Films, cinema Books

Book SynopsisStephen Thrower has explored the attics and cellars of American cinema, delved beneath the floorboards, peered between the walls, searching for the strangest, most exotic cine-lifeforms.

Read more less

Book SynopsisAn insight into French film through its actors: profiles of 175 actors and actresses of the French Cinema, illustrated with caricatures of each actor by Jenny BATLAY and Igor BRATUSEK. - Not just biographies, but personal sketches of the actors and actresses, looking at their personalities, acting, and careers. The book is presented alphabetically in mini-dictionary form, and its contributors include academics from around the world - from universities in Australia, Austria, Canada, Cyprus, France, Ireland, Malaysia, New Zealand, the United Kingdom, and throughout the United States - as well as journalists, film curators, and lovers of French cinema, both francophones and Francophiles. It contains a comprehensive alphabetical Index of 2,200 Films - mostly French Films (with their alternative English titles where these were issued), as well as American and European films in which the profiled French actors have appeared. Accurate biographical details (from original records) are provided, including birth names for those actors with a stage name different to their birth names.Table of ContentsCONTENTS [names entered without accents on BookData]: FOREWORD; ISABELLE ADJANI (1955 - ), ANOUK AIMEE (1932 - ) [Francoise Sorya Dreyfus], MATHIEU AMALRIC (1965 - ), RICHARD ANCONINA (1953 - ), FANNY ARDANT (1949 - ), PIERRE ARDITI (1944 - ), NIELS ARESTRUP (1949 - ), ARLETTY (1898 - 1992) [Leonie Bathiat], ANTONIN ARTAUD (1896 - 1948), ARIANE ASCARIDE (1954 - ), STEPHANE AUDRAN (1932 - ) [Colette Suzanne Dacheville], DANIEL AUTEUIL (1950 - ), SABINE AZEMA (1949 - ), CHARLES AZNAVOUR (1924 - ) [Charles Aznaourian], JEAN-PIERRE BACRI (1951 - ), EDOUARD BAER (1966 - ), JOSIANE BALASKO (1950 - ) [Josiane Balaskovic], JEAN-FRANCOIS BALMER (1946 - ), BRIGITTE BARDOT (1934 - ), JEAN-LOUIS BARRAULT (1910 - 1994), HARRY BAUR (1880 - 1943), NATHALIE BAYE (1948 - ), EMMANUELLE BEART (1963 - ) [Emmanuelle Behart-Hasson], LEILA BEKHTI (1984 - ), JEAN-PAUL BELMONDO (1933 - ), FRANCOIS BERLEAND (1952 - ), SARAH BERNHARDT (1844 - 1923) [Henriette-Rosine Bernard], JULES BERRY (1883 - 1951) [Marie Louis Jules Paufichet], RICHARD BERRY (1950 - ), JULIETTE BINOCHE (1964 - ), MICHEL BLANC (1952 - ), FRANCIS BLANCHE (1921 - 1974), BERNARD BLIER (1916 - 1989), RICHARD BOHRINGER (1941 - ), ROMANE BOHRINGER (1973 - ), SANDRINE BONNAIRE (1967 - ), DANY BOON (1966 - ) [Daniel Hamidou], MICHEL BOUJENAH (1952 - ), CAROLE BOUQUET (1957 - ), MICHEL BOUQUET (1925 - ), BOURVIL (1917 - 1970) [Andre Raimbourg], CHARLES BOYER (1899 - 1978), MARCEL BOZZUFFI (1928 - 1988), CLAUDE BRASSEUR (1936 - ), PIERRE BRASSEUR (1905 - 1972) [Pierre-Albert Espinasse], JACQUES BREL (1929 - 1978), JEAN-CLAUDE BRIALY (1933 - 2007), GUILLAUME CANET (1973 - ), JULIEN CARETTE (1897 - 1966), JEAN CARMET (1920 - 1994), JEAN-CLAUDE CARRIERE (1931 - ), MARIA CASARES (1922 - 1996) [Maria Victoria Casares Perez], VINCENT CASSEL (1966 - ) [Vincent Crochon], ALAIN CHABAT (1958 - ), MAURICE CHEVALIER (1888 - 1972), CHRISTIAN CLAVIER (1952 - ), FRANCOIS CLUZET (1955 - ), JEAN COCTEAU (1889 - 1963), COLUCHE (1944 - 1986) [Michel Gerard Joseph Colucci], CLOVIS CORNILLAC (1967 - ), MARION COTILLARD (1975 - ), DARRY COWL (1925 - 2006) [Andre Darricau], MARCEL DALIO (1900 - 1983) [Marcel Blauschild], BEATRICE DALLE (1964 - ) [Beatrice Cabarrou], GERARD DARMON (1948 - ), DANIELLE DARRIEUX (1917 - ), JEAN-PIERRE DARROUSSIN (1953 - ), JAMEL DEBBOUZE (1975 - ), CECILE DE FRANCE (1975 - ), LOUIS DE FUNES (1914 - 1983) [Louis de Funes de Galarza], ALAIN DELON (1935 - ), JULIE DELPY (1969 - ), CATHERINE DENEUVE (1943 - ) [Catherine Dorleac], CHARLES DENNER (1926 - 1995), GERARD DEPARDIEU (1948 - ), JULIE DEPARDIEU (1973 - ), EMMANUELLE DEVOS (1964 - ), PATRICK DEWAERE (1947 - 1982) [Patrick Bourdeaux], JEAN-CLAUDE DREYFUS (1946 - ), MARIE DUBAS (1884 - 1972), JEAN DUJARDIN (1972 - ), ALBERT DUPONTEL (1964 - ), ROMAIN DURIS (1974 - ) ANDRE DUSSOLLIER (1946 - ), GAD ELMALEH (1971 - ), FERNANDEL (1903 - 1971) [Fernand Joseph Desire Contandin], EDWIGE FEUILLERE (1907 - 1998) [Edwige Louise Caroline Cunatti], BRIGITTE FOSSEY (1946 - ), FREHEL (1891 - 1951) [Marguerite Boulc'h], PIERRE FRESNAY (1897 - 1975) [Pierre Jules Louis Laudenbach], CATHERINE FROT (1956 - ), JEAN GABIN (1904 - 1976) [Jean Gabin