Film, TV and Radio industries Books
MP-NCA Uni of North Carolina Live from the Underground A History of College
Book SynopsisIn this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.Trade ReviewJewell . . . chronicles the rise, fall, and legacy of college radio in this sprawling and richly detailed account. . . . [Live from the Undeground] offers both an animated homage to college radio as a microcosm of American culture and reassurance for readers that the medium isn't dead. It's a fascinating deep dive."—Publishers Weekly An interesting and insightful look at how this nationwide phenomenon has sculpted American culture. . . . Live from the Underground teaches us the importance of listening to college broadcasters while supporting their experimental stations as sites of free speech and free expression critical to our Democracy."—Midwest Book Review
£78.40
University of Texas Press Television Rewired
Book SynopsisFrom Twin Peaks (including the 2017 return) to Girls, a veteran critic and scholar draws on decades of industry expertise and exclusive interviews with renowned creators to examine the rise of art television.Trade ReviewNochimson's book is well worth reading not only for its insights but for the dialogue and reflection it opens up among readers. * Lost in the Movies *Television Rewired is an essential contribution to the still-crystallizing critical definition of auteur television…from the unique perspective of a critic who has engaged with the medium in profound ways. * 25 Years Later *This book details the creative process of each of the series [that developed the concept of the television auteur], based on interviews and detailed research by the author…Recommended. * CHOICE *A lively and fascinating book...Throughout Nochimson is thoroughly consumed by the question of what constitutes television art, and what plausibly counts as a defense of its achievements; her prose is utterly compelling in its gentle unfolding of such complex and challenging questions. * New Review of Film and Television Studies *[Nochimson provides] solid, but accessible, insights into the process of auteur television expression....After reading Television Rewired, I learned a new vocabulary for television viewing. The book is not a judgment of what is good or bad. Nochimson expanded my appreciation for television by explaining exactly what it is I am watching. * Popular Culture Studies Journal *Table of Contents Introduction: The David Effect The Founding Titans: Men without Formula Chapter 1. David Lynch, Twin Peaks Chapter 2. David Chase, The Sopranos Chapter 3. David Simon, The Wire The Legacy: New Options, New Questions, Retooled Formulas Chapter 4. David Simon and Eric Overmyer, Treme Chapter 5. Matt Weiner, Mad Men Chapter 6. Lena Dunham, Girls Chapter 7. Backlash! Formula 2.0 Coda: The Return of David Lynch Acknowledgments Notes Bibliography Index
£25.19
New York University Press The Television Will Be Revolutionized Second
Book SynopsisTelevision, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. This edition addresses adjustments throughout the industry wrought by broadband delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere.Trade ReviewIn thissecond edition, Lotz not only updates us on developments over the past seven years; she digs deeper and thinks harder about the revolutionary changes taking place in the television today. An outstanding contribution to television studies and an invaluable guide for students, scholars, and professionals. -- Michael Curtin,co-director, Media Industries ProjectTelevision is anything but dead, but we are now fully into the post-network era that Amanda D. Lotz projected when this book was first published. An incredibly prescient book, setting many of the terms through which television studies has understood these changes, the revised edition updates its account to reflect an age when Hulu, Netflix, and Amazon are now competing for Emmy and Peabody Awards, when television content is being funded through Kickstarter, and where web series are diversifying whose stories get told. -- Henry Jenkins,co-author of Spreadable Media: Creating Meaning and Value in a Networked CultureTable of ContentsContents Preface ix Acknowledgments xv Introduction 1 1 Understanding Television at the Beginning of the Post-Network Era 21 2 Television Outside the Box: The Technological Revolution of Television 53 3 Making Television: Changes in the Practices of Creating Television 95 4 Revolutionizing Distribution: Breaking Open the Network Bottleneck 131 5 The New Economics of Television 167 6 Recounting the Audience: Measurement in the Age of Broadband 207 7 Television Storytelling Possibilities at the Beginning of the PostNetwork Era: Five Cases 233 Conclusion: Still Watching Television 263 Notes 279 Selected Bibliography 307 Index 321 About the Author 331
£55.25
Edward Elgar Publishing Ltd The Content, Impact, and Regulation of Streaming
