Films, cinema Books

6434 products


  • Taylor & Francis Ltd Mustang

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  • Taylor & Francis Ltd Indian Indies

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  • Taylor & Francis Ltd Understanding Korean Film

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  • Taylor & Francis Ltd Understanding Korean Film

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    Book SynopsisFilm viewing presents a unique situation in which the film viewer is unwittingly placed in the role of a multimodal translator, finding themselves entirely responsible for interpreting multifaceted meanings at the mercy of their own semiotic repertoire. Yet, researchers have made little attempt, as they have for literary texts, to explain the gap in translation when it comes to multimodality. It is no wonder then that, in an era of informed consumerism, film viewers have been trying to develop their own toolboxes for the tasks that they are faced with when viewing foreign language films by sharing information online. This is particularly the case with South Korean film, which has drawn the interest of foreign viewers who want to understand these untranslatable meanings and even go as far as learning the Korean language to do so. Understanding Korean Film: A Cross-Cultural Perspective breaks this long-awaited ground by explaining the meaning potential of a selectTable of ContentsTable of Contents LIST OF FIGURESLIST OF TABLESACKNOWLEDGEMENTS PRELIMINARIES1. INTRODUCTION 1.1 THE GLOBAL AGE OF KOREAN FILM 1.2. THE ONE-INCH BARRIER 1.3. FILM VIEWERS SEEK VISIBILITY 1.4. THE IMPORTANCE OF UNDERSTANDING KOREAN INTERACTIONS1.5. WHAT YOU WILL FIND IN THIS BOOK 2. THEORETICAL BACKGROUND 2.1. CALLS FOR VISIBILITY 2.1.1. Calls for Visibility in National Film Studies2.1.2. Current K-Film Literature 2.1.3. Defining Foreign 2.1.4. Invisibility in Translation and Foreignisation 2.1.5. Cultural Translation2.1.6. The Implications of (In)visibles 2.1.7. Cultural Appropriation and The Problems with Anglicisation 2.2. KOREAN COMMUNICATION: A BIRD’S EYE VIEW 2.2.1. Interactional Dynamics: A Socio-Pragmatically Rich Language2.2.2. Distance matters: Respect vs. Intimacy 2.2.3. Speech Styles2.2.4. Negotiating Respect and Intimacy: How to Modulate Expressions2.2.5. The Importance of Non-Verbal Communication 2.2.6. How This Culminates in Multimodal Invisibility in K-Film2.2.7. Summary: Socio-Pragmatic Invisibles in K-film Translation 3. THE KOREAN CULTURAL CONTEXT3.1. FIVE RELATIONS: THE FUNDAMENT OF NEO-CONFUCIANISM3.1.1. Parents and children 3.1.2. King and subjects3.1.3. Husband and Wife3.1.4. Age3.1.5. Siblings3.1.6. Womanhood 3.2. CONTEMPORARY CONFUCIAN CONTEXT3.2.1. Oryun in Contemporary Korea3.3. ADDITIONAL CONCEPTS TO FAMILIARISE YOURSELF WITH3.3.1. Han (한) 3.3.2. Jeong (정)3.3.3. Ansim (안심)3.3.4. Nunchi (눈치)3.3.5. Chemyeon (체면)4. SOCIO-PRAGMATIC STRATEGIES IN K-FILM4.1. HOW TO ADDRESS PEOPLE: ADDRESS TERMS AND SECOND PERSON PRONOUNS 4.2. NON-VERBAL HONORIFICS 4.3. MULTIMODAL MODULATION HYPOTHESIS4.4. HOW DO WE DEFINE A ‘SOCIO-PRAGMATIC PRIMITIVE’?4.4.1. Social Factors 4.4.2. Classifying the Politeness of Expressions 4.5. SOCIO-PRAGMATIC PRIMITIVES IN MORE CONCRETE TERMS4.5.1. Abbreviations and logical operators4.5.2. Reading conditional and defeasible logic 4.6. A SOCIO-PRAGMATIC TOOLBOX FOR INTERPRETING K-FILM 4.6.1. Non-Verbal Socio-Pragmatic Primitives4.6.2. Verbal Socio-Pragmatic Primitives4.6.3. Summary: Using socio-pragmatic primitives for film analysis and casual film viewing 5. CASE STUDIES5.1. SADO5.1.1. Context 5.1.2. Case Study 1: How to Irritate Your Neo-Confucian Father 5.1.3. Case Study 2: The Girl Doesn’t Know Her Place 5.2. GISAENGCHUNG5.2.1. Context5.2.2. Case Study 3: Why Did Mr. Kim Kill Mr. Park?5.3. 82 NYEONSAENG KIM JI-YOUNG5.3.1. Context 5.3.2. Case Study 4: What Happened to Ji-young at Chuseok? 5.4. TAEKSI UNJEONSA 5.4.1. Context 5.4.2. Case Study 5: He isn’t just having a hard time, he’s lost all hope. 5.4.3. Case Study 6: They’re good friends, it’s not just humorous5.4.4. Case Study 7: He’s not just saying sorry, he genuinely feels guilty5.4.5. Case Study 8: Skinship and the development of Sa-bok and Jürgen’s bond 5.5. CHINGU 5.5.1. Case Study 9: "You Wanna Die?" 5.5.2. Case Study 10: Frenemies5.6. JOPOK MANURA 5.6.1. Case Study 11: Who does Eun-jin respect?5.6.2. Case Study 12: How ‘Not’ to Meet Your Korean In-Laws 5.6.3. Case Study 13: 101 on Being a Woman: Uhhh Oppa!5.6.4. Case Study 14: From Gangster to Wife 5.7. HANYEO 5.7.1. Case Study 15: He’s Losing His Temper5.7.2. Case Study 16: Don’t Call Me Crazy! 5.7.3. Case Study 17: The Gohs’ Insincerity 5.7.4. Case Study 18: The Housekeeper's Apology 5.8. AI KAEN SEUPIKEU 5.8.1. Case Study 19: Stimulating Empathy, Korean Style!5.8.2. Case Study 20: Creating Poignancy in Language Use 5.8.3. Case Study 21: Defining Bad5.8.4. Case Study 22: Chief Park? Forget it, I’ll call you Min-Jae!6. CONCLUSION 6.1. BEYOND THE SUBTITLE 6.2. THE TERMS FOR UNDERSTANDING K-FILM 6.3. FILM RESEARCHERS AS TRANSLATORS6.4. THE FUTURE OF THIS RESEARCHBASIC MULTIMODAL GLOSSARY FOR K-FILM VIEWINGAPPENDIXREFERENCES FILMOGRAPHY INDEX

