Film, TV and Radio industries Books

Book SynopsisFashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962''s Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the look' of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational James Bond lifestyle'.Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume departmTrade ReviewIntensely refreshing … This indispensable book opens up the closet on six decades of Bond clothing. Like Bond with his fashion choices, Dr Chapman bends the rules, refusing to confine herself to a single gender. For once, it’s not merely the men’s garments garnering all of the attention … a useful reference work for years to come - for men, women and those who are both, or neither. * Licence to Queer *A brilliantly researched survey that charts changing styles and examines how the Bond "look" influenced movie-goers' lifestyle aspirations and attracted brand placement, and how each 007 actor made those emblematic tuxedos their "own". * The Australian *This book uncovers the ingenuity involved in creating the costumes in James Bond films. From design to performance, it provides a thorough and insightful study of the many ways in which key characters were dressed both to impress and to kill. -- Sarah Street, University of Bristol, UKThis thoroughly researched and original book offers a comprehensive look at the role of fashion as an essential part of the James Bond films from the early 1960s to today. It is engagingly written and shows how sartorial design and elements of mise-en-scène have contributed to the fictional world of the 007 and film production more generally. By contextualizing the use of fashion in the James Bond films, it raises important questions on how the specific choices during the production processes had a seismic effect on costume, gender and identity. -- Tobias Hochscherf, Kiel University of Applied Sciences & Flensburg University, GermanyFashioning James Bond provides a fascinating and comprehensive history of fashion in, and inspired by the James Bond Franchise. The book draws on thorough archival research and as such provides a unique insight into the process of costuming Bond – bringing together production studies, textual analysis and fashion history. -- Claire Jenkins, University of Leicester, UKLlewella Chapman’s Fashioning James Bond is an exciting contribution to Bond studies and beyond in its focus on the vital role played by costume and fashion in film with the accompanying questions of agency, labour and issues of gender that lie behind the image of the smartly tailored suits iconic to the franchise. Fashioning James Bond is meticulously assembled using its sources to give attention to the evolutions in 007's wardrobe and style. In this book Chapman gives us a wonderful historical account of how James Bond and also other characters in the films have been fashioned over the years, to provide detail on the costumes and those involved in bringing them to the screen. With this account Chapman reveals that if we look beneath the surface style and past the Savile Row mythology there is opportunity to closely examine an important part of the world of James Bond. -- Claire Hines, University of East Anglia, UKLike the fine detail on a GoldenEye Brioni suit, Oscar de le Renta gown from Licence to Kill or Angelo Vitucci piece from The Spy Who Loved Me, the glory of Chapman’s project here is in the research stitching and the academic fabric of her execution … From anecdotes about the cutters of London’s W1 to the tailoring wars, the boutique rivalries and the unwieldy eccentrics through to how a Bond actor walks into that world and the ideas bounce about again, this is a cracking study of what is more than brand identity and onscreen heroism. -- Mark O’ConnellIntensely refreshing … This indispensable book opens up the closet on six decades of Bond clothing. Like Bond with his fashion choices, Dr Chapman bends the rules, refusing to confine herself to a single gender. For once, it’s not merely the men’s garments garnering all of the attention … a useful reference work for years to come - for men, women and those who are both, or neither. * Licence to Queer *Table of ContentsIntroduction 1: ‘My tailor… Savile Row’: Sean Connery (1962) 2: ‘Fitting Fleming’s hero’: Sean Connery (1963-1967) 3: The Man with the Midas touch: Lifestyle, fashion and marketing in the 1960s 4: ‘Coming out of Burton’s short of credit’: George Lazenby (1969) 5: ‘Provided the collars and the cuffs match’: Sean Connery (1971) 6: ‘Licence to frill’: Roger Moore (1971-1975) 7: Breaking his tailor’s heart: Roger Moore (1976-1980) 8: ‘You can always spot a Hayward’: Roger Moore (1980-1985) 9: Licence to tailor revoked: Timothy Dalton (1987-1989) 10: Cool Brioni: Pierce Brosnan (1995-2002) 11: Slick trigger suits: Daniel Craig (2005-2008) 12.You travel with a tuxedo? Daniel Craig (2010 – 2015) Conclusion Appendix Glossary Bibliography Index

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Book Synopsis''Smart, fresh and romantic . . . I loved this book with my whole heart'' BETH O''LEARY ''Absolutely irresistible - funny, addictive and deliciously romantic'' ROSIE WALSH *****Nora''s life is about to get a rewrite . . .Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it''s her job. But when her husband leaves her and their two kids, Nora turns the collapse of her marriage into the best script of her life. When it''s picked up for the big screen and set to film on location at her picturesque Hudson Valley home, Nora''s life will never be the same - especially after world-famous Hollywood actor and former ''Sexiest Man Alive'' Leo Vance is cast as her ex-husband.The morning after the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He''ll pay a thousand dollars a day to stay for an extra week. Seven days: itTrade ReviewI loved this book with my whole heart. It's smart, fresh and romantic, full of humour and warmth. I didn't want to put it down * Beth O'Leary *Such a charming read * Curtis Sittenfeld *Absolutely irresistible - funny, addictive and deliciously romantic, this is exactly the sort of book we all need right now * Rosie Walsh *Wildly addictive and perfectly escapist, I have recommended this book to everyone! * Paige Toon *I love Nora. I love her voice. I love the romance. I love the pacing. I love that she's a mum. I love it all . . . It's got the vibes of Beach Read by Emily Henry, with the escapist glamour of Hollywood. Absolutely nails the comedy, the romance, and the sparkle. My favourite read of this year, and soon to be yours! * Lizzy Dent *I absolutely loved this book. It is the perfect combination of heart, drama and humour. Totally delicious, and perfect for summer * Holly McCulloch *Magical . . . As much a beautiful story of female agency and empowerment, as it is a tantalising love story. The kind of book you want to savour, yet can't help whizzing through. It's a dream read * Heat *Nora and Leo are both believable, engaging protagonists who I rooted for from the start * Daily Mail *This sparkling rom-com is fresh, funny and will make your heart soar with the romance of it! * My Weekly *I really liked this book, with Annabel Monaghan managing to bring that feature film feeling to the page . . . the perfect book for those looking for a second chance at love and even those who just love to get swept up in a story * MyLondon *So refreshing and different, I was reading late into the night. I defy you not to fall in love with Nora's story * Dani Atkins *Funny and good-hearted - a romance for romantics, a blending of the real and the deliciously unreal * Linda Holmes *This perfectly-scripted love story left me feeling the way all the best romances do: filled with hope and the feeling that true love always wins * Jill Santopolo *Such a freaking delight . . . Charming, funny, uplifting and completely captivating, I devoured it in three days * Elin Hilderbrand *Dreamy * The Handbook Magazine * Perfectly captures the apprehension and excitement of infatuation blended with life's complications * Washington Post *Irresistible . . . With pitch-perfect characters full of foibles and flaws, the work taps into genuine feelings as the characters fall in love. This is a winner * Publishers Weekly *A witty and poignant roller coaster that springs a delightful surprise * People *The perfect escape from reality * USA Today *Wryly observed escapism - romantic but never mawkish * Mail on Sunday *For fans of Book Lovers by Emily Henry . . . highlights single motherhood and the ways in which children can both complicate new romance and make it even more heartwarming. It's the feel-good book you didn't realize you needed * Reader's Digest *I urge you to read the brilliantly scripted (pun intended), smart, off-beat romance Nora Goes Off Script by Annabel Monaghan. I adored it * Book(ish) *

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Book Synopsis''Such a charming read'' CURTIS SITTENFELD ''Smart, fresh and romantic . . . I loved this book with my whole heart'' BETH O''LEARY ''Absolutely irresistible - funny, addictive and deliciously romantic'' ROSIE WALSH *****Nora''s life is about to get a rewrite . . .Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it''s her job. But when her husband leaves her and their two kids, Nora turns the collapse of her marriage into the best script of her life. When it''s picked up for the big screen and set to film on location at her picturesque Hudson Valley home, Nora''s life will never be the same - especially after world-famous Hollywood actor and former ''Sexiest Man Alive'' Leo Vance is cast as her ex-husband.The morning after the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He''ll pay Trade ReviewI loved this book with my whole heart. It's smart, fresh and romantic, full of humour and warmth. I didn't want to put it down * Beth O'Leary *Such a charming read * Curtis Sittenfeld *Absolutely irresistible - funny, addictive and deliciously romantic, this is exactly the sort of book we all need right now * Rosie Walsh *Wildly addictive and perfectly escapist, I have recommended this book to everyone! * Paige Toon *I love Nora. I love her voice. I love the romance. I love the pacing. I love that she's a mum. I love it all . . . It's got the vibes of Beach Read by Emily Henry, with the escapist glamour of Hollywood. Absolutely nails the comedy, the romance, and the sparkle. My favourite read of this year, and soon to be yours! * Lizzy Dent *I absolutely loved this book. It is the perfect combination of heart, drama and humour. Totally delicious, and perfect for summer * Holly McCulloch *Magical . . . As much a beautiful story of female agency and empowerment, as it is a tantalising love story. The kind of book you want to savour, yet can't help whizzing through. It's a dream read * Heat *Nora and Leo are both believable, engaging protagonists who I rooted for from the start * Daily Mail *This sparkling rom-com is fresh, funny and will make your heart soar with the romance of it! * My Weekly *I really liked this book, with Annabel Monaghan managing to bring that feature film feeling to the page . . . the perfect book for those looking for a second chance at love and even those who just love to get swept up in a story * MyLondon *So refreshing and different, I was reading late into the night. I defy you not to fall in love with Nora's story * Dani Atkins *Funny and good-hearted - a romance for romantics, a blending of the real and the deliciously unreal * Linda Holmes *This perfectly-scripted love story left me feeling the way all the best romances do: filled with hope and the feeling that true love always wins * Jill Santopolo *Such a freaking delight . . . Charming, funny, uplifting and completely captivating, I devoured it in three days * Elin Hilderbrand *Dreamy * The Handbook Magazine * Perfectly captures the apprehension and excitement of infatuation blended with life's complications * Washington Post *Irresistible . . . With pitch-perfect characters full of foibles and flaws, the work taps into genuine feelings as the characters fall in love. This is a winner * Publishers Weekly *A witty and poignant roller coaster that springs a delightful surprise * People *The perfect escape from reality * USA Today *Wryly observed escapism - romantic but never mawkish * Mail on Sunday *For fans of Book Lovers by Emily Henry . . . highlights single motherhood and the ways in which children can both complicate new romance and make it even more heartwarming. It's the feel-good book you didn't realize you needed * Reader's Digest *I urge you to read the brilliantly scripted (pun intended), smart, off-beat romance Nora Goes Off Script by Annabel Monaghan. I adored it * Book(ish) *