Alexis Moncorge], CHARLOTTE GAINSBOURG (1971 - ), MICHEL GALABRU (1922 - ), NICOLE GARCIA (1946 - ), MARIE GILLAIN (1975 - ), ANNIE GIRARDOT (1931 - 2011), JUDITH GODRECHE (1972 - ) [Judith Goldreich], EVA GREEN (1980 - ), SACHA GUITRY (1885 - 1957), JOHNNY HALLYDAY (1943 - ) [Jean-Philippe Smet], MARINA HANDS (1975 - ), ISABELLE HUPPERT (1953 - ), AGNES JAOUI (1964 - ), LOUIS JOUVET (1887 - 1951), GERARD JUGNOT (1951 - ), ELIE KAKOU (1960 - 1999) [Alain Kakou], ANNA KARINA (1940 - ) [Hanne Karin Bayer], SANDRINE KIBERLAIN (1968 - ) [Sandrine Kiberlajn], BERNADETTE LAFONT (1938 - 2013), CHRISTOPHE LAMBERT (1957 - ), JEAN-PIERRE LEAUD (1944 - ), MADELEINE LEBEAU (1923 - ), FERNAND LEDOUX (1897 - 1993), VIRGINIE LEDOYEN (1976 - ) [Virginie Fernandez], VALERIE LEMERCIER (1964 - ), JEAN LE POULAIN (1924 - 1988), ROBERT LE VIGAN (1900 - 1972) [Robert Coquillaud], THIERRY LHERMITTE (1952 - ), VINCENT LINDON (1959 - ), MICHAEL LONSDALE (1931 - ), FABRICE LUCHINI (1951 - ) [Robert Luchini], BENOIT MAGIMEL (1974 - ), JEAN MARAIS (1913 - 1998), SOPHIE MARCEAU (1966 - ) [Sophie Daniele Sylvie Maupu], JEAN-PIERRE MARIELLE (1932 - ), ROXANE MESQUIDA (1981 - ), PAUL MEURISSE (1912 - 1979), GERARD MEYLAN (1952 - ), MIOU-MIOU (1950 - ) [Sylvette Herry], EDDY MITCHELL (1942 - ) [Claude Moine], YVES MONTAND (1921 - 1991) [Ivo Livi], JEANNE MOREAU (1928 - ) , YOLANDE MOREAU (1953 - ), FRANCOIS MOREL (1959 - ), MICHELE MORGAN (1920 - ) [Simone Roussel], PHILIPPE NOIRET (1930 - 2006), VANESSA PARADIS (1972 - ), GERARD PHILIPE (1922 - 1959) [Gerard Philip], EDITH PIAF (1915 - 1963) [Edith Giovanna Gassion], JEAN PIAT (1924 - ), MICHEL PICCOLI (1925 - ), DENIS PODALYDES (1963 - ), BENOIT POELVOORDE (1964 - ), JEAN POIRET (1926 - 1992) [Jean Gustave Poire], ALBERT PREJEAN (1894 - 1979), RAIMU (1883 - 1946) [Jules Auguste Cesar Muraire], SERGE REGGIANI (1922 - 2004), JEAN RENO (1948 - ) [Juan Moreno y Herrera-Jimenez], PIERRE RICHARD (1934 - ) [Pierre Defays], EMMANUELLE RIVA (1927 - ) [Paulette Riva], JEAN ROCHEFORT (1930 - ), VIVIANE ROMANCE (1912 - 1991), [Pauline Arlette Ortmans], LUDIVINE SAGNIER (1979 - ), EDITH SCOB (1937 - ) [Edith Helena Vladimirovna Scobeltzine], JEAN SEBERG (1938 - 1979), EMMANUELLE SEIGNER (1966 - ), MATHILDE SEIGNER (1968 - ), MICHEL SERRAULT (1928 - 2007), DELPHINE SEYRIG (1932 - 1990), SIMONE SIGNORET (1921 - 1985) [Simone Henriette Charlotte Kaminker], MICHEL SIMON (1895 - 1975), SIMONE SIMON (1910 - 2005), JACQUES TATI (1907 - 1982), [Jacques Tatischeff], AUDREY TAUTOU (1976 - ), SYLVIE TESTUD (1971 - ), JEAN-LOUIS TRINTIGNANT (1930 - ), CHARLES VANEL (1892 - 1989), LINO VENTURA (1919 - 1987), BORIS VIAN (1920 - 1959), JACQUES VILLERET (1951 - 2005) [Mohammed Boufroura], JACQUES WEBER (1949 - ), LAMBERT WILSON (1958 - ), ELSA ZYLBERSTEIN (1968 - ); COMPREHENSIVE INDEX OF 2,200 FILM TITLES; THE EDITORS AND ARTISTS; THE 67 INTERNATIONAL CONTRIBUTORS.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisBeautiful, haunting photographs of abandoned cinemas around the world. The ultimate visual reference from a skilled photographer. The packed audiences of darkened cinema rooms are no more. People are gradually drifting back home to lounge in front of a multitude of online platforms, far less expensive than a trip to the picture palace. Habits have changed… the cinema is no longer a world of magic. Movie theatres have lost their splendour, often pushed into the suburbs and choked left and right by fast-food chains as if they were ashamed to exist at all. However, some of this fabulous heritage dedicated to the stuff of dreams which cinemas once were still exists, especially in France. This is one of the few countries left where theatres are still being built, sometimes with audacious architecture. Also, France is a place where their demise is fervently denied. Sometimes, on a street corner, a forgotten but flamboyant façade recalls past glories. It’s there to remind everyone that cinema is immortal. Simon Edelstein, whether in search of decaying or completely abandoned historic cinemas, or exploring lovingly restored or spectacular contemporary buildings, has scoured the roads of France for over 10 years, in ci:es and countryside, to seek out this exceptional heritage.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisThis book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. Table of Contents1.Page (Rectangle) 2.Book (Decomposition) 3. Clock (Time’s Pre-Sequels) 4. Horse (Why Is There Something Else Rather Than Something?) 5. Human (Being)

