Description

Book Synopsis

In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).




Table of Contents

Introduction.- Fiction film and history.- Audiovisual history.- Film/history/experience.- Modeling and perceiving.- Immersion and empathy.- Experience and remembering.- Appropriation and refiguration.

Cinematic Histospheres: On the Theory and Practice of Historical Films

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    A Paperback by Rasmus Greiner

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      Book details

      Publisher Springer Nature Switzerland AG
      Published 20 May 2021
      ISBN-13 9783030705923
      978-3030705923
      ISBN-10 3030705927
      Also in:
      Entertainment Films, cinema Historiography

      Description

      Book Synopsis

      In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).




      Table of Contents

      Introduction.- Fiction film and history.- Audiovisual history.- Film/history/experience.- Modeling and perceiving.- Immersion and empathy.- Experience and remembering.- Appropriation and refiguration.

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