Gender studies: women and girls Books

Book Synopsis An incisive history of self-serving white feminists and the inspiring women who’ve continually defied themWomen including Elizabeth Cady Stanton, Margaret Sanger, and Sheryl Sandberg are commonly celebrated as leaders of feminism. Yet they have fought for the few, not the many. As award-winning scholar Kyla Schuller argues, their white feminist politics dispossess the most marginalized to liberate themselves.In The Trouble with White Women, Schuller brings to life the two-hundred-year counter history of Black, Indigenous, Latina, poor, queer, and trans women pushing back against white feminists and uniting to dismantle systemic injustice. These feminist heroes such as Frances Harper, Harriet Jacobs, and Pauli Murray have created an anti-racist feminism for all. But we don’t speak their names and we don’t know their legacies. Unaware of these intersectional leaders, feminists have been led down the same dead-end alleys generation after generation, often working within the structures of racism, capitalism, homophobia, and transphobia rather than against them. Building a more just feminist politics for today requires a reawakening, a return to the movement’s genuine vanguards and visionaries. Their compelling stories, campaigns, and conflicts reveal the true potential of feminist liberation. An Entropy Magazine Best Nonfiction Book of 2020-2021,The Trouble with White Women gives feminists today the tools to fight for the flourishing of all.

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Book SynopsisA collection of original short plays that focus on sexual harassment and assault in Egypt, by debut Egyptian playwrightsThese five original short plays, written by Egyptian students from the American University in Cairo in collaboration with Jillian Campana and Dina Amin, mark the first published plays in Egypt that deal directly with sexual harassment. Sexual crimes are not limited to the workplace or the street—they happen everywhere, from the bedroom to the café, in shops, on modes of transportation, and in businesses, homes, outdoor areas, and educational and religious institutions. They can be perpetrated by a stranger, acquaintance, friend, family member, or loved one and they can encompass many different types of sexual violence, including verbal, non-verbal, physical, or visual violence. This collection breaks social taboos by offering dramatic texts that reflect the reality of survivors of sexual harassment from multiple perspectives—families and couples, bystanders, victims and perpetrators, men and women. Many of the women portrayed in these plays are independent, educated, and well to do, but they are all subjected to varying degrees of sexual harassment and violence. Accompanied with narrative commentary that places the events in context, these plays and the issues they explore seek to challenge dominant perceptions about sexual harassment in the region and to shine light on the power imbalances and disparities that give rise to it. They will be of interest to artists, social science researchers, educators, and anyone interested in the issue of sexual harassment, and collaborative theater processes.Playwrights: Yehia Abdelghan, Marwan Abdelmoneim, Nour El Captan, Passant Faheem, Nour Ibrahim, Noran Morsi, and Omar OmarThe research on which this book is based was awarded the Times Higher Education 2023 MENA Award for Research Project of the Year: Arts, Humanities and Social Sciences. Performances of these plays are royalty free.Trade Review"Tackling such topics as consent, psychological trauma, patriarchal attitudes, and the repercussions of speaking out, five sharply honed, open-ended 10-minute plays . . . . transcending easy labels like 'theatre for social action' and 'theatre in education,' they exist in a category of their own."—Critical Stages/Scènes critiques"The first published plays in Egypt that deal directly with sexual harassment."—Al Ahram"This book is a brilliant engagement with the issue of gender-based violence in the private sphere, one of the most difficult challenges that societies all over the world contend with."— Hoda Elsadda, Cairo University, and co-founder and Chair of the Board of the Women and Memory Forum, from the forewordTable of ContentsForeword: The Problem and the ProjectHoda ElSaddaSexual Harassment in Egypt and Using Theater as a Way ForwardJillian Campana and Dina AminThe Plays and Their IntroductionsIntroductions and dramaturgy by Jillian Campana and Dina AminForget Him by Nour El CaptanSee Me by Nour Ibrahim and Omar OmarThe Report by Noran MorsiWhen We Met by Marwan Abdelmoneim and Passant FaheemWhat Do You Know? by Yehia AbdelghanyBibliography

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Book SynopsisWinner of the Gold Literary Excellence Award from the Institute of Child PsychologyIf you''ve ever felt like you''re the only one struggling with motherhood, this book is for you. Eve Rodsky, New York Times bestselling author of Fair PlayFrom a maternal mental health specialist comes an empowering guide to help reshape your internalized expectations and beliefs around motherhood.Every mom wants to be a good parentbut if you've found yourself burned out and overwhelmed trying to be the perfect mom, you're not alone. We get handed a rulebook of motherhood without realizing it, says Erica Djossa. That rulebook comes with an invisible loada world of mental and physical tasks that keeps us pushing toward perfection while barely being able to breathe. With Releasing the Mother Load, this renowned parenting specialist shares a guide to help you break free from the crushing burden of unrealistic expectations and

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Book SynopsisA new edition of a landmark work on Black women’s intellectual traditions. An astonishing wealth of literary and intellectual work by nineteenth-century Black women is being rediscovered and restored to print in scholarly and popular editions. In Kristin Waters’s and Carol B. Conaway’s landmark edited collection, Black Women’s Intellectual Traditions: Speaking Their Minds, sophisticated commentary on this rich body of work chronicles a powerful and interwoven legacy of activism based in social and political theories that helped shape the history of North America. The book meticulously reclaims this American legacy, providing a collection of critical analyses of the primary sources and their vital traditions. Written by leading scholars, Black Women’s Intellectual Traditions is particularly powerful in its exploration of the pioneering thought and action of the nineteenth-century Black woman lecturer and essayist Maria W. Stewart, abolitionist Sojourner Truth, novelist and poet Frances Ellen Watkins Harper, educator Anna Julia Cooper, newspaper editor Mary Ann Shadd Cary, and activist Ida B. Wells. The distinguished contributors are Hazel V. Carby, Patricia Hill Collins, Karen Baker-Fletcher, Kristin Waters, R. Dianne Bartlow, Carol B. Conaway, Olga Idriss Davis, Vanessa Holford Diana, Evelyn Simien, Janice W. Fernheimer, Michelle N. Garfield, Joy James, Valerie Palmer-Mehta, Carla L. Peterson, Marilyn Richardson, Evelyn M. Simien, Ebony A. Utley, Mary Helen Washington, Melina Abdullah, and Lena Ampadu. The volume will interest scholars and readers of African-American and women’s studies, history, rhetoric, literature, poetry, sociology, political science, and philosophy. This updated edition features a new preface by the editors in the light of new developments in current scholarship. Trade ReviewAwarded * The Letitia Woods Brown Memorial Book Award for Best Anthology, 2007 by the Association of Black Women Historians *Named as one of * Fall 2017 list of fifty recommended books on black feminism *Praise for Previous Edition: "Black Women's Intellectual Traditions challenges us not just to insert black women into feminist histories, but to expand and rework our definitions and histories of feminism and of African American intellectual traditions . . . Black Women's Intellectual Traditions is about the future as well as the past, and about what can be, as well as what has been, done. Its message should resonate with those in the academy and beyond, those explicitly identified as feminists and those who might deny (or be denied) that designation, and women and men of all races who seek to study, teach, and promote the black feminist vision of resistance to injustice." * Journal of American History *Praise for Previous Edition: "Kristen Waters and Carol Conaway's Black Women's Intellectual Traditions: Speaking their Minds is an interpretative examination and reclamation of the intellectual traditions of African American women in North America. This volume is skillfully crafted, prominently displaying black female intellectualism and activism that is centered in a culture of resistance and grounded in traditions born of their lived experiences. This anthology represents a new paradigm for understanding the historical and contemporary intellectual production of African American women . . ." * The Journal of African American History *Praise for Previous Edition: "The reader, whether familiar with the intellectuals and traditions covered in this text or seeking knowledge about them for the first time, is guaranteed to learn something new from this masterful collection of essays." * Signs: Journal of Women in Culture and Society *Praise for Previous Edition: “A remarkable and invaluable anthology... I read with pleasure the splendid analyses of black women’s activism and the thought-provoking interpretations of their textured voices in slave narratives, speeches, religious sermons, letters, and expressive productions.” -- Darlene Clark Hine, Board of Trustees Professor of African American Studies and Professor of History, Northwestern UniversityPraise for Previous Edition: "In one wonderfully rich and comprehensive volume, Waters and Conaway present the foundation of the groundbreaking, but little known, history of black women's early intellectual pursuits." -- A'Lelia Bundles, author, producer, and Chair of the Letitia Woods Brown Memorial Book PrizeTable of ContentsPreface to New EditionAcknowledgmentsIntroduction - Carol B. Conaway and Kristin WatersPART I: MARIA W. STEWART: BLACK FEMINISM IN PUBLIC PLACES1. Maria W. Stewart: America’s First Black Woman Political Writer - Marilyn Richardson2. Maria W. Stewart and the Rhetoric of Black Preaching: Perspectives on Womanism and Black Nationalism - Lena Ampadu3. A Woman Made of Words: The Rhetorical Invention of Maria W. Stewart - Ebony A. Utley4. “No Throw-away Woman”: Maria W. Stewart as a Forerunner of Black Feminist Thought - R. Dianne BartlowPART II: INCIDENTS IN THE LIVES: FREE WOMEN AND SLAVES5. “Hear My Voice, Ye Careless Daughters”: Narratives of Slave and Free Women before Emancipation - Hazel V. Carby6. Literary Societies: The Work of Self-Improvement and Racial Uplift - Michelle N. Garfield7. “A Sign unto This Nation”: Sojourner Truth, History, Orature, and Modernity - Carla L. PetersonPART III: HARPERS, HOPKINS, AND SHADD CARY: WRITING OUR WAY TO FREEDOM8. Narrative Patternings of Resistance in Frances E. W. Harper’s Iola Leroy and Pauline Hopkins’ Contending Forces - Vanessa Holford Diana9. “We Are All Bound Up Together”: Frances Harper and Feminist Theory - Valerie Palmer-Mehta10. Mary Ann Shadd Cary: A Visionary of the Black Press - Carol B. ConawayPART IV: ANNA JULIA COOPER: A VOICE11. Anna Julia Cooper: A Voice from the South - Mary Helen Washington12. A Singing Something: Womanist Reflections on Anna Julia Cooper - Karen Baker-Fletcher13. Arguing from Difference: Cooper, Emerson, Guizot, and a More Harmonious America - Janice W. FernheimerPART V: LEADERSHIP, ACTIVISM, AND THE GENIUS OF IDA B. WELLS14. “I Rose and Found My Voice”: Claiming “Voice” in the Rhetoric of Ida B. Wells - Olga Idriss Davis15. The Emergence of a Black Feminist Leadership Model: African-American Women and Political Activism in the Nineteenth Century - Melina Abdullah16. Shadowboxing: Liberation Limbos—Ida B. Wells - Joy JamesPART VI: BLACK FEMINIST THEORY: FROM THE NINETEENTH CENTURY TO THE TWENTY-FIRST17. Some Core Themes of Nineteenth-Century Black Feminism - Kristin Waters18. The Politics of Black Feminist Thought - Patricia Hill Collins19. Black Feminist Theory: Charting a Course for Black Women’s Studies in Political Science - Evelyn M. SimienSelected BibliographyNotes on ContributorsIndex

