Films, cinema Books

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Book SynopsisOver the years, Mondo has received global recognition for its incredible art posters that bring to life classic films, TV shows, and comics in a refreshing and utterly striking new way, offering a unique perspective on everything from Star Wars to Robocop, Back to the Future, Jurassic Park, Game of Thrones, Godzilla, Kill Bill, and many, many more. For the first time, The Art of Mondo will bring together this much sought-after art in one deluxe volume that showcases the incredible ingenuity of the studio's diverse stable of artists whose vastly different styles are united by one guiding principle: limitless passion for their subject matter. This richly imaginative work is fueled by a love of pop culture that fans recognize and identify with, giving Mondo's output a rare and valuable synergy with its audience. While these posters are normally produced in a limited quantity and sell out in minutes, The Art of Mondo will allow fans to explore the studio's remarkable back catalog, including Olly Moss's iconic Star Wars trilogy work, Laurent Durieux's brilliantly subtle Jaws poster, and Tyler Stout's Guardians of the Galaxy art. Other key Mondo artists such as Jock, Martin Asin, and Aaron Horkey will also feature. Definitive, visually stunning, and filled with art that celebrates some of the biggest and best-loved properties in pop culture, The Art of Mondo will be the ultimate book for cult art fans everywhere.

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Book Synopsis1977 saw the release of a space fantasy like no other: Star Wars. With this Celebration Special, go behind the scenes to discover how this timeless classic was created. See the original version of the story that never made it to film; learn how George Lucas created the settings, spaceships and props; and where Tatooine really is. Including on-set anecdotes, fun facts, and revealing secrets from a galaxy far, far away!

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Book SynopsisThe Art and Making of Aladdin offers the ultimate behind-the-scenes look into the 2019 live-action adaptation of the Disney classic, Aladdin. The streets of Agrabah come to vibrant life in Disney's 'Aladdin', a live action adaptation of the studio's animated classic, which is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine, and the Genie who may be the key to their future. Filled with striking imagery and fascinating behind-the-scenes details, The Art and Making of Aladdin examines the creation of Disney's new live-action film Aladdin, a stunning adaptation of the classic animated film. This deluxe book features an in-depth look at lavish concept art, unit photography and other gorgeous visual details. Revealing interviews with filmmakers, cast, and crew members provide a unique insight into the Aladdin filmmaking experience through a beautifully designed exploration of the development of the film. The Art and Making of Aladdin is the ultimate visual treat for all fans of this Disney classic.

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Book SynopsisFans of J.K. Rowling''s Wizarding World will be enchanted by this replica of Newt Scamander''s case from Fantastic Beasts and Where to Find Them, complete with sound!Kit includes:- Collectible miniature replica of the case carried along on Newt''s adventures, complete with sound and movement of the Niffler''s hands coming out of the case- 48-page book filled with full-color imagery of Newt and his beloved beasts

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Book SynopsisThis is the definitive, the official, the most lavish, the completely-different-to-anything-done-before Pythons'' autobiography, reissued to coincide with the eagerly-anticipated live shows.Over forty years ago, a group of five Englishmen - and one wayward American - rewrote the rules of comedy. MONTY PYTHON''S FLYING CIRCUS, an unheralded, previously unseen half-hour show of sketches, hilarities, inanities and animations, first appeared on the BBC late one night in 1969. Its impact has been felt on the world ever since. From its humble beginnings, it blossomed into the most influential movement in modern comedy. THE PYTHONS'' AUTOBIOGRAPHY BY THE PYTHONS is a unique look at arguably the most important comic team of the modern age, with 64 pages of photographs, many culled from the team''s own personal collections, many more seen for the first time. This is the definitive word on all things Pythonesque.Trade Review'As this unique glimpse into the minds of Palin, Cleese, Idle, Gilliam, Jones and Chapman demonstrates, Monty Python's peculiar brand of animation and philosophy remains a one-off comic phenomenon that changed the course of comedy... Irreverent and hilarious... This energetic insight into their collaboration is a peculiarly Pythonesque testimony to the most influential British satire of all time.' OBSERVER 'There is ... some wonderful material in here. If you're the kind of person who entertains friends with word-perfect renditions of Python sketches, you'll love this book.' INDEPENDENT ON SUNDAY 'This hefty tome includes individual biographies of the Pythons, making the tale of their rise and fall more surreal and interesting.' THE HERALD

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Book SynopsisWho better to teach us mindfulness and wisdom than Mr. Spock, that beacon of calm, rational thought. With quotes from STAR TREK and timely insights about modern life this book will be your guide. In a universe that seems to have gone mad, we turn to mindfulness to restore sanity. When humanity has lost its way, it takes a Vulcan to raise an eyebrow at our folly and lead us towards the truth. After all, it's only logical ... The perfect holiday gift for the Star Trek fan in your life!Essays on focus, computers, social media, love, family, self-acceptance and more.Filled with actual quotes from Mr. Spock and Star Trek characters, along with black & white illustrations. Includes source listing from TV episodes.

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Book SynopsisEarly on a wartime winter's morning in 1941, the 8,000-ton cargo ship SS Politician ran aground in the beautiful but treacherous seas of Scotland''s Outer Hebrides. Among its cargo were 260,000 bottles of whisky destined for the American market a godsend to the local Eriskay islanders whose home-grown supply had dried up due to wartime rationing.News quickly spread and boats came from as far as Lewis, and before local excise officer Charles McColl could intervene, more than 24,000 bottles had been ''rescued''. Villages were raided as bottles of whisky were hidden in the most ingenious ways or simply drunk to get rid of the evidence. Meanwhile, official salvage operations foundered, and in order to pre-vent what the islanders themselves regarded as legitimate salvage, the hull of the Politician was dynamited.The story is well known through Compton Mackenzie's bestselling book Whisky Galore and the famous 1949 Ealing comedy of the same name. In this book, acclaimed journalist and Hebri

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Book SynopsisDirected by Robert Siodmak and Edgar G. Ulmer, and with a script by Billy Wilder, People on Sunday (Menschen am Sonntag) (1930) is now widely recognised as a landmark of Weimar cinema, which influenced Italian Neorealism and the New Wave cinemas of the 1960s, and set the template for indie' filmmaking as we now know it. This is the first study in English of this multi-faceted film, which not only launched the careers of renowned filmmakers, but which continues to influence contemporary culture, with references to it in popular television (Babylon Berlin), a playful remake, and a new score by experimental pop group Múm. Jon Hughes' study places the film in its historical context Berlin in the Weimar Republic and untangles the fascinating story of the making of People on Sunday, drawing on new archival research to challenge some of the misconceptions that surround it. Hughes provides fresh interpretations of the film's depiction of space and its play with contemporary gender and sexual politics, and situates it within both Weimar cinema and the later output of the filmmakers.

