Furniture design Books

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Book SynopsisUpholstered pieces of furniture are familiar to all of us as more or less constant companions of everyday life. Upholstery is comfortable, it conveys security and promises comfort, it has a specific design, asserts or creates status and tells a (hi)story. We rarely consider its interior. At the same time, a view into the hidden content of chairs and armchairs is a journey into secrets, into lashed and sprung constructions that prove to be unknown masterpieces of craftsmanship. Deep-Seated. The Secret Art of Upholstery explores furniture and its interiors and explains why upholstery is always also a part of cultural and social history. With contributions by Thomas Andersch, Maximilian Busch, Cordula Fink, Thomas Rudi, Stefanie Seeberg, Thomas Schriefers, Xenia Schürmann, and a foreword by Olaf Thormann. Text in English and German.Table of ContentsPreface / Olaf Thormann Introduction / Thomas Schriefers Renaissance – Baroque – Rococo / Thomas Schriefers Tools and springs / Thomas Schriefers The chamber horse – Sprung fitness equipment of the eighteenth century / Cordula Fink Variations of Classicism / Xenia Schürmann Upholstery of a Classicist chair / Thomas Schriefers Dwelling in the first third of the nineteenth century / Thomas Rudi Historicism and Jugendstil / Thomas Schriefers Different demands – New ideas / Thomas Schriefers With brilliant effect – A seating group designed by Ernst Max Jahn in 1928 / Thomas Andersch Conventions / Thomas Schriefers After 1945 / Thomas Schriefers Rethinking / Thomas Schriefers Listening, seeing, touching, sitting / Thomas Schriefers 500 years of furnishing textiles for upholstered furniture / Stefanie Seeberg Delicate artworks – Braids and tassels / Stefanie Seeberg Upholstering arm- and backrests / Maximilian Busch Cushions / Maximilian Busch Glossary: Technical terms, materials, techniques Objects and images Remarks Bibliography List of illustrations Imprint

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Book SynopsisThis publication presents a round table discussion between authors within the field of design and art history about the Russian-Danish designer Boris Berlin's works, his challenges and innovative solutions, and development of materials and production methods, which all contribute to a future focused on sustainable design. Boris Berlin's practice is based on a deep understanding of art in a wider cultural context as well as the collaboration between craftsmanship, the intellectual, and the emotional. He thus works in these many different areas alongside architects, academics, artisans, and artists. This overarching perspective seeks to set thoughts in motion and initiate discussions about the actuality of contemporary design issues.

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Book SynopsisThis publication presents a round table discussion between authors within the field of design and art history about the Russian-Danish designer Boris Berlin's works, his challenges and innovative solutions, and development of materials and production methods, which all contribute to a future focused on sustainable design. Boris Berlin's practice is based on a deep understanding of art in a wider cultural context as well as the collaboration between craftsmanship, the intellectual, and the emotional. He thus works in these many different areas alongside architects, academics, artisans, and artists. This overarching perspective seeks to set thoughts in motion and initiate discussions about the actuality of contemporary design issues.Text in Danish.

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Book SynopsisCarlo Colombo was born in Brianza, the land of the greatest Italian furniture companies and home to several key figures of contemporary design. Having graduated with a degree in architecture from the Politecnico di Milano, his career has grown with great intensity and success, including his iconic pieces such as the Minerva chairs or the Bali armchairs, the award-winning Albume washbasins, and the Sveva sofa. This book recounts the multifaceted universe of a designer poised between passion and rationality. It draws on a selection of his most significant design products, his methodology, creative inputs and collaborations with protagonists from the business and finance worlds, as well as enlightened clients and artists.