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Book SynopsisThe Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day.Trade Review"Its purpose is to explain the Hollywood 'industry' with industrial-strength clarity. Mission accomplished." (CHOICE)Table of ContentsAbout the Contributors. Figures and Tables. Preface. Introduction. Part I: The Structure of the Industry. 1. The Studio System and Conglomerate Hollywood. Tom Schatz. 2. Finance and Production: Creating the Film Commodity. Janet Wasko. 3. Distribution and Marketing in Contemporary Hollywood. Philip Drake. 4. Theatrical Exhibition: Accelerated Cinema. Charles Acland. 5. Ancillary Markets – Television: From Challenge to Safe Haven. Eileen R. Meehan. 6. Ancillary Markets -- Video and DVD: Hollywood Retools. Frederick Wasser. 7. Ancillary Markets -- Video Games: Promises and Challenges of an Emerging Industry. Randy Nichols. 8. Ancillary Markets – Recorded Music: Charting the Rise and Fall of the Soundtrack. Jeff Smith. Part II: Industry Dynamics. 9. Hollywood Labor Relations: The Effects of Media Concentration on the Film and Television Workforce. Susan Christopherson. 10. The Star System: Producing Hollywood Stardom in the Post-Studio Era. Paul McDonald. 11. Hollywood and the State: The American Film Industry Cartel in the Age of Globalization. Manjunath Pendakur. 12. Hollywood and Intellectual Property. Ronald V. Bettig. Part III: International Territories. 13. Hollywood and the World: Export or Die. John Trumpbour. 14. Britain: Hollywood UK. Paul McDonald. 15. France: A Story of Love and Hate. Joel Augros. 16. Germany: A Very Special Relationship. Peter Kramer. 17. Italy: The Rise and Fall of the Italian Market. Krishna P. Jayakar and David Waterman. 18. Latin America: How Mexico and Argentina Cope and Cooperate with the Behemoth of the North. Tamara L. Falicov. 19. East Asia: For Better of Worse. John A. Lent. 20. India: Hollywood’s Domination, Extinction and Re-animation (with thanks to Jurassic Park). Nitin Govil. 21. Australia and New Zealand: Expats in Hollywood and Hollywood South. David Newman. Index

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Book SynopsisThe Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day.Trade Review“Covers all levels of motion pictures from a business perspective … .This book examines the industry in contemporary marketing terms, and each essay clearly explains another aspect of American film as a business. THE CONTEMPORARY HOLLYWOOD FILM INDUSTRY is a truly indispensable book, and a pioneering effort in understanding cinema’s business aspects. It’s thorough study of the financial side of motion pictures, complete with full lists of sources after each insightful essay, is fascinating, enlightening, and instructive.” (RogueCinema.com, December 2008)Table of ContentsList of Figures viii List of Tables xii Acknowledgments xiii Notes on Contributors xiv Introduction: The New Contours of the Hollywood Film Industry 1Paul McDonald and Janet Wasko Part I The Structure Of The Industry 11 1 The Studio System and Conglomerate Hollywood 13Tom Schatz 2 Financing and Production: Creating the Hollywood Film Commodity 43Janet Wasko 3 Distribution and Marketing in Contemporary Hollywood 63Philip Drake 4 Theatrical Exhibition: Accelerated Cinema 83Charles Acland 5 Ancillary Markets – Television: From Challenge to Safe Haven 106Eileen R. Meehan 6 Ancillary Markets – Video and DVD: Hollywood Retools 120Frederick Wasser 7 Ancillary Markets – Video Games: Promises and Challenges of an Emerging Industry 132Randy Nichols 8 Ancillary Markets – Recorded Music: Charting the Rise and Fall of the Soundtrack Album 143Jeff Smith Part II Industry Dynamics 153 9 Labor: The Effects of Media Concentration on the Film and Television Workforce 155Susan Christopherson 10 The Star System: The Production of Hollywood Stardom in the Post-Studio Era 167Paul McDonald 11 Hollywood and the State: The American Film Industry Cartel in the Age of Globalization 182Manjunath Pendakur 12 Hollywood and Intellectual Property 195Ronald V. Bettig Part III International Territories 207 13 Hollywood and the World: Export or Die 209John Trumpbour 14 Britain: Hollywood, UK 220Paul McDonald 15 France: A Story of Love and Hate – French and American Cinema in the French Audiovisual Markets 232Joel Augros 16 Germany: Hollywood and the Germans – A Very Special Relationship 240Peter Krämer 17 Italy: The Rise and Fall of the Italian Market 251Krishna P. Jayakar and David Waterman 18 Latin America: How Mexico and Argentina Cope and Cooperate with the Behemoth of the North 264Tamara L. Falicov 19 East Asia: For Better or Worse 277John A. Lent 20 India: Hollywood’s Domination, Extinction, and Re-animation (with thanks to Jurassic Park) 285Nitin Govil 21 Australia and New Zealand: Expats in Hollywood and Hollywood South 295David Newman Index 307

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Book SynopsisTelevision in the Multichannel Age is a comprehensive, multidisciplinary approach to the history of multichannel television in all its forms from cable to direct-to-home satellite and beyond. Chapter by chapter, the book traces the evolution of cable television from its pre-historical origins in the late 1940s to the communications satellites and DBS distribution systems of the modern digital age, both in the U.S. and internationally. Guides the reader through the history of multichannel television from its origins in the 40s to the modern age Discusses factors that influence today's television landscape including government policy-making, emerging technologies, and the public's programming tastes Concentrates on domestic multichannel technologies while considering global impacts of these technologies Includes newly discovered oral history transcripts, personal interviews, goTrade Review"Megan Mullen tells the story of American cable television the way it should be told: small-town start-ups, daring entrepreneurs, rising media moguls, unexpected outcomes of media regulation, new communication technologies, proliferation of viewing choices, and ever-growing audiences. Television in the Multichannel Age is top-notch scholarship that is also and immensely useful reading for students in the classroom." --Jim Schwoch, Northwestern University “The author … has done a good job of condensing sixty years of cable history into a tight, well-organized summary. An excellent overview of the industry.” Television Quarterly “Mullen writes in an accessible style, tackles both technical and business history, and adds a dash of colorful business people. She also wisely includes international developments as a counterpoint to this very American story. Recommended.” Choice "Mullen writes in an accessible style, tackles both technical and business history, and adds a dash of colorful business people. She also wisely includes international developments as a counterpoint to this very American story." R.W. Morrrow, Morgan State University Table of ContentsList of Illustrations. Preface. 1. Introduction. 2. Cable Pre-history and the Community Antenna Pioneers: before 1960. 3. Regulatory Beginnings: 1960-7. 4. "Blue Sky": 1968-74. 5. Cable Meets Satellite: 1975-80. 6. The Satellite Years: 1980-92. 7. Multichannel Television's Mature Years: 1993-Present. 8. The View from 2007: The Future of Multichannel Television. Bibliography. Index.

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Book Synopsis''A CINEMATIC RECORD OF HOW AN ACTOR SHAPES A CAREER'' Tom Hanks''FUNNY, SAD AND HEARTFELT'' Vince Gilligan''GRITTY, FUNNY AND SAD'' Entertainment Weekly''A SUPERB ANECDOTALIST'' Sunday Times Culture''RIVETING... ENGROSSING'' Huffington PostBRYAN CRANSTON maps his journey from abandoned son to beloved star, recalling the many odd parts he''s played in real life, and chronicles his evolution on camera. For the first time he shares the story of his early years, from his time as a soap opera regular to his recurring spots on Seinfeld and his role as bumbling father Hal on Malcolm in the Middle, along with an inspiring account of how he prepared for the award-winning role of President Lyndon Johnson.Of course, Cranston dives deep into the grittiest details of his greatest role, explaining how he searched inward for the personal darkness that would help him create one of thTrade ReviewBryan Cranston has created a cinematic record of how an actor shapes a career and an identity and a legacy all at the same time. -- Tom HanksI loved this book. It's just the right mixture of funny, sad and heartfelt. If I'd known Bryan could tell stories this well, I would have had him writing episodes of Breaking Bad. -- Vince GilliganThe highs here -and there are many -are meth-less but addictive. * KIRKUS REVIEWS *This splendid, moving, heartbreaking memoir is doubly triumphant. It regales and entertains while at the same time providing inspiration and practical wisdom. A truly gifted storyteller, Cranston captures the reader's imagination and emotions from beginning to end. -- Doris Kearns GoodwinBy turns gritty,funny, and sad, this fiercely intelligent book from the Breaking Bad star defies celebrity memoir tropes. -- Entertainment Weekly[A] substantial memoir from one of Hollywood's most introspective stars...anyone interested in acting will devour Cranston's savvy advice about honing one's craft and building one's career. -- BooklistIt's an engrossing first-person account by one of our finest actors and I couldn't put it down. -- Phil Simon * HUFFINGTON POST *Fans of Breaking Bad will be glued to this riveting memoir, which looks at how he worked to create such a dark and legendary character. But long before Walter White, Bryan Cranston's life story was fascinating and dramatic. * IRISH COUNTRY MAGAZINE *His memoir, A Life in Parts, shows him as a superb anecdotalist with an honest take on how he dealt with fame found later in life. * SUNDAY TIMES CULTURE *a fascinating read and a satisfying look into Cranston's life -- Pip Ellwood * ENTERTAINMENT FOCUS *A great guy reading his great book to you like you're both just downing session IPAs in some crack-in-the-wall bar no one else has found. Cranston's widely acclaimed memoir has been winning praise for its earnest account of a good man fighting to be the actor he always dreamed of, and his gentle, confessional honesty shines through all the more when spoken in his loveable folksy tones. * MR HYDE *Candid and richly entertaining memoir -- Jane Shilling * DAILY MAIL *