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Book SynopsisIf It's Purple, Someone's Gonna Die is a must-read book for all film students, film professionals, and others interested in filmmaking. This enlightening book guides filmmakers toward making the right color selections for their films, and helps movie buffs understand why they feel the way they do while watching movies that incorporate certain colors. Guided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states. For example, the author explains that films with a dominant red influence have themes and characters that are powerful, lusty, defiant, anxious, angry, or romantic and discusses specific films as examples. She explores each film, describing how, why, and where a color influences emotions, both in the characters on screen and in the audience. Each color section begins with an illustrated Home Page that includes examples, anecdotes, and tips for using or avoiding that particular color.Conversations with the author's colleagues - including award-winning production designers Henry Bumstead (Unforgiven) and Wynn Thomas (Malcolm X) and renowned cinematographers Roger Deakins (The Shawshank Redemption) and Edward Lachman (Far From Heaven) - reveal how color is often used to communicate what is not said. Bellantoni uses her research and experience to demonstrate how powerful color can be and to increase readers awareness of the colors around us and how they make us feel, act, and react. Learn how your choice of color can influence an audience's moods, attitudes, reactions, and interpretations of your movie's plot. See your favorite films in a new light as the author points out important uses of color, both instinctive and intentional. Learn how to make good color choices, in your film and in your world. Trade Review"Patti Bellantoni's If Its Purple, Someones Gonna Die has given us a highly entertaining exploration of the world of color and its impact on our emotions. Told through a careful analysis of motion pictures that have used color to enhance or define their characters or dramatic needs, we are given a lively and insightful view of our reactions to the film experience.Leading us gently but firmly through places we may have taken for granted, we find revelations that can be of real help to readers who use color to shape emotional responses to concepts, as well as physical environments. We can never again take theworld of color for granted." --Robert Boyle, four-time Oscar-nominated Production Designer (North by Northwest, The Birds, The Thomas Crown Affair, Fiddler on the Roof)"A wonderful idea and very impressive! Patti's book shows the importance of color in developing both character and story." --Henry Bumstead, two-time Oscar-winning Production Designer (To Kill a Mockingbird, The Sting, Unforgiven, Mystic River)"We see color--Patti Bellantoni feels color. She is passionate about how we (the audience) are affected by the use of color as an emotion in film. This book pulls me back into my favorite films and helps me look at them in a new way. The book is a first of its kind and a great asset for our students on the impact of cinematography and production design." --Judy Irola, ASC, Head of Cinematography,USC School of Cinema-Television"Bellantoni's evidence is confident and her examples are authoritative. Like Robert McKee's Story Seminars, hers is a breakthrough concept." --Sam L. Grogg, Ph.D, Dean, AFI Conservatory"There comes a point, as Bellantoni spins example after example, where it all suddenly clicks. The use of color in motion pictures is not just a happy coincidence, but a conscious artistic choice that wafts with concrete meaning through all of the film's language. Unconscious and primitive in many respects, conscious and sophisticated in many more, the use and choice of color in motion pictures depends on the filmmakers instinct and intellect, the pillars of all great art. No one can ever look at moving pictures the same way after steeping themselves in this excellent book of discovery."--Sam L. Grogg, Ph.D, Dean, AFI Conservatory"Color remains one of the filmmaker's greatest assets and opportunities. With the new arsenal of digital tools available, the range of options for color has grown dramatically in the last three years. For filmmakers, Patti Bellantoni's new book is a great resource for what is now possible."--Robert Hoffman, Vice President, Marketing, Technicolor Entertainment Services"Patti Bellantoni has opened our eyes to the power of color in our lives. Her book is an invaluable resource not only for film professionals but also for artists, writers, designers, psychologists, educators, healers, and all who seek a deeper understanding of visual experience." --Judith Searle, Author, The Literary Enneagram: Characters from the Inside Out"A fascinating exploration of how color affects our emotional perception of the world. Although Patti primarily discusses the impact of color in film, her book is an indispensable resource for all visual artists." --Ralph Funicello,Tony Award nominated Set Designer,Don Powell Chair in Set Design, San Diego State University"Patti does a wonderful job of dissecting color and its presence in film. She makes us aware of the visual path in our brain and how a film touches us. This is a critical concept as we contemplate the digital medium in film making!" --Beverly Wood Holt, Exec. VP Technical Services & Client Services, Deluxe Laboratories."This is a crossover book with a broad appeal and a longer life. It's not only about movies. It's about how people feel when they watch movies." Barnes & Noble manager, Los Angeles"In this book we are really watching movies through designer's eyes and what a refreshing examination it makes...Anyone with creative input into filmmaking will find this book a very useful guide in creating moods and emotions for an audience...This is the movie equivalent of having colour and its effect explained by Monet, it is that fresh and original...Anyone who works on a film set in any capacity will have their money's worth out of this movie colour guide for years to come." - www.ukfilmfinance.com "Patti Bellantoni's If It's Purple, Someones Gonna Die has given us a highly entertaining exploration of the world of color and its impact on our emotions. Told through a careful analysis of motion pictures that have used color to enhance or define their characters or dramatic needs, we are given a lively and insightful view of our reactions to the film experience. Leading us gently but firmly through places we may have taken for granted, we find revelations that can be of real help to readers who use color to shape emotional responses to concepts, as well as physical environments. We can never again take the world of color for granted." - Robert Boyle, four-time Oscar-nominated Production Designer (North by Northwest, The Birds, The Thomas Crown Affair, Fiddler on the Roof)"A wonderful idea and very impressive! Patti's book shows the importance of color in developing both character and story." - Henry Bumstead, two-time Oscar-winning Production Designer (To Kill a Mockingbird, The Sting, Unforgiven, Mystic River)"We see color - Patti Bellantoni feels color. She is passionate about how we (the audience) are affected by the use of color as an emotion in film. This book pulls me back into my favorite films and helps me look at them in a new way. The book is a first of its kind and a great asset for our students on the impact of cinematography and production design." - Judy Irola, ASC, Head of Cinematography, USC School of Cinema-Television"Bellantoni's evidence is confident and her examples are authoritative. Like Robert McKee's Story Seminars, hers is a breakthrough concept." - Sam L. Grogg, Ph.D, Dean, AFI Conservatory"There comes a point, as Bellantoni spins example after example, where it all suddenly clicks. The use of color in motion pictures is not just a happy coincidence, but a conscious artistic choice that wafts with concrete meaning through all of the film's language. Unconscious and primitive in many respects, conscious and sophisticated in many more, the use and choice of color in motion pictures depends on the filmmakers instinct and intellect, the pillars of all great art. No one can ever look at moving pictures the same way after steeping themselves in this excellent book of discovery."- Sam L. Grogg, Ph.D, Dean, AFI Conservatory"Color remains one of the filmmaker's greatest assets and opportunities. With the new arsenal of digital tools available, the range of options for color has grown dramatically in the last three years. For filmmakers, Patti Bellantoni's new book is a great resource for what is now possible."- Robert Hoffman, Vice President, Marketing, Technicolor Entertainment Services"Patti Bellantoni has opened our eyes to the power of color in our lives. Her book is an invaluable resource not only for film professionals but also for artists, writers, designers, psychologists, educators, healers, and all who seek a deeper understanding of visual experience." - Judith Searle, Author, The Literary Enneagram: Characters from the Inside Out"A fascinating exploration of how color affects our emotional perception of the world. Although Patti primarily discusses the impact of color in film, her book is an indispensable resource for all visual artists." - Ralph Funicello, Tony Award-nominated Set Designer, Don Powell Chair in Set Design, San Diego State University"Patti does a wonderful job of dissecting color and its presence in film. She makes us aware of the visual path in our brain and how a film touches us. This is a critical concept as we contemplate the digital medium in film making!" - Beverly Wood Holt, Exec. VP of Technical Services & Client Services, Deluxe Laboratories."This is a crossover book with a broad appeal and a longer life. It's not only about movies. It's about how people feel when they watch movies." - Barnes & Noble store manager, Los AngelesTable of ContentsPart I: RED: The Caffeinated ColorChapter 1: Powerful, Lusty, and DefiantChapter 2: Anxious, Angry, and RomanticPart II: YELLOW: The Contrary ColorChapter 3: Exuberant, Obsessive, and DaringChapter 4: Innocent, Cautionary, and IdyllicPart III: BLUE: The Detached ColorChapter 5: Powerless, Cerebral, and WarmChapter 6: Melancholy, Cold, and PassivePart IV: ORANGE: The Sweet and Sour ColorChapter 7: Warm, Naive, and RomanticChapter 8: Exotic, Toxic, and Natural EarthPart V: GREEN: The Split Personality ColorChapter 9: Healthy, Ambivalent, and Vital10: Poisonous, Ominous, and CorruptPart VI: PURPLE: The Beyond-the-Body ColorChapter 11: Asexual, Illusory, and FantasticChapter 12: Mystical, Ominous, and Ethereal