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Book SynopsisThe book explores the design boom in the Pacific Northwest, the fundamental principles to this creative field and over 40 remarkable makers and designers behind this extraordinary area of design. Set against striking photography, the book navigates the landscape and settings which inspires this area and talks with leading designers in the industry. The Pacific Northwest is paving a new path in the design world with a rich and varied set of designers producing outstanding pieces and trends. IDS Vancouver is the centre-point for all things design in the Pacific Northwest and we are pleased to present their first book. Including contributions from ANDlight, Base Modern, Niels Bendtsen, Bosque Design, Becki Chan, Pat Christie, Brent Comber, Electric Coffin, Dahlhaus Studio, Fieldwork, fruitsuper, The Granite, Phil Gray, Hinterland Design, John Hogan, Shawn Hunt, Jeff Martin Joinery, Knauf and Brown, Karen Konzuk, Merkled Studio, molo, Darin Montgomery, PHLOEM STUDIO, Pigeon Toe, Shawn Place, Charlotte Pommet and Elliot Kendall, Propellor, Selek, Sholto Design Studio, Studio Gorm, Cathy Terepocki and Annie Tung. About IDS Vancouver Founded in 2004 by Jason Heard, IDS Vancouver has grown in size and in ambition at equal pace with the city it is so proud to support. Taking place once a year in September the IDS Vancouver design fair has grown to include diverse programing and workshops for youth, for students and for the design trade as well as collaborative installations and experiences both off site and on. Drawing attention to the region as a heavy hitting design destination, IDS Vancouver actively engages with and participates at other international fairs all year long as a way to profile the talent of the region and to source and stay informed with design internationally.

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Book SynopsisExplores the origins, methods, results, and influence of the unique and highly successful furniture design and fabrication studios offered by the University of Washington Department of ArchitectureTrade Review"With 190 color photographs of student works, this charming book is a treat for the eyes. A fascinating peek into modern furniture design." * Library Journal *"Ochsner's book on just one of the studios is enough to give interested future architects the gist. But it's also written for today's architects, maybe nostalgic for architecture school, and for academics, maybe looking to start up a furniture studio at their own school." -- Lindsey M. Roberts * Architect Magazine *"[R]efreshing. . . . Ochsner’s engrossing and lavishly illustrated book. . . reminds us of the importance of craft in architecture. . . .[A]n important monograph. . . . Ochsner’s book is certainly well crafted." -- Jeremy White * Pacific Northwest Quarterly *Table of ContentsPreface and Acknowledgments 1. Introduction: The Reality of Making 2. Origins: Building a Program 3. One Quarter: Winter 2009 4. Interpreting a Pedagogy: Furniture and Architecture 5. Examples of Excellence: Selected Projects, 1989–2009 6. Beyond the University: Continuing Influence 7. The Future: Furniture Studio after 2009 Appendix A. Furniture Fest, 2009 Appendix B. Award-Winning Projects, 1990–2010 Notes General Background Reading Index

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Book SynopsisWhen the inscription âœMade by Nathan Lumbard Apl 20th 1800â was found in the late 1980s on a chest of drawers, the identity of an unknown craftsman suddenly surfaced. Crafting Excellence introduces the striking achievements of cabinetmaker Nathan Lumbard (1777â'1847) and a small group of craftsmen associated with him. Working initially in the village of Sturbridge, Massachusetts, these artisans fashioned an array of objects that rank among the most colorful and creative of Federal America. Recent scholarship has revealed Lumbardâs connection with the cabinetmaker Oliver Wight, from whom he likely learned his trade and gained an understanding of neoclassicism. Careful study of objects linked to Lumbard, Wight, and nearby artisans has produced a framework for identifying their work. The discovery of Lumbardâs name three decades ago led the authors on a pioneering journey, culminating in this handsome volume, an insightful contribution to American furniture history. Distributed for t

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Book SynopsisTrade Review“an invaluable catalog.”—Edward Rothstein, Wall Street Journal“[The book] serves as both an introductory text and, for those well-read on the movement, one offering new dimensions to this vast subject”— Roger Dunn, Art Newspaper“This book is the catalogue of an exhibition at the Harry Ransom Center, a great repository, likened to ‘an old attic filled with the most wondrous things’, at the University of Texas in Austin. It starts with the British origins of the Arts-and-Crafts movement, but the greater part describes its (to British readers) less familiar flourishing in the USA.”—CountryLife“It serves as both an introductory text and, for those well-read on the movement, one offering new dimensions to this vast subject”— Roger Dunn, The Art Newspaper“It is not a conventional catalogue, but the extended captions form a record of an exhibition and most of the contributions add usefully to discussion of how the Arts & Crafts Movement evolved in the 20th century” —Annette Carruthers, DAS