Book SynopsisAlong with its interrelated companion volume, The Technology, Business, and Economics of Streaming Video, this book examines the next generation of TV-online video. It reviews the elements that lead to online platforms and video clouds and analyzes the software and hardware elements of content creation and interaction, and how these elements lead to different styles of video content.What are the models of this new content? What kind of cultural and societal acceleration can we expect? What are the societal implications of the next-generation media system? What problems are emerging? What kind of market power is emerging in media industries, around the world? And how can one deal with them? The author addresses these questions with facts and figures, ranging across technology, economics, communications studies, business, policy, and law. He reviews the regulatory options, and recommends a new approach for video media. Media professionals in academia, management, technology, policy and creative production will value the approachable yet thorough information presented in The Content, Impact, and Regulation of Streaming Video.Trade Review'In this two-volume tour-de-force on video, Noam nails the multi-dimensional answers to what is consumed and how it is consumed. The passage of video through programmable devices invites unconstrained transformation.' -- - Vint Cerf, VP and Chief Internet Evangelist, Google'These books show how the world's most impactful medium for entertainment, information, education and marketing will evolve -- and why. No one is more qualified to project and describe the future of the media business, technology and regulation than Eli Noam. Numerous authors have chronicled the media industry's past and present, but this is the first description I’ve seen of where it is going and what it will look like in the future.' -- Bob Zitter, Media Technology Advisor and former HBO Chief Technology Officer'Professor Noam sees technical advances driving dramatic change in such areas as digital video infrastructures and services, particular business models, and the reshaping of the media industry, such as around the market power of cloud video services. These developments raise major social and economic issues for regulators, such as around greater concentration. Professor Noam's insights will enable students, media scholars, practitioners and the policy community to anticipate these transformations and shape policy and practice in ways that will better serve the increasingly diverse interests of the public but also the vitality of digital age media.' -- - Emeritus Professor William H. Dutton, University of Southern California, US and Oxford University, UK‘Changing media consumers’ behaviors, further advances in digital technologies and a dramatic health and economic crisis, combine to transform the media and telecommunications industries. Eli Noam’s new books present us with current, comprehensive,in-depth, analyses of unprecedented dimensions. The Columbia Professor offers essential present and future industry perspectives to readers, scholars, students, managers and policy makers.’ -- - Gerard Pogorel, Professor of Economics Emeritus, Institut Polytechnique de Paris, Telecom Paris, CNRS Interdisciplinary Innovation Institute I3, France‘The Internet, now 50 years old, was not built for video, but today video is most of what it carries. Professor Noam does it for us again with his two volumes about the content of streaming video, in the broadest context, as next-generation television.’ -- - Bob Metcalfe, Internet Pioneer, now UTAustin Professor of Innovation and Entrepreneurship, USTable of ContentsContents: 1. Introduction: The Impending Revolution in Video Technology and its Impact on Media Content and Regulation 2. The Three Generations of TV 3. The Dynamics of Content 4. New-Style Content 5. Market Power in Cloud Video 6. Societal Impacts 7. Regulating Online Video Content: Models and Issues 8. Regulating Online Video Infrastructure: Issues and Institutions 9. Dealing with the Market Power of Video 10, Observations and Conclusions Index
£130.00
Edward Elgar Publishing Ltd The Technology, Business, and Economics of
Book SynopsisAlong with its interrelated companion volume, The Content, Impact, and Regulation of Streaming Video, this book covers the next generation of TV-streaming online video, with details about its present and a broad perspective on the future. It reviews the new technical elements that are emerging, both in hardware and software, their long-term trend, and the implications, and discusses the emerging ''media cloud'' of video and infrastructure platforms, and the organizational form of such TV.What kind of companies? What kind of business models? What kind of industries? What kind of impact on existing media? And what kind of market power in media industries, around the world? The author addresses these questions with facts and figures, ranging across technology, economics, communications studies, business, policy, and law.Media professionals in academia, management, technology, policy and creative production will appreciate the non-jargony yet thorough exploration of streaming online video in The Technology, Business, and Economics of Streaming Video.Trade Review‘This book is crucial reference material for any library or media economics collection. Highly recommended.’ -- N D Bowman, CHOICE‘In the not-too-distant future all television will stream from the cloud to many devices. Everyone who wants to benefit from this epiphany needs to take Eli Noam’s guidance. This particular vision of the future needs the most visionary person in the field and that is Professor Noam.’ -- Reed Hundt, Former FCC Chairman, US‘Eli Noam gets to the heart of the underlying causes of some of the most dramatic and important changes in our world. His focus on underlying the economics as well as the technology enriches our understanding and provides an excellent guide. This work is essential to anyone seeking a full understanding of the changes being wrought around us and how we might approach the critical policy and commercial questions that they raise.’ -- Ed Richards, Managing Partner/Founder, Flint Global Ltd and former CEO of Ofcom, the UK communications regulator‘In this two-volume tour-de-force on video, Noam nails the multi-dimensional answers to what is consumed and how it is consumed.’ -- Vint Cerf, A ‘Father of the Internet’ and Chief Internet Evangelist, Google‘The Internet, now 50 years old, was not built for video, but today video is most of what it carries. Professor Noam does it for us again with his two volumes about the content of streaming video, in the broadest context, as next-generation television.’ -- Bob Metcalfe, Internet Pioneer and Professor of Innovation and Entrepreneurship, University of Texas, US‘Professor Eli Noam, one of the world’s leading media economists, identifies key technical advances shaping media, policy and regulation for the digital age. His two volumes are must reading for anyone seriously interested in the future of the media—its business models, creative content, industry structure, and implications for policy and regulation.’ -- William H. Dutton, Emeritus Professor, University of Southern California, USA, and Oxford Martin Fellow and Founding Director, Oxford Internet Institute, University of Oxford, UK‘Changing media consumers behaviors, further advances in digital technologies and a dramatic health and economic crisis, combine to transform the media and telecommunications industries. Eli Noam’s new books present us with current, comprehensive,in-depth, analyses of unprecedented dimensions. The Columbia Professor offers its readers, scholars, students, managers, policy makers, essential present and future industry perspectives.’ -- Gerard Pogorel, Professor of Economics Emeritus, Institut Polytechnique de Paris, Telecom Paris, CNRS Interdisciplinary Innovation Institute I3, France‘These books show how the world’s most impactful medium for entertainment, information, education and marketing will evolve—and why. No one is more qualified to project and describe the future of the media business, technology and regulation than Eli Noam. Numerous authors have chronicled the media industry’s past and present, but this is the first description I’ve seen of where it is going and what it will look like in the future.’ -- Bob Zitter, Former HBO Chief Technology OfficerTable of ContentsContents: 1. Introduction: The Impending Media Revolution in Video Technology and its Impacts on Today’s and Tomorrow’s Media Industries 2. The Past Generations of TV Technology 3. Technology Innovation: Hardware 4. Infrastructure Platforms and Data Operations 5. Video Platforms 6. Market Power in Cloud Video 7. Business Models for Video Clouds 8. Interoperability and Integration Among Clouds and Other Providers 9. The Impact of Next-Generation Video on Traditional Media Companies and Industries 10. Observations and Conclusions Index
£125.00
Historic England London's West End Cinemas
Book SynopsisThe history of London’s West End cinemas dates back more than one hundred years. This book details all of them, in chronological order, totalling well over one hundred. The best of the West End’s cinemas were outfitted to a very high standard to match their role as showcases for new films, hosting press shows and premieres, as well as a being a magnet for film enthusiasts anxious to see films on exclusive premiere runs. Even now, when films are available everywhere at the same time, the West End’s cinemas are a vibrant attraction to visitors from all over the world as well as for Londoners having a night on the town. The oldest survivor is the Cineworld Haymarket, dating back to 1928 as a cinema. Other famous cinemas with a long history include the landmark Odeon Leicester Square and nearby Odeon West End as well as the Curzons in Mayfair and Soho, both replacing earlier picture houses. Many cinemas survive in other uses, such as the Rialto as a casino and the New Victoria as the Apollo Victoria live theatre. But here also are dozen of long vanished cinemas, some lasting only a few years and forgotten, others like the original Empire (1928 to 1961) – the largest cinema ever built in the West End – still living on in fond memory. There are interior views as well as exteriors of most of the cinemas, and over 50 illustrations are in full colour. This is a valuable and comprehensive addition to the history of the West End that will appeal to cinema enthusiasts as well as social historians and students of London and of architecture and design. Table of ContentsAcknowledgements Introduction Map – Victoria area Map – Inner West End Map – Outer West End The Cinemas [in chronological order] Some Club Cinemas Theatres as Cinemas Cinema Name Index
£25.65
Rutgers University Press Televisuality: Style, Crisis, and Authority in