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Book SynopsisWhat Is Japanese Cinema? is a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form.Trade ReviewA compact, breezy, and stimulating summary of Japanese film history. . . . Yomota's book offers something largely absent from English-language writing about Japanese cinema: a Japanese perspective. -- Kazu Watanabe * Film Comment *A deft and engaging history of Japanese film. -- Roger Pulvers * Japan Times *An excellent history of Japanese film. Invaluable...Highly recommended. * Choice *No living scholar-critic of Japanese movies possesses Yomota Inuhiko's encyclopedic range and sheer passion for film. What Is Japanese Cinema? is a tour de force of filmic history: a concise and spirited account of how Japanese film came to be, illuminating carryovers from native theatrical traditions and the tensions lining the political history of modern East Asia. That Japanese cinema has all along been local, and—in its imperial ambitions, aesthetic power, or moral force—global in its reach, is a matter that this insightful book brings remarkably to light. -- Paul Anderer, author of Kurosawa's Rashomon: A Vanished City, a Lost Brother, and the Voice Inside His Iconic FilmsA famously rambunctious critic, Inuhiko Yomota proves to be an even better pedagogue. He deftly organizes Japan’s kaleidoscopic genres and film fashions into a totality you can grasp. Auteurs and stars sparkle above an omnivorous industry that metabolized traditional theater, popular manga, and Hollywood techniques into unmistakably Japanese forms. A swift, truly satisfying summary, What Is Japanese Cinema? is also just as vibrant and searching as its title, because its author is clearly in the thrall of his marvelous subject. -- Dudley Andrew, Yale UniversityWhat Is Japanese Cinema? goes beyond the auteurist criticism that tells a history of cinema as a compilation of masterpieces. Instead, the work locates cinema in the specific contexts of cultural history as well as technological history. Yomota Inuhiko's knowledge of and attentiveness to film theories and histories is incredible. -- Daisuke Miyao, University of California, San DiegoTable of ContentsNote on Names and Film TitlesPreface to the English TranslationIntroduction1. Motion Pictures: 1896–19182. The Rise of Silent Film: 1917–19303. The First Golden Age: 1927–19404. Japanese Cinema During Wartime5. Film Production in the Colonies and Occupied Lands6. Japanese Cinema Under American Occupation: 1945–19527. Toward a Second Golden Age: 1952–19608. Upheaval Amidst Steady Decline: 1961–19709. Decline and Torpor: 1971–198010. The Collapse of the Studio System: 1981–199011. The Indies Start to Flourish: 1991–200012. Within a Production Bubble: 2001–2011NotesIndex

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Book SynopsisThe definitive celebration of the visual imagery of the French New Wave.