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Book SynopsisTrade Review“. . . explores how [Gimson] adapted his observations of nature into buildings and objects. . . . The book is lavishly illustrated with photos of surviving works alongside Mr. Gimson’s sketches.”—Eve Kahn, New York Times“Excellent...Unearths work by Gimson that is not recorded even in the archives of the SPAB.”—Christopher Howse, Daily Telegraph“[An] insightful survey of the life and work of Arts-and-Crafts designer Ernest Gimson”—Clive Aslet, Country Life“In their impeccably researched and engaging new biography, Annette Carruthers, Mary Greensted and Barley Roscoe explore in depth Gimson's place at the heart of the handcraft movement that emerged in Britain thanks to the impetus of William Morris and flourished until the First World War”—Roisin Inglesby, Apollo Magazine“Outstanding”—Ancient Monuments Society“Building on its predecessors, Ernest Gimson is now the standard account of his life and achievements, fully worthy of his 2019 centenary.”— Simon Swynfen Jervis, Furniture History Society Newsletter“The authors build on previous scholarship, draw together threads and expand context with admirable thoroughness, bringing it all beautifully into concert...There is scholarly coverage of every context for Gimson’s development, without losing sight of the man himself.”—Lindsey Shaw-Miller, Art History “This book really brings Gimson’s work to a whole new audience and gives him the accolade he deserves.”—Lynne Pardoe, Society for the Protection of Ancient Buildings Magazine“The book is tightly organised and edited, extensively annotated and referenced, and wonderfully illustrated with high-quality colour and monochrome plates. It itself is both beautifully crafted and serviceable: a highly readable, scholarly account of its subject’s life and work.”—Nick Knight, Leicestershire Historian“This comprehensive study...is the product of three authors and it is greatly to their credit that you would not know it from their authoritative and seamless text... As a ‘life and work’ it will not be bettered.”—Julian Holder, Architectural History

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Book SynopsisA Scandinavian furniture designer offers insight into his thinking about sitting and explains the philosophy that informs his pioneering chairs.Trade Review"While designers and ergonomic engineers will value the author’s discussions of balance and the Balans principle, general audiences can appreciate the unusual designs and practical thought behind this volume." -- Book News

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Book SynopsisBauhaus, Postmodernism, High Tech, and Green Design: Judith Gura explains the important movements, forms, and furnishings from the 1950s to the present.Trade Review" Discover all that is exciting about contemporary styling in this fabulous book. . . " -- Essential Kitchens, Bathrooms, Bedrooms Magazine"[P]rovides surprising breadth and depth in a compact volume. . . . [M]akes the greatest scholarly contribution with a wide range of environmentally responsible approaches to design. Recommended." -- CHOICE"[A] treat to the eye and intellect." -- modernism magazine"A useful and invaluable resource . . . . A wonderful scholarly work . . . . [T]he visuals and the text supplement each other beautifully, offering various readers different entry points and degrees of accessibility." -- ARLIS/NA Reviews

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Book SynopsisThis book examines the special relationship between politics and design in Sweden, revealing in particular the cultural meanings this relationship holds for Swedish...Trade ReviewFor anyone who has taught the history of 20th-century design and had a student ask, 'How can a chair be political?' this book will help answer that question. It is not a typical design history text—there are no large color images of landmark chairs or textiles and no evolutionary account of historically significant designers. Instead, Murphy (anthropology, UC Irvine) draws out how ordinary objects within the built environment embody Sweden's social democratic ideology: that is, the way Swedes use design to structure the everyday world they live and move about in. * CHOICE *Swedish Design: An Ethnography will be of interest to scholars and graduate students in anthropology, sociology, design studies, and the history of design as well as scholars engaged in design research. Murphy provides the reader with an approach to carrying out anthropology of design, outlining thematic areas for consideration; insodoing, heoffers an invaluable resource for researchers and students with interests in design and its wider social political relations, interaction analysis, and anthropological approaches to understanding the relation between the political, design processes and practices. * H-Net *Keith M. Murphy is an anthropology professor at the University of California, Irvine, and if his field seems far removed from Scandinavian furniture, he apporaches the subject in relation to Swedish social welfare programs and democratic socialist ideals. The lamps and tables furnishing our homes and owrkplaces, in other words, are a 'means for managing well-being in everyday life.' * Shepherd Express *Table of ContentsIntroduction: Disentangling Swedish Design1. The Diagram of Swedish Design2. Building the Beautiful Home3. In the Design World4. In the Studio5. Displays of ForceConclusion: Designing a Social CosmologyNotes References Index

