History of architecture Books

Book SynopsisThe reconstructed Berliner Schloss in the heart of the German capital is both a monument of Baroque architecture and a vital new cultural building in the city. The art history, architecture and sculpture of the palace’s masterful façades by Andreas Schlüter are brought to life here in words and pictures. The Berliner Schloss marks the reinstatement of the point of reference for the urban plan of the historical centre of the capital: through the Baroque masterpiece by Andreas Schlüter the boulevard Unter den Linden and the historic buildings of the Lustgarten acquire once more a meaningful interconnection. Most of the authors are involved in this major project. They explain with the help of the impressive photographs by Leo Seidel the fascinating construction process, the imagery of the Baroque sandstone façade, the technology and the craftsmanship behind its reconstruction as well as the architectural concept of the building.

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Book SynopsisThe Case Study House program (1945–66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day. TASCHEN brings you a monumental retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.Trade Review“Once you hold it in your hands, you immediately want to get a martini and sit by one of the pools.” * Literaturen *“If buildings were people, those in Julius Shulman’s photographs would be Grace Kelly: classically elegant, intriguingly remote.” * ARTnews *“The complete CSH program portrayed in stunning photos, detailed drawings, and clear essays.” * Architectural Review *"...long and lean, just like a cantilevered Koenig or an elegant Ellwood." * Wallpaper *"Thirty of the projects from the magazine's Case Study program are portrayed in stunning photographs, detailed drawings, and clear essays." * The Architect's Newspaper *"The large book lushly renders each project in colour and in gorgeous black, sepia and white." * The Architectural Review *“You need a California workout to lift it, but the book, an exhaustive homage to the houses, is worth the effort.” * The New York Times *“Lavishly produced, handsomely illustrated.” * Los Angeles Times *

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Book SynopsisJean Nouvel, winner of the 2008 Pritzker Prize, is widely regarded as France’s most original and important contemporary architect. From 1967 to 1970, he assisted the influential architects Claude Parent and Paul Virilio before creating his own practice in Paris. His first largely acclaimed project was the Arab World Institute in Paris (1981–87). Since then, he has completed such grand projects as the Fondation Cartier in Paris, the Reina Sofía Museum in Madrid, the Philharmonie de Paris, and the Louvre Abu Dhabi. His recent work includes the 82-story 53W53 Tower in New York, the Duo Towers in Paris, and the Shanghai Pudong Art Museum. Based on the massive XXL monograph from 2008, this widely updated edition brings the architect’s definitive career overview to one volume. The result is a nearly 800-page tome with more than 25 recent projects and new photos commensurate with Jean Nouvel’s inimitable talent, which highlights milestone projects, among them his Serpentine Gallery Pavilion in London, as well as works in progress such as the spectacular Sharaan Desert Resort, a hotel carved into sandstone rock in the Al-'Ula desert in Saudi Arabia. The collection’s graphic design and images were conceived and selected by the architect himself, making this publication a genuine Nouvel by Nouvel, inside and out.Trade Review“Jean Nouvel gets the TASCHEN treatment.” * Architect *“Nearly 800 pages of work within a colossal new book.” * designboom *“All of Jean Nouvel’s work in one book. Or rather, his entire vision. Everything but conventional representations of architecture. The perfect object, in short.” * Le Monde des livres *

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Book SynopsisWith almost 300 entries, this architectural A to Z offers an indispensable overview of the key players in the creation of modern space. Covering modern architecture from the 19th into the 21st century, pioneering architects are each featured with a portrait and a concise biography, as well as a description of his or her important work. Like a bespoke global architecture tour, this book will allow you to travel from Manhattan skyscrapers to a Japanese concert hall, from Antoni Gaudí’s Palau Güell in Barcelona to Lina Bo Bardi’s sports and leisure center on a former factory site in São Paulo. You’ll take in Gio Ponti’s colored geometries, Zaha Hadid’s free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh’s unique blend of Scottish tradition and elegant japonisme. The book’s A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee.Trade Review“An inspiring book and a timely wake-up call for anyone who thinks modern architecture is confined to the ugly and the brutal.” * Financial Times *

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Book SynopsisWith a career spanning across continents and over six decades, the work of the renowned architect Norman Foster is nothing short of extraordinary. His creative innovation and holistic approach have made him one of the world’s most influential and well-known architects. From the Apple Park campus in Cupertino, California, to the Reichstag in Berlin, the enclosed court of the British Museum in London to the Millau Viaduct in France, with his practice of Foster + Partners, he has created celebrated landmarks that stand out for their inventive modernity and for what he calls “a sustainable approach to the design of the built environment.”This is the first time Foster’s complete body of work has been published in one edition on such a grand scale. Giving a rare insight into the inner workings of his creative practice. It details his personal approach to his work, his inspirations, the link between art and architecture, and the significance and correlation between his passions, such as being an avid aviator, and his work.The XXL monograph encompasses a lifetime of achievement and originality in two volumes. The first presents his architectural œuvre and is filled with numerous unpublished images and sketches handpicked by Foster from his archives. Paired with nearly 1000 illustrations, the second book contains eight essays he wrote explaining his sources of inspiration.Aside from the 1999 Pritzker Prize, he has won the American Institute of Architects Gold Medal for Architecture, the Royal Gold Medal for Architecture, and the Gold Medal of the French Academy of Architecture. This is a magnificent visual journey not only through significant buildings of our time but also into the mind of a genius. Norman Foster sketched every page of this book and spent countless hours with the author and the graphic designer to make it one of the most remarkable architecture books ever published.Also available as an Art Edition of 300 copies with a 1-meter-wide signed print of a drawing by Norman Foster, picturing the upcoming multifunctional community and business center InnHub in La Punt, Switzerland. The two volumes of this edition are collected in a custom-designed slipcase that folds into a book stand.Trade Review“The heavyweight – literally, at 21 pounds – of architecture-book offerings.” * Architectural Record *“The design read of the year captures Norman Foster’s infinite impact on our world.” * The Globe and Mail *“A major retrospective.” * The Guardian *“The architect's lifetime of achievement has been seminal in the built environment scene globally… through this book you can delve deeper and enjoy a wealth of unpublished images and sketches that have been handpicked by the man himself.” * Wallpaper *“The first time that the complete oeuvre of this architecture giant has been published, showcasing his innovative and holistic approach to his craft.” * Designboom *“Everything inspires me. Sometimes I ask myself if I see things which others don’t.” * Norman Foster *“Norman Foster’s buildings are not mere strokes of genius; they emerge from the context of his life and times.” * Philip Jodidio *“As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.” * Norman Foster *

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Book SynopsisRome is where the history of European architecture was written. The foundations were laid in ancient Roman times when the first attempts were made to design interiors which could be experienced as something physical. Ancient Roman architects also started to develop building types that are still valid today, thus creating the cornerstone of later Western architecture. This guide has been arranged chronologically. Every epoch is preceded by an introduction that identifies its key features. This produces a continuous, lavishly illustrated history of the architecture of Rome, indeed, the whole of the West. The book includes an alphabetical index and detailed maps, whose information does not just immediately illustrate the historical picture, but also makes it possible to choose a personal route through history. In order to clarify the historical development, the key buildings of each period and other major works are emphasised both in the text and on the maps.Table of ContentsForeword; The Development of the City; Antiquity; Christian Late Antiquity and Middle Ages; Late Middle Ages and Early Renaissance; High Renaissance and Mannerism; Baroque and Rococo; Classicism and Historicism; Modernism; Selected bibliography; Glossary; Roman Emperors and Popes; Index of Buildings; Index of Artists; Plans.