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Book SynopsisOliver Reed may not have been Britain''s biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons.For the first time Reed''s close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again?Although the Reed myth is of Homeric proportioTrade ReviewThis is a brilliant and beguiling account of Reed’s life and times * Mail on Sunday *There is a great feeling of loss and tragedy at the core of Sellers’s biography. He is unflinching in the depiction of how awful Reed could be, but balances that with a strong sense of the love and affection he inspired in those around him. If nothing else, this highly readable book is a permanent reminder of just how exhausting it must have been to be Oliver Reed. * Glasgow Sunday Herald *For the first time, Reed’s close family has collaborated on a project about Reed himself, revealing a complex man behind the façade, a person of great passions and loyalties underscored by deep-rooted vulnerabilities and insecurities. With never-heard-before anecdotes and new interviews with family, friends and peers, What Fresh Lunacy Is This? is a revealing examination of his mould-breaking personality * Sight and Sound *Like Reed himself, the book might not be subtle but in places it’s hilariously funny and, by the end, oddly moving as well * The Observer *In this adulatory but always entertaining book, Sellers… shows that “Ollie” was a more interesting figure than the cartoon drunk of the tabloids * Sunday Times *What Fresh Lunacy Is This? is a nice, racy romp with Reed the rum-sodden rogue * Financial Times *

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Book SynopsisExamines the work of film director Celine Sciamma.

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Book SynopsisGuillermo del Toro's cult masterpiece, Pan's Labyrinth (2006), won a total of 76 awards and is one of the most commercially successful Spanish-language films ever made. Blending the world of monstrous fairytales with the actual horrors of post-Civil War Spain, the film's commingling of real and fantasy worlds speaks profoundly to our times. Immersing herself in the nightmarish world that del Toro has so minutely orchestrated, Mar Diestro-Dópido explores the cultural and historical contexts surrounding the film. Examining del Toro's ground-breaking use of mythology, and how the film addresses ideas of memory and forgetting, she highlights the techniques, themes and cultural references that combine in Pan's Labyrinth to spawn an uncontainable plurality of meanings, which only multiply on contact with the viewer. This special edition features an exclusive interview with del Toro and original cover artwork by Santiago Caruso.Table of ContentsAcknowledgments.- Introduction.- 1. The Horror(s) of War.- 2. Vidal and Amnesia.- 3. Ofelia and Memory.- 4. The End.- Coda: Interview with Guillermo del Toro.- Notes.- Credits.- Bibliography.

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Book SynopsisExplore all that Vulcan has to offer in an interactive guidebook. Drawing on 50 years of Star Trek TV shows, films, and novels to present a comprehensive guide to Spock's iconic home world, it covers every significant region, with historical, geographical, and cultural insights that bring the planet to life. Illustrated with classic Star Trek imagery and original illustrations. The perfect way to celebrate 50 years of Star Trek.

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Book SynopsisZombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.Table of ContentsContentsIntroduction: Wander and Wonder in ZombielandSarah Juliet LauroPart I. Old Schools: Classic Zombies1. Contagious Allegories: George RomeroSteven Shaviro2. Zombie TV: Late-Night B Movie Horror FestJeffrey Andrew Weinstock3. Viral Cultures: Microbes and Politics in the Cold WarPriscilla Wald4. Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of ZombiesElizabeth McAlister5. Slavoj Žižek, the Death Drive, and Zombies: A Theological AccountOla SigurdsonPart II. Capitalist Monsters6. Some Kind of Virus: The Zombie as Body and as TropeJen Webb and Samuel Byrnand7. Ugly Beauty: Monstrous Dreams of UtopiaDavid McNally8. Alien-Nation: Zombies, Immigrants, and Millennial CapitalismJean Comaroff and John Comaroff9. Zombies of Immaterial Labor: The Modern Monster and the Consumption of the SelfLars Bang Larsen10. Abject Posthumanism: Neoliberalism, Biopolitics, and ZombiesSherryl VintPart III. Zombies and Other(ed) People11. Zombie RaceEdward P. Comentale12. Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror FilmBarry Keith Grant13. Dead and Live Life: Zombies, Queers, and Online SocialityShaka McGlotten14. Dead and Disabled: The Crawling Monsters of The Walking DeadAnna Mae Duane 15. Trouble with Zombies: Muselmänner, Bare Life, and Displaced PeopleJon StrattonPart IV. Zombies in the StreetPreface: In Memoriam: The Toronto Zombie Walk (2003–2015)Sarah Juliet Lauro16. Zombie London: Unexceptionalities of the New World OrderFred Botting17. Spooks of Biopower: The Uncanny Carnivalesque of Zombie WalksSimon Orpana18. The Scene of OccupationTavia Nyong’o19. The Walking Dead and Killing State: Zombification and the Normalization of Police ViolenceTravis Linnemann, Tyler Wall, and Edward GreenPart V. New Life for the Undead20. Nekros: or, The Poetics of Biopolitics Eugene Thacker21. Grey: A Zombie EcologyJeffrey Jerome Cohen22. A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced CapitalismSarah Juliet Lauro and Karen Embry23. “We Arethe Walking Dead”: Race, Time, and Survival in Zombie NarrativeGerry CanavanAcknowledgmentsContributorsPrevious PublicationsFurther ReadingIndex

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Book SynopsisAlastair Sim was an enigmatic character both on and off the screen. His idiosyncratic style of acting in films such as The Belles of St Trinian''s endeared him to a cinema-going audience desperate to escape the day-to-day dreariness of an invasive, bureaucratic post-war Britain. In private, he was a curiously contradictory character, prejudiced and yet tolerant, thoughtful but sometimes inconsiderate. To examine the life of this extraordinary man, this biography contains original contributions from around thirty actors and actresses, including Sir Ian McKellen and Ronnie Corbett.It is supported by extensive research, including interviews with the playwright Christopher Fry, the television producer John Howard Davies and actors who appeared on stage with Alastair as far back as the 1940s. This book also explores Alastair''s life outside of films, including his marriage to Naomi Sim (whom he first met when she was twelve), his career as an elocution teacher, his extensive work on stage (including his theatrical endeavours with James Bridie), his championship of youth and his stalwart refusal to sign autographs.Alastair Sim offers a rare and fascinating insight into the life of one of Britain''s most respected and best-loved actors.

