present a sweeping panorama of this fascinating development based on new research, otherwise virtually inaccessible in English.” • József Sisa, Institute of Art History, ELKH Research Centre for the Humanities, Budapest, HungaryTable of Contents List of Figures and Tables Introduction: Forging Architectural Tradition Aleksander Łupienko
 Part I: Architectural Conservation and National Narratives

 Chapter 1. The Cathedral of Citizenship: Race and National Identity in Eugène Viollet-le-Duc’s Work and Discourse Bérénice Gaussuin

 Chapter 2. Identity Written in Stone?: Gothicising Renovation of Estonian Churches at a Second Glance Kristina Jõekalda

 Chapter 3. Architecture as a Weapon: The Gothic and the National Ideal in Nineteenth-Century Polish Discourse Aleksander Łupienko

 Chapter 4. Before and After Emile-André Lecomte du Nouÿ or the Birth of National Style in Romanian Architecture Anda-Lucia Spânu Chapter 5. On the Articulation and Popularization of Christian Built Heritage: Representing National Continuity in Nineteenth-Century Athens Georgios Karatzas Part II: Styles for the Nation and State 

Chapter 6. Creating a Monument to Kaiser Wilhelm I in Berlin: Tensions between National, Prussian and Dynastic Identities Douglas Klahr Chapter 7. History, National Identity and Architecture in the Last Royal Palaces in Europe (1861–1930): Turin, Budapest, Bucharest Paolo Cornaglia
 Chapter 8
. Renaissance Architecture and the Search for the Hungarian National Style in the Late Nineteenth and Early Twentieth Centuries
 Gábor György Papp Chapter 9. Vernacular Versus Historical: National Style(s) in the Architecture of Austro-Hungarian Croatia Dragan Damjanović

 Part III: Appropriation of Heritage(s)

 Chapter 10. Architectural Heritage in the National Discourse of the Nineteenth Century Russia: Kazan Antiquities Gulchachak Nugmanova 

Chapter 11. Hungarian Nation-Building and the Use of Medieval Archaeology: Interpreting the Székesfehérvár Excavations in the Nineteenth Century Andrea Kocsis Chapter 12. Architectural Heritage of Silesia in the Purview of Prussian History (1740–1918) Monika Ewa Adamska

 Chapter 13. Madonna del Pascolo: Ruthenian Heritage in the Baroque Rome and the Development of the National Church of the Ukrainians, 1640s‒1960s Anatole Upart Afterword: For the Glory of Nation: Architectural Heritage in Nineteenth-Century Europe Dragan Damjanović Index

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Book SynopsisSchinkel ‘in Athens’: Meta-Narratives of 19th-Century City Planning proposes a fresh appraisal of Karl Friedrich Schinkel’s urban design legacy and his involvement in the design of modern Athens in the 1830s. From the 1830s onwards, the incompatibility between Schinkel’s position as a civil servant and his vocation as a scholar inspired by Fichte led him along a transcendental path of life. Transcendentalism set its own terms and conditions under which Schinkel’s project of a palace atop the Acropolis of Athens (1834) might be understood. The ‘contextual analysis’ of Schinkel’s work in this book challenges the view of this proposal as a utopian scheme, detached from the realities of nineteenth-century Greece. On the other hand, the first plan of Athens, supposedly the work of two of his former Bauakademie students, ratified a year earlier, in 1833, proposed the location of the royal residence in the new town at a few hundred metres north of the Acropolis. But, though the two options for Otto’s palace were topographically dissimilar they did retain a common strong, topological significance – which, along with other factors analysed in this book, provides ample evidence for re-thinking the authorship of the new plan of the capital city of Greece. Schinkel ‘in Athens’, by all means!Table of ContentsPreface ; On the Narrative and the Meta-narrative ; On the nature of ‘Biography’ ; Karl Friedrich Schinkel ; George Christian Gropius ; Eduard Schaubert, Stamatios Kleanthes and ‘their’ plan of Athens ; Introduction (A) ; Back to Euclide’s Elements of Geometry ; The north-south and east-west axes anchoring the plan ; The over-estimated Propylaia and the under-estimated Library of Hadrian in reading the 1833 plan ; A new plan or an extension plan for the old town? ; An Urban Interlude on 17th-19th c. European Extension Plans ; Introduction (B) ; The Roman paradigm ; Eclectic relations between the Athens plan and Schinkel’s architecture and urban design (1) ; Eclectic relations between the Athens plan and Schinkel’s architecture and urban design (2) ; Act One (in Two Scenes) ; Close encounters in Athens, Rome and Berlin ; Act Two (in Two Scenes) ; The meta-narrative approach to the authorship of the 1833 new Athens plan ; Act Three (in Four Scenes) ; Urban design in and outside Berlin – philosophical views on social priorities ; Act Four (in Six Scenes) ; Transcendental life ; Epilogue ; Bibliography ; Index

