Description

Book Synopsis
This book offers a comprehensive film-by-film analysis of Spain’s most famous living director, Pedro Almodóvar. It shows how Almodóvar's films draw on various national cinemas and genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir. It also argues that Almodóvar's work is a form of social critique, his films consistently engaging with and challenging stereotypes about traditional and contemporary Spain in order to address Spain's traumatic historical past and how it continues to inform the present. Drawing on scholarship in both English and Spanish, the book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, scholars of contemporary cinema and general readers with a passion for the films of Pedro Almodóvar.

Trade Review

'Sánchez-Arce adds significantly to understanding of Almodóvar with these insightful close readings of his features—readings that employ a methodology blending feminism and formalism while situating the films in appropriate sociopolitical and historical contexts.'
CHOICE

The cinema of Pedro Almodóvar successfully manages the difficult task of finding new things to say about an auteur who has been widely written about and studied.’
Dolores Tierney, Studies in Spanish and Latin American Cinemas

“The cinema of Pedro Almodovar” is an intelligent, thoroughly researched study of all the films up to “Dolor y Gloria” (Pain and Glory, 2019), showing them to be nuanced and political reflections on a reckoning with Franco.' The Prisma

-- .

Table of Contents

Introduction
1 The early films: Pepi, Luci, Bom y otras chicas del montón and Laberinto de pasiones
2 Kicking the habit: Entre tinieblas
3 High windows and ugly aesthetics: ¿Qué he hecho yo para merecer esto?
4 Faking Spain: Matador
5 Other voices, other stories: La ley del deseo
6 Pure theatre: Mujeres al borde de un ataque de nervios
7 On the verge of a genre breakdown: ¡Átame!, Tacones lejanos and Kika
8 The end of romance: La flor de mi secreto
9 Circle lines and memory work: Carne trémula
10 Remembering children: Todo sobre mi madre
11 Still lives: Hable con ella
12 Faking memory: La mala educación
13 Motherlands: Volver
14 Archaeology in the dark: Los abrazos rotos
15 Visual seduction: La piel que habito
16 'Crisis cinema': Los amantes pasajeros and Julieta
Afterword: Dolor y gloria
Filmography
References
Index

The Cinema of Pedro AlmodóVar

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    A Paperback / softback by Ana María Sanchez-Arce

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      View other formats and editions of The Cinema of Pedro AlmodóVar by Ana María Sanchez-Arce

      Publisher: Manchester University Press
      Publication Date: 13/12/2022
      ISBN13: 9781526167125, 978-1526167125
      ISBN10: 1526167123

      Description

      Book Synopsis
      This book offers a comprehensive film-by-film analysis of Spain’s most famous living director, Pedro Almodóvar. It shows how Almodóvar's films draw on various national cinemas and genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir. It also argues that Almodóvar's work is a form of social critique, his films consistently engaging with and challenging stereotypes about traditional and contemporary Spain in order to address Spain's traumatic historical past and how it continues to inform the present. Drawing on scholarship in both English and Spanish, the book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, scholars of contemporary cinema and general readers with a passion for the films of Pedro Almodóvar.

      Trade Review

      'Sánchez-Arce adds significantly to understanding of Almodóvar with these insightful close readings of his features—readings that employ a methodology blending feminism and formalism while situating the films in appropriate sociopolitical and historical contexts.'
      CHOICE

      The cinema of Pedro Almodóvar successfully manages the difficult task of finding new things to say about an auteur who has been widely written about and studied.’
      Dolores Tierney, Studies in Spanish and Latin American Cinemas

      “The cinema of Pedro Almodovar” is an intelligent, thoroughly researched study of all the films up to “Dolor y Gloria” (Pain and Glory, 2019), showing them to be nuanced and political reflections on a reckoning with Franco.' The Prisma

      -- .

      Table of Contents

      Introduction
      1 The early films: Pepi, Luci, Bom y otras chicas del montón and Laberinto de pasiones
      2 Kicking the habit: Entre tinieblas
      3 High windows and ugly aesthetics: ¿Qué he hecho yo para merecer esto?
      4 Faking Spain: Matador
      5 Other voices, other stories: La ley del deseo
      6 Pure theatre: Mujeres al borde de un ataque de nervios
      7 On the verge of a genre breakdown: ¡Átame!, Tacones lejanos and Kika
      8 The end of romance: La flor de mi secreto
      9 Circle lines and memory work: Carne trémula
      10 Remembering children: Todo sobre mi madre
      11 Still lives: Hable con ella
      12 Faking memory: La mala educación
      13 Motherlands: Volver
      14 Archaeology in the dark: Los abrazos rotos
      15 Visual seduction: La piel que habito
      16 'Crisis cinema': Los amantes pasajeros and Julieta
      Afterword: Dolor y gloria
      Filmography
      References
      Index

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