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Book Synopsis'This innovative and clearly written handbook does exactly what it claims on the cover, providing students with accessible and authoritative knowledge of the essential topics in Radio Studies... Chignell writes about radio with an engaging mixture of scholarly detachment and private passion' - The Radio Journal'There is a need for a straightforward, wide-ranging, and up-to-date introduction to ways to study radio and other new audio-based media. Hugh Chignell's new book certainly fits the bill, and admirably takes the reader from initial ideas through to additional readings which explore the core issues in greater depth. It is crisply and engagingly written, draws upon a very good range of scholarship, and provides many useful contemporary examples... Students will find it an essential aid to their studies, and it may even go someway to ensuring that the study of radio is as important in the academy as its visual cousins' - ViewfinderTrade Review′This innovative and clearly written handbook does exactly what it claims on the cover, providing students with accessible and authoritative knowledge of the essential topics in Radio Studies... Chignell writes about radio with an engaging mixture of scholarly detachment and private passion′ - The Radio Journal ′There is a need for a straightforward, wide-ranging, and up-to-date introduction to ways to study radio and other new audio-based media. Hugh Chignell’s new book certainly fits the bill, and admirably takes the reader from initial ideas through to additional readings which explore the core issues in greater depth. It is crisply and engagingly written, draws upon a very good range of scholarship, and provides many useful contemporary examples... Students will find it an essential aid to their studies, and it may even go someway to ensuring that the study of radio is as important in the academy as its visual cousins′ - Viewfinder ′This book is a useful starting point for radio students and staff, packed with citations and pithy comment from the author. It is a rich resource book for academic radio study at all levels′ - Janey Gordon, University of Bedfordshire Table of ContentsIntroduction PART 1 Genres and Production Acoustics Broadcast Talk Comedy DJs and Presenters Documentaries and Features Drama Magazines Music Phone-ins Podcasting Recording Serials and Soaps Sport Talk Radio PART 2 Audiences and Reception Audience Blindness Codes Co-presence Hot and Cool Media Imagined Community Intimacy Liveness Noise Radiogenic Radio World Reception Secondariness Sound Culture Soundscape PART 3 The Radio Industry Advertising Commercialism Community Radio Convergence Formats Internet Radio Localism Mirco Radio Pirate Radio Regulation Transmisson PART 4 Politics and the Public Sphere Current Affairs Development Gender Hate Radio Journalism News Politics and the Public Sphere Propaganda Public Service Broadcasting Radiocracy References

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Book SynopsisIs this the right book for me?This book gives you everything you need to find, apply for and take part in any reality programme, quiz or talk show. It explains each type of show to you, but most importantly, gives you lots of practical advice from industry insiders on what to say in an application, how to audition, what to expect and how to cope with life before, during and after your 15 minutes of fame. Get on TV includes:Chapter 1: Which programme?Do it for the right reasonsBe preparedThe types of reality shows availableHow to find programmes that are looking for contributorsChapter 2: Who should you appear as?Appearing as yourselfAppearing on a children''s programmeAppearing as an expertAppearing as part of the audienceAppearing as an extraChapter 3: The application processGetting your story straightFilling out the application formVideo applications anTable of Contents : 1. Which programme? : 2. Who should you appear as? : 3. The application process : 4. Auditions – the screening process : 5. Practicalities : 6. Filming 7. What happens afterwards?:

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Book SynopsisPaul Brent Adams looks at the exciting world of collectable die-cast star cars.

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Book SynopsisIn this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.Trade ReviewJewell . . . chronicles the rise, fall, and legacy of college radio in this sprawling and richly detailed account. . . . [Live from the Undeground] offers both an animated homage to college radio as a microcosm of American culture and reassurance for readers that the medium isn't dead. It's a fascinating deep dive."—Publishers Weekly An interesting and insightful look at how this nationwide phenomenon has sculpted American culture. . . . Live from the Underground teaches us the importance of listening to college broadcasters while supporting their experimental stations as sites of free speech and free expression critical to our Democracy."—Midwest Book Review

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Book SynopsisIn this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.Trade ReviewJewell . . . chronicles the rise, fall, and legacy of college radio in this sprawling and richly detailed account. . . . [Live from the Undeground] offers both an animated homage to college radio as a microcosm of American culture and reassurance for readers that the medium isn't dead. It's a fascinating deep dive."—Publishers Weekly An interesting and insightful look at how this nationwide phenomenon has sculpted American culture. . . . Live from the Underground teaches us the importance of listening to college broadcasters while supporting their experimental stations as sites of free speech and free expression critical to our Democracy."—Midwest Book Review

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Book Synopsis''Buoyed by an appealing and measured sense of affection. Whether you love Marvel 3000 or you''re a Scorsese sympathisers, MCU is worth your time, being a pacy, lively account of the single most important studio of the century... This account offers a wealth of insight.'' - EmpireMarvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. As they delve into the studio''s key moments - from the contentious hiring of Robert Downey Jr. for Iron Man to the negotiations over Disney''s acquisition of Marvel to studio head Kevin Trade Review'A superb chronicle of how Marvel Studios conquered Hollywood.... This definitive account of the Hollywood juggernaut thrills.' * Publishers Weekly *'The book every MCU fan needs to read.' -- Alan Sepinwall * author of The Sopranos Sessions *'A gift. Comprehensive, accessible, and entertaining, MCU makes for a great primer on a modern pillar of Hollywood entertainment.' -- Nicholas Quah * Vulture and New York Magazine *'I watched all the movies. I devoured all the articles. I listened to all the pods. I thought I knew everything there was to know about the MCU . . . and then I read this magnificent book. For fans, by fans; hilarious, gripping, and emotional; no infinity stone is left unturned. I loved it three thousand.' -- Damon Lindelof * Emmy-winning screenwriter *'A riveting, deeply researched history of the collaborative wizardry and backstage showdowns behind Marvel Studios' popcorn-movie empire.' -- Douglas Wolk * author of All of the Marvels *'Robinson, Gonzales, and Edwards deliver the definitive chronicle of the greatest cinematic achievement of all time. An absolute treasure trove of depth and detail that will delight both new Marvel fans and Marvel zombies from way back, like me.' -- Jeff Cannata'I thought I was an authority on the Marvel Cinematic Universe, but I was wrong. This impeccably researched and reported tome is both a propulsive page turner and a real peek behind the curtain into how you build a cultural phenomenon, brick by obsessive brick.' -- Marc Bernardin * screenwriter and comic book author *'A deeply researched and engagingly written spin through Marvel history that gives credit where it's due, without papering over cracks. Even the biggest fan will find new revelations and new perspectives in the often first-hand accounts of the studio's climb to world dominance.' -- Helen O’Hara * Empire Magazine *'At some point, the movies based on the Avengers superhero group and its individual members ceased to be just comic-book entertainment; they became cultural touchstones. Robinson, Gonzales, and Edwards bring extensive knowledge to the task of determining how, and they obviously love the craft of cinema . . . Something important took place when the Avengers assembled, and this book provides the background for the sprawling canvas.' * Kirkus Reviews *

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Book Synopsis''Besides the deliciously well executed fake-dating, How to Fake it in Hollywood delivers a raw, character-driven and heart-touching read. I absolutely loved it'' ELENA ARMASA talented Hollywood starlet and a reclusive A-lister enter into a fake relationship . . . and discover that their feelings might be more than a PR stunt in this sexy chemistry-filled debut for fans of Beach Read and The Unhoneymooners.Early readers can''t get enough!''Super fun, spicy and has a core of overwhelming love. The banter is amazing, characters are brilliant and the ending is EVERYTHING!! (I cried)'' ⭐ ⭐ ⭐ ⭐ ⭐ reader review''I''m giving this book all of the stars. I can''t believe that this is Ava Wilder''s debut novel, it''s really something''⭐ ⭐ ⭐ ⭐ ⭐ reader review''Ava Wilder has a

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Book Synopsis''Wilder has created a gem of a novel with characters who unfold in complex and unexpected ways. The grounded Hollywood story utilizes a perfectly paced slow-burn romance, and at the end there''s a winking nod to the entire journey'' Library Journal ⭐ STARRED REVIEW ⭐Two co-stars with a complex history reunite to film the final season of a beloved paranormal drama in this tension-filled will they won''t they romance from the author of How to Fake It in Hollywood.................................Onscreen, they''re in love. Offscreen, they can''t stand each other. As the stars of a hit paranormal TV show, Lilah Hunter and Shane McCarthy spent years pining for each other onscreen . . . until Lilah ditched the show in the hopes of becoming a movie star. With no such luck, she''s back to film the much-hyped ninth and final season, in which Lilah and Shane''s characters will g

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Book SynopsisSHORTLISTED FOR THE TELEGRAPH SPORTS HEALTH & FITNESS BOOK OF THE YEAR AWARD 2019RUNNING AWARDS 2019 TOP BOOKRunning Up That Hill is a celebration of endurance running. Of running ridiculous distances through cities, over mountains and across countries. Distances most people couldn''t even imagine. But sports presenter Vassos Alexander is hooked!Why else would he run an ultra in Paris, backwards, having missed the start? Why head to Wales for the world''s hardest mountain race with a badly sprained ankle? And why follow in some unforgiving, ancient footsteps and attempt the oldest and toughest footrace on earth, the 153-mile Spartathlon?There''s joy to be found here. Really there is. Vassos recalls his own assaults on these gruelling races, along with ultra-running legends including Scott Jurek, Jasmin Paris, Kilian Jornet, Mimi Anderson and Dean Karnazes. They all testify to the transformative power of endurance running.Trade ReviewThis quirky and entertaining book is a great gift for any runner or for anyone looking for inspiration to get started ... impressive and exciting. * Outdoor Fitness *An entertaining read that covers challenges including the 250km Spartathalon and the 100 mile SDW100, via the occasional missing toenail and having to temporarily use a zimmer frame. * The Scotsman *A witty, informative and authentic narrative about Alexander's experience of longer-distance running adventures! * Outdoor Fitness *An enjoyable love letter to the confidence and transformation to be found in long distance running. * Cotswold Life *Table of ContentsPrologue Foreword Start Line 1 Athens 2 Botolphs 3 Conwy 4 Keswick 5 Snowdon 6 Machynlleth 7 London 8 Corinth 9 Merthyr 10 Winchester 11 Eastbourne 12 Sangas 13 Paris 14 Frome 15 Tegea 16 Ryde 17 Wendover 18 Sparta 19 Alabama 20 Why Finishing Line