Read more less

Book SynopsisIn this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016). Table of ContentsIntroduction.- Fiction film and history.- Audiovisual history.- Film/history/experience.- Modeling and perceiving.- Immersion and empathy.- Experience and remembering.- Appropriation and refiguration.

Read more less

Book SynopsisThe Work of Reading: Literary Criticism in the 21st Century is a sustained critical examination of the developments in the field of literary studies from the early 2000s onwards within the context of the systematic problems in the humanities. This volume analyzes the origins of the current methods—including New Historicism, empiricism, New Formalism, postcritique, and others—and posits alternatives to the present state of literary studies. At a time when many aspects of current methods show a desire to adopt values from other disciplines to solve internal crises, this volume advocates a renewed focus on questions of form by means of the praxis of aesthetic study, close reading, and other modes of engaging directly with literary texts. Table of ContentsChapter 1: Introduction: “Criticism Today: Form, Critique, and the Experience of Literature”, Derek Attridge.- Chapter 2: “Is the Author Still Dead?”, Henry Staten.- Chapter 3: “Criticism and Attachment in the Neoliberal University”, Mir Ali Hosseini.- Chapter 4: “Darkness Visible: The Contingency of Critique”, Ellen Rooney.- Chapter 5: “Reading by Example: Disciplinary History for a Polemical Age”, Doug Battersby.- Chapter 6: “Does Knowledge Still Have a Home in the Humanities?”, William Rasch.- Chapter 7: “‘Our Beloved Codex’: Frank Kermode’s Modesty”, Ronan McDonald.- Chapter 8: “Polonius as Anti-Close-Reader: Towards a Poetics of the Putz”, Rachel Eisendrath.- Chapter 9: “What Kind of Person Should the Critic Be?”, Simon Grimble.- Chapter 10: “‘Slow time,’ ‘a Brooklet, scarce espied’: Close Reading, Cleanth Brooks, John Keats”, Susan J. Wolfson.- Chapter 11: “Poem as Field, Canon as Crystal”, Anirudh Sridhar.- Chapter 12: “Criticism and the Non-I, or, Rachel Cusk’s Sentences”, Tom Eyers.- Chapter 13: “Ecocide and Objectivity: Literary Thinking in How the Dead Dream”, Anna Kornbluh.- Chapter 14: Afterword, Heather Dubrow.

Read more less

Book SynopsisThe Deutsche Kinemathek is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

Read more less

Book SynopsisAt the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine. Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.Trade Review“… serves up a true depiction of avant-garde… an array of experimental and vivid designs, daring type and graphics.” * itsnicethat.com *“The designs featured in this book have had a lasting influence on graphic design and remain some of the most memorable film posters of all time.” * Creative Review *

Read more less

Book SynopsisThis unique collection focuses on the work of legendary Swedish filmmaker Ingmar Bergman. Written in the wake of the centenary of Bergman’s birth in 2018, the volume aims to combine new approaches to Bergman’s films and writings with more traditional analyses. Established themes such as Bergman’s interest in philosophy and psychology are addressed, but also less familiar topics, notably his relationship with Hollywood and his elaborate use of film music and autobiographical writing that characterised his later work. There are new analyses of aspects of Bergman’s most famous films, including Smiles of a Summer Night and Fanny and Alexander, but also insightful readings of lesser-known works, such as Saraband and Sawdust and Tinsel.An electronic version of this book is available under a creative commons licence: manchesteropenhive.com/view/9789198557718/9789198557718.xmlTable of ContentsIngmar Bergman at 100: an introduction – Erik Hedling1 Ingmar Bergman on the international scene – Peter Cowie2 Bergman transnational: Munich–Rome–Los Angeles, or ‘the last temptation of Ingmar Bergman’ – Thomas Elsaesser3 Bergman and the business: notes on the director’s ‘worth in the market’ – Olof Hedling4 Bergman, writing, and photographs: the auteur as an ekphrastic ghost – Maaret Koskinen5 The playfulness of Ingmar Bergman: screenwriting from notebooks to screenplays – Anna Sofia Rossholm6 Cinema as a detour: Ingmar Bergman, writer – Jan Holmberg7 Laughing through tears: the soundscape of Ingmar Bergman’s Smiles of a Summer Night – Alexis Luko 8 Sound, act, presence: classical music in the films of Ingmar Bergman—a lecture recital – Anyssa Neumann9 Film-musical moments in Ingmar Bergman’s films – Ann-Kristin Wallengren10 Where does music come from? Musical meaning and musical discourse in Ingmar Bergman’s films – Per F. Broman11 Bergman, Janov, and Autumn Sonata – Paisley Livingston12 Persona’s penis – Daniel Humphrey13 Battlefield family: Ingmar Bergman, Henrik Ibsen, and television – Michael Tapper14 Bergman/Birdman/Vogler: an ecocritical examination of the birds of Bergman – Linda Haverty Rugg15 Visionaries and charlatans: Ingmar Bergman’s filmmaking – Laura Hubner16 Imagined without dialogue: Sawdust and Tinsel and Dreams – Dan Williams17 The ghost in the machine: Saraband – Lars Gustaf Andersson18 Return to the bourgeoisie: Fanny and Alexander in Swedish politics – Erik HedlingIndex

Read more less

Book SynopsisIn Conversation with the Stars is an extraordinary collection of curated interviews with some of the key figures of Hindi cinema. The artists discuss the art and craft of films on the Film Companion platform. In each of the interactions, film critic Anupama Chopra deep dives into what makes an artist from Shah Rukh Khan to Ranbir Kapoor, Anushka Sharma to Priyanka Chopratick, providing a window into the people behind thearger-than-life persona. Through wide-ranging and in-depth discussions that make for a rich reading experience, these conversations also reveal how each of them grapple with both success and failure, and what it really means to be in the spotlight. This is a sparklingook into theives and work of some of the most glittering stars of Indian cinema.

Read more less

Book Synopsis

Read more less

Book SynopsisThis book is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies. Trade Review“This is a very interesting book … . Taiwan Literature in the 21st Century hence offers an extremely useful guide to the most important names, together with close analyses of their main works and is consequently highly recommended.” (Bradley Wintertion, taipeitimes.com, June 8, 2023)Table of ContentsIntroduction: Taiwan Literature in the 21st CenturyChia-rong Wu and Ming-ju FanPart One: The Reconstruction of History and Politics1. Democracy Detoured and a Narrator Detached in the Political Fiction of Lai XiangyinMing-ju Fan2. A Venture into Taiwan’s Political Changes and Historical MemoriesThrough Li Ang’s “Beef Noodle Soup”Yenna Wu3. Homegrown Stories: Gan Yao-ming’s FictionBert ScruggsPart Two: Genres, Forms, and Ideas4. Clipping Wings: A Chronicle and Wang Wen-hsing’s ArtSung-sheng Yvonne Chang5. Xia Yu, the Supreme StylistMichelle Yeh6. Everything Everywhere All at Once: The New Taiwan in Egoyan Zheng’s Science FictionWen-chi LiPart Three: Reflections upon Gender and Sexuality7. Chen Xue, Missing Fathers, and Queer AlternativesCarlos Rojas8. Sexuality and Trauma: Zhang Yixuan’s The Love that is Temporary and A Farewell LetterLinshan Jiang9. Liglav Awu, Child of the “Double Country”: the Clarion Voice of Indigenous Women in TaiwanFanny CaronPart Four: On Ethnicities and Races10. Through an Indigenous Lens: Syaman Rapongan’s Rewriting of Oceanic TaiwanChia-rong Wu11. Migrants of Today, Migrants of Tomorrow in Wu Ming-yi’s Literary WorksGwennaël Gaffric12. Anti-Japan or Becoming-Japanese: Li Yongping’s Writing on Japan in Postcolonial TaiwanMin-xu Zhan13. Huang Chong-kai and the Taiwanese Novel of IdeasNicholas Y. H. WongPart Five: Taiwan Literature in the Age of Globalization14. Escape and Return: Ghostly Representations of Home and Abroad in Kevin Chen’s “Summer Trilogy”Pei-yin Lin15. Sketches on a Blank Slate: Shawna Yang Ryan’s Future-oriented Memories of the PastIrmy Schweiger16. National Border on the Tip of Tongue: The Limit of Cosmopolitan Citizenship in Li Kotomi’s Count Down to Five Seconds of Crescent MoonSophia Huei-Ling Chen