Book SynopsisAlthough the "decline" of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and "loss-leader" event-status programming (War and Remembrance) to lower "trash" and "tabloid" forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how "import-auteurs" like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of "high theory."Trade Review“An original and outstanding contribution to television scholarship…. Illuminating both in its examination of television at a specific historical moment and in challenging common academic conceptions about the medium for their failure to engage with the historical changes in television production.— Allan D. Campbell, Velvet Light Trap “Engrossing and thought-provoking…. Televisuality points to a hole in television studies and highlights an interdisciplinary approach-combining the economic with the aesthetic and ideological-that could help to plug it.”— Matthew P. McAllister, Film Quarterly “With its combined attention to television aesthetic, economic, and technological aspects, it [is] a highly innovative book that question[s] a great deal of conventional wisdom.”— European Journal of Media Studies “This may be the most sophisticated study of the American television medium, industry, and aesthetic to date. Caldwell ranges through industry bumf and the academic bibliography to rescue the medium from theoretical simplifications. [An] insightful and allusive text that leaves virtually no familiar generalization unchallenged.”— Choice, Outstanding Academic Title “Televisuality is a theoretical term coined by John Caldwell in the mid-1990s to characterize a change in the look and practice of television programming. This change began around 1980 and continues to the present day. Describing and discussing television through the lens of televisuality requires one to consider television as a mode of mass communication reliant on popularity with viewers and created in an industrial context whose labor relations affect how shows are produced. Overall, the main identifying feature of ‘the televisual’ is ‘an excess of style.’ Thus, programs produced from the 1980s onward are likely to break with traditional ‘invisible’ production styles and to innovate in ways that call the viewer's attention to the constructedness of the show—that it is a televisual text and that the viewer is watching (or, in a best-case scenario, participating) in the construction of meaning through attraction to or investment in the style of the televisual text.”— Encyclopedia of Gender in Media Televisuality "Intense and complex."— Markus Stauff, University of Amsterdam “[A] well-researched volume.”— Library JournalTable of ContentsContents Preface Part I The Problem of the Image 1 Excessive Style: The Crisis of Network Television 2 Unwanted Houseguests and Altered States: A Short History of Aesthetic Posturing 3 Modes of Production: The Televisual Apparatus Part II The Aesthetic Economy of Televisuality 4 Boutique: Designer Television/Auteurist Spin Doctoring 5 Franchiser: Digital Packaging/Industrial-Strength Semiotics 6 Loss Leader: Event Status Programming/Exhibitionist History 7 Trash TV: Thrift-Shop Video/More Is More 8 Tabloid TV: Styled Live/Ontological Stripmall Part III Cultural Aspects of Televisuality 9 Televisual Audience: Interactive Pizza 10 Televisual Economy: Recessionary Aesthetics 11 Televisual Politics: Negotiating Race in the L.A. Rebellion Postscript: Intellectual Culture, Image, and Iconoclasm Acknowledgments Notes Bibliography Index
£30.40
Taylor & Francis Ltd Producing for the Screen PERFORM
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£135.00
Taylor & Francis Ltd Business and Entrepreneurship for Filmmakers Making a Living as a Creative Artist in the Film Industry
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£118.75
Taylor & Francis Ltd United Artists The Routledge Hollywood Centenary Series
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£135.00
Taylor & Francis Producing for TV and Emerging Media
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£51.99
Taylor & Francis Producing for TV and Emerging Media
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£171.00
Taylor & Francis Televisionâs Spatial Capital
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£135.00
Taylor & Francis Ltd The Early Transnational Chinese Cinema Industry
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£39.99
Taylor & Francis Ltd Risk in the Film Business
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£135.00
Taylor & Francis Ltd Sport Broadcasting for Managers
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£36.99
Taylor & Francis Ltd Sport Broadcasting for Managers
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£135.00
Taylor & Francis Ltd Investing in Movies
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£36.99
Taylor & Francis Ltd Investing in Movies
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£135.00
Taylor & Francis Global Film Policies
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£145.00
Taylor & Francis Media Imperialism in India and Pakistan
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£38.99
Taylor & Francis Ltd Film Policy International National and Regional Perspectives Culture Policy and Politics
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£128.25
Taylor & Francis No News is Bad News
