Film scripts and screenplays Books
Grove Press / Atlantic Monthly Press Thelma and LouiseSomething to Talk about
Book SynopsisWhen Thelma & Louise opened in 1991, it was greeted with acclaim and controversy, quickly earning first-time screenwriter Callie Khouri a reputation as one of the only writers of real movie roles for women. She lived up to expectations with Something to Talk About, which won praise for its originality and authenticity. Published here in one volume, these two screenplays gives us an oppurtunity to savor the work of a groundbreaking author.
£12.34
Oldcastle Books Ltd Writing and Selling Thriller Screenplays
Book SynopsisWriting and Selling Thriller Screenplays has the lowdown on how to get your thriller feature script on to the page, and how to get it in front of producers and investors....Trade ReviewTrust Lucy Hay on the film and TV business. In her trademark cut-to-the-chase style, she meticulously sets out what the public likes and the industry wants and crucially, concludes with invaluable in-depth career strategies for getting your scripts read and you into the industry. The go-to book on thrillers. Keep one on your desk -- Linda Aronson
£16.99
CRC Press Cinematic Worldbuilding
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£47.49
Picador USA Flamingos Forever
Book SynopsisOne part of John Waters?s iconic ?Trash Trilogy,? Flamingos Forever is a dark-comedy screenplay about a drag queen trying to retain her title of ?Filthiest Person in the World.?Fifteen years after the events of Pink Flamingos, Babs Johnson returns to Baltimore from a life spent largely in bus station lavatories, only to find that she once again has to fight for the right to claim the title of ?World?s Filthiest Person.? Her nemesis Connie Marble?s sister, Vera Venninger, and her necrophiliac husband, Wilbur, are in her way. So begins a new battle of filth.This raucous, filthy?and essential!?volume in John Waters?s oeuvre never made it to the screen, so this is readers? and his legions of fans? one chance to see how this ghastly and irreverent saga meets its end!
£12.75
Edinburgh University Press Channel 4 and the British Film Industry 19821998
Book SynopsisA comprehensive study of Channel 4's film production, distribution and broadcasting activates from 1982 to 1998
£76.50
Cornell University Press The Ways of the Word
Book SynopsisIn The Ways of the Word, Garrett Stewart steps aside from theory to focus on the sheer pleasure of attentive reading and the excitement of recognizing the play of syllables and words upon which the best literary writing is founded. Emerging out of teaching creative writing and a broader effort to convene writers and critics, Stewart''s episodes in verbal attention track the means to meaning through the byways of literary wording.Through close engagement with literary passages and poetic instances whose imaginative demands are their own reward, Stewart gathers exhibits from dozens of authors: from Dickinson, Dickens, and DeLillo to Whitman, Woolf, and Colson Whitehead. In the process, idiom, tense, etymology, and other elements of expressive language and its phonetic wordplay are estranged and heard anew. The Ways of the Word fluidly and intuitively reveals a verbal alchemy that is as riveting as it is elusive and mysterious.Trade ReviewStewart is clearly having fun in this book, channeling techniques into his exposition with such parings as word's way and world's way, touchstone and touchtone, density and intensity, and epiphony and epiphany, to note just a few. Impressively erudite, this work will interest critics, creative writers, and literary-minded linguists. * Choice *
£17.59
BearManor Media The High-Concept Massacre: Genre Screenwriters Tell All! (hardback)
a huge range and FREE tracked UK delivery on ALL orders.