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Book Synopsis An unpretentious guide for all those who want to learn to analyse, understand and evaluate films.Film Studies: An Introduction provides an overview of the key areas in film studies, including aesthetics, narrative, genre, documentary films and the secrets of film reviewing. From Hitchcock and Tarantino to Spielberg and Bigelow, you will gain a critical understanding of legendary directors and the techniques and skills that are used to achieve cinematic effects. Whether you are a film studies student or just a film buff wanting to know more, this book will give you an invaluable insight into the exciting and incredibly fast-moving world of film.Understand Film Studies includes:Chapter 1: Film aesthetics: formalism and realismChapter 2: Film structure: narrative and narrationChapter 3: Film authorship: the director as auteurChapter 4: Film genres: defining the typical filmChapter 5: The non-fiction film: five types of documentaryChapTrade Review'Buckland's pocket-sized volume represents a breakthrough: it's genuinely pitched at novices and succeeds in maintaining a perfect balance between clarity and intellectual complexity' Sight and Sound

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Book SynopsisThe Oscar-winning screenwriter who broke the Hollywood blacklist. Soon to be a major motion picture starring BRYAN CRANSTON (Breaking Bad), DIANE LANE (Under The Tuscan Sun), ELLE FANNING (Maleficent), JOHN GOODMAN (Argo), LOUIS C.K. (Louie) and Academy Award winner HELEN MIRREN.Trade ReviewWhat a relief... to read Bruce Cook's Trumbo, a book of clarity, probing intelligence, and considerable grace. Trumbo was a true original. His life has the chronicler it merits. * Nat Hentoff *A gossipy, anecdotal narrative that is fascinating reading * Publishers Weekly *He wrote a brilliant novel and a number of very good movies, and he demolished the Hollywood blacklist almost single-handed, but his greatest achievement was just being the incomparable Trumbo. Bruce Cook has captured the wit, intelligence, and unpredictability that made him one of the truly original people of our time * Ring Lardner Jr, two-time Academy Award-winning screenwriter (WOMAN OF THE YEAR and MASH) *As a study of life under the blacklist the book is superb... Essential reading for anyone interested in either the cinema or recent American history * Library Journal *PRAISE FOR THE FILM TRUMBO'a cracking good story, and Cranston does a great job portraying a man who made great sacrifices for his principles' * New York Post *the hugely entertaining, revealing and powerful portrait of this great screenwriter... an almost bigger-than-life colorful movie about the movies. A screen triumph for all involved, it is especially Bryan Cranston's magnificent work in the title role that towers over everything. * Deadline *Bryan Cranston finally translates his critical acclaim for Breaking Bad into an Oscar-caliber performance in darkly comic Trumbo, playing an eloquent, witty screenwriter who bucked the Hollywood blacklist and triumphed... a highly entertaining biopic... Director Jay Roach (Meet the Parents) may seem an unlikely fit for the material, but as Martin Ritt's blacklist comedy The Front (starring Woody Allen) showed and Trumbo reminds us, sometimes comedy can be the best weapon against demagogues * New York Post *Among movies about old moviemakers, Trumbo works better, and has more to say about the world at large, than My Week With Marilyn orHitchcock... Come for the smooth supporting turns by Louis C.K. and Alan Tudyk, the impersonations of icons like John Wayne and Douglas (played with chin-y gusto by Dean O'Gorman) and for Cranston, who fills the air with craggy, growly authority. Stay for the listless yet vital lesson in democracy. * Time *What makes the movie work are the lively performances, both from the supporting cast and from Cranston * Hollywood Reporter *a powerhouse Bryan Cranston... Cranston plays the hell out of Dalton Trumbo... Kudos to director Jay Roach for not wallowing in misery. His movie is bracing and buoyant when Trumbo takes on gossip gorgon Hedda Hopper (a wicked Helen Mirren) and writes cheapies for the King brothers (Stephen Root and a hilarious John Goodman). When Kirk Douglas hired Trumbo to write Spartacus in 1960, the Commie witch hunt was exposed as the sham it was. Witch hunts haven't gone, they've gone global (ask the folks at Charlie Hebdo). Cranston shows us there's nothing retro about watching Trumbo in his glory, speaking truth to power. * Rolling Stone *a timely tale of political paranoia and personal pain... Mirren, in Hopper's extravagant wardrobe, proves once and for all that she is the best at a truly underappreciated, classic Hollywood skill: wearing a hat. * Los Angeles Times *Bryan Cranston owns Trumbo, both character and film, from first word to last. The picture is an incredibly fun leap into a time-machine back into old-fashioned Hollywood, whose good and bad characteristics are twisted to be both endearing and entertaining. But more than this, its fiery central character is a big symbol of something that's missing in present-day Hollywood. Where are the Dalton Trumbos of today? * IndieWire *an important reminder of how democracy can fail ... and the strength of character it takes to fight the system * Variety *Come for Bryan Cranston, stay for Dalton Trumbo * Chicago Reader *A good-spirited, provocative and satisfying look at the great Hollywood screenwriter Dalton Trumbo... Bryan Cranston is terrific as the left-wing activist with the right ideas at the wrong time. * Film Journal *Bryan Cranston gives a performance as compelling and complex as the man himself must have been. Cranston's Trumbo is eminently interesting, from his rounded posture and curious eyes to his distinct cadence and diction. Appearing in nearly every frame of the film, Cranston infuses John McNamara's clever screenplay with even more life. * Las Vegas Sun *Bryan Cranston shines as the titular character of Trumbo. Transforming into the role with the old school panache of a seasoned character actor. Armed with his usual quick witted style and knack for bringing those he has played to life, Cranston doesn't pull any punches. Few thespians, save for example Jonnny Depp as Hunter S. Thomson, Philip Seymour Hoffman as Capote or Daniel Day Lewis in any role he undertakes, are we graced with talent which truly transforms into the person they have set out to personify. This is one of those films. * Digital Journal *

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Book SynopsisWith an in-depth case study of Sally Potter's 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.

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Book SynopsisThis volume examines how the political, economic and social changes of the Great Depression impacted on Hollywood and how it responded to them.

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Book SynopsisDrawing on over 30 interviews with key personnel from Working Title, Polygram and Universal, the author examines not only how this remarkable company has evolved but also why it has evolved in the way that it has by situating its history within the ever-changing landscape of the British and Hollywood film industries.Trade Review"Essential reading for anyone engaged in the serious study of contemporary British cinema, Nathan Townsend's book provides a long overdue full critical analysis of Working Title's operations and outputs since its inception four decades ago. It traces the company's complex history and surveys the full range of its transnational endeavours, from Oscar-winning highs to critic infuriating lows, and is nourished throughout by Townsend's conceptual sophistication and granular attention to detail." -Melanie Williams, University of East Anglia

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Book Synopsis Conflicts among Hollywood studios and exhibitors have been going on for years. At their heart are questions about how films should be released--where, when and at what speed. Both sides of this disagreement are losers, with exhibitors using the law via various Consent Decrees and studios retaliating by tightly controlling output. In the Silent Era, movies were not released nearly as widely as they are now. This book tells the story of how the few became the many. It explores the contraction of the release cycle, the maximization of the marketing dollar, and the democratization of consumer access. It also offers a comprehensive list of wide releases and rebuts much of what previous scholars have found.Trade ReviewBrian Hannan's In Theaters Everywhere, examines movie-releasing patterns from the Silent Era to today’s Internet/Streaming Age, and should become one of those essential industry browses for its background. Crammed full of useful substance, the book homes in on the heart of the exhibitor-distributor relationship concerning particularly the wide release." - Screentrade Magazine

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Book SynopsisThe broadcasting industry's trade association, the National Association of Broadcasters (NAB), sought to sanitize television content via its self-regulatory document, the Television Code. The Code covered everything from the stories, images, and sounds of TV programs (no profanity, illicit sex and drinking, negative portrayals of family life and law enforcement officials, or irreverence for God and religion) to the allowable number of commercial minutes per hour of programming. It mandated that broadcasters make time for religious programming and discouraged them from charging for it. And it called for tasteful and accurate coverage of news, public events, and controversial issues. Using archival documents from the Federal Communications Commission, NBC, the NAB, and a television reformer, Senator William Benton, this book explores the run-up to the adoption of the 1952 Television Code from the perspectives of the government, TV viewers, local broadcasters, national networks, and the industry's trade association. Deborah L. Jaramillo analyzes the competing motives and agendas of each of these groups as she builds a convincing case that the NAB actually developed the Television Code to protect commercial television from reformers who wanted more educational programming, as well as from advocates of subscription television, an alternative distribution model to the commercial system. By agreeing to self-censor content that viewers, local stations, and politicians found objectionable, Jaramillo concludes, the NAB helped to ensure that commercial broadcast television would remain the dominant model for decades to come.Trade Review[A] valuable resource for media scholars and graduate students. * Choice *Jaramillo has authored a work with applications across many disciplines, especially history, media law, and even political science. Her search for primary sources in both the development of the code and the short life of the [Television Broadcasters Association] is a valuable insight into the origins of U.S. television. * Journal of Broadcasting & Electronic Media *[The Television Code] is a strong intellectual contribution to debates about what television is and who it serves which will no doubt become a staple in reading lists of television history and regulation...The Television Code is an engaging, well-written, and thought-provoking study on the key role played by regulation in the early negotiations about television’s identity. * Critical Studies in Television *An essential account of a transitional period in television’s rise, The Television Code establishes the [National Association of Radio and Television Broadcasters'] role in crafting the industry’s master narratives and would interest scholars and students of US broadcast history, media policy, and censorship... Jaramillo’s careful attention to the voices of the various players involved in the Code further enriches the complicated history of commercial broadcasting and provides a model for rigorous archival research. * Television & New Media *[The Television Code] is a well-researched, articulate, and sound book that would contribute toward thinking of popular culture studies in ways that intersect with overlooked subfields such as media policy, and, perhaps, political sociology. This book effectively maps out the road to the Television Code, along with the detours and back roads that led to its ultimate implementation. * Popular Culture Studies Journal *Table of Contents Illustrations Abbreviations Acknowledgments Introduction: The Television Code and the Trade Association 1. Regulatory Precedents before Television: The Government and the NAB Experiment with Radio 2. Distinguishing Television from Radio via the Trade Association: The Rise and Fall of the Television Broadcasters Association 3. The Industry Talks about a Television Code: Discourses of Decency, Self-Regulation, and Medium Specificity 4. The Television Audience Speaks Out: Viewer Complaints and the Demand for Government Intervention 5. The Federal Communications Commission: Impotent Bureaucrats, Underhanded Censors, or Exasperated Intermediaries? 6. Senator William Benton Challenges the Commercial Television Paradigm Conclusion: After the Code Appendix A. The Television Code: Section on “Acceptability of Program Material” Appendix B. The Television Code: Section on “Decency and Decorum in Production” Notes Bibliography Index