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£57.71
Taylor & Francis Talking Radio An Oral History of American Radio in the Television Age An Oral History of American Radio in the Television Age
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£128.25
Taylor & Francis Ltd The Hidden Screen
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£130.06
Taylor & Francis Ltd Public Broadcasting and the Public Interest
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£135.00
Taylor & Francis Ltd Public Broadcasting and the Public Interest Media Communication and Culture in America Media Communication Culture in America S
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£48.99
Taylor & Francis Ltd The International Film Business
Book SynopsisExamining the independent film sector as a business on an international scale, author Angus Finney addresses the specific skills and knowledge required to successfully navigate the international film business.Finney describes and analyses the present structure of the film industry as a business, with a specific focus on the film (and entertainment) value chain and takes readers through the status of current digital technology, exploring ways in which this is changing the structure and opportunities offered by the industry in the future. The textbook provides information and advice on the different business and management skills and strategies that students and emerging practitioners will need to effectively engage with the industry in an international context. Case studies of films and TV, including Squid Game (2021), Parasite (2019), Game of Thrones (2011-2019) and The Best Exotic Marigold Hotel (2011), are supplemented by company case studiesTrade ReviewPraise for the first edition:"This really is the complete guide to today's film industry. Right up to date, but with a real understanding of the journey that the industry has taken to get here. Comprehensive and well researched; erudite and very readable. Quite simply the book that all practitioners and industry players alike have been waiting for. Many, I suspect, may pretend to themselves that they know it already, but privately will keep the book near at hand for constant reference and self assurance. I know I will."Ken Dearsley, Partner, DLA Piper Middle East LLP"This book successfully accomplishes what many others on the same topic have failed to do. It not only captures the excitement of the international film industry, but it also delves deeply into its structure and practices. The author uses to full advantage his first-hand knowledge of the film business to develop a comprehensive analysis that will have enduring value for both film insiders and readers that are fascinated by this industry."Joseph Lampel, Professor of Strategy and Innovation, Cass Business School, City University London"At last a book for the professional practitioners of filmmaking but accessible to the interested layman. The business of film, past, present and future, are researched in meticulous detail, helpful case studies and valuable personal observations. The book is full of insights into the digital age of distribution and production with a road map for the future development of the film business. If you are going to buy one book on the international business of film, this is it!"Sandy Lieberson, former President of Production, Twentieth Century FoxPraise for the first edition:'This really is the complete guide to today's film industry. Right up to date, but with a real understanding of the journey that the industry has taken to get here. Comprehensive and well researched; erudite and very readable. Quite simply the book that all practitioners and industry players alike have been waiting for. Many, I suspect, may pretend to themselves that they know it already, but privately will keep the book near at hand for constant reference and self assurance. I know I will.'Ken Dearsley, Partner, DLA Piper Middle East LLP'This book successfully accomplishes what many others on the same topic have failed to do. It not only captures the excitement of the international film industry, but it also delves deeply into its structure and practices. The author uses to full advantage his first-hand knowledge of the film business to develop a comprehensive analysis that will have enduring value for both film insiders and readers that are fascinated by this industry.'Joseph Lampel, Professor of Strategy and Innovation, Cass Business School, City University London'At last a book for the professional practitioners of filmmaking but accessible to the interested layman. The business of film, past, present and future, are researched in meticulous detail, helpful case studies and valuable personal observations. The book is full of insights into the digital age of distribution and production with a road map for the future development of the film business. If you are going to buy one book on the international business of film, this is it!'Sandy Lieberson, former President of Production, Twentieth Century FoxTable of ContentsList of illustrations, Introduction, Acknowledgements, PART 1: The film value chain, 1. The Winds of Change, 2. The Film Value Chain, 3. Development and the producer's role, 4. Development: The Writer and the Agent, 5. Green lighting films, 6. Sales and markets, 7. The