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Book SynopsisFor more than a century, municipal socialism has fired the imaginations of workers fighting to make cities livable and democratic. At every turn propertied elites challenged their right to govern.Prominent US labor historian, Shelton Stromquist, offers the first global account of the origins of this new trans-local socialist politics. He explains how and why cities after 1890 became crucibles for municipal socialism. Drawing on the colorful stories of local activists and their social-democratic movements in cities as diverse as Broken Hill, Christchurch, Malmö, Bradford, Stuttgart, Vienna, and Hamilton, OH, the book shows how this new urban politics arose.Long governed by propertied elites, cities in the nineteenth century were transformed by mass migration and industrialization that tore apart their physical and social fabric. Amidst massive strikes and faced with epidemic disease, fouled streets, unsafe water, decrepit housing, and with little economic security and few public amenities, urban workers invented a local politics that promised to democratize cities they might themselves govern and reclaim the wealth they created. This new politics challenged the class power of urban elites as well as the centralizing tendencies of national social-democratic movements. Municipal socialist ideas have continued to inspire activists in their fight for the right of cities to govern themselves.Trade ReviewThe culmination of Stromquist's lifetime of impressive scholarship on rank-and-file workers and socialist movements, Claiming the City? arrives right on time as we explore the possibilities of transformation at the municipal scale. Astonishingly sweeping in its range of fine-grained case studies, the book teems with comparative insights while it traces transnational connections established by a mobile working class and internationalist commitments. -- David Roediger teaches American Studies at University of Kansas. His books include The Sinking Middle Class?I'm sure that Shelton Stromquist's monumental book will have a lasting impact. It is an inspiring work by a historian of great stature on a very important, but much neglected, topic; it will certainly resonate throughout discussions of history and socialist politics. -- Marcel van der Linden, International Institute of Social HistoryThis magisterial account of socialist and labor activism at the local level sweeps ambitiously across Europe, the US, Australia, and New Zealand. Shelton Stromquist eloquently unearths a global movement of "internationalism from below" that transformed cities and, as well, reshaped national and global. politics. Claiming the City is a magnificent achievement that vividly demonstrates the value of global labor history. -- Julie Greene, Professor of History, University of Maryland at College Park

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Book SynopsisThe book is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Lluis Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. A documentary treasure trove on the life of Le Corbusier Featuring 80 previously unpublished film stills Available as softcover (9783035627282), hardcover (9783035627299) and limited special edition with three photographic prints (9783035627305)

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Book SynopsisThe first Pevsner volume to explore the Isle of Man’s unique architectural inheritanceTrade Review“The delight of a new Pevsner is to dip into it, either at random or directed, here via excellent photographs by the author himself and others commissioned from Colin Russell.”—Timothy Mowl, Country Life“John Kewley, the son of a Manxman, knows his stuff.”—Christopher Howse, Oldie

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Book SynopsisAn expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome’s ever-changing political boundaries

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Book SynopsisA major new history of Brooklyn, told through its landscapes, buildings, and the people who made them, from the early 17th century to today.Trade Review"Winner of the PROSE Award in Architecture and Urban Planning, Association of American Publishers""Finalist with Special Recognition for the Brendan Gill Prize, Municipal Art Society of New York""Finalist for the On the Brinck Book Awards, The University of New Mexico""Mr. Campanella . . . aims to give an account of ‘the Brooklyn unknown, overlooked and unheralded—the quotidian city taken for granted or long ago blotted out by time and tide.’ He succeeds admirably . . . Brooklyn: The Once and Future City is a nuanced portrait of a diverse group of communities. Genteel farmland, then a byword for urban blight, and now the apotheosis of hipsterdom and gentrification—Brooklyn has seen it all. Mr. Campanella, a native Brooklynite himself, brings both love and scholarship to his writing, revealing the true spirt of this fractured land." * The Economist *"Say the name Brooklyn these days, and many people think of Jay-Z or Barclays Center or, most often, skyrocketing real estate prices fueled by gentrification. But for 500 years now, Brooklyn has charted a rich history unique in the American experience. In Brooklyn: The Once and Future City, Thomas J. Campanella . . . has produced a meticulously researched and information-filled chronicle of a place that, in its own way, defines New York City."---Paul Alexander, Washington Post"An ambitious and accomplished book . . . . For lovers of history and of the city, this book is a dream. It feels like a book that Campanella was born to write."---Nick Ripatrazone, The Millions"Campanella’s book does a masterful job of showing how individual egos or ill-planned decisions of long ago set the stage for the city we know today."---Larry Getlen, New York Post"A lively biography of New York's second borough. . . . Teeming with information, this is a must-read for fans of urban history." * Kirkus Reviews *"A fascinating and well-written exploration."---Norman Oder, Curbed"Brooklyn’s history . . . is as specific and varied as its inhabitants. A single block can contain centuries’ worth of information, memories and relics left by heroes and villains alike. The prospect of writing a history of such a multilayered city must have been daunting even for as qualified a fourth-generation Brooklynite as Thomas J. Campanella. . . . Thankfully, Campanella takes a practical approach: Instead of attempting a chronology that traces themes or communities through the decades and centuries, he treats each chapter as a self-contained deep dive into a particular part of the borough, describing how that place came to be. . . . Illuminating."---Emily Gould, New York Times Book Review"Campanella . . . limns Brooklyn’s multiple identities and the tensions over what the borough was, and to whom . . . a fascinating chronicle."---Katrina Gulliver, New Criterion"Campanella's magisterial history . . . [is] always approachable and takes readers to the heart and soul of “the King’s County”."---Liz Thomson, Arts Desk"Every writer knows that there's inherent drama in an underdog story. Brooklyn is the ultimate urban underdog. Brooklyn native Campanella celebrates the onetime city, now-borough's astonishingly rich history, characterized by diversity, immigration, industrialization, decline, and now rebirth . . . vibrant and relevant."---Josh Stephens & James Brasuell, Planetizen"Campanella is always enlightening and remains critical throughout, with class and racial politics never far from the surface."---Darran Anderson, History Today"[Thomas Campanella’s Brooklyn is] not only the best history of Brooklyn, it’s one of the most entertaining works published this year, suffuse with fantastic tales of the achievements, iniquities, and dreams of its famous neighbor."---Anthony Paletta, American Conservative

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Book SynopsisTrade Review"A handsome new book by art and architecture historian Cammy Brothers, Giuliano da Sangallo and the Ruins of Rome helps to unravel the riddle of where Bramante got his knowledge of ancient building, and her history is a bold revision of the standard accounts. . . . This book is truly a brilliant, unprecedented scholarly achievement that should place her in the front rank of architectural historians working today."---Mark Alan Hewitt, Common Edge"Engagingly written and richly illustrated study of Giuliano da Sangallo. . . . Brothers’s study is a welcome intervention that reminds us that. . . . [Sangallo] was integral to how the next generations . . . produced their own vision of antiquity that informed urban renewal in the baroque Eternal City and beyond."---Robert John Clines, Renaissance Studies"[A] beautifully illustrated analysis of Sangallo's work." * Choice *"A very important and welcome contribution to architectural and art histories of the Italian Renaissance, to studies of Rome, and to the history of the book. It is synthetic and highly innovative, like Giuliano himself."---Mirka Benes, Renaissance and Reformation"A refreshingly original contribution to the field."---David Hemsoll, Journal of the Society of Architectural Historians"An impressive, comprehensive presentation and an eye-opening reading of the marvelous drawings, contextualized in a rich and intelligent discussion of their position within the architectural practice of Giuliano da Sangallo and the architectural theory of his time."---Maia Fabricius Hansen, Renaissance Quarterly