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Book SynopsisRevisiting early debates about TV content and censorship from industry and government perspectives, this book recounts the development of the Television Code, the TV counterpart to the Hays Motion Picture Production Code.Trade Review[A] valuable resource for media scholars and graduate students. * Choice *Jaramillo has authored a work with applications across many disciplines, especially history, media law, and even political science. Her search for primary sources in both the development of the code and the short life of the [Television Broadcasters Association] is a valuable insight into the origins of U.S. television. * Journal of Broadcasting & Electronic Media *[The Television Code] is a strong intellectual contribution to debates about what television is and who it serves which will no doubt become a staple in reading lists of television history and regulation...The Television Code is an engaging, well-written, and thought-provoking study on the key role played by regulation in the early negotiations about television’s identity. * Critical Studies in Television *An essential account of a transitional period in television’s rise, The Television Code establishes the [National Association of Radio and Television Broadcasters'] role in crafting the industry’s master narratives and would interest scholars and students of US broadcast history, media policy, and censorship... Jaramillo’s careful attention to the voices of the various players involved in the Code further enriches the complicated history of commercial broadcasting and provides a model for rigorous archival research. * Television & New Media *[The Television Code] is a well-researched, articulate, and sound book that would contribute toward thinking of popular culture studies in ways that intersect with overlooked subfields such as media policy, and, perhaps, political sociology. This book effectively maps out the road to the Television Code, along with the detours and back roads that led to its ultimate implementation. * Popular Culture Studies Journal *Table of Contents Illustrations Abbreviations Acknowledgments Introduction: The Television Code and the Trade Association 1. Regulatory Precedents before Television: The Government and the NAB Experiment with Radio 2. Distinguishing Television from Radio via the Trade Association: The Rise and Fall of the Television Broadcasters Association 3. The Industry Talks about a Television Code: Discourses of Decency, Self-Regulation, and Medium Specificity 4. The Television Audience Speaks Out: Viewer Complaints and the Demand for Government Intervention 5. The Federal Communications Commission: Impotent Bureaucrats, Underhanded Censors, or Exasperated Intermediaries? 6. Senator William Benton Challenges the Commercial Television Paradigm Conclusion: After the Code Appendix A. The Television Code: Section on “Acceptability of Program Material” Appendix B. The Television Code: Section on “Decency and Decorum in Production” Notes Bibliography Index

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Book SynopsisFrom Twin Peaks (including the 2017 return) to Girls, a veteran critic and scholar draws on decades of industry expertise and exclusive interviews with renowned creators to examine the rise of art television.Trade ReviewNochimson's book is well worth reading not only for its insights but for the dialogue and reflection it opens up among readers. * Lost in the Movies *Television Rewired is an essential contribution to the still-crystallizing critical definition of auteur television…from the unique perspective of a critic who has engaged with the medium in profound ways. * 25 Years Later *This book details the creative process of each of the series [that developed the concept of the television auteur], based on interviews and detailed research by the author…Recommended. * CHOICE *A lively and fascinating book...Throughout Nochimson is thoroughly consumed by the question of what constitutes television art, and what plausibly counts as a defense of its achievements; her prose is utterly compelling in its gentle unfolding of such complex and challenging questions. * New Review of Film and Television Studies *[Nochimson provides] solid, but accessible, insights into the process of auteur television expression....After reading Television Rewired, I learned a new vocabulary for television viewing. The book is not a judgment of what is good or bad. Nochimson expanded my appreciation for television by explaining exactly what it is I am watching. * Popular Culture Studies Journal *Table of Contents Introduction: The David Effect The Founding Titans: Men without Formula Chapter 1. David Lynch, Twin Peaks Chapter 2. David Chase, The Sopranos Chapter 3. David Simon, The Wire The Legacy: New Options, New Questions, Retooled Formulas Chapter 4. David Simon and Eric Overmyer, Treme Chapter 5. Matt Weiner, Mad Men Chapter 6. Lena Dunham, Girls Chapter 7. Backlash! Formula 2.0 Coda: The Return of David Lynch Acknowledgments Notes Bibliography Index

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Book SynopsisGo behind the TV screen to explore what is changing, why it is changing, and why the changes mattersMany proclaimed the end of television in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised, second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise, but are redefining what we can do with television, what we expect from it, how we use itin short, revolutionizing it.Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized providTrade Review"In thissecond edition, Lotz not only updates us on developments over the past seven years; she digs deeper and thinks harder about the revolutionary changes taking place in the television today. An outstanding contribution to television studies and an invaluable guide for students, scholars, and professionals." -- Michael Curtin,co-director, Media Industries Project"Television is anything but dead, but we are now fully into the post-network era that Amanda D. Lotz projected when this book was first published. An incredibly prescient book, setting many of the terms through which television studies has understood these changes, the revised edition updates its account to reflect an age when Hulu, Netflix, and Amazon are now competing for Emmy and Peabody Awards, when television content is being funded through Kickstarter, and where web series are diversifying whose stories get told." -- Henry Jenkins,co-author of Spreadable Media: Creating Meaning and Value in a Networked CultureTable of ContentsContents Preface ix Acknowledgments xv Introduction 1 1 Understanding Television at the Beginning of the Post-Network Era 21 2 Television Outside the Box: The Technological Revolution of Television 53 3 Making Television: Changes in the Practices of Creating Television 95 4 Revolutionizing Distribution: Breaking Open the Network Bottleneck 131 5 The New Economics of Television 167 6 Recounting the Audience: Measurement in the Age of Broadband 207 7 Television Storytelling Possibilities at the Beginning of the PostNetwork Era: Five Cases 233 Conclusion: Still Watching Television 263 Notes 279 Selected Bibliography 307 Index 321 About the Author 331

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Book SynopsisThe history of the Cold War film studio Lookout Mountain Laboratory

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Book SynopsisGame of Thrones was an international sensation, and has been looked at from many different angles. But to date there has been little research into its audiences: who they were, how they engaged with and responded to it. This book presents the findings of a major international research project that garnered more than 10,000 responses to an innovative 'qualiquantitative' questionnaire. Among its findings are: a new way of understanding the place and role of favourite characters in audiences’ responses; new insights into the role of fantasy in encouraging thinking about our own world; and an account of two combined emotions – relish and anguish – which structure audiences’ reactions to controversial elements in the series.Trade Review'Watching Game of Thrones offers a valuable contribution to large-scale audience research projects and to Game of Thrones scholarship.'Critical Studies on Television -- .Table of Contents1 The remarkable phenomenon that is Game of Thrones2 Generating a ‘richly structured combination of data and discourses’3 Distinguishing different kinds of audience4 Favourite characters, favourite survivors5 The significance of favourite character choices6 Winter is coming…7 Conflicts and controversies8 Making predictions for an unpredictable worldPostscript: ‘If you think this has a happy ending, you haven’t been paying attention’Index

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Book SynopsisOver 200 artists present their own unique visions of Stranger Things in a stunning, full-color celebration of the runaway hit Netflix series.In honor of Stranger Things, the innovative pop culture enthusiasts at Printed In Bloodare proud to present the latest release in their ongoing series of artbooks. More than two hundred artists, drawn from the earthly dimensions of comics, illustration, fine art, videogames, and animation, have come together to bring us a unique vision of the world of Hawkins, Indiana. Come dig into this collection of more than two hundred brand-new images and see what new worlds you might discover lurking just beneath the surface.Includes art by: ORLANDO AROCENA MATT BUSCH BUTCHER BILLY RIAN HUGHES JOHN McCREA MATT NEEDLE GARY PULLIN BILL SIENKIEWICZ EILEEN STEINBACH & MORE!

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Book SynopsisThis book presents information on minority commercial radio and television ownership in the United States. It reviews the history of such ownership and the role of viewpoint diversity in a changing industry. It also continues the data collection efforts, examining the current status of minority commercial broadcast ownership.

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Book SynopsisAmerica, sometimes criticised as a nation of couch potatoes, takes its recreation seriously. Since its debut in the first half of the 20th century, television has held sway over the hearts, minds, and imaginations of billions. The technological advances in recent years have certainly not neglected the TV, and digital television can be seen as the most significant advance sine the introduction of colour television in the 1950s. DTV provides sharper pictures, CD-quality sound, and better colour images. In order to facilitate nation-wide use of this cutting-edge development, several developments have to take place including the production of compelling digital programming, creation of digital carrier systems and consumer adoption of the technology. To this end, the federal government, led by the Federal Communications Commission, has set 2006 as the date for broadcasters to cease analogue broadcasts and convert to digital signals. While no congressional legislation has yet to address DTV specifically, the issue is under constant monitoring, particularly given the stakes involved. Television is too key a component of contemporary American life to overlook. The book provides an overview and analysis of the current state of digital television and its regulatory status. Understanding the topics presented here are important to anyone interested in technology and the advances about to sweep the entertainment industry.