Festival Circuit, 8. Film Finance, 9. Financing: The $20m investment case, 10. Risk Management: the role of the completion guarantor, 11, Co-production and co-financing, 12. Exhibition and the changing cinema experience, 13. Production: global challenges and change, PART 2: Users and the changing digital market, 14. Users, changing behaviour and market knowledge, 15. Marketing: from traditional to digital, 16. The Streaming Wars, 17. "Catch Me If You Can": The rise and rise of Netflix, 18. "Fandom land": The Chinese Star System, 19. "Winter is Coming": The Game of Thrones case study, 20. The "Metaverse": Generation Z and the Ticking Tok, PART 3: Business, leadership and management strategies, 21. The Legal Masterclass;, 22. Project Management and cognitive bias, 23. Business strategy, 24. Entrepreneurs and investors in the film industry, 25. Business Models 2.0, 26. The challenge of creative management, 27. "To Infinity and Beyond": The Pixar Case Study, 28. The Entrepreneur: interview with Simon Franks, Redbus Group, 29. Conclusions, Appendices: (1) The international sales agents and (2) International TV Distributors, Glossary, Bibliography, Index
£45.99
Taylor & Francis Ltd The Live Event Video Technician
The Live Event Video Technician covers terms, format types, concepts, and technologies used in video production for corporate meetings, concerts, special events, and theatrical productions.The book begins by providing a history of the industry and an overview of important roles and functions therein. It then discusses various display technologies such as LED walls and video projection, as well as video systems for converting and switching of various types of sources. Presenting the cornerstone formats, connectors, and methodologies of visual technology, this book offers a strong foundation to help readers navigate this ever-changing field. Written in an accessible tone, the book clarifies jargon and is an overarching source of knowledge for the role of the video technician, for which there has previously been little formal training.The Live Event Video Technician provides a wealth of practical information for students of media and communications courses
£31.99
Taylor & Francis Ltd Breaking into Factual TV
Book SynopsisSuccessfully entering the TV industry can be difficult to navigate. Breaking into Factual TV will guide you through the process from how to get your first job to how to make it at the top. Written in a clear and accessible way, author Zenia Selby demystifies the TV industry for new entrants and covers all the key roles including runner, researcher, assistant producer, producer and director. Selby reveals what no one ever tells you when you start working at a TV production company the chain of hierarchy, the most effective ways to network, and the best way to structure your work. The book will travel with you up your career ladder: as you progress from runner to researcher to producer to director, each section provides you with the blueprint you need to excel with every promotion and warns you of the pitfalls to avoid. Perspectives from industry professionals are provided throughout, with interviews with Mitchell Langcaster-James (The Only Way is Essex, QI, and Celebs Table of Contents1. Breaking In 2. Working as a Team 3. Runner 4. Researcher 5. Assistant Producer 6. Producer 7. Director
£35.76
Taylor & Francis Ltd MGM
Book SynopsisThe winner of the 2019 Peter C. Rollins Book AwardThis is the first comprehensive history of MGM from its origins in 1905 to the present. Following a straightforward chronology corresponding to specific periods of film industry history, each chapter describes how successive managements adjusted their production strategies and business practices in response to evolving industrial and market conditions.As the production subsidiary of the Loew's Inc. theatre chain, MGM spent lavishly on its pictures and injected them with plenty of star power. The practice helped sustain MGM's preeminent position during the heyday of Hollywood. But MGM was a conservative company and watched as other studios innovated with sound and widescreen, adjusted to television, and welcomed independent producers. By the 1960s, the company, sans its theatre chain, was in decline and was ripe for a takeover. A defining moment occurred in 1969, when Kirk Kerkorian, a Las Vegas entrepreneur, madeTrade Review"Tino Balio, pioneering researcher into the structure and conduct of the American film business, offers a sweeping, in-depth account of a studio that is known for Hollywood’s most glorious rise and most shameful fall. This book will become a standard reference source on the studio that was for a time the supreme name in movie entertainment."David Bordwell, University of Wisconsin-Madison"Tino Balio, the well regarded author of numerous books on the motion picture business, including the definitive two volume history of United Artists, has written the best and clearest history of MGM, the most famous of the motion picture studios during the classical studio era. Drawing upon his extensive knowledge and research over many years, he has by-passed the sensationalistic and anecdotal stories to present a fascinating description of the motion picture business. No one could have done it better."Steve Jarchow, Regent EntertainmentTable of ContentsList of Figures Series Editor’s Preface Introduction Chapter 1: Marcus Loew and the Founding of Metro-Goldwyn-Mayer (1905-1924) Chapter 2: Building a Prestige Studio (1924-1928) Chapter 3: MGM According to Irving Thalberg (1929-1932) Chapter 4: Louis B. Mayer Reorganizes (1933-1939) Chapter 5: MGM at the Home Front (1940-1946) Chapter 6: Dore Schary: ‘A New Thalberg’ (1947-1958) Chapter 7: Adjusting to the Sixties (1959-1969) Chapter 8: Kirk Kerkorian and the Buying and Selling of MGM, Part 1 (1969-1985) Chapter 9: Kirk Kerkorian and the Buying and Selling of MGM, Part 2 (1985-2004) Chapter 10: MGM Holdings: The Coda (2004-2015) Bibliography