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Book SynopsisIn Leaning Out, respected journalist Kristine Ziwica maps a decade of stasis on the gender equality front in Australia, and why the pandemic has led to a breakthrough. As the historic 2020 Women's March attests, a generation of younger women are speaking truth to power and changing the way we think of women in the workplace. This is the third book in The Crikey Read series from Crikey and Hardie Grant Books. For ten years Australian women have been sold a dazzling promise: through sheer ’will’ and individual self-empowerment they could overcome decades of gender inequality in the workplace. The hard, structural work didn’t need to be done; all the solutions could be individual. Yet leaning in, power-posing and speaking up (and being spoken over) at the boardroom table have made very little difference for the great majority of women, still underpaid and overworked compared to their male colleagues. The COVID-19 pandemic has shockingly revealed the fragile foundations of women’s working lives. It's also given us a rare opportunity for a reimagining. But Australian women are still being told to ‘Lean In’ at precisely the moment when so many are ‘leaning out’. With the majority of all jobs lost in the pandemic being held by women, and successive governments unable or unwilling to address the ‘gender issue’, we are at crisis point. Leaning Out is a manifesto for what we can – and should – do with this moment. From Crikey and Hardie Grant Books, The Crikey Read is a series that brings an unflinching and truly independent eye to the issues of the day in Australia and the world.

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Book SynopsisWe are not OK...I've been fortunate enough to meet many remarkable people over the last decade of making documentaries - sometimes in incredibly hostile environments, where they've been really up against it - and I've seen the devastating effect that poverty, trauma, violence, abuse, stigma, stress, prejudice and discrimination can have on people's mental health. It has always been the common thread.Every week, 1 in 10 young people in the UK experiences symptoms of a common mental health problem, such as anxiety or depression, and 1 in 5 have considered taking their own life at some point. In this book, Stacey Dooley opens up the conversation about mental health in young people, to challenge the stigma and stereotypes around it.Working in collaboration with mental health experts and charities, Stacey talks to young people across the UK directly affected by mental health issues, and helps tell their stories responsibly, in order to shine a light on life on the mental health frontline and give a voice to young people throughout the UK who are living with mental health conditions across the spectrum.As well as hearing about their experiences directly, Stacey speaks to medical experts, counsellors, campaigners and health practitioners who can give detailed insights into the conditions profiled and explore the environmental factors that play a part - including poverty, addiction, identity, pressures of social media and the impact of Covid-19.

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Book Synopsis'Deeply moving... This is a beautiful book.' TLS______________________________Katharine Smyth was a student at Oxford University when she first read Virginia Woolf's modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death, she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Braiding memoir, literary criticism and biography, Smyth's story explores universal questions about family, loss and homecoming. Through her inventive, highly personal reading of To the Lighthouse, Smyth guides us towards a new vision of Woolf's most demanding and rewarding novel. All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author.'Beautifully written... a gift to readers drawn to big questions about time, memory, mortality, love and grief' Wall Street JournalTrade ReviewBeautifully written... a gift to readers drawn to big questions about time, memory, mortality, love and grief... you'd be hard put to find a more moving appreciation of Woolf's work. * Wall Street Journal *This is a transcendent book, not a simple meditation on one woman's loss, but a reflection on all of our losses, on loss itself, on how to remember and commemorate our dead. * Washington Post *Deeply moving... This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art. -- Joanna Kavenna * TLS *Smyth is an elegant writer and she explores her deep, complicated love for her father in lyrical yet restrained prose. * Literary Review *All the Lives We Ever Lived is both a haunting attempt to come to terms with loss and an honest appraisal of the ways in which a person can become unmoored. Acutely observed and shot through with a furious beauty, it is a book that lingers long after the final page has been turned. * The i *Raw and moving... Smyth is an elegant and powerful writer, her sentences suffused with attention to detail and rich with self-interrogation. * Prospect *This searching memoir pays homage to To the Lighthouse, while recounting the author's fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer... evocative and incisive. * New Yorker *Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life. * TIME *All the Lives We Ever Lived is both a reflection on To the Lighthouse and a lingeringly beautiful elegy in its own right. * Los Angeles Review of Books *[Smyth's] prose is so fluid and clear throughout that it's not surprising to observe her view of her family, its cracks and fissures, sharpen into unsparing focus... Her exploration of grown-up love, the kind that accounts for who the loved one actually is, not who you want him or her to be, gains power and grace as her story unfolds. I suspect her book could itself become solace for people navigating their way through the complexities of grief for their fallen idols. And they will be lucky to have it. -- Radhika Jones * New York Times Book Review *Like H Is for Hawk, Smyth's book is a memoir that's not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father's vivid life and sad demise due to alcoholism and cancer....an experiment in 21st-century introspection that feels rooted in a modernist tradition and bracingly fresh. * Vogue *A critical and reflective delight... elegant and thorough and in several places stunning... All The Lives We Ever Lived reads at least in part as a steadfast refusal to countenance a pessimistic approach to life, insisting that even when the case seems desperate, one might find sufficiency in a moment. * Review 31 *A conceptually ambitious and assured debut... a close reading of that novel from the perspective of an obsessed reader who is both coming-of-age and coming to terms... A work of incisive observation and analysis, [with] exquisite writing. * Kirkus Reviews (Starred Review) *Brilliant... All the Lives is a memoir, yes, but also part biography, part lit crit, part adulation - the story of the emotional turmoil of her father's alcoholism, cancer diagnosis, and eventual death, organized as a paean to a British novel written in the 1920s... Smyth reaffirms the value of novels as existential guideposts.... beautiful. * Vulture *This gorgeous, moving book gracefully moves between memoir and literary criticism... Smyth's writing possesses a unique ability to wend its way into your head, traveling into all the darkest corners of your mind, triggering thoughts on love and loss and family and memory you hadn't known were lurking; it's a profound experience, reading this book - one not to be missed. * Nylon *I loved All the Lives We Ever Lived: its structural inventiveness, its fluid and lyrically beautiful writing - some lines made me gasp - and its often astonishing wisdom. But above all, this is a smart, moving portrait of a family in crisis; Smyth weaves literary criticism and biography into nearly every page, but she never strays from the deepest concerns of the human heart. -- Jamie Quatro, author of Fire Sermon and I Want to Show You MoreAll the Lives We Ever Lived is a work of vivid intelligence-a sharp love letter to the reading and relationships that shape us, and an ingenious reply to the questions Woolf asked her readers to answer for themselves. -- Nell Stevens, author of Bleaker House and Mrs Gaskell and MeIn her brilliant debut, Katharine Smyth has done the impossible - invented a new form for the overworked genre of memoir, weaving Virginia Woolf's To the Lighthouse into her personal story as she absorbs the meaning of her beloved father's long illness and early death. Her prose is luxuriant and supple, but never sentimental, and her piercing insights into the dynamics of the nuclear family often profound. -- Michael Scammell, author of Koestler and Solzhenitsyn

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Book SynopsisAn illustrated compendium of kickass women in sport, from around the world and throughout history, including legends like Billie Jean King and modern-day superstars like Simone Biles and Dina Asher-Smith. The perfect book to inspire any sports fan. Meet your new superheroesDiscover the fascinating stories behind 38 iconic and internationally renowned women in sport, all of them record-breakers, trailblazers and game-changers. Whether from the world of soccer, tennis, gymnastics, swimming, boxing or skiing, every one of these women has been a ground-breaker in her field. It's time these individuals took centre stage and had their achievements celebrated the world over.Be empowered and inspired by their extraordinary stories, their awesome achievements and their wonder-words of wisdom with this pocketbook of remarkable women from across the globe and throughout history. Among others, you will learn about the incredible lives and achievements of:- Simone Biles- Serena Williams- Dina Asher-Smith- Rachael Heyhoe Flint- Jessica Ennis-Hill- Nicola Adams- Danica Patrick- Paula Radcliffe- Michelle Kwan- Megan Rapinoe- Ellen MacArthur- Ibtihaj Muhammad- Ronda RouseyEach inspiring profile also features a bespoke illustration.