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Book SynopsisThis book examines the special relationship between politics and design in Sweden, revealing in particular the cultural meanings this relationship holds for Swedish...Trade ReviewFor anyone who has taught the history of 20th-century design and had a student ask, 'How can a chair be political?' this book will help answer that question. It is not a typical design history text—there are no large color images of landmark chairs or textiles and no evolutionary account of historically significant designers. Instead, Murphy (anthropology, UC Irvine) draws out how ordinary objects within the built environment embody Sweden's social democratic ideology: that is, the way Swedes use design to structure the everyday world they live and move about in. * CHOICE *Swedish Design: An Ethnography will be of interest to scholars and graduate students in anthropology, sociology, design studies, and the history of design as well as scholars engaged in design research. Murphy provides the reader with an approach to carrying out anthropology of design, outlining thematic areas for consideration; insodoing, heoffers an invaluable resource for researchers and students with interests in design and its wider social political relations, interaction analysis, and anthropological approaches to understanding the relation between the political, design processes and practices. * H-Net *Keith M. Murphy is an anthropology professor at the University of California, Irvine, and if his field seems far removed from Scandinavian furniture, he apporaches the subject in relation to Swedish social welfare programs and democratic socialist ideals. The lamps and tables furnishing our homes and owrkplaces, in other words, are a 'means for managing well-being in everyday life.' * Shepherd Express *Table of ContentsIntroduction: Disentangling Swedish Design1. The Diagram of Swedish Design2. Building the Beautiful Home3. In the Design World4. In the Studio5. Displays of ForceConclusion: Designing a Social CosmologyNotes References Index