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Book SynopsisThis book focuses on the first edition of Kenneth Frampton’s Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton’s historiography of modern architecture. It explores selected themes in line with Frampton’s many-faceted contribution, certain aspects of which can be noted between the lines of his ongoing criticism of the present-day architecture, which inevitably lead us to a critical understanding of the past, the modernity of architecture’s contemporaneity. The compiled chapters attempt to open a window onto the constellation of themes that allowed Frampton to hold on to his anteroom view of history even amidst the flow of time and flood of temporalities spanning 1980–2020. The book elucidates how Frampton’s critical presentation of the history of modern movement architecture and the book’s classificatory mode (periodization?) contribute to our understanding of the contemporaneity of architecture today. Trade Review“The book is a critical unraveling of Frampton’s ideas; his use of Walter Benjamin, Hanna Arendt and Martin Heidegger, which the author elegantly analyzes. It is well structured and written. The approach (starting with the importance of epigraphy), the selection of key themes (the cultural, technical and territorial), and the close readings, are convincing and strong. The book speaks to Frampton’s ongoing critique of contemporary architecture culture. Hartoonian’s book is a timely contribution to this ongoing debate.” —Patricio del Real, Associate Professor of History of Art and Architecture, Harvard University, USA“Kenneth Frampton is unquestionably one of the most influential and original architectural thinkers of the last hundred years. Now in its fifth edition, his Modern Architecture: A Critical History remains a mainstay in architecture schools and design offices around the world. In this brilliant study, Gevork Hartoonian offers us a lucid and in-depth account of the authors who shaped Frampton’s thinking, from Walter Benjamin to Hannah Arendt. He also gives us a compelling interpretation of Frampton’s engagement with leading protagonists of the modern movement, from Le Corbusier to Louis Kahn, from Ludwig Mies van der Rohe to Alvar Aalto. This book is necessary reading for students of postwar architectural thought, as well as for those seeking a deeper understanding of the debates and ideas shaping architecture today.” —Nader Vossoughian, Associate Professor, Architecture, New York Institute of Technology, USAHartoonian's historical study of the first edition of Modern Architecture aims, per the introduction, "to establish Frampton’s historiography and his ongoing endeavor to promote a critical understanding of the historicity of architectural crisis." Hartoonian does not do a chapter-by-chapter account of Modern Architecture, in other words. Reading Kenneth Frampton is dense historiography for other historians, not a book for architects, even those enamored with Frampton. - A Weekly Dose of Architecture BooksThe first two chapters focus on the big picture, in order to trace Frampton’s historiographical approach through his selected cover images, timespans, and opening quotes to the main parts of his Critical History; the remaining five chapters then move along selected parts of this history, with the last chapter ushering in the formulation of critical regionalism. As a result, one feels that they are diving into Frampton’s book hand in hand with Hartoonian, the well-versed scholar and experienced commentator - Stylianos Giamarelos; Fabrications; Routledge Taylor and FrancisTable of ContentsIntroduction, Chapter 1: The Violence of Quotation; Chapter 2: A Trilogy; Chapter 3: The Vicissitudes of a Critical History; Chapter 4: In Defence of Architecture; Chapter 5: The Agency of Critical; Chapter 6: Aalto Contra Mies: A Conundrum?; Chapter 7: From Critical to Resistance; Postscript.

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Book SynopsisIn this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century how visual values such as ‘irregularity’ become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design why movement is fundamental to picturing the stillness of buildings, cities and landscapes. Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.Table of Contents1. Introduction 2. Pictures 3. Disgust 4. Irregularity 5. Appropriation 6. Movement

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Book SynopsisThe architecture of Scotland exists in many forms. In Mousa to Mackintosh, Frank Arneil Walker examines the recognisable and recurring features evident in Scotland's buildings across the centuries to build a picture of 'Scottishness' in architecture. This chronological history presents an expansive view of architecture in Scotland, from neolithic brochs and classical country houses to baronial tower-houses and modernist New Towns, including the work of renowned architects such as Charles Rennie Mackintosh, Robert Adam, Basil Spence and Robert Lorimer. Walker considers the relationship between national characteristics and international influences in these structures to ask: what is the 'Scottishness' of Scottish architecture?Trade Review'a magnificent book that should be considered essential reading - and a lasting reference of value - by anyone with any interest in Scottish Architecture...If you really want to know about Scottish architecture, then look no further.' * Undiscovered Scotland *'this is a book that should be in the possession of anyone even remotely interested in Scottish culture, let alone in Scottish architecture' -- Roger Emmerson * Building Design *

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Book SynopsisAn exciting new perspective on the origins of Greek civilisation. The pyramids of Greece pose one of the greatest mysteries of Greek archaeology.