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Book SynopsisAn updated edition of the Sunday Times Bestseller Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. A year on since the advent of #metoo, Beard looks at how the discussions have moved on during this time, and how that intersects with issues of rape and consent, and the stories men tell themselves to support their actions. In trademark Beardian style, using examples ancient and modern, Beard argues, 'it's time for change - and now!' From the author of international bestseller SPQR: A History of Ancient Rome.Trade ReviewA modern feminist classic -- Rachel Cooke * Observer *With clearsightedness and wry humour, this self-described 'gobby woman' proves public speech is no longer the preserve of maleness. More power to her. -- Laura Garmeson * FT *... exposes the roots of today's expectations of how a woman should behave ... time for a change, she argues - and now! -- Jenni Murray * Guardian *This book is a treasure, both as a fascinating read in itself and as a fine work of reference to correct our lazy misconceptions about an ancient world that still has much to instruct us today * Herald *An urgent feminist cri de coeur, spot-on in its utterly reasonable plea that a woman 'who dares to open her mouth in public' actually be given a hearing. * Kirkus Reviews *Brilliant -- Jacqueline Rose * Guardian *Enlightening ... explains how misogyny works and why it is so resilient -- Elif Shafak * Guardian *A sparkling and forceful manifesto * New York Times *Clear, rich, subversive and witty * San Francisco Chronicle *An irresistible call for women to speak up, act and redefine their power * People Magazine *Praise for Mary Beard: 'She's pulled off that rare trick of becoming a don with a high media profile who hasn't sold out, who is absolutely respected by the academy for her scholarship ... what she says is always powerful and interesting * Guardian *An irrepressible enthusiast with a refreshing disregard for convention * FT *With such a champion as Beard to debunk and popularise, the future of the study of classics is assured * Daily Telegraph *Dynamically, wittily and authoritatively brings the ancient world to life -- Simon Sebag MontefiorePraise for SPQR: Fast-moving, exciting, psychologically acute, warmly sceptical - Bryan Appleyard -- Bryan Appleyard * Sunday Times *Vastly engaging ... a tremendously enjoyable and scholarly read -- Natalie Haynes * Observer *Sustaining the energy that such a topic demands for more than 600 pages, while providing a coherent answer to the question of why Rome expanded so spectacularly, is hugely ambitious. Beard succeeds triumphantly ... full of insights and delights ... SPQR is consistently enlivened by Beard's eye for detail and her excellent sense of humour. * Sunday Times *Masterful ... This is exemplary popular history, engaging but never dumbed down, providing both the grand sweep and the intimate details that bring the distant past vividly to life * Economist *Ground-breaking ... invigorating ... revolutionary ... a whole new approach to ancient history -- Thomas Hodgkinson * Spectator *Selected as one of the 100 best books of the 21st century: An instant feminist classic * The Guardian *

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Book SynopsisThroughout written history and across the world, women have protested the restrictions of gender and the limitations placed on women's bodies and women's lives. People-of any and no gender-have protested and theorized, penned manifestos and written poetry and songs, testified and lobbied, gone on strike and fomented revolution, quietly demanded that there is an "I" and loudly proclaimed that there is a "we." The Book of Feminism chronicles this history of defiance and tracks it around the world as it develops into a multivocal and unabashed force.Global in scope, The Book of Feminism shows the breadth of feminist protest and of feminist thinking, moving through the female poets of China's Tang Dynasty to accounts of indigenous women in the Caribbean resisting Columbus's expedition, British suffragists militating for the vote to the revolutionary petroleuses of the 1848 Paris Commune, the first century Trung sisters who fought for the independence of Nam Viet to women in 1980s Botswana fighting for equal protection under the law, from the erotica of the 6th century and the 19th century to radical queer politics in the 20th and 21st.The Book of Feminism is a weapon, a force, a lyrical cry, and an ongoing threat to misogyny everywhere.Trade ReviewA perfect bedside book for feminists. A commonplace book that is anything but commonplace. -- Alix Kates Shulman

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Book SynopsisFeaturing wonderful affirmations and wisdom from brilliant women from all over the world, this funny and wise book will strike a chord with many women. It is a true celebration of the benefits that come with age.True wisdom comes with age, the saying goes. Of course it does – and this book proves it.Older, Wiser, Fiercer is a celebration of something that only women in their later decades know: how glorious, satisfying and FUN getting older can be. We’ve travelled a way down the path of life and we have picked up much experience along the way. Whatever it is, we’ve been there, rolled our eyes and moved on. We know who we are and we’ve realized that we like ourselves, for all our faults (hell, because of all our faults!).Full of funny affirmations, tongue-in-cheek mantras and sage advice from trailblazing older women, from film stars to musicians, writers to politicians, this book will make you laugh out loud and nod in recognition. You’ll find reflections such as:‘Never let anyone waste your time twice.’‘If it involves fake smiling, then I’m not going.’‘Tact means the ability to tell someone to go to hell in such a way that they look forward to the journey.’‘It’s OK if someone doesn’t like you. Many people have terrible taste.’The young can keep their collagen and their self-doubt. Being older, wiser and fiercer is where it’s at.

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Book Synopsis'You can reinvent yourself, you can change, you can grow, you can regress, you can be any number of things at any particular time. Please give yourself permission to do that, and be equally as open-minded to others who choose to do the same. Because perhaps, with just a little more compassion and acceptance, we won't need to fit in to feel that we belong.'Camilla Thurlow came second on Love Island in 2017. More recently, she impressed viewers in Celebrity SAS: Who Dares Wins. But that's not the most interesting part . . .Camilla can do something that none of her fellow contestants can do: find, neutralise and destroy the landmines that threaten the lives and livelihoods of so many people in the world's former war zones, and which make their land too dangerous to be worked.This is at once a memoir of an extraordinary life, and a script for living one's life to the full. Camilla Thurlow is a highly independent woman whose thoughts and experience will resonate with anyone seeking meaning in a world where women are too often discounted, or who frequently feel alienated amid the frenzy of contemporary life.This is a book about courage - not just the courage to go out and deal with a lethal threat in some of the world's most dangerous and inhospitable places, but the courage to confront one's own fears and anxieties, and to be oneself in what too often seems an inhospitable world.Not the Type will inspire a whole generation to dare the seemingly impossible. Although often an engaging reflection on life, landmines and Love Island, this is also a book about learning to confront one's own anxieties in a world dominated by celebrity culture and social media - and on being a woman in what is still too often a man's world.

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Book Synopsis'You can reinvent yourself, you can change, you can grow, you can regress, you can be any number of things at any particular time. Please give yourself permission to do that, and be equally as open-minded to others who choose to do the same. Because perhaps, with just a little more compassion and acceptance, we won't need to fit in to feel that we belong.'Camilla Thurlow came second on Love Island in 2017. More recently, she impressed viewers in Celebrity SAS: Who Dares Wins. But that's not the most interesting part . . .Camilla can do something that none of her fellow contestants can do: find, neutralise and destroy the landmines that threaten the lives and livelihoods of so many people in the world's former war zones, and which make their land too dangerous to be worked.This is at once a memoir of an extraordinary life, and a script for living one's life to the full. Camilla Thurlow is a highly independent woman whose thoughts and experience will resonate with anyone seeking meaning in a world where women are too often discounted, or who frequently feel alienated amid the frenzy of contemporary life.This is a book about courage - not just the courage to go out and deal with a lethal threat in some of the world's most dangerous and inhospitable places, but the courage to confront one's own fears and anxieties, and to be oneself in what too often seems an inhospitable world.Not the Type will inspire a whole generation to dare the seemingly impossible. Although often an engaging reflection on life, landmines and Love Island, this is also a book about learning to confront one's own anxieties in a world dominated by celebrity culture and social media - and on being a woman in what is still too often a man's world.Trade ReviewYour teenage daughter could do much worse than look up to Camilla Thurlow * Sunday Times *

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Book SynopsisFrom classical Greece to Roe v. Wade, a long-overdue history of abortion.

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Book SynopsisSince the dawn of humanity, women have changed the world as leaders, warriors, athletes, innovators, reformers, advocates, activists, and scholars. They have ruled empires, traversed the skies, fronted political and social movements, produced prolific literature, art, and music, and pioneered ground-breaking inventions and discoveries. This wonderfully illustrated full-color hardback explores the history of women through many different cultural systems and historical eras - from First Nation women resisting gender-based violence to queer feminism - shining a light on the influential role that women have played in challenging and resisting gender stereotypes and inequalities through creative strategies. Julia Morris tells how the story of women''s history, identity, and influence is a record of dynamism, brilliant creativity, and determination where women of all backgrounds have dreamt big and broken barriers. Featuring figures such as Cleopatra, Sirimavo Bandaranaike, Katherine Johnson, Mary Wollstonecraft, Toni Morrison, Ruth Bader Ginsburg, and many more, this book explores the triumphs and challenges evident in the amazing achievements and legacies of these heroes past and present provides the foundations for the modern heroes of today. Illustrated with hundreds of fascinating contemporary artworks, illustrations and photographs, this reference guide is an inspiring study of women across history and their battle for equality.

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Book SynopsisFrom commoner to queen, the women in this book embraced the freedom and the power of the Gospel in making their unique contributions to the unfolding of history. Wherever possible, the women here speak for themselves, from their letters, diaries or published works. The true story of women in Christian history inspires, challenges and demonstrates the grace of God producing much fruit throughout time.Trade Review"Feminine Threads is a must-read for men and women alike, but especially so for young women who need to have a clear view of the contributions that women before them have made to the Christian faith." -- Carolyn McCulley (Conference Speaker and Author of Radical Womanhood: Feminine Faith in a Feminist World)"I highly recommend Feminine Threads by Diana Severance. It is a comprehensive study of a variety of Christian women, slaves to Queens, from New Testament times to the present day. The way in which the author incorporates eyewitness accounts, letters, and diaries are both an encouragement to read as well as convicting. Another aspect of this book, which I found very revealing, is the response of each generation of women to the word of God. This is not a "light read", but a book that I think should be in every Christian woman's library." -- Dr. and Mrs G. K. BealeA true historian, Diana Severance brings to life the times of the women she introduces us to with relevant nackground and cultural allusions. -- The Evangelical Magazine"Well researched and well written, this study of "feminine threads" in Christian history makes for a tapestry of inspiration and instruction for all who love the Lord and his church - men and women alike." -- Timothy George"What women these Christians have!" exclaimed Libanius, the fourth century teacher of rhetoric. His words are amply underscored and vividly illustrated in this deeply researched and highly readable survey of the last 2,000 years - an appraisal that Diana Severance invariably places against the enduring touchstone of Scripture." -- Richard Bewes"No-one reading this book can fail to be encouraged by the faith of these ordinary women who, in their own generation, humbly trusted the Word of God and lived to serve the Lord of whom it speaks." -- Carrie Sandom"I recommend every woman read and study and keep within reach for reference and inspiration!" -- Dorothy K. Patterson"What a gift to God's people is this remarkable tracing of the rich trail of women used by God to build his church! Severance's comprehensive scope and measured but warm scholarly voice put many of today's more clamoring voices in illuminating perspective. With excellence and careful documentation, Dr. Severance lights up a procession of women who in God's providence helped bring us to this point in history. Reading this book, we not only relish the voices and stories Severance brings to life; we also gain a hugely important understanding of an expansive heritage of women grounded in God's Word and serving God's redemptive purposes throughout human history." -- Kathleen B. Nielson"a record packed with spiritual insights and one that is both timely and significant." -- Faith Cook... it is doubtful that there is another volume that so clearly, concisely, and comprehensively describes the contributions of women throughout church history. -- The Master's Seminary Journal "Fascinating book for bible college students and Christian women of all ages." -- Evangelicals Now"From Blandina and Perpetua all the way to Edith Schaeffer and Joni Eareckson Tada, this book spans the history of the church, showing how godly women have contributed to the Christian faith." -- Tim Challies"with lively prose and scholarly care she has given us an excellent overview of the various ways in which Christian women have sought to live for Christ." -- Michael A. G. Haykin