£23.75
Morgan James Publishing llc Your Storytelling Potential: The Underground
Book SynopsisWriters seeking to create novels and screenplays with genuine layers and depth will find essential insight in Mitchell German’s Your Storytelling Potential!After studying filmmaking and screenwriting at NYU—one of the premier film studies programs in the United States (if not the world)—Mitchell German graduated with a complete doctrine on storytelling theory in his arsenal; yet his screenplays still lacked the potency he desired. He spent ten years studying every available book and “expert” on storytelling, but it wasn’t until 2002, after endlessly studying the movie Liar Liar, that Mitchell found the key and developed the Your Storytelling Potential Method. The truth about great storytelling is hidden in plain view for anyone to see, but nearly every expert ignores the most basic story construct. In Your Storytelling Potential, writers who seek to tell great stories will find: A complete understanding of the Identifiable Traits great novels and screenplays (namely movies) have that distinguish them from the other 99.99% of books and screenplays written every year How to use Two Stories within a screenplay and novel, which exponentially increases the chances of those stories gaining buzz and attention A proper understanding of the critical and essential role of Subplots to create genuine character depth and relationships How to properly integrate a Theme for stories to convey deep, relevant, and amazing ideas An outline for utilizing A/B Parallel Story Structure and the Simple Story Timeline to build multi-dimensional stories with the required converging events of the A-Story/B-Story relationship How the premise of every great story is created by the convergence of the A & B Storylines, and how this Key Information can unlock Your Storytelling Potential
£15.19
IGI Global Examinations and Analysis of Sequels and Serials
Book SynopsisThere are many elements in the concept of visual continuity, and they are all interrelated. In films or film series that are described as sequels, establishing a visual integrity relationship between films comes to the fore. The concept of the sequel appears in two ways. Sometimes, while the ideas are scripted, the story is divided into more than one part. Sometimes the story is planned as a single movie, and after a certain time, it can be realized as a follow-up movie/film for different reasons. In both systems of expression, it is necessary to seek harmony between all elements of visual design.Examinations and Analysis of Sequels and Serials in the Film Industry examines certain contents through the concepts of cinematography and narrative, focusing more on the practical side of cinema and partially on the theoretical side. It examines samples, sequels, serials, and trilogy universes on the axis of cinematography and narration. Covering topics such as film landscape, repeated narrative elements, and storytelling, this premier reference source is an excellent resource for film industry workers, film students and educators, sociologists, librarians, academicians, and researchers.
£147.60
Bicep Books Writing Japanese Monsters: From the Files of The
Book Synopsis
£31.50
Bicep Books The Lost Films Fanzine #3
Book Synopsis
£12.34
PS Publishing Kong An Original Screenplay Oversize Paperback
Book Synopsis
£17.99
Springer International Publishing AG Writing and Producing for Children and Young Audiences
Book SynopsisThis book offers a comprehensive analysis of the writing and production strategies used in live-action fiction film and television produced for children and young audiences, in a period marked by remarkable change in screen consumption.
£111.99
University of Minnesota Press Scenarios: Aguirre, the Wrath of God; Every Man
Book SynopsisI do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you.When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty.And then sometimes I push myself by playing music, for example, a piano concerto by Beethoven, and I play it and write furiously. But none of this is an answer to the question of how you focus on a single idea for a film. And then, during shooting, you have to depart from it sometimes, while keeping it alive in its essence. —Werner Herzog, on filmmakingWerner Herzog doesn’t write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production—and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.Trade Review"A compulsively readable, probing collection. It’s equal parts challenging and satisfying, infuriating and enlightening."—Publishers Weekly"Herzog seems to peer nonstop into the abyss combining vainglory, cruelty, and madness. Those are the coordinates at which Herzog geolocates humanity."—BookForum"Scenarios contains more than merely dialogue in cold type. Herzog’s screenplays read like novellas—the characters are fully thought-out and the settings are vividly described, albeit in long, medium and close shots."—Shepherd Express"Herzog doesn’t write traditional scripts. Instead, Herzog writes scenarios which are like a hybrid of film, fiction, and prose poetry."—Film International
£17.99
Random House USA Inc Fleabag The Scriptures
Book SynopsisGo deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection—“a completist’s dream of a book, including the show’s full scripts and Waller-Bridge’s commentary” (Vogue). NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.” Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusi
£26.62
Gallimard Hiroshima mon amour
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£9.95
Faber & Faber The Royal Tenenbaums
Book SynopsisThis is the screenplay for the acclaimed film, directed by Wes Anderson. There were three extraordinary children in the Tenenbaum family; Chas Tenenbaum (Ben Stiller) was a financial expert and started buying real estate in his early teens; Margot Tenenbaum (Gwyneth Paltrow) was an acclaimed playwright and won a Pulitzer Prize in the 9th grade; Richie Tenenbaum (Luke Wilson) was a champion tennis player ranked 2nd in the world by the age 17. They were brilliant. They were famous. They were unlucky enough to be the children of a man named Royal Tenenbaum (Gene Hackman). Now for the first time in 25 years, they''re all living together under the same roof. After having largely gone their separate ways they''re looking to mend fencesand themselves in the process.Trade Review'The film of the year... The Royal Tenenbaums speaks in its own singular voice: at once tender and probing, mindful of New York and its special mixture of grit and glory but confident enough to mould it into a big, faded magic playhouse.' Film Comment 'Wes Anderson's first unqualified masterpiece.' Los Angeles Daily News 'A terrific film that has to be seen twice: first to be dazzled, then to be moved.' Premiere"
£13.18
Focus Publishing/R Pullins & Co Practical Screenwriting
Book SynopsisPractical Screenwriting is a structured guide for the novice screenwriter that provides exercises in writing as well as practical guides to analyzing major films in ways that will provide insight into the screenwriting process. It aids the screenwriting in writing clean, crisp, clear scripts that will get read in the crowded contemporary marketplace.