£36.99
Cambridge University Press Technology Television and Competition
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£31.08
Cambridge University Press Essentials of Modern Spectrum Management
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£23.99
Cambridge University Press The Business of Tv Production
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£42.74
Cambridge University Press New Television Old Politics
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£85.50
Cambridge University Press We Interrupt This Newscast
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£38.00
Cambridge University Press Essentials of Modern Spectrum Management
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£56.99
LUP - University of Michigan Press The Japanese Television Cartel
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£72.95
University Press of Kentucky The Oprah Phenomenon
Book Synopsis
£28.50
University Press of Kentucky The Warner Brothers
Book SynopsisTable of ContentsPrologue Manifest Destiny Incorporation, Innovation, Triumph, and Tragedy Battling Depression, Censors, and Stars Fighting Fascism, America Firsters, and the US Senate The War Years Postwar Politics, HUAC, and the Blacklist Last Gasp of Old Hollywood End of the Studio, End of the Family A New Hollywood Rises Coda Afterword Acknowledgments
£32.00
The University of Alabama Press Transmitting the Past Historical and Cultural
Book SynopsisThese essays represent some of the best cultural studies historical research on broadcasting in the US. The collection that represents scholarship, cultural and historical, on the intersection between the medium of broadcasting and American cultural, political, and economic life
£25.95
University Press of New England Lookout America The Secret Hollywood Studio at
Book SynopsisThe history of the Cold War film studio Lookout Mountain Laboratory
£45.90
Bloomsbury Publishing PLC Latin American Film Industries
Book SynopsisFilm production in Latin America is as old as cinema itself, but local film industries have always been in a triangulated relationship with Hollywood and European cinema. This book situates Latin American film industries within the global circulation of film production, exhibition and distribution, charting the changes that the industries have undergone from the sound era to the present day. Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, competition from television, and the transnational nature of Latin American film. She addresses production, exhibition, and distribution contexts and financing and co-production with Europe and the United States, as well as the role of film festivals in funding and circulating films both within and outside of Latin America. Newer trends such as the revival of protectionist measures like the screen quota are framed in contrast to the U.S.'s push for trade policy liberalization and issues of universal concern such as film piracy, and new technologies and the role of television in helping and hindering Latin American cinema.Trade Review[T]here is no denying that Falicov has done her research. The result is an ambitious and timely elucidation of contemporary Latin American cinema as a complex and highly varied set of interconnected national industries * The Journal of Cinema and Media Studies *Table of ContentsIntroduction.- Chapter 1.- The Historical Development of Latin American Film Industries.- Founding of the studio systems in Argentina, Brazil, Mexico.- The coming of sound and the issue of language.- The demise of the studio system.- State-supported filmmaking in Latin America.- Chapter 2.- Public Financing in Latin America.- Film Institute Support.- Co-production initiatives such as Programa Ibermedia.- Film festival financing such as the Hubert Bals Fund (Rotterdam).- Public television support.- Chapter 3.- The Role of the Private Sector.- The MPA as co-producer and distributor.- Television channels as investors.- Television-Film dynamics.- Chapter 4.- The Exhibition Sector and Audience Tastes.- The Evolution of Movie Theaters.- Segmentation of film industries.- Marketing Latin American film.- Chapter 5.- Going Global: Film Distribution and Film Festivals.- Film Distribution in Latin America.- Overview of Distribution Outlets.- Film Festival Opportunities for Distribution.- Financing via festival markets, labs, seminars.- Chapter 6.- Film Policy in Latin America.- Protectionist Policies: Are they working?.- Film Piracy in Latin America.- The Role of New Technologies in Exhibition and Distribution.- Emerging Industries in Latin America.- Conclusion.- Bibliography.- Tables and Charts.