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Book SynopsisOn September 27, 1986, pilot Theresa Bond and five passengers took off on a routine flight from Atlin, BC, in her beloved de Havilland Beaver. The Taku Air passenger list that day included local politician Al Passarell, his wife, and three of Atlin''s most prominent citizensincluding larger-than-life Atlin Inn owner Joe Florence. After an uneventful eighty minutes, the plane crossed the edge of Dease Lake, turned south and descended for landing. But something went tragically wrong in those last few minutes of Flight 2653. According to eyewitnesses the Beaver nosedived into the lake at full cruising speed. As the plane sank into the icy depths of the lake, only pilot Theresa Bond managed to escape. All five passengers drowned. The small town of Atlin was torn apart by the tragedy. Years of endless hearings and inquiries supplied few answers, only fueling the sorrow and anger of grieving family and friends. In time the furor surrounding the inquest dissipated, but for Theresa Bond, the flames of her own private hell continued to consume her. Unable to live with the guilt and loss she had caused the families of her passengers, Bond plummeted into despair. Atlin''s Anguish is a brother''s dedicated and loving journey to understanding what happened that day on Dease Lake. Was it simply a lack of experience that caused Bond to lose control at such a crucial moment, or were there other circumstances that led to the crash of Flight 2653?

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiarTable of ContentsWays in to the Text Who are Sandra Gilbert and Susan Gubar? What does The Madwoman in the Attic Say? Why does The Madwoman in the Attic Matter? Section 1: Influences Module 1: The Author and the Historical Context Module 2: Academic Context Module 3: The Problem Module 4: The Author's Contribution Section 2: Ideas Module 5: Main Ideas Module 6: Secondary Ideas Module 7: Achievement Module 8: Place in the Author's Work Section 3: Impact Module 9: The First Responses Module 10: The Evolving Debate Module 11: Impact and Influence Today Module 12: Where Next? Glossary of Terms People Mentioned in the Text Works Cited

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Book SynopsisIn October 1928 Virginia Woolf was asked to deliver speeches at Newnham and Girton Colleges on the subject of 'Women and Fiction'; she spoke about her conviction that 'a woman must have money and a room of her own if she is to write fiction'. The following year, the two speeches were published as A Room of One's Own, and became one of the foremost feminist texts. Knitted into a polished argument are several threads of great importance - women and learning, writing and poverty - which helped to establish much of feminist thought on the importance of education and money for women's independence. In the same breath, Woolf brushes aside critics and sends out a call for solidarity and independence - a call which sent ripples well into the next century.Trade Review'Brilliant interweaving of personal experience, imaginative musing and political clarity' (Kate Mosse, The Guardian) 'Probably the most influential piece of non-fictional writing by a woman in this century.' (Hermione Lee, The Financial Times)Table of ContentsA Room of One's Own, Note on the Text, Notes, Extra Material: A Brief Introduction to Virginia Woolf, More Information about Virginia Woolf, Background Information about A Room of One's Own, Critical Reaction to A Room of One's Own

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Book SynopsisThese women changed art forever - told in colourful graphic novel form, this is the story of four pioneers of feminist art: Judy Chicago, Faith Ringold, Ana Mendieta, and the Guerilla Girls.Each made their mark in their own powerful way. Judy Chicago made us reassess the female body, Faith Ringold taught us that feminism is for everyone, Ana Mendieta was a martyr to violence against women, while the Guerilla Girls have taken the fight to the male-dominated museum. This graphic novel tells each of their stories in a unique style.

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Book SynopsisA lively, sharp and thought-provoking exploration of the enduring stereotype of the dangerous single woman in popular culture. From the obsessive 'bunny boiler' of Fatal Attraction to the tabloid frenzy over Taylor Swift's relationship status, Caroline Young explores how single women have so often been portrayed as unstable, dangerous, or incomplete. Blending cultural criticism with her own personal experience, Young examines how these stereotypes have been shaped by broader social trends, including the antifeminist backlash of the 1980s and the current renaissance of the trad-wife'. Through her analysis of books, movies, and TV shows, she reveals how these narratives reflect deeper anxieties about women's independence. Engaging, witty, fun and feminist, Single and Psycho is a timely critique of how society views single women and a celebration of their complexity and resilience.

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Book Synopsis2018 Choice Outstanding Academic TitleRebecca Harding Davis is best known for her gritty short story ""Life in the Iron-Mills,"" set in her native Wheeling, West Virginia. Far less is known of her later career among elite social circles in Philadelphia, New York, and Europe, or her relationships with American presidents and leading international figures in the worlds of literature and the stage. In the first book-length biography of Davis, Sharon M. Harris traces the extraordinary life of this pioneering realist and recovers her status as one of America's notable women journalists. Harris also examines Rebecca's role as the leading member of the Davis family, a unique and nationally recognized family of writers that shaped the changing culture of later nineteenth-century literature and journalism. This accessible treatment of Davis's life, based on deep research in archival sources, provides new perspective on topics ranging from sectional tensions in the border South to the gendered world of nineteenth-century publishing. It promises to be the authoritative treatment of an important figure in the literary history of West Virginia and the wider world.Trade ReviewRemarkable."" - Los Angeles Review of Books""Masterful."" - Choice""An important and exciting biography of a major literary figure. Harris's detective work fills many gaps in Davis's life and work, and her book should appeal to readers interested in nineteenth-century literature, American women writers, and the history of print culture and the book."" - Alicia Mischa Renfroe, Middle Tennessee State University""A welcome addition to Davis scholarship. Harris's depth of research is extraordinary, providing new material for those wishing to advance the study of Davis's work."" - Robin L. Cadwallader, St. Francis University of Pennsylvania

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Book SynopsisThe contributions collected here discuss the emergence, transfer and transformations of theoretical and practical gynaecologic knowledge in ancient medical and other traditions. The authors investigate the cultural practices and socio-religious norms that enabled and constrained the production and application of gynaecologic knowledge and know-how - for example, concepts of the female body, ritual im/purity, or myth. Some studies focus more on the role and function of female patients and medical specialists - female doctors, healers, midwives or wet-nurses - as objects and subjects within ancient medical discourses.The interdisciplinary nature of the studies provides ample opportunity for a comparative exploration of female bodies and medical expertise on them across the geographically diverse but culturally often closely entangled Ancient Mesopotamian, Egyptian, Graeco-Roman, Persian, Byzantine, early Christian, Jewish-Talmudic, and Syriac cultures. Similarities and differences can be discerned in the various realms - ranging from the adoption of medical terminology or development of loanwords/calques, and the transfer and appropriation of certain gynaecologic theories, metaphors and concepts to more structural questions about the discursive representation of such knowledge and its (con)textual incorporation.The volume aims to help stimulate a fruitful interdisciplinary and trans-generational exchange about the topic, drawing on a wide range of methodological and theoretical tools, including philology, linguistics, narratology/close reading, literary and discursive analysis, material culture, socio-historical perspectives, gender studies, or cultural and religious history.

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Book SynopsisThe prose fiction of Penelope Aubin offers a delightful and provocative challenge to many of our standard ways of thinking about both the 'rise of the novel' and early women writers. Aubin's fast-paced narratives highlight the persistence and vitality of romance as a form of storytelling and the centrality of teenaged girls to tales that extend far beyond the domestic and amatory modes with which they have traditionally been associated. Aubin's resourceful heroines and the often spectacular violence they engage in in order to defend their lives and bodily integrity allow us a more expansive and exciting view of early-eighteenth-century fiction than the current classroom canon often permits. In narratives spanning the globe and featuring pirates, North African corsairs, Jacobites, shipwrecks, and seraglios, Aubin delivers fiction with roots that go back to antiquity and commitments that feel far more modern than most other texts from the period.Supplementary materials include selections from Aubin's other work in which she reflects upon her craft and the two documents most responsible for the posthumous distortion of her reputation.Trade ReviewJust try to read this Broadview Edition of Penelope Aubin's fiction without pumping your fist in the air. Aubin's work is ripe for revisiting, and David Brewer's sharp and accessible introduction will make her texts newly available to readers. He gives us a fresh look at Aubin, highlighting her theory of fiction and her embrace of kick-ass teenage girls. His judicious and accessible annotations provide students with important historical context and help with tricky vocabulary. I look forward to teaching this edition to majors and non-majors alike." - Stephanie Insley Hershinow, Baruch College, City University of New York"It's a delight to have two of Penelope Aubin's extravagant and wondrous works available in such a superb and useful edition. Though neglected and even despised by literary historians of the novel, Aubin's fictions are compelling examples of the important and immensely popular river of adventure stories that flowed throughout early modern Europe. David Brewer's excellent introduction and well-curated supporting documents will help students and scholars reassess Aubin's supposedly 'bad' novels within a broader, more expansive global history of 'badass' fiction." - Scott Black, University of Utah"Penelope Aubin's wild, violent, thoroughly unembarrassed writing is one of the great hidden treasures of eighteenth-century literature. David Brewer has prepared a wonderfully clear-eyed and informative edition of two of her most teachable works. Aubin, who led a life touched by merchants, dissolute noblemen, and the occasional pirate, was so threatening to the establishment that a literary rival tried to proclaim she was dead years before her time. Her reputation suffered, however, when she was declared preemptively virtuous, thereby depriving generations of readers of her irreverent pleasures. This welcome edition goes a long way towards setting things right." - Manushag Powell, Purdue UniversityTable of ContentsAcknowledgementsIntroductionPenelope Aubin: A Brief ChronologyA Note on the Texts A Note on MoneyThe Life of Madam de BeaumountThe Life of Charlotta Du PontAppendix A: Aubin Theorizing Her Own Work From Penelope Aubin, The Strange Adventures of the Count de Vinevil and His Family (1721) From Penelope Aubin, The Noble Slaves (1722) From Penelope Aubin, The Life and Adventures of the Lady Lucy (1726) From Penelope Aubin, The Illustrious French Lovers (1727), translation of Robert Challes, Les Illustres Françoises (1713) From Penelope Aubin, The Life and Adventures of the Young Count Albertus (1728) From Penelope Aubin, The Life of the Countess de Gondez (1729), translation of Marguerite de Lussan, Histoire de la comtesse de Gondez (1725) Appendix B: Reshaping Aubin’s Reputation 1. From Antoine François Prévost d’Exiles, Le Pour et contre (27 September 1734) 2. From Penelope Aubin, A Collection of Entertaining Histories and Novels (1739) Works Cited and Select Bibliography