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Book SynopsisTrade Review"As Hyde eloquently demonstrates in a compelling trajectory that arcs from Stonehenge to modern London, ugliness is more than a physical trait or quality assigned to an object. It has acted as a site and catalyst for debate on broader social circumstances."---Catherine Slessor, The Guardian"This book is a welcome break from good taste. . . . If you have ever wondered why a certain building seems ugly, this book will help you understand why you feel that way."---Lucy Watson, Financial Times"Hyde’s book confronts ugliness head on, using it as a way to interrogate British architectural discourse. . . . [His] research on the individual case studies is impeccable."---Richard J. Williams, Times Higher Education"The great achievement of this book is to show that, even if the language and opinions about taste change, debates about architecture have always had some common features. They are never just about buildings."---William Whyte, Church Times"Discussions such as those effectively summarised in Ugliness and Judgement are so instructive when we evaluate how to apply concepts of beauty and ugliness in architectural debates."---Alexander Adams, Salisbury Review"A fascinating book. In taking as a point of departure the limitations of aesthetics, Hyde invites readers to understand the assessment of aesthetic failure as a wedge that pries open conversations about inadequate, unresolved, or unsatisfying social and legal arrangements. Ugliness, in his telling, points to gaps in social, regulatory, urban, and institutional fabrics. The author implies that the value of listening to complaints about buildings lies in discerning the issues that encounters with 'ugly' buildings bring to the fore."---Kathryn O’Rourke, Rice Design Alliance"To call out ugliness, then, is a call to arms. While beauty basks lazily and uselessly in its own perfection, ugliness spurs us into action."---Igor Toronyi-Lalic, The Spectator

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Book SynopsisTracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression.Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between trTrade ReviewThis volume presents a compelling case for increased attention to sound as both a design principle and a primary factor that shapes the social utility of built environments....the chapters provide a powerful demonstration of the multifaceted ways that the interaction between sounds and surfaces can hold meaning for the people who create, experience, and transform them...The difficult task that the editors have undertaken to create a multidisciplinary and multisensory exploration of sound and space is accomplished admirably while leaving room for further exploration of sound and space in Islamic cultures that were not included in the volume. * Ethnomusicology *Table of Contents List of Figures, Plates, Charts, and Tables Foreword, by Ali S. Asani Acknowledgments Introduction: Music, Sound, and Architecture in Islam, by Michael Frishkopf and Federico Spinetti Part One: Transregional 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles Part Two: The Ottoman Empire and Turkey 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan O’Connell 4. Articulating Otherness in the Construction of Alevi-Bektaşi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff Part Three: The Arab World 5. Venerating Cairo’s Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach Part Four: Andalusia and Europe 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein Part Five: Central and South Asia 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz 12. The Social and Sacred Microcosm of the Kiiz Üi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva Part Six: Iran 13. Listening to Pictures in Iran, by Anthony Welch 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian Zūrkhāneh, by Federico Spinetti References Contributors Index

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Book SynopsisA comprehensive look into how Macau’s recent decades of gambling-related growth produced one of the wealthiest territories on the planetBetting on Macau delves into the radical transformation of what was formerly the last remaining European territory in Asia, returned to the People’s Republic of China in 1999 after nearly half a millennium of Portuguese rule. Examining the unprecedented scale of its development and its key role in China’s economic revolution, Tim Simpson follows Macau’s emergence from historical obscurity to become the most profitable casino gaming locale in the world. Identified as a UNESCO World Heritage Site and renowned for its unique blend of Chinese and Portuguese colonial-era architecture, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. Simpson situates Macau’s origins as a strategic trading port and its ensuing history alongside the emergence of the global capitalist system, charting the massive influx of foreign investment, construction, and tourism in the past two decades that helped generate the territory’s enormous wealth. Presented through a cross section of postcolonial studies and social theory with extensive insight into the global gambling industry, Betting on Macau uncovers the various roots of the territory’s lucrative casino capitalism. In turn, its trenchant analysis provides a distinctive view into China’s broader project of urbanization, its post-Mao economic reforms, and the continued rise of its consumer culture. Trade Review "In this timely and impressive book, Tim Simpson charts the predicament of Macau—a Special Administrative Region of the People’s Republic of China—as a laboratory of consumption, and of planning and architecture as disciplinary technologies, all employed toward prototyping a scholastic program for the production and naturalization of commodity-driven social imaginaries in post-Mao China. A must-read for scholars and practitioners of urban planning and architecture, particularly those working in or studying urbanization in China."—Miodrag Mitrašinović, coeditor of The Emerging Public Realm of the Greater Bay Area: Approaches to Public Space in a Chinese Megaregion "Betting on Macau is a creative, engaging, wide-ranging, and insightful analysis that both dazzles the reader with a litany of the astonishing transformations Macau has undergone in the past two decades and provides a solid conceptual framework for understanding those changes in a world-historical context."—Cathryn H. Clayton, author of Sovereignty at the Edge: Macau and the Question of Chineseness "Presented through a cross section of postcolonial studies and social theory with extensive insight into the global gambling industry, Betting on Macau uncovers the various roots of the territory’s lucrative casino capitalism. In turn, its trenchant analysis provides a distinctive view into China’s broader project of urbanization, its post-Mao economic reforms, and the continued rise of its consumer culture."—Progressive Geographies "Betting on Macau is a worthy introduction to Macau and suitable for anyone, inside and outside academia, interested in a place of exception for Chinese gambling tourists."—Journal of Tourism and Cultural Change "Tim Simpson’s book is a timely contribution to a slender yet growing volume of works that have sought to reposition Macau within a cocktail of national, regional, and global themes."—Current History

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Book SynopsisExplores how Soviet architects reimagined the built environment through the principles of the human sciences During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. Architecture of Life delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, Architecture of Life explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured..Trade Review"Thanks to her attentive reading of early twentieth-century German and Russian theories, Alla Vronskaya has rewritten the history of the Soviet avant-garde. Revealing the deep roots El Lissitzky, Moisei Ginzburg, and others found in experimental psychology, in the theory of empathy, and in philosophical monism, she has masterfully recast a fundamental chapter in the making of modernity."—Jean-Louis Cohen, Institute of Fine Arts, New York University"In her Architecture of Life, Alla Vronskaya resolutely abandons usual political binaries and familiar historical dichotomies that have long straightjacketed the history of socialist modernism. Bringing together Moscow and Berlin, Bauhaus and Constructivism, form and function, individuality and collectivity, she offers a historically rich and conceptually invigorating study of one of the most original architectural experiments of the twentieth century."—Serguei A. Oushakine, Princeton UniversityTable of ContentsIntroduction. Life: An Ideology for Modernity1. Space: Formalist Architectural Pedagogy at the VKhUTEMAS2. Orientation: El Lissitzky’s Evolutionist Urbanism3. Fitness: Nikolay Ladovsky’s Architectural Psychotechnics4. Process: Organicist Aesthetics of Soviet Standardization5. Energy: Soviet Wall-Painting and the Economy of Perception6. Personality: Public Park as a Factory of DealienationConclusion. History: From the Monistic to the TerrestrialAcknowledgmentsNotesIndex

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Book SynopsisMajor interdisciplinary study of medieval church porches, bringing out their importance and significance.