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Book SynopsisThe comprehensive guide to furniture design expanded and updated Furniture designers draw on a range of knowledge and disciplines to create their work. From history to theory to technology, Furniture Design offers a comprehensive survey of the essential craft- and practice-related aspects of furniture design. Generously illustrated with photographs and drawingsincluding a new color sectionthis Second Edition features updated coverage of material specifications, green design, digital design, and fabrication technologies. It also features twenty-five case studies of furniture design that represent a broad selection of works, designers, and techniques, including recent designs produced within the last decade. The book explores: Furniture function and social use Form, spatial organization, and typological orders Structural integrity and composition Accessibility, universal design, human factors, and ergonoTable of ContentsPreface xiii Acknowledgments xvii Foreword xix Foreword to the First Edition xxi Chapter 1 Introduction to Furniture Design 1 Furniture 2 Design 8 Furniture + Design + (X) = Furniture Design 10 Data Visualization: Mapping Data from Research 12 Chapter 2 Function and Social Use 19 Human Body Supports 20 Sitting, Working, Resting, and Sleeping 20 Squatting and Sitting 23 Activities: Eating, Reading, Typing, and Writing 25 Containing: Storing, Displaying, and Organizing 27 Defining Space: Enclosing, Shaping, and Partitioning 28 Classifications Based on Social Use 29 Health-care Furniture: For Those Who Need Assistance 30 Hospitality Furniture: Restaurants, Lobbies, and Reception Areas 32 Institutional Furniture: Education 34 Multifunctional Furniture: Sit-Work, Sit-Sleep, and Store-Display 35 Office Furniture: Ergonomic Seating, Workstations, and Systems Furniture 37 Recreational Furniture: Play, Leisure, and Outdoor Furnishings 38 Religious (Liturgical) Furniture: Altars, Arks, and Minbars 40 Residential Furniture: Social Gathering, Resting, Dining, and Organizing 43 Retail Furniture: Displaying, Storing, Transactions, and Sales 46 Storage Furniture: Containing, Organizing, and Accessing 47 Chapter 3 Form, Spatial Organization, and Typological Orders 51 Form 51 Angular 56 Composite 56 Curvilinear 57 Orthogonal 58 Sectional/Modular 58 Spatial Organization 60 Centralized 61 Clustered 62 Grids 63 Linear 64 Radial 65 Typological Orders 66 Assembly Required (Ready-to-Assemble and Knock-Down) 66 Built-In/Stationary 67 Freestanding 67 Inflatable 68 Mechanical (Transformative Pieces) 69 Movable 72 Summary 74 Chapter 4 Furniture Case Studies 75 Overview of Furniture Case Studies 75 700–400 BCE Greek Klismos chair 76 1200–1800 CE European coffer 78 1745–1750 French Rococo commode 80 1754–1780 Chippendale chair 82 1855–1859 Café chair, Model No. 14 84 1917–1918 Red-Blue chair 86 1922 Blocs Screen 88 1925 Wassily club chair, Model No. B301 90 1928 Siège à Dossier Basculant (B301) 92 1932–1933 Stools 60/65 94 1949–1950 Eames Storage Unit (ESU) 96 1950–1954 Antony chair 98 1951 Wire side chair 100 1968 Action Office 102 1987 Ghost chair 104 1992 Cross Check armchair 106 1993 Trinidad chair 108 1994 Living units 110 1994–1995 Aeron chair 112 1999 The Block 114 2000 Pathways 116 2003–2004 Jimmy’s Buffet 118 2004 Knit chair 120 2006 Araneae coffee table 122 2011 Modular Vitrine System 124 Lessons from the 25 Furniture Case Studies 126 Chapter 5 Furniture Design Theory 129 Inquiry 129 Systems Theory 131 Firmitas, Utilitas, and Venustas 133 Firmitas 133 Utilitas 137 Anthropometrics 139 General Body Characteristics and Dimensions 141 Ergonomics 142 Posture 145 Proxemics 147 Venustas 150 Beauty 150 Geometry 152 Proportion 152 Modernism 154 Built Form and Culture 155 New Formalism: Theories of Digital Form 158 Chapter 6 Design 161 Design Principles 163 Balance: Structural and Visual, Symmetry and Asymmetry 163 Continuity, Unity, and Variety 165 Dynamism and Stasis 165 Hierarchy and Emphasis 165 Juxtaposition 167 Rhythm and Pattern 167 Scale and Proportion 168 Design Thinking 171 Construing and Constructing 172 Bold Studies 172 Making Prototypes 174 Scaled Models 175 Design Ethos 177 Accessible Design 177 Codes, Guidelines, and Standards (Health, Safety, and Welfare) 177 Green Design 178 Universal Design 181 Design Processes 182 Schematics: Sketching, Drawing, Computer Rendering, and Model Making 182 Design Phases 190 Predesign, Research, and Programming 190 Schematic Design 192 Design Development 192 Fabrication Drawings 193 Pricing and Contract Negotiation 194 Shop Drawings, Templates, and Working Prototypes 195 Fabrication 195 Delivery and Installation 196 Professional and Disciplinary Boundaries 197 Chapter 7 Materials 203 Material Matters 205 Material Properties 210 Absorptive Quality 211 Aging and Weathering 212 Cellular Structure (Open-Cell or Closed-Cell) 212 Compressive and Tensile Strength 213 Density 214 Dimensional Movement 214 Ductility 216 Durability 217 Elasticity 217 Expandability 217 Haptic Sensations 218 Stability 219 Surface Qualities 220 Visual Aspects of Finished Wood Surfaces 220 Visual Aspects of Unfinished Wood Surfaces 221 Volatile Organic Compounds 221 Workability 222 Other Aspects 223 Materials: A to Z 224 Adhesives and Glues 224 Composite Boards 226 Fabrics and Leather 229 Finishes 232 Glass 235 Metal 237 Paper 240 Plastics 240 Rubber and Elastomers 245 Stone 247 Woods and Grasses 248 Chapter 8 Processes and Methods of Fabrication 255 Preparing Shop Drawings and a Materials Takeoff List 256 Securing Materials, Equipment, Supplies, and Hardware 257 Bending 260 Carving 262 Cutting, Drilling, Milling, and Planing 263 Assembling and Gluing 264 Joinery, Mechanical Connections, and Fasteners 265 Upholstery 275 Sanding 277 Finishing, Painting, Sealing, Staining, and Surfacing 278 Wood Finishing 278 Delivery and Installation 280 Repairing, Restoring, and Resurfacing 281 A Chronological Overview of Tools 281 Hand Tools 281 Machine Tools 282 Hand Tools Used Today 282 Power Tools Used Today 283 Digital Tools 285 Technology: The Art and Science of Fabrication 287 Craft (Workmanship of Risk) 288 Machine Production (Workmanship of Certainty) 289 Chapter 9 Professional Practice and Marketing 291 Industry 294 Green Marketing 295 Retail and Wholesale 296 Design for Less 298 Alternative Retail 298 Industrial Entrepreneurs: Silent Heroes 300 Furniture Epicenters 301 Paris 301 Northern Italy 301 Scandinavia 302 Other Epicenters 304 The Business of Furniture Design 304 Chapter 10 Historical Overview 307 How Societies Have Thought about Designing, Making, and Using Furniture 307 The Earliest Cultures 309 Ancient Nomadic Societies 309 Prehistoric World Settlements 309 Prehistory to Antiquity 310 Ancient Egypt 310 Archaic and Classical Greece 313 Etruria 315 The Romans 315 Early Christian and Islamic Cultures 316 Emergence of Islamic Furniture (circa 610) 317 Medieval Societies 319 The Rise of Europe 321 The Renaissance 321 Baroque Period 327 French Rococo Period 329 England in the Seventeenth and Eighteenth Centuries 331 The American Colonies and the Emerging United States 333 The Classical Style 336 The Industrial Revolution 337 Eclecticism 339 Revivals 339 Craft and Design 341 Arts and Crafts in Europe 342 Arts and Crafts in the United States 343 Art Nouveau 345 Modernism and the Machine Age 346 The Bauhaus 348 Rising Heroes of Evolving Modernism 350 Craft versus Design 356 New Craftsmanship 356 The Twenty-First Century: The Digital Age 358 New Digital Tools, New Synthetic Materials, New Design Opportunities 359 Appendix: References and Sources 361 Industry Sources 362 Museums, Galleries, and Exhibitions 365 Glossary 367 Bibliography 381 Index 385