£23.39
Faber & Faber All That Fall and Other Plays for Radio and
Book SynopsisThis new edition brings together all of Beckett''s dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism. Above all, Beckett found his unique uses for the radio-play, a medium ''for voices not bodies'', compacted of speech, sound and silence - and the plays in this volume intently explore the resources and limits of the sound-stage.My father, back from the dead, to be with me. (Pause.) As if he hadn''t died. (Pause.) No, simply back from the dead, to be with me, in this strange place. (Pause.) Can he hear me? (Pause.) Yes, he must hear me. (Pause.) To answer me? (Pause.) No, he doesn''t answer me. (Pause.) Just be with me. (Pause.) That sound you hear is the sea. (Pause. Louder.) I say that sound you hear is the sea, we are sitting on the strand. (Pause.) I mention it because the sound is so strange, so unlike the sound of the sea, that if you didn''t see what it was you would
£11.69
A24 Films LLC The Lobster Screenplay Book
Book Synopsis
£47.50
University of Texas Press The Nutshell Technique
Book SynopsisPresenting a proven technique for screenwriting centered on a character’s flaws and strengths, an expert screenwriting coach shows writers exactly how to construct screenplays that tell compelling, satisfying stories.Trade ReviewA clever, fresh way of analyzing structure. I've added The Nutshell Technique to my own writing toolbox. * Creative Screenwriting magazine *A Top 10 Book of the Year. A go-to guide for anyone with a story to write. * Austin Chronicle *The Nutshell Technique offers ideas that will grow in resonance with each movie you watch. . . a comprehensive method of categorizing movies that you might consider your favorites can now be applied. * Free Press Houston *Table of Contents A Note on the Text Foreword by Patrick Wright Acknowledgments Part 1. The Problem with 99% of Screenplays Chapter 1. The Problem Chapter 2. The Solution Part 2. The Nutshell Technique Process Chapter 3. How to Use This Book Chapter 4. Protagonist Chapter 5. Set-Up Want: Part 1 Chapter 6. Point of No Return Chapter 7. Set-Up Want: Part 2 Chapter 8. Catch Chapter 9. Flaw Chapter 10. Crisis Chapter 11. Triumph Chapter 12. Climactic Choice Chapter 13. Final Step Chapter 14. Strength Part 3. Advanced Application of the Nutshell Technique Chapter 15. Nonlinear Screenplays Chapter 16. Using a "Secret Protagonist" to Structure a Nonconventional Story Part 4: Film Nutshells Annie Hall Argo August: Osage County Being John Malkovich The Big Lebowski The Bourne Identity Braveheart Casablanca Chinatown Collateral Crimes and Misdemeanors Dallas Buyers Club Frozen The Godfather Groundhog Day Juno Little Miss Sunshine The Matrix Memento North Country Pulp Fiction Silver Linings Playbook The Sixth Sense The Social Network Sunset Blvd. Titanic Tootsie Up in the Air The Usual Suspects Witness Notes Index
£16.14
Indiana University Press English Filming English Writing
Book SynopsisExamines English films and television dramas as they relate to English culture in the 20th century. This book traces themes such as the influence of US crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s. It also analyzes the documentary "Listen to Britain".Trade Review. . . ambitious and expansive . . . . -- Lucy Scholes * TLS - Times Literary Supplement *A substantive, seductive, charming piece of work, this book is a paradigm of good sense and clarity—neither pedantic nor trendy. . . . Highly recommended. November 2010 * Choice *I recommend this book to those who take pleasure in cinema; I prescribe it to those who need to learn how to write about the aesthetics of cinema, not the ideology of culture.Issue 30 - 2011 * Screening the Past *Table of ContentsContentsPrefaceIntroduction: By Way of Hanif Kureishi and Stephen Frears1. Wartime Pageantry The Archers on Pilgrimage Screen Processions and Village Pageants The Documentary Pageant: Jennings's Listen to Britain2. American Gangsters, English Crime Films, and Dennis Potter George Orwell versus James Hadley Chase Contending with America In Search of an English Crime Film The Singing Detective as Summa Criminologica3. Two Texts to Screen How to Adapt Dickens, and How Not to Do It Ishiguro and Merchant-Ivory, Upstairs and Downstairs4. The Strange Potencies of Music Rawsthorne and Rachmaninoff Rolling Out the Barrel, Looking Up and Laughing Distant Voices and Lip-Synched LivesConclusion: By Way of Tony Harrison and Alan BennettNotesIndex