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Book SynopsisDrawing on notions of personal honor, manly vigor, and sophisticated craftsmanship, the games were a story that the Romans loved to tell themselves about themselves.Trade ReviewJust clear facts, clearly told. It is, in other words, a delight. -- Catherine Nixey The Times Jerry Toner's excellent new book provides the historical context for Ridley Scott's emperor-gladiator... Toner's wry comments and personal observations make this book a pleasure to read. -- Claire Holleran History Today Successful, and stimulating overview of a complex topic... ChoiceTable of ContentsPrologueThe Rhino DiesI. Commodus's Great GamesII. When in CommodianaIII. An Emperor Loves His PeopleIV. Feeding the MonsterV. Win the CrowdVI. How to Be a RomanEpilogue: Fighting BackAcknowledgmentsNotesSuggested Further ReadingIndex

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Book SynopsisBrian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin.

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Book SynopsisFrom 1923 until 1980, Mien Ruys created over 3,000 gardens and landscapes. While most of these are in her native Netherlands, the influence of her designs and approaches spread far wider: many of us will have a little bit of Mien in our gardens, be it a railway sleeper, a diagonal line, a Phlomis russeliana or a water ball. Her work was extraordinary in combining two exceptional elements. Firstly, Mien was one of the leading proponents of modernist design: having trained and collaborated with architects such as Ben Merkelbach, Charles Karsten, Aldo van Eyck, Jan Piet Kloos, Hein Salomonson and Gerrit Rietveld, she introduced clean lines, geometric shapes and innovative materials into garden and landscape design. One of the few women members of CIAM, she was also one of the first to call for architects and landscape architects to collaborate fully from initial design onwards. She did so regularly, often on much needed social housing schemes, but also on schools, hospitals and nursing homes. All her projects shared a desire to offer users a better quality of life. One of her most well-known collaborations was with Gerrit Rietveld in Bergeijk on the Ploeg factory and Park, which has since been listed as a historic monument. Uniquely, she combined this modernist design approach with an extensive knowledge of plants and planting, which she learnt from a very early age in her father’s Royal Moerheim Nursery in Dedemsvaart. Her father had close links with international gardeners, such as Gertrude Jekyll, who greatly influenced Mien as she developed her own loose, natural style of planting. Her book on perennials, published in 1950, was internationally influential and, in seeking deeper understanding about plants and planting, Mien created more than 20 experimental gardens at Dedemsvaart, many of which are now also historic monuments. The book includes a foreword which sets Mien’s work within the wider context, as well as interviews with gardening experts and landscape architects who knew Mien or were deeply influenced by her work, which offer rich insight into Mien’s character and the timeless lessons which can still be learnt from her work.Table of ContentsForeword by Noel Kingsbury. 1 – Mien's formative years and influences. Perspective: Theo Ruijs. 2 - Initial experiments in garden design. Perspective: Anet Scholma. 3 – Geometry. Perspective: Carolien Barkman. 4 – The oblique line. Perspective: Edwin van Onna. 5 - Collaborations with architects. Perspective: Freerk Halbesma. 6 - Innovative materials. Perspective: Jacqueline van der Kloet. 7 - Use of plants. Perspective: Conny den Hollander. 8 – Legacy. Appendix I – List of Key Organisations and Individuals. Further Reading. Acknowledgments.

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Book SynopsisDiscover Mughal India's cultural heritage through new perspectives from 13 scholars. Book explores norms, connections, and comparisons with Safavids and Ottomans. Articles challenge ideas, compare art, and discuss themes like royal portraits, temple patronage, and Mughal gardens. Richly illustrated for connoisseurs and scholars.

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Book SynopsisThe interplay of psychology, design, and politics in experiments with urban open space As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society.New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing. Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group.The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.Trade Review"Deeply researched and wonderfully written, The Invention of Public Space will inspire a re-thinking of a concept—public space—and a place and time—New York City in the 1960s and ’70s—that we thought we knew well. Mariana Mogilevich captures the unique excitement of that moment when the top-down framework of modernist urban design and planning had collapsed and a new world of open, inclusive, and participatory design seemed to be beginning."—Robert Fishman, Taubman College of Architecture + Planning, University of Michigan"Mariana Mogilevich avoids the expected judgements about the spaces she surveys—how ‘public’ were they, really?—and shows how the idea of ‘public space,’ with all its paradoxes and exclusions, was itself devised as a response to urban crisis in 1960s New York City. Pithy, clever, and wise, The Invention of Public Space is a much-needed reminder that ideas about self and society are at the heart of the cultural history of urbanism."—Samuel Zipp, coeditor of Vital Little Plans: The Short Works of Jane Jacobs"Thanks to the author's original research and acute analysis, this an important book, not just for the history of 20th-century New York but also for the history of urban America more broadly."—CHOICE"Design and planning of public space play an important role in creating the physical conditions for imagining and experiencing democratic citizenship. But rather than settling on a conclusion whether Lindsay, or later Bloomberg, failed in achieving this goal, Mogilevich leaves us with encouragement to continue the experiment."—Journal of Urban Design"Mogilevich successfully explores how design projects driven by high-minded ideals of spatial politics impacted or even contributed to ongoing racial injustice in the city, and often overlooked the experiences of communities whose lives designers and urbanists were seeking to improve."—ARLIS/NA"This timely book squashes naïveté and inspires, leaving the reader energized and better prepared to pursue spatial justice anew."—The Architect’s NewspaperTable of ContentsContentsIntroduction: The Invention of Public Space1. Space and Politics in Lindsay’s New York2. Topographies of Experience: Jacob Riis Plaza3. Strangers and Neighbors: Residential Territories4. Open Space as Interface: Vest-Pocket Parks5. Pedestrian Experiments: Designs on the Street6. Metropolitan Environments: The Waterfront ParkEpilogue: The Deaths and Lives of Urban Public SpaceAcknowledgmentsAbbreviations for Frequently Cited Archival CollectionsNotesIndex

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Book SynopsisBuilt and designed by Ludwig Mies van der Rohe 1928–1930, the Tugendhat House in Brno / Czech Republic is one of the most significant buildings of European modernism. In 2001, UNESCO added the house to the List of World Cultural Heritage Sites. In this third, updated edition, the authors give personal and historic insights relating to the house; also documenting aspects pertaining to art history and conservation-science studies. The comprehensive description and in-depth discussion of the materials used is a special feature in this field of research. The appeal of this monograph lies in the publication of photographs from the family archive which, for the first time, show the house in its lived-in condition. The experimental artistic color photographs by Fritz Tugendhat are among the pioneering achievements of amateur photography.