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Book SynopsisA Companion to Early Cinema is an authoritative reference on the subfield of early cinema. An international group of expert scholars interrogate major concerns in early cinema studies, such as exhibition, promotion, industry, pre-cinema, and film criticism, and take an ambitious look at ideas and themes that take the subject into the future.Trade Review"This book is an authoritative reference on the field of early cinema.It includes work by established and up-and-coming scholars that offers the cutting-edge research and original perspectives. Its 30 chapters are a must-have reference for those working in field." (Wonderpedia, 19 September 2013) "It goes without saying that it deserves to be on the library shelves of institutions where the subject forms part of the academic curriculum." (Reference Reviews, 1 June 2013) "One of the strengths of this substantial 'companion' is that it raises the issue of definition in a variety of provocative ways." (Sight & Sound, 1 February 2013) "The essays are well researched and display a refreshing diversity of approaches. Even as the discipline of cinema and media studies turns to newer media, early cinema continues to posses a certain allure." (Nineteenth Century Theatre and Film, Summer 2013)Table of ContentsList of Contributors viii Acknowledgments xiv Introduction 1 Nicolas Dulac, André Gaudreault, and Santiago Hidalgo Part I Early Cinema Cultures 13 1 The Culture Broth and the Froth of Cultures of So-called Early Cinema 15 André Gaudreault 2 Toward a History of Peep Practice 32 Erkki Huhtamo 3 “We are Here and Not Here”: Late Nineteenth-Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image 52 Tom Gunning 4 The Féerie between Stage and Screen 64 Frank Kessler 5 The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? 80 Giusy Pisano 6 The “Silent” Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac 99 Tami Williams Part II Early Cinema Discourses 119 7 First Discourses on Film and the Construction of a “Cinematic Episteme” 121 François Albera 8 The Discourses of Art in Early Film, or, Why Not Rancière? 141 Rob King 9 Sensationalism and Early Cinema 163 Annemone Ligensa 10 From Craft to Industry: Series and Serial Production Discourses and Practices in France 183 Laurent Le Forestier 11 Early American Film Publications: Film Consciousness, Self Consciousness 202 Santiago Hidalgo 12 Early Cinema and Film Theory 224 Roger Odin Part III Early Cinema Forms 243 13 A Bunch of Violets 245 Ben Brewster 14 Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching 257 Jan Olsson 15 “The Knowledge Which Comes in Pictures”: Educational Films and Early Cinema Audiences 277 Jennifer Peterson 16 Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization 298 Charles O ’ Brien Part IV Early Cinema Presentations 315 17 The European Fairground Cinema: (Re)defining and (Re)contextualizing the “Cinema of Attractions” 317 Joseph Garncarz 18 Early Film Programs: An Overture, Five Acts, and an Interlude 334 Richard Abel 19 “Half Real-Half Reel”: Alternation Format Stage-and-Screen Hybrids 360 Gwendolyn Waltz 20 Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema ’s Reading Public 381 Paul S. Moore 21 Storefront Theater Advertising and the Evolution of the American Film Poster 398 Kathryn H. Fuller-Seeley 22 Bound by Cinematic Chains: Film and Prisons during the Early Era 420 Alison Griffiths Part V Early Cinema Identities 441 23 Anonymity: Uncredited and Unknown in Early Cinema 443 Jane M. Gaines 24 The Invention of Cinematic Celebrity in the United Kingdom 460 Andrew Shail 25 The Film Lecturer 487 Germain Lacasse 26 Richard Hoffman: A Collector’s Archive 498 Richard Koszarski Part VI Early Cinema Recollections 525 27 Early Films in the Age of Content; or, “Cinema of Attractions” Pursued by Digital Means 527 Paolo Cherchi Usai 28 Multiple Originals: The (Digital) Restoration and Exhibition of Early Films 550 Giovanna Fossati 29 Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations 568 Nanna Verhoeff 30 Is Nothing New? Turn-of-the-Century Epistemes in Film History 587 Thomas Elsaesser Index 610

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Book SynopsisMichel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.Trade ReviewMichel Chion is the most influential sound scholar working today. In Music in Cinema, he examines film music through expansive, multiple lenses, combining histories of different practices with theoretical and analytical insights. Claudia Gorbman’s expert translation retains Chion’s engaging writing style, combining its quirky phrasing and shrewd observations. An intellectual delight. -- Caryl Flinn, University of MichiganEver since his first book on cinema, I have been fascinated by Michel Chion’s approach to sound, music, and speech in relation to the moving image. Without fail, he proposes startlingly original perspectives on movies ranging from the well-known to the rare and obscure. Music in Cinema combines new historical frameworks with significant aesthetic insights, illustrated through hundreds of films. -- Michel Marie, professor emeritus of film studies, University of Paris IIIMichel Chion is the world’s leading scholar of the film soundtrack, and Music in Cinema is one of his greatest works. Clearly written and jargon-free, this account of music in cinema will interest readers from students to film buffs to scholars. I appreciated Chion’s personal spin on this subject and found him making me reevaluate what I thought I knew about soundtrack music. -- Alan Williams, author of Republic of Images: A History of French FilmmakingA highly recommended title and a celebration of the two art forms: film music/film audio and the art of shooting pictures. * Pop Culture Shelf *Table of ContentsTranslator’s NotePrefaceIntroduction: Music Redefined by CinemaPart I: Historical Perspectives1. Dreams and Realities: 1895–19352. Classicism to Modernism: 1935–19753. Back to the Future: 1975–19954. Whither Film Music? 1996–2020Part II: The Three Faces of Music in Cinema5. Music as Element and Means6. Music as World7. Music as Subject, Metaphor, and ModelBy Way of ConclusionGlossaryNotesIndex