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  • Taylor & Francis Ltd Directing Actors

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  • Taylor & Francis Ltd Directing Actors

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    Directing Actors: A Practical Aesthetics Approach is the first book to apply the Practical Aesthetics acting technique to the craft of directing.Lee Cohn lays out a step-by-step, no-nonsense methodology for the director that includes a deep dive into the mechanics of storytelling, the rehearsal process, working with writers, and the practical realities of the director's job. Featuring end-of-chapter exercises, this book provides a clear and e?ective means of breaking down a script in order to tell a story with clarity, simplicity, and dramatic force and gives directors a clear working vocabulary that will allow e?ective communication with actors. The techniques in this book are applicable to any theatrical style and any media platform in which a director might work. Written in an accessible, conversational style, this book strips the process of directing down to its most essential components to explain how to become an actor's director.A must-rea

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  • Taylor & Francis Ltd Filmspanism

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  • Taylor & Francis Ltd The Routledge Companion to Latin American Cinema

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  • Taylor & Francis Ltd Emotion in Animated Films

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  • Taylor & Francis Ltd Collective Trauma and the Psychology of Secrets in Transnational Film

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  • Taylor & Francis Mongolian Film Music Tradition Revolution and Propaganda

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  • Taylor & Francis Ltd Images of Blood in American Cinema The Tingler to the Wild Bunch

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  • Taylor & Francis Holocaust Intersections Genocide and Visual Culture at the New Millennium

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  • Taylor & Francis Ltd Spanish Practices Literature Cinema Television

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  • Taylor & Francis The Virgin Suicides

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  • Taylor & Francis Orientalism and Reverse Orientalism in Literature and Film

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  • Taylor & Francis Orientalism and Reverse Orientalism in Literature

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    Book SynopsisAcknowledging the significance of Edward Saidâs Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange, and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization. What can a renewed or reconceptualized Orientalism teach us about the force and limits of our racial imaginary, specifically in relation to various national contexts? In what ways, for example, considering our greater cross-cultural interaction, have clichÃs and stereotypes undergone a metamorphosis in contemporary societies and cultures? Theoretically, and empirically, this book offers an expansive range of contexts, comprising the insights, analytical positions, and perspectives of a transnational team of scholars of comparative literature and literary and cultural studies based in Australia, Hong Kong, Japan, Malaysia, USA, Singapore, Taiwan, and Turkey. Working with, through and beyond Orientalism, they examine a Table of Contents1. Introduction: Resisting Orientalism; Part I: (Neo)Imperial Desire and Re(pro)ductive Stereotypes; 2. Masquerade, Mise-en-Scène and Female Harem Desire in Abdul the Damned (1935); 3. Zen and the Art of Cultural Cliché: Three Cinematic Pilgrimages to Japan in the New Millennium; 4. "Putting it My Way, but Nicely": Neocolonialism in Feminist Clothing in Andy Tennant’s Anna and the King (1999) and Rodgers and Hammerstein’s The King and I (1956); Part II: East-West Travel and Cultural Translation; 5. Steinbeck’s East of Eden: Progenitor of Chinese American Intertextual and Intercultural Encounters; 6. "The Impossibility of Knowing": Exoticism and East-West Intersections in the Travel Writings of Victor Segalen; 7. A Passage to the West: Globalization and the Refugee Crisis in Mohsin Hamid’s Exit West; 8. "Make the Best of Both Worlds": Utopianism in Aldous Huxley’s Island and D. T. Suzuki’s Social Thought; 9. Remote Translators: Translational Life Narrative in Edward Seidensticker and Donald Richie; Part III: Re-Orienting National History and Glocalizing Contexts; 10. Rethinking Rural China: Zhang Yimou’s Red Sorghum and the Roots-Searching Movement in a Post-Cultural Revolution Context; 11. China’s Orient in Fan de Siècle Culture; 12. Reorienting Sinophone America through "Sinophone Orientalism"; 13. Between Script and Genre: A Space Where East Meets West; Index