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Book SynopsisShowcasing a range of homes, churches, barns, commercial, and industrial buildings from across the UK, this book demonstrates the SPAB philosophy that good new architecture can sit happily alongside old and is preferable to pastiche. Building on the experience of professionals in the historic environment, the authors explore the approach, the design process, the material palette and technical considerations in creating enduring, sustainable buildings. It has never been more important to understand how old buildings can be adapted to make them useful and sustainable in the future. “Good conservation demands a clear and rigorous contemporary approach for new work just as much as it requires delicacy and respect in dealing with the past. In this book, Roger and Iain skilfully guide us through the work of some of the best examples, their erudition underscored by a deep understanding of conservation theory and principles.” Kevin McCloudTable of ContentsForeword by Kevin McCloud Advisory note Historic environment consents Preface Featured buildings Introduction Chapter 1. Embracing good design Chapter 2. Starting points Chapter 3. Considerations for success Chapter 4. Material facts Chapter 5. Forms of adaptation Chapter 6. Interiors Chapter 7. Fit for the future

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Book SynopsisA city that has existed for over 2,000 years, Verona has a wealth of historic architecture: from Ancient Roman masterworks such as the Arena, through seventeenth-century neoclassical gems like the Gran Guardia Palace, to inventive recent restorations and adaptations. Its Gothic and Romanesque edifices - frequently constructed in pink brick - are a particular highlight. The architectural remnants of every period of the history of this UNESCO-listed city is covered here, in the first architectural guide to Verona, Lake Garda, and Valpolicella. The towns and villages around Lake Garda have long attracted tourists, and the selection in this volume reflects this. Villas and hotels loom large, including the eccentric villa complex constructed by the poet Gabriele D'Annunzio, with its First World War gunship built into the grounds. Through his considered selection of buildings, historian and socio-urbanist Sergey Nikitin provides a sometimes-irreverent look at sights that range from the well-known to the more hidden, such as Carlo Scarpa's careful balancing of old and new in the Museo Castelvecchio, the magnificent 1930s tunnels on Strada Gardesana Occidentale, and even a traditional bakery for the complete Italian experience. The guide includes detailed addresses and maps for ease of visiting and a further reading list for those who want to explore the area from home first.

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Book SynopsisIn Doors: History, Repair and Conservation, readers are guided through the function, history, development, care, repair and conservation of doors by chapter authors who are experts in their field. This book offers depth and range of detail from dating and archaeology right through to the surveying, recording, engineering and curation of the door, its furniture and the part of the building into which it is set.Doors vary from basic designs to exceptional and intricate masterpieces of craftmanship. Whether wood, stone, metal or glass, throughout history doors have been vital barriers against weather and intruders, providing those inside with protection, privacy and comfort. Split into three sections, this book covers history, development, identification and dating of doors, maintenance and engineering of doors and door openings, and materials of doors, their furniture openings and surrounds. Throughout the book the authors provide detailed photographs, drawings, techniquTrade Review"Campbell, Tutton and colleagues have produced a text on doors unlike any that now exists. It gives a comprehensive history of the door, deals with the fundamentals of construction, design and detailing, and deals with every aspect of conservation." - Professor Miles Lewis, Architectural Historian, Melbourne"Doors is the first comprehensive study of a subject that will interest all those, from conservation architects to historians, who work professionally with these indispensable everyday objects. An impressive array of leading experts, including conservators, craftsmen, scholars and archaeologists, and several who are all of these, present here in lucid and readable chapters an account of the history of known doors, their details and ironmongery, construction, engineering and restoration, with many fascinating case studies drawn from the authors’ own experience." - Timothy Brittain-Catlin, Reader in Architecture, University of KentTable of ContentsContributors Acknowledgements Preface IntroductionJames W. P. Campbell and Michael TuttonPART ONE: HISTORY, DEVELOPMENT, IDENTIFICATION AND DATING1 A Introduction to the Development of the Door and its Decoratin from its Beginning to the End of the Middles AgesMichael Tutton2 The Historical Development of the Door from the Middle Ages to the Present Day James W. P Campbell3 Dating Doors by their Details (1550-1850) Linda Hall4 Hinges as an aid to authentication and datingAdam Menuge5 The Survey and Scientific Dating of Doors Caroline HardiePART TWO: DESIGN AND ENGINEERING6 The Design, Geometry, Accessibility and Safety of Door James W P Campbell7 Engineering and the Design of Doors David YeomansPART THREE: CONSERVTAION AND REPAIR8 Conservation and Repair of Historic Timber doorsIan McCraig9 The Conservation and Reapir of Bronze Doors Lucy Branch10 Repair and Conservation of Stone Door Surrounds Tom Flemons11 The Conservation and Reapir of Locks Richard Taylor12 Maintenance and Cleaning of Historic DoorsAdam Menuge GlossaryBibliographyIndex

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Book SynopsisIn the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne) — the other being Walter Gropius’s Harvard Graduate School of Design — and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kenneth Frampton, Bill Howell, John Killick, Robert Maguire, Cedric Price, Graeme Shankland and Oliver Cox, Quinlan Terry, John Voelcker, and almost a dozen recipients of the RIBA Gold Medal, viz. Neave Brown, Peter Cook, Edward Cullinan, Philip Dowson, Nicholas Grimshaw, Michael and Patricia Hopkins, Powell + Moya, Richard Rogers, and Joseph Rykvert.The book traces the history of the school from the end of the war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodelled the AA as a postmodern, ‘internationalist’ school and detached it from its modernist, British origins. In keeping with this (and partly as a result of it), there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.Trade Review'The book constitutes a sound and always readable institutional history of the post-war AA and will serve as a reference point for some considerable time to come' – Architectural History Table of ContentsPrologue: A Brief history of the Architectural Association; Chapter 1. After the War (1945-1949); Chapter 2. Architecture as Collaborative Practice (1949-1951); Chapter 3. Chuzzlewit's Heirs: The Postwar Student Body (1945-1951); Chapter 4. Michael Pattrick's Troubles with the Students (1951-1956); Chapter 5. The AA School under Michael Pattrick (1951-1961); Chapter 6. In Search of a New Policy (1951-1961); Chapter 7. William Allen and the 'Art/Science Tension' (1961-1965); Epilogue: Beyond the Sixties

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Book SynopsisA polemic against America's architectural eclecticism, commercial skyscrapers, and misguided urban planning. It moves from a general statement of the conditions of modern culture to applications in the fields of architecture and urbanism at broadening scales.Trade Review"The endpapers of Modern Architecture--which Princeton University Press has reissued in a facsimile of its original 1931 edition--are embellished with Wright aphorisms that recall the improving mottoes typically displayed in Arts and Crafts interiors... The Princeton reprint has an authoritative introduction by the architectural historian Neil Levine."--Martin Filler, New York Review of Books "Perhaps some people think you can have too many books on Frank Lloyd Wright, but I believe there's always room for more. This year, it's a scholarly duo from Princeton University Press: The Essential Frank Lloyd Wright: Critical Writings on Architecture, edited by Wright scholar Bruce Brooks Pfeiffer (453 pages, $49.95) and the essential Modern Architecture: Being the Kahn Lectures for 1930, with a new introduction by Neil Levine (115 pages, $29.95)."--Mary Chandler, Rocky Mountain News Praise for the original edition: "Exuberant, confessedly romantic, insistently individualistic, at times even florid and rhetorical, [Modern Architecture] is still (and I say it, who fought my rising enthusiasm at every turn of a page) the very best book on modern architecture that exists."--Catherine Bauer, New RepublicTable of ContentsINTRODUCTION PREFACE CHAPTER 1: MACHINERY, MATERIALS AND MEN CHAPTER 2: STYLE IN INDUSTRY CHAPTER 3: THE PASSING OF THE CORNICE CHAPTER 4: THE CARDBOARD HOUSE CHAPTER 5: THE TYRANNY OF THE SKYSCRAPER CHAPTER 6: THE CITY