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Book Synopsis‘You haunt me everywhere.’ So wrote Edward Burne-Jones to Frances Graham, his muse for the last 25 triumphant years of his life: ‘I haven’t a corner of my life or my thoughts where you are not’. He drew her obsessively, included her in some of his most famous paintings, and showered her with gifts. Even when she betrayed him to marry, he would return to her. To him ’all the romance and beauty of my life means you.’ This is the first biography of his muse. In a discreet, subtle, human way, her life is a study in power – artistic, social, political, familial, local – and all the more fascinating for being played out from a perennial position of weakness. What makes a muse? The word conjures up for the artist a human cocoon of sexual allure and worship: part inspiration, part lover and protector. Yet however beguiling, demanding and volatile a muse could be, it remained a life surrendered to the art of another. In Victorian England, this was especially so with the hierarchies between the sexes so firmly entrenched. The life of a muse to a Pre-Raphaelite artist was no different: Ruskin and Effie Gray, Rossetti and Lizzie Siddal, both powerfully destructive relationships that ended respectively in divorce and death. The one who survived was Frances Graham. She had a restless, irrepressible intelligence, able to mix at her small dinners politicians and aristocrats with writers, artists and the up and coming, be they Oscar Wilde or Albert Einstein. In time, she became the confidante of three government ministers, including Asquith, the Liberal leader. 'The Portrait of a Muse' is the tale of a remarkable woman living in an age on the cusp of modernity.

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Book SynopsisA story of the ’70s: when six New York ex-gangsters met Buckminster Fuller and built a geodesic dome In 1970 a meeting took place in an empty loft on the Lower East Side of Manhattan between R. Buckminster Fuller, the revolutionary architect and inventor of the geodesic dome, and six ex-gang members who called themselves “CHARAS.” After a few hours, they found themselves having an earnest and important conversation, and the young men of CHARAS decided to begin implementing Bucky’s ideas. They wanted to create a program that would develop a sense of community autonomy, reclaim public space and give their lives a newfound sense of purpose. Following a period of intensive study of solid geometry, spherical trigonometry and principles of dome building, all led by Michael Ben-Eli, CHARAS constructed a geodesic dome on a vacant lot in the shadow of the Manhattan Bridge. Originally published in 1973 and now published in an expanded edition, Charas: The Improbable Dome Builders is an intimate portrait in pictures and words of these dynamic young men and their community. The first half chronicles the trials and tribulations of building the dome, their intensive training, search for funding, accidental fires, holiday potlucks and Bucky visiting to see their incredible work. The second half contains interviews with the members of CHARAS and their friends, sharing personal stories of their time on the streets, as gang leaders, drug addicts, serving time in prison and finding a new sense of self and community through the applied philosophies of Buckminster Fuller. This edition also includes a new interview with Michael Ben-Eli looking back on the project four decades later.Trade ReviewThe premise of Syeus Mottel’s delightful, disorienting CHARAS: The Improbable Dome Builders is the stuff of retro-futurist fantasy. * Artforum *