Read more less

Book Synopsis

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book Synopsis

Read more less

Book SynopsisIn the genre of horror, elderly people are often used as a trope to evoke both a fear of death and a fear of aging. Old age is therefore equated with bodily, mental, or social decline. The contributors of this book investigate what exactly we are afraid of when we posit old age as a source of horror. The aim is to harness the thrills and pleasures of horror to think about how quality of life can be improved in old age and how elderly people can be better integrated in our ever fearful and suspicious societies.

Read more less

Book SynopsisWith black and white photographs, Cinema Through Rasa discusses the important works of the world cinema in the light of Rasa Siddhanta of the Indian classical aesthetics. Rasa Siddhanta was first mentioned in Bharata Muni's Na?yasastra the ancient treatise on dramaturgy. This book catalogues the major cinematic works in the light of Abhinavabharati a tenth-century commentary on the Na?yasastra by the great Kashmiri Saivite philosopher Abhinavagupta. Further, it outlines the links between puru?artha, the cultural value system of life pursuits in Indian tradition, and aesthetics while citing examples from the works of major directors such as Orson Welles, Luis Buñuel, Ingmar Bergman, Akira Kurosawa, Andrei Tarkovsky, Alfred Hitchcock, Carl Dreyer, Charlie Chaplin, Sergei Eisenstein, Robert Bresson and Satyajit Ray. Using contemporary scholars' interpretation of non-dualistic Kashmir Saivism tradition, Cinema Through Rasa aims to serve as a tribute to Abhinavagupta's genius, a commentary on important ideas such as rasa, nature of emotions, cinema and beauty along with a tryst with the masterpieces of the world cinema.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisThis is an examination of "The Night of the Hunter", Charles Laughton's only outing as a film director. It looks at the symbolism of the piece, at Willa, her throat cut sitting in the Model-T Ford, and the Preacher, a silhouetted threat on the horizon.Trade Review'Simon Callow...has written the book with with a full understanding of its textuality and with knowledge of its subject...some wonderful performances by the children.' - Filmwerk

Read more less

Book SynopsisThis book provides independent filmmakers and VFX artists with tools to work collaboratively and effectively on their low-budget films. Experts Shaina Holmes and Laurie Powers Going define common VFX needs and demystify the process of incorporating VFX into all stages of production. The book covers every step of the process, including when to consider using VFX, basics of 2D and 3D methodology, budgeting, virtual production, on-set supervision, and more. It provides tips and tricks to common VFX questions, such as color management and file types, along with practical solutions for the production team while on-set working with VFX scenes. The incorporation of testimonials from indie filmmakers and VFX/post production professionals brings a voice to both sides of the table and provides real-world scenarios for the techniques described. The book offers realistic lower-budget alternative solutions to achieving big-budget vision. This book is ideal for students on a micro bTrade Review“Visual Effects for Indie Filmmakers brings all the elements of the visual effects process into focus for indie filmmakers and students. If you want to be a professional and/or wrap your brain around ‘how’ the magic is created you’re in the right place.” —Matt Wallin, V.E.S., http://mattwallin.com/VCUarts“This is a bang-up terrific book. If you’re doing indie film, every so often you hit a single moment that’s worth years in experience or film school. Reading Holmes and Powers-Going on VFX is exactly that. It’s got all the how’s and why’s and lays out very on-the-ground knowledge that’s real-life usable. A practical manual for indie filmmakers that will make you smarter, more skillful and show you all the tricks.” —Ross Klavan, screenwriter, Tigerland et al“I wish this text existed before I ever attempted to make a film. So many young directors venture into filmmaking led solely by their creative drive while being completely in the dark on the technical aspects they will need to utilize to bring their visions to life. This book is their flashlight.” —Kevin Kölsch, director, Starry Eyes, Pet SemataryTable of ContentsPart I: The Fundamentals of the VFX Process 1. What Are Visual Effects? 2. The Craft 3. The Team Part II: Integrating VFX into the Filmmaking Process 4. Pre-Production 5. Security Concerns 6. Finding the Right VFX Team 7. Is VFX the Best Approach? 8. Planning for VFX Before Production 9. Production: Camera Matters 10. Production Practices for Cost-Effective VFX 11. Shooting Common VFX 12. Working with Specialized Production Teams 13. Fix-it-in-Post Consequences 14. VFX Needs While on Set 15. Post Production Part III: Emerging Technology 16. Virtual Production 17. Artificial Intelligence and Machine Learning

Read more less

Book SynopsisBring some of most exciting scenes and dastardly characters to life in this official colouring book featuring the iconic villains of the DC universe! Lex Luthor, The Joker, Harley Quinn - the DC universe is full of colourful evildoers. Now you can add your own creative flair to these baddies with this official DC colouring book, filled with ready-to-colour, detailed illustrations of all your favourite foes!