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Book SynopsisTrade Review"Winner of the 2011 Ananda Kentish Coomaraswamy Book Prize, Association for Asian Studies, South Asia Council""One of Choice's Outstanding Academic Titles for 2009""This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim. . . . Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership."---L. Nees, Choice"[A] brilliant, far-ranging study. . . . This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter."---John E. Cort, Religious Studies Review"Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind."---Harbans Mukhia, Medieval History Journal"This book will not only be of interest to scholars of material culture, art and architectural history, religion, and medieval history, but is also entirely relevant to scholars of modern South Asia. In its insistence on mobility--of objects, people, and ideas--and resistance to boundaries, Flood's book is a timely reminder that global mobility is hardly a new phenomenon."---Preeti Chopra, Contemporary South Asia"This book is a most welcomed addition to the still meager though growing number of studies in Islamic art and material culture, which are based on theoretical premises and on a close, comparative scrutiny of multiple visual objects and texts. . . . [D]ue to its rich material and novel ideas, this book is a necessary asset in the library of historians and art historians of the Muslim world and India, and a useful text-book in academic teaching, hard to read but fully rewarding."---Rachel Milstein, Jerusalem Studies in Arabic and Islam

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Book SynopsisBoth a guide for visitors and a reference for serious historians, Washington Sculpture offers the most comprehensive examination of urban sculpture in the nation's capital.Trade ReviewQuirky details... are what make the new edition... so captivating. -- John Kelly Washington Post 2009 Handsome new volume... An important addition is an exploration of the city's fourteen neighborhoods as well as the Maryland and Virginia suburbs. -- Steve Goddard History Wire - Where the Past Comes Alive 2009 The historic and cultural significance of each sculpture is written with heart, but it's the stories of the subject portrayed in bronze that are the most intriguing reads. -- Andrea Cohen Roll Call 2009 A significant reference work. Choice 2009 A heroic effort and it is hard to stop leafing through it. RALPH: Review of Arts, Literature, Philosophy, and the Humanities 2010Table of ContentsPrefaceAckowledgementsIntroductionChapter 1. Capitol HillChapter 2. Connecticut AvenueChapter 3. The EllipseChapter 4. The Federal TriangleChapter 5. Foggy BottomChapter 6. Judiciary Square and East DowntownChapter 7. The MallChapter 8. Massachusetts AvenueChapter 9. North Capitol StreetChapter 10. Pennsylvania AvenueChapter 11. Potomac ParkChapter 12. Sixteenth StreetChapter 13. SouthwestChapter 14. Wisconsin AvenueChapter 15. Maryland SuburbsChapter 16. Virginia SuburbsAppendix A. Sculpture RemovedAppendix B. Selected Biographies of SculptorsAppendix C. Techniques in Executing Marble and Bronze SculptureGlossaryBibliographyIndex

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Book SynopsisNew UPDATED EDITION 2014 The unique Black and White house in Singapore is the most distinctive and imposing of the island's colonial architectural legacy. Surviving examples are testament to their physical and aesthetic durability - a unique tropical style with a colourful pedigree of architectural influences. In this updated edition, an additional chapter on residential life in these extraordinary homes adds depth and added information to an already comprehensive book. The colonials of yesteryear enjoyed a life of undisputed privilege - and even today, many of these beautiful houses continue to serve their original purpose as gracious family homes. Others have been adapted successfully as restaurants, offices and artisan's studios. Researched, written and photographed with flair, Black and White traces their evolution through the architects and practices that designed them - houses as relevant today as when they first appeared over 100 years ago.

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Book SynopsisDouglas Spencer teaches and writes on critical theories of architecture, landscape and urbanism. A regular contributor to Radical Philosophy, he has also written chapters for collections such as Architecture Against the Post-Political (2014), Landscape and Agency (2016) and This Thing Called Theory (2016). He has published numerous essays in journals such The Journal of Architecture, AD, AA Files, New Geographies, Volume and Praznine. He teaches at the AA's Graduate School of Design at the Architectural Association and at the University of Westminster, London.Trade ReviewSpencer draws a direct intellectual lineage from neoliberalism’s original thinkers through the unlikely corridors of late-20th-century countercultural and avant-garde thought, all the way into the glistening hallways of today’s most acclaimed contemporary architectural firms. * Los Angeles Review of Books *This book marks a milestone in architectural criticism, and the questions it addresses could not be more important or urgent ... Its bold, unflinching description of architecture’s complicity with the powers that be makes it an indispensable reference for all those concerned with the social and political meaning of their work, * Journal of Architectural Education *The Architecture of Neoliberalism is a devastating portrait of contemporary architecture as the phantasmagoria of neoliberal capitalism. Spencer deftly deconstructs the current architectural ideology as a melange of counter-cultural tropes and vitalist celebrations of flexibility, empowerment, spontaneity, and the market as the final arbiter of freedom. The result is a powerful plea for critique in the face of the architectural prophets who proclaim ‘there is no alternative’. * Benjamin Noys, Professor of Critical Theory, University of Chichester, UK *“Neoliberalism” is commonly used as an epithet today to denounce a late-capitalist architecture in cahoots with the forces of real estate development and the marketplace. Douglas Spencer is the first to provide a detailed history of this term and to analyze its modes of operation, its architectural expressions, and its ideological subterfuges. An absolutely timely, lucid, important critique. * Joan Ockman, Distinguished Senior Fellow, University of Pennsylvania School of Design, USA *This book marks a milestone in architectural criticism, and the questions it addresses could not be more important or urgent. * JAE (Journal of Architectural Education) *Table of ContentsIntroduction: Architecture, Neoliberalism and the Game of Truth 1. The Art of Neoliberal Governmentality 2. The Spatial Constitution of the Neoliberal Subject 3. Architecture Theory: From May '68 to the 'Real' of the Market 4. Labour Theory: Architecture, Work and Neoliberalism 5. Festivals of Circulation: Neoliberal Architectures of Culture, Commerce and Eduction 6. Neoliberalism and Effect: Architecture and the Patterning of Experience Conclusion: The Necessity of Critique Bibliography

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Book SynopsisFallingwater Rising is a biography not of a person but of the most famous house of the twentieth century. Scholars and the public have long extolled the house that Frank Lloyd Wright perched over a Pennsylvania waterfall in 1937, but the full story has never been told. When he got the commission to design the house, Wright was nearing seventy, his youth and his early fame long gone. It was the Depression, and Wright had no work in sight. Into his orbit stepped Edgar J. Kaufmann, a Pittsburgh department-store mogul-“the smartest retailer in America”-and a philanthropist with the burning ambition to build a world-famous work of architecture. It was an unlikely collaboration: the Jewish merchant who had little concern for modern architecture and the brilliant modernist who was leery of Jews. But the two men collaborated to produce an extraordinary building of lasting architectural significance that brought international fame to them both and confirmed WrightR