£19.79
Little, Brown Book Group The Crossed Out Notebook
Book SynopsisFrom the Academy Award-winning co-writer of Birdman, a wonderfully eccentric, suspenseful debut in the tradition of Misery and Kiss of the Spiderwoman about a screenwriter kidnapped by a world-famous director who orders him to compose a masterpiece.Trade ReviewNicolas Giacobone has done the impossible. The Crossed-Out Notebook is a meta-fictional page-turner that grapples as much with Beckett as with Pretty Woman, as much with The Beatles as with Fellini. Also hidden in these pages are gems about what it takes to sit down in your pajamas everyday and attempt to put worlds to words. * Daniel Magariel, author of One of the Boys *A deceptively straightforward slack-wire act of a novel that probes the hairline crack between selling art and selling out. * Nell Zink, author of Mislaid *This stylish debut novel by an Oscar-winning Argentine screenwriter (he co-wrote Birdman) is a suspenseful, darkly funny exploration of the creative process and the porous boundary between reality and fiction. Highly recommended * The Mail on Sunday, 'The Best New Fiction' *
£7.19
Silman-James Press,U.S. The 21st-Century Screenplay: A Comprehensive
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£20.69
ibidem-Verlag, Jessica Haunschild u Christian Schon Filming the Unfilmable: Casper Wrede's 'One Day
Book SynopsisIn this amply illustrated book, Hellman and Rogachevskii tell the fascinating story behind the screen adaptation of one of the most impactful novels of all times. Despite its huge global success, Aleksandr Solzhenitsyn refused all offers to have his One Day in the Life of Ivan Denisovich turned into a movie for many years for artistic reasons. It took the full resolve and commitment of the Finnish director Caspar Wrede to bring this challenging project to fruition, eight years after the novel had been published. This second, expanded edition offers an all-encompassing account of the movie's production, reception and impact. Filled with little-known facts, it also gives unique and valuable insights into Solzhenitsyn's complex relationship with the art of film-making.Trade Review"This study is a labour of love for Russian literature scholars Ben Hellman and Andrei Rogachevskii. Chock-full of fascinating and often witty footnotes, the main text provides a thorough account of the film`s production." -- Scotland-Russia Forum Review"Wrede`s film is important -- for a long time the only film adaptation of Solzhenitsyn`s work and often moving. Hellman and Rogachevskii`s book is a valuable reminder and hopefully will encourage more interest." -- Society for Co-operation in Russian & Soviet Studies Information Digest
£27.19
Independently Published Klute
£10.53
Penguin Random House LLC Dada and Surrealist Film
£35.73
Random House USA Inc Getting Even
Book Synopsis
£12.56
Bloomsbury Publishing (UK) Screenplay Persuasion Methuen Screenplays By Jane Austen Screen and Cinema
Book SynopsisA screenplay by Nick Dear, this text is an adaptation of Jane Austen's novel "Persuasion". It is the story of Anne Elliot who is engaged to a naval officer but is persuaded to abandon thoughts of marriage to him on the grounds of his dubious financial prospects.
£20.54
Bloomsbury Publishing (UK) The Talented Mr Ripley A Screenplay
Book SynopsisAnthony Minghella is a dramatist and director whose best known plays have been published in two volu mes by Methuen. His films include TRULY, MADLY, DEEP and THE ENGLISH PATIENT. Patricia Highsmith wr ote a number of volumes about Tom Ripley; THE TALENTED MR RIPLEY is the first and best known novel i n this series. Anthony Minghella lives in London.
£20.54
Little, Brown & Company Adventures in the Screen Trade
Book Synopsis
£18.69
St. Martins Press-3PL The Big Lebowski
Book SynopsisThe screenplay to another offbeat movie by the Academy Award-winning Coen brothers. As a result of a case of mistaken identity, Jeffrey Lebowski - alias The Dude - finds himself entangled in a kidnapping caper as a bag man - a situation that goes from bad to even worse due to the interference of his hapless bowling partners.