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Book SynopsisCooke offers a fresh and appealing cross-disciplinary study of the furnituremakers, social structure, household possessions, and surviving pieces of furniture of two neighboring New England communities. Winner of the Decorative Arts Society, Inc.'s Charles F. Montgomery PrizeOriginally published in 1996. In Making Furniture in Preindustrial America Edward S. Cooke Jr. offers a fresh and appealing cross-disciplinary study of the furnituremakers, social structure, household possessions, and surviving pieces of furniture of two neighboring New England communities. Drawing on both documentary and artifactual sources, Cooke explores the interplay among producer, process, and style in demonstrating why and how the social economies of these two seemingly similar towns differed significantly during the late colonial and early national periods. Throughout the latter half of the eighteenth century, Cooke explains, the yeoman town of Newtown relied on native joiners whose work satisfied the expTrade ReviewEdward S. Cooke has written an exhaustive and sophisticated interdisciplinary study comparing and contrasting the 'social economy' of furniture and furniture makers in two western Connecticut communities . . . Cooke has combined the social and economic historians research in traditional records with material culture's analysis of artifacts. The synthesis is certainly more than the sum of its parts . . . Thoughtful and challenging.—H. Roger King, HistoryTable of ContentsList of Tables and Charts Acknowledgments Introduction. The Need for the Artis anal Voice Chapter 1. The Preindustrial Joiner in Western Connecticut, 1760-£820 Chapter 2. The Social Economy of the Preindustrial Joiner Chapter 3. The Joiners of Newtown and Woodbury Chapter 4. SocioeconomiSc tructure in Newtown and Woodbury Chapter 5. Consumer Behavior in Newtown and Woodbury Chapter 6. Workmanship of Habit: The Furniture of Newtown Chapter 7. Workmanship of Competition: The Furniture of Woodbury Conclusion. The Response to Market Capitalism Appendix A. Biographies of Newtown Joiners, 1760-£820 Appendix B. Biographies of Woodbury Joiners, I 760-r 820 Notes Glossary of Furniture Terms Note on Sources and Methods Index

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Book SynopsisFor centuries Boston has been one of the most important furniture-making centres in America. Soon after the town’s founding in 1630, Boston’s joiners and turners were the first craftsmen to make furniture in British North America, and the city’s cabinetmakers contributed to the art and craft of furniture making throughout the elegant colonial and federal periods. Its factories and designers have also been a source of fine furniture, creating major pieces in the various revival styles of the nineteenth and twentieth centuries. Published on the occasion of an exhibition at the Massachusetts Historical Society, The Cabinetmaker and the Carver showcases rare and exemplary pieces from private collections, illustrating three centuries of Boston history through carefully selected examples of furniture that represent the trajectory of this great tradition. Distributed for the Massachusetts Historical Society.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisAfter an enthusiastic response to his 1833 encyclopaedia of rural architecture (also reissued in this series), landscape gardener John Claudius Loudon (17831843) published this illustrated supplement in 1842. He and his contributors discuss many recent developments in the field and improvements in the design of rural buildings.Table of ContentsIntroduction; 1. Cottages for country labourers and mechanics, and for gardeners, foresters, bailiffs ...; 2. Cottage villas and villas; 3. Farm buildings; 4. Schools, inns, workhouses, and almshouses; 5. Details of construction applicable to cottages, farm buildings, villas, &c.; 6. Fittings-up, finishing, and furnishing; 7. Hints to proprietors desirous of improving the labourers' cottages on their estates; General index.