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Book SynopsisTHE TIMES #1 BESTSELLERTHE INSTANT NEW YORK TIMES BESTSELLEROne of Vogue's Best Books to Read in 2021One of O Magazine's 55 Most Anticipated Books of 2021One of Marie Claire's 25 Best 2021 Memoirs to Pre-Order Now'Electrifying.' The Sunday Times'A glorious, rogue, raw account ... It is funny; it is shocking; it is good.' The Times'Dangerous, alluring and misunderstood: Sharon Stone remains one of our best ever movie stars ... Her new book serves as a spectacular reminder of the outrageous fun of her Nineties fame and why she is more than due for contemporary respect.' Independent'Brawler, hillbilly, misfit, thief - the actress's memoir of her hardscrabble life, The Beauty of Living Twice, is a feast of yarns and jokes.' Daily Telegraph'While [The Beauty of Living Twice] contains some startling personal revelations, equally affecting is Stone's warmth and grace, qualities that, by the end, feel quite miraculous . . . Writing with zeal and urgency, Stone argues for a stronger legal system, for rape kits on police shelves to be processed, for better training for teachers and paediatricians. Above all, she offers a hopeful glimpse of life beyond trauma . . . The Beauty of Living Twice promises the possibility of improvement or redemption, of compassion and understanding, of living honestly.' The Washington Post Sharon Stone, one of the most renowned actresses in the world, suffered a massive stroke that cost her not only her health, but her career, family, fortune, and global fame. In The Beauty of Living Twice, she chronicles her efforts to rebuild her life, and the slow road back to wholeness and health. In an industry that doesn't accept failure, in a world where too many voices are silenced, Stone found the power to return, the courage to speak up, and the will to make a difference in the lives of women and children around the globe. Over the course of these intimate pages, Stone talks about her pivotal roles, her life-changing friendships, her worst disappointments, and her greatest accomplishments. She reveals how she went from a childhood of trauma and violence to a business that in many ways echoed those same assaults, under cover of money and glamour. She describes the strength and meaning she found in her children, and in her humanitarian efforts. And ultimately, she shares how she fought her way back to find not only her truth, but her family's reconciliation and love. Stone made headlines not just for her talent and beauty, but for her candour and her refusal to "play nice," and it's those same qualities that make this memoir so powerful. The Beauty of Living Twice is a book for the wounded, and a book for the survivors; it's a celebration of women's strength and resilience, a reckoning, and a call to activism. It is proof that it's never too late to raise your voice, and speak out.Trade ReviewIn this courageous, daring and tender-hearted memoir, Sharon Stone interrogates her own trauma and a myriad of losses and discovers the gift of clear seeing. The Beauty of Living Twice is so much more than a celebrity tell-all. It is an act of reckoning, contrition, and above all, love. -- Dani Shapiro, author of INHERITANCEStone's memoir opens with a scene in a hospital bed, where the iconic actress is battling a brain bleed. That near-death experience and its aftermath is a jumping off point, an opportunity to reflect on the jagged, unlikely path that led her from a small town in Pennsylvania to becoming one of America's hottest stars. But this is not your typical Hollywood autobiography. Brutally honest, restless and questing, Stone bravely grapples with her own imperfections with courage and candor. * O Magazine, #33 of Top 55 Most Anticipated Books of 2021 *Elegantly written with her wicked sense of humour on full display, the memoir is catnip for fans who have never managed to crack the exterior of the elusive star. * US Vogue *Table of Contents1: Death Becomes Me 2: What Is Home 3: Style 4: Kitchen-Sink Irish 5: An Education 6: Work 7: Role Models 8: Basic 9: Invisible 10: Dreams 11: Dancing Lessons 12: Answered Prayers 13: Cages 14: Choices 15: Karma 16: Hope 17: The Bull 18: Me Too 19: The Beauty of Living Twice i: Acknowledgments ii: Resource Guide

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Book SynopsisThe vision behind the creation of the new horror classic A Quiet Place and its sequel, A Quiet Place Part II, as told by the film's co-writer, director, and star John Krasinski.John Krasinski reveals the making of the shocking, near-silent film A Quiet Place, with dramatic behind-the-scenes photographs and running commentary about the journey to the silver screen.A Quiet Place portrays the struggle of the Abbott family to survive as the parents (Krasinski and Emily Blunt) raise their children in utter silence so as to not attract the alien evil that lurks in the surrounding forest. Released by Paramount Pictures, the film became a major box-office success and received critical acclaim for its atmosphere, direction, acting, and sound design. Also included are never-before-seen photographs and Krasinski's director's take on the much-anticipated sequel, A Quiet Place Part II, to be released May 2021. With a foreword

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Book SynopsisWritten by an academic and researcher with over twenty years'' experience in teaching and convening Media Studies courses, Media Studies: A Complete Introduction is designed to give you everything you need to succeed, all in one place. It covers the key areas that students are expected to be confident in, outlining the basics in clear jargon-free English, and then providing added-value features like case studies, and even lists of questions you might be asked in your seminar or exam.The book uses a structure that mirrors the way Media Studies is taught on many university courses. Chapters include essential coverage of the history, organization and production of the media industries, and regulation of the media. The analysis of media texts is covered in detail, as are the issues of identity and gender, the idea of globalization and the shifting face of social media in its many contexts.

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Book SynopsisWhile digging an extension to the London Underground Railway, workmen discover an object which might be an ancient Martian spaceship – and Professor Quatermass of the British Rocket Group investigates a mystery which prompts frightening revelations about the origins of humanity itself. Before 2001: A Space Odyssey and Doctor Who, Quatermass and the Pit was the paramount British science fiction saga in film and television. Kim Newman's fascinating study focuses on Roy Ward Baker's 1967 film, written by Quatermass creator Nigel Kneale for Hammer Films, but also looks at the origins of the Quatermass franchise in 1950s BBC serials and earlier films. Exploring the production and reception of the film and series, Newman assesses the lasting importance of this landmark franchise.Trade ReviewIt's great to see a Quatermass film getting the BFI Film Classics treatment in this timely addition to the series. * Sight & Sound *Kim Newman is one of Britain's finest genre commentators, and his writing here is illuminating ...a shrewd and penetrating introduction to Quatermass for the uninitiated, and a must-have for those who think they already know everything there is to know about Quatermass and his infernal pit. * Cinema Retro *A must-have page-turner... A book you will want to pick up and read every time you watch the classic film it is named after. * Fortean Times *Table of ContentsAcknowledgments.- Introduction.- 1 Contact Has Been Established.- 2 'Hob'.- 3 Ringstone Round.- Notes.- Credits.

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Book SynopsisFilm noir's popularity with cinema audiences, enthusiasts and scholars has remained unabated since post-war French critics began discerning a new trend in American film with the release of such stylish and atmospheric crime features as Double Indemnity and Murder, My Sweet.