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Book SynopsisMost broadcast television stations'' viewing areas extend far beyond the borders of their city of license, and in many cases extend beyond state borders. Under existing FCC rules, which are intended to foster "localism," the licensee''s explicit public interest obligation is limited to serving the needs and interests of viewers within the city of license. Yet, in many cases, the population residing in the city of license is only a small proportion of the total population receiving the station''s signal. Hundreds of thousands of television households in New Jersey (outside New York City and Philadelphia), Delaware (outside Philadelphia), western Connecticut (outside New York City), New Hampshire (outside Boston), Kansas (outside Kansas City, Missouri), Indiana (outside Chicago), Illinois (outside St. Louis), and Kentucky (outside Cincinnati) have little or no access to broadcast television stations with city of license in their own state. The same holds true for several rural states ? including Idaho, Arkansas, and especially Wyoming, where 54.55% of television households are located in television markets outside the state. Although market forces often provide broadcasters the incentive to be responsive to their entire serving area, that is not always the case. This report provides, for each state, detailed county-by-county data on the percentage of television households located in television markets outside the state and whether there are any in-state stations serving those households. The Nielsen Designated Market Areas ("DMAs") also often extend beyond state borders. Local cable operators are required to carry the broadcast signals of television stations located in their DMA. If they are located in a DMA for which the primary city is in another state, and most or all of the television stations in that DMA have city of license in the other state, then the broadcast television signals they must carry will be primarily or entirely from out of state. In some cases, they may not be allowed to carry signals from within the state but outside the DMA to provide news or sports programming of special interest in their state because of network non-duplication, syndicated exclusivity, or sports programming blackout rules or because of private network affiliation contract agreements, or may be discouraged to do so because these signals do not qualify for the royalty-free permanent compulsory copyright license for local broadcast signals. The Satellite Home Viewer Extension and Reauthorization Act of 2004 expanded the scope of in-state television signals that satellite operators are permitted (and in some cases required) to offer subscribers. In addition to the signals of those broadcast television stations with city of license within the DMA in which the subscriber is located ("local-into-local" service), satellite operators may offer (subject to certain restrictions) signals from outside the DMA if those signals are "significantly viewed" by those households in the subscriber''s geographic area that only receive their broadcast signals over-the-air (not via cable or satellite). In addition, satellite operators may offer certain subscribers located in New Hampshire, Vermont, Mississippi, and Oregon certain in-state signals from outside the subscribers'' DMA and must offer subscribers in Alaska and Hawaii certain in-state signals.

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Book SynopsisLegendary movie producer Larry Kasanoff knows firsthand that massive success requires taking big risks. It means embracing your crazy side: the most unique, boldest, and bravest part of you, and your greatest asset when it comes to creating something truly original. In A Touch of The Madness, Larry uses behind-the-scenes stories of some of Hollywood’s biggest blockbusters, including Terminator 2 Judgment Day, Platoon, True Lies, Dirty Dancing, and the Mortal Kombat film series, to show you the three principles that form the foundation of a thriving career in any industry: Create a great idea that will excite your audience Ask as many times (and as many people) as it takes to get a “yes” Play while you work - don’t forget to have fun with it The current of the river of life will always try to pull you towards the middle, towards complacency and mediocrity. Other companies or competitors that don’t give into that current will eclipse you. The best tool you have for swimming against that current of mediocrity is innovation.

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Book Synopsis"An engaging, balanced and thoroughly researched history. It is often a moving and amusing tale containing plenty of mavericks and colourful episodes." (Lawrence James, The Times)Auntie's War is a love letter to radio. The British Broadcasting Corporation is a British institution unlike any other, and its story during the Second World War is also our story. This was Britain’s first total war, engaging the whole nation, and the wireless played a crucial role in it. For the first time, news of the conflict reached every living room – sometimes almost as it happened; and at key moments:- Chamberlain’s announcement of war- The Blitz- The D-Day landings - De Gaulle's broadcasts from exile- Churchill's fighting speechesRadio offered an incomparable tool for propaganda; it was how coded messages, both political and personal, were sent across Europe, and it was a means of sending less than truthful information to the enemy. Edward Stourton is a sharp-eyed, wry and affectionate companion on the BBC’s wartime journey, investigating archives, diaries, letters and memoirs to examine what the BBC was and what it stood for. Auntie’s War is an incomparable insight into why we have the broadcast culture we do today.A BBC RADIO 4: BOOK OF THE WEEKTrade ReviewAn engaging, balanced and thoroughly researched history.It is often a moving and amusing tale containing plenty of mavericks and colourful episodes. -- Lawrence James * The Times *Fascinating, complex and exhaustively researched ... This is a book that travels far beyond the bomb-scarred walls of Broadcasting House, bringing the reader as it did the 1940s listening public, the drama and immediacy of the war, and eventually the reality of a post-Nazi world, where Dimbleby's pared down description of the liberation of Belsen must be one of the most shattering pieces of ever broadcast. -- Juliet Nicolson * Spectator *This book captures how and why the BBC came to be trusted around the world so much that people like my grandparents - refugees from the Nazis - would hide in a cupboard every day with their short wave radio just to hear the truth as reported by the BBC. -- Nick RobinsonThe story of the BBC during the war has hardly been told though it is both fascinating and important. Edward Stourton's book is an engrossing account of this important time for one of our great institutions, perhaps to be read along side Penelope Fitzgerald's brilliant novel Human Voices. -- Chris Patten, Lord Patten of BarnesThis engaging book about the BBC is full of astonishing incidents, truth versus propaganda and the unspoken heroism of correspondents. It tells how eyewitness reports gave a voice to everyone for the first time. * CHOICE *

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Book SynopsisFor me it begins in such an ordinary way ... with a gorilla, a blonde,and a gun ...Mid- 20th century Hollywood; 'RaymondChandler's LA before Pilates and cell phones'. Clancy Sigal (who would later bethe inspiration for Doris Lessing's 'Saul Green') is just back fromfighting in the Second World War and an abortive solo attempt to assassinate HermannGoering at the Nurenburg trials. Charming his way into a job as anagent with the Sam Jaffe agency, Sigal plunges into a chaotic Hollywood peopled by fastwomen, washed-up screenwriters, wily directors, and starstruck FBI agentstrailing 'subversives'. He parties with the likes of Humphrey Bogart, Barbara Stanwyck, TonyCurtis and an anxious Peter Lorre, who becomes a drinking buddy.But this is the era of the Hollywood Blacklistand Sigal, like many of his contemporaries, is subpoenaed to testify before theHUAC. Will he give up the list of nine names, burning a hole in his pocket, tosave his own skin? Hilarious, touching, intimate and revealing: Sigal'smemoir reads like a forgotten hardboiled detective novel and has all the makings of aninstant classic.Trade ReviewBuzzes with gossip and scandal....This is one of the best Hollywood memoirs ever. -- The Jewish ChronicleSuperblyevokes the Cold War fears of communist subversion, the hidden FBImicrophones, subpoenas, and the naming of names ... What stands revealedis a hypocritical culture and society ... Sigal'sprose style is that of the secret agent in the macho gun-toting sense,with a side-of-the-mouth, shoulder-holster private-eye delivery out ofRaymond Chandler or Dashiell Hammett. -- Mail on SundayThe beauty of Black Sunset, for most readers, will be found in the details, lovingly or painfully described, page after page ... Sigal brings the innocent and guilty back, once more, at close range, and proves himself the liveliest of literary nonagenarians in the process. -- LA Review of BooksSigal stumbles into Hollywood [...] lands the most reviled job in the biz - talent agent - and this milieu is where most of Black Sunset takes place, haunted by the Wink and by a conspiracy of accidents.Black Sunset moves with the express swagger of a Hawks or Wellman picture, although it feels like an Ozu once it's all over and the characters linger in silhouette as if they were a fixture of the freeway system at night. -- CounterpunchGripping ... a great tale of survival. [Sigal is] a terrific writer. -- Literary ReviewHis scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests...[a] marvellous book. -- The SpectatorThis true story of life as a theatrical agent is as good as any Chandler novel, full of intrigue, betrayal and incredible stories of the hard-boiled and hard-drinking seediness behind the glamour. A fantastic read -- Virginia Ironside, author of No Thanks! I'm Quite Happy Standing

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Book SynopsisWe are at a defining point in the history of news. Following a surge of fake news, clickbait and conspiracy theories, the 2020s have ushered in a welter of existential threats for public service broadcasting. So, where do we go from here? Former Today editor and head of BBC television news Roger Mosey thinks public service broadcasters must buck the trends and in this incisive book he offers twenty core ways in which the news can save itself by getting smarter, sharper, more diverse, more nuanced and less exposed to pummelling by politicians. Mosey sees two possible futures: one in which the incitements of populist demagogues and the passions of social media are ever dominant - or one where we fight hard to retain media that has an interest in the public good and preserves truth, fairness and evidence-based judgements. From one of British broadcasting's most experienced voices comes the definitive exploration of Britain's news output and what must change if we are to avoid a future of uninspiring news, uninformed decision-making and accountability-dodging politicians.

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Book Synopsis‘The nerdiest and longest-running quiz around’ The SpectatorHave you got what it takes to tackle Radio 4's most fiendish quiz?Question: A fictional criminal psychologist, a former Conservative minister, and the eponymous protagonist of a Peter Hedges novel, might all serve on the board alongside some big cheeses. Can you explain?*The Round Britain Quiz is the oldest broadcast quiz anywhere in the world. Created in 1947 it has built and maintained a cult following from across the generations. Each series sees six teams from around the UK competing against each other to solve a series of seriously cryptic clues, with a chairman giving a steer on how to get to the answer.Compiled by long-serving series producer, Paul Bajoria, and with an introduction from the Chairman, BBC journalist Tom Sutcliffe, The Round Britain Quiz Book features 250 of the toughest and most challenging questions from the last 70 years as well as many new and exclusive conundrums, drawing on unpredictable fields of knowledge, to truly test the nation. *Answer: They might all be found on a cheeseboard, as accompaniments to the cheese. The psychologist referred to is ‘Fitz’ in the TV series Cracker, the former MP is Eric Pickles, and Gilbert Grape is Peter Hedges’ creation.