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Book SynopsisVictor Margolin is Professor Emeritus of Design History at the University of Illinois, Chicago. He is a founding editor and now co-editor of the academic design journal Design Issues. His many books include:The Designed World: images, objects, environments; The Politics of the Artificial: Essays on Design; Design Discourse: history, theory, criticism; Discovering Design: explorations in design studies.Table of ContentsVolume 2 World War I to World War II 20. Design in the Soviet Union 1905-1928 21. Weimar Germany 1918-1933 22. France 1918-1939 23. Great Britain 1918-1939 24. Western and Southern Europe 1900-1939 25. Central and Eastern Europe 1900-1939 26. Scandinavia 1917-1945 27. Italy, Germany, the Soviet Union, and Portugal 1922-1940 28: The United States 1917-1941 29. Latin America: Cuba, Mexico, and Brazil 1900-1939 30. Latin America: Chile, Argentina, Colombia, Venezuela, and Uruguay 1900-1939 31. Commonwealth Countries: Canada, Australia, and New Zealand 1900-1939 32. The Near and Middle East 1900-1939 33. Colonies: Africa 1900-1945 34: Colonies: India, Hong Kong, and Burma 1900-1945 35. Asia: China and Siam 1900-1939 36: Asia: Japan, its Colonies, and its Territories 1900-1937 37. World War II 1939-1945

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Book SynopsisA jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this book takes a fresh look at the historical influences that shaped the Sheldonian's development.Trade Review“His book is a learned and fascinating account of the Sheldonian in its academic, intellectual and religious contexts.”—Peter Howell, The Art Newspaper -- Peter Howell * The Art Newspaper *Shortlisted for the Alice Davis Hitchcock 2014 Award sponsored by the Society of Architectural Historians of Great Britain. -- Alice Davis Hitchcock Award * Society of Architectural Historians of Great Britain *

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Book SynopsisCovers the inland counties of Cavan, Monaghan, and Armagh, an area stretching from the thinly populated uplands around the Cuilcagh Mountains and the cradle of the Shannon to the fertile Blackwater valley and southern shores of Lough Neagh.Trade Review“Mulligan, denied the vast store of earlier research on which the authors of volumes in the English series could draw, proves a heroic pioneer. Major discoveries which will draw enthusiasts into this territory . . . may be few, but minor pleasures abound . . . And armed with South Ulster, the traveller is unlikely to be mistaken for a clandestine supporter of a proscribed organization, but a hunter after worthwhile buildings.”—Toby Barnard, Times Literary Supplement -- Toby Bernard * Times Literary Supplement *“Be warned: if you dip into this book you will go on dipping, or perhaps weeping, at the beauty of it all. It is the standard work for anyone even vaguely interested in the history of landmark buildings in these three counties.”—Paul Clements, Irish Times -- Paul Clements * Irish Times *‘This is not only a book of reference but one which brings buildings and architecture to life, a most worthwhile addition to the literature on the architectural heritage of Ireland.’—Peter Rankin, Burlington Magazine -- Peter Rankin * Burlington Magazine *

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Book SynopsisGreek temples captivate anyone with an interest in antiquity, and the Doric, Ionic and Corinthian columnar orders that clad them launched the classical architectural tradition down to modern times. This title proposes new theories in both areas as it elucidates the nature and function of Greek architecture.

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Book SynopsisThe founder of the blog A Daily Dose of Architecture, John Hill, is obsessed with his subject and determined to expose his fellow citizens to the glorious structures that shape our environment. In this beautifully designed compendium Hill presents his selection of the most significant building to be built each year from 1916 to 2015. Each two-page spread includes one or two large color photos and text that explains the importance of each structure. Starting with H. P. Berlage's Holland House in London and closing with Diller Scofidio + Renfro's newly completed Broad museum in Los Angeles, Hill has combed the globe for iconic buildings. Notable inclusions are Helsinki Railroad Station; the Solimar Building in Cuba; Le Corbusier's Mill Owners' Association building in Ahmadabad, India; Habitat 67, a housing complex in Montreal; and Tadao Ando's Church of the Light in Osaka, Japan. What makes this collection so extraordinary is Hill's criteria for the buildings included: each must be able to be seen, approached, or explored by the average person.An introductory essay and a timeline that highlights important architectural events round out this engrossing survey that demonstrates the underlying themes and developments in the world of architecture today.Trade Review"Architecture expert John Hill s comprehensive new book 100 Years 100 Buildings highlights an important structure from each of the past hundred years. . . . High-profile highlights from around the globe include Le Corbusier s Villa Savoye (1931), Frank Lloyd Wright s Solomon R. Guggenheim Museum (1959), and Jorn Utzon's Sydney Opera House (1973), while lesser-known works are sprinkled throughout." -Architectural Digest "Hill combed the world seeking out its iconic buildings. The result is a book that s a finely designed compendium where he presents his personal selection of the most significant building from 1916 to 2015. And it s not just about residences there are churches, office buildings and museums too. Hill required that it be a building that s still standing, and one that anyone could go and see in person . . . It s a journey worth taking in person or in print." -Architects and Artisans "In this anthology, John Hill presents a century of buildings. Adhering to a single yearly entry starting in 1916, Hill is able to intersperse big names with lesser-known players and abstain from focusing on architecture s most iconic and thus frequently referenced periods. While he admits the range betrays his own Western perspective, the unique format draws out lessons in style, shifting priorities, and the ways in which global events are reflected in man-made places." -Metropolis magazine By cutting himself free of the artificial constraint of highlighting the 20th century alone, architect John Hill brings his survey of remarkable buildings up to the present...Hill's approach forces a greater diversity than you'll find in most guides to architecture's greatest hits... It might even inspire building-gawkers to book a trip or two. -The Tangential

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Book SynopsisIllustrated throughout, with nearly 200 pen-and-ink drawings by the author, this book looks at the social, geological and architectural history behind the structure of English villages, and examines how industries, urbanization, transport and changing traditions have influenced how we have been using and designing our buildings over the centuries.Trade Review'This splendid book looks at the very structure of the English village and how changing social trends have impacted on buildings.' Eastern Daily Press 'Brown's book can help us navigate around the real village landscape and so provides a valuable and unusual guide.' Countryside Voice