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Book SynopsisA celebration of this centrepiece of the modern home through the work of more than 160 designers - from timeless design icons to future classics.

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Book SynopsisAn intimate look at the interiors, lifestyles and houses belonging to a wide range of artists and makers.Trade Review'Celebrates an attitude to life … the antidote to the standard coffee table book' - The Spaces'Tom Harford Thompson goes snooping inside the homes of artists and craftsmen to uncover how the creative among us live' - City AM'A tour of creative spaces, from an eco tree house to a reclaimed factory' - Homes & AntiquesTable of ContentsBilly Childish • Jonny Hannah • Peter Hall • Lisa Smallpiece • Sarah Walton • Viv & Ben English • Anthony & Lori Inglis-Hall • Carolyn Trant • Chris Lewis • Patrick Hall • James Mitchell • Hamish Black • Tom Reeves • Hamish McKenzie • Steve Turner • Liam Watson • Ian Hatton • Penny Rimbaud & Gee Vaucher • Alan Dodd • Daniel • John & Diana Morley • Thomas & Angel Zatorski • Steve Lowe • Corina Fletcher • Mark Wilson • Robert Hayward • Alison Morris

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Book SynopsisThe great postwar modern furniture designs are classics, because they are still great. Herman Miller, the company that led the office revolution, is a name synonymous with the best modern residential as well as contract furniture. Classics by super-designers - Charles and Ray Eames, George Nelson, and Isamu Noguchi - can still be purchased from the Herman Miller for the Home collection.Their designs, plus the work of more than a dozen other important Herman Miller designers, are described here in detail and shown in color and black and white photographs, plus original drawings by Nelson and the famous Frykholm picnic posters, all from the Herman Miller archives.This book is essential for collectors, dealers, curators, designers, and other devotees of modernism.

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Book SynopsisWith over 220 beautiful color photos and concise text, this book presents all the steps necessary to create a stunning entry table that blends the clean lines and aesthetics of Shaker and Japanese furniture to make a distinctive, eye-catching form. More than just a how to book, it shows the entire designing and building process, including instructions for legs, stretchers, top, and finishing. Additionally, the author shares the most important lessons he has learned in over 20 years of designing and making furniture. Woodworkers and all who are passionate about fine furniture will want to build this table.

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Book SynopsisSolid joinery, commonly found woodworking tools, and timeless design combine to make both the panel bed and armoire described in this book a joy to build. Detailed, easily understood descriptions, accompanied by over 280 clear color photos and 34 detailed plans, explain and show every step of the furniture building process. Most of the joinery is made at the table saw. The moldings are made with a router, using standard bits individually or in combination. Subtle details, which make this bed and armoire unique in their designs, are easily accomplished with commonly found woodshop tools. If you have thought of building a detailed piece of furniture but want something other than Queen Anne or another often repeated period style, this is the book for you.

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Book SynopsisMarge Jones has mastered an alternative slip-covering technique to help people with all levels of sewing skills create their own snug-fitting covers for chairs, benches, sofas, and more. With detailed instructions and photos, Marge guides you through the process of refurbishing and customizing virtually all your living room, dining room, bedroom, and even patio furniture. Her method eliminates the muslin or paper pattern-making process, saving precious time and energy, while achieving a tighter, more attractive fit. This edition includes special sections on how to install essential components such as zippers and decking, and tips on how to add height to and restyle arms on furniture. Snug-fit, easy-to-make custom slipcovers fit so well that the furniture looks brand new. Home furnishings of all shapes and sizes are restored in this indispensable manual, proving that almost all furniture can be custom-slip-covered.