£12.34
Farrar, Straus and Giroux Collected Screenplays Blood SimpleRaising ArizonaMillers CrossingBarton Fink
Book SynopsisThis title contains a collection of the screenplays written by Joel and Ethan Coen. The plays include, "Raising Arizona" and "Barton Fink".
£16.14
Faber & Faber Hail Caesar
Book SynopsisHail, Caesar! is the story of Eddie Mannix, tireless pursuer of the interests of fictional Capitol Pictures, circa 1951. He is the ultimate studio fixer and---since the studio is his world---the ultimate earthly one. There is no star scandal he cannot cover up, no studio misstep he cannot repair, no sin he cannot make right. His powers are tested, though, when production on the studio's most expensive picture ever---biblical epic Hail, Caesar!---is halted by the kidnapping of its star. The kidnappers are a mysterious gaggle seeking not just ransom but the destruction of everything Eddie Mannix lives for, and everything he lives by. . .
£12.34
iUniverse Revelations Alpha and Omega
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£19.94
iUniverse CONTEMPORIZING THE CLASSICS POE SHAKESPEARE DOYLE
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£13.79
iUniverse SCRIPTWRITING AND STRUCTURE
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£12.13
iUniverse THRESHOLD Scripting a ComingofAge
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£15.55
iUniverse LIGHTS CAMERA ACTION CRAFTING AN ACTION SCRIPT
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£14.92
iUniverse The American Revolution An Epic Historical Dramatic Feature Film for Television
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£22.21
iUniverse THE THRILLER SCRIPTING SEATGRIPPING SUSPENSE
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£14.35
iUniverse FROM GETHSEMANE TO ASCENSION AN ULTIMATE HARMONY OF THE GOSPELS EASTER AND RESURRECTION PLAYS
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£10.67
iUniverse Contemporizing the Classics Poe Shakespeare Doyle
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£18.91
iUniverse Threshold Scripting a ComingOfAge
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£19.66
iUniverse Lights Camera Action Crafting an Action Script
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£20.25
Xlibris Corporation 9TimeZonescom an eMail screenplay collaboration between Hungary and LA includes first draft script The Fall In Budapest
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£17.59
Bloomsbury Publishing (UK) Me and You and Memento and Fargo How Independent Screenplays Work
Book SynopsisFrom "Stranger than Paradise" (1984) and "Slacker" (1991) to Miranda July's "Me and You and Everyone We Know" (2005), indie cinema has become part of mainstream American culture. But what makes these films independent? This title argues that the American independent feature film since the 1980s has developed a distinct approach to filmmaking.Trade Review"US academic J.J. Murphy argues that the meteoric rise of indie filmmaking in the last 25 years has necessitated a different style of storytelling. His analysis of a variety of indie scripts will chiefly be of interest to aspiring screenwriters." --Empire"Lately, we've all been pondering the same question: Are independent films really independent anymore? Author Murphy asserts that independent films are determined more by their missions than their budgets."--Script Magazine"Me and You and Memento and Fargo is absolutely appealing far beyond just being a typical screenwriting "manual" such those written by Syd Field and his ilk. Murphy is clearly zeroing in on the way these films are written, but even those not interested in writing their own screenplays should find this book totally engrossing....Hopefully it'll give food for thought to a new generation of screenwriters who truly want to push the storytelling envelope again." -Bad Lit: The Journal of Underground Film"With J.J. Murphy's insightful look at American independent screenwriting [in] Me and You and ‘Memento' and ‘Fargo': How Independent Screenplays Work...Murphy focuses on independent cinema in clear, engaging prose, tracking how a series of seminal independent features were developed and written and his case studies include scripts and films by Jim Jarmusch, Hal Hartley, Allison Anders, Miranda July, David Lynch and Gus Van Sant. -- Kathryn Millard, Journal of Screenwriting 1, 2 (May 2010)It has the potential to serve future scriptwriters by validating the desire to digress from traditional paradigms. It makes a nice companion to the more rigid manuals on the market. This text will also be of interest to fans of the various films discussed in these pages. Before reading Murphy’s book, this reviewer had only seen seven of the twelve films discussed. It created a strong desire to watch the other five films, and managed to raise my appreciation for the seven films that I had previously seen. -- Devon Powell * Cinemaliterate *Table of ContentsIntroduction; 1. The Ambivalent Protagonist - Stranger Than Paradise; 2. The Passive Protagonist - Safe; 3. Shifting Protagonists - Fargo; 4. Multiple Plots and Subplots - Trust; 5. Shifting Goals and Plotlines - Gas Food Lodging; 6. Ensemble Structure - Me and You and Everyone We Know; 7. Flashback Structure - Reservoir Dogs; 8. Temporal Complexity - Elephant; 9. Puzzle Film - Memento; 10. Dream Logic - Mulholland Dr; 11. Free Association - Gummo; 12. Character-based Structure - Slacker; Conclusion.