Read more less

Book SynopsisThe release of Star Wars in 1977 marked the start of what would become a colossal global franchise. Star Wars remains the second highest-grossing film in the United States, and George Lucas's six-part narrative has grown into something more: a culture that goes far beyond the films themselves, with tie-in toys, novels, comics, games and DVDs as well as an enthusiastic fan community which creates its own Star Wars fictions. Critical studies of Star Wars have treated it as a cultural phenomenon, or in terms of its special effects, fans and merchandising, or as a film that marked the end of New Hollywood's innovation and the birth of the blockbuster. Will Brooker's illuminating study of the film takes issue with many of these commonly-held ideas about Star Wars. He provides a close analysis of Star Wars as a film, carefully examining its shots, editing, sound design, cinematography and performances. Placing the film in the context of George Lucas's previous work, from his student shorts to his 1970s features, and the diverse influences that shaped his approach, from John Ford to Jean-Luc Godard, Brooker argues that Star Wars is not, as Lucas himself has claimed, a departure from his earlier cinema, but a continuation of his experiments with sound and image. He reveals Lucas's contradictory desires for total order and control, embodied by the Empire, and for the raw energy and creative improvisation of the Rebels. What seemed a simple fairy-tale becomes far more complex when we realise that the director is rooting for both sides; and this tension unsettles the saga as a whole, blurring the boundaries between Empire and Republic, dark side and light side, father and son. In his foreword to this new edition, Will Brooker discusses is how subsequent films in the series, specifically Rogue One (2016) and The Last Jedi (2017), foregrounded and developed the themes of opposition that are at the heart of Star Wars. He shows how Derridean theories of opposites which become undermined and subverted, and which change places are made more clear with hindsight and provide us with a useful lens for looking back at the 1977 Star Wars.Trade ReviewThe tone of this book is playful and thoughtful… A great stocking filler for the Star Wars geek in your life. * Irish Tech News *Table of ContentsForeword to the 2020 Edition Acknowledgments Introduction.- 1. Before Star Wars 2. Dirt 3. Order 4. Border Crossing 5. Notes 6. Bibliography 7. Credits

Read more less

Book SynopsisIn 1996 Trainspotting was the biggest thing in British culture. Brilliantly and aggressively marketed, it crossed into the mainstream despite being a black comedy set against the backdrop of heroin addiction in Edinburgh. Produced by Andrew Macdonald, scripted by John Hodge and directed by Danny Boyle, the team behind Shallow Grave (1994), Trainspotting was an adaptation of Irvine Welsh’s barbed novel of the same title. The film is crucial for understanding British culture in the context of devolution and the rise of ‘Cool Britannia’. Murray Smith unpicks the processes that led to Trainspotting’s enormous success. He isolates various factors – the film’s eclectic soundtrack, its depiction of Scottish identity, its attitude to deprivation, drugs and violence, its traffic with American cultural forms, its synthesis of realist and fantastic elements, and its complicated relationship to ‘heritage’ – that make Trainspotting such a vivid document of its time. Although it heralded a false dawn for British film-making,Trainspotting is, Smith concludes, both authentically vernacular and yet transnational in its influences and ambitions. In his afterword to this new edition, Murray Smith reflects on the original film 25 years after its release, and its 2017 sequel T2: Trainspotting also directed by Boyle. Smith also considers Danny Boyle's subsequent directorial career, with highlights including Slumdog Millionaire (2008) and the 2012 London Olympics opening ceremony.Table of ContentsAcknowledgements 1. Arriving 2 Young Americans 3 The City’s Ripped Backsides 4 Like Friends 5 A Bad Person 6 Speed of Life 7 Scoring Trainspotting 8 Black Magic Realism 9 Moving On Afterword to the 2021 edition Notes Credits

Read more less

Book SynopsisFrancis Ford Coppola's The Godfather, Part II (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster’s success is built upon inside information and on strategic planning. Michael and his father Vito’s days resemble those of the legitimate businessmen they aspire or pretend to be. Jon Lewis's study of Coppola's masterpiece provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film’s importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.Table of ContentsAcknowledgments 1. The Sequel 2. The Dissolve 3. The Sicilian Thing Credits

Read more less

Book SynopsisLaura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (played by Dinah Stabb), a white middle-class woman living in London in the 1970s who is transforming her place in patriarchal culture. The film is recognised as one of the most important avant-garde films to have emerged from Britain during the 1970s and a classic of feminist cinema. Kimberly Lamm's study of the film examines its kaleidoscopic array of cinematic strategies and poetic devices and how it explores issues of female representation, the place of motherhood within society and mother-daughter relationships. Lamm delves into the context of the film''s production and reception, considering its significance as the second collaboration between Mulvey and Wollen, and the ways in which it was inspired by Mulvey''s work on the male gaze. She goes on to position Riddles as an essay film, analysing its formal experimentations, including the use of direct address and found footage, the rejection of continuity editing and its groundbreaking, haunting electronic score by Mike Ratledge of Soft Machine. Finally, considering the voice of the Sphinx, Lamm highlights how Mulvey and Wollen work with sound and images to reconfigure visual pleasure and create conditions in which the full range of women's voices can be listened to, heard, and valued.

Read more less

Book SynopsisTrade ReviewYoussef Courbage and Emmanuel Todd totally recast the current debate about Islam and the West by focusing attention on some societal fundamentals and by debunking-once and for all-a number of myths. -- Nicolas Guilhot, editor of The Invention of International Relations Theory This articulate and elegant demographic study convincingly documents a general trend toward modernity in the Muslim world, from Morocco to Indonesia. It successfully refutes many Western prejudices towards Islam, especially those based on misconceptions about its religion. It should be required reading for Western policy makers as well as for the general public. -- Leon-Francois Hoffmann, Princeton University An insightful academic study of how the unrest and turbulence that characterizes large areas of the Muslim world are the results of demographic-rather than ideological-trends... Important reading. Kirkus Reviews I found this succinct book fascinating and recommend it. -- Patrick J. Ryan Commonweal Engaging for a general reader and rewarding for a specialist... Highly recommended. Choice Scholarly and engaging, this is an important work and one which deserves to be widely read. -- Sandra Berns Law Society Journal A positive, enlightening survey. The Midwest Book Review A primer in the demography of Muslim societies, a treatise on the causes and consequences of fertility decline, and a rejoinder to the 'clash of civilizations' argument. -- John Casterline Population and Development Review Written with clarity and elan. Review of Middle East StudiesTable of ContentsList of Figures and Tables Introduction: Clash of Civilizations or Universal History 1. The Muslim Countries in the Movement of History 2. Crises of Transition 3. The Arab Family and the Transition Crisis 4. Other Muslim Women: East Asia and Sub-Saharan Africa 5. At the Heart of Islam: The Arab World 6. The Non-Arab Greater Middle East 7. After Communism 8. Matrilocal Asia 9. Sub-Saharan Africa Conclusion Appendix Notes