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Book SynopsisYou're going to need a bigger sofa...Doctor Who's biggest and most comprehensive monster guide yet, The Monster Vault takes you on the ultimate tour of the Whoniverse, discovering and cataloguing every wonderful and terrifying creature the Doctor has ever encountered.From the notorious Daleks, to evil Stenza warrior Tzim-Sha and the ancient Thijarians, The Monster Vault features in-depth profiles on each monster, showing the Doctor's most dangerous enemies in their natural habitat and unveiling their secret histories. You will also discover how monsters were created and designed, behind-the-scenes secrets, unseen details from the original scripts, case studies and rare artwork.This lavish and visually stunning book provides an unrivalled wealth of information, allowing you to explore the rich history of Doctor Who and expand your knowledge and understanding of characters old and new.

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Book SynopsisThere are no winners in war, only losers. We have so far avoided a third world war, but across the globe regional conflicts flare up in a seemingly unstoppable cycle. Who can stand between the armed camps? Over six decades, Martin Bell has stood in eighteen war zones – as a soldier, a reporter and a UNICEF ambassador. Now he looks back on our efforts to keep the peace since the end of the Second World War and the birth of the United Nations peacekeeping mission in the new State of Israel. From the failures of Bosnia, Rwanda and South Sudan to nationalism’s resurgence and the distribution of alternative facts across a darkening political landscape, Bell calls for us to learn from past mistakes – before it’s too late.Trade Review‘Martin Bell is the finest foreign correspondent of his generation.’ -- John Laurence, author of The Cat from Hué: A Vietnam War Story‘When I was a young reporter Martin Bell was the TV journalist we all wanted to turn into one day: brave, ferociously principled, unshowy, beautifully spare and articulate, and always uncompromising in preferring what was true to what was spuriously ‘balanced’. These qualities leap off the pages of this powerful and penetrating memoir-come-manifesto. His is a voice of clarity, compassion and towering authority. When I was young I wanted to be just like him. I still do.’ -- Allan Little‘In my view and without doubt Martin Bell was the finest war reporter of his generation. Martin’s personal reflections on not just Bosnia but so many other hotspots of the world flow easily, are hugely perceptive and simply get it. He is a master of emotive depiction and his words bring every situation he describes to life. I have not been able to put this book down since I received it.’ -- Colonel Bob Stewart MP‘Bell writes well and he has witnessed many interesting things in his long career… Martin Bell is clearly and transparently a decent and, in some respects, heroic man.’ -- Adrian Weale, Literary Review

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Book SynopsisWhat has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era? In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time low, cinema buildings were in a state of disrepair and home video had yet to flourish. Since then, while many business challenges - especially for independent producers and distributors - remain, the industry overall has developed beyond recognition. In recent years, as British films have won Oscars, Cannes Palms and Venice Golden Lions, releases such as Love Actually, Billy Elliot, Skyfall, Paddington and the Harry Potter series have found enormous commercial as well as critical success. The UK industry has encouraged, and benefitted from, a huge amount of inward investment, much of it from the Hollywood studios, but also from the National Lottery via the UK Film Council and BFI. This book portrays the visionaries and officials who were at the helm as a digital media revolution began to reshape the industry. Through vivid accounts based on first-hand interviews of what was happening behind the scenes, film commentator and critic Geoffrey Macnab provides in-depth analysis of how and why the British film industry has risen like a phoenix from the ashes.

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Book SynopsisThe book focuses on radio and sound docufiction and docudrama through comparative analysis of the British and the Italian output from post war years to the 2010s, from both a historical and formal point of view. It sheds light on a rather neglected area of study providing a systematic survey of the development of the form and of its current status and perspectives, and at the same time constructing viable analytical tools that can be used to investigate individual productions. Considering the different docudramatic output in formats and quantity in the two countries, the book explores case studies from BBC Radio, which continue to air a high number of programmes with a great variety of formats and subgenres, and Italian case studies from both independent bodies and the Radio RAI, whose docudramatic production has declined since the late 1980s. Specifically, the study seeks to explain how radio language in its purely acoustic dimension allows access to unpredictable layers of truth often complementary, when not overtly alternative, to the documental truth of declaredly journalistic or scientific programmes. A well-researched resource for university students, scholars, researchers and educators in media, sociology of media and history. In-depth analysis of an original topic.Table of ContentsIntroduction Preface 1. The Formation of Trends in Radio Docudrama: Case Studies from Italy between Documentary Urge and Postmodern Paradoxes 2. The Development of Continuities in Radio Documentary: Ideology, Biography and Collective Creation in British Programmes 3. The Warping Action of Sound on Facts in BBC Broadcasts: Documentary Intent and Fictional Deviations 4. Modalities of Sound’s Action in Italian Productions: The Bellaria Film Festival 5. Storytelling, Narration and Symbolic Resonances in Docudrama Notes Bibliography

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Book SynopsisAlong with its interrelated companion volume, The Technology, Business, and Economics of Streaming Video, this book examines the next generation of TV-online video. It reviews the elements that lead to online platforms and video clouds and analyzes the software and hardware elements of content creation and interaction, and how these elements lead to different styles of video content.What are the models of this new content? What kind of cultural and societal acceleration can we expect? What are the societal implications of the next-generation media system? What problems are emerging? What kind of market power is emerging in media industries, around the world? And how can one deal with them? The author addresses these questions with facts and figures, ranging across technology, economics, communications studies, business, policy, and law. He reviews the regulatory options, and recommends a new approach for video media. Media professionals in academia, management, technology, policy and creative production will value the approachable yet thorough information presented in The Content, Impact, and Regulation of Streaming Video.Trade Review'In this two-volume tour-de-force on video, Noam nails the multi-dimensional answers to what is consumed and how it is consumed. The passage of video through programmable devices invites unconstrained transformation.' -- - Vint Cerf, VP and Chief Internet Evangelist, Google'These books show how the world's most impactful medium for entertainment, information, education and marketing will evolve -- and why. No one is more qualified to project and describe the future of the media business, technology and regulation than Eli Noam. Numerous authors have chronicled the media industry's past and present, but this is the first description I’ve seen of where it is going and what it will look like in the future.' -- Bob Zitter, Media Technology Advisor and former HBO Chief Technology Officer'Professor Noam sees technical advances driving dramatic change in such areas as digital video infrastructures and services, particular business models, and the reshaping of the media industry, such as around the market power of cloud video services. These developments raise major social and economic issues for regulators, such as around greater concentration. Professor Noam's insights will enable students, media scholars, practitioners and the policy community to anticipate these transformations and shape policy and practice in ways that will better serve the increasingly diverse interests of the public but also the vitality of digital age media.' -- - Emeritus Professor William H. Dutton, University of Southern California, US and Oxford University, UK‘Changing media consumers’ behaviors, further advances in digital technologies and a dramatic health and economic crisis, combine to transform the media and telecommunications industries. Eli Noam’s new books present us with current, comprehensive,in-depth, analyses of unprecedented dimensions. The Columbia Professor offers essential present and future industry perspectives to readers, scholars, students, managers and policy makers.’ -- - Gerard Pogorel, Professor of Economics Emeritus, Institut Polytechnique de Paris, Telecom Paris, CNRS Interdisciplinary Innovation Institute I3, France‘The Internet, now 50 years old, was not built for video, but today video is most of what it carries. Professor Noam does it for us again with his two volumes about the content of streaming video, in the broadest context, as next-generation television.’ -- - Bob Metcalfe, Internet Pioneer, now UTAustin Professor of Innovation and Entrepreneurship, USTable of ContentsContents: 1. Introduction: The Impending Revolution in Video Technology and its Impact on Media Content and Regulation 2. The Three Generations of TV 3. The Dynamics of Content 4. New-Style Content 5. Market Power in Cloud Video 6. Societal Impacts 7. Regulating Online Video Content: Models and Issues 8. Regulating Online Video Infrastructure: Issues and Institutions 9. Dealing with the Market Power of Video 10, Observations and Conclusions Index