£35.86
Monash University Publishing Now More than Ever: Australia's ABC
Book Synopsis
£19.53
Rutgers University Press Televisuality: Style, Crisis, and Authority in
Book SynopsisAlthough the "decline" of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and "loss-leader" event-status programming (War and Remembrance) to lower "trash" and "tabloid" forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how "import-auteurs" like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of "high theory."Trade Review“This may be the most sophisticated study of the American television medium, industry, and aesthetic to date. Caldwell ranges through industry bumf and the academic bibliography to rescue the medium from theoretical simplifications. [An] insightful and allusive text that leaves virtually no familiar generalization unchallenged.” * Choice, Outstanding Academic Title *“An original and outstanding contribution to television scholarship…. Illuminating both in its examination of television at a specific historical moment and in challenging common academic conceptions about the medium for their failure to engage with the historical changes in television production. -- Allan D. Campbell * Velvet Light Trap *“[A] well-researched volume.” * Library Journal *“With its combined attention to television aesthetic, economic, and technological aspects, it [is] a highly innovative book that question[s] a great deal of conventional wisdom.” * European Journal of Media Studies *“Engrossing and thought-provoking…. Televisuality points to a hole in television studies and highlights an interdisciplinary approach-combining the economic with the aesthetic and ideological-that could help to plug it.” -- Matthew P. McAllister * Film Quarterly *“Televisuality is a theoretical term coined by John Caldwell in the mid-1990s to characterize a change in the look and practice of television programming. This change began around 1980 and continues to the present day. Describing and discussing television through the lens of televisuality requires one to consider television as a mode of mass communication reliant on popularity with viewers and created in an industrial context whose labor relations affect how shows are produced. Overall, the main identifying feature of ‘the televisual’ is ‘an excess of style.’ Thus, programs produced from the 1980s onward are likely to break with traditional ‘invisible’ production styles and to innovate in ways that call the viewer's attention to the constructedness of the show—that it is a televisual text and that the viewer is watching (or, in a best-case scenario, participating) in the construction of meaning through attraction to or investment in the style of the televisual text.” * Encyclopedia of Gender in Media Televisuality *"Intense and complex." -- Markus Stauff * University of Amsterdam *Table of ContentsContents Preface Part I The Problem of the Image 1 Excessive Style: The Crisis of Network Television 2 Unwanted Houseguests and Altered States: A Short History of Aesthetic Posturing 3 Modes of Production: The Televisual Apparatus Part II The Aesthetic Economy of Televisuality 4 Boutique: Designer Television/Auteurist Spin Doctoring 5 Franchiser: Digital Packaging/Industrial-Strength Semiotics 6 Loss Leader: Event Status Programming/Exhibitionist History 7 Trash TV: Thrift-Shop Video/More Is More 8 Tabloid TV: Styled Live/Ontological Stripmall Part III Cultural Aspects of Televisuality 9 Televisual Audience: Interactive Pizza 10 Televisual Economy: Recessionary Aesthetics 11 Televisual Politics: Negotiating Race in the L.A. Rebellion Postscript: Intellectual Culture, Image, and Iconoclasm Acknowledgments Notes Bibliography Index
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