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Book SynopsisThe Godfather Tarot includes an all-new tarot deck inspired by the classic film trilogy along with a companion book that profiles the characters, events, and cards.

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Book SynopsisExplore over eighty years of Batman history in this updated edition that features a wealth of new content, including a new chapter on acclaimed feature film The Batman. Featuring two new chapters and exclusive content from the new feature film The Batman, this updated volume tells the complete story of Batman across comics, TV, animation, film, video games, and beyond. Covering the complete history of Batman in vivid detail, this deluxe edition features exclusive commentary from the key creatives who have been instrumental in building the Dark Knight's ongoing legacy, including Neal Adams, Tim Burton, Paul Dini, Steve Englehart, Mark Hamill, Grant Morrison, Julie Newmar, Christopher Nolan, Denny O'Neil, Joel Schumacher, Scott Snyder, and Zack Snyder. Along with taking readers on an unparalleled journey into the creation of the most memorable Batman moments in the character's eighty-year history-from the "Knightfall" comics arc to Tim Burton's films and the Arkham video game series the book busts open the DC Comics and Warner Bros. archives to deliver an avalanche of never-before-seen visual treasures that are guaranteed to blow the minds of Batman fans everywhere. Filled with exclusive insert items that further deepen the reading experience, this updated edition of Batman: The Definitive History of the Dark Knight in Comics, Film, and Beyond, is the ultimate exploration of a true legend whose impact on our culture has no limits.

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Book SynopsisThrow the spookiest soiree of the season with this delightful cookbook and entertaining guide inspired by Tim Burton's iconic film The Nightmare Before Christmas. Is it Halloween? Christmas? Your birthday? No matter the occasion, this book will help you take your next dinner or event from routine to inspired-with a little help from Jack Skellington, Sally, Sandy Claws, and all their friends in Halloween Town. This book is divided into two parts. Part one includes over fifty recipes inspired by the movie-with options for sugar-free, gluten-free, and vegetarian guests. Part two includes detailed planning instructions for several complete The Nightmare Before Christmas-themed parties, including crafts for DIY decorations, activities, favors, and more. Bursting with vibrant photography and free downloadable templates for invitations, decorations, and more, this book is a must-have for fans everywhere.

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Book SynopsisPeter Cowie's book chronicles the life and the 60-year film and stage career of Bergman as he wrestles of themes of love, sex and betrayal with the figure of Death hovering overhead.Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused.Bergman's films stand alone as beacons in film history.' Wim Wenders

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Book SynopsisThe instant New York Times bestseller.Winner of 'Humour' – Goodreads Choice Awards, Best Books of 2023.Henry Winkler, launched into prominence by his role as 'The Fonz' in the beloved Happy Days, has transcended the role that made him who he is.Brilliant, funny, and widely-regarded as the nicest man in Hollywood (though he would be the first to tell you that it’s simply not the case, he’s really just grateful to be here), Henry shares in this achingly vulnerable memoir the disheartening truth of his childhood, the difficulties of a life with severe dyslexia, the pressures of a role that takes on a life of its own, and the path forward once your wildest dream seems behind you.Since the glorious era of Happy Days fame, Henry has endeared himself to a new generation with roles in such adored shows as Arrested Development, Parks and Recreation, and Barry, where he’s reveaTrade ReviewSmart and entertaining -- New York TimesYou want to brew him some tea, pat his arm. His tender memoir isn’t explicitly dishy. It’s an excavation of his challenges, pain and neuroses -- The Washington PostSharing memorable and funny behind-the-scenes moments, Being Henry entertains as an introspective, self-deprecating, and quite moving memoir from a versatile actor . . . The many, many fans Winkler has gathered over his 50 years in Hollywood won't be disappointed by this charming memoir -- BooklistThis charming autobiography of personal struggles during times of career success and challenge deserves a big thumbs-up -- Kirkus[An] inspirational story of one of Hollywood’s most beloved figures who became an unlikely TV screen icon and later a champion for those with dyslexia -- Associated Press

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Book SynopsisStar Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor. Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, wh

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Book SynopsisThe behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. From actual murder to magazine fiction to movie, the history of Double Indemnity is as complex as anything that hit the screen during film noir’s classic period. A 1927 tabloid sensation “crime of the century” inspired journalist and would-be crime-fiction writer James M. Cain to pen a novella. Hollywood quickly bid on the film rights, but throughout the 1930s a strict code of censorship made certain that no studio could green-light a murder melodrama based on real events. Then in 1943 veteran scriptwriter and newly minted director Billy Wilder wanted the story for his third movie. With tentative approval from the studio he hired hardboiled novelist Raym