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Book SynopsisToday''s American, hand-crafted furniture is bristling with originality. Blending art and functionality, David Ebner creates unique benches, tables, and chairs. This designer-craftsman''s work subtly surpasses the limits of the furniture world and often crosses over into the realm of sculpture. Fine woods with interesting patterns are featured in his practical designs, which reflect natural elements of the places where he has worked in New York state. He fuses traditional and modern techniques and is well known for his scallion coat rack, Renwick benches, and Bellport chairs. See more than 340 color photos and sketches of Ebner''s designs for diverse forms created with twisted sticks, tubular metal, iron sections, and bamboo laminates. In his lifetime, he''s made more than 1,400 pieces. Especially interesting are projects he continues to design today in his ever-evolving style.

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Book SynopsisThe carved embellishments found on eighteenth-century American furniture pieces are what make them memorable works of art. This book directs the serious student through nine authentic elements from the colonial period. Each chapter is devoted to one element and provides pattern drawings, detailed instructions, and abundant photographs of every step. Learn how to execute the entire process from sculpting the surface to layout, roughing in the shapes and levels, and finally carving the details. The selected projects are chosen from historically important eighteenth-century furniture and adorned some of the best pieces ever made. Although the book tackles advanced topics, the instruction is logical and complete so that the serious reader, independent of skill, can successfully work through the steps.

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Book SynopsisDesignPOP is a survey of trends in contemporary furniture and products that reveals how design is not only changing with the times—it is inventing the future. The game-changing projects that compose DesignPOP push the boundaries of our expectations and show us new ideas, new possibilities, and ultimately new products that enrich our lives. The bar has been permanently raised as we enter the next century, and the proliferation of innovative designs continues. New materials and processes are being invented, convention and traditions are constantly being challenged, and sustainability and social responsibility are influencing new directions. Even the definition of designer is changing as the lines between disciplines begin to blur, with new technology from companies like Apple and Dyson radically altering both form and function. Historic boundaries disappear, designers innovate their way through roadblocks, and the twenty-first century is experiencing a design renaissance unparallelTrade Review“The bright, cheery tome surveys the most innovative pieces of technology and product design since 2000, objects that straddle the line between furnishing and sculpture, device and art installation. A chair of hammered metal by Marijn van der Poll, for example, resembles the imploded steel sculptures of Ewerdt Hilgemann. And, by experimenting with resin-dyed vibrant hues, Patrick Norguet created a chair that is equal parts household item and Pop Art.” –Architectural Digest“Lively descriptions-not to mention its eye-popping pink cover - keep the tome accessible to even the most uninitiated readers interested in contemporary design." –Surface Magazine “I was very excited to find out that architect and designer Lisa Roberts, is releasing a new book called DesignPOP. Lisa has amassed an incredible collection of modern design items, which she calls “Antiques of the Future”…Her new book focuses on game-changing design and products that pioneer. From materials to technology to production methods, Lisa explores some of the pieces we’re already beginning to see as design classics.” –Design-Milk.com"DesignPOP is a curated selection of game-changing product design in the 21st century highlighting ideas, production processes, materials and more that have changed the way we think about design. The book features eighty-two products that push the boundaries of any expectations. Whether they pioneer the use of a new material and/or production process, take sustainability to the next level of design, or innovate in technology and functionality-each product is important in its own right. DesignPOP acts as a bridge between the world of design and the general public, and encourages the reader to explore the design world around them and the products within that world.” –Dexigner.com “Wry Humor, Good Design: designPOP. The cover says it all. There’s a wry sense of humor at work here, and more of that to come inside. And so she has in the new book, using her [Roberts] own wit and insight to explain why a particular design is good and why we should pay attention to it…the book intends to opens up the conversation between art, design and craft.” –Architects + Artisans “DesignPOP is a survey of trends in contemporary furniture and products that reveals how design is not only changing with the times, it is inventing the future. The game­ changing projects that compose DesignPOP push the boundaries of human expectations and show new ideas, new possibilities and ultimately new products that enrich people’s lives. The book presents work from stars in the field…” –Editor at Large"With the digital universe expanding, there are ample platforms for users to judge and consume goods, determining their place in material culture. DesignPOP places itself in that trajectory as this boldly designed volume attempts the Sisyphean task of historicizing objects in a valuable way." –Identity Dubai

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book Synopsis

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