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  • Taylor & Francis Ltd Managing a Video Production Company

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  • Taylor & Francis Ltd Writing the Comedy Pilot Script

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  • Taylor & Francis Ltd Writing the Comedy Pilot Script

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  • Taylor & Francis Ltd Essential Revision for A Level Film Studies

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  • Taylor & Francis Ltd Gender and the Spatiality of Blackness in Contemporary AfroFrench Narratives

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  • Taylor & Francis Ltd Making Media

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  • Taylor & Francis Ltd Making Media

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  • Taylor & Francis Ltd Aesthetics of Film Production

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  • Taylor & Francis Ltd Aesthetics of Film Production

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  • Taylor & Francis Ltd Crisis Urbanism and Postcolonial African Cities in Postmillennial Cinema

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  • Taylor & Francis Ltd Crisis Urbanism and Postcolonial African Cities in Postmillennial Cinema

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  • Taylor & Francis Ltd Tamil Cinema in the TwentyFirst Century

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  • Taylor & Francis Ltd Healing Historical Trauma in South Korean Film and Literature

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  • Taylor & Francis Ltd The Early Transnational Chinese Cinema Industry

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  • Taylor & Francis Ltd Shakespeare and Indian Cinemas Local Habitations

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  • Taylor & Francis Hollywood Sound Design and Moviesound Newsletter

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  • Taylor & Francis Ltd Projection Design for Theatre and Live Performance

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  • Taylor & Francis Ltd Directing the Decades

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  • Taylor & Francis Ltd Create Stunning Renders Using VRay in 3ds Max

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  • Taylor & Francis Ltd Mastering the Pitch

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    Book SynopsisTold from the perspective of a Hollywood executive with nearly 20 years' experience professionally pitching and distributing film/TV projects, Mastering the Pitch reveals all the nuanced details of the pitching process.Readers will gain valuable insights into how the Hollywood system operates, improve their professional pitching skills and gain a competitive edge in getting their ideas from concept to greenlight. This book covers: how projects are packaged and developed before a pitch how a pitch presentation happens in a real-world setting the core concepts required to pitch each genre type how professional companies actually acquire a pitched project the legal workflows and financial details required to put a deal together examples of pitch documents, presentation materials and how these elements should be designed how to build your personal brand so that you're seen by Hollywood decision makers as someone caTable of ContentsDisclaimer; Introduction; Chapter One: What Makes a Project Worth Pitching?; Chapter Two: The Core Principles of Pitching; Chapter Three: Pitching Feature Films; Chapter Four: Pitching Scripted TV Shows; Chapter Five: Pitching Reality TV Shows; Chapter Six: Pitching Documentary, Factual and Current Event Pieces; Chapter Seven: Pitching Family, Tween and Children’s Content; Chapter Eight: A Quick Guide to Entertainment Law; Chapter Nine: A High Level Overview of Hollywood Finance; Chapter Ten: Real World Pitch Strategies; Appendices

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  • Taylor & Francis Ltd The Music of Film

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  • Taylor & Francis Ltd Crowdfunding and Independence in Film and Music

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    Book SynopsisThis book explores how independent film and music artists and labels use crowdfunding and where this use places crowdfunding in the contemporary system of cultural production. It complements an analysis of independence in film and music with the topic of crowdfunding as a firmly established form of financing cultural activity.In the second half of the 20th century, the concept of artistic independence was vital to classifying and distinguishing artists, their works, and labels or publishers who released them. However, during the last three decades, this term has become increasingly blurred, and some commentators argue that independence is in crisis. Can crowdfunding be the answer to this crisis? Some believe that it is, whereas others argue otherwise, seeing crowdfunding instead as just the next manifestation of this crisis. This dilemma is a starting point for the analyses of the relationships between crowdfunding and artistic independence conducted in this book, and will beTable of Contents1. Introduction; 2. Crowdfunding as a New Form of Financing Creative Activity; 3. Crowdfunding Independent Cinema; 4. Crowdfunding and Independence in Music; 5. Conclusions; References

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  • Taylor & Francis Ltd Big Screen Small Screen A practical guide to writing for flim and television in Australia

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