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Book SynopsisTrade Review"Luna (a.k.a. the Hoodwitch) is a badass witch. . . . Intense, original collage and photographic art throughout underscores the book’s messaging. . . . Luna’s supportive concepts, cultural inclusiveness, frank talk, and unique spells should appeal to readers looking for feminist, representational, badass witchcraft." — Library Journal (starred review) "[A] sumptuous tapestry of magic spells and memories." — Los Angeles Times

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Book SynopsisFascinating and vivid. New StatesmanThoroughly researched. The SpectatorIntriguing. BBC History MagazineVividly told. BBC History RevealedA timely warning against persecution. Morning StarAstute and thoughtful. History TodayAn important work. All About HistoryWell-researched. The TabletOn the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatreTrade ReviewCallow’s intriguing book is both a case study of the Bideford witch trail and an examination of how superstition prevailed in a time of increasing rationality… Callow’s fascinating and vivid unpicking of the English Salem is also an account of the birth pangs of the modern age. -- Michael Prodger * New Statesman *Callow examines in detail the surviving evidence of the Bideford case, while also imaginatively reconstructing events to create a convincing picture of how superstition and belief in sorcery lay just beneath the surface of a mercantile society struggling to be born. -- Nigel Jones * The Spectator *One 17th-century pamphlet about the Bideford trial promised "many Wonderful Things, worth your Reading"; a line that could justifiably be slapped across the cover of [The Last Witches of England]. -- Tristram Saunders * The Telegraph Culture *A retelling of a 17th-century witchcraft trial that never loses sight of the women at its heart, nor the social and economic factors that contributed to their plight… There is no plain explanation for the witchcraft accusations of 1682, but then acts of evil never have a simple origin. The Last Witches of England faces that fact and marshals an intriguing story around new research on the case. -- Marion Gibson * BBC History Magazine *Carrow meticulously explores the haunting tale of the Bideford witches. -- Suzannah Lipscomb * UnHerd *An elegantly presented, well illustrated and readable book on how class conflict played out through witch hunting… A timely warning against persecution and intolerance. * The Morning Star *In The Last Witches of England John Callow painstakingly reconstructs the lines of three beggar women accused of witchcraft in Bideford, Devon in 1632 by trawling administrate records, parish registers and dole lists. It is a remarkable piece of scholarship…astute and thoughtful. * History Today *Vividly told, detailed and extremely moving. * BBC History Revealed *The Last Witches of England is an important work of social history that presents valuable insights into the workings of life, death, and belief in a cosmopolitan 17th-century town. * All About History *A well-researched and even-handed account of this landmark case, giving pen portraits of all the major players, and providing a comprehensive picture of life in seventeenth-century Britain. -- Chris Nancollas * The Tablet *[Written] with flair and colour… Excellent local studies such as [this] bring[s] us closer to understanding the reality of witchcraft beliefs and accusations in the early modern English world than we have ever seen before. -- Ronald Hutton * Fortean Times *I rarely feel deeply moved by academic publications but John Callow’s exploration of the ‘Bideford Witches’ had a profound effect on me… Callow’s work invites the reader to bear witness to the persecution of the poor and the marginalised… Callow’s work adds considerable weight to a strong moral argument. -- Julie Ward * Chartist *This riveting read is important albeit uncomfortable. In this book, Callow has allowed readers to look at their shared past unflinchingly so that we may go into a less tragic future. -- Hilary Wilson * The Folklore Podcast *A marvellous overview of not only the fate of three women but also of Bideford which was an important port in the 17th Century... with an in depth study of the social and political conditions surrounding the fate of ‘The last witches’ is extremely valuable for those who are interested in the historical background to Wicca, but also for understanding the recent interest in Witchcraft as a political tool. * Wiccan Rede *The Last Witches of England: A Tragedy of Sorcery and Superstition offers a thoroughly engaging account of the lives and afterlives of Temperance Lloyd, Susanna Edwards, and Mary Trembles, three women who were executed for witchcraft in 1682. It is a well-told narrative that will be of interest to scholars of witchcraft, as well as those working more broadly in early modern British social history * Canadian Journal of History / Annales Canadiennes d'Histoire *[Callow] brings to the Bideford episode a nuanced sense of how witches’ supposed powers were understood and experienced at different levels of early modern society. * Inside Higher Ed *The Bideford witches' story is an essential piece in England's witchcraft history. Callow has researched it properly and deeply for the first time, and his astonishing discoveries shed new light on this tragic and bizarre story. He draws the reader into the story, retelling it with vibrant characterisation. We come away with a thoughtful understanding of what it meant to be deemed a witch, tried as a witch, and to die as a witch. -- Dr. Christina Oakley Harrington, Founder & Director, Treadwell's, UKI read the book with considerable interest and enjoyment - others have written on the Bideford witches, but not in this sort of depth. John Callow has been remarkably successful in reconstructing the story of the three 'Bideford Witches' executed in 1682. He maintains an imaginative and accessible narrative grounded in the relevant documentation and the relevant historical context, which will immerse the modern reader in the tragedies and complexities of the early modern witch hunts. -- James Sharpe, Professor Emeritus of Early Modern History, University of York, UKThis is a stirring and multilayered book. At its heart is a very sad story, but one that needs to be heard. The cautionary tale Callow spins here is not the war between superstition and reason, but in the ways in which we have historically vilified and marginalized those in poverty, especially women, and the lengths we go to in silencing their voices. -- Dr Amy Hale, Anthropologist and Folklorist, writer of Ithell Colquhoun: Genius of the Fern Loved Gully, USAWith 17th Century culture wars, conspiracy theories and non-science, it wasn’t just the people who spread deadly superstition. Political, religious, media, scientific and even legal establishments literally demonised vulnerable women. John Callow’s meticulous and gripping history of the Bideford Witches is unputdownable. -- Baroness Shami Chakrabarti, Politician, Barrister and Human Rights Activist, UKTable of ContentsIllustrations Acknowledgements A Note on Dating & Terminology Prologue: The Magpie at the Window Chapter One: Fortune My Foe Chapter Two: England’s Golden Bay Chapter Three: An Underground Religion Chapter Four: The Cat, the Pig and the Poppet Chapter Five: The Stolen Apple & a Farthing’s Worth of Tobacco Chapter Six: A Fine Gentleman Dressed All in Black Chapter Seven: The Discourse of the Sleepy Chimney Chapter Eight: The Politics of Death Chapter Nine: At the House of the White Witch Chapter Ten: Where are the Witches? The Crafting of Memory and Survival Endnotes Bibliography

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Book SynopsisAn unprecedented look at the little-known paintings from Louise Bourgeois’s early years in New York that laid the groundwork for her sculptural practice “The catalog Louise Bourgeois: Paintings, and the revelatory exhibition, . . . were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022” Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist’s extensive diaries, Louise Bourgeois: Paintings explores Bourgeois’s relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11–August 7, 2022) New Orleans Museum of Art (September 8, 2022–January 8, 2023)Trade Review“The catalog Louise Bourgeois: Paintings, and the revelatory exhibition of the same name at the Metropolitan Museum of Art, are the first of their kind. . . . Both show and catalog were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022”