Read more less

Book SynopsisLeading paleontologist J. David Archibald explores the rich history of visual metaphors for biological order from ancient times to the presentTrade ReviewJ. David Archibald is one of the leading paleomammalogists in the world, and one of the foremost experts on the biotic changes across the Cretaceous-Tertiary boundary. In this book, he shows a deep understanding of the chronology and iconography of the 'tree' as both an iconic metaphor and a conceptual device in the history of biology. -- Kevin Padian, University of California, Berkeley This book presents a fascinating trip through the history of imagery and conceptual frameworks used to understand the diversity and evolution of life. J. David Archibald has produced an authoritative and delightful text that will be relished by anyone interested in evolution, biodiversity, the history and philosophy of science, scientific art, or graphic design. -- David M. Hillis, University of Texas at Austin Through the long history of drawings and diagrams, J. David Archibald's magnificent new book shows us how people have depicted the diverse interrelated array of life: from linear chains and ladders up through modern evolutionary trees. Archibald's work makes it clear that these relationships have been sensed regardless of the competing ideas of how the patterns were formed: whether through supernatural causes or natural evolutionary processes. -- Niles Eldredge, author of Darwin: Discovering the Tree of Life Aristotle's Ladder, Darwin's Tree provides a fascinating insight into the way biologists use diagrams to show the history of evolution. David Archibald documents the story of these pictures in an engaging and refreshing style, ranging from beautiful early manuscripts and frescoes that display religious and human genealogical relationships, to the most modern phylogenetic trees that appear in scientific journals and textbooks. A great book for a biologist! -- Janet Browne, Harvard University Archibald's book is interdisciplinary, authoritative, well-written and complete, with a deep historiographic appreciation of its many subjects. Nature Aristotle's Ladder, Darwin's Tree will be intellectually stimulating for those interested in the history and philosophy of biology, and especially for those impressed by the importance of the visual for the construction of scientific knowledge. Reports of the National Center for Science Education Impressive and rather humbling... Cladistics Fascinating... A book that is very much worth reading by anyone who is interested in the conceptual heritage of phylogenetic trees. Systematic Biology Splendid... Aristotle's Ladder, Darwin's Tree is a wonderful book. Quarterly Review of Biology Illuminating... It has cross-disciplinary appeal, but will be more digestible to readers with prior knowledge of evolutionary theories. Journal of Historical Geography Rich in content, beautifully illustrated, and often thought-provoking, this book should be of interest to anyone interested in the history of visual representations in the life sciences... This is a book to think with. Archives of Natural History Incites curiosity. Journal of Vertebrate PaleontologyTable of ContentsPreface Acknowledgments 1. Blaming Aristotle 2. The Roots of the Tree of Life 3. Competing Visual Metaphors 4. Deciphering Darwin's Trees 5. The Gilded Age of Evolutionary Trees 6. The Waning and Waxing of Darwinian Trees 7. Three Revolutions in Tree Building 8. The Paragon of Animals References Index

Read more less

Book SynopsisOffers a process-based, patient-centered approach to palliative care that substantiates a radical reconsideration of our transition to deathTrade ReviewA pioneering work on research about dying and a treasury of knowledge about dying processes, this book will promote our understanding, care, and guidance of terminally ill persons. -- Pim van Lommel, cardiologist and author of Consciousness Beyond Life: The Science of the Near-Death Experience Monika Renz is able to partially lift the veil shrouding the mystery of death. Based on her vast experience with the dying, her book provides an intimate and rich account of the phenomenological experience of the dying process. -- Paul T. P. Wong, Trent University, president of the Meaning-Centered Counselling Institute A bold, probing investigation into how analogies and metaphors provide fresh access to dying as the ultimate mystery of human potential. A skillful analysis of patient vignettes render palpable many ineffable and unconscious dynamics of patients' experiences as they move from conventional ego-based schema through personal, transformative, beautiful, and even painful transitions. This insightful work is a compass for reducing suffering among the dying and the living. -- Bruce L. Arnold, University of Calgary This powerful book plumbs the existential depths of our ultimate transformation. Network ReviewTable of ContentsAcknowledgments Introduction: In Search of Inner Experiences of Dying 1. Dying and the Transformation of Perception 2. The Three Stages of Transition and Dignity 3. What Is Primordial Fear? "The 'I' Dies Into a 'Thou'" 4. Other Hearing: Beyond Space and Time 5. Metaphors of Transition 6. The Sites of Transition: Fear, Struggle, Acceptance, Family Processes, Maturation 7. Dying with Dignity: Indication-Oriented End-of-Life Care Epilogue Appendix Notes References Index

Read more less

Book SynopsisThe Wake of Crows is an exploration of the entangled lives of humans and crows. Focusing on five key sites, Thom van Dooren asks how we might live well with crows in a changing world.Trade ReviewA necessary and beautiful book, The Wake of Crows models the work of living responsibly inside both the humanities and the sciences in order to nurture still-possible worlds. This book shows us what collaborative efforts to enact multispecies communities mean, and might yet mean, in the context of ongoing processes of extinction and extermination. Moving through diverse sites of human/crow encounter, it offers insights into the fragile, situated, ongoing work necessary to cultivating ecologies of hope in troubled times. -- Donna Haraway, author of Staying with the Trouble: Making Kin in the ChthuluceneThe Wake of Crows is a thoughtful and captivating book that opens our imagination. Thom van Dooren shows us that accepting the challenge to coexist with crows without dreaming that they will come to behave as a loyal and grateful companion species might teach us priceless lessons at a time when we need to learn how to make room for many different, sometimes inconvenient, but so very interesting others. -- Isabelle Stengers, author of In Catastrophic Times: Resisting the Coming BarbarismWriting from a personal and scholarly perspective, Thom van Dooren takes us on a deep dive into the human-crow relationship that both informs natural history and lays bare the importance of expanding our own ethics to value all of life and our wonderful connections to it. -- John M. Marzluff, author of Gifts of the Crow and Welcome to SubirdiaThe Wake of Crows demonstrates yet another way that the humanities are integral to resisting species loss and plotting practices of living well together...holding open more inclusive ways of being at the edge of extinction requires the brave and urgent scholarship that animates [this book]. -- Nathaniel Otjen, University of Oregon * ISLE: Interdisciplinary Studies in Literature and the Environment *Table of ContentsAcknowledgmentsIntroduction: Making Worlds with CrowsExperimenting1. Interjecting Crows: Enacting Multispecies Communities. Brisbane, AustraliaStealing2. Spectral Crows: Conservation and the Work of Inheritance. The Big Island, Hawai‘iCooperating3. Unwelcome Crows: Hospitality in the Anthropocene. Rotterdam, NetherlandsFumigating4. Recognizing Ravens: Becoming Subjects Together. Mojave Desert, United StatesGifting5. Provisioning Crows: Cultivating Ecologies of Hope. Rota, Mariana IslandsAfterword: In the Wake of TyphoonsNotesReferencesIndex