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Book SynopsisThroughout the ages, mankind has been fascinated by the ruins of previous societies. The desire to gain a greater understanding of our past has driven archaeologists, artists, and scholars from across the world to study the vestiges of lifestyles that have vanished in an attempt to capture their mystique and beauty. Originally intended as an examination of the rise and fall of the state hospital system, Matthew Christopher’s Abandoned America rapidly grew to encompass derelict factories and industrial sites, schools, churches, power plants, hospitals, prisons, military installations, hotels, resorts, homes, and more. Through his collection of writing and photography, Christopher has spent the last decade documenting the ruins of one of the greatest civilizations the world has ever known: our own. Exploring sites like the charred remains of the Hotel Do De, the rusted cells of the Essex County Jail Annex, the sublime majesty of the Church of the Transfiguration, or the eerie and dilapidated remnants of the New Castle Elks Lodge, the work spans architectural treasures left to the elements and then all too often lost forever. Matthew Christopher’s body of work is a powerful statement about job loss, cultural legacy, urban blight, the artistic/architectural context of iconic buildings, and historic preservation. In light of the collapse of American industry and the subsequent economic meltdown, the relevance of these topics has never been more important to an examination of America’s national identity.Trade Review"Matthew Christopher's photographic record of decay depicts the tragic truth: that something extraordinary has ended and that nothing like it may ever come back. We're now going in the other direction despite a lot of wishful thinking: toward a loss of complexity, a reduction in the scale of activity, a loss of artistry, and probably the end of many comforts, conveniences and amenities we've come to take for granted." James Howard Kunstler, author of The Geography of Nowhere "The places Christopher photographs tell their stories with silence and extraordinary light - the spaces between the life and death of a building. His pictures make me feel like someone told me a secret." Jane Derenowski, Reporter, NBC Nightly News "It's romantic, it's nostalgic, it's wistful, it's provocative. It's about time, nature, mortality, disinvestment." Joann Greco, The Atlantic Cities "Through his photographs, Christopher makes a powerful statement about job loss, urban blight and historic preservation. In light of the collapse of American industry and the subsequent economic meltdown, the relevance of these topics has never been more important to the examination of America's national identity." Joseph and Barrie Ann George, The Sentinel

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Book SynopsisEbenezer Howard veröffentlicht 1902 sein Werk Garden Cities of Tomorrow, seine Ideen haben maßgeblich dazu beigetragen, der Bewegung für einen modernen Städtebau Richtung und Ziel zu geben. Sechs Jahrzehnte nach Erscheinen der ersten Ausgabe ergänzte Julius Posener diesen Klassiker der Stadtplanungstheorie um die erstmals 1945 erschienen Essays von Lewis Mumford und Frederic J. Osborn zu einem Streitgespräch der späten sechziger Jahre über die Gestalt der Stadt. Die vorliegende Neuauflage spannt den Bogen ins 21. Jahrhundert und erweitert die Ausgabe von 1968 um ein Vorwort von Carl Fingerhuth.

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Book SynopsisDie Architektur der Nachkriegsmoderne stellt besondere Anforderungen an Bauforschung und Denkmalpflege. Müssen ihre Methoden dem oft seriellen Charakter der Bauten angepasst werden? Wie werden diese Bauten, die noch in großer Zahl vorhanden sind, denkmalpflegerisch bewertet? Welche Herausforderungen bringt ihre Sanierung mit sich? Können einzelne Bauteile aus serieller Produktion ersetzt werden, ohne die Denkmaleigenschaft zu gefährden? Welche Risiken bestehen hinsichtlich mancher aus heutiger Sicht toxischer Materialien? Welche Strategien der Wissensdistribution müssen für die Bauten der Nachkriegsmoderne angewendet werden? Ausgewiesene Fachleute haben im Rahmen der MONUMENTO Salzburg 2018 und 2020 diese grundsätzlichen Positionen der Denkmalpflege anhand ausgewählter Projekte diskutiert.

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Book SynopsisCandide 13 results of a joint effort of scholars, researchers and students who address the theme of “Experimental Architecture and Material Culture” from different perspectives. The issue reports on the outcomes of a transnational cooperation between the RWTH Aachen University (Department of Architecture) and the Indian Institute of Technology Roorkee (Department of Architecture and Planning). It gives voice to students and researchers who, traveling in Germany and India, have stored up intercultural experiences of intellectual and human growth. The issue features also scholarly contributions on experimental architecture, design-build procedures, and sustainable construction.

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Book Synopsis“Art and technology: a new unity” – It was with this slogan that the Bauhaus moved to Dessau in 1925. The seven years in Dessau were most productive for the designers and architects at the Bauhaus. This illustrated volume presents the Bauhaus buildings in Dessau in words and pictures and offers new perspectives on these icons of modern architecture. Walter Gropius, Hannes Meyer, Ludwig Mies van der Rohe, Richard Paulick, Georg Muche, Carl Fieger and Karl Friedrich Engemann: the architects at the Bauhaus in Dessau realized their designs in the industrial city between the Elbe and the Mulde rivers during the years between 1925 and 1932 ̶ and thereby created a unique ensemble of modern architecture which attracts visitors from all over the world to Dessau to this day. Since 1996 some of the Bauhaus buildings in Dessau have been regarded as key works of European Modernism and are included in the list of UNESCO World Cultural Heritage Sites. They express the revolutionary aim of the historical Bauhaus to bring about fundamental change in society through design and architecture.

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