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Book Synopsis"Compelling." The Guardian "An insightful and inspiring history." BBC History Magazine "A tantalising revelatory book." The House "Brisk and illuminating." Times Literary Supplement "A damn good read." Morning Star "Wonderful." The Chartist Uncontrollable Women is a history of radical, reformist and revolutionary women between the outbreak of the French Revolution in 1789 and the passing of the Great Reform Act in 1832. Very few of them are well-known today; some were unknown even in their own day. All of them contributed something to the world we now inhabit. At a time when women were supposed to leave politics to men they spoke, wrote, marched, organised, asked questions, challenged power structures, sometimes went to prison and even died. History has not usually been kind to them, and they have frequently been pushed into asides or footnotes, dismissed as secondary, or spoken over, for, or through by men and sometimes other women. In this book, they take centre stage in both their own stories and those of others, and in doing so bring different voices to the more familiar accounts of the period. These women and many others played a part in developing political ideas and freedoms as we know them today, and some fought battles which still remain to be won or raised questions that are still unresolved. These are their stories.Trade ReviewA compelling study [that] celebrates the working class pioneers of female emancipation who have been overlooked. -- Kathryn Hughes * The Guardian *An epic history of revolutionary, reforming, protesting actions by women spanning nearly half a century, vividly written by Nan Sloane. From wide and deep archive research, the author brings together for the first time facinating and extraordinary stories of women from both educated middle-class and humble working-class backgrounds, many of them unknown… Uncontrollable Women bristles with brave females: writing, protesting, marching, shouting, pushing and shoving, never keeping quiet and never giving up. -- Diane Atkinson * BBC History Magazine *Many of those brave women who risked their lives for our emancipation are largely forgotten now. Nan Sloane’s powerful book puts their remarkable stories centre stage. It is a tantalising revelatory book which gives voice to a procession of brave and fearless women who stood up for the principles of free speech, political rights and voting reform – risking their lives and their liberty in the process… Nan Sloane’s book at last gives these women a voice and recovers just some of their history. -- Angela Eagle MP * The House *Nan Sloane points out in this brisk and illuminating study of political activism between 1789 and the passing of the Act, no vote did not mean no voice. -- Jane Robinson * Times Literary Supplement *Some books sit neatly in the reference section, others are picked up and read intermittently — those which are found one day by the armchair and another, on the bedside table. This one deserves to be kept close at hand, not only because it’s a damn good read, but because it’s a reminder of how strong women can be rendered invisible and silent, unless we shine a spotlight and amplify their voices. -- Lynne Walsh * Morning Star *Wonderful … Nan Sloane’s Uncontrollable Women [is] a collection of insightful essays about female change-makers upon whose shoulders we stand today … We owe a debt of gratitude to Nan for her painstaking work putting this new book together and shining a spotlight on a group of women who have been largely ignored by the history books … The female ‘Radicals, Reformers & Revolutionaries’ who leap off the pages are women whose lives lay buried in disparate archives overshadowed by the loud men around them including many radical men whose cause they frequently espoused. -- Julie Ward * The Chartist *Uncontrollable Women brilliantly tells the history of women who fought for rights and against repression during the radical years in Britain of 1789-1832 … We owe all the uncontrollable women an enormous debt, first of all by not taking their achievements for granted, but most importantly, by continuing the fight for women’s rights. -- Ellen Graubart * Counterfire *Powerful and clear… Uncontrollable Women is a fine piece of history, the kind left out of the usual mainstream narrative. It widens our lens to look beyond the men involved in a wide popular movement, allowing us to see more deeply into the lives of everyday people who mattered, many of whom, not surprisingly, were women. -- Marissa Moss * New York Journal of Books *Expands and diversifies the suffragette story… We will look back on Uncontrollable Women to inform historical teaching hereafter, and it will be welcomed into political literature as a map of the path taken to get to where Britain is today. * Buzz Magazine *This book brings to life the legacy left by the radical women missing from history and restores them to their rightful place... Nan has written a powerful, illuminating book that will educate and inspire. But most importantly, she has introduced us to these hidden feminist figures from 200 years ago. We stand on their shoulders and it is only right that we honour them. * Ayesha Hazarika, broadcaster and journalist, from the foreword *Uncontrollable Women gives long overdue attention to an often overlooked period in women’s history beyond the immediacy of Mary Wollstonecraft, the author rights that wrong. The removal of the requirement for women to be considered feminist in the modern sense also allows access to women whose achievements are often overlooked. * Jacqui Turner, Associate Professor of Modern British History, University of Reading, UK *Table of ContentsIllustrations Foreword Acknowledgements Notes on Text Introduction Part One: Frantic ‘Midst the Democratic Storm 1: The Furies of Hell 2: A Wicked Little Democrat 3: Such Mighty Rage Part Two: More Turbulent than the Men 1: Determined Enemies to Good Order 2: The Most Abandoned of Their Sex 3: Persistent Amazons Part Three: Monsters in Female Form 1: Beyond Expression Horrible 2: This Infatuated Family 3: The She-Champion of Impiety Part Four: Women Without Masters 1: Very Clever, Awfully Revolutionary 2: Petticoat Government Epilogue: An Ignorant Woman Bibliography Notes Index

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Book SynopsisThis book contains the life stories of ten Ukrainian-Canadian women who survived the turbulent events of twentieth-century Europe. The older women were shaped by their experiences during the First World War and the revolutionary years of 191721, while the younger ones were profoundly affected, if not traumatized, by the trials and tribulations of interwar Polish or Soviet rule, the Soviet and Nazi occupations of Western Ukraine during the Second World War, or their deportation and forced labour in the Third Reich. Some of the women were politically active in Ukraine during the war; some experienced Soviet and Nazi persecution and even imprisonment. All ten women found refuge in the displaced persons camps in postwar Allied-occupied Germany or Austria. From there they immigrated to Canada, where they were active in the life and organizations of the Ukrainian émigré community. One became a published poet and writer. These life stories were selected from among the interviews of 250 Ukrainian émigré women conducted by the Ukrainian Canadian Research and Documentation Centre in Toronto and the Institute of Historical Research at Lviv National University. They are valuable contributions to the oral history of Ukrainian women, twentieth-century Ukraine, and Ukrainians in Canada.

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Book SynopsisResearch into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impactTrade Review"Offers a differentiated and comprehensive overview of the current methodological and theoretical problem areas of film historiography no film library should be missing."--Rezens "An innovative, culturally transformative, and historically complex collection of essays that bring together cinematography, historiography, and political and social activism: areas that have traditionally been gendered as male-dominated fields. . . . A comprehensive and fascinating study."--Feminist Media Studies "This collection is essential for anyone researching film history and feminist historiographies."--Women's History Review"Recommended."--Choice"An emphatic statement of the strength of contemporary scholarship in women's film history, the collection presents readers with new material and new perspectives."--Yvonne Tasker, author of Soldiers' Stories: Military Women in Cinema and Television since WWII"The research here is ambitious and impressive. Covering numerous contexts, including production, distribution, reception, stardom, censorship, and more, this book has international scope and broad appeal. It offers new perspectives from emerging scholars as well as the most recent findings from many of the field's most respected senior voices."--Christina Lane, author of Feminist Hollywood: From 'Born in Flames' to 'Point Break'"Doing Women's Film History brings together work from one of the most exciting scholarly gatherings that I have attended in a very long time. The essays collected here document the incredible scope of women's engagement with movie cultures across varied global contexts, time periods, and cinematic modes. More than that, they provide methodological roadmaps for how we might continue to chart feminist histories of cinema, cinema-going, and cinema practice."--Shelley Stamp, author of Lois Weber in Early Hollywood"This useful anthology spans continents and centuries, introducing women, events, and innovative feminist historiographical strategies that will spur us on to further discovery and provide us tools to interpret our findings."--Leslie DeBauche, author of Reel Patriotism: The Movies and World War I

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Book SynopsisGriselda Pollock reintroduces an important feminist forerunner in this new, full-colour setting of Helen Rosenau’s 1944 book Woman in Art Helen Rosenau (1900–1984) was part of the influential migration of European Jewish intellectuals who fled to Britain and the United States during the 1930s, bringing with them exciting innovations in art history’s methods. Only Rosenau, however, centred gender in her analysis. The result—her book Woman in Art: From Type to Personality—is a feminist art-historical project, as relevant today as when it was first published in 1944, in which Rosenau drew on contemporary discussions of gender in anthropology, philosophy, sociology, law, theology, history, and literature. In this new volume, ahead of the eightieth anniversary of its original publication, Rosenau’s erudite and accessible text is prefaced with a personal memoir by Adrian Rifkin, who was once her student, new research into the refugee experience by Rachel Dickson, and a portrait of Rosenau as feminist intellectual by Griselda Pollock. In conversation with this new setting of the original text, richly illustrated with colour images, Pollock offers eye-opening new readings of key aspects of Rosenau’s methods, concepts, arguments, and interpretations of famous artworks, establishing the place of Rosenau’s “little book of 1944” in the historiographies of both feminist thought and cutting-edge art history across two centuries. A digital facsimile of Woman in Art (1944) can be found on the Internet Archive (archive.org)

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Book Synopsis'Writing about Queen Victoria has been one of the most joyous experiences of my life. I have read thousands (literally) of letters never before published, and grown used to her as to a friend. Maddening? Egomaniac? Hysterical? A bad mother? Some have said so. What emerged for me was a brave, original woman who was at the very epicentre of Britain's changing place in the world: a solitary woman in an all-male world who understood politics and foreign policy much better than some of her ministers; a person possessed by demons, but demons which she was brave enough to conquer. Above all, I became aware, when considering her eccentric friendships and deep passions, of what a loveable person she was.' A. N. WilsonTrade Review[A] splendid biography - this book is a gem: thoughtful, witty, insightful, striking a balance between political commentary and personal gossip... As this terrific biography shows, there really was a human being behind the gloomy portraits. -- Dominic Sandbrook * Evening Standard *Subtle, thoughtful ... a shimmering and rather wonderful biography -- Kathryn Hughes * Guardian *Wilson is affectionately alert to the rich contradictions of his subject's personality, and his deliciously readable biography becomes increasingly fascinating as Victoria's reign unfolds. -- Jane Shilling * Daily Mail - Book of the Week *This superb revisionist biography is the book that he was born to write. Wilson clearly loves and admires his subject, but this is a critical biography - funny, insightful, original and authoritative. At last Victoria has been rescued from her widow's weeds. -- Jane Ridley * Spectator *A. N. Wilson brings his novelist's perception and immense knowledge of the era to his effervescent biography of the tiny woman (4ft 11in) who ruled Britain for 61 years... This won't be the last biography of Victoria but it is certainly the most interesting and original in a long time. -- Daisy Goodwin * Sunday Times *Ninety-five years ago, the standard was set by Lytton Strachey's lucid and moving Queen Victoria but A. N. Wilson has now raised the bar... And what a pity she never met A. N. Wilson: she shines in his company ... [this] expansive and victorious book. -- Frances Wilson * Daily Telegraph *A. N. Wilson has written a sympathetic but by no means hagiographic biography of her that will probably overturn many people's prejudiced conception of her... Wilson's picture of her is a rounded one, with her vices and virtues. -- Theodore Dalrymple * The Times * A biographer of Queen Victoria also needs to be a good historian, with a confident grasp of the personalities and issues of 19th-century public life. Mr Wilson is at his best here... This is a bracing biography of a bracing woman ... it undeniably achieves its central aim to make us take Queen Victoria more seriously. -- Michael Hall * Country Life *Wilson is an excellent history teacher. He orders and narrates the hugely complex socio-political events and party infighting of the 19th century with a rare clarity... His own achievement, sustained by a lifetime's scholarly fascination with the Victorian era, is also in its way, awesome. -- John Sutherland * Financial Times *Few if any previous biographers have viewed her as incisively and absorbingly as Wilson does in his... smoothly flowing treatment of the queen's long life. The considerable detail he brings to his greatly balanced portrait not only strengthens his estimation of the significance of the queen in British governmental history but also successfully conveys for the general reader all the nuances of character that Wilson so carefully shares. -- Brad Hooper * Booklist, starred review *