Read more less

Book SynopsisJonardon Ganeri explores philosophical reflections from many of the world’s intellectual cultures, ancient and modern, on how each of us creates an inner world. This book is a thought-provoking consideration of the value—or peril—of turning one’s gaze inward for all readers who have sought to map the geography of the mind.Trade ReviewA work of dazzling compression and eclectic research . . . in little more than 100 eloquent pages. -- Kieran Setiya * Los Angeles Review of Books *Not every philosophical survey can be as learned and open-minded, or as attentive to subtle historical parallels and difference as Ganeri's. But books like this show how unexpected and challenging the history of philosophy can be when it chooses to probe and complicate the traditional distinctions between 'Wester' and 'non-Western' philosophy, between literary and scientific inquiry, between metaphorical and literal uses of language. * TLS *A worthy and compelling philosophical topic, one that Ganeri unfolds in insightful and often effective ways through brief encounters with literary and philosophical sources. * Theory and Event *I recommend to all of you this little book. It's refreshing and considering the times, an important distraction. -- Anna Maria Polidori * Articles and more... *Jonardon Ganeri’s book on inwardness does the most valuable thing a book can do: it gives pleasure and instruction at the same time. It raises numerous fascinating issues concerning inwardness from a variety of perspectives and explores them with delicacy and tact, inviting the reader to further reflection and exploration. -- Christopher Hamilton, author of Middle AgeIn elegant prose and in an admirable cosmopolitan spirit, Inwardness explores philosophic reflections worldwide, ancient and modern, on interiority, how each of us creates an inner world. -- Stephen Phillips, author of Yoga, Karma, and Rebirth: A Brief History and PhilosophyTable of ContentsPreambleExplorations in InwardnessLibraries Lined with MemoriesRashōmon’s EffectSelf-Illuminating BeingsThe Face as InterfaceHidden Layers WithinTroubles with DoublesDreams of DreamsMore “I”s Than “I Myself”To Say “I” Is to LieaPostscriptNotesSelect BibliographyIndex

Read more less

Book SynopsisThe Remnants of Race Science traces the influence of ideas from the Global South on UNESCO’s race campaign, illuminating its relationship to notions of modernization and economic development.Trade ReviewBrilliantly and provocatively, The Remnants of Race Science reveals that the so-called decline of racial thought in human biology was really just a substitution of other more flexible ideas of human difference—mostly from the Global South—for the rigid racist typologies of the Global North. This more inclusive refiguring of racial difference would make possible the economic ‘development’ of people once excluded from modernity—which meant in practice their neocolonial incorporation into the netherworlds of global capitalism. In this paradigm-shifting book, Gil-Riaño thus offers us a new ‘southern’ vocabulary to talk about racism and antiracism. -- Warwick Anderson, author of Colonial Pathologies: American Tropical Medicine, Race, and Hygiene in the PhilippinesStarting with scientific research from the Southern Hemisphere, this important book overturns the common story of antiracist science as simplistically rooted in rejecting fixed biological kinds. Drawing from a transnational archive, Gil-Riaño shows how so-called anti-racist science was caught up in projects of improvement that rested on a multitude of other racisms. -- M. Murphy, author of The Economization of LifeLatin Americanists have long maintained that race and biology are shaped by culture, social organization, and economic conditions. In this deeply researched study, Gil-Riaño shows how Latin American racial ideas shaped the post–World War II human sciences and UNESCO projects. The human sciences did not renounce racial explanation—as so many believe—but folded them into global ideas about economic development. -- Karin Rosemblatt, author of The Science and Politics of Race in Mexico and the United States, 1910-1950Offers useful historical context to current debates about how to successfully build solidarity in science and society. * Science *Table of ContentsAcknowledgmentsIntroduction: The Remnants of Race SciencePart I: Confronting Racism in the Southern Hemisphere, 1890–19511. Substituting Race: Arthur Ramos, Bahia, and the “Nina Rodrigues School”2. Relocating Race Science After World War II: Situating the 1950 UNESCO Statement on Race in the Southern Hemisphere3. Vikings of the Sunrise: Alfred Metraux, Te Rangi Hīroa, and Polynesian Racial ResiliencePart II: Race in the Tropics and Highlands and the Quest for Economic Development, 1945–19624. A Tropical Laboratory: Race, Evolution, and the Demise of UNESCO’s Hylean Amazon Project5. “Peasants Without Land”: Race and Indigeneity in the ILO’s Puno-Tambopata ProjectPart III: Engineering Racial Harmony and Decolonization, 1952–19616. A Brazilian Racial Dilemma: Modernization and UNESCO’s Race Relations Studies in Brazil7. A White World Perspective and the Collapse of Global Race Relations InquiryConclusion: “Racism Continues to Haunt the World”NotesIndex

Read more less

Book SynopsisThis book provides an accessible guide to making healthy diets from sustainable food systems available to all. Glenn Denning bridges the divisive worlds of science, policy, and practice and shares personal perspectives and insights gained over four decades working in more than fifty countries.Trade ReviewUniversal Food Security is an extraordinary book by an extraordinary individual. Glenn Denning offers a comprehensive approach to one of the world’s greatest challenges: how to feed humanity, including the poor and vulnerable, while protecting the Earth’s environment. The book covers an enormous range of topics with remarkable clarity and wisdom, drawing upon Denning’s long career as a world-leading practitioner, scholar, teacher, and policy advisor of agricultural systems. This book will educate, inspire, and help to guide today’s and future leaders in the global effort to achieve a world without hunger. -- Jeffrey D. Sachs, University Professor at Columbia University and president of the UN Sustainable Development Solutions NetworkGlenn Denning brings together a lifetime of experience as a development practitioner and teacher to present an extremely compelling story of what has worked and what has not in meeting the challenge of global hunger. This book is a must-read for all future development practitioners and aspiring policy experts. -- Prabhu Pingali, professor and founding director of the Tata-Cornell Institute for Agriculture and Nutrition at Cornell UniversityIt is hard enough to ensure food security during normal times. It is even harder during major shocks to the food production ecosystem. Glenn Denning’s book provides invaluable tools for the ‘first principles analysis’ to support policy makers, scientists, investors, and business leaders, who have to act quickly during times of crisis. It couldn’t have come at a better time as the world grapples with the shocks of the COVID-19 pandemic, war in Ukraine, and crushing inflation with high food and energy prices globally. -- Frannie Léautier, senior partner and CEO of SouthBridge InvestmentsThe strength of the book lies in the extraordinary experiences relayed as first-hand stories...there is no one else who brings this degree of high-level experience and influence to the table. -- C. Peter Timmer, Harvard University * The Developing Economies *Timely and well written...[this] important book is a call to all of us as well as for students and practitioners looking to transform our food systems and assist humanity at all levels. -- Dr. Francis Costello, Queen's University Belfast * The Irish News *This book, from the director of SIPA’s MPA in Development Practice, allows students to understand how the current food and climate crises are intertwined, and why geopolitics can aggravate them. Using science and evidence, it teaches us how to find a solution to these global challenges. -- Mauricio Cárdenas, Professor of Professional Practice in Global Leadership at Columbia University and former Minister of Finance, Colombia. * SIPA’s Top Summer Reads *But beyond the roadmap, Denning reminds us that the engine driving this transformation is practitioner-leadership, underscored by education and development. This book stands as a testament to the potential for meaningful change when individuals and institutions commit to reshaping our world, making universal food security not merely a dream but a tangible and sustainable reality. -- Dilara Ozer * Politics Today *Table of ContentsPrefaceList of AbbreviationsPart I. Context1. Prophets of Doom2. Green RevolutionsPart II. Knowledge3. Soil and Land4. Water Resources5. Seeds of Life6. Climate Change7. Human Nutrition8. Food Systems TransformationPart III. Strategy9. Sustainable Intensification10. Market Infrastructure11. Postharvest Stewardship12. Healthy Diets13. Social Protection14. COVID-19 and Food SecurityPart IV. Implementation15. More than a Miracle16. Learning to LeadAcknowledgmentsNotesBibliographyIndex