£36.37
Bloomsbury Publishing (UK) How To Write A Screenplay Revised And Expanded Edition
Book SynopsisMark Evan Schwartz is Associate Professor of Screenwriting at Loyola Marymount University, School of Film and Television, in California, USA. He's a former Head of Story Development for Nelson Entertainment, Story Analyst for the David Geffen Company, and Production Assistant to Francis Ford Coppola. A working screenwriter, he has credits on over a dozen produced feature films and television movies.Trade Review"Mark Evan Schwartz's book is 'a good read' and it's also an instructional read that guides a new screenwriter through the maze of writing a good screenplay, much the same way Virgil guided Dante through another potentially hellish experience all those many years ago." -- Barry Brodsky, Director, Screenwriting Certificate Program, Emerson College, Boston MA"An interesting and worthwhile experiment. A fast and informative read... A fun way to learn how to write a script!" Screenwriting magazine"Schwartz delivers a wonderfully unique concept...a great idea and the most entertaining way of learning the process." -Script MagazineMark Evan Schwartz knows screenwriting like Dante knew Hell. Not that screenwriting is hell all of the time, but it is often enough to need a great roadmap, and "How to Write: a SCREENPLAY" does that beautifully, with humor and invention and a thorough respect for both the basics and the sulphorous details. And the notion of writing it in the form of a screenplay, called writing for the hell of it, is just plain inspiration. Writing a screenplay that really works is deceptively difficult. Reading this book and following its wisdom decidedly is not.—Wes Craven -- Wes Craven"The latest edition How to Write a Screenplay appears in its revised, expanded edition to add a chapter on "The Pitch" and features a screenplay-like format which sets it apart from others on the market.... Learn the basics of writing and marketing a screenplay through a format that lends to lively insights: perfect for any public library or school collection catering to aspiring screenwriters."- Bookwatch/ California Bookwatch, July 5, 2007 -- California Bookwatch"As entertaining and engaging as it is informed and informative, How to Write a Screenplay is an impressive, ‘reader friendly', professional, practical, instructive, superbly organized and presented ‘how to' manual that is very strongly recommended reading for any and all aspiring playwrights and novice screenwriters."- James Cox, Library Bookwatch, August 2007 -- Library Bookwatch"This is not a dry read but is rather entertaining. The formatting of a script quickly makes sense and the learning to be had is a wide array. If you want to learn the steps to successfully creating a movie script, this has the technical knowledge you will need." -Darth Weasel Book ReviewsAdult/High School-This is one of the best books available for aspiring screenwriters. What makes it so useful for novices is that it follows the cardinal rule Show, Don't Tell. Instead of explaining how to write a script, the book is one. The characters illustrate the craft through an action-adventure story in which Danny, a young writer, is trying to score a tryst with a sexy actress. Bebe La Rue denies him any action until he writes a hot script for her to star in. Enter Virgil, mystery man and screenwriting guru, who takes Danny to the netherworld, where they encounter ghouls, zombies, and giant slugs while exploring concepts like story structure and dramatic conflict. The book makes it clear that writing movie scripts is much harder, and takes much more strategy and expertise, than most people think. Students with dreams of winning the next Project Greenlight contest will leap ahead of the competition by learning the concepts presented in this volume. If their goal is to sell to Hollywood, this book shows them other items frequently requested by producers and agents during the pitching process: the script logline, synposis, and treatment. There's also information about how to copyright and register finished work.-Lois Kirkpatrick, School Library Journal, Fairfax County Public Library ,VA * School Library Journal *Table of ContentsIntroduction; Log Line; Synopsis; Character Profiles; Beat Outline; Treatment; The Pitch; The Original Screenplay.
£28.46