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Book SynopsisTrade ReviewMarianne Hirsch's writings provide us with a varied and complex vocabulary for thinking and writing about the long intergenerational legacy of the Holocaust. Her supple writing wrestles with ghosts, images, shadows, survival, loss and all that we project onto the empty canvas of the aftermath. Moving, urgent, and necessary, this book opens up new ways of thinking about family, relationality, kinship, inheritance, and survival in the wake of cataclysmic violence. -- Judith Halberstam, author of The Queer Art of Failure Marianne Hirsch explores the aftermath of genocide as few scholars have. She is both a brilliant reader of texts (photographs, artifacts, literature, and digital images) and an incisive theorist. As she clarifies the fractured forms of post-Holocaust art and literature, she demonstrates the value of imagination as restorative and as rich and layered in its inter-generational complexities. A groundbreaking book that has broad meaning for the study of traumatic memory and its creative aftermath. -- Peter Balakian, author of Black Dog of Fate: An American Son Uncovers His Armenian Past With her crucial distinction between 'familial' and 'affiliative' postmemory, Marianne Hirsch shows how the transmission of traumatic experiences occurs not only within families but also across a much wider social field. Her emphasis on the role of gender in this mediating process is illuminating. The Generation of Postmemory will be a major reference in Holocaust and genocide studies for years to come. -- Susan Rubin Suleiman, author of Crises of Memory and the Second World War The Generation of Postmemory is Marianne Hirsch's finest and fullest description of her paradigm-changing concept of postmemory. In dialogue with a dazzling array of writers and photographers as well as scholars across the humanities, it shows how the 'hinge generations' that have directly experienced or inherited the traumas of the holocaust and other twentieth-century genocides have sought to conceive and commemorate those staggering losses in the hope of a better future. It also traces Hirsch's own dialectical development as a literary, feminist, visual culture, and Holocaust studies scholar, an intellectual trajectory that she shares with many of the best critics of our time. This book is indispensable. -- Laura Wexler, author of Tender Violence: Domestic Visions in an Age of U.S. Imperialism And this is precisely where the heuristic value of postmemory comes in: it forces us to question, to mobilize the punctum that launches the relationship between history (with a capital H, of course) and memory, and its artistic representations... -- Sonia Combe La Quinzaine Litteraire significant contributions to Holocaust literature, women's and gender history, and memory studies. -- Rochelle Goldberg Ruthchild Women's Review of BooksTable of ContentsIntroduction I. Familial Postmemories and Beyond 1. The Generation of Postmemory 2. What's Wrong With This Picture? with Leo Spitzer 3. Marked by Memory II. Affiliation 4. Surviving Images 5. Nazi Photographs in Post-Holocaust Art 6. Projected Memory 7. Testimonial Objects with Leo Spitzer III. Connective Histories 8. Objects of Return 9. Postmemory's Archival Turn Notes Bibliography Acknowledgments Index

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Book SynopsisTrade Review"An illuminating study. . . . Susan Brison charts the disintegration of identity that occurs after sexual violence, and the long and arduous journey back toward a new self. . . . Restrained, lucid, and elegant, Aftermath is a testament to endurance and, ultimately, to survival."---Jo Ann Beard, O, The Oprah Magazine"An intellectually stimulating read. . . . Brison's reflections . . . will resonate with anyone who has experienced great pain and suffering, as well as with the people who love and care for them. . . . This is a brave and inspiring book . . . [which] goes far beyond typical memoirs of surviving dreadful circumstances." * Publishers Weekly *"Aftermath is an affecting and spirited record of how [Brison] managed, with great difficulty, to put [her life] back together, but in new and unexpected forms. . . . [It] works as the story of a life pulled back from the brink because, at its best, it exemplifies its own arguemnt for the lasting power of narrative."---Martin Levin, Toronto Globe and Mail"A wise and extremely moving reflection on [individual trauma]."---Patricia J. Williams, The Nation"Brison's personal narrative and research on surviving rape will attract broad readership, and the more philosophical reflections will attract those interested in a multidisciplinary look at how individuals and society cope with the threat and reality of violence. A courageous work on how society treats trauma victims and how trauma victims can reclaim the recovery process and their lives." * Booklist *"Brison's descriptions of the horrors of the first weeks after the assault are absorbing and perceptive. . . . [She] is no less engaging when she examines the literature of trauma, victimization and recovery. . . . [An] inspiring volume."---Mimi Wesson, Women's Review of Books"How do you cope with the catastrophic calamity of sexual assault and near murder if you are a philosopher dedicated to rational discourse? Those are the questions posed by [author] Brison in a poignant account. . . . A moving diary of personal trauma and recovery." * Kirkus Reviews *"I think this is a great book--I use those words sparingly--deeply revealing and fundamentally pessimistic. It is more painful and far less sentimental than Anne Frank's diary."---Jonathan Mirsky, The Spectator

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Book SynopsisModern Women is a celebration of influential and inspiring women who have changed the world through their lives, work and actions. From suffragettes to scientists, activists to artists, politicians to pilots and writers to riot grrrls, the women included have all paved the way for gender equality in their own indomitable way. Find out about extraordinary women including writer and teacher Maya Angelou, computer scientist Ada Lovelace, abolitionist Harriet Tubman, film star Katharine Hepburn and pioneering musician Björk. Their lives also enable bigger stories to be told: the suffrage movement with Sophia Duleep Singh; the civil rights struggle and Audre Lorde; advances in science made by Rosalind Franklin; the push for artistic freedom in the work of Frida Kahlo and Louise Bourgeois; and the importance of equality in all sections of society advocated by Chimamanda Ngozi Adichie.  

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Book SynopsisLight in the Dark is the culmination of Gloria E. Anzaldua's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.Trade Review"Published more than a decade after Anzaldúa’s death, the collection of essays is a welcomed resource for scholars and students of Anzaldúa, Chicana/o and Latina/o studies, and American studies. Overall, Anzaldúa’s chapters and Keating’s editorial work are of the highest caliber and great additions to the body of Anzaldúa’s work." -- Monica Montelongo Flores * Southwestern American Literature *"[T]he publication of a new book of [Anzaldua's] writing provides a glorious new opportunity to revel in her brilliant mind.... In our contemporary world of intense binary thinking and wall building, Gloria Anzaldúa’s insights provide an inspiring way forward." -- Susan Noyes Platt * Raven Chronicles *"The publication of Gloría Anzaldúa's Light in the Dark/ Luz en lo oscuro: Rewriting Identity, Spirituality, Reality eleven years after her death in 2004 is a highly anticipated—and enormously important—event in feminist scholarship, one that takes both philosophy and activism in new directions. The manuscript ... makes significant philosophical contributions to feminism, epistemology, aesthetics, ontology, critical philosophy of race, and social and political thought at the same time that it calls into question how we conceive of and organize these areas of study to begin with." -- Natalie Cisneros * Hypatia Reviews online *"Moving from the intricate Tex-Mex-rootedness of Borderlands to the more spiritual, historical-mythical, liminal negotiation zone of Light in the Darkness, Anzaldúa continues her examination of in-between spaces. Her concept of nepantla enables multiple thematic and stylistic lines to intersect, defining possible spaces of cultural transformation." -- Romana Radlwimmer * Women's Review of Books *"Throughout Light, Anzaldúa courageously offers up her lived experiences to argue for the importance of spirituality, theories in the flesh, and the female body.... Scholars invested in intellectual praxis will find a powerful guide to social justice inquiry within this publication." -- Robert Gutierrez-Perez * Women's Studies in Communication *"Perhaps the book’s greatest strength is Keating’s vast editorial knowledge.... Under Keating’s care, Light in the Dark continues Anzaldúa’s metaphysical philosophies, reiterating, expanding, and inspiring consciousness building and setting innovative directions for future Chicana/o studies.... The text offers a new way of decolonizing the mind, transforming the world, and reaching out into the universe." -- Iracema M. Quintero * Aztlán *"Light in the Dark is not only a previously missing piece of Anzaldúa’s oeuvre, important to the growing field of scholarship on Anzaldúa, but also a text that speaks broadly across disciplines and will surely influence scholarship in women’s studies, philosophy, politics, Chicana/o and Latina/o studies, border studies, native studies, sexuality studies and beyond." -- Michelle R. Martin-Baron * International Feminist Journal of Politics *"This text would serve as an excellent book in a literature course, and could be used as the capstone of Anzaldúa’s other writings. Keating has done an excellent job of editing this piece—she has made it easy to forget that the work was published after Anzaldúa’s death." -- Fawn-Amber Montoya * The Americas *Table of ContentsEditor's Introduction. Re-envisioning Coyolxauhqui, Decolonizing Reality: Anzaldúa's Twenty-First-Century Imperative ix Preface. Gestures of the Body—Escribiendo para idear 1 1. Let us be the healing of the wound: The Coyolxauhqui imperative—la sombra y el sueño 9 2. Flights of the Imagination: Rereading/Rewriting Realities 23 3. Border Arte: Nepantla, el lugar de la frontera 47 4. Geographies of Selves—Reimagining Identity: Nos/Otras (Us/Other), las Nepantleras, and the New Tribalism 65 5. Putting Coyolxauhqui Together: A Creative Process 95 6. now let us shift . . . conocimiento . . . inner work, public acts 117 Agradecimientos | Acknowledgements 161 Appendix 1. Lloronas Dissertation Material (Proposal, Table of Contents, and Chapter Outline) 165 Appendix 2. Anzaldúa's Health 171 Appendix 3. Unfinished Sections and Additional Notes from Chapter 2 176 Appendix 4. Alternative Opening, Chapter 4 180 Appendix 5. Historical Notes on the Chapters' Development 190 Appendix 6. Invitation and Call for Papers, Testimonios Volume 200 Notes 205 Glossary 241 References 247 Index 257