Read more less

Book SynopsisVoyages of Discovery is the definitive account of Frederick Wiseman’s career, offering a comprehensive analysis of the work of the leading documentary filmmaker in the United States. In this updated edition, Barry Keith Grant adds new material exploring the documentarian’s works since the 1990s.Trade ReviewBarry Keith Grant provides an updated version of his own singularly authoritative study of documentarian Frederick Wiseman’s astonishing range of films—from the controversial Titicutt Follies through such diverse examples as Meat, Missile, Model, Deaf, Blind, Public Housing, Ballet, and Belfast, Maine, to name a few. In his deeply informed study, Grant creates his own meticulous, yet accessible, “tapestry” of inquiry worthy of the same approach he credits Wiseman with adopting. Grant’s insightful readings of Wiseman’s carefully wrought compositions—and the happy accidents that sometimes occur—highlight colorful thematic threads woven to create the “reality fictions” Wiseman, in his own words, is producing. At the same time, Grant presents a capacious “mosaic,” placing Wiseman’s films in textured dialogue, not only with each other, but also with works of literature, art, theater, music, and dance, along with other films and Hollywood genres, that inform them. Grant explores Wiseman’s penetrating vision of institutional operations—the human interactions that sustain them and the ideological underpinnings beneath the “rules” that govern them. As Grant compellingly claims, Wiseman avoids providing viewers with easy answers. Voyages of Discovery powerfully uncovers the ambiguities inviting viewers to democratically, actively, and reflexively assess their own participation in, contributions to, and complicity within the cultural conditions Frederick Wiseman so evocatively observes. -- Cynthia Lucia, Rider UniversityVoyages of Discovery is one of the very best books of film analysis and scholarship that I've ever read. It is certainly the essential work about a major film-maker, whose films require special tools and sensitivities to discuss, which Grant possesses in abundance. This is a most useful work both for those just discovering Wiseman and those who think they know him. Great ideas abound on every page, and Grant's organization of the films is original and helpful. Exemplary as well are the carefully selected frame enlargements, which nicely support his close analysis of visual issues. Grant's ability to bring in relevant ideas from both film study and beyond it is the mark of an eminent scholar. That Grant discusses the entirety of Wiseman's prodigious output, in depth and entertainingly, is also quite an accomplishment. -- Stephen Mamber, author of Cinema Verite in America: Studies in Uncontrolled DocumentaryThis is the new edition we have been waiting for. Barry Keith Grant provides an essential companion to Frederick Wiseman, one of the most distinctive and prominent voices in US documentary. Voyages of Discovery offers perceptive and in-depth analyses of Wiseman's vast catalogue, ranging from the 1960s to his most recent work. Grant foregrounds the ways Wiseman's films have not only documented institutions but have challenged their established practices, encouraging audiences to meaningfully engage with and question the hierarchies and fraught political dynamics encountered in everyday life. This study matches the subtlety and resistance to reductive narratives found in Wiseman's own films, revealing why his work remains compelling and necessary viewing that continues to speak to the present day. -- Jeffrey Geiger, author of American Documentary Film: Projecting the NationThis revised edition of Voyages of Discovery is updated and expanded to cover Wiseman’s prodigious output over the decades since the original appeared. Supplemented and supported by a range of secondary sources from diverse fields spanning film studies, sociology, art history, and political science (among so many others), Grant develops a portrait of a working filmmaker that is informed and definitive. -- Michael Baker, Sheridan CollegeThe time is right for a second edition, and this year's 'revised and expanded' version rises to the occasion. * Journal of American Culture *Table of ContentsAcknowledgmentsPrefaceIntroduction1. Man with a Movie Camera2. American Madness: Titicut Follies (1967), High School (1968), Law and Order (1969), Hospital (1970), Juvenile Court (1974), Welfare (1975)3. The Big Parade: Basic Training (1971), Manoeuvre (1979), Missile (1988)4. Blood of the Beasts: Primate (1974), Meat (1976), Racetrack (1985), Zoo (1993)5. When Worlds Collide: Canal Zone (1977), Sinai Field Mission (1978), Model (1980), The Store (1983)6. The Bad and the Beautiful: The Cool World (1963), Seraphita’s Diary (1982)7. You and Me: Essene (1972), Blind (1987), Deaf (1987), Adjustment and Work (1987), Multi-Handicapped (1987), Aspen (1991)8. Love and Death: Near Death (1989)9. The Never-Ending Story: High School II (1994), Public Housing (1997), Domestic Violence (2001), Domestic Violence 2 (2002)10. Playtime: Ballet (1995), La Comédie-Française, ou L’amour joué (1996), The Last Letter (2002), La Danse—Le Ballet de l’Opéra de Paris (2009), Boxing Gym (2010), Crazy Horse (2011), National Gallery (2014), A Couple (2022)11. Our Town: Central Park (1989), Belfast, Maine (1999), State Legislature (2007), At Berkeley (2013), In Jackson Heights (2015), EX-LIBRIS: The New York Public Library (2017), Monrovia, Indiana (2018), City Hall (2020)FilmographyIndividual AwardsRetrospective ScreeningsNotesBibliographyIndex

Read more less