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Book SynopsisAlong with its interrelated companion volume, The Content, Impact, and Regulation of Streaming Video, this book covers the next generation of TV-streaming online video, with details about its present and a broad perspective on the future. It reviews the new technical elements that are emerging, both in hardware and software, their long-term trend, and the implications, and discusses the emerging ''media cloud'' of video and infrastructure platforms, and the organizational form of such TV.What kind of companies? What kind of business models? What kind of industries? What kind of impact on existing media? And what kind of market power in media industries, around the world? The author addresses these questions with facts and figures, ranging across technology, economics, communications studies, business, policy, and law.Media professionals in academia, management, technology, policy and creative production will appreciate the non-jargony yet thorough exploration of streaming online video in The Technology, Business, and Economics of Streaming Video.Trade Review‘This book is crucial reference material for any library or media economics collection. Highly recommended.’ -- N D Bowman, CHOICE‘In the not-too-distant future all television will stream from the cloud to many devices. Everyone who wants to benefit from this epiphany needs to take Eli Noam’s guidance. This particular vision of the future needs the most visionary person in the field and that is Professor Noam.’ -- Reed Hundt, Former FCC Chairman, US‘Eli Noam gets to the heart of the underlying causes of some of the most dramatic and important changes in our world. His focus on underlying the economics as well as the technology enriches our understanding and provides an excellent guide. This work is essential to anyone seeking a full understanding of the changes being wrought around us and how we might approach the critical policy and commercial questions that they raise.’ -- Ed Richards, Managing Partner/Founder, Flint Global Ltd and former CEO of Ofcom, the UK communications regulator‘In this two-volume tour-de-force on video, Noam nails the multi-dimensional answers to what is consumed and how it is consumed.’ -- Vint Cerf, A ‘Father of the Internet’ and Chief Internet Evangelist, Google‘The Internet, now 50 years old, was not built for video, but today video is most of what it carries. Professor Noam does it for us again with his two volumes about the content of streaming video, in the broadest context, as next-generation television.’ -- Bob Metcalfe, Internet Pioneer and Professor of Innovation and Entrepreneurship, University of Texas, US‘Professor Eli Noam, one of the world’s leading media economists, identifies key technical advances shaping media, policy and regulation for the digital age. His two volumes are must reading for anyone seriously interested in the future of the media—its business models, creative content, industry structure, and implications for policy and regulation.’ -- William H. Dutton, Emeritus Professor, University of Southern California, USA, and Oxford Martin Fellow and Founding Director, Oxford Internet Institute, University of Oxford, UK‘Changing media consumers behaviors, further advances in digital technologies and a dramatic health and economic crisis, combine to transform the media and telecommunications industries. Eli Noam’s new books present us with current, comprehensive,in-depth, analyses of unprecedented dimensions. The Columbia Professor offers its readers, scholars, students, managers, policy makers, essential present and future industry perspectives.’ -- Gerard Pogorel, Professor of Economics Emeritus, Institut Polytechnique de Paris, Telecom Paris, CNRS Interdisciplinary Innovation Institute I3, France‘These books show how the world’s most impactful medium for entertainment, information, education and marketing will evolve—and why. No one is more qualified to project and describe the future of the media business, technology and regulation than Eli Noam. Numerous authors have chronicled the media industry’s past and present, but this is the first description I’ve seen of where it is going and what it will look like in the future.’ -- Bob Zitter, Former HBO Chief Technology OfficerTable of ContentsContents: 1. Introduction: The Impending Media Revolution in Video Technology and its Impacts on Today’s and Tomorrow’s Media Industries 2. The Past Generations of TV Technology 3. Technology Innovation: Hardware 4. Infrastructure Platforms and Data Operations 5. Video Platforms 6. Market Power in Cloud Video 7. Business Models for Video Clouds 8. Interoperability and Integration Among Clouds and Other Providers 9. The Impact of Next-Generation Video on Traditional Media Companies and Industries 10. Observations and Conclusions Index

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Book SynopsisShe’s hit the big time…hasn’t she?Personal shopper, Annie Valentine, is presenting her own popular TV fashion series. But despite this being Annie’s dream job, success isn’t all it’s cracked up to be and suddenly Annie is feeling the pressure! Especially as boyfriend Ed is left at home looking after their brand-new twin babies, whilst Annie comes to terms with fame. And as Annie gets more and more sucked into the celebrity showbiz world, she feels like she’s losing more and more of who she really is. Could the big break she’s always wanted, actually be a big mistake?Fans of Sophie Kinsella, Lindsey Kelk and Paige Toon will love this laugh-out-loud romantic comedy from bestselling author Carmen Reid.What readers are saying!"If you love shopping as much as you love a great read, try this. Wonderful." Bestselling author, Katie Fforde"Annie Valentine is a wonderful character - I want her to burst into my life and sort out my wardrobe for me!" Bestselling author, Jill Mansell"You will enjoy getting to know Annie Valentine; laughing with her and crying with her. You may even fall in love with her . . . I have! A fantastic read!"⭐ ⭐ ⭐ ⭐ ⭐ Reader review"Fantastic read, couldn't put it down" ⭐ ⭐ ⭐ ⭐ ⭐ Reader review"Can't wait to read the next one!"⭐ ⭐ ⭐ ⭐ ⭐ Reader review

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Book Synopsis'At a time when fluff and gossip reign supreme, Hanna Flint's work is consistently insightful, informative and engaging all at once. I always finish reading it feeling just a tad bit smarter.' Candice Frederick, Huffington Post'One of the smartest pop culture commentators out there.' Toby Moses, GuardianThe leading film critic of her generation offers an eloquent, insightful and humorous reflection on the screen's representation of women and ethnic minorities, revealing how cinema has been the key to understanding herself, her body image and her ambitions as well as the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. She interweaves anecdotes from familial and personal experiences - from episodes of messy sex and introspection to the time when actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - to offer a critical eye on the screen's representation of women and ethnic minorities. Divided into sections 'Origin Story', 'Coming of Age', 'Adult Material', 'Workplace Drama' and 'Strong Female Character', the book ponders how the creative industries could better reflect our multicultural society.Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.Trade ReviewUnlike any film book I've read before, Strong Female Character is part-polemic, part-historical and social study of film, and part memoir. Hanna Flint deftly weaves these strands to tell a funny, angry and compelling story for right now: of how the cinematic world built this millennium girl's life. Covering absent fathers, MeToo, first loves, eating disorders and masturbation, there's little Hanna doesn't tackle head on with her signature honesty and humour. The huge authority with which she writes about film is only matched by the emotional power in describing her own experiences. Truly original. A must for any film fan who has wondered how their own life intersects with the art that they love. -- Terri WhiteA really gorgeous and thorough examination on films that have helped shape me into the woman I am today. Hanna's writing is sharp and wholesome and shows not only a forensic knowledge on movies but a deep love and respect for film. This book is a real celebration and ode to women who hold up the art of cinema. -- Mollie GoodfellowA really gorgeous and thorough examination on films that have helped shape me into the woman I am today. Hanna's writing is sharp and wholesome and shows not only a forensic knowledge on movies but a deep love and respect for film. This book is a real celebration and ode to women who hold up the art of cinema. -- Megha Mohan * co-founder of The Second Source *A glorious coming-of-age memoir, Hanna Flint's Strong Female Character is a tour through the pop culture that made her, from formative crushes on Edward in Twilight to making sense of sexual assault with some help from Gone With the Wind and Blade Runner. At turns witty and moving, it's a breeze to read and left me with a stacked new list of films to enjoy. -- Toby MosesPacked with enough film references to make any nerd heart sing but this book is so much more: this is bare-your-soul writing that tells us how important cinema is in not only how we understand the world but how we move through it -- Kate Herron * director of Loki *Strong Female Character is a journey both through the writer's life and the movies that made her. Bitter-sweet, funny and sharp, it's for everyone that Disney never made a princess for -- David QuantickHanna is a terrific writer, with an eye for a telling detail and a strong, unique, passionate voice. She's put together some of the most revealing profiles to have run in Empire in recent years, vibrantly bringing her subjects' stories to life. And her reviews, too, are highly insightful, while always keeping a light touch. A real force in film writing. -- Nick De Semlyen * Editor, Empire *At a time when fluff and gossip reign supreme, Hanna Flint's work is consistently insightful, informative and engaging all at once. I always finish reading it feeling just a tad bit smarter. -- Candice Frederick * Huffington Post *A brilliantly clever, sharp, witty writer who has the ultimate respect and love for story. -- Rachel De-Lahay * BAFTA-nominated screenwriter and playwright *Hanna represents that rare thing in film criticism today - a funny and fearless soul, dedicated to the promise of cinema as a space where everyone's voice can be heard. -- Clarisse Loughrey * Chief Film Critic, The Independent *One of the smartest pop culture commentators out there, Hanna is able to filter the latest releases through a sophisticated lens of social justice with wit and flair. -- Toby Moses * Guardian *

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Book SynopsisJames B. Stewart is a columnist for the New York Times and a professor at Columbia Journalism School. He is the author of books including Deep State, Tangled Webs, Heart of a Soldier, Blind Eye, Blood Sport and Den of Thieves. In 1988, he won a Pulitzer Prize for his reporting on the stock market crash and insider trading.Rachel Abrams was a media reporter for the New York Times and is now a senior producer and reporter for the television series The New York Times Presents. In 2018, she was part of a team that won the Pulitzer Prize for public service for reporting that exposed sexual harassment and misconduct.

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Book Synopsis'Searingly honest... gripping... fascinating and hugely entertaining.'- Sunday Times'Moving and frank ... A story of a childhood defined by loneliness, the absence of a father and the grim experience of a Quaker boarding school. It is also one of the most perceptive accounts of Britain in the 1970s.'- Misha Glenny'A crisp, unself-pitying memoir of a 'trainwreck' youth ... I've always likes Webb on the radio. But I like him much more after reading this book. He offers precisely the kind of brisk honesty and considered analysis he expects from his interviewees. Our politicians should all read it, and step up their game.' -Telegraph.........................................................................................................................................................Justin Webb's childhood in the 1970s was far from ordinary.Between his mother's un-diagnosed psychological problems, and his step-father's untreated ones, life at home was dysfunctional at best. But with gun-wielding school masters and sub-standard living conditions, Quaker boarding school wasn't much better.Candid, unsparing and darkly funny, Justin Webb's memoir is as much a portrait of a troubled era as it is the story of a dysfunctional childhood, shaping the urbane and successful radio presenter we know and love now.........................................................................................................................................'I thoroughly enjoyed Justin Webb's bonkers childhood. He captures the middle class of the age with a tenacity only possible in one of its victims.' -Jeremy PaxmanTrade ReviewOne of my books of the year: beautifully written. -- Alan Johnson * New Statesman *A gripping memoir ... fascinating and hugely entertaining. It's extremely thoughtful and shockingly honest. -- Christina Patterson * Sunday Times *A crisp, unself-pitying memoir of a 'trainwreck' youth ... I've always likes Webb on the radio. But I like him much more after reading this book. He offers precisely the kind of brisk honesty and considered analysis he expects from his interviewees. Our politicians should all read it, and step up their game. -- Helen Brown * The Telegraph *[Justin Webb's] affability and easy manner seems even more remarkable after reading [his] memoir, The Gift Of A Radio. The subtitle is My Childhood And Other Train Wrecks, which is apt: the experiences of his formative years would have driven most children completely off the rails * Daily Mail *Moving, darkly hilarious ... In his mother, Gloria Crocombe, Webb records a great tragicomic character. -- Melanie Reid * The Times *

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Book Synopsis

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