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Book SynopsisThroughout the centuries, royal mistresses have been worshiped, feared, envied, and reviled. They set the fashions, encouraged the arts, and, in some cases, ruled nations. Eleanor Herman''s Sex with Kings takes us into the throne rooms and bedrooms of Europe''s most powerful monarchs. Alive with flamboyant characters, outrageous humor, and stirring poignancy, this glittering tale of passion and politics chronicles five hundred years of scintillating women and the kings who loved them.Curiously, the main function of a royal mistress was not to provide the king with sex but with companionship. Forced to marry repulsive foreign princesses, kings sought solace with women of their own choice. And what women they were! From Madame de Pompadour, the famous mistress of Louis XV, who kept her position for nineteen years despite her frigidity, to modern-day Camilla Parker-Bowles, who usurped none other than the glamorous Diana, Princess of Wales.The successful royal mistress made herself irreplaceable. She was ready to converse gaily with him when she was tired, make love until all hours when she was ill, and cater to his every whim. Wearing a mask of beaming delight over any and all discomforts, she was never to be exhausted, complaining, or grief-stricken.True, financial rewards for services rendered were of royal proportions -- some royal mistresses earned up to $200 million in titles, pensions, jewels, and palaces. Some kings allowed their mistresses to exercise unlimited political power. But for all its grandeur, a royal court was a scorpion''s nest of insatiable greed, unquenchable lust, and vicious ambition. Hundreds of beautiful women vied to unseat the royal mistress. Many would suffer the slings and arrows of negative public opinion, some met with tragic ends and were pensioned off to make room for younger women. But the royal mistress often had the last laugh, as she lived well and richly off the fruits of her sins.From the dawn of time, power has been a mighty aphrodisiac. With diaries, personal letters, and diplomatic dispatches, Eleanor Herman''s trailblazing research reveals the dynamics of sex and power, rivalry and revenge, at the most brilliant courts of Europe. Wickedly witty and endlessly entertaining, Sex with Kings is a chapter of women''s history that has remained unwritten -- until now.Trade Review"Sexy, Dishy and Funny" -- New York Times "An irreproachably researched and amusingly written history of European monarchs' jezebels." -- Kirkus Reviews (starred review) "Sex With Kings is...a lot more fun than Danielle Steel or Dan Brown." -- Washington Post Book World "Addictively Good Dish" -- Entertainment Weekly An enlightening social history that is great fun to read" -- New York Times Book Review "With all the suspense of a thriller... this book is simply ideal for a historical bestseller!" -- Barbara Wegmann, Amazon Germany in-house critic "Herman's spirited history of royal "mistresshood" is certainly a catchy read... History made as buoyant as fiction." -- Booklist "An irresistible book... Deliciously bawdy, outrageously entertaining... Herman's writing sparkles off the pages." -- Boston Globe "A smart, keenly researched history written with wry wisdom." -- Dallas Morning News

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Book Synopsis''They will have to choose between giving us freedom or giving us death''So said,in 1913 ,the brilliant orator and suffragette ,Emmeline Pankhurst, just one of the inspiring women who won the vote for women. She remains a heroine for those determined to go to any lengths to change our world and one of those inspirational souls who feature in Rosalind Miles'' gallery of famous, infamous and little-know rebels. We begin with the French Revolution when women took on the fraternite of man, then it''s off to America to round up the rebels fighting side by side for freedom with their men, before heading back to Britain to witness the courage of the suffragettes. From Australia to Iceland, from India to China and from many other countries, we track women who - often at a very high cost to themselves - have stood up to age-old cruelties and injustices. Recording the important milestones in the long march of women towards equality through a colourful pageant of astonis

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Book SynopsisFive centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volumeTrade Review'Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started.' – New Yorker 'The headline grabber of 2019 was Phaidon's Great Women Artists.' – British Vogue'[We] believe every damn day is worthy of celebrating great women, and Great Women Artists makes it easy ... If only all our college art history textbooks were this much fun.' – Interview Magazine'Phaidon [is] helping to redress the balance with this encyclopaedic volume that examines 500 years of great art by great women artists... no self respecting art lover should be without a copy.' – Culture Whisper'A wide-ranging collection of exceptional work by women.' – O, The Oprah Magazine'An epic survey.' – Harper's Bazaar 'Women who have been airbrushed out of art history... are enjoying a renaissance, while contemporary female artists are starting to benefit from re-evaluations.' – Sunday Times'Female artists have been neglected for so long that their work – even if it was painted 70 years ago – feels new and cutting edge. For collectors, it has the irresistible allure of discovery.' – New York Times'It's good to see the auction houses finally giving more women a chance. For money is a powerful symbol of cultural worth.' – Economist'Until very recently ... the idea that women in the West have always made art was rarely cited as a possibility. Yet, they have – and continue to do so – often against tremendous odds.' – Frieze Magazine'There is a wonderful discovery aspect to this book ... This book not only celebrates women artists, but also demonstrates their resilience and unmatched talent through history.' – Laurent Ciaquin, President of Kering America'Handsome... A beautiful, richly illustrated volume... A valuable resource for students of art and art history as well as curious general readers... The artists included represent a wide chronological and geographic range [...] the list is impressive... [with many] dynamic and unexpected juxtapositions produced by the book's alphabetical organisation... The texts on each artist are astute and thoughtful. Formal analyses are intertwined with introductions to key art-historical, social and political themes. The offers a panoramic sweep... Its diverse line-up is organised alphabetically rather than chronologically so that lesser-known artists rub shoulders with established superstars.' – Jo Applin, Reader in the History of Art at the Courtauld Institute of Art, Times Literary Supplement'The book we have been waiting for... Women artists put firmly on the map... Every now and then a book comes out that can change lives. If a survey like this had appeared when I was a student at the Slade, the struggle to make headway as a female artist would have seemed less daunting. We'd have had role models and names with which to counter the assertion that there had never been any significant women artists. And the recent explosion of female talent celebrated in this book might have happened a generation earlier. Phaidon's latest offering is a revelation... This impressive survey spans 500 years... It's incredibly hard to distill a life's work into a few hundred words, but these 23 writers do an excellent job of summarising the salient points... The burgeoning numbers of women now making and exhibiting work is reflected in this selection. Most impressive is the quality and diversity of work... This inspiring book is not just a celebration of women's creativity, it is symptomatic of a sea change... Things they are a-changing - at last. And if anyone has the temerity ever again to claim there have been no great women artists, you will be able to use this timely tome to knock the idea on its head, once and for all.' – Sarah Kent, The Arts Desk

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Book SynopsisFilled with the vibrant color that is the hallmark of Münter’s oeuvre, this dynamic consideration of the German painter offers a lively and detailed analysis of her life, work, and contributions to modern painting. While Münter is most often linked to Wassily Kandinsky and the Blue Rider movement, this book offers a refreshing appreciation of her work in its own right. Multifaceted, imaginative, and stylistically diverse, Münter’s creative output spanned genres to include portraits, landscapes, interiors, and abstractions. Beautifully reproduced images allow readers to marvel at Münter’s joyful vibrant hues, her bold brushstrokes and her experimental and innovative approach to painting. Lively texts offer important biographical insights into her artistic evolution and place her work in the broader context of modern art. Comprehensive and insightful, this newly formatted edition pays tribute to a hugely influential woman artist whose work is all too often overlooked.

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Book SynopsisThis magnificent publication surveys the vital role of women in the development of Abstract Expressionism by looking at more than 50 paintings, collages and sculptures all accompanied by carefully selected quotes from the artists themselves. The dominant movement of the New York and San Francisco art scenes of the mid-20th century, Abstract Expressionism is celebrated as the first development in American art to gain international status. The movement is synonymous with the work of Jackson Pollock, Mark Rothko, and Willem de Kooning, but also belonging to this generation who changed the course of modern art were numerous female artists; only in recent years have their contributions received the recognition they deserve. The remarkable women in this exciting new book - among them Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Lee Krasner, and Joan Mitchell - studied at the same art schools as the men, exhibited at the same galleries, and were part of the same social scene. But their work was not shown and reviewed as widely or considered as valuable as that of the men. This beautiful book presents the works of the Levett Collection, an unparalleled private collection of paintings, drawings and sculpture by women Abstract Expressionists. Richly illustrated essays by the scholars Ellen G. Landau and Joan M. Marter, leading authorities on the subject, consider, respectively, the vital role of women in the development of Abstract Expressionism and the work of women sculptors of the movement. Full of exuberant, explosive colour and densely layered expression, the main part of the book is devoted to more than 50 paintings, collages, and sculptures, all accompanied by pertinent quotes from the women about their artistic practice and concerns. An illustrated timeline and 35 artist biographies provide further insight, making this volume an essential addition to the study of Abstract Expressionist women, innovators in their own right, whose time in the art-historical spotlight has finally come. AUTHOR: Ellen G. Landau is Andrew W. Mellon Professor Emerita at Case Western Reserve University in Cleveland, Ohio. Joan M. Marter is Distinguished Professor Emerita at Rutgers, the State University of New Jersey. 170 illustrations

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Book SynopsisThis book charts the history of first-time Australian motherhood across the last 75 years, drawing upon oral history interviews with a diverse group of mothers. Through thematic chapters covering pregnancy, birth, childrearing, relationships, work and identity, the book analyses change and continuity in experiences of becoming a mother since 1945. -- .

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