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Book SynopsisThe Chicago lakefront is one of America's urban wonders. The ribbon of high rise luxury apartment buildings along the Lake Michigan shore has few, if any, rivals nationwide for sustained architectural significance. This historic confluence of site, money, style, and development lies at the heart of the updated edition of Neil Harris's Chicago Apartments: A Century and Beyond of Lakefront Luxury. The book features more than 100 buildings, stretching from south to north and across more than a century, each with its own special combination of design choice, floor plans, and background story. Harris, with the assistance of Teri J. Edelstein, proves to be an affable and knowledgeable tour guide, guiding us through dozens of buildings, detailing a host of inimitable development histories, design choices, floor plans, and more along the way. Of particular note are recent structures on the Chicago River and south of the Loop that are proposing new definitions of comfort and extravagance. FeatuTrade Review"Chicago Apartments is that sort of book—the sort that invites the reader (and the author) to gush over favorites. . . . This is a book rich in a part of Chicago history and living that rarely gets much attention." * Third Coast Review *"When I think of lakefront luxury living in Chicago, a roughly one-mile, zigzag stretch of Lake Shore Drive, from East Pearson Street on the south to North Avenue on the north, comes to mind. . . . When I lived in Chicago and often rode my bike along the lakefront, it was hard to not think what it was like to live inside one of those apartment buildings. The second edition of Chicago Apartments does just that." -- John Hill * A Daily Dose of Architecture Books *"This excellent book on Chicago apartment buildings has superb black-and-white photographs of almost 100 distinctive buildings, many with pictures of some of their spectacular interiors." * The City Review *Table of ContentsForeword, by Sara ParetskyChicago’s Luxury ApartmentsA Note to the ReaderSouth Shore 6700 South Crandon Avenue 6901 South Oglesby Avenue 2666 East 73rd Street | THE COASTLAND 7000 South Shore Drive 7321 South Shore Drive | WINDSOR BEACH APARTMENTS Hyde Park–Kenwood 5000 South Cornell Avenue 5421 South Cornell Avenue 5801–11 South Dorchester Avenue | THE CLOISTERS 5000 South East End Avenue 5555 South Everett Avenue | JACKSON TOWERS 1640 East 50th Street | NARRAGANSETT APARTMENTS 1648 East 50th Street / 4950 South Chicago Beach Drive | THE POWHATAN 1644 East 56th Street | THE WINDERMERE 5454 South Shore Drive | SHORELAND HOTEL 5490 South Shore Drive | JACKSON SHORE APARTMENTS 5530–32 South Shore Drive | PROMONTORY APARTMENTS 5830–44 South Stony Island Avenue | VISTA HOMESGreater Loop 225 North Columbus Drive | AQUA TOWER 451 East Grand Avenue | ONE BENNETT PARK 1200 South Indiana Avenue | NEMA CHICAGO 400 North Lake Shore Drive | THE SPIRE 505 North Lake Shore Drive | LAKE POINT TOWER 60 East Monroe Street | THE LEGACY 1211 South Prairie Avenue | ONE MUSEUM PARK EAST 400 East Randolph Street | OUTER DRIVE EAST 300 North State Street | MARINA CITY 401 North Wabash Avenue | TRUMP TOWER 403 North Wabash Avenue | RENELLE ON THE RIVER 363 East Wacker Drive | VISTA TOWER RESIDENCESNear North Side 1200 North Astor Street | MCONNELL APARTMENTS 1209 North Astor Street 1260 North Astor Street 1301 North Astor Street 1325 North Astor Street 20 East Cedar Street | BRADLEY APARTMENTS 70 East Cedar Street 40–50 East Chicago Avenue | HOTEL ST. BENEDICT FLATS 161 East Chicago Avenue | OLYMPIA CENTRE 1366 North Dearborn Parkway | DEARBORN SCHILLER 132 East Delaware Place–900 North Michigan 175 East Delaware Place | JOHN HANCOCK CENTER 55 East Erie Street 179 East Lake Shore Drive | DRAKE TOWER 199 East Lake Shore Drive | THE BREAKERS 209 East Lake Shore Drive 219 East Lake Shore Drive 229 East Lake Shore Drive | THE SHORELAND APARTMENTS 680 North Lake Shore Drive | AMERICAN FURNITURE MART 860/880 North Lake Shore Drive 936 North Lake Shore Drive 999 North Lake Shore Drive | LAKE SHORE APARTMENTS 1040 North Lake Shore Drive | THE CARLYLE 1100 North Lake Shore Drive | MARSHALL APARTMENTS 1120 North Lake Shore Drive 1130 North Lake Shore Drive 1200 North Lake Shore Drive | STEWART APARTMENTS 1242 North Lake Shore Drive 1418 North Lake Shore Drive 1420 North Lake Shore Drive 1430 North Lake Shore Drive 1448 North Lake Shore Drive 1500 North Lake Shore Drive 1540 North Lake Shore Drive 2130 North Lincoln Park West 2300 North Lincoln Park West | BELDEN-STRATFORD HOTEL 2342–44 North Lincoln Park West 800 North Michigan Avenue | PARK TOWER 900 North Michigan Avenue 919 North Michigan Avenue | PALMOLIVE BUILDING 940–980 North Michigan Avenue | ONE MAGNIFICANT MILE 30 West Oak Street 180 East Pearson Street | WATER TOWER PLACE 200 East Pearson Street | CAMPBELL APARTMENTS 60–70 East Scott Street 1320 North State Parkway 1530 North State Parkway 1550 North State Parkway 1244 North Stone Street 220 East Walton Place | CASTELLANE APARTMENTS 232 East Walton Place 233 East Walton Place 9 West Walton Place | Nº 9 WALTONNorth Side 2920 North Commonwealth Avenue | COMMONWEALTH TOWERS 325 West Fullerton Parkway 399 West Fullerton Parkway 660–700 West Irving Park Road | THE PATTINGTON 3240 North Lake Shore Drive | SHERIDAN-MELROSE APARTMENTS 3300 North Lake Shore Drive | SHERIDAN-ALDINE APARTMENTS 3314 North Lake Shore Drive | LE GRIFFON 3400 North Lake Shore Drive | HARBOR APARTMENTS 3500 North Lake Shore Drive | CORNELIA APARTMENTS 3750 North Lake Shore Drive 3800 North Lake Shore Drive | SHERIDAN-GRACE APARTMENTS 3920 North Lake Shore Drive | LAKE SHORE TOWERS 2430 North Lakeview Avenue 2440 North Lakeview Avenue 2450 North Lakeview Avenue 2550 North Lakeview Avenue | LINCOLN PARK 2550 2600 North Lakeview Avenue | MARLBOROUGH APARTMENTS 5000 North Marine Drive | THE AQUITANIA 421 West Melrose Street | EDDYSTONE APARTMENTS 320 West Oakdale Avenue 2800 North Pine Grove Avenue | BREWSTER APARTMENTS 3000 North Sheridan Road 3100 North Sheridan Road | BARRY APARTMENTS 5510 North Sheridan Road | THE RENAISSANCE 5555 North Sheridan Road | EDGEWATER BEACH APARTMENTSAcknowledgments Appendix Notes Select Bibliography Index

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Book SynopsisTrade Review"An entertaining and beautifully illustrated stroll through an era."—Rochester Post-Bulletin"It is possible that an old house or building still stands in your neighborhood because Larry Millett influenced someone to save it. The architectural historian’s work catalogs the many architectural treasures Minnesota has lost to the wrecking ball and inspires a preservation movement determined to hang on to the ones we have left. "—MinnPost"Millett has created the definitive book on the midcentury era in Minnesota, including residential, public and commercial designs."—MinnPost"I found Larry Millett's new book Minnesota Modern. . . an engrossing account of our social and cultural past. And a wonderful tour of the enviable midcentury residences around us."—Chris Lee, Midwest Home"Comprehensive and meticulously researched."—Minnesota History"Millett’s book is a combination architectural guidebook and coffee table tome."—Middle West ReviewTable of ContentsContentsPrologue: A New World1. The Modern AgeMidcentury Modern Houses, 1938–1950Benjamin and Gertrude Lippincott HouseGerald and Ruth Buetow HouseDr. Clarence E. and Ruth Arlander House2. Corporations and CommerceMidcentury Modern Houses, 1952–1954S. Pearl and Millicent Elam HouseDr. Harvey Nelson House3. Entertaining on the RoadMidcentury Modern Houses, 1955Donald and Hilda Haarstick HouseJune Halvorson Alworth (later June and Robert Starkey) House4. Architecture of the Public RealmMidcentury Modern Houses, 1956–1957George and Annirene Buck HouseWilliam and Frances Shepherd House5. Modern FaithMidcentury Modern Houses, 1958–1961Alcoa “Care-free” HouseBenjamin Gingold HouseRichard and Dorothy Babcock House6. The Midcentury HomeEpilogue: The Midcentury LegacyAcknowledgmentsNotesIndex

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