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Book SynopsisEver since the premiere for the first Mickey Mouse cartoon in 1928, Disney has played a central role in American popular culture, which has progressively expanded to include a global market. The company positioned itself to be a central role in family entertainment, and many of its offerings – from films to consumable products – have deeply embedded themselves into not only the imaginations of children and adults, but also into the threads of one’s life experience. It is difficult to go through life without encountering one Disney product. Because of this, fans of Disney build connections with their favourite characters and franchises, some of which are fuelled further by Disney’s own marketing practices. Similarly, Disney responds to the cultural values of the era through its films and other media offerings. In this volume, scholars from varying backgrounds take a close look at facets of the Disney canon as more than agents of entertainment or consumption, and into underlying messages at the very heart of the Disney phenomenon: the cultural response that drives the corporation’s massive production and marketing machine. The relationship between Disney and its fans is one of loyalty and love, shaping cultural behaviours and values through the brand and its products. Disney responds in kind with a synergistic approach that makes it possible to experience Disney in any format at any given time. Primary readership will be academics, researchers, educators, scholars and students working in the fields of media and cultural studies, especially those interested in marketing and branding, and in the Disney Company in general. The accessible writing style and the range of topics covered make it suitable for postgraduate students and academics working in these fields, as well as third-year undergraduate students. The book will also appeal to academics working in the related fields of tourism studies, film and television studies and, given the focus of some of the chapters, in gender studies. Although academic in focus, the accessible writing style does mean that it may also have appeal to the non-academic reader and fans of Disney.Trade Review'[The] idea that [Disney] should continually renew itself to be in dialogue with the vagaries and vicissitudes of contemporary society is a throughline in the chapters that comprise Interpreting and Experiencing Disney: Mediating the Mouse, edited by Priscilla Hobbs. The volume is a welcome addition to this corpus, as many of its essays feel specific to 2020s America, a period of enormous flux and introspection characterized by popular protests and the removal of outdated statues. The book will interest scholars in the humanities and social sciences and the general public. One of the virtues of Hobbs’ volume is its concentrated focus, as many of the chapters feel connected. [...] In sum, this book is a significant contribution to Disney studies in that its authors point to the dialogical relationship Disney has historically had with American and European society. Like the Disney Company itself, Disney studies is presented as in constant evolution.' -- Noah Zweig, International Journal of Communication'Recommended - Upper-division undergraduates through faculty; general readers.' -- CHOICETable of ContentsIntroduction Part 1: Interpreting Disney Abbreviating Mickey Mouse: The art of remediation in Disney cartoons ‘You grow up to be a Duck fan in your mother’s womb': The bond between Finnish people and Donald Duck Toad, Alice, and Peter: From England to Disneyland and back again Egalitarian or stereotypical?: Gender representation in Disney feature fairy tales of the twenty-first century Father still knows best: Exploring the construction of traditional masculinity as depicted in portrayals of fatherhood in Disney Princess movies Poisoned apples: Womanhood in Disney’s Snow White A rhetoric of classism and reading cultures in Disney’s Beauty and the Beast Part 2: Experiencing Disney ‘Our cartoon city upon a hill’: Disneyland, Disney World, and American identity Can Small World ever be politically correct? Reading the Disney Princess attractions: Narrative adaptation, immersion, and control in the Magic Kingdom’s expanded fantasyland Online brand communities: A case study of Disney I’m Disney bound: Costuming as psycho-spiritual practice A journey from girl to womanhood: The influence of Disney Princess fashion on the female gender

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Book SynopsisThe Filmmaker's Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet, for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker's perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectivTable of ContentsIntroduction Part 1: VFX Fundamentals 1. Core Concepts 2. VFX as a Filmmaking Tool 3. From 2D to 3D 4. Separation Part 2: The Inside Look 5. The VFX Workflow 6. Workflow Case Studies Part 3: VFX in Production 7. Pre-production 8. On Set 9. Post-production 10. Realtime Rendering and Virtual Production 11. The Future Index

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Book SynopsisWorld Film Locations: Los Angeles Volume 2 is an engaging and highly visual city-wide tour of both well known and slightly lesser known films shot on location in one of the birthplaces of cinema and the screen spectacle'. It pairs 50 synopses of carefully chosen film scenes with evocative full-colour film stills. When the World Film Locations series was launched in 2011, with volumes on Los Angeles, New York, Paris and Tokyo, the world was a different place. Although interest in film locations has grown steadily for years as people seek to walk in the footsteps of their cinematic idols by visiting sites from their favorite movies the recent global lockdown seems to have only increased an appetite for cinetourism; prompting us to consider a second volume for one of the world's most evocative and enduring locations. The city of Los Angeles, with its meandering sun-baked sweep and beautifully fractured topography, continues to lure filmmakers into its clutches affording an endless pan

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Book SynopsisThis book offers a comprehensive film-by-film analysis of Spain’s most famous living director, Pedro Almodóvar. It shows how Almodóvar's films draw on various national cinemas and genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir. It also argues that Almodóvar's work is a form of social critique, his films consistently engaging with and challenging stereotypes about traditional and contemporary Spain in order to address Spain's traumatic historical past and how it continues to inform the present. Drawing on scholarship in both English and Spanish, the book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, scholars of contemporary cinema and general readers with a passion for the films of Pedro Almodóvar.Trade Review'Sánchez-Arce adds significantly to understanding of Almodóvar with these insightful close readings of his features—readings that employ a methodology blending feminism and formalism while situating the films in appropriate sociopolitical and historical contexts.'CHOICE‘The cinema of Pedro Almodóvar successfully manages the difficult task of finding new things to say about an auteur who has been widely written about and studied.’Dolores Tierney, Studies in Spanish and Latin American Cinemas“The cinema of Pedro Almodovar” is an intelligent, thoroughly researched study of all the films up to “Dolor y Gloria” (Pain and Glory, 2019), showing them to be nuanced and political reflections on a reckoning with Franco.' The Prisma -- .Table of ContentsIntroduction1 The early films: Pepi, Luci, Bom y otras chicas del montón and Laberinto de pasiones2 Kicking the habit: Entre tinieblas3 High windows and ugly aesthetics: ¿Qué he hecho yo para merecer esto?4 Faking Spain: Matador5 Other voices, other stories: La ley del deseo6 Pure theatre: Mujeres al borde de un ataque de nervios7 On the verge of a genre breakdown: ¡Átame!, Tacones lejanos and Kika8 The end of romance: La flor de mi secreto9 Circle lines and memory work: Carne trémula10 Remembering children: Todo sobre mi madre11 Still lives: Hable con ella12 Faking memory: La mala educación13 Motherlands: Volver14 Archaeology in the dark: Los abrazos rotos15 Visual seduction: La piel que habito16 'Crisis cinema': Los amantes pasajeros and JulietaAfterword: Dolor y gloriaFilmographyReferencesIndex

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Book SynopsisWhen she died in 1977, Joan Crawford was remembered as an icon of Hollywood''s Golden Age?until publication the following year of her daughter?s memoir, Mommie Dearest. Christina Crawford?s book was an immediate bestseller, combining the infrequently discussed topic of child abuse with the draw of Hollywood drama. But when Paramount Pictures released the film version, starring Faye Dunaway as Crawford, it was panned, and it remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter for its over the top the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule. Despite this, the movie was a commercial success and remains, four decades later, immensely popular as an unintentional camp classic. Based on new interviews with people connected to the book and the film?from cast and crew members to industry insiders?With Love, Mommie Dearest details the writing and selling of Christina''s book and the aftermath of its publication, as well as the filming of the motion picture, whose backstage drama almost surpassed what was viewed on-screen in the film.Hollywood historian A. Ashley Hoff explores the phenomenon, the camp, and the very real social issues addressed by the book and film.

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